THE TEMPLE CHURCH

LUNCHTIME

ORGAN

RECITALS

JANUARY—APRIL 2020

WEDNESDAYS

1.15-1.45pm

PERFORMANCE

SCHEDULE 8 January — 8 April 2020

Wednesdays, 1.15-1.45pm

8 January

Charles Andrews—The Temple Church

15 January

Roger Sayer—The Temple Church

22 January

Katherine Meloan—United States

29 January

Christian Gautschi—Switzerland

5 February

Laurence Long—All Saints, Margaret Street

12 February

Charles Andrews—The Temple Church

19 February

William Fox—Sub Organist at St. Paul’s Cathedral

supported by the Keyboard Trust

4 March

David Graham—Church of Immaculate Conception

11 March

Thomas Allery—The Temple Church

18 March

Polina Sosnina—London Oratory

25 March

Roger Sayer—The Temple Church

1 April

Charles Andrews—The Temple Church

8 April

Roger Sayer—The Temple Church

Free Admission, Retiring

Collection

We are very grateful to our

performers for giving their time and

skills for free. Please give

generously to the retiring collection

to help cover the expenses of the

series. Thank you.

A BRIEF HISTORY OF

THE TEMPLE CHURCH

The Temple Church is among the oldest and most beautiful churches in

London. It was built by the Knights Templar, an order of crusading monks

founded in 1118 to protect pilgrims to the Holy Land. The Templars became

one of the most powerful orders in Christendom. The Temple was their

headquarters in England: here were the Church, two Halls, cloisters and

domestic buildings, leading in the 12th century straight down to the River

Thames. The Round Church was consecrated in 1185. It was modelled on the

circular Church of the Holy Sepulchre in Jerusalem, the most sacred place of

the Holy Land and so of the whole world. To be in the Round was to be

reminded of Christ’s burial, of our baptism into his death – and so of our

resurrection to his new life.

The effigies in the Round include (on the south side) the figure of William

Marshal, Earl of Pembroke (d.1219). William Marshal was chief advisor to

King John and regent in the minority of Henry III. The witnesses to Magna

Carta at Runnymede in June 1215 included the Earl’s son William, whose

effigy lies beside his father’s, and Brother Aymeric, Master of the Order of

Knights Templar in England. Magna Carta itself was sealed at the end of a

long process of negotiation and dispute. A deputation from the barons had

met King John at the Temple itself, 6th January 1215, to demand the

confirmation of laws and liberties granted by his father.

The Templars were suppressed, 1307-1311. The lawyers of Inner and Middle

Temple were well established here in the 15th century, and in 1608 their

occupancy was secured by the grant of Letters Patent from King James I. The

two Inns of Court were granted the land on

condition that they keep up the church and its

services. The Inns continue to maintain the church

and its choir of men and boys.

8 JANUARY—Charles Andrews

————————–————————

In dir ist Freude, BWV 615

J S Bach (1685-1750)

Wie schön leuchtet der

Morgenstern, Op. 65

Jesu, meine Freude, Op. 87

i Introduzione (Inferno)

ii Canzone

iii Fuga con Corale

Karg-Elert (1877-1933)

PROGRAMMES

22 JANUARY—Katherine Meloan

———————————————–——

Concerto in D minor, BWV 596

J S Bach (1685-1750)

Sweet Hour of Prayer

Bolcom (1938-present)

Symphonie pour Grand Orgue,

No. 3, Op. 28

ii Cantilène

v Final

Vierne (1870-1937)

15 JANUARY—Roger Sayer

—————————————-——

Finale, Symphony No. 8

Widor (1844-1937)

Carillon de Westminster

Pastorale, Op. 54, No.6

Vierne (1870-1937)

Variations sur un Noel

Dupré (1886-1971)

29 JANURAY—Christian Gautschi

———————————————–——-

Chorale Preludes on Gregorian

Hymns, Op. 76

ii Aeterna Christi munera (The

eternal gifts of Christ the King)

viii Deus tuorum militum (O God,

thy soldiers’ crown and guard)

Peeters (1903-1986)

Weinen, Klagen, Sorgen, Zagen

Liszt (1811-1886)

5 FEBRUARY—Laurence Long

—————————————-——

Prelude in C minor, BWV 546

J S Bach (1685-1750)

No. 8 from ‘A Little Organ Book

in Memory of Hubert Parry’

Darke (1888-1976)

Sonata in A minor, Op. 98, No. 4

i Tempo moderato

ii Intermezzo

iii Fuga cromatica

Rheinberger (1839-1901)

19 FEBRUARY— William Fox

———————————————–——

‘St Patrick’s Breastplate’ from

Sonata Celtica, Op. 153

Stanford (1852-1924)

Fantasia in A minor

Byrd(1543-1623)

Spring Song

Hollins (1865-1942)

Sacred and Hallowed Fire

McDowall (1951-present)

12 FEBRUARY—Charles Andrews

—————————————-——

‘Prélude’, Suite Op. 5

Duruflé (1902-1986)

An Wasserflüssen Babylon

Pachelbel (1653-1706)

An Wasserflüssen Babylon,

BWV 653

J S Bach (1685-1750)

Sonata in D minor, Op. 65, No. 6

i Chorale & variations

ii Fugue

iii Finale: Andante

Mendelssohn (1809-1847)

4 MARCH—David Graham

————————–————————

Rhapsody in E

Darke (1888-1976)

Six Short Preludes and

Postludes, Op. 101

i Allegretto in F

ii Allegro non troppo e pesante

in G minor

iii Allegro non troppo in E-flat

iv Andante tranquillo in F

v Allegro maestoso in G

(founded on an old Irish church

melody)

vi Andante con moto in E-flat

(founded on an old Irish church

melody)

Stanford (1852-1924)

Grand Choeur

Weitz (1883-1970)

18 MARCH— Polina Sosnina

———————————————–——

Prelude and Fugue in C, BWV 547

J S Bach (1685-1750)

Sonata in D minor, Op. 65, No. 6

i Chorale & variations

ii Fugue

iii Finale—Andante

11 MARCH—Thomas Allery

—————————————-——

Overture to the Occasional

Oratorio

i Andante Maestoso

ii Allegro

iii Adagio

iv March—Allegro

Handel (1685-1759)

Organ Sonata in F Minor,

Op. 65, No. 1

i Allegro moderato e serioso

ii Adagio

iii Andante Recitativo

iv Allegro assai vivace

Mendelssohn (1809-1847)

25 MARCH—Roger Sayer

—————————————-——

Prelude and Fugue in C, BWV 545

J S Bach (1685-1750)

Sonata on the 94th Psalm

i Grave

ii Adagio

iii Allegro

Reubke (1834-1858)

1 APRIL—Charles Andrews

————————–————————

O Lamm Gottes unschuldig,

BWV 656

J S Bach (1685-1750)

I love Thee, my Lord

Shearing (1919-2011)

Prelude on ‘Passion chorale’

W Lloyd Webber (1914-1982)

Chorale No. 1 in E

Franck (1822-1890)

PROGRAMMES

8 APRIL—Roger Sayer

—————————————-——

Symphony Passion, Op.23

i Le monde dans l’attente du

Sauveur

ii Nativité

iii Crucifixion

iv Résurrection

Dupré (1886-1971)

ROGER SAYER

He is, without exaggeration, an extraordinary artist, whose

humanity shines in the impeccable artistry that flows

from his hands..."

- Hans Zimmer, award-winning composer

Roger Sayer is at the forefront of British choral and organ

music. A former organ student at St Paul's Cathedral, Roger was a prize winner

at the 1989 St Albans International Organ Competition and won all the organ

prizes at the Royal College of Music. Since then, he has been in demand both

as a recitalist and accompanist, and his playing takes him to many parts of the

world.

His recent tours and events have included; recitals in Italy, Germany, Holland

and Denmark, a major tour of Australia, a live recital at Temple Church

broadcast on BBC Radio 3, opening the 2018 Summer Organ Festival at

Westminster Abbey, and the release of two new recordings for Priory and

Signum records. Upcoming highlights encompass recitals in Germany,

Denmark and Sweden, and, in the UK, Bath Abbey and Durham Cathedral, as

well as conducting a tour to Holland in Summer 2019 with the boy choristers of

the Temple Church Choir.

Roger Sayer's work as organist has also extended into the film world, with his

most recent performance as organ soloist for Hans Zimmer's Oscar nominated

score for the motion picture Interstellar. Roger later went on to perform the

work live with composer Hans Zimmer in a special concert at London's Royal

Albert Hall, which was attended by the film's director, cast and supporters,

including Christopher Nolan, Jessica Chastain, Professor Brian Cox and

Professor Stephen Hawking.

As a recording artist, Roger has released a number of CDs of solo organ music.

His latest recordings, The Complete Organ Sonatas of Josef Rheinberger and

The Grand Organ of Temple Church, have received several 5* ratings and

outstanding reviews. The Grand Organ of Temple Church has been

recommended on MusicWeb International: ‘Roger Sayer’s playing has a vitality

and vibrancy about it which positively exudes brightness and clarity of

thought.’ Likewise, his Rheinberger CD was recently Recording of the Month

on MusicWeb International: ‘Roger Sayer proves himself to be an apt

interpreter of Josef Rheinberger’s wonderful music; his playing is superior to

that of Jurgen Sonnentheil on CPO in the two sonatas that he performs on his

disc. The excellence that Sayer shows in those two sonatas is continued on into

the other eighteen, so much so that I hope that Priory gives him an opportunity

to record further recitals of the composer’s music.’.

In addition to his organ playing, Roger Sayer is also an acclaimed choral

director with some of the UK's finest choirs. After founding the Rochester

Cathedral Girls’ choir, Roger joined Temple Church in 2013 as Musical Director

and has since created an impressive portfolio of broadcasts, concerts and

recordings.

The choir’s most recent CD, The Temple Tradition, received a 5* review in Choir

and Organ Magazine: ‘The richly voiced young choristers of the Choir of the

Temple Church are a joy to listen to, their unison singing nothing short of

miraculous, and Roger Sayer draws from his singers outstanding phrasing and

subtle nuances of tone’. Under his direction, Temple Church Choir has

broadcast numerous times on BBC Radio 3 and Classic FM, and undertaken

several international tours.

Outside of Temple Church, Roger Sayer worked with the London Symphony

Chorus for ten years as Accompanist and Deputy Chorus Director and

collaborated with many of the world's leading conductors and soloists.

CHARLES ANDREWS

Charles Andrews studied at the Royal College of

Music with David Graham, Sophie-Véronique

Cauchefer-Choplin, John Barstow and John Blakely,

with the aid of a Douglas & Kyra Downie Award.

The RCM awarded Charles the Harold Darke

Memorial Prize for organ, the highest award for

undergraduate organists.

Prior to studying at the RCM Charles held a

Michael James organ scholarship at Rochester

Cathedral. From 2011-16 he was Associate Director of Music at All Saints,

Margaret Street, and Accompanist of Hertfordshire Chorus from 2011-18.

Recently Charles has given concerts in the Christopher Summer Festival in

Vilnius and the 2017 International Organ Festival of Ivan Sokol in Slovakia,

returning to Slovakia to perform in 2018. He has given first performances of

works by David Briggs and Philip Moore.

Charles is Liturgical Organist of the Temple Church.

KATHERINE MELOAN

Praised by The Classical Voice of North Carolina for her

"ability to couple precision with emotion ... Meloan's

charm is her ability to draw in listeners … never once

excluding listeners from her passion." Katherine is an

artist whose expressive gifts and eclectic repertoires

enable her to contribute to the music world with

distinctive and engaging performances.

Dr. Meloan has performed in the U.S. and Europe with some notable

recitals including: Saint George’s Hanover Square in London, the Spoleto Festival

in Charleston, South Carolina; The Cadet Chapel at The

United States Military Academy in West Point, New York; and National

Cathedral in Washington D.C.

Katherine is currently on the organ faculty at Manhattan School of Music.

She teaches organ to pianists, composers, and choral conductors as well as

maintaining a studio for advanced organists. In addition, Katherine serves on the

advisory panel for the Committee for the New Organist (CONO) directed by the

American Guild of Organists and writes for The American Organist magazine

and The Kings Pointer magazine.

One of Dr. Meloan’s greatest passions is choral music. Katherine is currently

Director of Chapel Music at The United States Merchant Marine Academy where

she plays for all services on campus, and directs The Mariner Chapel choir and

The Kings Point Glee Club. The Mariner Chapel Choir serves the Catholic and

protestant community on campus and sings for all services in The Mariners’

Chapel. The Kings Point Glee Club has sung at events such as: The Soldiers’,

Sailors’, Marines’, Coast Guard and Airmen concert, The Festival of Lights

Holiday Concert with the United States Merchant Marine Academy

Regimental Band, and concerts with The United States Coast Guard Academy

Glee Club and The Choir of the Cadet Chapel –United States Military

Academy. Upcoming engagements include: The Maritime Awards Dinner in

Washington D.C. and Citi Field – Mets Game in Queens, NY.

In addition to gracing the musical stage, Katherine is also a classical dancer. She

has danced with Ballet Long Island, Staten Island Ballet, and International

Folk Dance Ensemble and has performed variations from ballets such as:

Sleeping Beauty, Le Corsaire, Paquita, La Bayadere, Chopinania, Swan Lake,

and numerous contemporary works.

Katherine holds degrees (B.A) from Florida International University

(magna cum laude) in piano and Manhattan School of Music (M.M., D.M.A.)

in organ. Her performance has garnered the Outstanding Music Performance

Award from Florida International University and the Bronson Ragan Award in

outstanding organ performance from Manhattan School of Music. Dr. Meloan

is represent by Concert Artist Cooperative.

THOMAS ALLERY

Thomas Allery is the Assistant Director of Music at the

Temple Church. He enjoys a varied career spanning

work as an organist and choral director in church

music, continuo playing, research and teaching.

From 2014 - 19 Thomas was the Director of Chapel

Music at Worcester College, Oxford where he was

responsible for the musical development of the Chapel choirs and organ

scholars. Thomas is also Director of Music at St Mary-le-Bow Church, Cheapside,

a historic Wren church in the heart of the City of London.

Following his undergraduate studies as an organ scholar at Oxford University,

Thomas spent a year as the organ scholar of Canterbury Cathedral before

pursuing study at the RCM, simultaneously holding the position of organ scholar

at St Paul’s Church, Knightsbridge. Thomas graduated with Distinction from the

Masters programme at the Royal College of Music London, in 2014, where he

studied organ with Margaret Phillips and harpsichord with Terence

Charlston. Before returning to Worcester College in Oxford, Thomas spent two

years as the Assistant Organist and Tutor to the Choristers at Magdalen College,

where he accompanied the Chapel choir and was responsible for teaching the

choristers as part of their wider musical education at Magdalen College School.

Here he developed a particular interest in the musical training of choristers, a

unique educational opportunity for children, developing educational resources

which link performance with musical theory, aural and encourage the

development of a long term skill set.

Thomas has studied the organ with Stephen Farr and William Whitehead and in

2016 he was supported by the Eric Thompson Trust to study with Erwin

Wiersinga at the Martinikirk in Groningen.

CHRISTIAN GAUTSCHI

Christian Gautschi performs throughout Europe

and America, showcasing repertoire from the 14th–

21st centuries. He studied at Zurich University of the

Arts (ZHdK) in Switzerland where he got the Bachelor's

degree in church music and the Master of Arts in Music

Education in 2013. He graduated with the Master of Arts

in Music Performance in June 2015 when he passed his

final exam with highest honors. During this time in

Zurich he received the Joseph Auchter prize for his efforts to make organ

music more popular. Visit: www.christiangautschi.ch

WILLIAM FOX

William Fox has been the Sub-Organist of St Paul's

Cathedral, London, since July 2018. Appointed to St

Paul’s at the age of 21, William takes a share in the

organ-playing and conducting of statutory and

special services there. He is also actively involved in

the education of the choristers and the delivery of

the Music Department’s extensive outreach

programme, and he curates the year-long weekly

organ recital series. Since January 2020, William has

also been a Junior Fellow at the Royal Birmingham Conservatoire.

Born in Yorkshire, William's musical education began as a chorister at York

Minster, before organ scholarships at Wells and Hereford Cathedrals. Prior to

his appointment at St Paul's, he was Organ Scholar and an Academic Scholar at

Magdalen College, Oxford, from where he graduated with a First-Class degree

in Music. While in Oxford, he studied the organ with Stephen Farr and Matthew

Martin. As well as playing for several CD recordings, tours, and broadcasts

with Magdalen College Choir, he directed the choir during an interregnum

term.

William became a Fellow of the Royal College of Organists during his gap

year, winning the Turpin and Durrant prize for playing. As an organist and

continuo-player, his playing has been broadcast on BBC Radio 3 (including an

interview on In Tune), BBC Television, and Classic FM. As an accompanist, he

has played through much of Europe and in the USA. He currently studies the

organ at the Royal Birmingham Conservatoire on the Personal Study

Programme. As a piano accompanist, he is the winner of the 2018 Sir Anthony

Lewis Memorial Prize Competition, held at the Royal Academy of Music.

Recital venues in 2019 included Westminster Abbey; the cathedrals of

Bradford, Lichfield (Festival appearance), Newcastle, St Paul’s (Festival

appearance), Truro, Westminter (R.C.) and Worcester; Christchurch Priory; The

Queen’s College, Oxford, and Marlborough College.

Photo by Hugh Warwick.

DAVID GRAHAM

David Graham is recognised internationally as one of

the UK’s leading organ teachers. As Professor

in-charge-of Organ at the Royal College of Music he

has taught some of the most talented young

organists, many of whom have gone on to win prizes

in international competitions and hold important

positions in Cathedrals and Churches in the United

Kingdom and abroad. He is also Organist and

Director of Music at the Church of the Immaculate

Conception, Farm Street, in London’s Mayfair district.

As a performer he has played widely throughout Europe, the USA and the Far

East. Venues have included St Paul’s Cathedral and Westminster Abbey in

London, Grace Cathedral, San Francisco and St Patrick’s Cathedral, New York

in the USA, the Summer Organ Festival at St Bavo, Haarlem in the Netherlands

and at the Cultural Centre, Hong Kong. His repertoire is wide, but Graham has

commissioned organ works by the contemporary British composer, Huw

Watkins and given premieres of his music in Notre Dame (Paris), and as part of

the 150th anniversary recitals of the Cavaillé-Coll organ in the church of St

Sulpice, Paris. A highlight for 2019 was a visit to the Moscow State Tchaikovsky

Conservatory where he gave a Master-Class and played a recital.

Graham has recorded extensively as a solo artist in music by Guy Weitz, his

predecessor as organist at Farm Street Church in London, and music by Dupré,

Franck, d’Indy, among others. He also features as an accompanist in a wide

range of choral music, and as a conductor in works by Nino Rota and other

19th and 20th century composers. In addition to performing new works for

organ solo, he has also been involved in commissioning choral music by the

British composers, Gabriel Jackson, Christopher Walker and Stephen Hough.

In 2017, David Graham was much involved in commissioning, consulting and

designing the new organ built by the Dutch organ builders, Flentrop, for the

Amaryllis Fleming Concert Hall at the Royal College Music. He has recorded a

CD on the new organ and played for some of the inaugural events.

David Graham was educated at Methodist College Belfast, where he studied

organ with Desmond Hunter. In 1976 he won a scholarship to continue organ

studies at the Royal College of Music in London with Nicholas Danby.

Postgraduate studies included a year at the Sweelinck Conservatorium in

Amsterdam, studying with Klaas Bolt, and further studies in organ

improvisation with Naji Hakim in Paris and Peter Planyavsky in Vienna. In

2011, the Prince of Wales presented David Graham with a Fellowship of the

Royal College of Music.

LAURENCE LONG

Laurence Long is the Auxiliary Organist at All Saints

Margaret Street, London. From 2018-2019 he was the

Assistant Organist at the Basilica of St. Nicholas,

Amsterdam. He studied as a Foundation Scholar at the

Royal College of Music, where he was awarded the

Harold Darke Memorial Prize for Organ. From 2015-

17 he held the Dr John Birch Organ Scholarship at All

Saints Margaret Street. Before this he studied the

organ with Roger Sayer at Rochester Cathedral, where he had been a Cathedral

Chorister. He has given organ recitals at venues including St Paul’s Cathedral,

and as a piano soloist he has performed works such as Beethoven’s third piano

concerto and Gershwin’s “Rhapsody in Blue” with orchestra. His prizes include

the Stephen Corry Award in the Northern Ireland International Organ

Competition and Woodard Musician of the Year.

Polina Sosnina is the Kenneth and Violet Scott Scholar

at the Royal College of Music, where she

studies organ performance with David Graham and

Andrew Dewar. She also holds the Pettman Organ

Scholarship at the London Oratory and is Organ

Scholar at St Martin-in-the-Fields.

Since graduating from Magdalene College,

Cambridge, Polina has worked in various roles including the Walford-Davies Organ

Scholarship at Temple Church and Director of Music at St Thomas of Canterbury

Church, Brentwood.

Polina's recent performances include recitals at St Lawrence Jewry, Temple Church

and a ‘Bach Corner’ recital at the 2019 International Organ Festival in St Albans.

In 2017, Polina was the first woman to be awarded first prize in the Brian Runett

POLINA SOSNINA

THE ORGAN OF THE TEMPLE CHURCH

HARRISON & HARRISON 1923| 1954 | 2013

PEDAL ORGAN

1. Double Open Wood (from 3) 32

2. Sub Bourdon (from 29) 32

3. Open Wood 16

4. Open Diapason (from 30) 16

5. Geigen (from 28) 16

6. Bourdon (from 29) 16

7. Violone (from 58) 16

8. Dulciana (from 17) 16

9. Octave Wood (from 3) 8

10. Flute (from 29) 8

11. Octave Flute (from 29) 4

12. Double Ophicleide (from 13) 32

13. Ophicleide 16

14. Orchestral Trumpet (from 64) 16

15. Bassoon (from 25) 16

16. Posaune (from 13) 8

I. Choir to Pedal II. Great to Pedal

III. Swell to Pedal IV. Solo to Pedal

CHOIR ORGAN 17 - 26 enclosed

17. Contra Dulciana 16

18. Claribel Flute 8

19. Lieblich Gedeckt 8

20. Dulciana 8

21. Salicet 4

22. Flauto Traverso 4

23. Harmonic Piccolo 2

24. Dulciana Mixture III

25. Cor Anglais 16

26. Clarinet 8

27. Tuba (from 66) 8

V. Choir on Swell VI. Octave

VII. Sub Octave VIII. Unison Off

IX. Swell to Choir X. Solo to Choir

* New stops 2013

† Great Second Division 2013

GREAT ORGAN

28. Double Geigen 16

29. Bourdon † 16

30. Large Open Diapason 8

31. Small Open Diapason 8

32. Geigen † 8

33. Hohl Flute 8

34. Stopped Diapason † 8

35. Octave 4

36. Principal * † 4

37. Wald Flute † 4

38. Octave Quint † 22/3

39. Super Octave 2

40. Fifteenth * † 2

41. Seventeenth * † 13/5

42. Mixture IV

43. Mixture * † II-III

44. Tromba 8

45. Octave Tromba 4

XI. Great Second Division on Choir†

XII. Reeds on Choir XIII. Reeds on

Solo XIV. Choir to Great

XV. Swell to Great

XVI. Solo to Great

SOLO ORGAN 58 - 65 enclosed

58. Contra Viola 16

59. Viole d'Orchestre 8

60. Viole Céleste 8

61. Harmonic Flute 8

62. Concert Flute 4

63. Orchestral Hautboy 8

XXII. Tremulant

64. Double Orchestral Trumpet 16

65. Horn 8

66. Tuba 8

XXIII. Octave XXIV. Sub Octave

XXV. Unison Off

ACCESSORIES

8 foot pistons to the Pedal Organ

8 pistons to the Choir Organ

8 pistons to the Great Organ

8 pistons to the Swell Organ

(duplicated by foot pistons)

8 pistons to the Solo Organ

8 general pistons and general cancel

2 general pistons for couplers

Stepper, operating general pistons.

Reversible pistons:

I - IV, IX, X, XIV-XVI, XXI

Reversible foot pistons: II, XV

Combination couplers:

Pedal to Great pistons,

Great to Pedal pistons,

Pedal to Swell pistons,

Generals on Swell foot pistons.

The pistons are adjustable by setter

piston with 256 general and 16

divisional memories

Balanced expression pedals to

Choir, Swell and Solo Organs

The actions are electro-pneumatic

The manual compass is 61 notes;

the pedal 32 notes

SWELL ORGAN 58 - 65 enclosed

46. Quintatön 16

47. Open Diapason 8

48. Stopped Diapason 8

49. Echo Salicional 8

50. Vox Angelica (to FF) 8

51. Principal 4

52. Fifteenth 2

53. Mixture V

54. Oboe 8

XVII. Tremulant

55. Double Trumpet 16

56. Trumpet 8

57. Clarion 4

XVIII. Octave XIX. Sub Octave

XX. Unison Off XXI. Solo to Swell

FUTURE TEMPLE

EVENTS

Thursday 13 February, 7pm

A Concert of French Choral Music

Temple Youth Choir | Temple Church Choir | Temple Singers

Roger Sayer—director

Augusta Hebbert—soprano

Charles Andrews—organ

Tickets Required

For further information and to book visit: www.templemusic.org

—————————————————–—————————————

Monday 6 April, 7pm

A concert for Passover: Bernstein Chichester Psalms

Temple Church Choir | Roger Sayer—Director

West London Synagogue Choir | Christopher Bowers-Broadbent—

Director

Tickets Required

For further information and to book visit: www.templemusic.org

For more organ recitals visit: www.organrecitals.com