The International Sale: Fine Antiques & Decorative Arts | 3 October 2012

TheInternationalSaleFine Antiques& DecorativeArts

Lyon & Turnbull Edinburgh

3rd October, 2012

Freeman’s Philadelphia

11th October, 2012a u c t i o n e e r s & a p p r a i s e r s s i n c e 1 8 0 5


Thursday, October 11th, 2012

2pm

Sale Number 1441

1808 Chestnut Street

Philadelphia PA19103

Tel. +1 215.563.9275

Fax. +1 215.563.8236

www.freemansauction.com

Catalogue: £15 / $35

See page 2 for viewing and

enquiry details

Inside Front Cover: Lot 305Inside Back Cover: Lot 233 (part lot)

Printing by Pardy & Sons (Printers)

Ltd., Ringwood, Hampshire

Wednesday, October 3rd, 2012

12 noon

Sale Number LT361

33 Broughton Place

Edinburgh EH1 3RR

Tel. +44(0) 131 557 8844

Fax. +44(0) 131 557 8668

www.lyonandturnbull.com

Viewing and Enquiries

Auction

Thursday, October 11th, at 2pm

Exhibition

Friday, October 5th

10am - 4:30pm

Saturday, October 6th

12 noon - 4pm

Monday, October 8th

10am - 4:30pm

Tuesday, October 9th

10am - 4:30pm

Wednesday, October 10th

10am - 4:30pm

Limited viewing on Morning of the sale

Specialists

David Walker

direct tel: 267.414.1216

[email protected]

Benjamin Fisher

direct tel: 267.414.1215

[email protected]

Nicholas Clarke

direct tel: 267-414-1225

[email protected]

Commission Bids

Bridgette Bonner

tel: 267.414.1208

fax: 215.599.2240

[email protected]


Philadelphia PA1910


Tel. +1 215.563.9275

Fax. +1 215.563.8236


Auction

Wednesday, October 3rd, at 12 noon

Exhibition

Saturday, September 29th

12 noon - 4pm

Sunday, September 30th

12 noon - 4pm

Monday, October 1st

10am - 5pm

Tuesday, October 2nd

10am - 5pm

Wednesday, October 3rd

from 9am

Specialists

Lee Young

[email protected]

Douglas Girton

[email protected]

Enquiries and Commission Bids

Lyon and Turnbull Ltd.

33 Broughton Place

Edinburgh EH1 3RR

Tel. +44 (0)131 557 8844

Fax. +44 (0)131 557 8668

email: [email protected]

www.lyonandturnbull.com

Please note that the the Conditions of Sale and Buyers’ Information vary

between Lyon & Turnbull and Freeman’s - information for both can be

found in this catalogue.

Bidding will be in GB£ for Lyon & Turnbull and $ for Freeman’s - the

equivalent rate is given for each lot at £1 = $1.60 but should be treated as a

guide only.


Session One

Wednesday, October 3rd, 2012

at 12 noon

Lyon & Turnbull

33 Broughton Place, Edinburgh

EH1 3RR

bids but we offer this service

entirely at the bidder’s risk.

By telephone

Bids submitted by telephone

must be confirmed in writing.

Telephone bidding

If you are unable to attend the

sale we can normally arrange for

you to bid on the telephone. This

service is available entirely at our

discretion and at the bidder’s risk.

All telephone bids must be

confirmed in writing, listing the

relevant lots and appropriate

number to be called. We

recommend that a covering bid is

also left in the event that we are

unable to make the call. We

cannot guarantee that lines will

be available, or that we will be

able to call you on the day, but

will endeavour to undertake such

bids to the best of our abilities.

Methods of Payment

Goods purchased will not be

released until we have received

full payment.

Cash

Cash payments can be made at

the accounts desk during or after

a sale.

Cheque

Cheques should be made payable

to Lyon and Turnbull Ltd. We

reserve the right to wait until

cheques have been cleared by our

bankers before releasing bought

goods. Cheques can be cleared

prior to sale on request. Cheques

drawn by third parties cannot be

accepted. If paying by post please

include the slip from your invoice.

Switch or Credit Cards

Payment can be made by Switch,

Mastercard or Visa cards. There

is a 2% surcharge on credit card

payments.

Collection

It is the buyer’s responsibility to

ascertain collection procedures,

particularly if the sale is not being

held at our main saleroom.

guidance only and all lots are sold

‘as found’ (see our standard

Terms and Conditions of Sale).

Electrical Goods

Lots that were once operated by

mains electricity are bought

entirely at the buyer’s risk. They

are offered for sale for display or

historical purposes and may not

comply with current regulations.

Bidding

At the Sale

To bid at the sale all potential

buyers must be registered with us

on or before the day of sale. We

will need proof of identification

and residence, and may require a

bank reference. Potential buyers

must collect a bidding number

before the sale begins, and show

that number if successful in

purchasing a lot. Please ensure

that the auctioneer repeats the

number correctly when

confirming the sale. If there is any

doubt at this stage as to the

hammer price or buyer it must be

brought to the auctioneer’s

attention immediately. All lots

will be invoiced to the name and

address given on your registration

form, which is non-transferable. If

you have purchased a lot you

may take your bidding number to

the accounts department and

receive an invoice immediately. If

you have not been successful

please leave the number at the

Registration or Reception desks.

In writing

Bid forms are available at the sale

and/or the back of the catalogue.

These should be submitted in

person, by post, or by fax as soon

as possible prior to the sale and

we will bid on your behalf up to

the limit indicated. In the event of

receiving two identical bids the

first one received will take

precedence. They must be

received at the very latest at least

an hour before the sale. We will

do our utmost to execute these

We are required to collect a

royalty payment for all qualifying

works of art. Under new

legislation which came into effect

on 1st January 2012, this applies

to living artists and artists who

have died in the last 70 years.

This royalty will be charged to the

buyer on the hammer price and in

addition to the buyers premium.

It will not apply to works where

the hammer price is less than

€1,000 (euros). The charge for

works of art sold at and above

€1,000 (euros) and below

€50,000 (euros) is 4%. For items

selling above €50,000 (euros),

charges are calculated on a

sliding scale.

All royalty charges are paid to the

Design and Artists Copyright

Society (‘DACS’) and no handling

costs or additional fees are

retained by the auctioneer. Resale

royalties are not subject to VAT.

Please note that the royalty

payment is calculated on the rate

of exchange at the European

Central Bank on the date of the

sale.

More information on Droit de

Suite is available at

www.dacs.org.uk

Damage and Restoration

Occasionally when a lot has

suffered extensive damage and/or

restoration it is indicated in the

catalogue. This is mentioned

entirely at our discretion for the

benefit of buyers. Where there is

no mention of damage and/or

restoration this should not be

taken to mean that there is none.

It is the buyer’s responsibility to

ensure that the condition of lots

is to their satisfaction (see our

Terms and Conditions of Sale).

Condition Reports

If potential buyers are unable to

inspect lots in person our

specialists will be happy to

prepare detailed Condition

Reports on individual lots as

quickly as possible. These are for

Buying at Auction

This sale is subject to our

standard Terms and Conditions of

Sale. If you have not bought at

auction before we will be

delighted to advise you.

Estimates

Estimates are printed below each

lot and do not include the buyer’s

premium. The sale will be

conducted in pounds sterling.

Dimensions

Dimensions are for guidance only;

it is the buyer’s responsibility to

ensure that they are correct.

Buyer’s Premium

The buyer shall pay the hammer

price together with a premium

thereon.

Antiques, Jewellery & Silver and

Pictures (Not Fine Sales)

20%

All other sales

(Fine/Special/Collections/

Contemporary)

25% up to £25,000 / 20%

thereafter.

VAT will be charged on the

premium at the rate imposed by

law. (see our Terms and

Conditions of Sale).

VAT

The symbol † by a lot number

indicates that VAT is payable by

the purchaser at the standard rate

on the hammer price.

The symbol * by a lot number

indicates that the lot has been

temporarily imported from

outside the EU and that VAT is

payable by the purchaser at the

rate of 5% on the hammer price

and the buyer’s premium.

No VAT is payable on the

hammer price or premium for

books bought at auction.

Droit de Suite

This symbol § indicates works

which may be subject to the Droit

de Suite or Artist’s Resale Right,

which took effect in the United

Kingdom on 14th February 2006.

Important Information for Buyers at Lyon & Turnbull

1001 FE40/4

NEAR PAIR OF GEORGE II MAHOGANY FOLDOVER TEAAND CARD TABLESMID 18TH CENTURYthe shaped tops with outset corners, one opening to reveal a

green baize lined playing surface with counter wells, the

other with a plain top, over a plain frieze raised on acanthus

carved cabriole legs ending in pad feet (2)

83cm wide, 73cm high, 41cm deep

£7,000-10,000 $11,200-16,000

LYON & TURNBULLthe international sale

wednesday, october 3rd, 2012

5

1002 FE33/3

QUEEN ANNEWALNUTARMCHAIR18TH CENTURY AND LATERthe solid vasiform splat and

outscrolling arms above a drop-in

seat covered in tapestry fabric,

raised on shell carved cabriole

legs ending in trefoil feet


Provenance:Selected items from an historic Scottishcountry house

£2,500-3,500 $4,000-5,600

1003 FD299/10

WILLIAM &MARY REDJAPANNED FOOTSTOOLEARLY 18TH CENTURYthe square padded seat

upholstered in floral needlework

with a blue border, raised on

turned and tapered legs joined by

an X-form stretcher on flattened

bun feet


£1,000-1,500 $1,600-2,400

LYON & TURNBULLthe international salewednesday, october 3rd, 2012

6



7

1004 FE37/24

GEORGE III MAHOGANYLONGCASE CLOCK BY HIGGSAND EVANSMADE FOR THE SPANISHMARKET, CIRCA 1760the arched gilt dial signed Higgs,

Diego Evans, Londres, with

silvered chapter ring with

subsidary second dial, date

aperture and silent / strike, the

eight day three train movement

striking on nine bells, the arched

hood flanked by stop-fluted

pilasters, the case with

conforming quarter columns,

raised on a later shaped plinth

base


£7,000-9,000 $11,200-14,400

1005 FD485/21

GEORGE III MAHOGANY LONGCASE CLOCKWILSON, LONDONthe swan neck pediment above a

blind fret carved frieze and

surmounted by a brass eagle and

orb finials, above an arched

glazed door flanked by reeded

columns, the brass and silvered

dial with Roman and Arabic

chapters with subsidiary seconds

dial and date aperture, painted

arched panel depicting a pastoral

scene, eight day movement

striking on a bell, the trunk with a

further blind fret carved detail

and an ogee arched door flanked

by reeded quarter columns with

brass capitals, on a moulded

plinth base raised on ogee

bracket feet


£2,000-3,000 $3,200-4,800


8



9

1006 FD48/1

IRISH GEORGE II MAHOGANYCABINETMID 18TH CENTURYthe broken swan neck pediment

above a pair of glazed panel

doors, opening to reveal an

arrangement of fourteen drawers,

the lower section with a brushing

slide above four long graduated

drawers, raised on squat cabriole

legs ending in claw and ball feet


Provenance:Descended through the baronetcy ofInchiquin, and reputedly brought fromIreland by Lucious William O'Brien, the15th Baron Inchiquin, upon his marriageto Ethel Jane Foster of Moor Park,Ludlow in 1896. The couple and their sixchildren resided off and on at Moor Parkuntil 1939 when they movedpermanently to Ireland.

£8,000-12,000 $12,800-19,200

1008 FE41/4

GOOD GEORGE III SERPENTINECHEST OF DRAWERSCIRCA 1760the shaped moulded top above

four long graduated drawers

flanked by canted corners, raised

on shaped bracket feet


£7,000-9,000 $11,200-14,400

1007 FD132/1

PAIR OF GEORGE III CARVEDGILT WOOD FRAMEDMIRRORSCIRCA 1760the shaped oval mirror plates

within ornate rococo scroll frames

surmounted by ho-ho birds (2)

28cm wide, 65cm high

£1,000-1,500 $1,600-2,400


10



11

1009 FC185/10

EXCEPTIONALLY FINEGEORGE III PRESS CUPBOARDATTRIBUTED TO GILLOWS,CIRCA 1780the rectangular top above two

fielded panel doors, opening to

reveal a compartmented fitted

interior with drawers and pigeon

holes, the lower part with an

arrangement of four real and

dummy drawers, raised on

bracket feet

92cm wide, 145cm wide, 58cm deep

£4,000-6,000 $6,400-9,600

1010 FC185/4

GEORGE III MAHOGANY BOOKSTANDCIRCA 1800the shaped sides with pierced

carrying handles


£1,000-1,500 $1,600-2,400


12



13

1012 FE17/9

GOOD PAIR OF GEORGE III MAHOGANY AND BEECH ‘CHINESECHIPPENDALE’ ARMCHAIRSCIRCA 1760each with an arched and foliate scroll carved top rail over a lattice work

straight back and slightly scrolling open lattice work arms, over a plank

seat and blind fret carved seat rail, raised on straight square blind fret

carved legs joined by an H-form stretcher (2)


Provenance:Property from a Scottish country house. Additional items from the same house will beoffered in the Fine Antiques sale, 4 October, 2012

Note:The design for these chairs is taken almost exactly from Thomas Chippendale’sGentleman and Cabinet-Maker’s Director, plate XXVII. It incorporates a number ofChinese influences including the blind fret carving and open trellis found throughoutChippendale’s design book.

£8,000-12,000 $12,800-19,200

Gentleman and Cabinet-Maker’s Director, plate XXVII


14

1011 FE40/5

FINE PAIR OF GEORGE IIIGILTWOOD GIRANDOLEMIRRORSIN THE MANNER OF ROBERTADAM, CIRCA 1780the oval mirrir plates within

further margin plates and

gadrooned frames sumounted by

flowering urns and ribbon-tied

trailing husks, over a patera drop

finial issuing two outscrolling

candle arms (2)


Provenance:Field Marshal George Townshend, 1stMarquess Townshend and thence bydescent

£10,000-15,000$16,000-24,000

1014 FE40/2

GEORGE III MAHOGANYCHEST OF DRAWERSCIRCA 1760the moulded rectangular top

above a drawer fitted with a baize

inset brushing slide supported by

lopers, over three further long

graduated drawers, raised on

shaped bracket feet


£3,000-5,000 $4,800-8,000

1013 FC185/3

GEORGE III FRUITWOODPEAR-FORM TEA CADDYLATE 18TH CENTURYwith oval metal escutchion

17cm high

£1,500-2,500 $2,400-4,000



15

1015 FE37/18

GEORGE III ‘GRANDDAUGHTER’ MAHOGANYLONG CASE CLOCK, BYTHOMAS PAGE, NORWICHMID 18TH CENTURYthe gilt dial with a silvered

chapter ring, signed Tho. Page,

Norwich, with a bell striking

movement, the domed hood

above a moulded slender case

raised on ogee bracket feet


£5,000-7,000 $8,000-11,200


16

1016 FC185/2

GEORGE III BLUE JOHN URNLATE 18TH/EARLY 19THCENTURYraised on a socle foot and square

slate base

30cm high

£4,000-6,000 $6,400-9,600



17

1017PAIR OF GEORGE III BLUE JOHN URNSLATE 18TH/EARLY 19TH CENTURYraised on a socle foot and square slate

bases (2)

25cm high

£8,000-12,000 $12,800-19,200

1018FINE GEORGE II CARVED MAHOGANY LIBRARYARMCHAIRCIRCA 1755the arched back and serpentine seat flanked by

outscrolling arms with foliate and shell carved

terminals, over a lattice carved apron centred by a

ruffled shell and foliate scrolls, raised on shell and

foliate carved cabriole legs ending in scrolled toes, in

later green and yellow floral silk upholstery



18

Note:The inspiration for this elegant armchair is undoubtedly takenfrom French fashion of the period as interpreted by a mid 18th-century cabinet maker. Thomas Chippendale illustrated severalexamples of ‘French’ chairs in his ‘Gentleman and CabinetMakers Director published in 1754, and other important cabinetmakers of the St. Martin’s Lane Academy worked in this style.The pattern of this chair, with its incised trellis ground, enjoyedconsiderable popularity in the mid 18th century, makingidentifying the specific maker a bit of a mystery. The chair isvery similar to the well-known suite of seat furniture previouslyin the collection of Sir John Ward, K.C.V.O of Dudley House.Helena Hayward, the furniture historian, in her 1964 Conoisseurarticle described the Dudley House suite saying “it would be noexaggeration to claim that no finer example of its period is nowknown to exist”. Several top London cabinet makers have beenput forward as the likely makers of these chairs, includingWilliam Bradshaw of Greek Street, Soho, or his partner PaulSaunders who supplied related suites to Hagely HallWorcestershire and Petworth, Sussex. Other potentialcandidates include James Whittle, Snr and Samuel Norman ofSt. Andrew’s Street Soho, as well as William Vile and JohnCobb of St Martin’s Lane who supplied related cabriole leggedchairs John Chute at the Vyne, Hampshire and the Hon. JohnDamer of Came House, Dorset. A pair of similar chairs soldChristie’s New York, 11 June 2010, lot 428.

£15,000-25,000 $24,000-40,000



19


20

1019 FE15/29

FINE GEORGE III MAHOGANYBREAKFRONT BOOKCASEMID 18TH CENTURYthe acanthus carved swan neck

pediment with fretwork panels

over a dentil moulded cornice and

pair of astragal glazed doors

opening to shelves, flanked by

narrow side cabinets with

matching astragal glazed doors;

the lower part with a gadrooned

carved edge over a pair of

moulded panel doors flanked by

further moulded panel doors,

raised on conforming plinth feet


£40,000-60,000$64,000-96,000

1020RARE ENGRAVED KING OF PRUSSIA GOBLETCIRCA 1760the trumpet bowl engraved with a bust portrait of King Frederick the

Great in armour, inscribed below the rim ‘SUCCESS TO THE KING OF

PRUSSIA’, the plain stem over a folded conical foot

17.2cm high

Note:Commemorative wares celebrating the alliance between England and Prussia duringthe Seven Years War (1756-63) and featuring portraits of Frederick the Great wereproduced in fairly large numbers during this period, however the vast majority were onporcelain or earthenware. Engraved glasses are much rarer due to the skill required toproduce them. A near identical goblet sold Bonhams, London, 16 December 2009, lot50; and a smaller airtwist example is in the collection of the Victoria and AlbertMuseum, C.194-1925.

£3,000-4,000 $4,800-6,400



21

1021 FD32/4

COLLECTION OF MILITARYSASHES AND BADGESBELONGING TO GENERALTHOMAS GRAHAM,LORD LYNEDOCHcomprising a papier mache, silk,

silver and gold Design for the Star

Ordinary, St Michael and St

George in a red leather case; a

ribbon of the Order of Ferdinand

IV; ribbon of the Order of Tower

and Sword; and a pair of leather,

steel and gilt metal buckles in a

leather case

£1,000-1,500 $1,600-2,400

1022 FD32/5

COLLECTION OF PERSONALEFFECTS BELONGING TOGENERAL THOMAS GRAHAM,LORD LYNEDOCHcomprisng an oval gold locket

containing a lock of Lord

Lynedoch’s hair, engraved ‘Lord

Lynedoch’s Hair/ 18 December

1843’ and a coronet over an ‘L’; a

maroon silk net purse containing

seven shillings, seventeen six

pence coins and four four pence

coins; and a small parquetry box

containing a small gold wedding

band (cut); a small leather purse;

and a cream leather and gilt

almanac in a cream leather slip

belonging to Mary Graham

Note:According to papers accompanying thislot, the first three items were removedfrom Lord Lynedoch upon his death in1843 and kept by his heirs. The goldwedding band, which belonged to hiswife, born the Honourable MaryCathcart, was worn by Graham for overforty years following her untimely deathin 1792. The almanac is inscribed inpencil on the interior, presumably in herhandwriting ‘M.G. Given to me by LordTullibardine, Lady Charlotte & Lady EmilyMurray on my birthday’

£300-500 $480-800


22

1023 FD32/7

PORTRAIT MINIATURE OFLADY CHRISTIAN HOPE18TH CENTURYoval, the sitter depicted as an

elderly lady wearing a black wrap

and white shawl, her head in a

white ribbon-tied bonnet with a

blue bow, the reverse with a hair

arrangement and the initials ‘Ly C

G/ 85’ against a cobalt enamel

ground, in a golt locket pendant

frame and red moroccan leather

oval case

6.5cm high

Note:Lady Christian Hope (1714-1799) wasthe third daughter of the Charles, 1st Earlof Hopetoun and Lady HenriettaJohnstone. In 1743 she married ThomasGraham of Balgowan. She gave birth tothree children but only their sonThomas, later Lord Lynedoch, survivedto adulthood. According to anaccompanying card, the hair belongs toher three children and her parents.

£300-500 $480-800

1024 FD32/10

THOMAS GRAHAM OFBALGOWAN GREAT SEALCHARTERDATED 1787on vellum, issued to Thomas

Graham for the lands of Lynedoch

in Perthshire, with a black and

yellow plaited silk cord; together

with three other charters on

paper relating to the lands of

Lynedoch dated 1786 (4)

£200-300 $320-480

1025 FD32/12

GENERAL THOMAS GRAHAM,BARON LYNEDOCH,MAHOGANY BRASS BOUNDDESPATCH BOXEARLY 19TH CENTURYof rectangular form with brass

straps, corner mounts and

recessed side handles, the cover

bearing a rectangular brass plate

engraved ‘Lieu. Gen’l / Lord

Lynedoch’, the void interior lined

in cobalt moroccan leather


Note:the inscription on the brass plateindicates that this box was made afterThomas Graham was given thePerthshire barony of Lynedoch and raisedto the peerage in 1814, and also the yearof his final campaign.

£600-800 $960-1,280

1026 FD384/1

SCOTTISH BASKET HILT SWORDCIRCA 1700the hilt of round section bars, pierced with hearts in

a traditional manner, a low bun shaped grooved

pommel, grip missing, remains of a leather lining, a

German double edged blade with three fullers for a

quarter of the length

blade 76cm long, 88cm overall

£1,000-1,500 $1,600-2,400



23

1027 FC671/1

CONTINENTAL DOUBLE HANDEDPROCESSIONAL SWORD, PROBABLY GERMAN16TH CENTURYthe long double edge tapering blade with three long

fullers for half the length with two spurs ten inches

below the ricasso, double loop cross guard with

round section quillions with flared terminals

decorated with chevron cuts, large pear shaped

pommel with similar decoration with replacement

leather bound grip

Blade 132cm, 178cm overall

£3,000-5,000 $4,800-8,000


24

1028 FD191/5

ITALIANWHITE MARBLEFIGURE OF A YOUTH19TH CENTURYmodelled as a draped young man

seated on a rocky column, a

basket of fish at his feet, on a

circular base

80cm high

£1,500-2,500 $2,400-4,000

1029 FD191/4

ITALIANWHITE MARBLE FIGURE OF ABOY, AFTER ANTONIO CANOVA19TH CENTURYmodelled as a seated nude child reading

a book; on a green marble spiral carved

four section column with an octagonal

base (2)

figure 59cm high, pedestal 101cm high

£2,500-3,500 $4,000-5,600

1030 FD191/3

ENGLISHWHITE MARBLEFIGURE OF A YOUNG LADYAND HOUND19TH CENTURYmodelled as a young woman in

robes standing beside a hound on

a naturalistic circular base

99cm high

£3,000-4,000 $4,800-6,400

1031 FE41/3

SET OF TWELVE REGENCY ROSEWOOD ANDBRASS INLAID DINING CHAIRSCIRCA 1820the gadrooned and acanthus carved bar backs inlaid

with scrolling foliage, above caned seats, raised on

sabre legs (12)


£20,000-30,000 $32,000-48,000



25

1032 FC236/11

FINE REGENCY OAK, POLLARDOAK AND BRASS INLAIDDRUM LIBRARY TABLECIRCA 1815the circular top with radiating

veneers and a wide brass foliate

inlaid band, above eight frieze

drawers with carved flowerhead

handles, raised on a basket-form

column support with four

naturalistic scroll supports,

flanked and divided by mask

motifs and terminating in paw

feet

Note:This fine table, with its robustly carvedpedestal base and paw feet exhibits allthe bravura and style associated with theheight of the Regency period. These boldfeatures combined with the fine detail ofthe scrolling foliate brass inlay providethe feminine balance to what can beviewed as a very masculine piece offurniture. Thomas Hope's 'HouseholdFurniture & Interior Decoration'published in 1807, was a defined shiftaway from the somewhat femininerestraint of the late 18th century found inSheraton's designs, and helped introducea bold look for a new century.

132cm diam, 75cm high

£40,000-60,000$64,000-96,000


26



27

1033PAIR OF FINE REGENCY GILT BRONZE THREE LIGHT PIER LAMPSEARLY 19TH CENTURY,IN THE MANNER OF THOMAS MESSENGER & SONSeach with a central waisted reservoir with a berry finial and issuing

three acanthus cast arms, raised on fluted socles with stiff leaf borders

(2)

46.5cm wide, 37.5cm high

Note:These Roman style oil lamps relate to patterns found in George Smith’s Collection ofDesigns for Household Furniture and Interior Decoration, published in 1808. Leadingmanufacturers of lighting fixtures from the period who produced comparable lampsinclude Thomas Messenger & Sons of Birmingham and London, and Messrs Hancockand Rixon

Provenance:Purchased Christie’s, London, 22 April 2004, lot 151Selected items from an historic Scottish country house

£4,000-6,000 $6,400-9,600


28

1036 FE37/20

FINE REGENCY MAHOGANY DUMBWAITERCIRCA 1810the dished circular top above a larger lower tier

fitted with bottle coasters and plate racks, raised on

reeded downswept legs terminating in brass caps

and castors


£2,500-3,500 $4,000-5,600



29

1035 FE15/47

REGENCY TORTOISESHELL AND IVORY TEACADDYEARLY 19TH CENTURYinlaid with mother of pearl, of octagonal form, the

hinged lid enclosing a lidded compartment, raised

on bun feet


£2,000-3,000 $3,200-4,800

1034 FE15/51

PAIR OF REGENCY ROSEWOOD ANDMAHOGANY OCTAGONAL SIDE TABLES19TH CENTURYthe crossbanded tops raised on ring turned and a

part-reeded column on a triform base raised on

scroll carved feet (2)

44cm wide, 75cm high, 34.5cm deep

£4,000-6,000 $6,400-9,600

1037 FE41/1

IMPORTANT REGENCY ROSEWOOD SIDE CABINET,BY GEORGE BULLOCKCIRCA 1815with a shaped demilune white marble top above seven

drawers each stamped ‘G Bullock’ flanked by grille

cupboard doors enclosing shelves, raised on lobed parcel

gilt bun feet


Note:Bears paper label ‘THE BRITISH ANTIQUE DEALERS ASSOCIATION/ART TREASURES EXHIBITION BATH 1958/ EXH. No 170’, sold with acopy of the exhibition catalogue

George Bullock (1777-1818), was one of the most influential furnituredesigners and cabinet makers of the early part of the 19th century,most notable for the quality and fineness of the inlay embellishing hisdesigns. Based in Liverpool and London, in His distinctive style drewon classical sources combined with historic and exotic influences. Hismost significant commissions were furnishings for Great Tew Park,Abbotsford, and Chomondely Castle.

£15,000-20,000 $24,000-32,000


30



31

1038 FE40/1

FINE SCOTTISH REGENCY MAHOGANY LIBRARY TABLECIRCA 1815the rounded rectangular top with an inset tooled leather writing

surface , above three frieze drawers, flanked by two further lateral

drawers, raised on twin end supports, ending in brass castors


£10,000-15,000 $16,000-24,000


32

1039 FE15/36

PAIR OF REGENCY GILT ANDPATINATED BRASSCANDELABRAEARLY 19TH CENTURYwith cast eagle stems issuing two

outscrolling candle arms and

surmounted by flaming urn

finials, raised on pedestal bases

with applied mounts (2)

47cm high

£2,000-3,000 $3,200-4,800



33

1040 FE15/26

REGENCY ROSEWOOD ANDEBONY INLAID BREAKFRONTCABINET19TH CENTURYthe superstructure with a mirror

back and three quarter pierced

brass gallery raised on turned

columns; over four short frieze

drawers and four glazed doors

opening to shelves, raised on

turned feet


£6,000-8,000 $9,600-12,800


34

1042 FE15/4

GOOD REGENCY ROSEWOOD BOOKSTAND19TH CENTURYthe rectangular top with spindle divided

compartments and scroll supports over a single

frieze drawer and shaped apron, raised on a squared

tapered column and quatreform base on bun feet

42.5cm wide, 88cm high, 32cm deep

£2,000-3,000 $3,200-4,800

1041 FE15/25

REGENCY ROSEWOOD AND SATIN BIRCHSECRETAIRE CABINET19TH CENTURYthe plain cornice over a pair of grille insert doors

lined with green silk, opening to sliding trays; the

lower part with a fall front opening to an interior

fitted for writing, raised on carved ebonised and

parcel gilt paw feet


£3,000-4,000 $4,800-6,400

1043 FE15/11

SET OF TWELVE REGENCY ROSEWOOD DINING CHAIRS19TH CENTURYthe scrolled and carved bar backs above drop in seats, raised on

reeded and tapered legs (12)


£10,000-15,000 $16,000-24,000



35


36

1044 FE37/13

REGENCY GILT AND PATINATEDMETAL MANTEL CLOCKEARLY 19TH CENTURYthe sunburst dial surmounted by a griffin

finial and supported by twin recumbent

horses, the oblong base with applied

mounts and centred by a mask motif,

raised on toupie feet


£5,000-7,000 $8,000-11,200

1045 FD99/1

FINE SCOTTISH REGENCY MAHOGANYBAROMETER, BY ADIE & SONEARLY 19TH CENTURYwith silvered vernier, the bow fronted case with

reeded domed pagoda top and urn finial,

corresponding bulbous base with lotus leaf pendant

106cm high

Note:Born in 1774 Alexander Adie was the nephew of the renownedScottish instrument maker, John Millar. Adie became his uncle'sapprentice in 1789 and his business partner, under the name ofMiller and Adie, in 1804. The business continued to flourishafter Miller's death in 1815. Adie was predominately interestedin meteorological instruments and notably invented theSympiesometer, or marine barometer, in 1818. Appointed asoptician to both William IV and Queen Victoria, his successwas formerly recognised when he was elected a Fellow of theRoyal Society of Edinburgh in 1819. He brought one of his sons,John, into partnership in 1835, while his two of his other sonsset up businesses in London and Liverpool. For comparableexamples of Adie stick barometers see Christies, 17th March2004, lot 124; and Sotheby's 10th September, 2007, lot 2.

£4,000-6,000 $6,400-9,600

1047 FE37/2

REGENCY GILT METAL SURTOUT DE TABLEEARLY 19TH CENTURYthe five sections with mirrored panel insets and galleried sides and D

ends, raised on toupie feet

60cm wide, 236cm long approx

£5,000-7,000 $8,000-11,200



37

1046 FC857/27

GOOD SCOTTISH REGENCY MAHOGANY BREAKFRONTSERVING TABLE19TH CENTURYthe raised and moulded back panel flanked by scrolling foliate volutes

above a breakfront rectangular top with a long ogee moulded frieze

drawer flanked by short drawers, raised on foliate and grape cluster

carved scrolling legs ending on turned bun feet, the rear legs of

flattened baluster form


Provenance:Carbeth Guthrie, Stirlingshire.

Additional items from Carbeth Guthrie will be offered in the Fine Antiques sale,4th October, 2012

£3,000-5,000 $4,800-8,000


38

1048 FD191/1

PAIR OF 15 INCH REGENCY TERRESTRIAL ANDCELESTIAL LIBRARY GLOBES BY J. & W. CARY, LONDON1820/1824the terrestrial globe with cartouche ‘Drawn from the most

recent GEOGRAPHICAL WORKS, shewing the whole of the

New Discoveries with the TRACKS of the PRINCIPAL

NAVIGATORS and every improvement in Geography to the

Present Time. LONDON. London. Published by G. & J. Cary,

St James’s, St. Jany 4 1824’; the sphere is made up of two

sets of twelve hand-coloured engraved gores, graduated

equatorial, ecliptic and four meridians, oceans with an

analemma, seasonal passages in the Indian Ocean, and the

tracks of explorers such as Cook, Vancouver, Butler, Furneaux,

la Perouse, Gore, Ross and Clerke with notes and dates; the

celestial globe with cartouche ‘CARY’S NEW CELESTIAL

GLOBE, ON WHICH are carefully laid down the whole of the

STARS AND NEBULÆ contained in the Catalogues of

Wollaston, Herschel, Bode, Piazzi, Zach &c. calculated to the

Year 1820. Made & sold by J. & W. Cary 181 Strand, London

1818’ both globes made up of two sets of twelve hand-

coloured engraved gores laid to the ecliptic poles laid on a

wood and plaster sphere, with the axis through the poles,

with meridian circle, supported on four quadrant supports to

a central turned column with three inswept legs with castors,

joined with a glazed compass between the legs (2)

38cm diam, 99cm high overall

£20,000-30,000 $32,000-48,000



39

1049 FE40/7

CHINESE EXPORT AMBOYNAAND EBONY TEAPOYEARLY 19TH CENTURYthe domed oval hinged lid

opening to reveal a plush lined

fitted interior with two engraved

pewter caddies, raised on a

turned column support and

ending on a tripod base


£3,000-4,000 $4,800-6,400


40

1050 FE15/13

LARGE GEORGE IVMAHOGANY AND EBONISEDDRUM TABLE19TH CENTURYthe line inlaid circular top with

ebonised reeded banding above

short frieze drawers, raised on a

leaf carved column with cabriole

legs ending on hairy paw brass

caps and castors


£8,000-12,000 $12,800-19,200

1051 FE40/3FINE ADAM STYLE GILTWOOD AND GESSO CONSOLE TABLECIRCA 1830the veined and mottled marble top above an egg and dart and fluted

frieze, flanked and divided by foliate roundel motifs, raised on square

tapered legs decorated with enclosed guilloche panels and with doric

capitals, terminating in ball feet


£10,000-15,000 $16,000-24,000



41

1052ITALIANWHITE MARBLE FIGUREOF THE FARNESE HERCULES19TH CENTURYafter the antique

79cm high

Provenance:Property of a private Trust

£4,000-6,000 $6,400-9,600

1053 FD26/6

PAIR OF GOTHIC REVIVAL BLEACHED OAK ANDHOPTONWOOD FOSSIL LIMESTONE SIDE TABLES19TH CENTURYthe trapezoidal grey limestone tops of a deep frieze carved

with gothic arches, raised on squared straight legs with

carved gothic recessed panels and ending on block feet (2)


£10,000-15,000 $16,000-24,000



43

1054 FC186/10

HOPTONWOOD FOSSILISEDLIMESTONE CHARGERof octagonal form

40cm wide

£800-1,200 $1,280-1,920


44



45

1055 FD296/2

IMPRESSIVE IRISH MAHOGANY LIBRARYBOOKCASE BY R. STRAHAN & CO. DUBLIN19TH CENTURYthe stepped moulded cornice over four sections with

open shelves divided by recessed panel columns

headed by acanthus carved scrolling capitals; the lower

part centred by two further sections of open shelves

flanked by raised panel and moulded doors, on a plinth

base, the lock plates stamped ‘R. Strahan & Co. Dublin’


Note:The furniture firm of Robert Strahan & Co. was founded in Dublin in1776 and by 1845 they had two workshops as well as their maincommercial premises. They continued to trade until 1969. Knownfor their high quality work, the firm exhibited at the Dublin GreatIndustrial Exhibition in 1853 and the London International Exhibitionin 1862. They supplied furniture to many of the most well-knownIrish country houses including Doneraile Court, Lisnavagh, andMonte Alverno, many of which had their contents sold off in the20th century.

£30,000-50,000 $48,000-80,000


46

1056 FD296/4

PAIR OF VICTORIAN MAHOGANY EXTENDING DININGTABLES19TH CENTURYeach with a rectangular top with canted corners and a

moulded edge and five leaf inserts, over a plain frieze, raised

on robust turned and fluted tapered legs with recessed

castors, the extending mechanism bearing Joseph Fitter

Patent, Birmingham brass plaques (2)

435cm long, 72cm high, 151cm deep

£8,000-12,000 $12,800-19,200

1057 FE39/7

FINE VICTORIAN BURRWALNUT AND BRASS INLAID DWARFBOOKCASELATE 19TH CENTURYwith gilt metal mounts, the shaped rectangular top above open

adjustable shelves, flanked and divided by stop fluted corinthian style

pilasters, raised on a platform base with squat bun feet


£12,000-18,000 $19,200-28,800



47

1058 FE15/46

FINE VICTORIAN COROMANDEL GAMES COMPENDIUMCIRCA 1880lock stamped ‘F. Aldis, 11 Belgrave Mansions, S.W’, the Gothic

Revival coromandel case with gilt brass mounts, inset with six

banded agate cabochons, the hinged lid revealing a red leather

lined interior, fitted with an ivory cribbage board, a turned bone

chess set, draughts, whist markers and other game related items,

over an apron drawer opening to reveal a fitted interior with cards

and dice shakers


£1,500-2,500 $2,400-4,000


48

1059 FD402/1

THOMASWOOLNER, R.A., P.R.B.(BRITISH 1825-1892)SIR JOHN SIMEON BARTbronze bust, medium brown patina, signed

‘T WOOLNER 1872’

73cm high

Note:Thomas Woolner was a contemporary of Dante GabrielRossetti and was noted for being the only sculptor admitted thePre-Raphaelite Brotherhood. His series of busts and medallionsof distinguished men of the day included writers, scientists andpoliticians, the most acclaimed being his bust of Alfred, LordTennyson for Trinity College. The success of his portraitmedallion of Wordsworth is credited with restoring the art ofmedallion portraiture.

John Simeon Bart, 3rd Baronet, had a career as a naval officerbefore returning to the Isle of Wight in 1847 to serve as aLiberal Member of Parliament. In 1851 he resigned his seat afterconverting to Catholicism, feeling that to not do so would havebeen a disservice to those who had elected him when he was amember of the Anglican Church. He returned to Parliament in1865. Bart was a good friend of Tennyson, and it is noted that itwas the poet who encouraged Woolner to sculpt the bust.

£4,000-6,000 $6,400-9,600

1060 FD296/6

EARLY VICTORIANMAHOGANY AND GONCALOALVES PHYSICIAN’S DESKMID 19TH CENTURYthe breakfront superstructure

with a moulded cornice over a

pair of panel doors opening to

shelves above an arrangement of

small graduated drawers flanked

by further panel cupboard doors;

the lower part with a rectangular

top with a red leather insert, over

a frieze with three slides above a

kneehole flanked by cupboard

doors, on a plinth base


£3,000-5,000 $4,800-8,000



49

1061 FD299/6EDWARDIAN SHERATONREVIVAL SATINWOODRENIFORM DESKEARLY 20TH CENTURYthe green insert leather top above

a central locking drawer flanked

by banks of two short drawers, all

with foliate moulding and silvered

pulls, with lateral leather topped

slides, raised on fluted tapered

legs


£2,000-3,000 $3,200-4,800

1062 FE37/3

INDIAN TORTOISESHELL ANDIVORY BOX19TH CENTURYthe domed sides applied with

engraved foliate ivory strapwork,

the domed hinged lid with two

fret pierecd panels, raised on paw

feet, the underside bearing a

signature

26.5cm wide, 9cm high, 11.5cm deep

£500-800 $800-1,280

1063 FE37/4

INDIAN IVORY ANDTORTOISESHELL WATCHSTAND19TH CENTURYin the form of a miniature casket,

with pierced ivory panels over

tortoiseshell, raised on paw feet


£400-600 $640-960

1064 FE37/5

LARGE INDIANTORTOISESHELL AND IVORYWORK BOX19TH CENTURYthe sides applied with foliate

engraved strapwork and

cartouche panels depicting deity,

opening to reveal a plush lined

and fitted interior, raised on paw

feet


£3,000-4,000 $4,800-6,400


50

1066 FE549/12

VIZAGAPATAM IVORYWORK BOX19TH CENTURYof sarcophagus form, the lobed hinged cover with a

flowerhead finial and foliate engraved bands,

opening to reveal a compartmented fitted interior,

raised on lobed bun feet

23.5cm wide, 15cm high, 15cm deep

£1,000-1,500 $1,600-2,400

1067 FE41/2

CEYLONESE CARVED EBONY AND SPECIMENWOOD TRIPOD TABLE19TH CENTURYthe circular top with radiating veneers centred by an

ivory roundel, above a foliate swag carved frieze,

raised on a turned column support ending in an

ornate acanthus carved triform base


£5,000-7,000 $8,000-11,200

1065 FD196/8

CASED SET OF INDIAN PAINTED MICAMETAMORPHIC PICTURES19TH CENTURYcomprising twenty-eight oval mica sheets painted

with various male and female figures, singly and in

groups, the heads left blank, in a conforming case

internally painted with three heads; the case painted

with a lemur and with gilt details

11.5cm long, 8.5cm wide

Provenance:Property from a private Scottish collection

£600-800 $960-1,280



51

1069 FE37/21

FINE AND UNUSUALEDWARDIAN MAHOGANYVITRINECIRCA 1910of cylindrical form, surmounted

by a plush lined display case,

above shelved panel sides flanked

and divided by doric pilasters,

raised on a foliate relief carved

base with squat bun feet


£3,000-5,000 $4,800-8,000


52

1068 FD299/11

GEORGE II STYLE MAHOGANYRENIFORM DESK BY MAPLE& CO.LATE 19TH CENTURYthe brown leather insert top with

a beaded edge over a central

drawer flanked by banks of three

drawers, all with scrolling foliate

and garland carved panels, raised

on acanthus carved short cabriole

legs ending on hairy paw feet


£1,500-2,500 $2,400-4,000

1070 FE15/12

SET OF TWELVE SATINWOOD, MAHOGANY, PENWORKAND PEWTER INLAY DINING CHAIRS BY MAPLE & CO.LATE 19TH CENTURYcomprising ten side and two armchairs with curved top rails

above a panel splat with foliate penwork medallions and scrolls

within inlaid pewter vines, over drop-in green plush upholstered

seats (12)


£7,000-10,000 $11,200-16,000



53

1071 FE15/32VICTORIAN SATINWOOD GRANDMOTHERLONG CASE CLOCK19TH CENTURYthe arched pediment surmounted by corner finials,

over an arched glazed door and brass dial with

Roman and Arabic chapters and three winding

holes, with pierced brass spandrels and central

boss inscribed ‘Tempus Fugit’, flanked by free

columns, the trunk with an arched door, on a

plinth base with bracket feet

29.5cm wide, 150cm high, 18.5cm deep

£2,500-3,500 $4,000-5,600

1072 FD664/7

GEORGE V ‘SANDRINGHAMWORKSHOP’SMALL SATINWOOD DUMBWAITERCIRCA 1920the dished graduated octagonal tiers raised on a

chamferred column support, ending in

downswept legs terminating in castors


Note:The Sandringham workshops were established by PrincessAlexandra, later Queen Alexandra, following her marriagein 1863 to Edward, Prince of Wales, later Edward VII.Originally intended as a 'Technical School of Woodwork'for the children of the Estate workers, it later became HerMajesty Queen Mary's 'Carving School' for ex-servicemenand local workers. Items produced were retailed atSandringham and through various London departmentstores and shown at the Ideal Home Exhibitions.

£600-900 $960-1,440

1073 FD664/6

GEORGE V ‘SANDRINGHAMWORKSHOP’SATINWOOD AND CROSSBANDED FRUIT STANDCIRCA 1920the navette shaped tray top with pierced side

carrying handles, raised on slender slightly splayed

legs, united by stretchers


£800-1,200 $1,280-1,920


54

1074IMPRESSIVE EDWARDIAN SILVER GILT FITTED CROCODILETRAVELLING CASEJ.C. VICKERY, LONDON 1909the brown crocodile skin case with gilt monogram ‘FL’, opening to

reveal a nearly complete arrangement of silver and silver mounted

fittings including a miniature clock, trays, brushes, hand mirror, glove

stretchers, bottles and other fittings, most bearing the same

monogram; in a canvas fitted cover

54cm wide, 38cm deep

£4,000-5,000 $6,400-8,000



55

1075 FE15/23

FINE PAIR OF EDWARDIAN SATINWOOD ANDINLAID LIBRARY BOOKCASESEARLY 20TH CENTURYeach with a moulded cornice over a pair of scale

pattern astragal glazed doors opening to a green

plush lined shelved interior; the lower part with a

pair of cupboard doors opening to a sliding tray to

one side and four graduated drawers to the other,

raised on shaped bracket feet (2)


£25,000-35,000 $40,000-56,000


56



57

1076 FD196/22

MANUEL MAFRA PALISSY STYLE CHARGERPORTUGAL, 19TH CENTURYmoulded and applied with a snake, a lizard, a toad and other creatures

on a mossy ground, impressed mark

39cm diam


£400-600 $640-960

1077 FD196/23

JOSÉ ALVES CUNHA PALISSY STYLE CHARGERPORTUGAL, 19TH CENTURYmoulded and applied with a lizard and snake surrounded by other

amphibians and insects on a mossy ground, impressed mark

30cm diam


£200-300 $320-480

1078 FD196/24

MANUEL MAFRA PALISSY STYLE CHARGERPORTUGAL, 19TH CENTURYmoulded and applied with a lobster, mussels, shells and a sea urchin

on a mossy ground, impressed mark

33cm diam


£300-500 $480-800

A Private Collection of Palissy Ware

1080 FD196/26

THREE JOSÉ FRANCISCO DE SOUSA PALISSY STYLEPLATESPORTUGAL, 19TH CENTURYmoulded and applied with a crab and assorted

crustaceans on a mossy ground, with a fluted rim;

together with two smaller plates of similar design,

impressed marks (3)

largest 28cm diam


£300-500 $480-800

1079 FD196/21

LARGE JOSÉ FRANCISCO DESOUSA PALISSY STYLECHARGERPORTUGAL, 19TH CENTURYmoulded and applied with a

snake and three lizards on a

mossy ground, impressed mark

47cm diam

Provenance:Property from a private Scottishcollection

£800-1,200 $1,280-1,920



59


1081 FD196/30FOUR PORTUGUESE PALISSYSTYLE PLATES19TH CENTURYtwo moulded and applied with

assorted snakes, lizards and

beetles on a mossy ground, one

by Manuel Mafra, the other with

unclear maker’s mark; together

with two miniature Manuel Mafra

plates with similar decoration,

11cm diameter, all with impressed

marks (4)

largest 21.5cm diam


£300-500 $480-800

1082 FD196/31

THREE PORTUGUESE PALISSYSTYLE PLATES19TH CENTURYeach moulded and applied with

snakes and various other

amphibians and insects on a

mossy ground, by José Alves

Cunha, Manuel Mafra and

Francisco Gomes de Avelar,

impressed marks (3)

largest 20cm diam


£200-300 $320-480


60

1083 FD196/35

THREE PORTUGUESE PALISSY STYLEPLATES19TH CENTURYtwo plates by Manuel Mafra, moulded and

applied fish and clams on a mossy ground,

impressed marks; together with a further

plate by José Alves Cunha, moulded and

applied fish, an eel and mossy sprigs on a

brown glazed ground, impressed mark (3)

largest 23cm diam


£300-500 $480-800

1084 FD196/40

FOUR MINIATURE PORTGUESE PALISSYSTYLE PLATES19TH CENTURYpair of plates by Manuel Mafra, moulded and

applied with two snakes and worms on a mossy

ground, impressed marks; together with a

further similar plate by Manuel Mafra and one

by José Alves Cunha (4)

11cm diam


£200-300 $320-480



61

1085 FD196/37

PALISSY STYLE JUG AND COVER19TH CENTURYof baluster form with applied toads and insects on a

mossy ground, the handle modelled as a lizard;

together with an associated stand (2)

39cm high


£200-300 $320-480


62

1086 FD196/38

PALISSY STYLE TEAPOT19TH CENTURYmodelled as a cabbage with serpent handle and spout, 22.5cm

high; together with a similarly formed jug and cover, 19cm high,

and a Palissy style vase with body modelled as mussel shells, 18cm

high (3)


£150-250 $240-400

1089 FD196/55

TWO PORTUGUESE PALISSYSTYLE CHARGERS19TH CENTURYeach moulded and applied with

assorted snakes, toads, lizards

and various insects on a mossy

ground, impressed marks (2)

22cm and 26cm diam


£250-350 $400-560



63

1087 FD196/39

PAIR OF CONTINENTAL PALISSY STYLE WALLPOCKETS19TH CENTURYmodelled as a fern, the wall pocket encircled by a

snake, resting on a mossy ground, painted mark to

underside (2)

21cm long, 11cm wide


£150-250 $240-400

1088 FD196/42

PAIR OF MANUEL MAFRA PALISSY STYLEVASESPORTUGAL, 19TH CENTURYwith flared rim and elongated neck above

globular body, the handles in the form of

serpents, the body applied with lizards, frogs,

shells and flowers, impressed mark (2)

33.5cm high


£600-800 $960-1,280

1090 FE23/1

GROUP OF SIX CARVED PINE, GESSO AND POLYCHROMEDARMORIAL PANELS17TH CENTURYeach carved in relief and polychrome decorated depicting various heraldic

devices, possibly once part of a ceiling or screen

all panels 38cm high, smallest 18cm wide, largest 34cm wide

£3,000-5,000 $4,800-8,000


64



65

1091 FE16/2CONTINENTAL CARVEDWOODMEMENTOMORI FIGURE,PROBABLY GERMAN18TH/ EARLY 19TH CENTURYcarved in full relief depicting a

standing partially flayed skeletal

figure, with traces of original

polychrome decoration, raised on

an ebonised octagonal base

77cm high

£3,000-4,000 $4,800-6,400

1092 FD664/1

HISPANO-MORESQUE COPPER LUSTRECHARGER16TH CENTURYthe raised central boss within a geometric and solid

band with a lobed border

34.5cm diam

£300-500 $480-800

1093 FD147/1

HISPANO-MORESQUE COPPER LUSTRECHARGER16TH CENTURYthe raised central boss and moulded rim, painted in

copper lustre and blue with scrolling foliage, bands

and stylised motifs

33.5cm diam

£300-500 $480-800

1094 FD147/1A

HISPANO-MORESQUE COPPER LUSTRECHARGER16TH CENTURYthe raised central boss within bands and a lobed

border painted with stylised motifs

32cm diam

£300-500 $480-800


66

1096 FD147/1CHISPANO-MORESQUE COPPER LUSTRECHARGER16TH CENTURYthe raised central boss decorated with a stylised

motif with geometric painted bands

40cm diam

£300-500 $480-800

1097 FD654/9ITALIAN EBONISED AND SPECIMEN MARBLETABLE SCREEN19TH CENTURYcentred by a relief gilt metal plaque depicting the

flagellation of Christ, the shaped frame inset with

various hardstones surmounted by a facetted

globular finial, raised on a square foot


£400-600 $640-960

1095 FD147/1BHISPANO-MORESQUE COPPER LUSTRECHARGER16TH CENTURYthe raised central boss decorated with a flowerhead

motif, within a moulded ground painted with leaves

and foliate scrolls

41cm diam

£400-600 $640-960



67


68

1098 FE15/5ITALIAN BRONZE FIGURE OFDAVID, AFTER DONATELLO19TH CENTURYbronze, dark brown patina, raised

on a circular verde antico marble

base

figure 95cm high, 101cm overall

£2,500-3,500 $4,000-5,600

1099 FD654/2VENETIAN GLASS LATTICINIOVASE19TH CENTURYof slender bottle shape on a

circular foot

30cm high

£1,000-1,500 $1,600-2,400

1100ITALIAN MAIOLICA ‘ISTORIATA’ FOOTED DISHURBINO, LATE 15TH CENTURYpainted depicting Constantine the Great on horseback with foot

soldiers engaged in battle with Emperor Maxentius’ cavalry

28cm diam

Note:the subject of this dish is most likely ‘Constantine the Great ‘s Victory over the TyrantMaxentius’. The composition for this scene may have been derived from an engravingby Giulio Bonasone after designs by Raphael, executed by Giulio Romano, for the Saladel Constantino, in the Vatican Palace (Bartsch XV, p134 cat.84).

£6,000-8,000 $9,600-12,800



69

1101PAIR OF LARGE ITALIAN SIENNA MARBLE GRAND TOURMODELS OF THE TEMPLES OF CASTOR AND POLLUXLATE 18TH CENTURYraised on ebonised plinths, with later lamp fittings (2)

55cm high approx


£7,000-10,000 $11,200-16,000


70

1102 FE37/8PAIR OF RUBY GLASS AND GILTMETAL MOUNTED EWERS19TH CENTURYthe flattened ovoid spiral twist

bodies with applied foliate

engraved mounts, the handles

formed as Atlas holding the

world, raised on leaf form and ball

feet (2)

36cm high

£4,000-5,000 $6,400-8,000



71

1103 FD296/7ITALIAN CARVEDWALNUTANDMARBLE TOP COMMODE19TH CENTURYthe shaped rectangular top with a

white marble insert above a pair

of carved doors depicting Saints

Theodore and Mark from the

capitals on the columns from the

Piazetta di San Marco, the side

and back panels depicting the

Bridge of Sighs, the Bucantaur,

and a gondola and gondolier,

raised on robustly carved cabriole

legs ending in hairy paw feet with

castors


£2,000-3,000 $3,200-4,800

1104 FE37/12FRENCH IVORY ANDCHAMPLEVE ENAMELCRUCIFIX19TH CENTURYthe crucifix decorated in coloured

enamels with scrolling foliage and

flowering urns

39cm high

£1,200-1,800 $1,920-2,880

1105 FE20/2CONTINENTAL CARVED IVORYFIGURE OF MADONNA ANDCHILDAUSTRIAN OR GERMAN,18TH/19TH CENTURYthe finely carved standing draped

figure holding the child on her left

side, raised on a circular base

37cm high

£3,000-5,000 $4,800-8,000


72

1106 FD305/1DUTCHWALNUT ANDMARQUETRY DISPLAY CABINET19TH CENTURYthe serpentine moulded and arched cornice centred by carved foliate

cresting over a pair of glazed and mullioned doors opening to shelves;

the lower part with two short drawers over two further short drawers,

raised on square tapered baluster legs ending on bun feet and joined

by scrolling stretchers; with floral marquetry throughout


£2,500-3,500 $4,000-7,200



73

1107 FE20/3FRENCH CARVED IVORY FIGURE GROUPLATE 19TH CENTURYmodelled as the Three Graces after Canova, raised

on a later carved wood base with silver presentation

plaque

18cm high

£1,000-1,500 $1,600-2,400

1108 FE15/54FRENCH CARVED IVORY FIGURE19TH CENTURYmodelled as a scantily draped young beauty resting

against a tree stump, raised on an associated

reticulated pedestal base

21cm high (including base)

£1,500-2,500 $2,400-4,000

1109 FE39/9DUTCHWALNUT ANDMARQUETRYBACHELOR’S CHEST19TH CENTURYWITH ALTERATIONSinlaid throughout with scrolling foliage, the foldover

top above three long graduated drawers, raised on

bracket feet


£3,000-5,000 $4,800-8,000


74

1110 FE20/1RARE SOUTH GERMAN EBONY AND IVORY INLAID GAMESBOARD17TH CENTURYthe top inlaid with geometric designs and foliate panels, verso a

chess/checkers board, opening to reveal an inlaid backgammon board

56cm wide, 42cm deep (when closed)

£10,000-15,000 $16,000-24,000



75


76

1112 FE2/12LOUIS XIV STYLE EBONY AND BOULLEMARQUETRYWALL CLOCK19TH CENTURYthe arched pediment surmounted by a gilt

bronzed figure of a winged trumpeter, above a

circular dial with white enamel Roman numerals

and two winding holes and flanked by gilt

bronze putti finials, over a long glazed case with

marquetry back panel and Apollo mask

pendulum, and ending with a waisted base with

a foliate drop finial, the whole with brass

marquetry and gilt bronze mounts


£3,000-4,000 $4,800-6,400

1111 FE20/4FRENCH CARVED IVORY OVALCOVERED BOX19TH CENTURYthe removable cover carved in

high relief with fruit and foliage

above openwork basket weave

sides

11cm wide

£500-800 $800-1,280

1113 FE15/49CONTINENTAL SCHOOL, LATE18TH/ EARLY 19TH CENTURYVUE DE L’ISLE ST PIERRE SUR LELAC DE BIENNEgouache on paper, laid on card, in

a giltwood frame, and another

view of the subject by the same

hand (2)

42cm x 28cm

£6,000-8,000 $9,600-12,800



77

1114 FD196/68GOOD LOUIS XV STYLEFIFTEEN LIGHT GILT BRONZECHANDELIERPOSSIBLY ENGLISH,19TH CENTURYthe stem modelled as three

cherubs clutching bulrushes, the

central reservoir with applied

rococo mounts cast with fruiting

vines, shells, butterflies and a

serpent and issuing fifteen

outscrolling naturalistic candle

arms, fitted for electricity

88cm wide, 97cm drop approx


£3,000-5,000 $4,800-8,000


78

1115 FD43/5FRENCH GILT BRASS THREE PIECE CASEDALTAR SET BY PAUL BRUNET, PARIS19TH CENTURYin the baroque style, comprising a ewer,

circular tray and a chamber stick, in a fitted

box bearing Brunet, Paris paper label

ewer 22.5cm high, stand 27cm diam

£600-900 $960-1,440

1117 FE15/38LOUIS XV STYLE KINGWOODAND AMARANTH BUREAUPLAT19TH CENTURYthe rectangular top with a leather

insert writing surface and brass

bound edge, above a recessed

central frieze drawer flanked by

two further short drawers, raised

on squared cabriole legs headed

by gilt metal satyr masks and

ending in hoof sabots


£7,000-10,000 $11,200-16,000



79

1116 FE37/22LOUIS XV LACQUER AND GILTBRONZE MOUNTED SIDETABLE18TH CENTURY,IN THE MANNER OF DUBOISthe rounded rectangular top and

frieze with chinoiserie decoration,

fitted with one drawer, raised on

slender square cabriole legs

ending in sabots


£5,000-7,000 $8,000-11,200

1118 FE15/22LOUIS XVI STYLE AMARANTH,BOIS JAUNE, MARQUETRYAND ORMOLU MOUNTEDCARTONNIER STAMPED‘FOREST’19TH CENTURYthe cavetto moulded rectangular

top above a clock with a white

enamel dial and gilt metal ribbon-

tied mounts, within an

arrangement of leather covered

short drawers with a central

locking mechanism, over a pair of

short drawers and a pair of

cupboard doors inlaid with

flowering urn marquetry, flanked

by stop fluted angles headed by

female mask gilt bronze mounts,

on a conforming base raised on

toupie feet, bearing brass plaque

‘Ameublements FOREST 31 Rue

Cambaceres’


£6,000-8,000 $9,600-12,800


80



81

1119 FE15/7PAIR OF FRENCH GILT ANDPATINATED BRONZE TWELVEBRANCH CANDELABRA AFTERCLODIONLATE 19TH CENTURYmodelled as male and female

bacchic figures each holding a

cornucopia issuing twelve foliate

cast scrolling candle arms, the

figures signed ‘Clodion’, on a

green marble and ebonised

circular base (2)

131cm high

£8,000-12,000 $12,800-19,200

1120 FD46/1MINIATURE FRENCH ROUGE MARBLE AND GILTBRONZE MOUNTED TIMEPIECELATE 19TH/EARLY 20TH CENTURYwith a white enamel dial, the domed case

surmounted by a trophy cresting, the sides applied

with foliate swags and raised on a reeded platform

base

14cm high

£800-1,200 $1,280-1,920


82

1121 FD191/10LOUIS XVI STYLE GILTWOODMIRROR19TH CENTURYthe bevelled oval mirror within a

moulded frame and bevelled

margin plates, surmounted by a

flowering urn finial and scrolling

floral garlands


£3,000-4,000 $4,800-6,400

1123 FD268/6FINE LOUIS XVI STYLE SATINWOOD ANDVERNIS MARTIN SECRETAIRELATE 19TH CENTURYthe superstructure with a three quarter pierced

brass gallery over a cupboard door with a Vernis

Martin panel depicting lovers in a garden, above a

mirrored recess and flanked by rounded corner

shelves; the lower part with a curved top over a

single frieze drawer raised on square cabriole legs

ending in foliate scroll sabots; the whole outlined in

gilt metal and with gilt metal mounts


£1,500-2,500 $2,400-4,000



83

1122 FD191/6FRENCHWHITE MARBLE FIGURE, ‘L’ENFANT ALA CAGE’ AFTER JEAN BAPTISTE PIGALLE18TH CENTURYmodelled as seated infant holding an open cage in

his left hand, on an octagonal base with a separate

conforming bleu turquin marble plinth

49cm high, 57cm high overall

£3,000-4,000 $4,800-6,400


84

1124 FE15/9FINE SET OF TWELVE LOUIS XVI CREAM PAINTED ANDPARCEL GILT ARMCHAIRS18TH CENTURYthe oval padded backs leading to scrolling part-padded arms

over a wide stuffover seat with serpentine front, raised on

fluted tapered legs, in cream silk brocade upholstery (12)


£25,000-35,000 $40,000-56,000

1125 FE15/50FINE PAIR OF MEISSEN PATE-SUR-PATEPORCELAIN VASES19TH CENTURYthe reticulated covers with laurel wreath finials, the

sides with twin serpent handles, finely painted and

tooled in white slip with a draped nymph and a

cherub against a cobalt blue gilt enriched ground,

raised on a socle foot, blue crossed swords marks

(2)

28cm high

£6,000-8,000 $9,600-12,800

1126 FD46/2FINE SEVRES BISQUE PORCELAIN AND GILTBRONZE MOUNTED FIGURE ‘L’AMOURMENACENT’, AFTER ETIENNE-MAURICEFALCONET (1716-1791)CIRCA 1760-70modelled as Cupid seated on a grassy mound and

raising a finger to his lips, raised on a gilt bronze

foliate cast square base

27cm high

Note:After an original marble statue created by Falconet for LouisXV’s mistress Mme. de Pompadour in 1755, now in the Louvre.Falconet was appointed director of the sculpture atelier atSevres from 1757 to 1766 and was extremely influential increating small figural sculptures produced in unglazed whiteporcelian. This model, and its companion Psyche, wasextremely popular in the 18th century at Sèvres and was boughtby many members of the court, including Mme. de Pompadour.The first Sevres version was made in 1758.

£1,000-1,500 $1,600-2,400



85

1127 FE15/33LOUIS XVI STYLE GILT BRONZE MOUNTED BUREAUPLAT19TH CENTURYthe rectangular top with a brown leather insert writing

surface and with two banks of two short drawers with

pierced galleries, over three frieze drawers raised on

square tapered legs, the whole outlined in gilt metal


£4,000-6,000 $6,400-9,600

1128 FE33/2FRENCH EMPIRE MAHOGANY DRESSING TABLEEARLY 19TH CENTURYwith gilt bronze mounts, the rectangular adjustable

mirror raised on cylindrical uprights with urn finials,

the rectangular top over two short drawers, the

lower section with three further long drawers

flanked by pilasters, raised on toupie feet



£2,000-3,000 $3,200-4,800


86

1129 FE15/39FRENCH STAINED SNAKESKIN AND GILTBRONZE MOUNTED TABLE CLOCK19TH CENTURYthe white enamel dial painted with flower festoon

with an eight day movement striking on a bell, the

domed case in green snakeskin and surmounted by

a loop carrying handle, raised on a platform base

with applied mounts


£1,200-1,800 $1,920-2,880



87

1130 FE15/37PAIR OF NEOCLASSICAL STYLE PINK ONYX ANDGILT BRONZE MOUNTED URNS19TH CENTURYthe fixed domed covers with gilt bronze berry finials,

over a body mounted with gilt bronze goat’s head

handles hung with floral garlands, on a socle foot

and circular base (2)

71cm high

£7,000-10,000 $11,200-16,000

1132 FE15/3FINE EMPIRE GILT BRONZE MANTEL CLOCKEARLY 19TH CENTURYthe white enamel dial signed ‘Armingaud Le. Paris’

with a bell striking eight day movement, supported

by four caryatid uprights and surmounted by a

playful putti and a spaniel, raised on an anthemion

cast rectangular base with toupie feet


£2,500-3,500 $4,000-5,600


88

1133 FD636/21AFRENCH ENAMEL, GOLD PIQUE ANDTORTOISESHELL BONBONNIERE19TH CENTURYthe circular cover mounted with a miniature portrait

of a young woman after Jean-Baptiste Greuze,

within a two tone gold inlaid border against a cream

and pink enamel ground, the interior of tortoiseshell

9cm diam

£600-800 $960-1,280

1131 FE37/9FRENCH EMPIRE STYLE MIRRORED GILT BRONZECENTREPIECE19TH CENTURYthe circular stand with an ornate openwork swan

and shell cast gallery, raised on mask scroll bracket

feet

50cm diam

£1,500-2,500 $2,400-4,000



89

1134 FE39/10GOOD FRENCH EMPIRE GILTAND PATINATED BRONZETWELVE LIGHT CHANDELIER19TH CENTURYthe anthemion and palmette cast

coronet applied with six chains

supporting a circular body issuing

twelve outscrolling candle arms

84cm diam, 95cm drop approx

£4,000-6,000 $6,400-9,600



91

1135 FE33/1PAIR OF FRENCH EMPIRE PARCEL GILT AND EBONISED FAUTEUILSATTTRIBUTED TO GEORGE AND FRANCOIS-HONORE JACOBEARLY 19TH CENTURYeach with a rectangular back and outscrolled uprights supported by

winged griffins, over a drop-in seat raised on foliate carved splayed

legs terminating in carved feet, in green and gold striped silk

upholstery (2)


Note:Both the scrolled backs and the bold carving of the wings of the present lot feature inmore or less identical form on the fauteuils supplied by JACOB-DESMALTER for thechambre à coucher of Empress Joséphine in 1809. These are now in the Chambre dela Reine des Belges at the Grand Trianon, which was redecorated by Louis-Philippe in1845 (D. Ledoux-Lebard, Le Grand Trianon, Paris, 1975, p. 186).

Provenance:Selected items from an historic Scottish country housePurchased Christie’s London, sale 7574, lot 81

£18,000-25,000 $28,800-40,000


92



93

1136 FD191/11PAIR OF RUSSIAN EMPIRE STYLE MAHOGANYAND BRASS MOUNTED CONSOLE TABLESthe three quarter galleried top above a panelled

frieze flanked and divided by roundel motifs, raised

on square tapered legs ending in spade feet (2)


£15,000-25,000 $24,000-40,000


94



95

1137 FC888/1FINE NYMPHENBURG PORCELAIN PART DINNER SERVICE,AFTER THE PERL SERVICE20TH CENTURY, AFTER THE DESIGN OF DOMINIKUS AULICZEK1792-1795painted with reserves ‘en grisaille’ depicting various architectural and

landscape views within a blue ribbon tied and gilt border and a pale

blue beaded edge, comprising thirty five dinner plates, seventeen

luncheon plates, seven reticulated dessert plates, five side plates, three

graduated oval platters, two tureens and covers, two large circular

serving dishes, two circular reticulated baskets and four oval-shaped

reticulated baskets of various sizes, a serving dish, a large serving bowl,

two sauce boats, twelve coffee cans and saucers, two covered

condiment dishes, six salts and two table vases, green printed shield

and Nymphenburg marks (115)

Platter 44cm wide

£6,000-8,000 $9,600-12,800

1138 FE15/31FINE LOUIS XV STYLE MAHOGANY, KINGWOOD, TULIPWOODANDMARQUETRY BUREAU PLAT19TH CENTURYthe rounded rectangular top with a gilt bronze mounted edge and

shaped blue leather insert writing surface embossed with a coronet

and monogram, within a border inlaid with floral bouquets and

trophies and further coronet cartouches and monograms, over a blue

leather insert slide and two frieze drawers, raised on squared cabriole

legs outlined in gilt bronze and ending in sabots


£6,000-8,000 $9,600-12,800


96

1140 FE15/52FRENCH CHAMPLEVE STRUTTCLOCK19TH CENTURYthe engine turned gilt dial within

an ornate coloured enamel frame

surmounted by a vacant

cartouche and raised on silvered

bronze cherub supports


£2,000-3,000 $3,200-4,800

1139 FE15/53AUSTRIAN BURRWOOD, BRASSAND PEWTER INLAID CLOCK19TH CENTURYthe silvered dial with an eight day

gong striking movement, the

ornate case with a loop carrying

handle and inlaid throughout with

foliate scrolls and mythical

beasts, raised on toupie feet,

within a leather travel case

23cm high

£2,500-3,500 $4,000-5,600



97

1141 FE37/1MEISSEN BOTTGER STYLESTONEWARE FIGURE OF ANOTTERDATED 1927designed by Professor Max Esser,

impressed BOTTGER

STEINZEUG, incised A 1128 and

crossed swords mark, inscribed

‘M. ESSER, 1927’

44cm high

£2,000-3,000 $3,200-4,800

1142 FE15/34AFTER LOUIS HOTTOT(FRENCH 1829-1905), PAIR OFCOLD PAINTED SPELTER BUSTS19TH CENTURYmodelled as a Turk and

companion, raised on square

relief cast socle bases (2)

Male 86cm high; female 73cm high

£5,000-7,000 $8,000-11,200


98

1143 FC183/2LARGE KPM PLAQUE, ‘HELENA FOURMENTWITH HER SONFRANCIS’ AFTER RUBENS19TH CENTURYthe central seated figure in 17th century dress accompanied by her

nude infant son wearing a plumed hat, impressed KPM and sceptre

marks, in a moulded giltwood frame

plaque 29cm x 37cm

£20,000-25,000 $32,000-40,000



99


100

1144 FC183/1KPM PORCELAIN PLAQUE,‘BRUNHILDE AND GRANE’19TH CENTURYdepicting a semi-clad young

beauty leaning against a white

horse in a wood, signed ‘Wagner’,

impressed KPM and sceptre

marks, in a moulded giltwood

frame with tan plush lined slip

plaque 19cm x 25cm wide

£8,000-12,000 $12,800-19,200



101

1145 FE15/27LARGE ITALIAN BRONZEFIGURE ‘IN RIPOSO’EARLY 20TH CENTURYbronze, dark brown patina,

modelled as a nude boy seated

on a cushion atop a pedestal, an

artist’s palette and brushes at the

base, titled ‘IN RIPOSO’ and

signed ‘Lecchi / Milano’ and

bearing ‘G. Strada Fuse Milano’

foundry stamp

125cm high

£12,000-18,000$19,200-28,800

1146-1200

No lots

Lyon & Turnbull Standard Terms & Conditions of Sale

Lyon & Turnbull carries on business withbidders, buyers and all those present in theauction room prior to, or in connection, witha sale on the following General Conditionsand on such other terms, conditions andnotices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) “deliberate forgery” means an imitationmade with the intention of deceiving as toauthorship, origin, date, age, period, cultureor source but which is unequivocallydescribed in the catalogue as being thework of a particular creator and which, atthe date of the sale, had a value materiallyless than it would have had if it had been inaccordance with the description;

(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) “total amount due” means the hammerprice in respect of the lot sold together withany premium, Value Added Tax chargeableand any additional charges payable by adefaulting buyer under these Conditions;

(f) “sale proceeds” means the net amountdue to the seller, being the hammer price ofthe lot sold less commission at the statedrate, Value Added Tax chargeable and anyother amounts due to us by the seller inwhatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural and viceversa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfy anysecurity arrangements before entering theauction room to view or bid;

(b) the maker of the highest bid accepted bythe auctioneer conducting the sale shall bethe buyer at the hammer price and anydispute about a bid, which must be raisedbefore the next lot is offered, shall be settledat the auctioneer’s absolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the seller isexpressly reserved up to the amount of anyreserve and the right to refuse any bid isalso reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.

Antiques, Jewellery & Silver and Pictures(Not Fine Sales)20%.

All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter.VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed with anasterisk (*) or dagger (†). Value Added Taxis charged at the appropriate rate prevailing

by law at the date of sale and is payable bybuyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us. Weaccept cash, bank transfer (details onrequest), Switch or Debit Cards and Visa orMasterCard (please note there is asurcharge of 2% (VAT included) when usingcredit cards). We do not accept AmericanExpress.

(2) any payments by you to us may beapplied by us towards any sums owing fromyou to us on any account whatever withoutregard to any directions of you or youragent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you have purchasedand paid for not later than four working daysfollowing the day of the auction or upon theclearance of any cheque used for paymentafter which you shall be responsible for anyremoval, storage and other associatedcharges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures, particularlyif the sale is not being held at our mainsaleroom and the potential storage chargesfor lots not collected by the appropriatetime.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the following rightsand remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/or anyother lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

(f) to retain that or any other lot sold to youuntil you pay the total amount due;

(g) to reject or ignore bids from you or youragent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller and on

their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on our premisesare there at their own risk and must notethe lay-out of the accommodation andsecurity arrangements. Accordingly neitherthe auctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for the safetyof the property of persons visiting prior to orat a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumed tohave carefully inspected and satisfiedthemselves as to its condition we shall if soinstructed clearly and in writing executebids on their behalf. Neither the auctioneeror our employees or agents shall beresponsible for any failure to do so. Wheretwo or more commission bids at the samelevel are recorded we reserve the right in ourabsolute discretion to prefer the first bid somade.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer and toyou that the seller is the true owner of theproperty consigned or is properly authorisedby the true owner to consign it for sale andis able to transfer good and marketable titleto the property free from any third partyclaims.

12. AGENCY

The auctioneer normally acts as agent onlyand disclaims any responsibility for defaultby sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of the lot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damage warranty:1.5% on value of lots sold. Photography:max £40 mono per lot, max £250 colour.Internet Marketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;

(a) If withdrawn over 28 working days priorto the sale, this will be charged at 10% ofthe mid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

(b) If withdrawn within 28 working days ofthe sale, this will be charged at 20% of themid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect before anysale and they (and any independent expertson their behalf) must satisfy themselves asto the accuracy of any description applied toa lot. Prospective buyers also bid on theunderstanding that, inevitably,

representations or statements by us as toauthorship, genuineness, origin, date, age,provenance, condition or estimated sellingprice involve matters of opinion. Weundertake that any such opinion shall behonestly and reasonably held and acceptliability for opinions given negligently orfraudulently. Subject to the foregoing neitherwe the auctioneer or our employees oragents or the seller accept liability for thecorrectness of such opinions and allconditions and warranties, whether relatingto description, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition as whenbought, and is accompanied by particularsidentifying it from the relevant cataloguedescription and a written statement ofdefects. If we are satisfied from theevidence presented that the lot is adeliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected the acceptedview of scholars and experts as at the dateof sale or (2) you personally are not able totransfer a good and marketable title to us,you shall have no rights under thiscondition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at our discretion,to refuse admission to our premises orattendance at our auctions by any person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the seller and/orthe auctioneer as appropriate.

(2). Such rights and exclusions shall extendto and be deemed to be for the benefit ofemployees and agents of the seller and/orthe auctioneer who may themselves enforcethem.

19. Any notice to any buyer, seller, bidder orviewer may be given by first class mail inwhich case it shall be deemed to have beenreceived by the addressee 48 hours afterposting.

20. Special terms may be used in cataloguedescriptions of particular classes of items(Books, Jewellery, paintings, guns, firearmsetc) in which case the descriptions must beinterpreted in accordance with any glossaryor guidance notes appearing in thecatalogue. These notices and terms will alsoform part of our terms and conditions ofsales.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstanding thestrict terms of these Conditions or of theTerms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditions shallbe construed as having full force and effect.

22. Scottish law applies to theinterpretation of these Conditions.

www.lyonandturnbull .com

Fine AntiquesTuesday, 4th October, 201233 Broughton Place, Edinburgh EH1 3RR

EDWARDIAN MAHOGANY CARLTON HOUSE DESKEARLY 20TH CENTURYFrom a Country House in Inverness-shire.

£1,500-2,500 $2,400-4,000

Viewing timesSaturday, 29th September,12 noon - 4pm

Sunday, 30th September,12 noon - 4pm

Monday, 1st October toWednesday, 3rd October,10am - 5pm

Morning of sale from 9am

EnquiriesDouglas GirtonTel: +44 (0)131 557 [email protected]

Lee YoungTel: +44 (0)131 557 [email protected]

Auction:

Tuesday, November 13th at 10am

Upcoming atFreeman’s

Inquiries:lynda [email protected]

whitney [email protected]

Catalogue $30

ExhibitionsThursday, November 8th toMonday, November 12th

Please contact the departmentor www.freemansauction.comfor further details

American Furniture, Folk &Decorative Arts 11/13/12

FREEMAN’S


Philadelphia, PA 19103

Telephone: 215.563.9275

Classical inlaid mahogany sofa tablecirca 1820Figured mahogany and mahogany veneer, inlaid withbrass and exotic banding, gilt brass mountings.H: 30 in. W: 42 1/2 in. D: 24 in.(leaves 12 in.)

www.freemansauction.comto preview, bid or consign visit us at


Session Two

Thursday, October 11th, 2012

at 2pm

Freeman’s


Philadelphia PA 19103

Important Information for Buyers at Freeman’s

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our receptiondesk, by fax or through our website at www.freemansauction.com.We will require proof of identification and residence and may requirea credit card and/or a bank reference. By registering for the sale, thebuyer acknowledges that he or she has read, understood andaccepted Freeman’s Terms and Conditions of Sale.

A Buyer’s Premium will be added to the successful bid price and ispayable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $50,000 of the hammer price ofeach lot, 20% on the portion from $50,001 through $1,000,000, and12% thereafter.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must registertheir tax numbers on current PA forms. Forms should be submitted toour Client Services office on the second floor.

All item descriptions, dimensions and estimates are provided forguidance only. It is the buyer’s responsibility to inspect all lots prior tobidding to ensure that the condition is to their satisfaction. If potentialbuyers are unable to inspect lots in person, our specialists will behappy to prepare detailed Condition Reports on individual lots asquickly as possible. These are for guidance only, and all lots will besold “as is” as per our Terms and Conditions of Sale.

At the sale Registered bidders will be assigned a bidder number andgiven a paddle for use at the sale. Once the first bid has been placed,the auctioneer asks for higher bids in increments determined by theauctioneer. To place your bid, simply raise your paddle until theauctioneer acknowledges you. The auctioneer will not mistake arandom gesture for a bid.By phone A limited number of telephone lines are available forbidding by phone through a Freeman’s representative. Phone linesmust be reserved in advance. Requests must be submitted no laterthan 24 hours prior to the scheduled start of the sale.In writing Bid forms are available in the sale room and at the back ofthe catalogue. These should be submitted in person, by mail or by faxno later than one hour prior to the scheduled start of the sale. Theauctioneer will bid on your behalf up to the limit indicated, but is notresponsible for errors or failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absenteebids through the web site and will receive email confirmation of theirbid. Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received fullpayment. Payment may be made in cash, by check, money order, ordebit card. Payments by check must clear the bank before goods willbe released.

Deliveries will not be made during the time of the sale unlessotherwise indicated by the auctioneer. All items must be paid for andremoved within ten (10) working days of the sale. Purchases not soremoved may be turned over to a licensed warehouse at the expenseand risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusivelythat of the purchaser. Upon request, Freeman’s will provide thepurchaser with names of professional packers and shippers known tous.

1204 121976/3

FINE EGYPTIAN REVIVALCEDARWOOD, IVORY, AND EBONYREPLICA OF THE CHILD KINGTUTANKHAMEN’S THRONE CHAIRCIRCA 1928

The rectangular solid back with inset

ivory panels, the solid arms with inset

gilt panels, flanking slatted seat, raised

on animal legs terminating in lion’s paw

feet.

H: 30, W: 16, D:15 in.

Provenance:Property of the Reading Public Museum, sold tobenefit future acquisitions.

$2,000-3,000 £1,250-1,875

1203 121976/2

EGYPTIAN REVIVAL GILT METALMOUNTED CEDAR ARMCHAIRCIRCA 1928

From an original found in the tomb of

Tutankamen, the rectangular pierced back

carved to show a pharoah, flanked by two

columns surmounted by horus figures, the

top rail and supports carved to show

hieroglyphics, over curved slatted seat,

raised on feline legs united by stretchers

and with gilt metal struts, raised on paw

feet.

H: 35 1/2, W: 19 1/2, D: 20 1/2 in.

Provenance:Property of the Reading Public Museum, sold tobenefit future acquisitions.

$2,500-3,500 £1,560-2,200

FREEMAN’Sthe international sale

thursday, october 11th, 2012

107

1202 121976/1

FINE EGYPTIAN REVIVAL STONE INLAID ANDPOLYCHROME DECORATED GILTWOOD REPLICAOF KING TUTANKHAMEN’S THRONE CHAIRCIRCA 1928

The square back decorated to show the young

Pharoah in a palace setting as his Queen attends him,

flanked by winged sides and inlaid square seat, raised

on feline legs surmounted by lion’s heads and

terminating in paw feet.

H: 41, W: 22, D: 28 in.

Provenance:Property of the Reading Public Museum, sold to benefit futureacquisitions.

Note:This and the following two lots were manufactured in Egypt verysoon after the discovery of Tutankhamen’s tomb by HowardCarter in November 1922. They were exhibited in the ReadingMuseum and Art Gallery in Pennsylvania on the 30th ofSeptember 1928, to much acclaim, as a newspaper article datedfrom September 19th 1928 explains: “Reading has the distinctionof being the only city in the world, with the exception of Cairo ...where these objects can be seen. The main feature of theexhibition is an exact reproduction of the throne chair of KingTut”.

$2,500-3,500 £1,560-2,200

1201 121639/62

EGYPTIAN POLYCHROME PAINTED CARVEDWOOD SHABTINEW KINGDOM, POSSIBLY 18TH DYNASTY

Typical form, with traces of old insect damage, painted to show

cross hatching and two bands of hieroglyphics.

L: 12 in.

Provenance:The Estate of Francois Bucher via the Collins Center for Public Policy.

$1,500-2,500 £940-1,560

1203

1202

1204

1206 121639/73

CONTINENTAL POLYCHROME PAINTED CARVEDLIMESTONE GROUP OF THE VIRGIN AND CHILDIN MAJESTYSEDES SAPIENTIAE, IN THE EARLY GOTHIC STYLE

Carved to show the robed Madonna and Child

seated on the throne of wisdom, raised on plinth

base.

H: 20 in.

Provenance:The Estate of Francois Bucher via the Collins Center for PublicPolicy.

$1,500-2,000 £940-1,250

1205 121678/6

INDIAN SANDSTONE FIGURE OF SURASUNDARI12TH CENTURY OR EARLIER

Depicted standing in tribhanga pose, with a

necklace around her breasts and a sash around her

waist, raised on custom wooden stand.

H: 11 1/2 in., overall 14 1/2 in.

Provenance:The estate of Winifred S. Cheston, Philadelphia, PA.

$1,500-3,000 £940-1,875

1207 121639/74

CONTINENTAL CARVEDWOOD FIGURE GROUPOF ST. ANNEWITH THE VIRGIN AND CHILD16TH/17TH CENTURY

St. Anne depicted standing, with Mary and Christ in

her arms, extensive traces of worm and insect

damage all over.

H: 27 in.


$1,500-2,000 £940-1,250

FREEMAN’Sthe international salethursday, october 11th, 2012

108

1210 122076/1

CIRCLE OF ANTONIO ROSSELLINO(ITALIAN, 1427-1479)A POLYCHROME STUCCO RELIEF OF THE VIRGINAND CHILD15TH/16TH CENTURY

Carved to show the Virgin with gilt halo and in blue

and red robes, holding the Christ Child in her left

arm.

H: 30 in.

Provenance:Property of a Pennsylvania gentleman. Purchased at auctionc.1970.

Note:A very similar, though slightly larger, stucco relief group of theVirgin and Child, sold Sotheby’s Milan, November 6th 2007 lot291.

$5,000-7,000 £3,125-4,375



109

1209 121639/77

FINE SOUTH GERMAN CARVED LINDENWOOD FIGURE OF ST. CATHERINE WITHMISSALMID 16TH CENTURY

Depicted standing in flowing drapery, holding the

book in her hands, wearing a necklace with star

pendant around her neck, her hair in plaits, on

later square base.

H: 46 in.

$8,000-12,000 £5,000-7,500

1208 121639/75

FRENCH CARVED OAK FIGURE OF THEVIRGIN AND CHILDPROBABLY 14TH/15TH CENTURY

Carved to show the crowned and enthroned

Virgin, with Christ on her left knee, extensive

traces of worm, old red and blue polychrome

in recesses.

H: 39, W: 16, D: 13 1/2 in.

Provenance:The Estate of Francois Bucher via the Collins Center forPublic Policy.

$4,000-6,000 £2,500-3,750

1211 121891/8

FINE ENGLISH OAK HALL TABLELATE 16TH/EARLY 17TH CENTURY

The twin planked top over cup-and-cover carved

supports terminating on sledge feet.

H: 31 3/4, W: 105, D: 30 1/4 in.

Provenance:Palmer Theological Seminary, Wynnewood, Pennsylvania.

$2,000-3,000 £1,250-1,875


110



111

1212LARGE CONTINENTAL POLYCHROME PAINTED TERRACOTTATRIPTYCH ALTARPIECEPOSSIBLY LOW COUNTRIES, 19TH CENTURY OR EARLIER

In three panels, the central panel carved to show the crowned Virgin

with the Holy Spirit in the form of a dove, and bursting rays above her,

beside her is the motto “Ales vos avers pers et organs” flanked by a

figure of a knight on one side and an apostle on the other, the two

flanking panels carved to show figures of a Monk and St. John the

Baptist, all under Gothic tracery, remnants of old polychrome, old

Brooklyn Museum label to verso, accession number 19.68 to one

corner.

H: 47 1/2, W: 57 in.

Provenance:William H. Herriman bequest to Brooklyn Museum, 1921 (old museum label verso).

$2,000-3,000 £1,250-1,875


112

1213 121891/9

LARGE ENGLISH OAK REFECTORY TABLE17TH CENTURY OR LATER

The single plank rectangular top over leaf, scroll, and

lunette carved frieze, raised on four fluted bulbous

legs united by long stretchers.

H: 30 1/2, W: 102 1/2, D: 28 1/2 in.

$2,000-3,000 £1,250-1,875

1214 121639/80

PAIR OF CONTINENTALCARVED CHESTNUT FIGURESOF ANGELSEARLY 18TH CENTURY

Carved in near mirror images,

with flowing dresses and arms

outstretched, old splits and traces

of worm.

H: 35, W: 21, D: 13 in.

Provenance:The Estate of Francois Bucher via theCollins Center for Public Policy.

$6,000-8,000 £3,750-5,000

1215 121559/4

FINE ITALIAN POLYCHROMEPAINTED FIGURE OF ST. MARK17TH CENTURY

Depicted standing, with long

wavy hair, wearing bright red,

green and gilt robes, holding a

goblet in his left hand, his right

arm outstretched, an eagle stood

by his side.

H: 31 in.

$2,000-3,000 £1,250-1,875



113

1216 121952/1

ITALIAN BRONZE MODEL OF A REARINGHORSE16TH CENTURY, POSSIBY PADUA

Depicted rearing on its hind legs with its head

slightly to its left, raised on rouge marble plinth.

Overall H: 7 1/4 in., Bronze H: 5 7/8 in.

Provenance:Purchased from the estate of Henry Osborne HavemeyerFrelinghuysen, philanthropist and grandson of HenryOsborner Havermeyer, art collector and founder of theAmerican Sugar and Refining company.

Note:This bronze is closely related to a preparatory drawing forthe monument to Francesco Sforza, drafted by Leonardoda Vinci in circa 1485, now in the Royal Library at Windsorcastle. In the 17th century, the Italian sculptor FrancescoFanelli produced several small bronze rearing horses thatdisplay similarities in posture and size to the presentexample.

$8,000-12,000 £5,000-7,500

1218 121559/10

SOUTH GERMAN IVORY FIGURE GROUP,THE RAISING OF LAZARUS17TH CENTURY

Carved to show Christ with his hand touching the

head of Lazarus as he emerges from the tomb, as

astonished witnesses look on, raised on wooden

plinth.

H: 7 1/4 in.

Provenance:Purchased Sotheby’s sale 3728 lot 82, February 1975.Private collection.

$2,000-3,000 £1,250-1,875

1217 126000/9

ITALIAN BRONZE MODEL OF ROMULUS ANDREMUS AND THE SHEWOLF18TH CENTURY

After the Antique, on rectangular plith base,

inventory number M3405 and Royal Athena label to

underside.

H: 4 1/2, L: 7 in.

Provenance:Purchased Royal Athena Galleries, NYC, 1990.

$2,000-3,000 £1,250-1,875

1219 121828/1

ENGLISH OAK DRAW-LEAFREFECTORY TABLE16TH/17TH CENTURY AND LATER

The rectangular top with two

draw leaves, above a foliage and

scroll carved apron, raised on

bulbous cup-and-cover legs

united by stretchers.

H: 32, W: 79 (closed) D: 3 3in.

Provenance:By descent of the estate of James SibleyWatson of Rochester, NY, friend of E.E.Cummings and husband to HildegardeLassel.

$3,000-5,000 £1,875-3,125


114

1221 121946/1

LOUIS XIV PROVINCIAL CREAMPAINTED CHESTNUT BUFFETEARLY 18TH CENTURY,

PROBABLY BRETON

The simulated marble top with

rounded fore-corners and molded

edge over conforming case

enclosing frieze drawer above

twin panelled cupboard doors

carved to show fans and foliate

elements, raised on stile feet.

H: 39, W: 51, D: 25 in.

$2,000-3,000 £1,250-1,875



115

1220 121900/1

LARGE SPANISH IRON MOUNTEDWALNUTVARGUENOTHE TOPWITH 16TH/17TH CENTURY ELEMENTS,

THE BASE PROBABLY 19TH CENTURY

The upper section of rectangular form mounted all

over with iron strap hinges and heavy iron handles

to sides, the facing side with iron locks and drop

handles with ornate pierced surrounds and cloth

backs, opening to a series of drawers with

architectural fronts and painted bone onlays, the

lower section with two mitre molded drawers above

two conforming cupboard doors, raised on bun feet.

Total H: 59 W: 45 1/2 D: 19 in.

Provenance:Property of a New York lady.

$5,000-7,000 £3,125-4,375

1222 121970/1

BRUSSELLS VERDUE TAPESTRY DEPICTING THE RAPE OF EUROPA17TH CENTURY

Depicting Europa upon the back of Zeus as the bull, her arm

outstretched toward her companions, within a lush woodland setting

with numerous trees, flowers etc., and a town in the background,

within floral borders.

H: 9 ft 5, W: 13 ft 3 in.

Provenance:Property of a Pennsylvania lady.

$4,000-6,000 £2,500-3,750


116

1223 121692/24

BRUSSELLS VERDUE TAPESTRY18TH CENTURY

Depicting ducks in a lake with

architecture behind, within rich

woodland foliage, the border

composed of leafy scrolls and

flowers.

H: 98, W: 62 in.

Provenance:Property of a Pennsylvania estate.

$1,500-2,000 £940-1,250



117

1224 OWNED/649

IMPRESSIVE ITALIANWALNUT REFECTORY TABLE17TH/18TH CENTURY

The large planked rectangular top over two boldly carved scroll

supports with caryatids to the center, united by similarly carved

stretcher.

H: 30, W: 93, D: 38 in.

$8,000-12,000 £5,000-7,500


118

1225 122040/1

FINE CONTINENTAL CARVED IVORY PLAQUE18TH/19TH CENTURY, PROBABLY SOUTH GERMAN,

IN THE MANNER OF ANTONIO LEONI

The single section intricately carved to show a battle scene, possibly

the capture of Francis I during the Battle of Pavia, with a central

mounted figure leading the charge, as his soldiers carry the spoils of

war, and another man in full armor is tied with ropes and his helmet

removed, in conforming ebonised frame.

Plaque H: 5, W: 11 3/4 in.

$15,000-20,000 £9,375-12,500



119

1227 122013/16

GOOD NORTH ITALIAN PAINTDECORATED COMMODE18TH CENTURY

The faux marble top with canted

corners, over conforming case

enclosing three floral painted

panelled drawers, raised on short

cabriole legs.

H: 38, W: 58, D: 23 3/4 in.

$5,000-7,000 £3,125-4,375

1226 122013/24

FINE NORTH ITALIANWALNUT,OLIVEWOOD AND LINE INLAIDCOMMODEVENICE, CIRCA 1700 AND LATER

The serpentine top over a

conforming case of four long

panelled drawers inlaid to show

bellflowers within ebony and

fruitwood line inlaid borders,

panelled sides, the canted angles

carved to show bellflowers and

acanthus scrolls, raised on scroll

and bellflower carved block feet.

H: 43, W: 58 1/2, D: 22 3/4 in.

$6,000-8,000 £3,750-5,000


120

1228 121974/1

GOOD CONTINENTAL VAMPIRE SLAYING KIT18TH/19TH CENTURY AND LATER

The heavy oak case mounted with an embossed leather panel to

top, opening to reveal two large crucifixes, two small crucifixes, a

medallion of Christ, four small bottles containing ‘Holy Water’ etc.,

a Czech bible, a large gauntlet with dagger, a pistol with powder

and shot, shot pincers, a pair of large stakes, mallet, dagger, and

telescope.

Case H: 7 3/4, W: 17 1/2, D: 11 1/4 in.

$8,000-12,000 £5,000-7,500



121

1229 121678/12

GEORGE II BLACK LACQUERED CHEST OF DRAWERS18TH CENTURY

The rectangular top above three short and three graduated long drawers,

raised on bracket feet. The front decorated to show Chinoiserie scenes, the

top and sides to show floral sprays.

H: 39, W: 39 1/2, D: 21 1/2 in.

Provenance:Estate of Winifred S. Cheston, Philadelphia, PA

$1,500-2,000 £940-1,250

1230 129041/1

GEORGE III BLACK LACQUERED TALL CASECLOCKLONDON, JOSEPH HERRING,

SECOND HALF 18TH CENTURY

The brass face engraved “Joseph Herring London”,

the steel chapter ring with Roman numerals,

seconds dial, urn and scroll cast spandrals, the hood

with glazed door flanked by columns, the case and

hood black lacquered and gilt painted in the

chinoiserie taste.

H: 90 1/4, W: 20 3/4, D: 10 1/4 in.

$3,000-5,000 £1,875-3,125


122

1231 121678/8

GEORGE III GREEN LACQUEREDSECRETAIRE BOOKCASELAST QUARTER 18TH CENTURY

In two sections: the broken

pediment top over twin arched

doors (lacking panes), opening to

a series of shelves, the lower

section with drop down writing

surface opening to a red

lacquered interior with drawers

and pigeon holes, above two

short and two long drawers,

raised on bracket feet. The whole

green lacquered all over to show

Chinoiserie scenes.

H: 90, W: 45 1/2, D: 21 1/2 in.

Provenance:Estate of Winifred S. Cheston,Philadelphia, PA

$2,000-3,000 £1,250-1,875



123

1232 128031/56

FINE GEORGE III MAHOGANYKIDNEY SHAPED DESK18TH CENTURY,

POSSIBLY BY GILLOWS

The leather inset top with

crossbanded edge, above three

drawers, raised on square

tapering legs terminating in spade

feet.

H: 29 1/2, W; 60. D: 34 in.

$6,000-8,000 £3,750-5,000


124

1233 128031/52

GEORGE III WALNUT CHEST-ON-CHESTEARLY 19TH CENTURY,

POSSIBLY CHANNEL ISLANDS

In two parts: the molded cornice

over two short and three long

featherbanded drawers flanked by

canted reeded edges above

conforming case enclosing two

short and two long graduated

drawers, raised on shaped bracket

feet.

H: 70 1/2, W: 39, D: 20 1/4 in.

$3,000-5,000 £1,875-3,125



125

1234 11-2490/96

GEORGE III MAHOGANY BREAKFRONTBOOKCASE18TH CENTURY

In six parts, with three glazed cupboard sections

over three conforming lower sections, the central

twin astragal glazed cupboard doors over twin

panelled cupboard doors, flanked by single astragal

glazed doors each above three graduating drawers,

on plinth base.

H: 60, D: 16 1/2, W: 85 in.

$3,000-5,000 £1,875-3,125

1236 128031/77

GOOD GEORGE III MAHOGANYNIGHT STANDCIRCA 1765

The dished top over twin

cupboard doors, above single

drawer, raised on square legs.

H: 32, W: 21, D: 18 in.

Note:A similar example is illustrated in RalphEdwards, ed. “A Dictionary of EnglishFurniture”, 1990, volume 3, p. 264, fig. 5,supplied by Chippendale and Haig in1769.

$1,500-2,500 £940-1,560

1235 128031/27

GEORGE II WALNUT ANDPARCEL GILT WALL MIRRORCIRCA 1735

The acanthus carved broken

pediment centered by acanthus

scroll carved crest above shaped

bevelled mirror plate within

acanthus carved shaped frame.

H: 63, W: 39 in.

$4,000-6,000 £2,500-3,750


126

1238 128031/25

FINE PAIR OF GEORGE IIISATINWOOD, TULIPWOODCROSSBANDED ANDMARQUETRYINLAID KNIFE BOXESCIRCA 1770-1780

The hinged sloping lids centered by a

conch shell, opening to a fitted interior,

the underside of the lids inlaid to show

a conch shell within featherbanded

border, the fronts inlaid to simulate

pilasters, original silver escutcheon and

pull, raised on shaped bracket feet.

H: 15 1/4, W: 9 1/4, D: 11 in.

$5,000-7,000 £3,125-4,375

1237 128042/2

GEORGE III EBONY AND SATINWOOD LINE INLAIDMAHOGANY SIDEBOARDLATE 18TH CENTURY

The semi-circular top over central drawer above central recess with

fan inlaid spandrals, flanked by two deep velvet lined drawers,

flanked by two small cupboard doors, raised on fluted tapering legs

terminating in spade feet.

H: 34 1/2, W: 77, D: 36 in.

$2,000-3,000 £1,250-1,875



127

1240 128031/34A

FOUR ENGLISH CREAMWAREFOX-HEAD STIRRUP CUPS18TH/19TH CENTURY

One plain with black painted

collar; one brown painted with

black muzzle and collar; one

brown painted with gilt collar

titled “Tally Ho”; and one red

painted with black muzzle.

Largest H: 5 1/2 in.

$2,000-4,000 £1,250-2,500

1239 128031/34B

ENGLISH SPECKLE GLAZEDCREAMWARE STAG-HEADSTIRRUP CUPMID 18TH CENTURY

With flattened antlers, brown-

speckled all over; together with a

Sancai style ox-head stirrup cup.

(2).

H: 4 3/4 in.

$1,000-1,500 £625-940


128

1239 (two)

1240 (four)1241 (two)

1241 128031/34

TWO ENGLISH BLACK BASALTSTIRRUP CUPS18TH CENTURY, IN THE MANNER

OF WEDGEWOOD AND BENTLEY

The first in the form of a hare’s

head, the circular rim inscribed

“Success to bowl away & the

merry, Harriers of Newton”, the

interior glazed with evidence of

reconstruction, apparently

unmarked; together with a fox

head stirrup cup, glazed interior.

H: 6 1/2 in, Fox head H: 5 1/2 in.

$1,500-2,500 £940-1,560

1242 128031/29

FINE ENGLISH DERBY PORCELAIN ‘HUNTING SCENES’PART DINNER SERVICECIRCA 1815,

THE PAINTING IN THE MANNER OF WILLIAM COTTON

Comprising thirty-two dinner plates, each centrally painted

with a different sporting scene, two covered sauce tureens

with lobed underdishes, four lozenge shaped serving dishes,

oval grape dish on oval foot, four square dishes, and five

other serving dishes, all decorated with gilt and puce vine

borders, Crown and cross baton marks in red to undersides,

the plates with numeral 1 to footrim, the tureens with red

numeral 22.

Plate D: 9 1/4 in.

Note:The scenes depicted on the plates in this service were likely derived fromthe color plates published in Samuel Howitt’s “The British Sportsman”,first published by Edward Orme, London, 1812.

$20,000-30,000 £12,500-28750



129

1244 128031/30

GOOD IRISH REGENCY MAHOGANYTELESCOPIC DUMB-WAITERCIRCA 1820,

ATTRIBUTED TOWILLIAMS AND GIBTON, DUBLIN

With three circular tiers telescoping into one to form

a side-table, above fluted and acanthus carved

support raised on tripartite base and bun feet.

Remants of Irish storage label to underside of one

tier.

H: 40 1/2, D: 21 in. (open).

$2,500-4,000 £1,560-2,500

1243 128031/47

REGENCY MAHOGANYWRITING DESKCIRCA 1820

The rectangular top opening to a fitted interior

comprising a baize-lined ratcheted writing surface,

flanked by pen tray, wells etc., above spiral-twist

supports flanking two graduating drawers with lion-

mask handles, above conforming undertier, raised on

brass caps and castors.

H: 28, W: 21, D: 17 in.

$1,500-2,500 £940-1,560


130



131

1245 128031/19

FINE SET OF TWELVE GEORGE III MAHOGANY DINING CHAIRSCIRCA 1800, IN THE MANNER OF GEORGE SEDDON

Comprising two armchairs and ten sidechairs, the shaped wavy

spindle back over scroll carved arms above shaped upholstered

seat, raised on acanthus carved cabriole legs terminating in

Spanish feet.

Armchair H: 37, W: 23, D: 20 1/2 in.

Note:A very similar set of chairs are in the state room at Althorp House, Shropshire,England.

$20,000-30,000 £12,500-18,750

1248 128031/1

FINE GEORGE III MAHOGANY CHEST OFDRAWERS18TH CENTURY

The serpentine quarter veneered featherbanded and

rosewood crossbanded top over four graduating

long drawers, raised on shaped bracket feet.

H: 33, W: 42, D: 23 in.

$2,500-4,000 £1,560-2,500

1247 128031/12

GEORGE IV MAHOGANY CELLARETTECIRCA 1830, ATTRIBUTED TO GILLOWS

The rectangular top with cavetto edge, opening to a

series of compartments fitted for bottles and ice,

each with well-figured lids with ivory pulls, the

panelled sides within bead-edge, raised on fluted

tapering legs ending in brass caps and castors.

H: 26, W: 24 1/2, D: 16 in.

$2,000-3,000 £1,250-1,875

1246 128031/18

REGENCY EBONY STRUNGMAHOGANYSOFA TABLEEARLY 19TH CENTURY

The shaped rectangular top with drop down

side, above two drawers, raised on shaped

supports united by conforming stretcher,

issuing downswept legs terminating in claw

cast caps and castors.

H: 29, W: 48, D: 21 1/2 in.

$3,000-5,000 £1,875-3,125


132

1249 122010/1

FINE GEORGE II BURL WALNUTSECRETAIRE BOOKCASE18TH CENTURY

In two parts, the upper section

with molded breakfront cornice

over twin mirrored cupboard

doors etched to show a crown;

the lower section with fallfront

desk opening to reveal a series of

pigeonholes and drawers, above

four graduated long drawers

flanked by fluted canted corners,

raised on shaped bracket feet.

H: 88, W: 44, D: 25 in.

$3,000-5,000 £1,875-3,125



133


134

1250 122010/6

FINE REGENCY EIGHTEEN INCH TERRESTRIALLIBRARY GLOBEJOHN ANDWILLIAM CARY, 1817

Comprised of twenty engraved gores, the cartouche

reading “Cary’s new terrestrial globe : exhibiting the

tracks and discoveries made by Captain Cook : also

those of Captain Vancouver on the North West Coast

of America and M. de la Pe´rouse on the coast of

Tartary : together with every other improvement

collected from various navigators and travellers to the

present time... W. Cary, sold by S. & J. Duncan,

Glasgow, 1817”, with brass meridien ring, on stand

issuing three downswept legs terminating in brass

caps and castors.

H: 44, D: 18 in.

$4,000-6,000 £2,500-3,750



135

1251 121975/14

GOOD GEORGE III MAHOGANY PARTNER’S DESK18TH CENTURY

The rectangular leather inset top over central drawer

opening to a folding leather inset reading slope and

compartments for inkwells, flanked by two banks of two

short drawers, all with opposing drawers, raised on fluted

tapering legs.

H: 30 1/2, W: 58, D: 37 in.

$2,000-3,000 £1,250-1,875

1252 129039/3

DUTCH LOUIS XVIMAHOGANY ANDSATINWOOD PIANOCIRCA 1795, PIETER AND MEINKE

MEYER, AMSTERDAM

The rectangular top opening to

reveal the hammers and strings,

raised on fluted tapering legs.

Provenance:Property of a European nobleman.Purchased in 1929 from the estate ofJonkheer Teding van Berkhout inHaarlem, The Netherlands.

Note:This lot is located offsite. Please contactthe department to make viewingarrangements.

$4,000-6,000 £2,500-3,750


136

1253 129039/1

FINE DUTCH SATINWOODSTRUNGMAHOGANYSECRETAIRE ORGANAMSTERDAM, CIRCA 1800

Of breakfront outline, the dentil

molded top over three dummy

drawers, above a removable

secretaire style panel revealing

an adjustable hinged keyboard,

above three dummy long

drawers, raised on short

tapering fluted legs ending on

block feet.

Provenance:The property of a Eurpoean Nobleman.Purchased at auction in Amsterdamc.1936.

Literature:The Tracker, Journal of the OrganHistorical Society, vol. 48 no.4, pp.32-35.Ars Organi, vol. 51 no. 4, December2003, pp.257-258.

Note:This lot is located offsite. Pleasecontact the department to makeviewing arrangements.

$30,000-50,000£18,750-31,250



137

1254 121558/1

FINE FRENCH MINIATURE PORTRAIT OF A LADYSIGNED J.B.J. DUCHESNE, PARIS, 1819

Portrait on ivory, backed in vellum, contemporary ink

inscription “J.B.J. Peintre in email, de son A.R.

Monsieur frere du Roy” on paper inserted behind

portrait, within fine contemporary gilt bronze frame.

Portrait H: 3 1/4 in.

Provenance:Property of a Philadelphia gentleman.

$2,000-3,000 £1,250-1,875


138

1255 129040/2

IMPRESSIVE LOUIS XV STYLE MARBLE TOP GILTWOODCENTER TABLECIRCA 1900

The rectangular marble top of serpentine outline, above an S- and

C-scroll carved frieze, raised on similarly carved legs united by

conforming X-stretcher centered by a basket of flowers.

H: 33, W: 66, D: 34 in.

Provenance:Property from a Birmingham, AL, estate.

$1,500-2,500 £940-1,560

1256 121656/1

VIENNA PORCELAIN INSET GILTMETAL MOUNTED GESSO ANDGILTWOOD TABLETOPLATE 19TH CENTURY

The circular top with acanthus edge,

centered by a large porcelain charger

depicting Marie Antoinette and her

children, surrounded by eleven

porcelain roundel plaques depicting

French ladies of nobility, each within

gilt metal border. The reverse of the

charger with impressed and factory

marks, and titled in German.

D: 20 1/2 in.

$2,000-3,000 £1,250-1,875

1258 122040/3

PAIR OF FRENCH GILT BRONZE MOUNTEDLIMOGES ENAMEL COVERED URNS19TH CENTURY

Slender baluster form, the pull-off cover with gilt

bronze finial above well-enameled body depicting

allegorical scenes of science and the arts, gilt bronze

mounted at the shoulders with putti head and

acanthus handles, over shaped gilt socle on four

hairy hoof feet, raised on circular plinth base

terminating in scroll cast feet.

H: 12 in.

$6,000-8,000 £3,750-5,000



139

1257 11-8027/1

LARGE AND IMPRESSIVE SEVRES STYLE COBALT GROUNDGILT BRONZE MOUNTED PORCELAIN URNLATE 19TH CENTURY, SIGNED MAGLIN

Baluster form, painted to show a figural scene on a dark blue

ground, mounted to the shoulder with gilt bronze masks issuing

gilt bronze scroll cast handles stamped A.M., raised on

conforming gilt metal square base.

H: 32 in.

$4,000-6,000 £2,500-3,750


140



141

1259 121728/1

FINE FRENCH LOUIS XV STYLE GILT BRONZE MOUNTEDTULIPWOOD SIDE TABLEGERVAIS-MAXIMILIEN-EUGÈNE DURAND , LATE 19TH CENTURY

The shaped crossbanded quarter veneered oval top with satinwood

and ebony line inlay, gilt bronze banded edge, the well-cast mounts in

the form of arrow fletching, continuing to acanthus cast sabots.

Stamped twice ‘G. Durand”, to underside.

H: 29 1/2, W: 36 1/4, D: 24 1/2 in.

Note:Gervais-Maximilien-Eugène Durand established the Maison Durand firm in 1870, withworkshops at 12, rue de la Crisaie and then at 23., rue Beautrellis. The firm specialisedin very high quality furniture in the eighteenth-century style, and they were awarded asilver medal at the Exposition Universelle in 1889.

$3,000-4,000 £3,125-2,500

1260 122040/2

FINE VIENNESE SILVER AND ENAMEL CASKETCIRCA 1925, STAMPED 900

Rectangular form, the lid with central raised oval panel enameled in

cream and blue, surrounded by four raised spandral panels, within a

cream enameled border with blue, green, and red enameled scallop

shells, the sides enameled in cream and blue to show scrolls, each with

central neoclassical medallion, four varicolored enameled caryatids at

corners, raised on hairy paw feet.

H: 3, W: 8, D: 6 in.

$12,000-15,000 £7,500-9,375


142

1261 122040/18

VERY FINE PAIR OF JAPANESE IMARI PORCELAIN COVERED VASESTHE PORCELAIN CIRCA 1725, THE MOUNTS PROBABLY 19TH CENTURY

Hexagonal baluster form, the domed covers with finials in the form of a

mother and child with a cat, the bodies painted to show flowers,

scrolls, and foliate forms, the laurel-cast gilt bronze square bases raised

on paw feet.

H: 24 in.

Provenance:Purchased from Sotheby’s New York, Sept 1979, lot 25.

$15,000-20,000 £9,375-12,500



143

1263 121374/34

SEVRES STYLE HAND-PAINTED PORCELAIN GILTBRONZE MOUNTED URNBaluster form, the pull-off cover surmounted by pine

cone finial, the body painted to show musical

trophies and figures surrounded by floral garlands,

signed “L. Guy”, raised gilt decoration to rim and

foot, twin saytr masks mounted as handles to

shoulder, raised on chamfered square base.

H: 25 in.

Provenance:Private collection, Las Vegas.

$4,000-6,000 £2,500-3,750

1262 122016/9

PAIR OF SÈVRES STYLE PAINTED PORCELAIN GILTBRONZE-MOUNTED AND CHAMPLEVÉ ENAMEL TWIN-HANDLED URNS19TH CENTURY

Baluster form, the gilt bronze rim over champlevé enameled

neck and porcelain body painted to show a courting couple

and a maiden with a cherub in a landscape, the reverse

painted to show architectural landscapes, over similarly

enameled socle raised on foliate swag cast base.

H: 17 1/2 in.

$2,500-3,500 £1,560-2,200

1264 122013/9

CONTINENTAL PARCEL GILT MAHOGANY ANDROSEWOOD COMMODE18TH CENTURY AND LATER

The serpentine top over conforming case enclosing

two long drawers, above carved and pierced apron,

raised on rococo carved cabriole legs.

H: 34, W: 40, D: 23 in.

$5,000-7,000 £3,125-4,375


144

1265 122013/7

LOUIS XV MARBLE TOP CONSOLE TABLE18TH CENTURY

The yellow and orange veined marble top with rounded fore-

corners, over shaped frieze centered by a scallop shell, raised on

cabriole legs.

H: 31, W: 56, D: 27 in.

$4,000-6,000 £2,500-3,750

1266 122016/5

FRENCH GILT BRONZE ANDWHITE MARBLE MANTLECLOCK GARNITURELATE 19TH CENTURY, RETAILED

THEODORE B STARR, NEW YORK

The circular white enamel dial

with Arabic numerals, within a

cylindrical case surmounted by a

Bacchic woman reclining on a

lion’s pelt and holding grapes to

her mouth, raised on oval white

marble base, on toupie feet,

together with a pair of

conforming candelabra.

H: 17, W: 13, D: 6 in.

$3,000-5,000 £1,875-3,125



145

1267 122016/1

LARGE AND IMPRESSIVE LOUIS XV STYLE GILT BRONZE CLOCKGARNITURE19TH CENTURY

The gilt bronze case cast to show cupid and doves resting upon a rocky

base, the circular, white-enameled face with Roman numerals signed

“ALdre Petit”, raised on a floral and ribbon cast base terminating in

flattened bun feet; together with a pair of five-light candelabra cast to

show floral swags and putti in motion, raised on acanthus, C-, and S-

scroll cast base.

Clock H: 22, W: 26 in.

$15,000-20,000 £9,375-12,500


146

1268 121971/9

FRENCH EMPIRE GILT BRONZE MOUNTEDMAHOGANY PEDESTALCIRCA 1800, STAMPED JACOB FRÈRES RUE MESLÉE

The later Portuguese marble top over rectangular

pedestal mounted with a central gilt bronze

flowering urn, winged putti in the corners,

anthemion and arabesque mounts to base.

H: 39 1/2, W: 18 1/4, D: 12 in.

Provenance:Property of a Philadelphia gentleman.

Note:Jacob Frères Rue Meslée was the stamp used by Georges II andFrançois-Honoré-Georges Jacob from 1796-1803.

$2,000-3,000 £1,250-1,875

1269 121833/1

FINE LOUIS XV STYLE GILT BRONZE MOUNTED BURLWALNUT, ROSEWOOD AND KINGWOOD POUDREUSEPAUL SORMANI, CIRCA 1870

The serpentine edged rectangular top centered by a

monogram, opening to a cloth-lined interior flanked by two

lidded compartments, above a frieze drawer and sliding

wool box, raised on slender cabriole legs terminating in

sabots. Lockplate signed “Paul Sormani, 10 Rue Charlot,

Paris”.

H: 29, W: 28 1/4, D: 19 1/4 in.

Note:Paul Sormani (1817-1877), was born in Venice in 1817. He established hisbusiness in 1847 at 7, Cimetière Saint-Nicholas in Paris, moving in 1854to 114, Rue du Temple, and in 1867 to 10, rue Charlot. Sormani exhibitedat the 1849, 1855, 1862, 1867, 1878 and 1900 Exposition Universelle,winning numerous medals. His work was described in the catalogue ofthe 1867 Exposition Universelle as “toute sa production révèle unequalité d’exécution de tout premier ordre”. After Sormani’s death in 1877his son Paul-Charles took over the business and later moved it to 134boulevard Haussmann.

$5,000-7,000 £3,125-4,375



147

1271 122016/2

LARGE SEVRES STYLE HAND-PAINTED AND GILTDECORATED BRONZE MOUNTED URN20TH CENTURY

The domed cover with berry finial over a body

painted to show a landscape with ruins on one side,

and a nude woman with putti amongst clouds on

the other, twin laurel and scroll cast mounts to

shoulder, raised on circular lappet cast base.

H: 46 in.

$8,000-12,000 £5,000-7,500

1270 121472/5

LOUIS XV STYLE GILT BRONZE ANDTORTOISESHELL BOULLE MARQUETRY BRACKETCLOCKLESAGE A PARIS, LATE 19TH CENTURY

The gilt bronze dial with enameled porcelain Roman

hours and Arabic minutes, within a boulle case

mounted all over with rocaille bronze mounts, raised

on conforming bracket.

Total H: 47, W: 16, D: 7 in.

$2,000-3,000 £1,250-1,875


148

1272 121952/3

RUSSIAN CUT STEEL JEWELRYBOXTULA, EARLY 19TH CENTURY

Rectangular form, decorated to

show urns, and floral festoons,

raised on ball feet.

H: 2 1/4, W: 4 3/4, D: 3 1/4 in.

$2,500-3,500 £1,560-2,200

1274 11-1639/93

FRENCH GILT BRONZE AND ‘JEWELED’ SEVRES STYLE PORCELAIN INSETCLOCK GARNITUREJAPY FRERES, 19TH CENTURY

The circular porcelain dial with Roman numerals, painted to show songbirds in

flight, the movement with Japy freres medaille d’honneur cachet, the gilt bronze

case well cast in the Louis XVI style to show acanthus, masks and putti, with inset

porcelain plaques depicting eighteenth-century figures or enameled ‘jewels’ on a

blue ground, the garniture urns similarly decorated and with pull-off covers

reversible to a candle-nozzle, each piece on original velvet-lined wooden base.

Clock H: 15 1/2, W: 11 1/2 in. (including base).

Provenance:Property of a Philadelphia lady.

$4,000-6,000 £2,500-3,750

1273 121952/2

CONTINENTAL DIAMONDINSET CARVED HARDSTONEMODEL OF A PENGUININ THE STYLE OF FABERGE

Modeled standing, its beak

picking at its fur, diamond inset

eyes.

H: 2 3/4 in.

$2,000-3,000 £1,250-1,875



149


150

1276 128048/25

MEISSEN PORCELAIN ‘BLUE ONION’ PATTERN PART DINNER, TEAAND COFFEE SERVICEComprising a covered tureen, eight dinner plates, eight salad plates,

eight dessert plates, nine bread plates, eight soup bowls, two relish

dishes, coffeepot, teapot, creamer, sugarbowl, eleven cups and twelve

saucers, eight demi-tasse cups and saucers, water pitcher, three

graduated serving platters, two graduated square serving bowls, oval

serving bowl, circular serving bowl, shell-shaped dish, leaf-shaped dish,

gravy boat with attached undertray, footed bowl with lid, two egg cups,

two drip pans, and a pierced tazza with gilt edge. (Approx 100).

Tureen H: 9 3/4 in.

$2,500-3,500 £1,560-2,200

1275 122016/7

FINE PAIR OF FRENCH LOUIS XVI STYLE GILTBRONZE FIVE-LIGHTWALL SCONCES19TH CENTURY

Each with elongated oviform standard mounted

with rocaille scrolls and surmounted by a saytr

mask flanked by two female masks, issuing five

acanthus scrolled candlearms with fluted nozzles

and leaf-cast drip-pans, one sconce stamped CII

and 328 to interior.

H: 14 1/2 in.

$3,000-5,000 £1,875-3,125

1277 121952/11

GERMAN PAINTED PORCELAIN PLAQUEPSYCHE AMWASSERSPIEGEL,

LATE 19TH/EARLY 20TH CENTURY

Painted to show Psyche in a landscape seated upon

a rock as she searches for her reflection in the water

below, within giltwood frame. Indistinctly signed

lower right; the reverse titled and bearing incised

‘387’.

Sight H: 11 3/4, W: 9 7/8 in.

$2,500-3,000 £1,560-1,875

1278 121942/3

KPM HAND-PAINTED PORCELAIN PLAQUE ‘THEFINDING OF MOSES’LATE 19TH/EARLY 20TH CENTURY, SIGNED HORN

Depicting the baby in a basket among bullrushes, a

ray of light falling over his face, as Cleopatra peeks

through the reeds. Impressed KPM and scepter

marks above the letter H, and incised mark 12-9 3/4

verso, in contemporary giltwood frame.

H: 12, W: 10 in.

Provenance:Private collection, Pennsylvania.

$2,000-3,000 £1,250-1,875



151

1279 129040/1

LARGE NAPOLEON III GILTMETAL AND SEVRES STYLEPORCELAIN MOUNTED, BURLWALNUT, EBONISED ANDINLAID SECRETAIRE CABINET19TH CENTURY

In two sections, the upper section

with pediment top over central

recess with mirrored back,

flanked by two shelves each

above a cupboard door centered

by an oval Sevres style porcelain

plaque painted to show 18th

century couples and above a

short drawer, flanking two larger

central glazed cupboard doors,

the lower section with pull-out

leather writing surface flanked by

two drawers above three open

shelves and two cupboard doors

below flanked by shelves, raised

on turned feet.

H: 97, W: 56, D: 24 1/2 in.


$4,000-6,000 £2,500-3,750


152

1280 121974/4

GOOD NAPOLEON III PARCEL GILTBRONZE AND BLACK MARBLE CLOCKGARNITURECIRCA 1870, THE MOVEMENT BY VINCENTI

The rectangular black marble case

surmounted by a neoclassical maiden,

mounted with classical masks at the

corners, the bronze dial with gilt bronze

Roman numerals, the back of the

movement stamped with Vincenti & cie.

seal, also stamped ‘G S medaille d’or 1867”,

raised on scroll and leaf cast feet; together

with two original conforming garniture

tazzas. (3).

Clock H: 25 1/2, W: 13 1/2, D: 6 1/2 in. (total).

$1,500-2,500 £940-1,560

1281 122016/10

PAIR OF NAPOLEON III PARCEL GILT PATINATEDNEOCLASSICAL BRONZE URNSCIRCA 1870

Campana form, well cast to show a continous scene

of neoclassical figures, on fluted circular foot, raised

on square marble plinths, on leaf and scroll cast feet,

stamped “V”.

H: 17 1/2 in.

$2,500-3,500 £1,560-2,200



153

1282 129040/12

IMPRESSIVE PAIR OF NAPOLEON III MARBLE,GILT AND PATINATED BRONZE SIX-LIGHTCANDELABRAHENRI PICARD, CIRCA 1860

Each cast to show a figure of cupid holding a torch

issuing six candle nozzles and numerous flowers,

raised on circular marble and gilt bronze base cast

to show rocaille and flowers, the candlearms

stamped with initials ‘b’, the underside of one base

stamped H. Picard.

H: 28 in.


$2,000-3,000 £1,250-1,875


154

1283 11-2203/30

FINE PAIR OF NAPOLEON IIIGILTWOOD BERGERES AOREILLES19TH CENTURY

The floral carved crestrail joining

downswept acanthus carved

arms flanking upholstered back

and drop-in cushion seat raised

on cylindrical tapering fluted legs

terminating in toupie feet.

H: 41, W: 28, D: 28 in

Provenance:Purchased Dixon & Dixon of Royal, NewOrleans, 1996.

$3,000-5,000 £1,875-3,125

1284 121843/1

PAIR OF FRENCH ENAMELPLAQUESDATED 1881,

PAUL-LOUIS ALFRED SERRE FOR

FERDINAND BARBEDIENNE

(FRENCH 1810-1892)

Rectangular, one allegorical of

Navigation depicting a maiden

with breasts exposed, on a ship at

sea with an attendant putto, the

other allegorical of Poetry,

depicting a maiden in an archway

holding a book, a putto holds a lit

lamp and points to a book in her

hand, both signed “A. Serre

inv.1881, F. Barbedienne”, within

original gilt bronze frames,

mounted cloth mats with

anthemion mounts, in giltwood

frames.

Image H: 7 1/2, W: 6 1/2 in.

$3,000-5,000 £1,875-3,125

1285 121639/81

AFTER AUGUSTE RODIN (FRENCH, 1840-1917)LE PENSEUR

Bronze, dark brown patina, signed “A. Rodin” also

inscribed “F. Barbedienne. Found.”

H: 31 in.


$3,000-4,000 £1,875-2,500



155

1286 09-1173/2004

AFTER JEAN-JACQUESPRADIER (FRENCH, 1790-1852)LOUISE COLET AS SAPPHO,

19TH CENTURY

Very large bronze, gilt and

chocolate brown patinas, signed

“J. Pradier”, with Susse freres

foundry, and “Aug. mon. Sauvage”

inscriptions.

H: 30, L: 28, D: 14 in.

Provenance:Private collection, Maryland.

Note:Jean-Jacques Pradier studied under Jean-Auguste-Dominique Ingres in Paris. Hewon the Prix de Rome in 1813, and in1827 he became a member of theAcadémie des beaux-arts and aprofessor at the École des Beaux-Arts.

The poetesse Louise Colet posed forPradier on several occasions. Known byher contempories variously as“Penserosa”, or “the Muse” she wasknown to Pradier as ‘Sappho” and shewas the model for two Sapphosculptures; as well as a monument to thecity of Lille by Pradier in the Place de laConcorde, Paris. Gustave Flaubert metLouise Colet at Pradier’s studio when shewas posing, and they famously had atempestuous affair resulting in her beingthe inspiration for his novel, “MadameBovary”.

Literature:Berman 2408 (12 inch cast shown).

$6,000-8,000 £3,750-5,000


156

157



1287 09-1173/2006

THÉOPHILE FRANÇOIS SOMME(FRENCH, 1871-1952)PHOENICIAN GIRL

Gilt bronze, cast to show the semi-naked beauty

signed “Th. Somme”, sat upon a tapering square

marble plinth incised to simulate stone blocks.

Total H: 24 in.

$5,000-7,000 £3,125-4,375

1288 129040/10

FRENCH GILT BRONZE AND IVORY FIGURE OF ACOUNTRY MAIDENLATE 19TH/EARLY 20TH CENTURY, EUGENE BERNOUD

Gilt bronze, with ivory head and arms, depicting the

girl scattering seeds she holds in her apron, on a

naturalistic base, signed “E. Bernoud”.

H: 16 in.


$1,500-2,500 £940-1,560

1289 121581/11

AFTER CLAIRE JEANNE ROBERTE COLINET(BELGIAN 1852-1908)ISIS

Bronze, mid brown patina, depicting the naked

goddess with seated holding drapery, signed in cast,

raised on verde antico marble base.

H: 16, L: 22 in.

$2,000-3,000 £1,250-1,875

1290 122013/6

FINE ITALIAN MARBLE BUST OF A LADYLATE 19TH CENTURY,

ATTRIBUTED TO ARISTIDE PETRILLI

Depicted with a slightly downward gaze, wearing a

headdress and her hair in ringlets, raised on later

marble base, unsigned.

H: 21 1/2, W: 21 in.

$7,000-9,000 £4,375-5,625

1291 121972/64

PIERRE JULES MENE (FRENCH, 1810-1879)CHIEN GARDANT DU GIBIER

Bronze, dark brown patina, signed “P. J. Mene 1850”.

H: 12 in.

$3,000-5,000 £1,875-3,125


158



159

1293 121952/10

ANDRE CAESAR VERMARE (FRENCH, 1869-1949)GEORGES WAGUE AS PIERROT

Gilt bronze, cast to show the actor in flowing

drapery, his hands clasped to his chest, the square

base signed "A Vermare".

H: 16 in.

$2,000-3,000 £1,250-1,875

1292 121952/6

FINE FRENCH GILT BRONZE TABLE LAMPEUGENE LELIEVRE, CIRCA 1900, CAST BY SUSSE FRERES

In the Empire style, the central standard issuing twin acanthus

wrapped arms supporting original silk shade, above a tapering

square base cast to show ram’s heads, griffons, festoons, and

masks, signed “E.Lelievre” and “Susse Freres” and with Susse

freres foundry seal.

Total H: 36 in.

$3,000-4,000 £1,875-2,500

1294 121824/14

GEORGES VAN DER STRAETEN(BELGIAN, 1856-1928)ARTEMIS

Bronze, mid brown patina, showing Artemis with a

crescent in her hair, her bow around her with the

string across her breast, signed “G. van der Straeten,

and with “Societe des bronzes de Paris “ seal stamp.

H: 27 in.

$1,500-2,500 £940-1,560

1295 121472/1

EMMANUEL VILLANIS (FRENCH, 1858-1914)SAIDA

Bronze bust, mid-brown patina, signed to

shoulder ‘E. Villanis”, on integral tapering plinth

with “French Societe des Bronzes” cachet,

numbered 1450 and further inscribed “AP”, on

green marble plinth.

H: 12 1/2 in.

$2,000-3,000 £1,250-1,875

1296 12-1006/61

GEORGE III SCARLET LACQUERED TALL CASECLOCKGEO. LUMLEY, BURY

The engraved silvered dial with Roman numerals

and foliate engraved spandrals, signed “Geo Lumley,

Bury”, the hood with arched glazed door and dentil

and cavetto molded top, the case with long panelled

door above conforming plinth base. The whole

lacquered all over to show Chinoiserie scenes.

H: 82, W: 15 1/2, D: 11 1/2 in.

Provenance:Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$2,000-3,000 £1,250-1,875

Property from theEstate of Marvin Lundy,Rittenhouse Square,PhiladelphiaOne of Philadelphia’s finest philanthropists, MarvinLundy supported many area non-profit institutionsincluding, the AIDS Law Project of Philadelphia andthe Philadelphia Art Museum. Mr. Lundy was anavid collector of fine art and antiques, and thefollowing nineteen lots represent some of the finestpieces from his collection.


162

1297 12-1006/64

FINE LOUIS XVI STYLE MAHOGANY, BLACK LACQUER, GILT BRONZEMOUNTED MARBLE TOP COMMODE À L’ANGLAISE19TH CENTURY, STAMPED PERREAU, AFTER THE MODEL BY NICOLAS LANNUIER

Of bowfront outline, the white marble inset top within a gilt bronze border,

above a gilt bronze vitruvian scroll frieze, above two black lacquered

chinoiserie panelled doors, flanked by two marble galleried shelves on either

side, raised on short tapering legs terminating in brass caps.

H: 39, W: 69, D: 20 in.


$4,000-6,000 £2,500-3,750

1298FINE JAPANESE GILT ANDPATINATED BRONZE KOROMEIJI PERIOD, SEAL MARK TO BASE

The koro of spherical form,

intricately reticulated in gilt

patinated scrolling foliage, with

two patinated bronze reserves,

one depicting religious figures the

other birds in a mountainous

landscape, with a pull-off lid

surmounted by a pair of

songbirds, supported by three

finely modelled immortal figures,

raised on hardwood base.

H: 14 in.

Provenance:Estate of Marvin Lundy, RittenhouseSquare, Philadelphia.

$3,000-5,000 £1,875-3,125



163


164

1301 12-1006/83

FINE JAPANESE SILVERED BRONZE MODEL OF A HAWK,ON SILVER MOUNTED LACQUERED STANDMEIJI PERIOD

The naturalistically modeled bird with gilt talons and eyes, on black

and gilt lacquered silver mounted perch, apparently unsigned.

H: 27 in.


$3,000-5,000 £1,875-3,125

1299 12-1006/50

LOUIS XVI STYLE WALNUT, PARQUETRY INLAID, GILTBRONZE MOUNTED ANDWEDGWOOD JASPERWARE STYLEINSET THREE TIER SERVING TROLLEYCIRCA 1900, IN THE STYLE OF ADAMWEISWEILER,

POSSIBLY BY DONALD ROSS, LONDON

With three rectangular recessed tiers, the sides inlaid with trellis

and dot parquetry and with inset plaques, united by turned or

fluted supports, raised on four tapering legs terminating in brass

caps and castors.

H: 33 1/2, W: 27, D: 15 3/4 in.


$1,000-1,500 £625-940

1300 12-1006/63

UNUSUAL LOUIS PHILLIPE MOORISH STYLE PARQUETRY ANDMARQUETRY INLAID OCTAGONAL CENTER TABLE19TH CENTURY

The octagonal top inlaid to the center to show a quiver of arrows and a

horn, surrounded by parquetry inlay in various fruitwoods, above

conforming galleried sides united by stepped undertier surmounted by an

urn, raised on ebonised bun feet.

H: 31, D: 38 3/4 in.


$1,500-2,000 £940-1,250



165

1303 12-1006/81

PAIR OF CONTINENTAL GILT METAL MOUNTED ROCKCRYSTAL, LAPIS LAZULI, AND MARBLE OBELISKS20TH CENTURY

The rock crystal obelisk raised on four gilt metal balls, above a

lapis lazuli plinth, raised on a white marble base.

H: 15 1/4 in.


$2,000-3,000 £1,250-1,875

1302 12-1006/78

FINE PAIR OF CHINESE EXPORTPORCELAIN FAMILLE ROSEGARDEN SEATS19TH CENTURY

Drum form, with raised ‘studs’,

enameled to show mounted warriors

in landscapes, surrounded by

geometric panels, turquoise and pink

scrolled band around the top edge.

H: 18, W: 13 1/2 in.

Provenance:Estate of Marvin Lundy, Rittenhouse Square,Philadelphia.

$3,000-5,000 £1,875-3,125

1304 12-1006/84

EXTENSIVE ROYAL CROWN DERBY IMARI PORCELAIN PARTDINNER SERVICE20TH CENTURY

Comprising seventy dinner plates; twenty soup plates; thirty eight

starter plates; two vegetable tureens; two sauce tureens with

underdishes; two tazzas; two fruitbowls; large soup tureen and

underdish; circular platter; ten gazpacho bowls; nine teacups; eleven

saucers and twenty four side plates. (Approx. 170).

Various sizes


$1,500-2,000 £6,250-9,375

1306 12-1006/85J

FOURTEEN ROYAL COPENHAGEN FLORA DANICA PORCELAINFRUIT PLATES20TH CENTURY

Circular with wavy rim and reticulated edge, each centrally painted

with a different fruit, number 429/3554; together with a reticulated

fruit basket, number 429/3534; and a larger plate, number

429/3553. Factory marks and Latin identifications in black to

undersides. (16).

Basket D: 9 in.


$4,000-6,000 £2,500-3,750


166

1305 12-1006/85I

COLLECTION OF ROYAL COPENHAGEN FLORA DANICAPORCELAIN TABLEWARES20TH CENTURY

Comprising a reticulated fruit bowl, number 20/3534; oval dish,

number 30/3541; sauce boat, number 20/3544; large circular platter,

number 20/3528; fourteen starter plates, number 20/3573; and

fourteen side plates, all with Latin identifications in black, Royal

Copenhagen factory mark and number 20/3552. (32).

Platter D: 13 in.


$6,000-8,000 £3,750-5,000

1307 12-1006/85H

SET OF FOURTEEN ROYAL COPENHAGEN FLORADANICA PORCELAIN TEACUPS AND SAUCERS20TH CENTURY

Each painted to show a botanical specimen, branch-

form handles, with Latin identifications in black, Royal

Copenhagen factory mark, and number 20/3597 to

undersides.

Teacup H: 2 3/4 in.


$1,500-2,500 £940-1,560

1308 12-1006/85G

FOURTEEN ROYAL COPENHAGEN FLORADANICA PORCELAIN LUNCHEON PLATES20TH CENTURY

Circular with wavy rim and reticulated edge,

Latin identifications in black, Royal Copenhagen

factory mark, and numbered 20/3553 to

undersides.

D: 10 in.


$3,000-5,000 £1,875-3,125


168

1309 12-1006/85F

FOURTEEN ROYAL COPENHAGEN PORCELAIN FLORA DANICAFISH PLATES20TH CENTURY

Circular with wavy rim and reticulated edge, each centrally painted

with a different fish, Latin identifications in black, Royal Copenhagen

factory mark and numbered 19/3553 to undersides.

D: 10 in.


$3,000-5,000 £1,875-3,125

1310 12-1006/85D

SET OF FOURTEEN ROYAL COPENHAGENFLORA DANICA PORCELAIN DINNERPLATESCircular form with wavy rim and reticulated

edge, each with Latin identifications in black,

Royal Copenhagen factory mark, and

numbered 20/3574 to undersides.

D: 11 1/4 in.

Provenance:Estate of Marvin Lundy, Rittenhouse Square,Philadelphia.

$4,000-6,000 £2,500-3,750



169

1311

1314

1312

1313

1311 12-1006/85E

PAIR OF ROYAL COPENHAGENFLORA DANICA PORCELAINTUREENSThe domed cover with

intertwined branch handles

terminating in flowerheads, over

circular bowl, the underside of

the lids with Latin identifications

in black, Royal Copenhagen

factory marks, numbered

20/3568 (bases of bowls

unglazed, one lid numbered

20/3568/3613).

H: 7 1/2, D: 9 in.


$2,500-3,500 £1,560-2,200

1312 12-1006/85C

PAIR OF ROYAL COPENHAGENFLORA DANICA PORCELAINCACHE POTSOval form, the rims highlighted in

gilt, twin branch handles to the

sides terminating in flowerheads,

with Latin identifications in black

to undersides, Royal Copenhagen

marks, both numbered 10/3569.

H: 6 1/2, W: 10 1/2, D: 6 1/2 in.


$2,000-4,000 £1,250-2,500

1314 12-1006/85A

ROYAL COPENHAGEN FLORADANICA PORCELAIN SOUPTUREEN AND UNDERTRAYCircular form, with woven branch

handles terminating in

flowerheads, the cover, bowl, and

undertray all with latin

identifications in black, Royal

Copenhagen factory marks, and

numbered “20/3562, 20/3562,

and 20/2563” respectively.

H: 11 in.


$4,000-6,000 £2,500-3,750

1313 12-1006/85B

ROYAL COPENHAGEN FLORADANICA PORCELAIN TUREENOval form, the cover with

intertwining branch handles

terminating in flowerheads, the

cover and undertray with latin

identifications in black, with Royal

Copenhagen factory marks, and

numbered 20/3567.

H: 7, W: 15 1/2, D: 12 in.


$3,000-5,000 £1,875-3,125

1315FINE AND LARGE PAIR OF JAPANESE SHIBAYAMA INLAID IVORYTUSKS ONWOOD STANDSMEIJI PERIOD, SIGNED TABLET MARK

Each single tusk section mounted with mother of pearl, abalone, ivory

and tortoiseshell to show flowering trees, and birds in flight, on large

carved wood stands.

H: 25 in. (total)

$20,000-25,000 £12,500-15,625

Other Properties

1316 122040/16

CHINESE DOUCAI PORCELAIN VASE18TH CENTURY

The body finely painted to show phoenix and

flowers on patterned ground, in later gilt bronze

mounts.

H: 12 1/2 in. (excluding fittings)

$6,000-8,000 £3,750-5,000

1318 121858/6

SIX CHINESE SANG DE BOEUFGLAZED PORCELAIN VASES19TH CENTURY

Comprising a moon vase, three

bottle vases, a brush washer, and

a small cylindrical brush pot.

Largest H: 10 3/4 in.

$2,000-3,000 £1,250-1,875

1317 122040/5PAIR OF CHINESE EXPORT PORCELAIN BOUGHPOTSLATE 18TH/EARLY 19TH CENTURY

Square tapering form, the basket-weave and Greek

key molded cover and pot with oval and circular

grisaille painted cartouches depicting architectural

and figural landscapes.

H: 7, W: 7 1/4, D: 5 3/4 in.

$2,000-3,000 £1,250-1,875



171

1320 121743/4

FINE AND LARGE JAPANESE EARTHENWARESATSUMA BOWLMEIJI PERIOD, KINKOZAN MARK TO BASE

Deep U-shape, the interior decorated to show

numerous figures before a bursting sun, within a

large border of gilt lattice on cobalt blue ground, the

sides decorated to show numerous figures engaged

in pastimes.

H: 4 3/3, D: 12 in.

$4,000-6,000 £2,500-3,750


172

1319 121858/4

GOOD COLLECTION OF CHINESE EXPORT ROSE MANDARIN ANDFITZHUGH PORCELAIN TABLEWARES18TH CENTURY

Comprising a baluster form vase; a rectangular serving platter; a

Fitzhugh twin-handled bottle vase; a Fitzhugh helmet form creamer;

two tankards; teapot; four octagonal plates; four octagonal form soup

plates; and several smaller cups, bowls, and dishes. (43).

Vase H: 11 in., plate D: 9 in.

$4,000-6,000 £2,500-3,750

1321 121760/1LARGE PAIR OF CHINESEEXPORT ROSE MANDARINVASES19TH CENTURY

Typical form with lobed everted

rim, gilt qilong to neck, the body

enameled to show figures in

interiors, birds, butterflies and

foliage in the typical palette.

H: 32 in.

$7,000-10,000 £4,375-6,250

1322 121657/37FINE JAPANESE CLOISSONE ENAMEL SHALLOWDISHMEIJI PERIOD, CIRCA 1900,

STUDIO OF NAMIKAWA YASUYUKI

Finely enameled to show songbirds amongst flowers

on a black ground, within a purple flower border, the

reverse with a repeated spiral design on a red-brown

ground. Signed tablet mark to underside.

D: 5 in.

$1,500-2,500 £940-1,560



173

1323 121556/19FINE PAIR OF JAPANESE SATSUMAMINIATUREVASES, AND AMINIATURE COVERED VASEYABU MEIZAN, MEIJI PERIOD

Delicately painted to show figures and foliage.

Miniature vases H: 3 1/2, covered vase H: 3 in.

$2,000-3,000 £1,250-1,875

1325 128051/1FINE FRENCH IRIDESCENT BLOWN GLASS VASEMAURICE MARINOT (1882-1960)

Tapering cylindrical form with everted rim, the body

decorated to show numerous flowerheads in an

iridescent finish on an orange ground, signed

‘Marinot’ in gilt and numbered 136/50 to underside.

H: 11 in.

$3,000-5,000 £1,875-3,125

1324 121374/35

LARGE CHINESE IVORY BASKET MODELThe naturalistically carved basket issuing a profusion

of flowers, on wood stand.

Ivory H:12 in.

Provenance:Private collection, Las Vegas.

$4,000-6,000 £2,500-3,750

1326 128049/9

FINE CHINESE MIRROR PAINTING19TH CENTURY

The rectangular plate very well painted to show a

noblewoman with daughter and pet dog, in a

landscape incorporating a palace, a pagoda in the

background, trees and birds, within a later Chinese

Chippendale style giltwood frame.

Sight H: 18, W: 13 1/2 in.

Provenance:Property of Mrs Howard Johnson, purchased from Edwin H.Herzog at the Grosvenor House Fair, June 15th 1976.

$5,000-7,000 £3,125-4,375


174

1327 121667/2ARTS AND CRAFTS MAHOGANY, INLAID ANDSTAINED GLASS WRITING DESKCIRCA 1900, DESIGNED BY G.M. ELLWOOD,

EXECUTED BY J.S. HENRY

The superstructure composed of two sloping lidded

compartments flanking a glazed back with stained

flowers within lead panes, above a leather writing

surface, over single drawer, raised on octagonal legs

united by H-form stretcher.

H: 48, W: 39, D: 21 in.

Provenance:Estate of Gilbert Jonas, New York, NY.

$1,000-1,500 £625-940

1328 121667/30

LIBERTY & CO. TUDRIC PEWTER, COPPER ANDENAMEL MANTEL CLOCKEARLY 20TH CENTURY,

DESIGNED BY ARCHIBALD KNOX

The copper face inlaid with gilt arabic numerals on

colored cabochons, within shield shaped case with

foliate motif. The underside stamped English Pewter

made by Liberty & Co. 0366.

H: 8, W: 7 in.

Provenance:Estate of Gilbert Jonas, New York, NY.

$1,500-2,000 £940-1,250



175

1329 121606/1

LOUIS WAIN ‘FUTURIST’ CAT JARDINIEREMANUFACTURED BY AMPHORA FOR MAX EMANUEL,

REGISTRATION NUMBER 637130

Modeled as a reclining cat, orange glaze with yellow

and green paws, ears, eyes, mouth and tail. Signed

Louis Wain between front paws, royal Amphora,

three rifle and registration marks to base.

H: 6, W: 5, D: 8 in.

$1,000-1,500 £625-940


176

1330 128042/5

JASPER MORRISON (ENGLISH, B. 1959)‘CARRARA TABLES / VARIATION N° 16+1’,

PRODUCED BY GALERIE KREO, FRANCE, 2005

Comprising four low tables of various size (two large, one medium, and

one small), seven from the limited edition of twelve, the smallest with

an engraved plaque to the underside bearing the artist’s signature and

‘7/12 , Variation N°16+1, 2005 / Collection Carrara tables / Edition

Galerie Kreo, limitee a 12 examplaires”.

Largest H: 11, W: 65 1/2, D: 15 1/4 in.

$6,000-8,000 £3,750-5,000

1331MARTIN SZEKELY (FRENCH, B. 1956)‘TABLE BLANCHE’, PRODUCED BY GALERIE KREO, FRANCE, 2007

Corian surface with honeycomb alluminum and resin edge raised on

four staggered cylindrical pedestal supports, the underside signed in

black marker ‘Martin Szekely / Proto 1 / 2007’. One of two prototypes

for the limited edition of eight, plus two artist proofs.

H: 29 1/2, W: 110, D: 55 in.

$15,000-20,000 £9,375-12,500



177

1332 128042/4RONAN & ERWAN BOUROULLEC (FRENCH, B. 1971/1976)“ICEFIELD” COFFEE TABLE, PRODUCED BY GALERIE KREO, FRANCE, 2007

White gel coat resin, impressed ‘ERB, Proto 1 2007’ to underside edge.

One of two protoypes for the edition of eight plus two artist proofs.

H: 7, W: 111, D: 40.5 in.

$8,000-12,000 £5,000-7,500


178

1333 128042/6JASPER MORRISON (ENGLISH, B. 1959)‘MUSEUM PIECES, CABINET A’,

PRODUCED BY GALERIE KREO, FRANCE, 2006

Comprising fifteen resin formed pieces within an oak

and glass cabinet; number seven from the limited

edition of twelve, plus one prototype. Brass plaque

mounted to one shelf inscribed ‘Museum Pieces

Cabinet A 2006 7/12, Edition Galerie Kreo, Design:

Jasper Morrison’.

Cabinet H: 73 1/4, W: 25 1/2, D: 25 1/2 in.

$8,000-12,000 £5,000-7,500

END OF SALE



179

1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unlessotherwise stated, does not own theProperty offered for sale and hasmade no independent investigationof the Property. Freeman’s makesno warranty of title, merchantabilityor fitness for a particular purpose,or any other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind ornature with respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or theconstitution of lots.

6The highest bidder acknowledgedby the auctioneer shall be thebuyer. The auctioneer has the rightto reject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the sameand withdraw the Property fromsale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to complianceby the buyer with these Conditionsof Sale. Buyer thereupon assumesfull risk and responsibility of theproperty sold, agrees to sign anyrequested confirmation ofpurchase, and agrees to pay the fullprice, plus Buyer’s Premium,therefore or such part, upon suchterms as Freeman’s may require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a publicwarehouse, at the sole risk andcharge of the buyer(s), andFreeman’s may prohibit the buyerfrom participating, directly orindirectly, as a bidder or buyer inany future sale or sales. In additionto other remedies available toFreeman’s by law, Freeman’sreserves the right to impose a latecharge of 1.5% per month of thetotal purchase price on any balanceremaining ten (10) days after theday of sale. If Property is notremoved by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. Ifthe foregoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’sand the Consignor (includingwithout limitation the right to holdthe buyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, thebuyer(s) shall remain liable for anydeficiency in the original purchase

price and will also be responsiblefor all costs, including warehousing,the expense of the ultimate sale,and Freeman’s commission at itsregular rates together with allrelated and incidental charges,including legal fees. Payment is aprecondition to removal. Paymentshall be by cash, certified check orsimilar bank draft, or any othermethod approved by Freeman’s.Checks will not be deemed toconstitute payment until cleared.Any exceptions must be madeupon Freeman’s written approval ofcredit prior to sale. In addition, adefaulting buyer will be deemed tohave granted and assigned toFreeman’s, a continuing securityinterest of first priority in anyproperty or money of, or owing tosuch buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due toFreeman’s. Freeman’s shall have allof the rights accorded a securedparty under the PennsylvaniaUniform Commercial Code.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves bybidding through its representativeson behalf of the Consignors. Incertain instances, the Consignormay pay less than the standardcommission rate where Freeman’sor its representative is a successfulbidder on behalf of the Consignor.Where the Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids forthe convenience of bidders notpresent at the auction, Freeman’sshall not be responsible for thefailure to execute, or, to executeproperly, any pre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% on the portion of the hammerprice exceeding $1,000,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/orlocal sales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service tobuyer arrange to have purchasedproperty posted and shipped at thebuyer’s expense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreementshall operate as a waiver of suchright or any other right and waiveron any one or more occasions shallnot be construed as a bar to orwaiver of any right or remedy ofFreeman’s on any future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall begoverned by, construed andenforced in accordance with thelaws of the Commonwealth ofPennsylvania and Consignor andBuyer agree to the exclusivejurisdiction of the Philadelphia,Pennsylvania Court of CommonPleas and the United States DistrictCourt for the Eastern District ofPennsylvania.

Freeman’s Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall beoffered and sold on the terms and conditions set forth below which constitutes the completestatement of the terms and conditions on which all property is offered for sale. by bidding at theauction, whether present in person or by agent, by written bid, telephone, internet or other means, thebuyer agrees to be bound by these terms and conditions.

Freeman’s purchase removal, shipping & offsite storage

VG Packaging LLCContact: Gordon G Murray II12 Salem RoadSchwenksville, PA 19473Tel: 484-552-8741Fax: [email protected]

UPS StoreContact: John Bohach51 North 3rd StreetPhiladelphia, PA 19106Tel: 215.629.4990Fax: 215.629.4992Email: [email protected]

Mr. C’sContact: Charles CohenTel: 267.977.9567Email: [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104Tel: 718.706.7999Fax: 718.707.2847Email: [email protected]

Craters & Freighters4110 Butler Pike, Suite A-101APlymouth Meeting, PA 19462Tel: 610.397.0488Tel: 866.397.0488Fax: 610.397.0878Email: [email protected].

Mastrocco Jr. Moving & StorageContact: Roseanne1060 Louis DriveWarminster, PA 18991Tel: 215.491.0346Fax: 215.444.9327Email: [email protected]

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163Tel: 212.715.0629Fax: 718.361.8569Email: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA 19144215.842.3500

To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date.

Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email [email protected] to schedule a loading

dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax,

215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle

packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes

for the packing and shipping of your property.

Mizzentop ETS1409 Beaver Valley PikeP.O. Box 196Refton, PA 17568Tel: 717.786.8809Fax: 717.786.2978Email: [email protected]

Old City MoversContact: John Ziemba1324 North 4th StreetPhiladelphia, PA [email protected]

The Packaging StoreContact: Duane Freed2333 West Main StreetLansdale, PA 19446Tel: 215.361.6940Fax: 215.361.6941Email: [email protected]

FURNITURE & LARGER ITEMS:For larger pieces where delivery time is notthe primary concern, we suggest gettingyour itemsfreighted:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com.

International Staff Directory

PICTURES, WATERCOLOURS& PRINTSNick [email protected]

Charlotte [email protected]

OLD MASTERSNick [email protected]

FURNITURE, CLOCKS &WORKS OF ARTDouglas [email protected]

Lee [email protected]

FINE ASIANWORKS OF ARTLee [email protected]

AMERICAN FURNITURE,FOLK & DECORATIVE ARTLynda A Cain +1 [email protected]

Samuel M Freeman II +1 [email protected]

ENGLISH & CONTINENTAL FURNITURE& DECORATIVE ARTSDavid Walker +1 [email protected]

Benjamin Fisher +1 [email protected]

ASIAN ARTRobert Waterhouse +1 [email protected]

Richard Cervantes +1 [email protected]

FINE JEWELRY & WATCHESSamuel M Freeman II +1 [email protected]

Kate Waterhouse +1 [email protected]

FINE AMERICAN & EUROPEAN

PAINTINGS & SCULPTUREAlasdair Nichol +1 [email protected]

David Weiss +1 [email protected]

MODERN & CONTEMPORARY ARTAnne Henry +1 [email protected]

Aimee Pflieger +1 [email protected]

OLD MASTERSDavid Weiss +1 [email protected]

Maya O’Donnell-Shah +1 [email protected]

PHOTOGRAPHS & PHOTOBOOKSAimee Pflieger +1 [email protected]

SILVER & OBJECTS OF VERTUDavid Walker +1 [email protected]

RUGS & CARPETSGavin [email protected]

JEWELLERY, SILVER, COINS&MEDALSTrevor [email protected]

Colin [email protected]

DECORATIVE ARTS & DESIGNJohn [email protected]

EUROPEAN & ASIAN CERAMICSDouglas [email protected]

Campbell [email protected]

ARMS & ARMOURJohn Batty (consultant)[email protected]

RARE BOOKS, MAPS, MANUSCRIPTS & PHOTO-GRAPHSSimon [email protected]

Cathy [email protected]

ANTIQUE SALESTheo [email protected]

ENQUIRIES &

COMMISSION BIDSTel. +44 (0)131 557 8844Fax. +44 (0)131 557 [email protected]

ORIENTAL RUGS & CARPETSRichard Cervantes +1 [email protected]

David Weiss +1 [email protected]

RARE BOOKS, MANUSCRIPTS& EPHEMERADavid J Bloom +1 [email protected]

Kerry Lee Jeffery +1 [email protected]

BIDS DEPARTMENTBridgette Bonner +1 267.414.1208fax: +1 [email protected]

TRUSTS & ESTATESSamuel T. Freeman III +1 [email protected]

Telephone: +44 (0)131 557 8844 – www.lyonandturnbull.com

Main Switchboard +1 215.563.9275 – www.freemansauction.com

Fine Asian ArtsTuesday, 5th December, 201233 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

LARGE CHINESE BURR WOODSCHOLAR’S POT19TH CENTURY£10,000-15,000 ($16,000-24,000)

Viewing timesSunday, 2nd December, 12 noon - 4pmMonday, 3rd December, 10am - 5pmTuesday, 4th December, 10am - 5pmMorning of sale from 9am

EnquiriesLee YoungTel: +44 (0)131 557 [email protected]

Douglas GirtonTel: +44 (0)131 557 [email protected]

Auction:

Wednesday, November 14th at 10am

Upcoming atFreeman’s

Inquiries:lynda [email protected]

American Revolutionary War Battleflagandrew [email protected]

Books, Manuscripts, Maps and Printsdavid [email protected]

ExhibitionsThursday, November 8th toMonday, November 12th

Please contact the departmentor www.freemansauction.comfor further details

The Pennsylvania Sale 11/14/12

FREEMAN’S


Philadelphia, PA 19103

Telephone: 215.563.9275

RARE ‘GRAND DIVISION’COLOR OF THE EIGHTHVIRGINIA REGIMENT,1776-1779.This American RevolutionaryWar battleflag is from adescendant of Colonel PeterMuhlenberg (1746-1807).Including fringe 44 1/4 inches(hoist) x 45 inches (fly).$400,000-600,000(£250,000-375,000)

www.freemansauction.comto preview, bid or consign visit us at

1808 Chestnut StreetPHILADELPHIA PA 19103Tel: +1 215.563.9275

126 Garrett StreetCHARLOTTESVILLE VA 22902Tel: +1 434.296.4096

45 School StreetBOSTONMA 02108Tel: +1 616.367.3400

33 Broughton PlaceEDINBURGH EH1 3RRTel: +44 (0)131 557 8844

182 Bath StreetGLASGOW G2 4HGTel: +44 (0)141 333 1992

78 Pall MallLONDON SW1Y 5ESTel :+44 (0)20 7930 9115

[email protected]

a u c t i o n e e r s & a p p r a i s e r s s i n c e 1 8 0 5

1930 Cahaba RoadMOUNTAIN BROOK AL 35223Tel: +1 205.803.4949

503 W. Lancaster AvenueWAYNE PA 19087Tel: +1 610.254.9700

[email protected]

The International Sale: Fine Antiques & Decorative Arts | 3 October 2012

Documents

Transcript of The International Sale: Fine Antiques & Decorative Arts | 3 October 2012