The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

65
The Inferno By Dante Alighieri (1265-1321)

Transcript of The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Page 1: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

The InfernoThe Inferno

By Dante Alighieri(1265-1321)

By Dante Alighieri(1265-1321)

Page 2: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

TranslationsTranslations

• John Ciardi

• http://www.youtube.com/watch?v=tiElvzlH4jY

• Frantz Liszt 1856 composed Dante Symphony used music to re-create emotions and ideas of Dante’s poem

• John Ciardi

• http://www.youtube.com/watch?v=tiElvzlH4jY

• Frantz Liszt 1856 composed Dante Symphony used music to re-create emotions and ideas of Dante’s poem

Page 3: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Rebel, RebelRebel, Rebel

• Dante’s family was a prominent and wealthy family, and he became associated with a political party known as the White Guelph party.

• Eventually, the White Guelph’s enemy, the Black Guelph party, took over Florence and ordered Dante to pay a large fine which he did not feel was just.

• Dante was then permanently exiled from Florence, and was told he would “burn at the stake” if he should ever return.

• Dante’s family was a prominent and wealthy family, and he became associated with a political party known as the White Guelph party.

• Eventually, the White Guelph’s enemy, the Black Guelph party, took over Florence and ordered Dante to pay a large fine which he did not feel was just.

• Dante was then permanently exiled from Florence, and was told he would “burn at the stake” if he should ever return.

Page 4: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Love is (or isn’t?) in the AirLove is (or isn’t?) in the Air

• Dante, being a member of a prominent and wealthy family, was subject to an arranged marriage to a woman named Gemma.

• Dante married Gemma and had several children with her, however, he was really in love with the illustrious Beatrice.

• Dante, being a member of a prominent and wealthy family, was subject to an arranged marriage to a woman named Gemma.

• Dante married Gemma and had several children with her, however, he was really in love with the illustrious Beatrice.

Page 5: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

LoveLove

• Dante used Beatrice as a symbol through out his works. Beatrice -- a real woman -- became the allegorical symbol of God's love, divine revelation, Christ, salvation or a number of other interpretations. Dante only saw Beatrice a few times in his life, but she became for him a symbol of all that is good. She walks him through Paradise

• Dante used Beatrice as a symbol through out his works. Beatrice -- a real woman -- became the allegorical symbol of God's love, divine revelation, Christ, salvation or a number of other interpretations. Dante only saw Beatrice a few times in his life, but she became for him a symbol of all that is good. She walks him through Paradise

Page 6: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Exile and DeathExile and Death

• Once Florence was under new rule, any exiled man was granted amnesty, or forgiveness, and invited back to Florence .

• However, the amnesty came with conditions: men would have to pay a large fee and commit a public penance.

• Dante refused and therefore died in Ravenna, Italy on the way home from a political visit to Venice. It is believed that Dante died of malaria.

• Once Florence was under new rule, any exiled man was granted amnesty, or forgiveness, and invited back to Florence .

• However, the amnesty came with conditions: men would have to pay a large fee and commit a public penance.

• Dante refused and therefore died in Ravenna, Italy on the way home from a political visit to Venice. It is believed that Dante died of malaria.

Page 7: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

The Divine ComedyThe Divine Comedy

• The Inferno is the second book in Dante’s three part series, The Divine Comedy.

• Purgatorio, Inferno, Paradiso• Inferno depicts Dante and his spiritual

guide, Virgil’s journey through Hell.• Dante must travel through Hell in order

to get back on the righteous path

• The Inferno is the second book in Dante’s three part series, The Divine Comedy.

• Purgatorio, Inferno, Paradiso• Inferno depicts Dante and his spiritual

guide, Virgil’s journey through Hell.• Dante must travel through Hell in order

to get back on the righteous path

Page 8: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Why Called a “Comedy?”Why Called a “Comedy?”

• because poems in the ancient world were classified as High ("Tragedy") or Low ("Comedy"). Low poems had happy endings and were of everyday or vulgar subjects, while High poems were for more serious matters. Dante was one of the first in the Middle Ages to write of a serious subject, the Redemption of Man, in the low and vulgar Italian language and not the Latin language.

• because poems in the ancient world were classified as High ("Tragedy") or Low ("Comedy"). Low poems had happy endings and were of everyday or vulgar subjects, while High poems were for more serious matters. Dante was one of the first in the Middle Ages to write of a serious subject, the Redemption of Man, in the low and vulgar Italian language and not the Latin language.

Page 9: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

The Structure of the Divine Comedy

The Structure of the Divine Comedy

• The Divine Comedy is made up of 100 Cantos -- 33 in each section plus one extra in The Inferno. It was written in the Italian, not Latin

• The allegorical journey with Dante and characters from mythology, ancient Rome (Virgil-classical reasoning), Christian theology and "real life" Florence (Beatrice-faith).

• The sinners in the Inferno are punished according to an elaborate scheme of symbolic retribution--you reap what you sow!

• The Divine Comedy is made up of 100 Cantos -- 33 in each section plus one extra in The Inferno. It was written in the Italian, not Latin

• The allegorical journey with Dante and characters from mythology, ancient Rome (Virgil-classical reasoning), Christian theology and "real life" Florence (Beatrice-faith).

• The sinners in the Inferno are punished according to an elaborate scheme of symbolic retribution--you reap what you sow!

Page 10: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

A symbol: The number 3A symbol: The number 3

• Examples:• 3 divisions of the Divine Comedy• 3 types of sins ' • Incontinence-lack of control over

our passions and desires • violence- vicious and fierce

behavior • fraud- deception, trickery or deceit

• Examples:• 3 divisions of the Divine Comedy• 3 types of sins ' • Incontinence-lack of control over

our passions and desires • violence- vicious and fierce

behavior • fraud- deception, trickery or deceit

Page 11: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Themes / Terms to FollowThemes / Terms to Follow

• Allegory• terza rima• Epic poem• Symbolic Retribution• Imagery• Symbolism• Allusion

• Allegory• terza rima• Epic poem• Symbolic Retribution• Imagery• Symbolism• Allusion

Page 12: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Important definitions! Important definitions!

• 1. allegory- literary work with two levels of meaning—the literal and the symbolic. The literal journey of Dante’s symbolizes man’s struggle for meaning

• Allegories often tell moral or religious lessons• • 2. terza rima- An Italian form iambic poetry having

sets of three lines, the middle line of each set riming with the first and last of the succeeding: ababcbcdc. It was invented by Dante.

• Make a comparison with Shakespeare’s iambiac pentemeter.

• 3. epic poem-A long narrative poem tells the tales of a hero

• 1. allegory- literary work with two levels of meaning—the literal and the symbolic. The literal journey of Dante’s symbolizes man’s struggle for meaning

• Allegories often tell moral or religious lessons• • 2. terza rima- An Italian form iambic poetry having

sets of three lines, the middle line of each set riming with the first and last of the succeeding: ababcbcdc. It was invented by Dante.

• Make a comparison with Shakespeare’s iambiac pentemeter.

• 3. epic poem-A long narrative poem tells the tales of a hero

Page 13: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

TermsTerms

• Symbolic Retribution- as they have sinned, so are they punished

• Imagery- use of the five senses in writing

• Symbolism- something that stands for something else- e.g. dove=peace

• Allusion- reference to Biblical, mythology, or other literal works

• Symbolic Retribution- as they have sinned, so are they punished

• Imagery- use of the five senses in writing

• Symbolism- something that stands for something else- e.g. dove=peace

• Allusion- reference to Biblical, mythology, or other literal works

Page 14: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

At the BellAt the Bell

Comment on this statement:• Human reason is self-limited

Comment on this statement:• Human reason is self-limited

Page 15: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

AT THE BELLAT THE BELL

• HOW MANY OF THE SEVEN DEADLY SINS CAN YOU NAME?

• WHICH VICE DOES OUR CULTURE STRUGGLE WITH MOST?

• OFFER EXAMPLES

• HOW MANY OF THE SEVEN DEADLY SINS CAN YOU NAME?

• WHICH VICE DOES OUR CULTURE STRUGGLE WITH MOST?

• OFFER EXAMPLES

Page 16: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

7 Deadly Sins7 Deadly Sins

• The sinners in Hell are all guilty of one or more of the seven deadly sins. Four of of the circles of hell are devoted to punishing these sins in their varous manifestations. (Circle 2-lust, 3-gluttony, 4-greed, 5-wrath). The remaining circles do not correspond exactly to the seven deadly sins.

• The sinners in Hell are all guilty of one or more of the seven deadly sins. Four of of the circles of hell are devoted to punishing these sins in their varous manifestations. (Circle 2-lust, 3-gluttony, 4-greed, 5-wrath). The remaining circles do not correspond exactly to the seven deadly sins.

Page 17: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

7 Deadly sins7 Deadly sins• In the 6th Century AD, the Catholic Pope Gregory the Great listed

the the seven deadly sins (vices) are as follows: • Lust• Gluttony • Greed • Sloth Dante defined sloth as the "failure to love God with all one's heart, all one's mind and all

one's soul."

• Anger • Envy • Pride the sin of pride is considered the first and foremost sin. It is the sin which

led to Lucifer's downfall and which plagues mankind in various forms. Indeed pride is the ultimate sin from which all the others arise.

• Each of the seven deadly sins has an opposite among the corresponding seven holy virtues: chastity, abstinence, temperance, diligence, patience, kindness, and humility.

• In the 6th Century AD, the Catholic Pope Gregory the Great listed the the seven deadly sins (vices) are as follows:

• Lust• Gluttony • Greed • Sloth Dante defined sloth as the "failure to love God with all one's heart, all one's mind and all

one's soul."

• Anger • Envy • Pride the sin of pride is considered the first and foremost sin. It is the sin which

led to Lucifer's downfall and which plagues mankind in various forms. Indeed pride is the ultimate sin from which all the others arise.

• Each of the seven deadly sins has an opposite among the corresponding seven holy virtues: chastity, abstinence, temperance, diligence, patience, kindness, and humility.

Page 18: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

The VestibuleCanto I

Location: The Dark Wood

The VestibuleCanto I

Location: The Dark Wood

•   Dante, in mid-life, finds himself lost in a dark and treacherous wood. It is Easter time -- Good Friday. In the distance he glimpses what he thinks is a way out, but immediately he is confronted with three wild beasts -- a leopard, a lion and a she-wolf. These creatures symbolize three types of sin:

• the leopard symbolizes deceit, • the lion represents cruelty• the she-wolf represents unrestrained

passions/greed. • Dante stands frozen in fear when suddenly the

figure of Virgil appears. Virgil explains that he has been "hired" to be the spiritual guide for Dante through the terrors of both the Inferno and the Purgatorio.

•   Dante, in mid-life, finds himself lost in a dark and treacherous wood. It is Easter time -- Good Friday. In the distance he glimpses what he thinks is a way out, but immediately he is confronted with three wild beasts -- a leopard, a lion and a she-wolf. These creatures symbolize three types of sin:

• the leopard symbolizes deceit, • the lion represents cruelty• the she-wolf represents unrestrained

passions/greed. • Dante stands frozen in fear when suddenly the

figure of Virgil appears. Virgil explains that he has been "hired" to be the spiritual guide for Dante through the terrors of both the Inferno and the Purgatorio.

Page 19: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

OVERALL ALLEGORYOVERALL ALLEGORY

• Dante wants us to understand that his life’s journey (physical) is like our own. This experience of moving from dark to light ( spiritual) is common to everyone.

• Dante wants us to understand that his life’s journey (physical) is like our own. This experience of moving from dark to light ( spiritual) is common to everyone.

Page 20: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto ICanto I

• The only canto that occurs on Earth• The mood of Dante is gloomy• Virgil eventually states he will leave Dante

with a worthier spirit--Beatrice• Begins in the Lenten Season (Easter)• Rich allegories in Canto I• We learn that the ultimate goal of the

journey is to reach the Mt. of Joy--Heaven• Dante strays from the “straight road” It

probably symbolizes a pure spirit• The images in Canto I reflect that of terror

• The only canto that occurs on Earth• The mood of Dante is gloomy• Virgil eventually states he will leave Dante

with a worthier spirit--Beatrice• Begins in the Lenten Season (Easter)• Rich allegories in Canto I• We learn that the ultimate goal of the

journey is to reach the Mt. of Joy--Heaven• Dante strays from the “straight road” It

probably symbolizes a pure spirit• The images in Canto I reflect that of terror

Page 21: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)
Page 22: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Read pg. 659Leopard=allegory of deceit

Read pg. 659Leopard=allegory of deceit

Page 23: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Lion= allegory of pride or cruelty

Lion= allegory of pride or cruelty

Page 24: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

WolfWolf

• She-Wolf = literal animal• Allegory-GREED Dante • Knows that many have beendestroyed by their greedThis might symbolize Dante’sPolitical ambition—Can consume all judgmentModern ex?

• She-Wolf = literal animal• Allegory-GREED Dante • Knows that many have beendestroyed by their greedThis might symbolize Dante’sPolitical ambition—Can consume all judgmentModern ex?

Page 25: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto ICanto I

• Line 111-112• Why might souls be willing to submit

to pain?– Purgatory- where Dante will travel to

after Hell.

– What do you know about the state of purgatory?

• Line 111-112• Why might souls be willing to submit

to pain?– Purgatory- where Dante will travel to

after Hell.

– What do you know about the state of purgatory?

Page 26: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

VirgilVirgil

• Why him?• Dante values literature Roman poetic

model• Virgil's famous piece- the Aeneid which

tells the story of the founding of Rome.• He is Dante’s spiritual guide• Overall Allegory is the journey as a symbol

for life. Dante divides the poem in 3- travels from Hell (sin) to Purgatory (penitence/ purging of sin) to Paradise (Heaven)

• Why him?• Dante values literature Roman poetic

model• Virgil's famous piece- the Aeneid which

tells the story of the founding of Rome.• He is Dante’s spiritual guide• Overall Allegory is the journey as a symbol

for life. Dante divides the poem in 3- travels from Hell (sin) to Purgatory (penitence/ purging of sin) to Paradise (Heaven)

Page 27: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

AT THE BELLAT THE BELL

• Choose an animal that best represents you. Attach an idea, symbol or emotion to it.

• Choose an animal that best represents you. Attach an idea, symbol or emotion to it.

Page 28: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Answer 6 questions:Answer 6 questions:

• Canto I begins with Dante’s recogniction of himself as absorbed with _____________________ and straying from _______________________

• How does this epic poem begin in medias res?• Line 100 is a literary example of

_____________________READ ALL THE NUMBERS AT THE BOTTOM OF

EACH PAGE. Answer:• What do scholars think the three beasts

foreshadow?• Who are the “lying gods”?• Why can’t Virgil enter Heaven?

• Canto I begins with Dante’s recogniction of himself as absorbed with _____________________ and straying from _______________________

• How does this epic poem begin in medias res?• Line 100 is a literary example of

_____________________READ ALL THE NUMBERS AT THE BOTTOM OF

EACH PAGE. Answer:• What do scholars think the three beasts

foreshadow?• Who are the “lying gods”?• Why can’t Virgil enter Heaven?

Page 29: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Parallel StructureParallel Structure• Parallel structure refers to the matching of

grammatical elements within a sentence. A sentence structured with grammatically parallel elements will most likely be clear, stylish and balanced.

• It’s all about the ear!--pleasing rhythm of the sentence, the logical balance of ideas and the repetition of form.

• Simply "match" the appropriate structures to create a delightful sentence! Poetry Out Loud? Your research paper? Someone used parallel structure and I commented on it Who??????

• Handout 

• Parallel structure refers to the matching of grammatical elements within a sentence. A sentence structured with grammatically parallel elements will most likely be clear, stylish and balanced.

• It’s all about the ear!--pleasing rhythm of the sentence, the logical balance of ideas and the repetition of form.

• Simply "match" the appropriate structures to create a delightful sentence! Poetry Out Loud? Your research paper? Someone used parallel structure and I commented on it Who??????

• Handout 

Page 30: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Complete Class work -Handout

6 sentences

Complete Class work -Handout

6 sentences• Possible answers for parallel structure exercise:• 1. Dante became lost in the woods, was threatened by

three animals and was overcome with fear.• 2. The leopard represents malice, the lion represents

violence, and the she-wolf represents unchecked passions.

• 3. Dante was terrified of the dark wood, the three beasts, and the swarming insects.

• 4. Virgil is a symbol of reason and Beatrice is a symbol of divine love.

• 5. The sinners in the Vestibule are pursued by wasps, maggots and bees.

• 6. Dante also employs the character of Beatrice in the poem. She symbolizes the divine love of God, the power of faith, and comfort of hope.

• 7. The sinners in the Vestibule are tortured by insects who chase them, sting them, and suck the pus out of their sores.

• Possible answers for parallel structure exercise:• 1. Dante became lost in the woods, was threatened by

three animals and was overcome with fear.• 2. The leopard represents malice, the lion represents

violence, and the she-wolf represents unchecked passions.

• 3. Dante was terrified of the dark wood, the three beasts, and the swarming insects.

• 4. Virgil is a symbol of reason and Beatrice is a symbol of divine love.

• 5. The sinners in the Vestibule are pursued by wasps, maggots and bees.

• 6. Dante also employs the character of Beatrice in the poem. She symbolizes the divine love of God, the power of faith, and comfort of hope.

• 7. The sinners in the Vestibule are tortured by insects who chase them, sting them, and suck the pus out of their sores.

Page 31: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

AT THE BELLAT THE BELL

• What person either real or fictional might you choose to guide you on a difficult but important journey?

• What person either real or fictional might you choose to guide you on a difficult but important journey?

Page 32: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto IICanto II

• Dante is terrified and reluctant to make the journey. Virgil explains that he has been sent by Beatrice to aid Dante.

• …not in our book

• Dante is terrified and reluctant to make the journey. Virgil explains that he has been sent by Beatrice to aid Dante.

• …not in our book

Page 33: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto IIICircle One: Limbo

Canto IIICircle One: Limbo

• Dante finds himself across the great river• Begins by seeing “The Gates of Hell” (physical

allegory) symbolizing limbo—neither in hell nor in Heaven(spiritual)

• This circle is different from all the rest that he will visit. --no punishment or torture. This place is inhabited by the "good pagans." -- souls of those who died unbaptized; their only pain is that they will never see the face of God.. The souls who are neither good NOR evil are chasing a blank banner while hornets and wasps are chasing them lapping up their blood.

• Dante finds himself across the great river• Begins by seeing “The Gates of Hell” (physical

allegory) symbolizing limbo—neither in hell nor in Heaven(spiritual)

• This circle is different from all the rest that he will visit. --no punishment or torture. This place is inhabited by the "good pagans." -- souls of those who died unbaptized; their only pain is that they will never see the face of God.. The souls who are neither good NOR evil are chasing a blank banner while hornets and wasps are chasing them lapping up their blood.

Page 34: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

CANTO III CIRCLE I LIMBOCANTO III CIRCLE I LIMBO• Dante feels pity and grossed out• The ferryman Charon takes him and Virgil across the

river called Acheron• In this first Circle of Hell Dante sees the “pagans”

(those who died without knowing Christ)• The great poets such as Homer and Ovid are

mentioned here. Dante admired their writings, so he writes them in as literary examples of allusion. Also, if those who are in this circle represent those who died not knowing Christ, it makes sense that would fit both Homer and Ovid, literally. Even though Ovid lived during 15 years at the same time Jesus lived, Jesus did not start his ministry until he was 30! Homer (8th century B.C., Ovid (43 B.C. - 17 C.E.)

• Dante feels pity and grossed out• The ferryman Charon takes him and Virgil across the

river called Acheron• In this first Circle of Hell Dante sees the “pagans”

(those who died without knowing Christ)• The great poets such as Homer and Ovid are

mentioned here. Dante admired their writings, so he writes them in as literary examples of allusion. Also, if those who are in this circle represent those who died not knowing Christ, it makes sense that would fit both Homer and Ovid, literally. Even though Ovid lived during 15 years at the same time Jesus lived, Jesus did not start his ministry until he was 30! Homer (8th century B.C., Ovid (43 B.C. - 17 C.E.)

Page 35: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Read pg. 665-671Canto III Circle I

Read pg. 665-671Canto III Circle I

• Hell is symbolized by the “grim shore” on which the sinners find themselves

• The sights and sounds(physical) are an allegory for the dark side of the human soul(spiritual)

• Hell is symbolized by the “grim shore” on which the sinners find themselves

• The sights and sounds(physical) are an allegory for the dark side of the human soul(spiritual)

Page 36: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Other Circles NOT IN OUR BOOK

Other Circles NOT IN OUR BOOK

• Dante and Virgil pass on to Circle Three to view the punishment of the gluttonous.

• In the Fourth Circle Dante and Virgil see two groups of sinners-- the greedy, avaricious hoarders and the immoderate and excessive wasters. These sinners are condemned to roll great boulders towards each other. When they meet, they divide and begin again. Thus greed and miserliness punish each other.

• Dante and Virgil pass on to Circle Three to view the punishment of the gluttonous.

• In the Fourth Circle Dante and Virgil see two groups of sinners-- the greedy, avaricious hoarders and the immoderate and excessive wasters. These sinners are condemned to roll great boulders towards each other. When they meet, they divide and begin again. Thus greed and miserliness punish each other.

Page 37: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Other circles NOT IN OUR BOOK fyi

Other circles NOT IN OUR BOOK fyi

• Circle Five -- the Wrathful and the Sullen

• In Circle Six Dante sees many strange and disturbing sights. Dante has a close call with Medusa, most dreaded of the infernal furies. Dante beholds the sufferings of the Heretics, those who did violence against God, as they suffer in fiery tombs.

• Circle Five -- the Wrathful and the Sullen

• In Circle Six Dante sees many strange and disturbing sights. Dante has a close call with Medusa, most dreaded of the infernal furies. Dante beholds the sufferings of the Heretics, those who did violence against God, as they suffer in fiery tombs.

Page 38: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

OTHER CIRCLES- use for your paper

OTHER CIRCLES- use for your paper

• circles• circles Circle One - Those in limboCircle Two - The lustfulCircle Three - The gluttonousCircle Four - The hoardersCircle Five - The wrathfulCircle Six - The hereticsCircle Seven - The violentRing 1. Murderers, robbers, and plunderersRing 2. Suicides and those harmful to the worldRing 3. Those harmful against God, nature, and art, as well as usurersCircle Eight - The FraudulentBowge (Trench) I. Panderers and SeducersBowge II. FlatterersBowge III. SimoniacsBowge IV. SorcerersBowge V. BarratorsBowge VI. HypocritesBowge VII. ThievesBowge VIII. CounselorsBowge IX. Sowers of DiscordBowge X. FalsifiersCircle Nine - TraitorsRegion i: Traitors to their kindredRegion ii: Traitors to their countryRegion iii: Traitors to their guestsRegion iv: Traitors to their lordsOn Easter Sunday, Dante emerges from Hell. Through his travels, he has found his way to God and is able, once more, to look upon the stars.

Page 39: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Grammar from HellGrammar from Hell

• Grammarians use the term fused sentence to describe two sentences that are run together without an appropriate mark of punctuation.

• A sentence with a comma splice refers to two sentences incorrectly joined (or spliced together) with a comma.

• Grammarians use the term fused sentence to describe two sentences that are run together without an appropriate mark of punctuation.

• A sentence with a comma splice refers to two sentences incorrectly joined (or spliced together) with a comma.

Page 40: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Grammar LessonGrammar Lesson

• Here are some examples:• Comma splice: Dante has a close

call with Medusa, Dante then beholds the sufferings of the heretics.

• Fused sentence: Dante has a close call with Medusa Dante then beholds the sufferings of the heretics

• Here are some examples:• Comma splice: Dante has a close

call with Medusa, Dante then beholds the sufferings of the heretics.

• Fused sentence: Dante has a close call with Medusa Dante then beholds the sufferings of the heretics

Page 41: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Comma Splice/FusedComma Splice/Fused• These errors can be corrected in several different

ways. • Two sentences:• Dante has a close call with Medusa. Dante then beholds

the sufferings of heretics.• Sentence with a coordinating conjunction and

comma:• Dante has a close call with Medusa, and then he beholds

the sufferings of heretics.• Sentence with an introductory subordinate clause:• After he endures a close call with Medusa, Dante beholds

the suffering of the heretics.• Sentence with a semicolon: • Dante has a close call with Medusa; he then beholds the

suffering of the heretics.

• These errors can be corrected in several different ways.

• Two sentences:• Dante has a close call with Medusa. Dante then beholds

the sufferings of heretics.• Sentence with a coordinating conjunction and

comma:• Dante has a close call with Medusa, and then he beholds

the sufferings of heretics.• Sentence with an introductory subordinate clause:• After he endures a close call with Medusa, Dante beholds

the suffering of the heretics.• Sentence with a semicolon: • Dante has a close call with Medusa; he then beholds the

suffering of the heretics.

Page 42: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto VCircle 2- The sin of Lust

Canto VCircle 2- The sin of Lust

• Circle Two: The Lustful • In order to pass to Circle Two Dante and Virgil must pass by

Minos the great Judge of the Underworld. Minos evaluates each sinner as he appears before him and coils his tail to reveal the sinner's assigned circle.

• Two coils mean Circle Two, three coils mean Circle Three and so on. Dante now views the punishment of the Carnal and Lustful. ALLEGORY: These are sinners who let their passions sweep them away in life,(physical) now, in death so they whirl about in a storm (spiritual) they are condemned to be "swept away" for all eternity. A dirty, smelly, powerful and tempestuous wind batters and whirls these sinners at a fervid speed.

• Here Dante sees such memorable characters as Dido, Queen of Carthage; Helen, the beauty of Troy; and Cleopatra, the great ruler of Egypt. In honor of Dante's visit, the winds cease for a short spell -- long enough for Dante to hear the sad and famous story of the lovers Paulo and Francesca. Francesca tells him the story of her doomed love affair with Paolo da Rimini, her husband’s brother; the relationship has landed both in Hell.

• Circle Two: The Lustful • In order to pass to Circle Two Dante and Virgil must pass by

Minos the great Judge of the Underworld. Minos evaluates each sinner as he appears before him and coils his tail to reveal the sinner's assigned circle.

• Two coils mean Circle Two, three coils mean Circle Three and so on. Dante now views the punishment of the Carnal and Lustful. ALLEGORY: These are sinners who let their passions sweep them away in life,(physical) now, in death so they whirl about in a storm (spiritual) they are condemned to be "swept away" for all eternity. A dirty, smelly, powerful and tempestuous wind batters and whirls these sinners at a fervid speed.

• Here Dante sees such memorable characters as Dido, Queen of Carthage; Helen, the beauty of Troy; and Cleopatra, the great ruler of Egypt. In honor of Dante's visit, the winds cease for a short spell -- long enough for Dante to hear the sad and famous story of the lovers Paulo and Francesca. Francesca tells him the story of her doomed love affair with Paolo da Rimini, her husband’s brother; the relationship has landed both in Hell.

Page 43: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Story of Francesca and Paola

Story of Francesca and Paola

• She relates to him how love was her undoing: bound in marriage to an old and deformed man, she eventually fell in love with Paolo da Rimini, her husband’s younger brother. One day, as she and Paolo sat reading an Arthurian legend about the love of Lancelot and Guinevere, each began to feel that the story spoke to their own secret love. When they came to a particularly romantic moment in the story, they could not resist kissing. Francesca’s husband quickly discovered their transgression and had the young lovers killed. Now Paolo and Francesca are doomed to spend eternity in the Second Circle of Hell. Overcome with pity, Dante faints again.

• She relates to him how love was her undoing: bound in marriage to an old and deformed man, she eventually fell in love with Paolo da Rimini, her husband’s younger brother. One day, as she and Paolo sat reading an Arthurian legend about the love of Lancelot and Guinevere, each began to feel that the story spoke to their own secret love. When they came to a particularly romantic moment in the story, they could not resist kissing. Francesca’s husband quickly discovered their transgression and had the young lovers killed. Now Paolo and Francesca are doomed to spend eternity in the Second Circle of Hell. Overcome with pity, Dante faints again.

Page 44: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto VCanto V

• Direct characterization --the writer directly tells what the character is like– Direct characterization is found in Canto

V when Minos sits, grinning, grotesque and hale

Indirect characterization— the writer reveals information through thoughts, words, actions

• Direct characterization --the writer directly tells what the character is like– Direct characterization is found in Canto

V when Minos sits, grinning, grotesque and hale

Indirect characterization— the writer reveals information through thoughts, words, actions

Page 45: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto VReveals Dante’s attitude toward the souls who are punished

for giving into their lust

Canto VReveals Dante’s attitude toward the souls who are punished

for giving into their lust

• What does he think?– They should be punished?– They should NOT be punished?– Why not? What do you think?

Clinton? Charlie Sheen?These souls experience great pain for

their lust

• What does he think?– They should be punished?– They should NOT be punished?– Why not? What do you think?

Clinton? Charlie Sheen?These souls experience great pain for

their lust

Page 46: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto VCanto V

• Does Dante the speaker reflect the views of Dante the Poet?

OR • Is Dante the speaker an example of

most of the sins condemned by Dante the poet?

• Does Dante the speaker reflect the views of Dante the Poet?

OR • Is Dante the speaker an example of

most of the sins condemned by Dante the poet?

Page 47: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto VCanto V

• Dante, the poet is very sympathetic towards the passion of Paolo and Francesca. Why?

• Dante, the poet is very sympathetic towards the passion of Paolo and Francesca. Why?

Page 48: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Other circles not in bookOther circles not in book

• In Circle Seven Dante sees the punishments of the Violent. Circle Seven is divided into three parts with each section providing appropriate torments for different types of violence.

• This circle refers to the politics of Dantes day…

• In Circle Seven Dante sees the punishments of the Violent. Circle Seven is divided into three parts with each section providing appropriate torments for different types of violence.

• This circle refers to the politics of Dantes day…

Page 49: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Commonly Confused Words… Do you know the punishment

for this?

Commonly Confused Words… Do you know the punishment

for this?• One of the trickiest problems for many

students is the correct use of the words affect and effect. Let's look at their meanings:

• Affect is, for our purposes, always a verb. (There is a specialized use of the word affect as a noun in the field of psychology, and if you become a psych major in college you'll have to deal with it.) For now, however, remember: affect is a verb that means (1) to act on, impress, change (2) to feign or pretend

• One of the trickiest problems for many students is the correct use of the words affect and effect. Let's look at their meanings:

• Affect is, for our purposes, always a verb. (There is a specialized use of the word affect as a noun in the field of psychology, and if you become a psych major in college you'll have to deal with it.) For now, however, remember: affect is a verb that means (1) to act on, impress, change (2) to feign or pretend

Page 50: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

You go to circle 8!You go to circle 8!

• Here are some examples:• 1. Dante was greatly affected by what

he saw in Circle Seven.• 2. The boiling blood of the Phelgethon

River affected the sinners immensely; they writhed in agony.

• 3. Dante's descriptions affect the reader with vivid and terrifying power.

• 4. While reading The Inferno out loud, the teacher affected an Italian accent.

• Here are some examples:• 1. Dante was greatly affected by what

he saw in Circle Seven.• 2. The boiling blood of the Phelgethon

River affected the sinners immensely; they writhed in agony.

• 3. Dante's descriptions affect the reader with vivid and terrifying power.

• 4. While reading The Inferno out loud, the teacher affected an Italian accent.

Page 51: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Try your best to avoid it….Try your best to avoid it….

• Got it? Now, let's look at effect. It can either be a noun or a verb.

• (1) effect (n.)- a result, influence or impression

• Here are some examples:• 1. The effect of the punishment on the

sinners was apparent.• 2. Virgil's guidance had a positive effect on

Dante. • 3. The effect of Dante's journey through hell

is clear; he is terrified. • 4. The menacing looks of the centaurs had an

immediate effect on the sinners

• Got it? Now, let's look at effect. It can either be a noun or a verb.

• (1) effect (n.)- a result, influence or impression

• Here are some examples:• 1. The effect of the punishment on the

sinners was apparent.• 2. Virgil's guidance had a positive effect on

Dante. • 3. The effect of Dante's journey through hell

is clear; he is terrified. • 4. The menacing looks of the centaurs had an

immediate effect on the sinners

Page 52: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Hint: One way to check for the proper use of effect in a sentence is to try the articles "the," "a" or "an" in front of it. If it makes sense, use the word effect.

Hint: One way to check for the proper use of effect in a sentence is to try the articles "the," "a" or "an" in front of it. If it makes sense, use the word effect.

• 1. The (affect/effect) of The Inferno on the reader is often significant and profound.

• 2. Dante's appearance in the Second Circle (affected/effected) a change in the weather; the passionate winds stopped howling.

• 3. Dante's political views (affected/effected) his entire life.

• 4. The centaurs' personal (affects/effects) included bows and arrows.

• 1. The (affect/effect) of The Inferno on the reader is often significant and profound.

• 2. Dante's appearance in the Second Circle (affected/effected) a change in the weather; the passionate winds stopped howling.

• 3. Dante's political views (affected/effected) his entire life.

• 4. The centaurs' personal (affects/effects) included bows and arrows.

Page 53: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Random infoRandom info

• The effect of The Inferno on the reader is often significant and profound.

• 2. Dante's appearance in the Second Circle effected a change in the weather; the passionate winds stopped howling.

• 3. Dante's political views affected his entire life.

• 4. The centaurs' personal effects included bows and arrows.

• The effect of The Inferno on the reader is often significant and profound.

• 2. Dante's appearance in the Second Circle effected a change in the weather; the passionate winds stopped howling.

• 3. Dante's political views affected his entire life.

• 4. The centaurs' personal effects included bows and arrows.

Page 54: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Other circlesOther circles

• Unlike the other circles, this lovely piece of real estate has a name-- "Malebolge"-- variously translated as "evil pockets," "evil ditches," or "evil pouches."

• Panderers and Seducers• Flatterers and 10 more….

• Unlike the other circles, this lovely piece of real estate has a name-- "Malebolge"-- variously translated as "evil pockets," "evil ditches," or "evil pouches."

• Panderers and Seducers• Flatterers and 10 more….

Page 55: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

In English, verbs have either an active "voice" or a passive "voice." Most of the time we write and speak using active voice constructions.In English, verbs have either an active "voice" or a passive "voice."

Most of the time we write and speak using active voice constructions.

• Active: Dante visited the dark, disgusting and vast circle of Malebolge.

• Sometimes, however, a writer may wish to emphasize the object part of the sentence rather than the subject. The passive voice is really a "switched around" sentence in which the object becomes the subject. Confused? Don't despair! Just look at the example below of a passive construction:

• Passive: The dark, disgusting and vast circle of Malebolge was visited by Dante.

• In this sentence the focus is on the horrifying characteristics of Malebolge rather than on Dante.

• Active: Dante visited the dark, disgusting and vast circle of Malebolge.

• Sometimes, however, a writer may wish to emphasize the object part of the sentence rather than the subject. The passive voice is really a "switched around" sentence in which the object becomes the subject. Confused? Don't despair! Just look at the example below of a passive construction:

• Passive: The dark, disgusting and vast circle of Malebolge was visited by Dante.

• In this sentence the focus is on the horrifying characteristics of Malebolge rather than on Dante.

Page 56: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

This is purgatory, for sureThis is purgatory, for sure

• Change the following sentences to use the active voice rather than the passive.

• 1. The achievements of Dante were acclaimed even while he was alive.

• 2. In Circle Two, the judging of sinners was performed by Minos.

• 3. Transportation problems were solved when Charon ferried sinners across the waters.

• Change the following sentences to use the active voice rather than the passive.

• 1. The achievements of Dante were acclaimed even while he was alive.

• 2. In Circle Two, the judging of sinners was performed by Minos.

• 3. Transportation problems were solved when Charon ferried sinners across the waters.

Page 57: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

AnswersAnswers

• 1. Dante's achievements were acclaimed even while he was alive.

• 2. In Circle Two, Minos judged the sinners.

• 3. Charon solved the transportation problems of the sinners and ferried them across the waters.

• 1. Dante's achievements were acclaimed even while he was alive.

• 2. In Circle Two, Minos judged the sinners.

• 3. Charon solved the transportation problems of the sinners and ferried them across the waters.

Page 58: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Cantos XXXII-XXXIV - Circle Nine : Cocytus

Cantos XXXII-XXXIV - Circle Nine : Cocytus

• Dante and Virgil begin the last part of their journey. They have arrived at the Ninth and final circle of hell. The landscape here, perhaps surprisingly, is that of a vast frozen lake. It is described as "a lake so frozen/it seemed to be made of glass." Here are the sinners farthest away from the warm love of God. First Dante views the Treacherous Against their Kin. This particular section of hell -- Cocytus -- is called Caina, named of course, after the Biblical Cain. Next Dante arrives at Antenora and sees the Traitors to Country. Here Dante, along with the reader, is mesmerized by the terrifying story of Count Ugolino and Archbishop Ruggieri. The third section of Cocytus is called Ptolomea is the home of the Treacherous to Guests and Hosts. These sinners are pinned in the ice, their eyes shut with frozen tears. Section four, Judecca, named for Judas Iscariot, punishes the Treacherous to their Masters. At the center of this horrid ice-pit we find Satan. Although he is imprisoned in the ice, his great wings are free to beat the frozen air. He is a monster of the most grotesque nature. He has three faces. In each of his mouths Satan chomps on the greatest traitors in Dante=s view -- Judas, the betrayer of Christ, is ripped and guzzled in the center mouth of Satan. The other mouths shred Cassius and Brutus, the betrayers of Caesar. Dante=s reaction to this sight is one of the most awesome fear.

• Dante and Virgil begin the last part of their journey. They have arrived at the Ninth and final circle of hell. The landscape here, perhaps surprisingly, is that of a vast frozen lake. It is described as "a lake so frozen/it seemed to be made of glass." Here are the sinners farthest away from the warm love of God. First Dante views the Treacherous Against their Kin. This particular section of hell -- Cocytus -- is called Caina, named of course, after the Biblical Cain. Next Dante arrives at Antenora and sees the Traitors to Country. Here Dante, along with the reader, is mesmerized by the terrifying story of Count Ugolino and Archbishop Ruggieri. The third section of Cocytus is called Ptolomea is the home of the Treacherous to Guests and Hosts. These sinners are pinned in the ice, their eyes shut with frozen tears. Section four, Judecca, named for Judas Iscariot, punishes the Treacherous to their Masters. At the center of this horrid ice-pit we find Satan. Although he is imprisoned in the ice, his great wings are free to beat the frozen air. He is a monster of the most grotesque nature. He has three faces. In each of his mouths Satan chomps on the greatest traitors in Dante=s view -- Judas, the betrayer of Christ, is ripped and guzzled in the center mouth of Satan. The other mouths shred Cassius and Brutus, the betrayers of Caesar. Dante=s reaction to this sight is one of the most awesome fear.

Page 59: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto XXXIV…in your bookCanto XXXIV…in your book

• Upon first seeing Satan, Dante, the speaker is totally freaked out in fear

• Indirect Characterization ex.-• Review the definition from slide 37

– When he wept from his six eyes, and down three chins/the tears ran

Satan is portrayed in this Canto as a MONSTER! How is Satan portrayed in your life?

• Upon first seeing Satan, Dante, the speaker is totally freaked out in fear

• Indirect Characterization ex.-• Review the definition from slide 37

– When he wept from his six eyes, and down three chins/the tears ran

Satan is portrayed in this Canto as a MONSTER! How is Satan portrayed in your life?

Page 60: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Almost in Heaven… how sweet it is

Almost in Heaven… how sweet it is

• His first view is described in this manner: "Do not ask, Reader, how my blood ran cold and my voice choked up with fear. I cannot write it: this is a terror that cannot be told." After observing the horrible image of Satan, Dante and Virgil must climb down the furry body of Satan, "repelling" off of this torso to arrive at the exit of Hell. They walk along the banks of Lethe, the River of Forgetfulness and emerge at the foot of Mount Purgatory. It is Easter Sunday morning.

• His first view is described in this manner: "Do not ask, Reader, how my blood ran cold and my voice choked up with fear. I cannot write it: this is a terror that cannot be told." After observing the horrible image of Satan, Dante and Virgil must climb down the furry body of Satan, "repelling" off of this torso to arrive at the exit of Hell. They walk along the banks of Lethe, the River of Forgetfulness and emerge at the foot of Mount Purgatory. It is Easter Sunday morning.

Page 61: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

Canto XXXIVCanto XXXIV

• The ending sentence, “And we walked out once more beneath the Stars”- What does this show about the journey of Virgil and Dante?– They are leaving hell!

• The ending sentence, “And we walked out once more beneath the Stars”- What does this show about the journey of Virgil and Dante?– They are leaving hell!

Page 62: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

AT THE BELLAT THE BELL

• IF YOU COULD CHOOSE A TITLE FOR Canto V and XXXIV what would it be?

• IF YOU COULD CHOOSE A TITLE FOR Canto V and XXXIV what would it be?

Page 63: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

How to quote a poem and cite a poem

How to quote a poem and cite a poem

• Signal phrase, comma quotation marks citation Sylvia Plath describes the speaker's perception of her physical appearance by saying, "An elephant, a ponderous house" (Plath 2).

• Quote up to three lines of poetry the same way you quote one line. The only difference is that a slash (/) must be placed between lines of poetry to show where lines begin and end. Example: Sylvia Plath describes the speaker's perception of her physical appearance by saying, "An elephant, a ponderous house / A melon strolling on two tendrils / O red fruit, ivory, fine timbers!" (2-4).

• Signal phrase, comma quotation marks citation Sylvia Plath describes the speaker's perception of her physical appearance by saying, "An elephant, a ponderous house" (Plath 2).

• Quote up to three lines of poetry the same way you quote one line. The only difference is that a slash (/) must be placed between lines of poetry to show where lines begin and end. Example: Sylvia Plath describes the speaker's perception of her physical appearance by saying, "An elephant, a ponderous house / A melon strolling on two tendrils / O red fruit, ivory, fine timbers!" (2-4).

Page 64: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

REVIEWREVIEW

• Know the following characters:• Dante, Virgil, Betrice, Leopard,

Charon, Acheron, She-Wolf, Cocytus, Minos, Francesca

• Know info from all the previous slides especially that which is bolded

• Short Answer: Define allegory/offer one example from any of the Cantos

• Essay: HW assignment of definition essay.

• Know the following characters:• Dante, Virgil, Betrice, Leopard,

Charon, Acheron, She-Wolf, Cocytus, Minos, Francesca

• Know info from all the previous slides especially that which is bolded

• Short Answer: Define allegory/offer one example from any of the Cantos

• Essay: HW assignment of definition essay.

Page 65: The Inferno By Dante Alighieri (1265-1321) By Dante Alighieri (1265-1321)

HW assignmentHW assignment

• Create a CD of music to accompany one of the seven deadly sins lyrics must be handed in first

• Create a visual art piece of one of the circles. Use any medium you choose.

• Create a CD of music to accompany one of the seven deadly sins lyrics must be handed in first

• Create a visual art piece of one of the circles. Use any medium you choose.