The Romantic Period 1780 - 1832 Garden in Shoreham by Samuel Palmer, 1820s.

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Key Ideas … Romanticism … Rejected Embraced 18th century classicism Freedom of individual expression The ordered rationality of the Enlightenment Feelings of sincerity, spontaneity and originality Impersonal and artificial feeling Emotional directness Aristocratic patronage Emotional intensity Mechanical convention Power of the imagination Conservative morality

Transcript of The Romantic Period 1780 - 1832 Garden in Shoreham by Samuel Palmer, 1820s.

The Romantic Period Garden in Shoreham by Samuel Palmer, 1820s Key Ideas Romanticism Rejected Embraced 18th century classicism
Freedom of individual expression The ordered rationality of the Enlightenment Feelings of sincerity, spontaneity and originality Impersonal and artificial feeling Emotional directness Aristocratic patronage Emotional intensity Mechanical convention Power of the imagination Conservative morality Major Events American and French revolutions (fighting for democracy) influenced and inspired many people, including literary figures People in Britain who supported the ideals of the Revolution were claimed as English Jacobins After Britain went to war against France, those in Britain who supported the revolution were declared either unpatriotic or traitors Key Terms Sublime Sensibility Transcend Pantheism Economy Britain relinquished control over its American colonies but found a new empire in other parts of the world it was transforming into a global superpower; colonial trade was an idea close to home for poets such as Coleridge Began the period as an agrarian economy; by the end of the period, became a rapidly industrialising nation Population of England more than doubled, contributing to the process of urbanisation Industrial Revolution Improved transport system, therefore improved connectivity between people Changing conditions of rural life due to the industrial process Philosophy Man is born free and everywhere he is in chains. Rousseau
What shall I do when I have read all the books? Goodwin O for a life of sensations rather than of thoughts. Keats Philosophy Copernicun revolution (Immanuel Kant) both reason and experience are necessary for human knowledge (using reason without applying it to experience will only lead to illusions, while experience will be purely subjective without first being subsumed under pure reason). For example, notions of God, freedom and eternity were unknowable ideas, but necessary for us to make sense of reality The Romantics favoured: Concrete over abstract Variety over uniformity Nature over culture, convention and artifice Freedom over constraint, rules and limitations The unique individual to the average man Free creative genius to prudent good sense Feeling to thought Emotion to calculation Intuition to intellect Natural Philosophy Until the 1840's what we now call science was "natural philosophy," Natural philosophy: arose before the development of modern science; study of the natural and physical universe; enquiry into the powers and phenomena of the natural world, demonstrating the splendours of Gods creation Experience and argument attempting to explain or describe nature Science Scientific agriculture
Major advances in mathematics, physics, chemistry, optics, electromagnetism and biology battled against natural philosophy Romantics often depicted as being opposed to Science but many were deeply interested in scientific enquiry what they were against was the complete removal of mystery and the divine from nature Coleridge denied that matter and spirit were distinct properties leads to the idea of pantheism, where God is imminent in nature and not transcendent; although Coleridge was always tempted by the idea of pantheism, he struggled to resist it Isaac Newton Isaac Newton
ENLIGHTENMENT Rationalism Isaac Newton Nature is subject to laws which can be expressed with mathematical certainty The physical world is orderly, explicable, regular, logical Mans rational capacity and the use of science can penetrate the mysteries of nature ROMANTICISM Relativism Isaac Newton The universe is organic, alive, becoming, evolving, expanding An admiration for all the potency and diversity of living nature God in Nature; the unseen world, the supernatural, the mysterious Religion Revival of evangelicals committed to strict morality
Conflict between the belief of the origin of the world and the idea of evolution Institution of the established Church was under threat Growth in religious sects William Blake was attracted to the writings of the Swedish mystic Emmanuel Swedenborg Romantics generally rejected absolute systems, such as religion, in favour of the idea that each person must create their own system by which to live During the romantic era, Religion was aestheticized Romanticists felt free to draw on religious imagery and allusion but without pressure to be conventionally pious Religion continued Romantic literature Romanticism is antithetical to eighteenth-century neo-classicism Romantic poets: William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats and Lord Byron. These poets formed the literary movement known as Romanticism, which marked a profound shift in sensibility The products of Romanticism tend to be radical or revolutionary (inspired by the French and American revolutions) Criticism of romantic writing: it deliberately ignores material reality and social concerns in its pursuit of transcendence and mysticism Sensibility Sensibility was considered a purely feminine attribute. During the Romantic period, there was a strong differentiation between masculine and feminine: women were the guardians of the private sphere (including such things as morality and the home); men were the leaders of the public sphere (political, civil and intellectual life) Fears of sensibility were that it would lead to hysteria and disorder, the over-cultivation of the senses at the expense of reason and judgement, it might lead to men behaving like women and it might lead to sexual impropriety and ruin The idea of sensibility soon became politicised and considered to be too closely associated with radical and reformist ideas In James Gilrays satire The New Morality, British reformers and radicals worship at the shrine of the new trinity (Philanthropy, Sensibility and Benevolence) Sublime Picturesque Sublime Sublime continued The words sublime, beautiful and picturesque were often used to describe the landscape Romantic poets found ordinary descriptions of beauty as inadequate and too formulaic they focused instead on the sublime, where an encounter with nature became a quasi-mystical or even religious experience Romantic Poetry 1st generation of poets: Blake, Wordsworth, Coleridge
2nd generation of poets: Shelley & Keats Some contention between generations 2nd generation were born after the French Revolution and so reacted against the elder poets Wordsworth and Coleridge wrote poetry as a response to the changing rural life; they describe the plight of people on the margins of existence and the sufferings of the rustic people as a result of the fall in rural earnings and rising cost in provisions Language Romantic poets moved away from structured forms of poetry which they saw to be artificial In the Preface to the Lyrical Ballads, Wordsworth defended the rustic nature of their subjects and the language used by the poets, stating that it was the language really used by men The Lakes District, England
Inspiration for Wordsworth and Coleridge Lake Windamere Lakes District Coniston Mountains Coniston Mountains Dove Cottage Wordsworths grave Grasmere Wordsworth William Wordsworth was born on 7 April 1770 in Cockermouth, Cumberland, in the Lake District. The magnificent landscape deeply affected Wordsworth's imagination and gave him a love of nature. In 1795 he met Coleridge. Encouraged by Coleridge and stimulated by the close contact with nature, Wordsworth composed his first masterwork, Lyrical Ballads, which opened with Coleridge's "Ancient Mariner." After the winter of , which he spend in Germany with Coleridge, he moved Dove Cottage, Grasmere, and in 1802 married Mary Hutchinson. Coleridge Born 1772 in Devon, England (the youngest son of a clergyman) 1795 wrote The Eolian Harp for Sara Fricker who he later married this was not a happy marriage 1797 met Dorothy and William Wordsworth and wrote Kubla Khan 1798 wrote Frost at Midnight 1799 published the Lyrical Ballads with Wordsworth which included The Rime of the Ancient Mariner 1799 met Sara Hutchinson who became his lifelong love 1800 became addicted to opium 1804 separated from his wife and spent the following years in the Mediterranean and London 1808 lived with Wordsworth in Grasmere 1810 quarrelled with Wordsworth and left the Lakes District forever; spent the remaining years in London 1816 in an attempt to control his opium addiction he moved in with Dr James Gillman in London where he lived for the remainder of his life 1834 died Bibliography ( ). The Literature Network, Jalic Inc. Accessed 9th November, (2008) Wikipedia: Immanuel Kant, Wikimedia Foundation Inc. Accessed 11th November, (2008) Wikipedia: Natural Philosophy, Wikimedia Foundation Inc. Accessed 11th November, Ross, K. (2007). Beginning of Modern Science and Modern Philosophy, Kelley L. Ross. Accessed 12th November, (2002) Teachit. Poplawski, P (Ed.). (2008). English Literature in Context, Cambridge University Press, England. (2007) HSC English Prescriptions Unit of Work, NSW Department of Education and Training, Australia.