The Modern and the Postmodern

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The Modern and the Postmodern: Contrasts

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Transcript of The Modern and the Postmodern

Page 1: The Modern and the Postmodern

The Modern and the Postmodern:

Contrasts

Page 2: The Modern and the Postmodern

Modernism/Modernity• Faith in "Grand Theory"

(totalizing explanations in history, science and culture) to represent all knowledge and explain everything.

Postmodern/Postmodernity • Rejection of totalizing

theories; pursuit of localizing and contingent theories.

Grand Narratives?

Page 3: The Modern and the Postmodern

Modernism/Modernity• Faith in, and myths of, social

and cultural unity, hierarchies of social-class and ethnic/national values, seemingly clear bases for unity.

Postmodern/Postmodernity

• Social and cultural pluralism, disunity, unclear bases for social/national/ ethnic unity.

Page 4: The Modern and the Postmodern

IdentityModernism/Modernity• Sense of unified, centered

self; "individualism," unified identity.

Postmodern/Postmodernity • Sense of fragmentation and

decentered self; multiple, conflicting identities.

Page 5: The Modern and the Postmodern

FamilyModernism/Modernity

• Idea of "the family" as central unit of social order: model of the middle-class, nuclear family. Heterosexual norms.

Postmodern/Postmodernity • Alternative family units,

alternatives to middle-class marriage model, multiple identities for couplings and childraising.

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The ImageModernism/Modernity• Crisis in representation

and status of the image after photography and mass media.

Postmodern/Postmodernity • Culture adapting to

simulation and real-time media substituting for the real.

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Faith in the “real”Modernism/Modernity• Faith in the "real" beyond

media, language, symbols, and representations; authenticity of "originals."

Postmodern/Postmodernity • Hyper-reality, image

saturation, simulacra seem more powerful than the "real"; images and texts with no prior "original". "As seen on TV" and "as seen on MTV" are more powerful than unmediated experience.

Page 8: The Modern and the Postmodern

High and Low CultureModernism/Modernity

• Dichotomy of high and low culture (official vs. popular culture).Imposed consensus that high or official culture is normative and authoritative, the ground of value and discrimination.

Postmodern/Postmodernity

• Disruption of the dominance of high culture by popular culture.Mixing of popular and high cultures, new valuation of pop culture, hybrid cultural forms cancel "high"/"low" categories.

Page 9: The Modern and the Postmodern

Intertextualit

y

Modernism/Modernity

• Art as unique object and

finished work authenticated

by artist and validated by

agreed upon standards.

Postmodern/Postmodernity

• Art as process, performance, production,

intertextuality. Art as recycling of culture

authenticated by audience

and validated in subcultures

sharing identity with the

artist.

Page 10: The Modern and the Postmodern

Knowledge

Modernism/Modernity

• Knowledge mastery, attempts to embrace a totality. Quest for interdisciplinary harmony. The encyclopedia

Postmodern/Postmodernity

• Navigation through information overload, information management; fragmented, partial knowledge; just-in-time knowledge. The Web.

Page 11: The Modern and the Postmodern

BroadcastingModernism/Modernity• Broadcast media,

centralized one-to-many communications. Paradigms: broadcast networks and TV.

Postmodern/Postmodernity • Digital, interactive, client-

server, distributed, user-motivated, individualized, many-to-many media. Paradigms: Napster and the Web.

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Art

Modernism/Modernity• Sense of clear generic

boundaries and wholeness (art, music, and literature).

Postmodern/Postmodernity • Hybridity, promiscuous

genres, intertextuality, pastiche.

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What are humans?Modernism/Modernity• Clear dichotomy

(difference) between organic and inorganic, human and machine.

Postmodern/Postmodernity • Cyborgian mixing of organic

and inorganic, human and machine and electronic.