Slide 1

The Parthenon (Athens) The styles and values of classical architecture would find a new home in the neo- classical atmosphere of the new American republic. Slide 2 Slide 3 The Pantheon (Rome) The styles and values of classical architecture would find a new home in the neo- classical atmosphere of the new American republic. Slide 4 Slide 5 William Hogarth Beer Street Satirical engravings, popular during the eighteenth century, frequently took aim at the social ills that were emerging in modern industrialized England. Slide 6 William Hogarth Gin Lane Satirical engravings, popular during the eighteenth century, frequently took aim at the social ills that were emerging in modern industrialized England. Slide 7 William Hogarth South Sea Scheme Satirical engravings, popular during the eighteenth century, often targeted scandals of the day involving public officials - as we do today. Slide 8 William Hogarth Some of the Principal Inhabitant of the Moon Satirical engravings often targeted public officials using symbolic representations that were familiar to the viewer. Slide 9 William Hogarth A Rakes Progress Hogarth produced a number of paintings satirizing the social failings of the emergent middle class here, a young man about town. Slide 10 William Hogarth A Rakes Progress Hogarths Marriage a la Mode examines a contemporary social phenomenon: unions between the middle and upper classes. Slide 11 Francisco Goya Saturn Devouring His Son Goyas paintings reflect the unsettled atmosphere of 19 th -century Europe and the violence that accompanied social change. Slide 12 Francisco Goya The Colossus Goyas paintings reflect the unsettled atmosphere of 19 th -century Europe and the violence that accompanied social change. Slide 13 Francisco Goya The Shootings of May third 1808 Goyas paintings reflect the unsettled atmosphere of 19 th -century Europe and the violence that accompanied social change. Slide 14 Jacques-Louis David The Lictors Bring to Brutus the Bodies of His Sons David employs allusions to classical themes and stories to comment on the self- sacrifice inherent in Frances revolution. Slide 15 Jacques-Louis David Marat Assassinated Davids representation of Marats death is a Romantic perception of the violence and self-destruction that defined the French Reign of Terror. Slide 16 Jacques-Louis David Napoleon at St. Bernard Davids portrait of the French emperor combines the historical realities of the man with the Romantic tastes of the time.