The Loafer, July 17, 2012

, The Loafer • July 17, 2012

www.theloaferonline.com July 17, 2012 • The Loafer,

Volume 26Issue #32

Publisher - Bill Williams • Editor - Sandi Williams • Layout & Design - Christy Leach • Of ce Manager - Luci TateCover Design - Bill May • Graphic Arts Director - Don Sprinkle • Photography - Mark Marquette

Contributing Staff - Jim Kelly, Andy Ross, Ken Silvers, Mark Marquette, Pat BussardAdvertising - Dave Carter, Akey Kincaid, Mark Marquette, Lisa Lyons, Brian Still

Published by Creative Publishing, Inc., P.O. Box 3596, Johnson City, TN 37602Phone: 423/283-4324 FAX - 423/283-4369

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Running of The BearSteep Inclines and Authen! c

Sco" sh Weather


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Fall Spectacular Photography Contest

and Exhibi! on10 Years and running

Continued on page 7


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*A*0.#.$ *-$ *$ 5J#)(*+$ 0#)#J-(/4$3#J-#26#0$ P?$ #X)#J-$ -"#$gT#/J+#L5$ Q"/()#Kk$ $ !"(5$ *A*0.$A(++$ 6#$ 7(D#4$ /,-$ /4$ 3#J-#26#0$O]$*-$8$JK2K?$ /4)#$#D#0:/4#$"*5$*$ )"*4)#$ -/$ D(5(-$ -"#$ #X"(6(-$*4.$ )*5-$ -"#(0$ D/-#K$ $ 3/2#-"(47$<44$ (5$ J0/,.$ /&$ )/4)#04(47$-"#$ #X"(6(-$ (5$ -"*-$ 5"#$ ./#5$#D#0:-"(47$5"#$)*4$-/$2*B#$5,0#$#D#0:$J"/-/70*J"$(5$",47K$$=D#0:$:#*0$ J"/-/70*J"5$ 0#J0#5#4-(47$J"/-/70*J"#05$ &0/2$ !#44#55##?$c(07(4(*?$ I#5-$ c(07(4(*?$ a/0-"$Q*0/+(4*?$f#4-,)B:?$`#/07(*?$*4.$Q*+(&/04(*$A#0#$ /4$ -"#$A*++K$ $ “It looked like a patchwork quilt in a way; small photos, large photos, rectangular and square photos. It really looks cool to piece them on the wall like a puzzle,”$5*(.$<44K!"#$f(475J/0-$H*++$3J#)-*),+*0$

Q/4-#5-$ *4.$ =X"(6(-(/4$ A(++$6#$ "#+.$ *-$ -"#$ 1/A4-/A4$f(475J/0-$ <55/)(*-(/4$ /&'()#lR*(4$ 3-0##-$ <0-5$ `*++#0:$ *-$ O9G$

I$R*(4$3-K$f(475J/0-K$ $<44$5*:5$#D#0:-"(47$A(++$6#$*-$-"#$`*++#0:h$(4)+,.(47$ -"#$ Y,.7(47?$ #X"(6(-?$*4.$0#)#J-(/4K$$3"#$5*:5$-"#0#$(5$J+#4-:$/&$-(2#$-/$7/$/,-$*4.$-*B#$-"/5#$J"/-/70*J"5$-/$#4-#0K$$!"#$*JJ+()*-(/45$ A(++$ 6#$ /,-$ 6:$ -"#$#4.$/&$Z,4#$*4.$-"#$.#*.+(4#$(54L-$-(++$<,7,5-$OPK$$$$<JJ+()*-(/45$ A(++$ 6#$ /,-$

*-$ )*2#0*$ 5-/0#5?$ J"/-/$ +*65?$),5-/2$ &0*2#$ 5-/0#5?$ 5/2#$ 7(&-$5"/J5?$ "/66:$ 5-/0#5?$ +(60*0(#5?$#-)$ *++$ /D#0$ -"#$ 0#7(/4$ *4.$5,00/,4.(47$ 5-*-#5K$ $ <44$ 5-*-#5$-"*-$5"#$J,-5$-"#2$(4-/$*4:$5-/0#$-"*-$A(++$ *))#J-$ -"#2K$ $ 3"#$ 5*:5$(&$ :/,$ ./4L-$ 5##$ -"#2$ /4$ -"#$)/,4-#0$*5B$*6/,-$-"#2$6#)*,5#$5/2#-(2#5$ -"#:$ *0#$ 5(2J+:$6#"(4.$-"#$)/,4-#0K$$<JJ+()*-(/45$*0#$*+5/$*D*(+*6+#$*-$-"#(0$A#65(-#?$AAAKJ#4Y*))J"/-/K)/2$*4.$)*4$6#$ )/J(#.$ &0/2$ -"#$A#65(-#K$ $ $ d&$:/,$ A*4-$ 2/0#$ (4&/02*-(/4$ /0$"*D#$ i,#5-(/45$ )*++$ <44$ T#4+#:$*-$ [O9@]9]8K$ M*5-+:$ *$ J"0*5#$/&-#4$ "#*0.$ *4.$ 5J/B#4$ 6:$J"/-/70*J"#05$ #D#0:A"#0#?$“Take only photographs; leave only footprints.”$

Continued from page 6

3*-,0.*:?$ Z,+:$ WO5-?$ UF8GJ2$*-$!"#*-0#$S0(5-/+?$S(0-"J+*)#$/&$Q/,4-0:$R,5()$<++(*4)#$"/5-5$*4$(4-(2*-#$ #D#4(47$ A(-"$ 5(47#0l5/47A0(-#0$Z#55#$I(4)"#5-#0K$$

Z/*4$S*#>?$=+D(5$Q/5-#++/?$*4.$V#6*$ R)=4-(0#$ "*D#$ 0#)/0.#.$"(5$2,5()K$$;#$(5$-"#$*0-(5-$Z(22:$S,&&#-$ )+*(25$ *5$ "(5$ gJ#05/4*+$"#0/Kk$f4/A4$ &/0$ "(5$ J/+(-()5$ *5$A#++$ *5$ "(5$ 2,5()?$ I(4)"#5-#0$'+#.$ -/$ Q*4*.*$ (4$ -"#$ +*-#$ UG5$(4$ 0#D/+-$ /&$ -"#$ c(#-4*2$ I*0K$$I(4)"#5-#0$ )*-*J,+-#.$ (4-/$ -"#$5J/-+(7"-$ (4$ -"#$ #*0+:$ EG5$ A(-"$<2#0()*4$ &/+B@)/,4-0:$ )+*55()5$+(B#$ “Yankee Lady”,$ “Brand New Tennessee Waltz”$ *4.$ “Biloxi”K$;*D(47$ 0#)/0.#.$ -#4$ *+6,25$ (4$"(5$ )*0##0$ -/$ .*-#?$ I(4)"#5-#0$A*5$*A*0.#.$*4$<3Q<T$M(&#-(2#$<)"(#D#2#4-$<A*0.$(4$WGGEK$$

$Q/)B-*(+5$*4.$'(47#0$&//.$A(++$6#$)*-#0#.K$$!"#$.//05$A(++$/J#4$*-$ UF8GJ2$ &/0$ J*-0/45$ -/$ 2##-$A(-"$ -"#$*0-(5-K$ $R,5()$A(++$ 5-*0-$*-$EF8GJ2$A(-"$-A/$5#-5$*4.$*4$(4-#02(55(/4$ (4$ 6#-A##4$ A(-"$.0(4B5$m$.#55#0-5K$%4+:$*$+(2(-#.$4,26#0$ /&$ -()B#-5$ *0#$ *D*(+*6+#$*4.$*$5#++@/,-$)0/A.$(5$#XJ#)-#.K$$!()B#-5$*0#$\E]$J#0$J#05/4?$*4.$0#5#0D*-(/45$ 2,5-$ 6#$ 2*.#$ (4$*.D*4)#K$ !/$ 2*B#$ 0#5#0D*-(/45?$)*++$-"#$SQR<$/&'()#$*-$9W8@]E8@9P[PK$


Jesse WinchesterTheatre Bristol

July 21


Birthplace of Country Music Alliance@@http://www.birthplaceofcountrymusic.orgl$Z,+:$WGF$R#7*4$Z#*4$m$-"#$fHS$*4.$b4.#0"(++$V/5#K$S/0.#0$S*5"?$;(5-/0()$1/A4-/A4?$S0(5-/+?$c<l!aK$$R,5()$

5-*0-5$*-$EFGGK$Blue Ridge Music Center@@"--JFllAAAK6+,#0(.7#2,5())#4-#0K/07lR(+#J/5-$WO8$/4$!"#$S+,#$V(.7#$T*0BA*:

July 17$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$S/66:$T*--#05/4$*4.$I(++*0.$`*:"#*0-July 18$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$S(++$m$R*77(#$<4.#05/4

July 19$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$3)/--$H0##2*4$*4.$I(++*0.$`*:"#*0-July 20$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$Z(2$R*05"*++$*4.$H0(#4.5

July 21$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$Q0*4&/0.$Q0##B$S+,#70*55$S*4.July 22$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$-"#$H(5"#0$T#*B$!(26#0$V*--+#05

8FGG$TR$@$H*2(+:$`/5J#+$T()4()July 23$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$-"#$S,)B$R/,4-*(4$S*4.

July 24$@$OWFGG$TR$@$R(.@1*:$R/,4-*(4$R,5()$A(-"$S/66:$T*--#05/4$*4.$I(++*0.$`*:"#*0-The Carter Family Fold@@"--JFllAAAK)*0-#0&*2(+:&/+.K/07l

Z,+:$OP?$WGOW$$$$`*0:$S0#A#0$m$-"#$f#4-,)B:$V*26+#05$<.2(55(/4$\OGKGGZ,+:$WO?$WGOW$$$$;(++6(++:$`:J5(#5$^/+.$-(2#_

Country Cabin@@"--JFllAAAK*JJ*+*)"(*4-0*.(-(/45(4)K)/2lZ*2$3#55(/45$*0#$"#+.$#*)"$!,#5.*:$4(7"-$*-$EFGG$TRK$$HV==$<1Rd33d%aK$$<++$R,5()(*45$*4.$5J#)-*-/05$A#+)/2#N=D#0:$3*-,0.*:$a(7"-$$$EF8G$@$OGF8G$TR$@$M(D#$S*4.5?$S+,#70*55l%+.$!(2#$R,5()?$H+*-&//-(47?$!A/$3-#JJ(47?$Q+/77(47?$Q*B#$I*+B5?$S0//2$1*4)#5K$July 21$@$<JJ*+*)"(*4$3-0(47577th Annual Old Fiddler’s Convention@@"--JFllAAAK/+.'(..+#05)/4D#4-(/4K)/2l.#&*,+-K"-2K$<,7,5-$U$C$OOKThe Floyd Country Store@@"--JFllAAAK'+/:.)/,4-0:5-/0#K)/2l!",05.*:?$Z,+:$O[@UFGG$C$PFGG$;/-#+$H+/:.$Q/4)#0-$3#0(#5$A(-"$!"#$Q0//B#.$V/*.$V*26+#05

Friday, July 20-6:30$!"#$`+/0:$V/*.$3(47#057:30$W$j/,47$W$%+.9:00$!"#$H*4):$`*J$R/,4-*(4$S*4.

Saturday, July 21@@OWFGG$<2#0()*4*$<&-#04//4$A(-"$

`KIK$1(++*0.1:30$<2#0()*4*$%J#4$R()?$

3(74$bJSunday, July 22--2:00$

!0*.(-(/4*+$R/,4-*(4$R,5()$3-*7#$Z*2

The Pickin’ Porch$Thursday, July 19?$1=aad3$Q%c=$S<a1$<a1$3%b!;$Vdc=V$@$2,5()$5-*0-5$*-$7:00$@$<.2(55(/4$(5$&0##$6,-$./4*-(/45$*0#$0#i,#5-#.$-"0,$-"#$4/4@J0/'(-$<QR<$*4.$J0/)##.5$7/$-/$6#4#'(-$-"#$R/,4-*(4$R,5()$R,5#,2$!"#$T()B(4$"--JFllAAAKJ()B(4J/0)"K/07

Along the Crooked RoadMusic Events


<4$ #X"(6(-(/4$/&$ g+*07#@*5@+(&#k$)"*0)/*+$ .0*A(475$)0#*-#.$ 6:$ *$ 0#)#4-$=*5-$!#44#55##$3-*-#$b4(D#05(-:$ 70*.,*-#$A(++$ 6#$ /4$ .(5J+*:$ *-$!(J-/4$ `*++#0:$ Z,+:$OP@WEK$ $ <4$ /J#4(47$0#)#J-(/4$ &/0$ g!"#$;,2*4$ <4(2*+k$ A(++$6#$ "#+.$ /4$ H0(.*:?$Z,+:$WG?$&0/2$U@P$JK2K

!"#$ *0-(5-$ (5$1*4(#++#$ R*,7"/4?$*$ Z/"45/4$ Q(-:$4*-(D#$ *4.$ R*:$WGOW$ 70*.,*-#$ /&$=!3b$ A(-"$ .#70##5$(4$ *0-$ *4.$ (4$ 2*55$) /22,4 ( ) * - ( / 4 K$$!"#$ #X"(6(-(/4$ (5$5J/45/0#.$ 6:$ -"#$=!3b$ 1#J*0-2#4-$

/&$ <0-$ *4.$1#5(74$ *4.$ =!3b$3+/),26$ `*++#0(#5$(4$ J*0-4#05"(J$A(-"$ -"#$ b06*4$V # . # D # + / J 2 # 4 -$<++(*4)#K$$R*,7"/4$ ,5#5$+(&#@5(>#$ )"*0)/*+$.0*A(475$ -/$ 6+#4.$(2*7#5$/&$",2*45$ (4$-"#(0$ 4*-,0*+$ 5-*-#?$*4.$ )+/-"#.?$ A(-"$-"#$ g*4(2*+$ 5(.#k$/&$ ",2*4$ 6#"*D(/0K$3"#$ .#5)0(6#5$ "#0$A/0B$ *5$ “an analysis of human animal relationships”$ *4.$(++,5-0*-#5$ -"(5$ (.#*$6:$ #X*2(4(47$ "/A$J#/J+#$ #X"(6(-$ A"*-$5/2#$ )/45(.#0$ *5$*4(2*+(5-()$ 6#"*D(/0K$“My work explores

how individuals deal with these behaviors in the context of society and I use the animal as a way to observe behavioral impulses and show the connection between human and animal,”$ R*,7"/4$ 5*(.K$3"#$ *..5$ -"*-$ -"#$ 5)*+#$ /&$ -"#$.0*A(475$ (5$ (2J/0-*4-$ -/$ "#0$)/4)#J-$ 6#)*,5#$ 5"#$ 6#+(#D#5$(-$ (5$ -"#$ 2/5-$ #&&#)-(D#$ A*:$-/$ )/4&0/4-$ -"#$ D(#A#0$ *4.$*++/A$-"#$*,.(#4)#$-/$0#+*-#$-/$#*)"$ 5(-,*-(/4K$ “The drawing series explores humanity’s pursuit of what it really means to be human and the search to embrace the natural state of humanity,”$ 5"#$ 5*(.. “I use humans’ relationship with animals as a way to explore this natural state to create ‘The Human Animal.’ $ “Everything is life size,”$R*,7"/4$*..#.K$$“I want people to be confronted.”

d2*7#5$ (4)+,.#$ 70/,J5?$*5$ A#++$ *5$ 5(47+#$ '(7,0#5?$ *4.$R*,7"/4$ "*5$ *+5/$ )0#*-#.$ *$4*-,0*+$",-$ (4$A"()"$A"(5J#05$C$ 6/-"$ *,.(6+#$ *4.$ (4*,.(6+#$C$ )*4$ 6#$ "#*0.K$ $ S/,4.*0(#5?$6#"*D(/05?$ 5"*2#?$J/A#0?$ 5#+&@)/4-0/+?$ 5#X$ *4.$ &0##./2$ *0#$*2/47$-"#$(55,#5$-"#$R*,7"/4$

5*:5$ 5"#$ 5-0(D#5$ -/$ 60(47$ -/$+(7"-K$ “It is kind of like !inding who I am and being able to express who I am without being ashamed of it, but not just in my own life,” 5"#$ 5*(.K$$“Many people feel judged, suppressed or oppressed at certain times. I think some visitors who see this exhibit will connect with those feelings.”$“The work is fantastic,”$5*(.$<4.0#A$3)/--$V/55?$=!3b$*55(5-*4-$ J0/&#55/0$ /&$ <0-$*4.$ 1#5(74K$ $ “Her exhibition is really organized, the scale is impressive, and the aesthetic relates to things people can appreciate.”d4$ *..(-(/4$ -/$-"#$ Z,+:$ WG$ 0#)#J-(/4?$ -"#$#X"(6(-(/4$ A(++$ 6#$ *D*(+*6+#$&/0$ D(#A(47$ /4$ 3,4.*:?$ Z,+:$WW?$ *4.$ !",05.*:?$ Z,+:$ WU?$&0/2$ ]@E$ JK2K?$ *4.$ *-$ /-"#0$-(2#5$6:$*JJ/(4-2#4-K$$!(J-/4$`*++#0:$(5$+/)*-#.$*-$OWU$3J0(47$3-0##-K$ $ H/0$2/0#$ (4&/02*-(/4?$/0$-/$5)"#.,+#$*4$*JJ/(4-2#4-?$)/4-*)-$ f*0+/-*$ dK$ Q/4-0#0*5@f/-#06*:$ *-$ ^9W8_$ 9P8@8OE[$/0$ )/4-0#0*n#-5,K#.,K$ $ !"#$#X"(6(-$ *4.$ 0#)#J-(/4$ *0#$ &0##$*4.$/J#4$-/$-"#$J,6+()K

ETSU Graduate Art Exhibi! on Explores “The Human Animal”

Tipton Gallery, July 20th


WEDNESDAYS

WEDNESDAYS

R*--(#$(5$*$2#.(,2$5(>#?$&#2*+#K$3"#$(5$OOlW$:#*0$/+.$-#00(#0$2(XK$3"#$A*5$*$5-0*:?$5"#$(5$D#0:$5A##-$*4.$+/D#5$-/$J+*:K$3"#$(5$5J*:#.$*4.$),00#4-$/4$"#0$5"/-5K$!/$*./J-$R*--(#$)*++$V#7(4*$*-$W8[@]W8E

R/0#$*6/,-$R*--(#F$3J*:#.la#,-#0#.$o$bJ@-/@.*-#$A(-"$0/,-(4#$5"/-5$o$T0(2*0:$)/+/0F$S0(4.+#$o$Q/*-$+#47-"F$3"/0-$

!"#$S0(.7#$;/2#$a/$f(++$<4(2*+$V#5),#?$9W8@W8[@]W8E$60(.7#"/2#0#5),#n72*(+K)/2$*4.$"--JFllAAAKJ#-'(4.#0K)/2lJ#-.#-*(+lO[OEE]PP$

Ma" e: Terrier MixAn adoptable

dog in Kingsport

1,0(47$ 1#$ Sp0)*L5$ A##B$ /&$"(5$ 0#5(.#4):?$ Z,+:$ W9$ C$ WP?$ "#L++$J#0&/02$ .*(+:$ *-$ W$ JK2K$ (4$ -"#$R*0:$SK$R*0-(4$3-/0:-#++(47$;*++K$3-/0:-#++#0$ a(*++$ .#$ Sp0)*?$ /&$d0#+*4.?$ "*5$ /4#$ /&$-"/5#$ *))#4-5K$ d-L5$-"#$ B(4.$ /&$ *))#4-$-"*-$ 2*B#5$ #D#0:$A/0.$ 5/,4.$ +(B#$5(47(47h$ -"#$ B(4.$ /&$*))#4-$ -"*-$ A/,+.$5/,4.$ 7//.$ 0#*.(47$-"#$J"/4#$6//BK$Z,5-$"#*0(47$"(2$.#5)0(6#$-"#$ -:J#5$ /&$ -*+#5$"#$ J+*45$ -/$ 5"*0#$ *5$Z/4#56/0/,7"L5$ 4#X-$-#++#0$ (4$ 0#5(.#4)#$(5$ *$ J#0&/02*4)#$ (4$(-5#+&K$ “There will be tales of ghosts,”$ "#$5*:5K$ “Tales of kings, of warriors! Tales of derring-do, and long times past, and also

last week.”$%4#$ "*+&$ /&$ -"#$ 5-/0:-#++#0L5$

2(55(/4$(5$-/$J0/2/-#$-0*.(-(/4*+$d0(5"$),+-,0#$(4$"(5$"/2#$)/,4-0:K$“I’m very conscious that I sit in

a tradition,”$ "#$ 5*:5K$ “It’s very important for me to pass that tradition on. That’s at the core of my work. Irish young people today, they might have rap or they

might have soccer, but at the same time they know that they have this great cultural tradition. My job is to !ire them up and get them involved.”$

!"#$/-"#0$"*+&$/&$"(5$2(55(/4$(5$-/$-0*452(-$ -"#$ d0(5"$(.(/2$ -/$ -"#$ 0#5-$/&$ -"#$ A/0+.$ 6:$J#0&/02(47$*)0/55$-"#$ 7+/6#K$ !"#$bK3K$(5$/4#$/&$"(5$&*D/0(-#$ J+*)#5$-/$-/,0. “America is a huge place in the Irish i m a g i n a t i o n ,”

"#$#XJ+*(45K$“It’s a real privilege to go to places in America where Irish people settled down through the centuries and to be able to reconnect through my stories. Then I take stories home from America to share with the Irish, so they know what a great country you have over there across the water.” !()B#-5$*0#$\OW$&/0$*.,+-5$*4.$

\OO$ &/0$ 5#4(/05?$ 5-,.#4-5?$ *4.$)"(+.0#4$,4.#0$OPK$<++$-()B#-$5-,65$A(++$ 5*D#$ *,.(#4)#$ 2#26#05$ OG$J#0)#4-$ /4$ 5*2#@.*:$ .(4(47$ *-$!"#$ Q0##B5(.#$ V#5-*,0*4-?$ !"#$1(4(47$ V//2?$ /0$ R*(4$ 3-0##-$Q*&qK$ <$ .#-*(+#.$ 5)"#.,+#$ /&$ -"#$WGOW$5#*5/4$(5$*D*(+*6+#$*-$AAAK5-/0:-#++(47)#4-#0K4#-K$ 3#*5/4$J*55#5$ -"*-$ /&&#0$ 4#*0+:$ ]G$J#0)#4-$5*D(475$A(++$6#$*D*(+*6+#$&/0$*$+(2(-#.$-(2#$A"(+#$5,JJ+(#5$+*5-K$H/0$2/0#$(4&/02*-(/4$*6/,-$Storytelling Live!$ /0$ -/$ 2*B#$*$ 70/,J$ 0#5#0D*-(/4?$ )*++$ ^PGG_$[]W@P8[W$#X-K$WWW$/0$^9W8_$[O8@OWEUK$

Irish Teller Niall de Búrca to Host Storytelling Live!

July 24-28


!"0/,7"$ -"#$ 7#4#0/,5$ 5,J@J/0-$ /&$ -"#$ R*0)(*$ *4.$ R*0D(4$`(++(*2?$ Z0K$ H/,4.*-(/4?$ T0/@<0-$*4.$ -"#$ b4(D#05(-:$ /&$ c(07(4(*L5$Q/++#7#$ *-$ I(5#?$ 3:2J"/4:$ /&$-"#$ R/,4-*(45$ A(++$ 6#$ J0#5#4-@(47$ *$ &0##$ /,-.//0$ )/4)#0-K$ <5$3:2J"/4:$/&$-"#$R/,4-*(45$6#@7(45$ -"#(0$ UU-"$ 3#*5/4$ A(-"$ -"#$-"#2#$ “Reach for the Stars,”$ -"#$&0##$ )/4)#0-$ A(++$ 6#$ J#0&/02#.$,4.#0$ 5-*05$ *-$ -"#$ M*B#$ *-$ bc<$I(5#$/4$3*-,0.*:?$Z,+:$WP-"$5-*0-@(47$*-$PFGG$JK2K$“We have such a fun concert planned this year”$ 5*(.$ 3:2@J"/4:$ /&$ -"#$ R/,4@-*(45$R,5()$1(0#)-/0lQ/4.,)-/0$ Q/04#+(*$M*#22+($ %0-"K$ “It is a fantastic opportu-nity to introduce the whole family to the Symphony at no cost and in a relaxed and fun setting.”

!"#$ )/4)#0-$ A(++$

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Symphony of the MountainsReach for the Stars

Free concert July 28th


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Bus Tour to Hungry Mother State Park’s Arts & Cra# s Fes! val

July 21st

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2012 Mountain City Sun ower Fes! val


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“Adventure Along the Backbone”Day Tripper Series

by Lurah Lowery

Continued on page 15


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Author BIO:$ I am 21 years old and live in Abingdon, Va. I am a student at ETSU and will be a senior this fall. My major is in journalism and my minor is in photography. I have had an interest in journalism and

photography since high school. After graduation from ETSU, I would like to be a staff writer/photographer for a magazine, newspaper or website or freelance to several publications. I am engaged to Nathaniel Spell, and have been with him for !ive years.



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Appalachian Summer Fes! val Events


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Rob-Con Comics Show

Viking Hall, July 21


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Moon Landing Flood of Memories



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'+(7"-K$<+.0(4?$PW?$"*5$6##4$-"#$2/5-$

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Continued from page 18 Mark Marquette views a moon rock at Neil Armstrong

Museum in Wapakoneta, Ohio


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Celestial events in the skies for the week of July 17-23, 2012, as compiled for The Loafer by Mark D. Marquette.

I"#4$:/,$+//B$*-$-"#$-"(4?$)0#5)#4-$R//4$+*-#0$-"(5$A##B$"*47(47$*6/D#$-"#$#D#4(47$-A(+(7"-?$-"(4B$/&$-"#$<2#0@()*L5$70#*-#5-$-0(,2J"?$-"#$<J/++/$OO$2//4$+*4.(47$-"*-$)*J-(D*-#.$-"#$A/0+.$&/0-:@-"0##$:#*05$*7/$-"(5$A##BK$$<4.$(&$:/,$J/(4-$*4:$J*(0$/&$6(4/),+*05$/0$#D#4$*$)"#*J$-#+#5)/J#$*-$-"#$R//4?$:/,L++$6#$*2*>#.$*-$A"*-$:/,$5##K$$=D#0:$4(7"-$-"#$R//4$+//B5$.(&&#0#4-$*5$4#A$&#*-,0#5$*0#$0#D#*+#.$*5$-"#$+(4#$6#-A##4$4(7"-$*4.$.*:v-"#$-#02(4*@-/0v)0##J5$-/$-"#$+#&-$/0$+,4*0$A#5-K$H0##$+,4*0$2*J5$/&$&#*-,0#5$*0#$*D*(+*6+#$*-$Lunar Republic.com?$/0$./A4+/*.$-"#$J/J,+*0$Virtual Moon Atlas$&/0$5#0(/,5$+,4*0$)*0-/70*J":K$%0?$#D#0:$32*0-$T"/4#$/0$T*.$"*5$*4$g*JJk$&/0$-"*-N

Tuesday July 17

%4$ -"(5$O[U[$.*-#$ (4$ 5J*)#$"(5-/0:?$ /4#$ 2(++(/4$ J#/J+#$)0/A.#.$ -"#$ 6#*)"#5$ /&$ H+/0@(.*$ )#4-0*+$ #*5-$ )/*5-$ -/$ 5##$-"#$ 2(7"-:$ 3*-,04$ c$ 0/)B#-$6+*5-$/&&$A(-"$-"0##$*5-0/4*,-5$6/,4.$&/0$-"#$R//4K$

Wed. July 18

;*JJ:$[O5-$6(0-".*:$-/$Z/"4$`+#44?$A"/5#$4*2#$(5$2/0#$5:4/4:2/,5$A(-"$a<3<$-"*4$(-$(5$A(-"$9@-#02$b3$3#4*-/0$&0/2$%"(/K$;#$A*5$-"#$'(05-$<2#0()*4$-/$/06(-$-"#$=*0-"$(4$O[UW?$-"*4$6#@)*2#$-"#$/+.#5-$*5-0/4*,-$A"#4$"#$'+#A$*6/*0.$3J*)#$3",--+#$1(5)/D#0:$*-$*7#$EE$(4$O[[PK$

Thurs. July 19

a#A$R//4$(5$-/.*:?$0(7"-$*&-#0$2(.4(7"-$*-$OWFW9$*2K$$R/D(47$-/$-"#$+#&-?$/0$#*5-$/&$-"#$3,4?$(-$A(++$-*B#$*$)/,J+#$#D#4(475$&/0$(-5$-"(4$7+/A$-/$6#$5##4$*5$*$-",264*(+$)0#5)#4-$(4$-"#$A#5-#04$-A(+(7"-K$

Fri. July 20

<$.*:$-/$6#$0#2#26#0#.$&/0#D#0?$A"#4$(4$O[U[$-A/$",2*45$+*4.#.$*4.$A*+B#.$/4$-"#$R//4K$$d-$A*5$*$-0(,2J"$/D#0$-"#$Q/22,4(5-$3/D(#-$b4(/4?$*4.$)*2#$-/$&0,(-(/4$*$)"*++#47#$/&$T0#5(.#4-$Z/"4$HK$f#44#.:$Y,5-$#(7"-$:#*05$#*0+(#0K$$<-$*$)/5-$/&$\9G$6(++(/4$(4$O[U[$./++*05?$<2#0()*$A/4$-"#$R//4$V*)#$A(-"$-"#$V,5@5(*45?$A"/$A*+B#.$*A*:$A(-"@/,-$*$+,4*0$-0(J$6#)*,5#$-"#(0$2*22/-"$a@O$2//4$0/)B#-$"*.$&*(+#.$-A()#$(4$-#5-K

Sat. July 21

S+*5-(47$/&&$-"#$R//4$/4$-"(5$.*-#$(4$O[U[$A(-"$]]$J/,4.5$/&$0/)B5?$.,5-$*4.$)/0#$5*2J+(47$-,6#5?$a#(+$<025-0/47$*4.$S,>>$<+.0(4$'+#A$-"#(0$M,4*0$R/.,+#$g=*7+#k$-/$*$5*&#$+(4B$,J$A(-"$R()"*#+$Q/++(45$(4$-"#$<J/++/$OO$Q/22*4.$R/.@,+#$gQ/+,26(*Kk$$!"#:$6#7*4$-"#(0$-"0##@.*:$-0(J$"/2#$

A(-"$-"#$2/5-$J0()#+#55$6/X$/&$0/)B5$-"#$A/0+.$"*5$#D#0$5##4K$Q/+,26(*$(5$/4$.(5J+*:$*-$-"#$32(-"5/4(*4$d45-(-,-#$(4$I*5"(47-/4?$1QK

Sun. July 22

!/4(7"-$&0/2$-"#$5-*0-$/&$-A(+(7"-$*0/,4.$[FO]$J2$*4.$A"#4$(-$5#-5$*-$OG$J2?$-"#$-"(4$)0#5)#4-$R//4$"/D#05$*6/D#$-"#$"/0(>/4K$$V(5(47$,J$&0/2$(-$*+/47$-"#$#)+(J-()$*0#$0#.$R*05$*4.$:#++/A$3*-,04?$A(-"$60(7"-?$A"(-#$3J()*$6#+/A$-"#2K$$

Mon. July 23

!"#$A/0+.$*70(),+-,0#$(5$,4.#05-//.$(4$70#*-$.#-*(+$-"*4B5$-/$*$5*-#++(-#$-"*-$5-*0-#.$2*JJ(47$)0/J5$(4$-"#$=*0-"K$a<3<L5$M*4.5*-$O$A*5$+*,4)"#.$/4$-"(5$.*-#$(4$O[EW?$J*D(47$-"#$A*:$&/0$*$6#-@-#0$,4.#05-*4.(47$/&$7+/6*+$70/A(47$J*--#045$*4.$-0#4.5$.,0(47$&/,0$.#)*.#5$/&$./>#45$/&$5*-#++(-#5$-"*-$&/++/A#.K$


d$ *2$ 6#7(44(47$ 2:$ '(05-$0#D(#A$ -"(5$ A##B$ A(-"$ *$)/4-0/D#05(*+$ /J(4(/4F$ <4.0#A$`*0'(#+.$̂ g!"#$3/)(*+$a#-A/0Bk_$(5$ *$ 6#--#0$ 3J(.#0@R*4$ -"*4$!/6#:$R*7,(0#K$ d&$ d$ "*D#$,J5#-$:/,0$3J(.#:$5)#4#5?$dL2$5/00:N$d$&##+$`*0'(#+.$ (5$6#--#0$5,(-#.$-/$-"#$ 0/+#$ /&$ -"#$ A#6$ 5+(47(47$"#0/?$ *4.$ (5$ &*0$ +#55$ gA"(4:k$-"*-$ R*7,(0#K$ d$ 0#*+(>#$R*7,(0#$ A*5$ -"#$ '(05-$ -/$J/0-0*:$ -"#$ J/J,+*0$ )/2()$+#7#4.?$ *4.$ "#$ A*5$ '(4#$ (4$-"#$ -"0##$ J0#D(/,5$ 3J(.#0@R*4$'(+25?$6,-$`*0'(#+.$-*B#5$-"#$ )"*0*)-#0$ -/$ *4$ #4-(0#+:$.(&&#0#4-$+#D#+K

$ d4$ -"#$ g0#6//-k$ /&$ -"#$2#7*$ 5,))#55&,+$ '(+2$ 5#0(#5?$“The Amazing Spider-Man”?$-"#$ '(+22*B#05$ "*D#$ -*B#4$-"#$ "#0/$ 6*)B$ -/$ "(5$ "(7"$5)"//+$ .*:5?$ A"#0#$ "#$ (5$ *$6,++(#.$ 4#0.K$ I#$ *0#$ '(05-$(4-0/.,)#.$ -/$ T#-#0$ T*0B#0$(4$-"#$ '(+2$*5$*$)"(+.?$A"#0#$A#$5##$"(5$J*0#4-5$&/0$*$60(#&$-(2#?$ *4.$ .(5)/D#0$ "/A$ "#$)*2#$ -/$ +(D#$ A(-"$ "(5$ Uncle Ben$ ^R*0-(4$ 3"##4_$ *4.$Aunt May$ ^3*++:$ H(#+._K$ !"#$'(+2$ -"#4$ '+*5"#5$ &/0A*0.$-/$ T#-#0L5$ "(7"$ 5)"//+$ .*:5?$*4.$ "/A$ "#$ (5$ .#*+(47$A(-"$#D#0:.*:$ +(&#$ *-$ R(.-/A4$3)(#4)#$ ;(7"$ 3)"//+K$ I"(+#$"#$)/4-#4.5$A(-"$*$Y/)B$6,++:?$"#$ (5$ .#*+(47$A(-"$"(5$ )0,5"$/4$&#++/A$5-,.#4-$Gwen Stacy$^=22*$3-/4#_K$

<5(.#$ &0/2$ "(5$ "(7"$


This week I have a double feature for movie fans!

Andrew Gar eld or Tobey Maguire... Who’s A Be$ er

“Spidey”


5)"//+$ .0*2*?$ T#-#0?$ *5$ &*45$*+0#*.:$ B4/A?$ (5$ 6(--#4$ 6:$ *$7#4#-()*++:$2/.('(#.$5J(.#0?$*4.$-"#$0#5,+-$-0*45&/025$T#-#0$(4-/$*$g5J(.#02*4kK$ I"(+#$ .(5)/D#0(47$"(5$ 4#A$ 5J(.#0@+(B#$ *6(+(-(#5$*4.$ "/A$ -/$ ,5#$ -"#2?$ T#-#0$(5$ 5"/)B#.$ 6:$ -"#$ ,4#XJ#)-#.$.#*-"$ /&$ "(5$ b4)+#$ S#4K$ <5$ (&$T#-#0$.(.4L-$"*D#$#4/,7"$-/$.#*+$A(-"?$ -"#$ D(++*(4$ /&$ 2/D(#?$ The Lizard$ ^V":5$ d&*45_$5//4$2*B#5$"(5$J0#5#4)#$B4/A4?$*4.$T#-#0L5$6*--+#5$A(-"$ -"#$5)*+:$6#(47$*0#$&0/4-$ *4.$ )#4-#0K$ !"#$ '(+2$ ./#5$*$ A/4.#0&,+$ Y/6$ /&$ 2*B(47$ -"#$'(7"-5$ 6#-A##4$ The Lizard$ *4.$Spider-Man$5J#)-*),+*0?$*4.$d$*2$-"#$'(05-$-/$*.2(-?$-"#$81$#&&#)-5$/&$ 3J(.#:$ 5A(47(47$ -"0/,7"$ -"#$5-0##-5$/&$ajQ$*0#$-"0(++(47K$

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William King Museum is

located at 415 Academy Drive, off West Main Street or Russell Road, in Abingdon. The Museum features !ive exhibition galleries, resident artist studios, a museum store and outdoor sculpture garden. Educational programs in the visual arts are offered year-round for both children and adults, and school audiences are served by in-house and outreach programs. Accredited by the American Association of Museums, the William King Museum is a partner of the Virginia Museum of Fine Arts, and a member of the Virginia Association of Museums and is funded in part by the Virginia Commission for the Arts and the National Endowment for the Arts.

Designer Show House 2012

William King Museum


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Hitchcock’s Other Window


The Historic Jonesborough Dance Society A(++$ "/+.$ *$ A*+->$A/0B5"/J?$)/4-0*$.*4)#$*4.$),J@)*B#$ )/4-#5-$ /4$ 3,4.*:?$ Z,+:$ WW?$WGOW?$ *-$ -"#$ ;(5-/0()$ Z/4#56/0@/,7"$c(5(-/05$Q#4-#0?$OOE$S//4#$3-0##-K$<.2(55(/4$-/$-"#$.*4)#$(5$\E?$\]$&/0$;Z13$2#26#05$*4.$\]$&/0$&,++$-(2#$5-,.#4-5K$<++$.*4)#5$*0#$ 52/B#$ *4.$ *+)/"/+$ &0##K$ $a/$J*0-4#0$ (5$ 4#)#55*0:K$ $ H*2(+(#5$*4.$)"(+.0#4$*0#$A#+)/2#N$

!"#$*&-#04//4$A(++$6#7(4$A(-"$*$&0##$A*+->$A/0B5"/J$&/0$6#7(4@4#05$*-$OFO]J2K$<5"#D(++#L5$&*D/0@(-#$A*+->$-#*)"#0?$3)/--$S*X+*$A(++$-#*)"$ -"#$ 6#7(44(47$ A*+->$ 5-#J$*4.$ J0/70#55$ -/$ 5(2J+#$ -,045$ (4$-"#$ 9]@2(4,-#$ 5#55(/4K$ $ <++$ *0#$A#+)/2#$ -/$ *--#4.?$ (4)+,.(47$-"/5#$ A"/$ "*D#4L-$ :#-$ +#*04#.$-"#$5(2J+#?$&,4?$:#-$+(&#@)"*47(47$&/02$ /&$ 2/D#2#4-$ *4.$ #XJ0#5@5(/4$B4/A4$*5$A*+->K

T#0&/02(47$ &/0$ -"#$ )/4-0*$.*4)#$ A(++$ 6#$ Good & Plenty$&0/2$ <5"#D(++#?$ A"()"$ )/45(5-5$/&$f*0#4$`*,7"*4$/4$ B#:6/*0.$*4.$ M*,0*$ M#474()B$ /4$ '(..+#K$$$H/0$ -"#$ 0#7,+*0$ )/4-0*$ .*4)#?$)*++#0$ R*0B$ M*474#0$ A(++$ )/4@.,)-$ *$ )+*55$ &/0$ 6#7(44#05$ *-$WFGGJ2$A"#0#$ 4#A)/2#05$ *4.$#XJ#0(#4)#.$ .*4)#05$ *+(B#$ A(++$+#*04$-"#$6*5()$5-#J5?$&/02*-(/45$*4.$ '+/A$ /&$ )/4-0*$ .*4)#K$ $ $ !"#$)/4-0*$.*4)#$A(++$0,4$&0/2$WF8G@]F8GJ2K

!"#$ ),J)*B#$ )/4-#5-$ (.#*$)/2#5$&0/2$-"#$#4/02/,5$J/J,@+*0(-:$/&$),J)*B#5?$4/-$Y,5-$/4$-"#$.#5#0-$2#4,$6,-$ &/0$*4:$B(4.$/&$54*)B$/0$ -0#*-5$ -(2#K$ $I"*-$A*5$/4)#$Y,5-$*$+/D#$&/0$-"#$.#+()(/,5$-0#*-5$"*5$4/A$70/A4$ (4-/$*$4*@-(/4*+$/65#55(/4$*4.$*$+#7(-(2*-#$2*(45-0#*2$ (4.,5-0:$ 4*-(/4@A(.#K$ $ “Our dancers love sweet treats at the break after dancing

for an hour or so. A cupcake con-test will meet our snack needs in a fun and creative way”$ /&&#05$#D#4-$/07*4(>#0?$1*D(.$I(+#:K

S*B#$ *4.$ &0/5-$ 5(X$ /0$ 2/0#$/&$-"#$),J)*B#5$/&$:/,0$.0#*25K$$S0(47$ -"#2$ -/$ -"#$ .*4)#$ *+/47$A(-"$ 5/2#/4#$ A"/$ "*5$ 4#D#0$)/4-0*$ .*4)#.$ 6#&/0#$ *4.$ -"#:$7#-$ (4$ HV==$ -/$ -"#$ .*4)#N$ $ <-$-"#$ 9FGGJ2$ 60#*B?$ (45-#*.$ /&$f+/4.(B#$ S*05?$ A#$ A(++$ #4Y/:$-"#$ )/4-#5-*4-L5$ /&&#0(475$ *&-#0$Y,.7#5$ 1Z$ *4.$ <++(5/4$I(4'(#+.?$/A4#05$ /&$ -"#$ Q0*>:$ Q,J)*B#?$

O8]$ =K$ R*(4$ 3-0##-?$.#-#02(4#$ A"/$ "*5$-"#$ "(7"#5-$ +#D#+$ /&$),+(4*0:$ J0/A#55K$$!"#$A(44#0$*4.$0,4@4#0$,J$A(++$6#$7(D#4$Q,J)*B#$ Q0/A45$*4.$*$7(&-$ )#0-('()*-#$./4*-#.$ 6:$ -"#$ Q0*@>:$Q,J)*B#K

Q/4-0*$ .*4)(47$(5$*$ -0*.(-(/4*+$ &/02$/&$ <2#0()*4$ &/+B$.*4)#$ -"*-$ #D/+D#.$&0/2$ -"#$ +/47$ A*:5$)/,4-0:$.*4)#5$J/J@,+*0$ (4$ =47+(5"$ 5/@)(#-:$ )#4-,0(#5$ *7/K$$Q/4-0*$ .*4)#$ )/2@2,4(-(#5$4/A$-"0(D#$

*++$ /D#0$ -"#$ )/,4-0:K$ $ !"#0#$ *0#$A#65(-#5$ -"*-$ )*4$ .(0#)-$ :/,$ -/$

)/4-0*$.*4)#5$(4$2/5-$5-*-#5K$$!"#$2/.#04$ )/4-0*$ .*4)#5$ J0/D(.#$.*4)#05$ /&$ *++$ *7#5$ *4.$ #XJ#0(@#4)#$+#D#+5$A(-"$-"#$/JJ/0-,4(-:$-/$52(+#?$2/D#?$)/44#)-?$'+(0-$*4.$)0#*-#$*4$#D#4(47$/&$.*4)#$4(0D*@4*$A(-"$#*)"$/-"#0K$$a/$J0#D(/,5$.*4)#$ #XJ#0(#4)#$ (5$ 4#)#55*0:K$$a/$&*4):$&//-A/0B$(5$0#i,(0#.K$$d&$:/,$)*4$A*+B$*4.$)/,4-$-/$#(7"-?$:/,$)*4$)/4-0*$.*4)#N

Q/4-0*$ .*4)#5$ *0#$ )/22,@4(-:$ #D#4-5K$ $ <-$ *+2/5-$ *4:$ )/4@-0*$ :/,$ A(++$ '(4.$ J#/J+#$ /&$ *++$*7#5$ *4.$ *++$ .*4)#$ 5B(++$ +#D#+5?$&0/2$ :/,47$ -/$ /+.?$ 6#7(44#0$ -/$#XJ#0-K$ $ Q/4-0*$ .*4)#05$ &/02$ *$D#0:$/J#4$*4.$A#+)/2(47$70/,J$/&$J#/J+#K$$j/,$)*4$)/2#$*+/4#$/0$A(-"$/-"#05$5(4)#$(-$(5$*$-0*.(-(/4$-/$ .*4)#$A(-"$ *$ D*0(#-:$ /&$ J*0-@4#05$ -"0/,7"/,-$ -"#$ 4(7"-K$ $ d-$ (5$J#0&#)-+:$ *))#J-*6+#$ &/0$ #(-"#0$*$2*4$/0$*$A/2*4$-/$*5B$5/2#@/4#$-/$.*4)#K$$d-L5$*$70#*-$A*:$-/$2*B#$&0(#4.5$A(-"$5/2#/4#$-"#:$"*D#4L-$2#-$6#&/0#K$j/,$A(++$'(4.$)/4-0*$ .*4)(47$ *$ 70#*-$ A*:$ -/$2*B#$4#A$&0(#4.5K$$

H/0$ 2/0#$ (4&/02*-(/4?$ )/4@-*)-$ #D#4-$ /07*4(>#0?$ 1*D(.$I(@+#:?$ *-$ 9W8@]89@PPE[$ /0$ D(5(-$AAAK"(5-/0()Y/4#56/0/,7"@.*4)#5/)(#-:K/07

Contra Dance & Cupcakes

Jonesborough, July 22nd


!"#$S*0-#0$T+*:#05$*0#$-*B(47$)"(+.0#4$/&$ *++$ *7#5$ -/$ *$ 2*7()*+$ +*4.$ /&$ #4.+#55$J/55(6(+(-(#5$ *4.$ (2*7(4*-(/4?$ A"#0#$)"/)/+*-#$ 0(D#05$ '+/A?$ 7,2$ )*4$ -*5-#$ +(B#$*$ -"0##$ )/,05#$ 2#*+$ *4.$ )"/)/+*-#$ )*4$-0*D#+$-"0/,7"$!c$-,6#5N$gQ"*0+(#$*4.$-"#$Q"/)/+*-#$H*)-/0:k$6#7(45$*-$S*0-#0$3-*7#$dd$/4$Z,4#$WU$*4.$0,45$-"0/,7"$Z,+:$WOK

S*5#.$ /4$ 6//B$ 6:$ V/*+.$ 1*"+$ *4.$*.*J-#.$ 6:$ V()"*0.$ VK$ `#/07#?$ -"#$ J+*:$&/++/A5$ Q"*0+(#$ S,)B#-$ *4.$ "(5$ `0*4.J*$Z/#$*5$-"#:$5##B$/4#$/&$-"#$)/D#-#.$7/+.#4$-()B#-5$-"*-$/&&#0$*$J0(>#$/&$*$+(&#-(2#v-/$-/,0$ -"#$ 2:5-#0(/,5$ I/4B*$ )"/)/+*-#$&*)-/0:K$!"(5$(5$-"#$D#0:$'(05-$-(2#$I/4B*$"*5$ /J#4#.$ "(5$ &*)-/0:$ -/$ *4:/4#?$ *4.$-"#5#$A(44#05$*4.$-"#(0$7,#5-$*0#$#X)(-#.$-/$5##$A"*-L5$(45(.#K$1(0#)-/0$Z/"4$;*0.:$6#+(#D#5$I(++:$I/4B*$ (5$ D#0:$ J*55(/4*-#$*6/,-$ )"/)/+*-#$ *4.$ "(5$ #4-",5(*52$(5$ )*-)"(47K$ gHe LOVES chocolate and everything that has even the slightest association with chocolate, and most of all, he loves that people love his chocolate. It is impossible not to get wrapped up in Willy Wonka’s passion for chocolate. You’ll

see,”$ 5*(.$ ;*0.:K$ d4$ *..(-(/4$ -/$ Q"*0+(#$S,)B#-?$ -"#0#L5$ <,7,5-,5$ `+//J?$ c(/+#-$S#*,0#7*0.#?$c#0,)*$3*+-$*4.$R(B#$!#*D##K$<+/47$A(-"$*$-/,0?$#*)"$)"(+.$A(++$*+5/$7#-$*$+(&#-(2#$5,JJ+:$/&$)*4.:N$S,-?$A*(-?$)/,+.$-"#0#$6#$*4$#D#4$6#--#0$J0(>#$/4$-"#$+(4#u$Q"*0+(#$(5$5//4$7/(47$-/$'(4.$/,-N

f*-:$ S0/A4?$ -"#$ *0-(5-()$ .(0#)-/0$ /&$!"#$ S*0-#0$ T+*:#05$ (5$ #X)(-#.$ -/$ 60(47$-"(5$ 5"/A$ -/$ )"(+.0#4$ /&$ *++$ *7#5$ -"(5$5,22#0K$ d-$ (5$ &,++$ /&$ (2*7(4*-(/4$ *4.$B(.5$ *0#$ -"#$ 6#5-$ A"#4$ (-$ )/2#5$ -/$(2*7(4*-(/4$5"#$6#+(#D#5.“’Charlie and the Chocolate Factory’ is going to be great: true to the book and truly magical and mysterious. Mandy Williams has written some wonderful original music that really captures the world of Willy Wonka.”

!()B#-5$*0#$\OOK$Q*++$WEUKUWPK8[[O$/0$D(5(-$ AAAKS*0-#0!"#*-0#K)/2$ &/0$ 2/0#$(4&/02*-(/4K

“Charlie and the Chocolate Factory”

Barter TheatreEnds July 21st

Enter a world of imagination with The Barter Players as they present

“Charlie and the Chocolate Factory”

%4#$ /&$ 2:$ &*D/0(-#$ 2/D(#5?$V()"*0.$ R,++(7*4L5$ “Same Time Next Year”$Ô[EP_$(5$6,(+-$*0/,4.$*$ 5#0(#5$ /&$ D(.#/$ 2/4-*7#5$)"0/4()+(47$ -"#$ -A#4-:@'(D#@:#*0$+/D#$ *&&*(0$ 6#-A##4$ `#/07#$ *4.$1/0(5$ ^J+*:#.$ 6:$ <+*4$ <+.*$ *4.$=++#4$ S,05-:4_$ -"*-$ 6#7*4$ (4$O[]O$*4.$)/4-(4,#.$-"0/,7"$-"#$+*-#$ O[EG5K$ <))/2J*4(#.$ 6:$ -"#$J/(74*4-$“The Last Time I Felt Like This”$ ^*$ .,#-$ 6:$ Z/"44:$ R*-"(5$*4.$Z*4#$%+(D/0_?$-"#5#$2/4-*7#5$7(D#$ )/4-#X-$ -/$ -"#$ *44,*+$2##-(475$ /&$ /,0$ -A/$ *.,+-#0/,5$+/D#05K$ !"#$ O[UO@O[UU$2/4-*7#$J0#5#4-5$ ,5$ A(-"$ (2*7#5$ /&$*5-0/4*,-$Z/"4$`+#44?$!c$+*A:#0$T#00:$ R*5/4?$ -"#$ 6,(+.(47$ /&$-"#$ S#0+(4$ I*++?$ a*-*+(#$ I//.$(4$ “West Side Story,”$ R*0-(4$M,-"#0$ f(47$ *-$ -"#$ O[U8$R*0)"$/4$ I*5"(47-/4?$ Z/"4$ f#44#.:?$Z0K$ 5*+,-(47$ "(5$ .#*.$ &*-"#0?$ *$70/,J$ /&$ )0*>#.$ 7(0+5$ "/+.(47$,J$ *$ “Beatles 4 Ever”$ 6*44#0?$*$ 52(+(47$ S*00:$ `/+.A*-#0?$MSZ$ *4.$ ;,6#0-$ ;,2J"0#:$ /4$"/05#6*)B?$ <44#--#$ H,4()#++/$*4.$ H0*4B(#$ <D*+/4$ 5-0/++(47$*+/47$ -"#$ 6#*)"?$ *$ J*0*.#$ /&$c(#-4*2$A*0$J0/-#5-#05?$<--(),5$H(4)"$ (4$ -"#$ )/,0-0//2$ ^&0/2$V()"*0.$R,++(7*4L5$#*0+(#0$()/4()$'(+2$ “To Kill A Mockingbird”),$*4.?$*5$:/,$2(7"-$"*D#$7,#55#.?$<4.:$ *4.$ "(5$ 5/4?$ %J(#?$ &0/2$“The Andy Grif!ith Show”.$!"#$ *JJ#*0*4)#$ /&$ <4.:$

`0(&'(-"$ (4$ -"(5$ 2/4-*7#$ (5$-#++(47v(4$ -"#$ 2(.5-$ /&$ -"(5$D#0:$ -,06,+#4-$ J#0(/.?$ A"#4$/,0$ 5#45#5$ A#0#$ *55*,+-#.$6:$ 0*,)/,5$ A*0$ J0/-#5-/05?$5)0#*2(47$S#*-+#2*4(*@(4&#5-#.$&#2*+#5?$ `/+.A*-#0L5$ J*0*4/(.$0*4-5?$ )"/0,5#5$ /&$ gI#$ 3"*++$

%D#0)/2#?k$ *4.$ -",4.#0/,5$#XJ+/5(/45$ &0/2$ a<3<L5$ 2//4@6/,4.$ 0/)B#-5?$ R*:6#00:$J0/D(.#.$ *4$ /*5(5v*+6#(-$ *$D#0:$ ,40#*+(5-()$ /4#v&0/2$ *++$-"(5$ 4/(5#K$ <5$ V()"*0.$ f#++:$ ^4/$0#+*-(/4?$ *+-"/,7"$ d$ .(.$ A/0B$A(-"$ "(2$ *-$ -"#$ b4(D#05(-:$ /&$!#44#55##_$4/-#.$(4$"(5$5)"/+*0+:$:#-$ #4-#0-*(4(47$O[PO$6//B?$The Andy Grif!ith Show?$ “the series offers a needed parable for our times. Like the solid old westerns that create a dream vision of the American past, with its clear moral code, the Grif!ith show captures a romantic myth that continues to entice and satisfy our yearnings for a simpler world, one

!illed with hope, purpose, respect, love, laughter, understanding, and a sense, of belonging and permanence.”$ T#0"*J5$ -"(5$#XJ+*(45$ A":$ <4.:$ `0(&'(-"$ (5$/&-#4$)/2J*0#.$-/$<--(),5$H(4)"?$"(5$+*A@#4&/0)#2#4-$)/,4-#0J*0-$&0/2$ *4/-"#0$ 52*++$ 3/,-"#04$-/A4$.,0(47$-"#$5*2#$J#0(/.K1,0(47$ -"#$ `0(&'(-"$ 5"/AL5$

#(7"-@:#*0$ 0,4?$ &0/2$ O[UG@UP?$d$ A*5$ +(D(47$ (4$ *$ 52*++$ -/A4$ (4$A#5-#04$ a/0-"$ Q*0/+(4*?$ 4/-$ &*0$&0/2$R-K$<(0:?$-"#$(45J(0*-(/4$&/0$-"#$ '()-(/4*+$ -/A4$ /&$ R*:6#00:K$H(4.(47$2:5#+&$ (22#05#.$ (4$ -"#$Y/:5$ *4.$ "/00/05$ /&$ 52*++$ -/A4$+(&#?$ d$ "*.$ 4/$ .#5(0#$ -/$ +(D#$ (4$

R*:6#00:?$ J0#&#00(47$ (45-#*.$-"#$ 4/(5#$ /&$ S#*-+#2*4(*$ -"*-$0#5),#.$ 2#$ &0/2$ 2:$ 52*++$-/A4L5$ )/2J+*)#4-$ )/4&/02(-:$*4.$ &/0#D#0$ )"*47#.$ 2:$ +(&#K$;/A#D#0?$ d$ )*4$ *70##$ A(-"$V()"*0.$ f#++:$ -"*-$ /4#$ /&$-"#$ 0#*5/45$ `0(&'(-"L5$ 5"/A$0#2*(4#.$ (4$ -"#$ !/J$ OG$ .,0(47$(-5$ 0,4$ (5$ -"#$ #5)*J#$ (-$ 7*D#?$*4.$ 5-(++$ 7(D#5?$ -/$ (-5$ +#7(/45$ /&$D(#A#05$ A"/$ 2*:$ /0$ 2*:$ 4/-$0#2#26#0$ -"#$ 5"/A$ .,0(47$ (-5$/0(7(4*+$ (4)*04*-(/4K$ d$*2$7+*.$d$A*5$ -"#0#$*-$ -"#$6#7(44(47$*4.$"*D#$ 0#2*(4#.$ *+(D#$ -/$A(-4#55$-"#$ 5"/AL5$ 2*4:$ J/J$ ),+-,0#$2*4(&#5-*-(/45$ /D#0$ -"#$ J*5-$'(&-:@-A/$:#*05K%4#$/&$2:$&*D/0(-#$!c$5(-)/25?$

“Married With Children,”$ (5$ *$)*5#$ (4$ J/(4-$ &/0$ -"#$ A*:5$ (4$A"()"$ `0(&'(-"L5$ (4'+,#4)#$ "*5$J#02#*-#.$ J/J$ ),+-,0#K$ d4$ *4$#J(5/.#$ &0/2$ (-5$ '(05-$ 5#*5/4$(“Poppy’s By The Sea”$ '(05-$ *(0#.$/4$[lWElPE_?$-"#$S,4.:$)+*4$'(4.$-"#25#+D#5$ /4$ D*)*-(/4$ (4$ -"#$.(52*+$5,00/,4.(475$/&$1(0-A*-#0?$H+/0(.*?$ A"#0#$ *$ 2*Y/0$ &/02$ /&$#4-#0-*(42#4-$ (5$ 7/(47$ ./A4$ -/$-"#$ +/)*+$ "(7"$ 5)"//+$ -/$ g2##-$-"#$2*4$A"/$2#-$<4.:$`0(&'(-"Kk$d4$ *4/-"#0$ #J(5/.#$ ^“You Better Shop Around, Part Two”$'(05-$*(0#.$/4$9lWOl[O_?$ -"#$S,4.:5$ (4D*.#$*$ +/)*+$ 5,J#02*0B#-$ -/$ #4Y/:$(-5$ *(0@)/4.(-(/4(47$ A"#4$ -"#(0$"/2#$ *(0$ )/4.(-(/4#0$ 60#*B5$./A4K$ I"(+#$ -"#:$ *0#$ -"#0#?$-"#:$ 2##-$ Z#00:$ g!"#$ S#*D#0k$R*-"#05?$ A"/$ (5$ -"#0#$ *5$ RQ$&/0$ -"#$ 5-/0#L5$ 70*4.$ /J#4(47K$I"#4$ f#++:$ *5B5$ "#0$ 60/-"#0?$S,.?$ “Who is this blubbering mess?” "#$ 0#5J/4.5?$ “I don’t know; I think he used to be Opie.”$<4.$ -"#4$ -"#0#$ *0#$ -A/$ /&$ 2:$&*D/0(-#$ <4.:$ `0(&'(-"@(45J(0#.$5/475?$ !"#$ S#++*2:$ S0/-"#05L$2*0D#+/,5$ O[PP$ -0(6,-#$ “The Andy Grif!ith Show”$^gI"#4$-"(5$/+.$A/0+.$6+/A5?$d$"/J#$d$#4.$,J$/4$The Andy Grif!ith Show),$*4.$g<4.:?k$ *$ 60(++(*4-$ 0#A/0B(47$ /&$-"#$ V/++(47$ 3-/4#5L$ “Angie”$ 6:$Z/"45/4$ Q(-:L5$ +#7#4.*0:?$ *4.$4/A$ .(56*4.#.$ 6*4.?$ H+/:.$=*-5$ R*:6#00:K$ <4.$ -"#0#$ *0#$)/,4-+#55$ /-"#0$ #X*2J+#5$ /&$-"#$ 2*4:$ A*:5$ <4.:$ `0(&'(-"L5$+#7*):$ )/4-(4,#$ -/$ (45J(0#$ ,5K$Z,5-$ A"(5-+#$ "(5$ 5"/AL5$ -"#2#$5/47?$ =*0+$ ;*7#4L5$ “The Fishin’ Hole”$*4.$5##$"/A$2*4:$J#/J+#$*0/,4.$:/,$5-*0-$52(+(47K<4.$ A"*-$ *0#$ 2:$ &*D/0(-#$

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The Fishin’ Hole” Remembering Andy Gri% th

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The Loafer, July 17, 2012

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Transcript of The Loafer, July 17, 2012