The Materiality of Digital Media
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Transcript of The Materiality of Digital Media
T H E M AT E R I A L I T Y O F D I G I TA L M E D I A
A O I R - I R 1 6
J A M E S A L L E N - R O B E R T S O N
J A L L E N H @ E S S E X . A C . U K @ M I N YA L L
L E C T U R E R I N M E D I A A N D C O M M U N I C A T I O N
T H E PA P E R
1.To reintegrate digital media back into the media timeline.
2.To demonstrate that the materiality of digital media matters.
http://tinyurl.com/materialityofair
K E Y A I M S
New Media and Society, forthcoming
T H E P H O N O G R A P H
T E C H N I C A L C A S E S T U D I E S
and Gramophone
1.How forensic/formal realities afford use
2.Technical continuities with later media
T H E P H O N O G R A P H
T E C H N I C A L C A S E S T U D I E S
and Gramophone
1.How forensic/formal realities afford use
2.Technical continuities with later media
T H E P H O N O G R A P H
T E C H N I C A L C A S E S T U D I E S
and Gramophone
1.How forensic/formal realities afford use
2.Technical continuities with later media
M A G N E T I C TA P E
T E C H N I C A L C A S E S T U D I E S
1.How forensic/formal realities afford use
2.Technical continuities with later media
M A G N E T I C TA P E
T E C H N I C A L C A S E S T U D I E S
1.How forensic/formal realities afford use
2.Technical continuities with later media
O P T I C A L M E D I A
T E C H N I C A L C A S E S T U D I E S
1.How forensic/formal realities afford use
2.Technical continuities with later media
T H E H A R D D I S K D R I V E
T E C H N I C A L C A S E S T U D I E S
1.How forensic/formal realities afford use
2.Technical continuities with prior media
3 C O N S E Q U E N C E S O F M E D I A M AT E R I A L I T Y
1 . O N T O L O G I C A L
2 . A G E N T I A L
3 . M E TA P H O R I C A L
1 . O N T O L O G I C A L
• Demonstrate prefiguring of HDD in prior forms- old/new
• Demonstrating affording role of hardware rather than digital signal - physical/digital
• Reintegrating discussions of power, capital, access - “in the cloud”
B L U R R I N G B O U N D A R Y D I V I S I O N S
• CDs are digital but not“digital media”
• 44,100Hz - Video > Optical > MP3
• HDD does not inscribe digitally.
E X A M P L E S F R O M C A S E S T U D I E S
1 . O N T O L O G I C A L
2 . A G E N T I A L
• We can see how prior media forms constrain affordances.
• Not subject/object but constellation of interobjectivity.
• Important: Power, resources, durable effects and social shaping.
C O N S E Q U E N C E S O F F O R M A N D F O R M S O F C O N S E Q U E N C E
2 . A G E N T I A L
• Read/Write Phonograph Could be digital, but materiality means slower and shorter lifespan.
• Digital Data Density - Head height, PRML, non-human scale
• Remix, bricolage, techniques in analogue - magnetic inscription not digital inscription.
E X A M P L E S F R O M C A S E S T U D I E S
3 . M E TA P H O R I C A L
• Many of our metaphors arise from technological change.
• Metaphors privilege some ways of thinking and discard others.
• ‘Information’ has become our ‘universal solvent’*
U N D E R S TA N D I N G O U R S E LV E S A N D S O C I E T Y
3 . O N T O L O G I C A L
• If we were the ‘hard drive society’ rather than an information society would we look different?
• A population of constant movement, where decay occurs without rewriting.
• Algorithmically approximated into best fit models.
• Totally surveilled and rationalised by layers of governance.
E X A M P L E S F R O M C A S E S T U D I E S
T H A N K Y O U