The Middle Ages 1066-1534 AD. The Norman Conquest 1066 AD - The Battle of Hastings Anglo-Saxon King...
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Transcript of The Middle Ages 1066-1534 AD. The Norman Conquest 1066 AD - The Battle of Hastings Anglo-Saxon King...
The Middle Ages
1066-1534 AD
The Norman Conquest
1066 AD - The Battle of Hastings Anglo-Saxon King Harold VI killed in the
battle Duke of Normandy, William the Conqueror
becomes king of England
Major Dates 1096 AD - the beginning of the First Crusade. 1215 AD - the Magna Carta 1254 AD - the end of the Seventh Crusade 1517 AD - Martin Luther posts his Ninety-Five
Theses 1534 AD - Henry VIII passes the Act of
Supremacy
French Influence Feudal System
Political• Premise that the king owns all land, distributes
to loyal lords who distribute to lesser nobles, and the land is worked by the peasants.
Church• The Pope is the head of the Church on Earth.
Power is distributed to Archbishops, Bishops and lesser Church officials, and finally to lay officials and worshipers.
Feudal Pyramid
QuickTime™ and a decompressor
are needed to see this picture.
http://gcuonline.georgian.edu/wootton_l/Medieval_files/image004.gif
French Influence Societal
Chivalric Code: Code by which the knights lived, based on faith in the Christian God (specifically Catholicism), loyalty to their liege lord, and responsibility toward the people.
Rules of Courtly Love: Encouraged loyalty to the liege lord’s lady, often through completion of quests or deeds in her honor. Eventually came to require loyalty to the Virgin Mary.
The Chivalric Code, from The Song of Roland
To fear God and maintain His Church To serve the liege lord in valor and faith To protect the weak and defenseless To give succor to widows and orphans To refrain from the wanton giving of offense To live by honor and for glory To despise pecuniary reward To fight for the welfare of all To obey those placed in authority
The Chivalric Code, from the Song of Roland
To guard the honor of fellow knights To eschew unfairness, meanness and
deceit To keep faith At all times to speak the truth To persevere to the end in any enterprise
begun To respect the honor of women Never to refuse a challenge from an equal Never to turn the back upon a foe
http://www.midde-ages.org.uk/knights-code-of-chivalry.htm
French Influence Artistic
Troubadour tradition: began with ballads, evolved into Alliterative Romance, and the prevalence in rhyme in British Literature.
Spread to England through Eleanor of Aquitaine:
• Married first to Louis VII of France, marriage was annulled in 1152. Then married to Henry II of England.
• Patroness of the arts. • Granddaughter of William IX, the Troubadour.
Medieval Romance
Name comes from Romanz, an early form of French in which Troubadour tales were told
Legend of King Arthur Malory’s Le Morte d’Arthur Sir Gawain and the Green Knight
British Response
Pushback against the French Geoffrey of Monmouth
“History” of Britain Translatio studii et imperii Legend of British Kings
Sir Gawain and the Green Knight
Written by an anonymous poet Circa 1375 CE - dated by language and
topic Written in Middle English - some words
and language are recognizable Tale of a knight of King Arthur’s Round
Table
Alliterative Romance
Written on subjects representative of the time: kings and knights, Courtly Love, the Chivalric Code
Sir Gawain and the Green Knight is an excellent example of an Alliterative Romance.
Alliterative Romance
Written combination of two oral traditions Anglo-Saxon Scops
• Long poems with heavy usage of Alliteration French Troubadours
• Long poems with heavy usage of Rhyming
Alliterative Romance
Made up of extended stanzas, with alliteration predominant in the first part.
Stanzas end in a Bob-and-Wheel Made up of 5 lines:
• 1st line is the “Bob” at the end of the open stanza• Last 4 lines, the “Wheel”, have an ABAB rhyme
scheme
Raffel: Lines 755-762[. . .] and sighing, he said: “Oh Lord,Oh Mary, gentlest Mother and dear,I beg you to send me some lodging, to let me Hear mass before morning; I ask meekly,And in proof pray swiftly my pater, my ave,
My creed.”He prayed as he rode,And wept for misdeeds,And shaped the sign of the crossAnd called Christ in his need.
Tolkein: Lines 753-762And therefore sighing he said: “I beseech thee, oh Lord,And Mary, who is the midlest mother most dear,For some harbour where with honour I might hear the
MassAnd thy Matins tomorrow. This meekly I ask,And thereto promptly I pray with Pater and Ave
and Creed.”In prayer he now did ride,lamenting his misdeed;he blessed him oft and cried,“The Cross of Christ me speed!”