The Shining
Transcript of The Shining
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The title sequence in the shining
is very different compared to all
the other title sequences I have
seen. The main shots used
throughout are extreme long
shots which pan across a location
following a green car. Extreme
long shots are used to establish
the location, in this case the
location is pivotal to the success
of the title sequence as it shows
a very rough and more
importantly a very remote
location something which are
stereotypically used by
psychological thrillers and
horrors to convey a sense if
helplessness this is one aspect of
the title sequence that hints the
genre of the film to the audience.
The use of non diagetic music is
also key to the success of the
opening title sequence. The very
deep toned instrumental creates
a very eerie atmosphere and is
the only other aspect of the
sequence that tells the audience
about the genre of the film. The
music seems to be used to
counter the strong sense of
normality and realism in the
shots used to build this title
sequence thus implying that
danger is around the corner.
In the terms of narrative
structure, the audience is left
with many questions, who, what,
why and where the care is going
and what is the importance of
this car, no hero or villain is
clarified, one thing that could be
said is that the film starts at
equilibrium this is represented by
the blue wirting as apposed to
red which seems to be colour of
choice in most other film
sequences.
It take 1 minute for the first titles
to come on screen this maybe
done because the director what
the audience to zone in to the
movement of the car and camera
and not focus on anything else,
the titles from then on stay on
screen for a maximum of 5
seconds. The titles seem to go
with the hierarchy of power
system but starting with the
director and then the two main
stars followed by the film title.
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The film sequence also uses a
very slow cutting rhythm this is
also used so the audience can
focus on the screen and ease into
watching the movie the slow
cutting rhythm is also used to
create mystery as the as the
audience cannot tell anything
about the prospective story line
from the pictures they are
getting.