the kerrigan-lowdermilk songbook volume 1

159
VERSION 2.0 © 2008 Kait Kerrigan and Brian Lowdermilk the kerrigan-lowdermilk songbook volume 1

Transcript of the kerrigan-lowdermilk songbook volume 1

Page 1: the kerrigan-lowdermilk songbook volume 1

VERSION 2.0 © 2008 Kait Kerrigan and Brian Lowdermilk

the kerrigan-lowdermilk songbook volume 1

Page 2: the kerrigan-lowdermilk songbook volume 1
Page 3: the kerrigan-lowdermilk songbook volume 1

the kerrigan-lowdermilk songbook volume 1

3 The Ballad of Johnny

12 Bury Me

20 Freedom

34 Fusion

47 Henry & Mudge

61 Here I Am

73 His Arms

81 How to Not Be with You

91 I Confess

97 My Party Dress

109 The Proposal

115 Run Away with Me

128 Say the Word

136 Wake Up Call

150 Where Did We Go Wrong?

For all works contained herein:

Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law.

For more information, visit:

www.kerrigan-lowdermilk.com

Page 4: the kerrigan-lowdermilk songbook volume 1

about the writers

KAIT KERRIGAN & BRIAN LOWDERMILK’s adaptation of Henry & Mudge had an Off- Broadway run at the Lucille Lortel Theatre and is currently touring the country with TheatreworksUSA. Their latest original musical The Unauthorized Autobiography of Samantha Brown was most recently developed at a workshop at Manhattan Theatre Club directed by Christopher Ashley. This musical also received a reading at the Artists’ Showcase Reading Series at the 92nd Street Y, and was featured in the 2005 NAMT Songwriters Showcase.

They have collaborated on two other musicals: The Woman Upstairs and Wrong Number, both of which were featured in the New York Musical Theatre Festival. They are recipients of a 2006 Jonathan Larson Award and a 2004- 2005 Jonathan Larson Fellowship at the Dramatists Guild, and they are members of the BMI Musical Theatre Advanced workshop, ASCAP and the Dramatists Guild.

Kerrigan is a graduate of Barnard College. Her plays include Transit and Imaginary Love, which was a 2006 Princess Grace Award Finalist. Lowdermilk studied at Harvard University and NYU where he received the Alan Menken Award. With collaborator Marcus Stevens, Lowdermilk was the recipient of a Richard Rodgers Award for his musical RED.

www.kerrigan- lowdermilk.com

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© 2005 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

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Bury Mefrom The Unauthorized Autobiography of Samantha Brown

12

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© 2007 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

from The Unauthorized Autobiography of Samantha Brown

Lyrics by KAIT KERRIGANMusic by BRIAN LOWDERMILK

20

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21

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!!"

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24

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26

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27

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28

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29

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31

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32

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Fusion

© 2005 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

Lyrics by KAIT KERRIGANMusic by BRIAN LOWDERMILK

from The Woman Upstairs

34

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35

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36

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37

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38

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39

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40

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41

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- - - -

42

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43

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45

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46

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Henry & Mudge

© 2005 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

Lyrics by KAIT KERRIGANMusic by BRIAN LOWDERMILK

from the Off-Broadway Musical Henry & Mudge

47

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48

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51

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53

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54

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Page 57: the kerrigan-lowdermilk songbook volume 1

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55

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Page 58: the kerrigan-lowdermilk songbook volume 1

!

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56

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57

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Page 60: the kerrigan-lowdermilk songbook volume 1

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58

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59

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60

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Page 63: the kerrigan-lowdermilk songbook volume 1

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61

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62

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!

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63

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Page 66: the kerrigan-lowdermilk songbook volume 1

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64

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65

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!

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67

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68

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69

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& & & & &there to guide me.

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70

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71

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7

7

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72

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88

88

#

#

Simple and Pristine >?ST& &

$

&/

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poco rubato

& & & & & & & &

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& & & & & & & &sim.

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$

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& & & & & & & &

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in,

( * ) & &&- & & & & & & &

!

!"

88

88

88

) & & & & & & &B8sus2/D

or for the first time say "I

-

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& * (E8sus2

love..."

( * ) & &

-& & & & & & & &

) & & & & & & &B8sus2/D

It is - n't how he sleeps in

& %0

-& & & & & & & &

His Arms

© 2003 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

from The Woman Upstairs

Lyrics by KAIT KERRIGANMusic by BRIAN LOWDERMILK

73

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88

88

88

& * ) '& & & &E8sus2

bed or an - y - where,

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) & & & & & & &B8sus2

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stand.

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fault and he

%%00 *

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74

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88

88

88

C

C

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& & &9 .& & '&A7sus4 G A8sus2

says you're love - ly still.

&&& & &&9 .&& &&9 '&&&&88

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!

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arms.

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88

88

24

24

24

& & & &sim - ple in his

&& && && &&%& '& %& '&--

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arms.

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000& & & & 000& & & &

E8Maj7

%& '& 00poco rit.

--

75

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!"

88

88

88

24

24

24

#

#

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>?E) '& &8 & &A8

And with the world

)dim.

'& &80 & &

&8 & %&8 .&

) &8 &8 &8 & &8G8 F8(no3)

the way it is these

) '&8 &80 &8 & &8&8&8 &8 &8 .& %&8

%08 *<G8sus2

days...

%%%000888 &&&<

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--88c

!

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88

88

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Tempo Primo

) & & & & & & &B8sus2

You don't con - fuse these things with

-a tempo

--)/ '& & & & & & &

& * (E8sus2

love.

( * ) & &

--) '& & & & & & &

) & & & & & & &B8sus2

You know your - self too well for

-

--) '& & & & & & &

!

!"

88

88

88

& * (E8sus2

that.

0 %%&& & &

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) & & & & & 3& & &Fsus2/D

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&&&%%%000

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0 * & &E8sus2

leaves. So what?%%%000 &

--) '& & & & & & &

76

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88

88

88

C

C

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& & & & & &F/C Dm

He's just a man.

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0) & '& 0) & '&

& & & .& %&A8 F7sus4

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&&&8 &&& &&& &&&

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arms.

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!

!"

88

88

88

24

24

24

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&& && && &&%& '& %& '&--

0 0E869 E8

arms.

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000& & & & 000&poco rit.

& & &

E8Maj7

%& '& 00--

77

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!"

88

88

88

24

24

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#

#

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And with the world

) '& &80 & &

&8dim.

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) &8 &8 &8 & *G8 D8/F8

the way it is...

) '&8 0&8 &8 & &&8 & &9 &

&8 &8 &8 .& %&8

!

!"

88

88

88

Più Mosso >?ST* ) '&8 & & & '&

D8Maj9

I ne-ver let my

&&&88 & &&& & &&& & &&& &

%&8,

.&8 %& '&

& & & &8A8Maj9/C

guard down. I

&&& &8 &&& &8 &&& &8 &&& &8

%&'& %& '&

3

& &8 &3

& &8 &Am7 A8sus2

stayed on my side of the

&& && && &&%&9 '& %&8 '&

!

!"

88

88

88

24

24

24

-Gm7Iadd4J

bed.

&&& & &&& & &&& & & & &

0[ '& %&

* ) '&8 & & & '&D8Maj9/F E8sus2/G

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&&&885

& &&& & &&& & &&& &

%& '& %& '&

& &8 0A8sus4 A8

loved him.

&&8 & &&&8 &&& &&&%&8-8

'& '& & '&

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!"

88

88

88

24

24

24

26

26

26

) '&8 & & &8B8m9

If I had fought,

&&8 && &&&8

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if I had tried,

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88

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if I had

&&&8 &&&88

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known, I would have said I'll miss your

&&8 & 000dim. e rit.0088 00

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!"

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88

88

C

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C

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arms.000)a tempo,& & & 00& & & &

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'& & .& & &B8sus2/D

Ev - 'ry - thing was---) & & & & & &( * ) '&--

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!"

88

88

88

24

24

24

& & & &sim - ple in his&& && && &&

%& '& %& '&--

0 0E869 E8

arms.000) & & & 000& & & &* ) '& %&

rit. '&--

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%& '& 00--

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#

#

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And with the world

);

'& &80 & &colla voce

&8 & %&8 .&

) &8 &8 &8 & &8G8 F8(no3)

the way it is these

) '&8 &80 &8 & &8&8&8 &8 &8 .& %&8

%08 *<G8sus2

days...

%%%000888 &&&< &[ &

--88c

!"

88

88

&/

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rit.

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E82(add !11)

-* %0

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--<

80

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!"

8888

8888

8888

#

##

Moderately >?Bb* & & & & & & &A85

I am walk - ing home

* & & 0legato

-); '& %0

& & & & & %& &Fm7

from the sub - way stop.

* & & 0-)

'& %0

!

!"

8888

8888

8888

) & & & & & & &D8sus2

The lights keep chang - ing,

* & & 0-) '& %0

& & & & & & & & & &E85

I just stand and watch.

* & & 0-) '& %0

!

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8888

8888

* & & & & & & &Fm7

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* & & 0-)

'& %0

& U & & & & & & & & &E8sus4

like I should know which way to go.

* & & 0 "

-)'& %0

How to Not Be with YouMusic and lyrics by

BRIAN LOWDERMILK

© 2003 by Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

81

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8888

8888

8888

& & & .& & .&D8sus2

I should hurt less,

* & & 0 !

-) '& %0

& & & & & & & & & & %&E8sus4 D8/F E8/G

and I should re - mem - ber my way

0000PPPPP &&/

&&( & &

!

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8888

8888

8888

& & & & 0D8sus2(add!11)

home. But I don't.

& %&'& & && & && && & & &

%0* ) '& 0

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) '& & & & & & &A8sus2/C

I can't see

&&& &&& &&& &&&* %-

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8888

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& ) & & & & & & & &B8sus2/D

now that you're not walk - ing next

&&& &&& 000* %-9 .&9 0 dim.

& & & 0 *D82

to me.

000 && &&

D8/F E8/G

%&H .& & &

!

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8888

8888

8888

* & & & & & &A85

I don't know how

&& && && &&) & & & & & & &-

& & & & .& & '&E8(add4)/G

to not be with you.

&&& &&& &&& &&&& & & & & & & &-

82

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!"

8888

8888

8888

& U & %& & & & & & &Fm7

I don't re - mem - ber where I'm from.

&& && && &&& & & & & & & &-

%0 *D8sus2

&& && && &&

E8sus4

0'& & '& 0& & & &

!

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8888

8888

8888

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I know your touch, know ev - 'ry -

&& && && &&0'& & '& 0'& & '&

%& & & & & &A8/E8 B87/D

thing you do. Well,

&& && && &&0'& & '& 009

!

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8888

8888

8888

) & & & & & & & & &B8min/D8 A8/C

I know ev - 'ry - thing ex - cept how

&& && && &&& & && %& .&

.& & & & & & &B8min E87sus4

to not be with you.

000 0%&& &

.&00& &

!

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8888

8888

8888;

-A85

&&sub.

&& && &&%& .& %& .&

$

&& && && &&cresc.%& .& .& &1 &1 &1

83

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!"

8888

8888

8888

Più Mosso

) & .& .& & .&A8sus2

Hands out and head bowed,

&&& &&& &&& &&&stronger

--*, ) '& '& & '&

& & & & & & & & &Fm7Iadd11J

I am still wait - ing for you

&&& &&& &&& &&&--* ) '& '& & '&

!

!"

8888

8888

8888

) & & & & & & &D869

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&&& &&& &&& &&&--* ) '& '& & '&

& & %& ) .& & & &E87sus4

I'm not through.

&&& &&& &&&& &&&&0 %& .& %&

'& %&.&

!

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8888

8888

8888

& & & & & & & &Fm11

I should hold my ground,

&&& & &&& & &&& & &&& &-* ) '& '& & & &

& ) & & & & & & & &E8(add4)

I should have noth - ing to say.

&&& & &&& & &&& & &&& &%0* ) '& '& %& & &

!

!"

8888

8888

8888

* & %& .& & & &D8sus2(add!11)

Should you reach for me,

&&& & &&& & &&& & &&& & &&& & &&& & &&& & &&& &%&-

'& '& & & &

& & & & & & & & & &E8sus4

I should run my heart a - way.

&&&&K * &&&D&&&D

&&&K* &D &D

84

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!

!"

8888

8888

8888

& & & & 0D8sus2(add!11)

But I won't

& %& & & &&'& &&& & && &

%0* ) '& 0

&

) '& & & & & & & &A8sus2/C

I'm not free.

&&& &&& &&& &&&* %-

'& %& '&

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!"

8888

8888

8888

& U & & & & & & & &B8sus2/D

I'm not a lot of things I used

&&& %%%000&9 %09

.& %& & & & & &D8Maj9 D8/F E8sus4/G

to be, ba - by, I

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8888

8888

8888

& & & & & & & &A8sus2

oh I don't know how

&&&& &&& &&& &&&& & & & &--) '& & '& %&

& & & & .& & '&E8sus4/G

to not be with you.

&&& &&& &&& &&&& & & & & &--) '& & '& %&

!

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8888

8888

8888

%& & %& & & & & & &Fm7Iadd11JI don't re - mem - ber where I'm from.

&&& &&& &&& &&&& & & & & &--) '& & '& %&

%0 *D869

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E8

0) & '& 0

85

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8888

8888

8888

U & & & & & & & &Fm7

I know your touch, know ev - 'ry -

&&& && && &&-) & '& '& & '&

%& & & & & &A8/E8 Ddim

thing you do. Well,

&& &&00

0) & '& 09

!

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8888

8888

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I know ev - 'ry - thing, ex - cept how

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.& & & & & & &B8min E87sus4

to not be with you.

000 000& & & &%&0

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8888

8888

8888

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&&& &&& && &&cresc.

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8888

8888

8888

Meno Mosso

U &8 & & & & & & & & & &8 & &C8sus2 G82/B8

If I had not foll - owed you, would I'&&&&888 15) * '&&&&&1 ) *

'&&&888 1) * '&&&1

) *

86

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8888

8888

8888

& &8 & & & & 0F8sus2

know my way out?

&&&&8888 &&&& &&& & && &%&8 '& %& & &&8 %& & 0

) & & & & & & & & & & &8D8 A8/C D8/C

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& U & & & & 0) U V& & & &

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8888

8888

8888

26

26

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can't find it now.&1 &8 &8 &81 & & &1 & & &1 & & &1 & &1 &rall.) U V& & &8 & %&8 &8 &8--88

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8888

8888

8888

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9988

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&&&& &&&& &&&&a tempo

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!

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88

88

88

& : & & & .& & .&Fsus4/A

to not be with you.&&&& &&&& &&&& &&&&--* ) '& '& & '&

%& & %& & & & & & &Gm7Iadd11JI don't re - mem - ber where I'm from.&&&& &&&& &&&& &&&&

--* ) '& '& & '&

87

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!"

88

88

88

0 & & & &E869

I

0& & & & 0& & & &

0) U V& %& & 0) U V& %& &

& & & & & & & &Gm7

know your touch, know ev - 'ry -

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!

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88

88

88

%& & & & & &B8/F C7/E

thing you do. Well,

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I know ev - 'ry - thing, ex - cept how

&&&& &&&& &&& &&&%&H .& %& .&

!

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88

88

88

.& & .& .& & .&Cmin F7sus4

to not be with you.

000 0

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88

88

88

) & .& .& & .&B8sus2

Hands out and head bowed,

&&&,&&& &&& &&&

--* ) '& '& & '&

& & & & & & & & &Gm7Iadd11J

I am still wait - ing for you.

&&& &&& &&& &&&

--* ) '& '& & '&

88

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!"

88

88

88

) & .& .& & .&E869

Hands out and head bowed,

&&& &&& &&& &&&--* ) '& '& & '&

.& & .& & & & &F7sus4

I'll keep wait - ing for you.

&&& &&& &&&& &&&&0 %& .& %&

'& %&.&

!

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88

88

88

& & & & & & &B85

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&&& &&& &&& &&&&( & & & &0 & & &

!

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88

88

88

) & .& 0B8sus2

Hands out,&&&/

&&& &&& &&&& & & & &--& & & '& %&

%0 *F/A

&&& &&& &&& &&&& & & & & &--) '& & '& %&

!

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88

88

88

) & .& 0E8sus2/G

head bowed.&&&& && && &&& & & & & &-) '& & '& %&

-Fsus4 &&& &&& 00

& & & & & & & &

89

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from the Off-Broadway Musical Henry & Mudge

97

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103

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104

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from The Unauthorized Autobiography of Samantha Brown

109

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from The Unauthorized Autobiography of Samantha Brown

115

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from The Unauthorized Autobiography of Samantha Brown

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from Wrong Number

© 2006 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.www.kerrigan-lowdermilk.com

136

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