The Loafer, June 19, 2012

, The Loafer • June 19, 2012

www.theloaferonline.com June 19, 2012 • The Loafer,

Publisher - Bill Williams • Editor - Sandi Williams • Layout & Design - Christy Leach • O! ce & Sales Director - Luci TateGraphic Arts Director - Don Sprinkle • Photography - Mark Marque" e

Contributing Sta# - Jim Kelly, Andy Ross, Ken Silvers, Mark Marque" e, Pat BussardAdvertising - Dave Carter, Akey Kincaid, Mark Marque" e, Lisa Lyons, Brian Still

Published by Creative Publishing, Inc., P.O. Box 3596, Johnson City, TN 37602Phone: 423/283-4324 FAX - 423/283-4369

www.theloaferonline.com • [email protected]: [email protected] (editorial)

[email protected] (advertising

All advertisements are accepted and published by the publisher upon the representation that the agency and/or advertiser is authorized to publish the entire contents and subject ma" er thereof.The agency and/or advertiser will indemnify and save the publisher harmless from any loss of expense resulting from claims or suits based upon contents of any advertisement,including claims or suits for defamation,libel,right of privacy,plagiarism,and copyright infringement.

Volume 26Issue #28


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Head to Morganton, NC for the 9th Annual Red White and Bluegrass Fes! val

June 30th through July 4th


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JKLJ SuMMer 2usic Fest%reeneville9une JOrd

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PPth !nnual QSinging on the 2ountainR

%randfather 2ountain

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"aMB"ight 'heatreCatrio! c 'riSute JKLJ

Begins 9une JU


P+-*,% W(+-% @"#..% #$% +%$1-685#.(5=%P+-*,Q$%$1-6$%0174*%/(% *($05#/(*% +$% +% 0144(0.#1-% 13%#2+6($% #-% 21.#1-=% c#$% $1-6$%(_;5($$%;15.5+,+4$%13%+% 4#3(% 4#'(*%"+5*?% +-*% +% 4#3(% 4#'(*% 3744?% +-*%+48+,$% 4#'#-6% +$% 270"% +$% ,17%0+-=%G.% .#2($%"#$% .7-($%(2/5+0(%/(+7.,%13%."(%$#2;4(?%+-%(2/5+0(%13%2+-#0% j1,?% +-*%2(*#.+.#1-%1-%."(%2(4+-0"14,%13%."(%27-*+-(=%P+-*,% W(+-% @"#..% #$% +-% +5.#$.%13% ."(%"72+-%01-*#.#1-=%G%041$(%35#(-*% 1-0(% $+#*?% “Randy is passionately askew”.%

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'he !cous! c Co# eehouse+andF -ean Vhi$ WXLU

SiMBlF Steve WXJJ

Continued on page 13


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Blues 2usic Fills the !ir in JKLJ

!Singdon Blues Fes! val9une JOrd

Continued from page 12

End.


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2(-.%315%.(+0"(5$=%B215,%e%c(-5,%*('(41;(*% ;5165+2$% .1% 7;65+*(%2+."%+-*%$0#(-0(%T-184(*6(%+-*%0(5.#&#0+.#1-% 4('(4$% 315% (4(2(-).+5,% +-*%2#**4(% $0"114% .(+0"(5$%."5176"17.% ."(% 5(6#1-=% !"(% O14)4(6(% 0755(-.4,% ;51'#*($% $(5'#0($%315% .81% 2+."(2+.#0$% +-*% $0#)(-0(%;+5.-(5$"#;%65+-.$%315%+5(+%$0"114%$,$.(2$. “We have a good history of obtaining grants and bringing them to a successful conclusion,”% 85#.($% G5-14*% +-*%!"12;$1-=% G;;51_#2+.(4,% 9:%+5(+%;7/4#0%$0"114%.(+0"(5$%"+'(%5(0(#'(*% +*'+-0(*% *(65(($% #-%B-64#$"% +-*% "#$.15,% +-*% -(+54,%\::%;(1;4(%"+'(%1/.+#-(*%2+$).(5Q$% *(65(($% #-% +-% (*70+.#1-%;5165+2% ."+.% 4(+*$% 4#0(-$75(%+$% +% 5(+*#-6% $;(0#+4#$.=% B215,%e%c(-5,%+-*%#.$%S(33%O(-.(5%315%!(+0"(5%B*70+.#1-%"+'(%/(012(%“a maQor player in educational programs in our region of Vir<ginia,” +0015*#-6% .1% ."(% +5.#04(. “By taking this approach, we Rthe consortiumS have achieved a suc<cess beyond expectations. Other districts and higher education in<stitutions can replicate what our partnership has accomplished.”

SouthHest .aY Consor! uM2odel for /MBroving Educa! on


%W75#-6% ."(% 4+$.% .81% 8((T)(-*$%#-%A7-(?%."(%"#44$%13%S15.")(+$.% !(--($$((% 8#44% (0"1% 8#."%."(% 3+2#4#+5% 27$#0% 13% P1*6(5$%+-*% c+22(5$.(#-Q$% 04+$$#0?%The Sound of Music=% A1"-$1-%O17-.,%O1227-#.,%!"(+.5(%8#44%;5($(-.%('(5,1-(Q$%3+'15#.(%27)$#0+4%+.%"#$.15#0%c(5#.+6(%c+44%#-%F17-.+#-%O#.,?%!S=%D.% #$%[gd`?% ."(%S+k#$%"+'(%+-)

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9ohnson CountF CoMMunitF 'heatre

'he Sound of 2usic


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D3%,17%41'(%14*%.#2(%27$#0%+-*%*+-0(?%*1-Q.%2#$$%."(%S(8%E+44+5*Q$%E5+-0"%E16.51..(5$%+.%."(%O+5.(5%>+2#4,%>14*=%B'(5,)1-(%41'($%."(%E16.51..(5$?%$1%6(.%5(+*,%315%+-%('(-#-6%13%14*%3+$"#1-(*%37-=%E(%$75(%.1%/5#-6%,175%*+-0#-6%$"1($%]%+-*%,175%35#(-*$q%

Carter FaMilF 2eMorial 2usic Center$eH Ballard0s Branch Bogtro$ ers

9une JO

A+$;(5% F0M57*(5% $.+5$% #-%."(%;4+,%/+$(*%1-%."(%+7."(-.#0%85#.#-6$% 13% G41-k1% >#(4*$% +-*%85#..(-% /,% A+2($% L.#44=% “Look-ing Over the President’s Shoulder”% #$% -18% ;4+,#-6% +.%E+5.(5%L.+6(%DD%."5176"%A74,%\[=%O+44%\^b=b\`=dgg[%15%'#$#.%E+5).(5!"(+.5(=012% 315% .#0T(.$% +-*%215(%#-3152+.#1-=

/’Looking Over the Presi-dent’s Shoulder; offers a funny, compelling, moving and truly wonderful look at history. It’s a

personal account of history from a perspective that we have never before seen. AlonUo Fields’ authen<tic writing and James Still’s play give a gracious and uniWue look at the Presidential administra<tions of Hoover, FDR, Truman and Eisenhower,”% $+#*% P#0"+5*% P1$(?%;51*70#-6%+5.#$.#0%*#5(0.15%13%E+5).(5% !"(+.5(=% G7*#(-0($% 8#44% $((%."5176"% ."(% (,($% 13% +% /4+0T%2+-%+$% "(% 4(+*$% +% 4+56(% $.+33% +.% ."(%@"#.(% c17$(% 8#."% ;1#$(?% *#6-#.,%+-*%8#."17.% j7*62(-.l% ."(%$+2(%8+,%"(%'#(8(*%."(%R5($#*(-.$=%


Q"ooIing #ver the Cresident0s ShoulderR

Con! nues at Barter 'heatre

G-% (4(6+-.% (_;(5#(-0(% "+$%+55#'(*% #-% ."(% 4+.($.% (_"#/#.% 13%."(% G5.% +.% SRGO% $(5#($=% O75+.(*%/,% A+2($E(-% L.10T.1-?% /Une=-pected Treasures;% 0(4(/5+.($%."(%+5.%13%S15."(+$.%!(--($$((Q$%F(*"+% V+5+-*#T+5% +-*% 3107$($%+%215(% #-.(-$(% $;1.4#6".% 1-%"(5%0144+6($l% $12(%13%8"#0"% #-047*(%(4(2(-.$%13%;+#-.#-6=%N;(-%.1%."(%;7/4#0% #-% ."(% 41//,% 13% M5((-(')#44(Q$%S#$81-6(5%R(53152#-6%G5.$%O(-.(5?%“Une=pected Treasures”%0+-% /(% '#(8(*% 3512% A7-(% [9."%."5176"% A74,% d[$.% 3512% [:% GF%.1%<%RF?%F1-*+,%."5176"%>5#*+,?%+-*%*75#-6%('(-#-6%;(53152+-0)($%+.%SRGO=

“I !irst met Medha through the Rose Center in Morristown, and it was there that she had her !irst one person show,”%$+,$%A+2($E(-%L.10T.1-?%*#5(0.15%13%A+2($)E(-Y%L.7*#1%+-*%M+44(5,%G5.%O(-.(5%#-%M5((-('#44(Q$%*18-.18-%"#$.15#0%*#$.5#0.. “Even as she was Qust be<ginning to show her work I could see that she has both the inborn talent and the discipline to have an amaUing life in art.”%!"5176"%"(5%815T% ."+.% #$%1-% 5(674+5%*#$);4+,%+.%"#$%6+44(5,?% +-*% #-%815T)#-6%8#."%F(*"+%315%/1."%$141%+-*%6517;%$"18$%315%SRGO?%L.10T.1-%"+$% "+*% ."(% 1;;15.7-#.,% .1% $((%2+-,% *#33(5(-.% (_;5($$#1-$% 13%

"(5%.+4(-.?%#-047*#-6%85#.#-6%+-*%0144+6(=%UD%"+'(%+48+,$%41'(*%0144+6(?X%$+,$%L.10T).1-?% U+-*% F(*"+Q$%.170"%315%#.%#$%1-(%13%."(%/($.%D%"+'(%('(5%$((-=%D.%#$%81-*(5374%8"(."(5% $"(% 7$($%#.% +$% ."(% ;5#2+5,%2(*#72% 15?% +$% #-% “[nexpected Trea-sures”?% #-047*($% (4)(2(-.$%13%;+#-.#-6=X%>15% F(*"+% "(5$(43?%0144+6(% j1#-$% .81%*#33(5(-.%+5.#$.#0%;+$$#1-$?%8"#0"%2+T($% #.%*17/4,%65+.#3,#-6. “Col<ors < on their own, or Quxtaposed with each other, have been a source of delight and inspiration to me. I am also fascinated by paper, whether machine<made

or handmade. The ap<plication of paper to a substrate or to a !in<ished piece always cre<ates a third dimension and an element of sur<prise. I see promise in the rich colors of Qunk<mail, and in the tex<tures of greeting cards and wedding invita<tions.[”%>15%L.10T.1-?%#.%#$%+%01-.#-7#-6%*(4#6".%.1%815T%8#."%$12(1-(%8"1$(% +5.#$.5,% #$% $1%#-015;15+.(*% #-.1% "(5%*+#4,% 4#3(. “Art seems to be the place where Medha’s spiritual life,

work habits, and personal growth all intersect,”%"(%$+,$=%@"#4(%."#$%j1,374%*(*#0+.#1-%012($%."5176"%#-% +44% 13% F(*"+Q$% 05(+.#1-$?% #.%#$% ($;(0#+44,% .57(% 13% "(5% (_;(5).#$(% 8#."% 0144+6(=% “Collage is a slow, thoughtful, and extremely rewarding process,”% $"(% $+,$=%“Drawing with a blade can be at times trying < yet it calms the mind and disciplines the hand.”

F(*"+%V+5+-*#T+5% "+$% /((-%+**#-6%5#0"-($$%.1%."(%S15."(+$.%!(--($$((% +5.% 01227-#.,% 315%215(% ."+-% [<% ,(+5$=% L"(% /5#-6$%."(% .+$.(% +-*% $(-$#/#4#.,% 13% "(5%-+.#'(% D-*#+% .1% ."(% 217-.+#-%L17."% +-*% #-% *1#-6% $1% $700((*$%#-%05(+.#-6%815T%."+.%"+521-#k)($%."(%.81%6(165+;"#0%+5(+$%#-.1%$12(."#-6%7-#i7(=%“[nexpected Treasures”%133(5$%+%012;5("(-)$#'(% 64#2;$(% #-.1% ."(% ;5165($)$#1-% 13% F(*"+Q$% 815T% *75#-6%"(5%,(+5$%#-%."#$%017-.5,=%F(*"+%(_;4#0#.4,%6#'($%."(%hLG?%13%8"#0"%

$"(% +-*% "(5% 3+2)#4,%+5(%-+.75+4#k(*%0#.#k(-$?% 05(*#.%315% ."(% 35((*12%.1% 05(+.(% +-*% ."(%(-0175+6(2(-.% .1%/(012(% ."(% +5.)#$.% $"(% #$% .1*+,=%“This collection has pieces from my !irst solo exhibit in 1999 to some !inished Qust last month,”% $"(% $+,$=%“Which proves the fact that this is one

art form I will continue to explore for a long time.”

“[nexpected Treasures”: Collage apropos to Painting by Medha Karandikar% #$% ."(% 075)5(-.% (_"#/#.% #-% ."(% 1-61#-6% G5.%+.%SRGO%$(5#($%075+.(*%/,%A+2($)E(-%L.10T.1-=%G%5(0(;.#1-%"1-15)#-6%."(%+5.#$.%8#44%/(%"(4*%+.%SRGO%1-%L+.75*+,?%A7-(%\d5*%3512%[%.1%d% RF?% #-% 01-j7-0.#1-% 8#."% ."(%+--7+4% M5((-('#44(% L722(5%F7$#0% >($.=% G% 4+56(% 2+j15#.,% 13%."(% 815T$% 3(+.75(*% #-% “[nex-pected TreasuresX% +;;(+5% #-%F(*"+Q$% -(8% /11T?% “TEAR IT, B[T DON’T THROW IT AWAY”,%8"#0"% 8#44% /(% +'+#4+/4(% *75#-6%."(% +5.#$.Q$% 5(0(;.#1-=% F(*"+%+4$1% ;4+-$% .1% $.+,% /(,1-*% ."(%"175$% 13% ."(% 5(0(;.#1-% .1% *(2)1-$.5+.(%"(5%0144+6(%.(0"-#i7($=%>15% 375."(5% #-3152+.#1-% +/17.%."#$%15%;+$.%+-*%7;012#-6%(_"#/)#.$?% 01-.+0.% A+2($E(-% L.10T.1-%+.%H9\dI%^`^):[g<=


$C!C EZhiSitQ3neZBected 'reasuresR

“Dragon!lys” chosen at ARTSCLAMATION[ Annual Art Exhibit by Fort Sanders Foundation to be featured in their annual calendar.

Created of hand<made, cut from magaUine, hand<colored and painted paper, “Skin Shades” is one of Medha’s most evocative collages.

Artist Medha Karandikar


!"(%>744%F11-%A+2%01-0(5.%$(5#($%01-.#-7($%('(5,%!7($)*+,%+-*%!"75$*+,%('(-#-6$%#-%."(%`[:%L.+.(%L.5((.%'(-7(=%K10+4%3+'15#.($%;4+,%017-.5,?%/47(65+$$?%-1$.+46#+?%+-*%510T%+-*%5144%+5(%+44%/+0T%8#."%$12(%-(8%/+-*$=%%!"#$%$(5#($%."(%/+-*$%6#'(%.5#/7.(%.1%$70"%65(+.$%+$%."(%B+64($?%GOZWO?%A175)-(,?%G(51$2#."?%A1"-%>166(5.,Q$%O5((*(-0(%O4(+58+.(5%P()'#'+4?%+-*%B+64($=%%!"(%$(+$1-%8#44%(-*%1-%+%"#6"%-1.(%8#."%c(44Q$%E(44$%."(%('(5%;1;74+5%GOZWO%.5#/7.(%/+-*=%

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The Full Moon Jam Concert

SeriesContinues Tuesdays

and Thursdays

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!"(% 8((T% 13% "#$% 5($#*(-0,?%L.#'(-*(5Q$% *+#4,% 2+.#-(($% 8#44%57-% 3512% A7-(%\b%]%d:?%!7($*+,%."5176"% L+.75*+,?% +.% \% ;=2=% #-%."(% F+5,% E=% F+5.#-% L.15,.(44#-6%c+44=%!#0T(.$%+5(%1-%$+4(%-18?%+-*%5($(5'+.#1-$% +5(% "#6"4,% 5(012)2(-*(*=%

>15% 2+-,% ,(+5$?% L.#'(-*(5%"+$% /((-% ;(53152#-6% *+#4,% 315%+% '(5,% *(2+-*#-6% +7*#(-0(% 13%$0"114%T#*$=%G$%+%.(+0"(5?%"(%"+$%#2;+5.(*%T-184(*6(?%/51T(-%7;%&#6".$%+-*?%,($?%.14*%$12(%$.15#($=%S18%"(Q$%5(+*,%.1%5(.75-%.1%$.1)5,.(44#-6% 3744% .#2(. “Perhaps the best thing is I won’t have to !ly back from Cape Clear, Ireland on

Labor Day Monday to be at work the next day,”%"(%$+,$=%

@"#4(% "(Q$% (_0#.(*% .1% "+'(%215(% 35((*12% .1% .175% +-*% ;(5)3152?% L.#'(-*(5% #$% 21$.% 411T#-6%3158+5*%.1%"+'#-6%215(%.#2(%315%85#.#-6=% >512% "+'#-6% +-% #*(+?%.1% *('(41;#-6% #.?% .1% 4(+5-#-6% ."(%;#(0(%315%."(%$.+6(?%05+3.#-6%+%.+4(%.+T($% .#2(. “One of the problems is that after a day of working as a teacher, there’s not much men<tal space left for writing,”% "(% (_);4+#-$=% “Hopefully, this will give me a chance to get back to writ<ing more.”

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Storytelling Live!Ed Stivender

June 26-30


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Caregivers C'S- VorIshoB

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Rainbow over Boones Creek

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SuMMer Sols! ce 'aIes #ver $igh% Me Filled

Hith Clanets

Continued on page 23

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Continued from page 22


Celestial events in the skies for the week of June 19<2_, 2012, as compiled for The

Loafer by Mark D. MarWuette.!"(% L722(5% L14$.#0(% #$% @(*-($*+,?% ."(% &#5$.% .#2(% #.Q$%/((-%1-% A7-(%\:% #-% 0(-.75#($=% %E(0+7$(%13% 0(4($.#+4%21).#1-$%#-'14'#-6%."(%B+5."Q$%$4#6".4,%1'+4%15/#.?%."(%&#5$.%*+,%13%L722(5%#$%'+0#44+.#-6%/(.8((-%A7-(%\:."%+-*%\[$.%1'(5%."(%-(_.%*(0+*($?%8"(5(%#.%7$(*%.1%100+$#1-+44,%3+44%1-%."(%\\-*=%

Tues. June 19S(8%F11-%#$%.1*+,%+.%[[Y:\%+2?%8"(-%."(%F11-%#$%+/1'(%."(%L7-%#-%."(%*+,4#6".%$T,=%!"(%F11-%21'($%#-.1%."(%('()-#-6%.8#4#6".?%+-*%/(%-(+5%."(%;4+-(.%F(5075,%1-%>5#*+,=%

Wed. June 20L722(5%L14$.#0(%#$%.1*+,%+.%^Y:g%;2?%8"(-%."(%L7-%#$%3+5)."($.%-15."%13%."(%0(4($.#+4%(i7+.15=%%!"+.%;7.$%175%3+'15#.(%$.+5%+.%#.$%"#6"($.%;1#-.%#-%."(%$T,?%+-*%05(+.($%."(%41-6($.%*+,=%

Thurs. June 21!"(%L7-%#$%(-.(5$%M(2#-#?%."176"%#.%7$(*%.1%/(%#-%O+-0(5%0(-.75#($%+61=%%!"+.Q$%8"(5(%."(%!51;#0%13%O+-0(5%012($%3512?%."(%4#-(%+517-*%."(%8154*%8"(5(%."(%L7-%#$%*#5(0.4,%1'(5"(+*%+.%410+4%-11-=%%E(0+7$(%+$.51416,%-('(5%7;*+.(*%

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Fri. June 22!"(%."#-%05($0(-.%F11-%#$%#-%+%047$.(5%13%$.+5$%#-%O+-0(5%0+44(*% ."(% “Beehive,” /(0+7$(% #.$% 01-0(-.5+.#1-%13%-+T(*%(,(% $.+5$% 411T% 4#T(% +-% #-$(0.% $8+52=%G4$1% -(+5/,% #$% ."(%&#5$.%;4+-(.%F(5075,?%6418#-6%/5#6".4,%+/1'(%."(%8($.(5-%"15#k1-=%

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I Had Too Much to Dream Last Night


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Suzuki Flute InstituteInstruction by Takahashi and performance by Flute Force

L12(% 5($(+50"% 5(;15.$% 411T%'(5,% #2;5($$#'(% +-*% 01-'#-0#-6%+.% &#5$.% 64+-0(?% /7.% 7;1-% 375."(5%#-$;(0.#1-% ."(,%*1-Q.% $((2%'(5,%#2;5($$#'(% +.% +44l% #-% 3+0.?% ."(,%0+-%/(%*18-5#6".%*(0(#'#-6%+-*%13.(-%851-6=%G%611*%(_+2;4(%#$%+%5(0(-.%$.7*,%+/17.%27$#0s+%$7/)j(0.%'(5,%041$(%.1%2,%"(+5.s."+.%133(5$% ."(% .+-.+4#k#-6% ."($#$% that “over the past half<century, pop hits have become longer, slower and sadder, and they increasingly convey mixed emotional cues.”%!"#$% #$% +% 01-047$#1-% 5(+0"(*% /,%;$,0"1416#$.% B=% M4(--% L0"(44(-)/(56% +-*% $10#1416#$.% O"5#$.#+-%'1-% L0"('(% #-% ."(% 0755(-.% #$$7(%13%R$,0"1416,%13%G($."(.#0$?%O5()+.#'#.,%+-*%."(%G5.$=%!"#$%#2;5($)$#'()$17-*#-6%H-1%;7-%#-.(-*(*I%4#..4(%;#(0(%13%5($(+50"%#$%$722+)5#k(*%/,%!,4(5%O18(-%#-%"#$%/416%“Is Popular Music Becoming Sad<der`”% 3512% F+56#-+4P('147.#1-=012

N75% ;$,0"1416#$.)$10#1416#$.%.(+2%1/$(5'(%that “As the lyrics of popular music become more self<focused and negative over time, the music itself became sadder<sounding and more emotionally ambiguous.”% D-% 15*(5% .1% 5(+0"%."#$% *7/#17$% 01-047$#1-% ."(,%(_+2#-(*%!1;%9:%;1;%"#.$%$.+5.)#-6%+517-*%[gb<%+-*%01-.#-7#-6%."5176"% \:[:=% L;(0#&#0+44,?% ."(,%&#-*%."+.%U+-%#-05(+$#-6%;(50(-.)+6(%13%;1;%$1-6$%+5(%85#..(-%7$)#-6% 2#-15% 21*($?% 8"#0"% 21$.%4#$.(-(5$s#-047*#-6% 0"#4*5(-s+$$10#+.(% 8#."% 64112% +-*% *()$;+#5=X% !"(,% +4$1% 317-*?% #-% 8"+.%+;;(+5$%.1%/(%+%.(-717$%01--(0).#1-%+.%/($.?%that “the percentage of female artists at the top of the charts rose steadily through the 1990s before retreating a bit in the 2000s.”% @"+.% ."#$% "+$% .1% *1%8#."% 2+j15% +-*% 2#-15% T(,$% #$%+-,1-(Q$%67($$=

L;(0#&#0+44,?%L0"(44(-/(56%+-*%'1-%L0"('(%&#-*%that “the propor<tion of minor songs doubled over !ive decades”%+-*%."+.%`<%;(50(-.%13%."(%!1;%9:%$1-6$%#-%."(%4+.(%L#_).#($%8(5(%#-%2+j15%T(,$%8"#4(%j7$.%7-*(5%9<%;(50(-.%13%$1-6$%*75#-6%."(%4+$.%.(-%,(+5$%8(5(%#-%+%2+j15%T(,=%D-.(5($.#-64,%(-176"?%!1;%9:%$1-6%.(2;1$%"+'(%+;;+5(-.4,%*()05(+$(*%1'(5%."(%;+$.%&#3.,%,(+5$?%($;(0#+44,% 315% $1-6$% 85#..(-% #-%2+j15%T(,$=%!"(%5($(+50"(5$%."(-%;1#-.% to “a general reduction in unambiguously happy<sounding recordings, as well as an increase in recording with ambiguous emotional states.X% @"(-% *1($%

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E+$(*% 1-% 2,% +*2#..(*4,%-1-)(_"+7$.#'(% $75'(,% 13% ;1;7)4+5% 27$#0% *75#-6% ."(% ;+$.% &#3.,%,(+5$?% D% *1-Q.% &#-*% +-,% 5(+4% ('#)*(-0(% 315% $+,#-6% ."+.% $1-6$%+5(% 6(..#-6% 215(% #-.51$;(0.#'(%+-*% $+**(5% 15% $418(5% +-*%215(%U(21.#1-+44,% +2/#6717$=X% % G-*%8"#4(%2#-15%T(,$%+5(%215(%01-).(2;4+.#'(% ."+.% 2+j15% T(,$?%."(,% *1-Q.% -(0($$+5#4,% 2+T(% 7$%$+*s."#-T% 13% ."(% 14*% O"5#$.2+$%0"($.-7.% “Greensleeves”% +-*%!"(% !75.4($Q% [gb^% "#.% “Happy Together,”%/1."%85#..(-%#-%2#-15%T(,$=%!81%$1-6$%85#..(-%#-%2+j15%T(,$sUP+#-,% W+,$% G-*% F1-)*+,$X% H[g^[?% !"(% O+5;(-.(5$I%+-*% “Along Again, Naturally”%H[g^\?% M#4/(5.% NQL744#'+-Is+5(%;5(..,% *(;5($$#-6% 8#."17.% 5()$15.#-6% .1% 2#-15% 0"15*$=% G-*%."(%8"14(%&#(4*%13%017-.5,%27$#0%"+$% ;4(-.,% 13% *(;5($$#1-% .1% 61%

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Sad Songs:Should Rainy Days and

Mondays Always Get Me Down?

, The Loafer • June 19, 2012 www.theloaferonline.com

The Loafer, June 19, 2012

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Transcript of The Loafer, June 19, 2012