The perfect fit for high expectations.

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The perfect fit for high expectations. Model 559 Model 569

Transcript of The perfect fit for high expectations.

Page 1: The perfect fit for high expectations.

The perfect fit for high expectations.

Model 559 Model 569

Page 2: The perfect fit for high expectations.

Model 559

Rodgers ClassicThe perfect fit for high expectations• AGO standard console design with 32-note

radiating concave pedalboard

• 27 engraved stops + 81 Voice Palette ™ voices + Chimes + Expanded User Coupler library with 92 pipe organ voices and 32 orchestral voices = 233 total voices

• Hymn Player with 350 popular hymn tunes

• Velocity-sensitive pedalboard for timpani and other orchestral effects

• Self-contained/self-adjusting pedalboard design eliminates risk of malfunction on uneven flooring

• No special hardware needed to add external speakers

• Pipe compatible

• Expanded voicing menus

At last, you can have the ideal console organ for home practice, a music

studio or a small chapel without giving up the exciting sound and unmatched

flexibility that Rodgers has always stood for.

The Rodgers Classic Series offers two options for a complete two-manual

instrument. Both provide the wide-ranging musical specification pioneered

by the Roland Classic Series, but in a standard AGO case design with a 32-

note radiating concave pedalboard. Reliable operation on uneven flooring is

assured by Rodgers’ self-contained and self-adjusting pedalboard design.

In addition, both models add a stunning new layer of tonal possibilities with

an expanded orchestral library, plus the ability to play expressive orchestral

sounds such as timpani in the pedals, thanks to Rodgers’ unique velocity-

sensitive pedalboard.

With the onboard Hymn Player, 350 commonly played hymn tunes with introduction and repeatable verses are

available at the touch of a button. It’s just one of many Rodgers standard features, which also include onboard

record/playback, Organ Type piston to instantly change between four playing styles, Next and Previous pistons for

changing registrations on the fly, Bass and Melody couplers, headphone jack for silent practice and much more.

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Model 569

Specifications (same for 559/569 unless noted)27 stops / 233 total voices 27 primary voices 81 Voice Palette™ voices 92 User pipe organ voices 32 User orchestral voices Chimes

General Pistons: 10Divisional Pistons: 5 Great, 5 SwellToe Pistons: 5 Configurable (Model 569 only)Couplers: 3 plus 6 User/MIDI ControlsTremulant: 2Shoes: Model 559 1 Expression Model 569 2 ExpressionMemory: 20 levels x 20 pistons (400)

Console Dimensions: Height: 144.37 cm (56.84”)Width: 147.7 cm (58.15”)Depth: 68 cm (26.77”)Depth with pedalboard: 116.43 cm (45.84”)Weight: Model 559 149.7 kg (330 lbs) Model 569 145.6 kg (321 lbs)

Bench: Height 66.93 cm (26.35”); Width 122.03 cm (48.04”); Depth 35.6 cm (14.02”); Weight 24.5 kg (54 lbs)

Pedalboard: Weight: 40.8 kg (90 lbs)

Total Unboxed Weight: Console, speakers, pedalboard & bench Model 559 218.2 kg (481 lbs) Model 569 214.1 kg (472 lbs)

569 extras:Double expressionMusic desk lampToe pistons

Although Rodgers Classic Series organs sound magnificent

with their built-in speakers and two included satellite

speakers, it’s also easy to add external audio system with no

need for special added hardware.

The Rodgers Classic Series will meet your high expectations

for value, too. Like all Rodgers organs, the Rodgers Classic

Series organs are built using Roland Corporation’s latest

SSC technology, and come with a 10-year limited warranty

covering all parts.

Rodgers Classic organs are compatible with winded pipes.

Locking rolltop

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Rodgers Instruments Corporation A member of the Roland Group

1300 N.E. 25th Avenue, Hillsboro, Oregon 97124 (503) 648.4181 • Fax (503) 681.0444Email: [email protected]

©2014 Rodgers Instruments Corporation

Manual I (Great) Couplers: II/I (SW to GT)

Tablet VP1 VP2 VP3

Bourdon16' Violone 16' Principal 16' Quintaton 16'

Principal 8' Open Diapason 8' Montre 8' Prinzipal 8'

Gemshorn 8' 2nd Diapason 8' Voce Umana II 8' Aeoline 8'

Gedackt 8' Clarabella 8' Flûte Harmonique 8' Bourdon 8'

Octava 4' Principal 4' Flûte à Bec 4' Fugara 4'

Quinte 2-2/3' Twelfth 2-2/3' Nazard 2-2/3' Quintaden 8'

Superoctav 2' Fifteenth 2' Doublette 2' Piccolo 2'

Mixtur IV Tierce Mixture V Cornet V Rauschquint IV

Trumpet 8' Waldhorn 8' Trompette 8' Cromorne 8'

Chimes (piston)

Tremulant (piston)

Manual II (Swell)

Tablet VP1 VP2 VP3

Still Gedackt 8' Stopped Diapason 8' Bourdon 8' Rohrgedackt 8'

Spitz Geigen 8' Geigen Diapason 8' Salicional 8' Viola 8'

Viola Cèleste II 8' Flute Celeste II 8' Voix Cèleste II 8' Schwebung II 8'

Principal 4' Unda Maris II 4' Prestant 4' Muted Viols II 4'

Nachthorn 4' Solo Flute 4' Flûte Traversière 4' Spillflöte 4'

Nasat 2-2/3' Twelfth 2-2/3' Nazard 2-2/3' Quinte 2-2/3'

Piccolo 2' Wald Flute 2' Doublette 2' Schwegel 2'

Sesquialtera II Dolce Cornet II Tierce 1-3/5' Larigot 1-1/3'

Mixtur III Cymbale III Plein Jeu IV Sifflöte 1'

Schalmei 8' Oboe 8' Hautbois 8' Trompette 8'

Tremulant (piston)

Pedal Couplers: I/P (GT to PD), II/P (SW to PD)

Tablet VP1 VP2 VP3

Principal 16’ Open Wood 16’ Contrabass 16’ Violone 16’

Subbass 16’ 2nd Subbass 16’ Bourdon 16’ Quintaton 16’

Octava 8’ Octave 8’ Montre 8’ Violoncello 8’

Bourdon 8’ Stopped Flute 8’ Flûte 8’ Still Gedackt 8’

Choral Bass 4’ Fifteenth 4’ Flûte de Bois 4’ Quintflöte 10-2/3’

Posaune 16’ Trombone 16’ Bombarde 16’ Basson 16’

Trompete 8’ Trumpet 8’ Trompette 8’ Dulzian 8’

Klarine 4’ Cornet Clarion 4’ Clairon 4’ Schalmei 4’

Rodgers Classic Specifications

92 Pipe Organ Voices001 Principal 32’002 Contra Geigen 32’003 Contra Bourdon 32’004 Spitz Prinzipal 16’005 Lieblich Gedackt 16’006 Dulciana 16’007 Cellos Célestes II 16’008 Erzhaler Célestes II 16’009 Montre 8’010 Bach Principal 8’011 Gemshorn 8’012 Gamba 8’013 Dulciana 8’014 Holzgedackt 8’015 Gross Flute 8’016 2nd Flute Harmonique 8’017 Célestes III 8’018 Unda Maris III 8’019 Principal 4’020 Open Flute 4’021 Chimney Flute 4’022 Quinte 2-2/3’023 Nazard 2-2/3’024 Gemshorn 2’025 Piccolo 2’026 Tierce 1-3/5’027 Larigot 1-1/3’028 Septième 1-1/7’029 Sifflöte 1’030 Jeu de Clochette II031 Quartane II032 Scharf II033 Gabler Cornet V034 Pedal Grand Mixtur VI035 Grave Mixtur IV036 2nd Grave Mixtur IV037 Fourniture San Sulpice IV-VI038 Tierce Fourniture VI039 Grand Mixtur VIII040 Double Ophicleide 32’041 Contre Bombarde 32’042 Contre Bassoon 32’043 2nd Bombarde 16’044 Contre Trompette 16’045 Rankett 16’046 Trompet 8’047 Trompette 8’048 2nd Trompette 8’049 State Trumpet 8’050 Chamades 8’051 Dulzian 8’052 Cromorne 8’053 Baryton 8’054 Cor d’Amour 8’055 Regal 8’056 Vox Humana 8’057 Vox Humaine 8’058 Vox Humaine Trem 8’059 Clarion 4’060 Clairon 4’061 2nd Clairon 4’062 Rohrschalmei 4’063 Principals III 8’+4’+2’064 Principals+Mixturs 8’+4’+2’+IV

001 Grand Piano002 Elec Piano003 Harpsichord 8 I004 Harpsichord 8 II005 Harpsichord 4006 Harpsichord Lute007 Harpsichord 8+8008 Harpsichord 8+4009 Celesta010 Orchestral Harp011 Drawbar 1012 Drawbar 2013 Guitar014 Acoustic Bass015 String Ensemble016 Slow Strings017 Octave Strings018 Slow Violin/Cello019 Saxophone 020 Orchestral Trumpet021 Brass Ensemble022 French Horn023 Orchestral Flute024 Orchestral Oboe025 Orchestral Clarinet026 Choir Aahs027 Choir Oohs028 Organ Chimes029 Tubular Bells030 Tower Chimes031 Handbells032 Timpani

065 Flute Célestes IV 16’+4’066 Célestes IV 16’+4’067 Célestes VI 16’+8’+4’068 Célestes VII 16’+8’+4’+Vox069 Voxes II 16’+8’070 Voxes II 16’+4’071 Full Swell 16’+8’+4’+Reeds072 Tibia 8’073 Tibia 4’074 VDO Celeste 8’075 VDO Celeste Trem 8’076 Tuba Trem 8’077 Cornopean Trem 8’078 Tibias 16’+8’+Vox 16’+8’079 Full Tibias+Strs 8’+4’080 Vox & Str 16’+Tib 8’+Quint081 Vox 16’+8’+Celetes 8’082 Tibias 8’, 4’+Str083 Tibias 8’, 4’+Str+Vox084 Tibias 8’, 4’+Tuba 8’085 Tibia 4’+Celestes 8’086 Tibias 4’, 2’+Str 16’, 8’087 Tibia 4’+Kinura 8’088 Str 8’+Tibias 2’+Glocken089 Tibia 4’+Glockenspiel090 Organ Harp 8’091 Chrysoglott 4’092 Tracker/Barker Noise

32 Orchestral Voices

124 Built-In User VoicesThe User Voices are accessed through the menu display and are assignable to any of the two User/MIDI pistons or tablets per division.