The measure and mismeasure of creativity · (IVT) -.23 .13 .28 .10 W I S C 4 Quotient intellectuel...

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Projet de recherche du LATI Evaluation AERES 1 The measure and mismeasure of creativity Todd Lubart University of Paris Descartes

Transcript of The measure and mismeasure of creativity · (IVT) -.23 .13 .28 .10 W I S C 4 Quotient intellectuel...

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Projet de recherche du LATI Evaluation AERES 1

The measure and mismeasure of creativity

Todd LubartUniversity of Paris Descartes

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Creativity: A 21st century competency

2010 IBM international study of CEOs (N=1541)– Creativity is the top ability sought after for top

management 2013 Adobe survey, 4000 grade 1--12 teachers and

parents, (USA, UK, Germany, Australia)85 to 90% of parents, 65 to 87 % of teachers :

« Creativity is essential for the future economy » 2015-2016 OECD – International study on educating

creativity 2016 World Economic Forum “Future of jobs report”-

Creativity will be one of the top three capacities for employability in 2020.

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Creativity is a capacity to produce content

that is both

novel and valuable

within its' context.

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Why should we measure Why should we measure creativity? creativity?

1. Measures operationalize a psychological 1. Measures operationalize a psychological construct, allowing it to be captured, and construct, allowing it to be captured, and discussed. discussed.

2. Measures facilitate a capacity being valued in 2. Measures facilitate a capacity being valued in the educational system.the educational system.

3. Measures contribute to detection (selection, 3. Measures contribute to detection (selection, orientation) and capacity development.orientation) and capacity development.

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Levels of creative activity

• Mini c - intra individual

• Little c – interpersonal, local context

• Pro C – domain context

• Big C – global context

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Multivariate approach

Cognitive factorsSpecific abilities

Knowledge

Conative factorsSpecific traits

Motivation

EnvironmentCulture

Creative potential according to the domain

Creative Production(achievement - talent)

Affective factorsEmotion traitsEmotion states

Creative Production(achievement - talent)

Creative process

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Creative ProcessA two mode process is assessed

–Divergent-exploratory: generate many original ideas

–Convergent-integrative: generate one elaborated idea that combines several elements in a new way

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Divergent thinking?

?

? ?

? ?

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The Divergent-Exploratory Mode of thinking

A set of internal factors are relevant: Cognition: Selective encoding, Flexibility,

Knowledge, Personality: Perseverance, Openness,

Non-conformityMotivation: Novelty-seekingEmotion: Positive emotion

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Convergent thinking

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The Convergent-Integrative Mode of thinking

A set of internal factors are relevant: Cognition: Selective comparison(analogies,

metaphors), selective combination (bisociation, janusian thinking, …), evaluation

Personality: Perseverance, Non-conformity, risk taking, Ambiguity tolerance,

Motivation: Need for Achievement, Need for Order

Emotion: Negative emotion

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Assessment Issues

1. Creative Potential vs. Creative Achievement (Talent)

2. Domain-specific vs. general

3. Measurement approach to potential– Simulate real creative work (art, literary

composition, ...)– -Involve divergent-exploratory, convergent-

integrative thinking, involve motivation, personality factors, emotions

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Examples of creativity measuresExamples of creativity measures

• TTCT : Divergent, graphic and verbalTTCT : Divergent, graphic and verbal• WKCT : Divergent, verbalWKCT : Divergent, verbal• RAT : Convergent, verbalRAT : Convergent, verbal• TCT-DP : Convergent, Graphic TCT-DP : Convergent, Graphic

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Examples of Measures

• RAT (Mednick)RAT (Mednick)

surprise – birthday – surprise – birthday – lineline

(response: party)(response: party)

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EPoC, a new battery to evaluate EPoC, a new battery to evaluate creative potentialcreative potential

• Developed from 2000 – 2010, based on prior Developed from 2000 – 2010, based on prior research on childrenresearch on children’’s development of creative s development of creative thinking.thinking.

• 2011: Artistic-graphic and Literary-Verbal 2011: Artistic-graphic and Literary-Verbal domains normed on a French population. domains normed on a French population.

• 2013: Versions in English, Arabic, German, 2013: Versions in English, Arabic, German, Turkish (and other languages under Turkish (and other languages under development – Polish, Chinese, Portuguese, development – Polish, Chinese, Portuguese, Slovenian, ...).Slovenian, ...).

• 2015: Extension to Social, Math, Science, Music 2015: Extension to Social, Math, Science, Music Domains & OECD research use in 10 countries.Domains & OECD research use in 10 countries.

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How does EPoC work? How does EPoC work?

• Have the child show what they can produce Have the child show what they can produce when they engage the creative process in a when they engage the creative process in a domain-specific, meaningful task.domain-specific, meaningful task.

• Solicit both divergent-exploratory and Solicit both divergent-exploratory and convergent-integrative thinking, the two main convergent-integrative thinking, the two main parts of the creative process.parts of the creative process.

• Measure children’s creative thinking on two Measure children’s creative thinking on two separate occasions, with two distinct contents separate occasions, with two distinct contents from the target domain.from the target domain.

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Test Administration

Individual 2 sessions of 20 minutes per domain

assessed, several days apart Each session, divergent-exploratory and

convergent-integrative tasks

Scoring = – Divergent : Fluency

– Convergent : judges ratings

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Examples of productions Divergent-exploratory

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Examples of productions Convergent - Integrative

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30/07/16

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EPoC Scoring

Divergent-exploratory: fluency

Convergent-integrative: original synthesis

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Why fluency ?

Make as many drawings as you can with the given graphic form.

Try to be imaginative.

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Profile of statistical originality

0,6

0,7

0,8

0,9

1

0 2 4 6 8 10 12 14 16 18 20

Rank in the sequence

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Profil de l'originalité statistique

0,6

0,7

0,8

0,9

1

0 2 4 6 8 10 12 14 16 18 20

Rang dans la séquence

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Mouchiroud & Lubart (2003)

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EPoC Scoring: overview

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EPoC Scoring: overview

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EPoC : Construct validity

Nbre Dessin1

Nbre Fins

Trou Serrure

Dess Abstrait

Nbre Dessin2

Nbre Debuts

Personnages

Dessin Concret

IV

DV

IG

DG

,77

,78

,85

,62

,81

,70

,77

,93

,34

,72

,30,29

,35

,32

e1

e2

e3

e4

e5

e6

e7

e8

² = 32,5; dl = 14, p < .05 ; ² /dl = 2,3;

NFI = .94 ; CFI = .97 ;

AGFI = .91 ; RMR =.021 ; RMSEA = .079

CFA consistent with

the theoretical model

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EPoC : Relation to Intelligence

Sample : N= 79: 46 girls and 33 boys , 7 to 8 years old, in second grade Criterion : WISC-4

EPoC

DG DV IG IV Compréhension

verbale (ICV) .14 .16 .21 .26

Raisonnement perceptif (IRP)

-.24 -.07 .11 .06

Mémoire de travail (IMT)

-.15 -.07 .19 .09

Vitesse de traitement (IVT)

-.23 .13 .28 .10

WIS

C4

Quotient intellectuel total (QIT)

-.14 .07 .28 .21

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Additional EPoC Domains

Graphic-Artistic: Abstract and Concrete

Verbal-literary: Titles and Characters

Science: Natural and Human sciences

Social: Peers and Others, Dyad and Group

Math: Numbers and Figures

Musical: Instruments and Objects

Corporal-Kinesthetic: Individual and Collective

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Numbers: Convergent thinkingNumbers: Convergent thinking

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Examples of low and high responsesExamples of low and high responsesfor the “Numbers” divergent taskfor the “Numbers” divergent task

• Fluency (number of calculations produced in 10’)Fluency (number of calculations produced in 10’)– Mean: 13.5Mean: 13.5

– Standard deviation: 8.7Standard deviation: 8.7

– Minimum: 1Minimum: 1

– Maximum: 54Maximum: 54

• OriginalityOriginality– Low (High frequency): Low (High frequency): 5 + 4 - 1 = 85 + 4 - 1 = 8

– High (Frequency ≤ 1%): High (Frequency ≤ 1%): (2 + 6) x 2 - 8 = 8(2 + 6) x 2 - 8 = 8

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Uses of EPoCEducation: used to pre test, and post test children and adolescent to see effects of educational training

Education: used as a screening tool for entry into some schools, or programs (“creative gifted”); used to detect children's profiles and guide differentiated educational activities based creative domain abilities

Clinical: used as part of psychological testing, complementary to IQ tests, to provide a better vision of a child as a whole

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Control DE Exp DE Control CI Exp CI1

2

3

4

5

6

7

Results - Creativity training study

pre

post

task and condition

EP

oC

sco

re

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Summary of the main points- Creativity: involves multiple psychological

factors, and two processes

- Evaluation: a new measurement technology, EPoC: theoretically grounded – domain-situated approach, easy to administer and score

- Creative potential can be measured and developed

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Contact :Todd Lubart

[email protected]

Lubart, T., Besançon, M. & Barbot, B. (2011). Evaluation of Potential for Creativity. Paris: Hogrefe

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