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Vrro in Cloth,

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From a phoTooraphbyh/ndpermissionrofA/fre/Ws. upperBakerS*M h/.

R,WOT"f^'^ HOPWOOD S CREWE? 42D°New Bond Street. W

AGENTS: WHITE-SMITH, MUSIC PUBLISHING CO., BOSTON, NEW YORK 4 6HICM30.

COPYRIGHT 1SSS. BY HOPWOOD 1 CHEW.

All performing Ritjhh w this Opera arc reserved. Single detanked numbers may be »">«/ at <tmcerts,

not more Hum two nt one. Concert, but they must he given tvithout Stage Costume or Actum. In no rate

must such performance be announced as a "Selection" from the Opera. Application for right of performing

the ahore (Jp<o-a must he, made to Mr. GEORGE EDWARDES, Duly'* Theatre, London.

THE GEISHA.A STORY OF A TEA HOUSE.

H Japanese flfousical flMa^

IN TWO ACTS

LIBRETTO BY LYRICS BY

OWEN HALL. HARRY GREENBANK.

MUSIC BY

SIDNEY JONES.Authors of " An Artist's Model" and "A Gaiety Girl."

VOCAL SCORE ... 6s. net

Do. (Bound in Cloth) ... 10s. „

PIANOFORTE SOLO ... 3s. „

LYRICS ... 6d. „

Pontoon

HOPWOOD & CREW, Ltd., 42, New Bond Street, W.Boston, New York and Chicago: The White-Smith Music Publishing Company.

Germany and Austria : Messrs. Bote & Bock.

Budapest: Bard Ferencz es Testvere.

Copyright 1896 by Hopwood & Crew.

All performing Rights in this Opera are reseri'ed. Single detached numbers may be sung at Concerts, not mot

than two at one Concert, but they must be given without Stage Costume or Action. In no case must such performance be

announced as a "Selection" from the Opera. Application for right of performing the above Opera must be made t«

Mr. GEORGE EDWARPES, Daly's Theatre, London.

Performed at Dalys Theatre, London-

Uramatts personam

O Mimosa San (Chief Geisha)

Juliette Diamant ... (A French Girl, attached to Tea House as Interpreter)

Nami (Wave of the Sea) (an Attendant)

Kiku Sax (Chrysanthemum)^

Ha>-a San (Blossom)

Kinkoto Sax (Golden Harp)

Komurasaki San (Little Yiolet)

Lady Constance Wynne (an English Visitor in Japan, travelling in her Yacht)

Miss Marie Worthtnoton ...

(Geisha)

Miss Ethel Hurst

Miss Mabel Grant

Miss Louie Plumpton...

Miss Molly Seamore...

Eeglxald Fairfax

Dick Cunningham

Arthur Cuddy ...

George Grlmstox

Tommy Stanley (Midshipman)

Captain Katana

Takemtne

WUX-HI

The Marquis Lmari ..

(English Ladies, Guests of Lady

Constance)

(Officers of H.M.S. "The Turtle")

(Captain of the Governor's Guard)

(Sergeant of the Governor's Guard)

... (a Chinaman; proprietor of Tea House)

...(Chief of Police and Governor of the Province)

Coolies, Attexdants Mousmes, Guards, &c.

Miss Marie Tempest.

Miss Juliette Nesyille.

Miss Kristixe Yudall.

Miss Emelie Herve.

Miss Mary Fawcett.

Miss Elise Cooke.

Miss Mary Collette.

Miss Maud Hobsox.

Miss Blanche Massey.

Miss Hetty Hamer.

Miss Alice Davis.

Miss Margaret Fraser.

Miss Letty Llnd.

Mr. Hayden Coffin.

Mr. Louis Bradfield

Mr. Leedham Baxtock.

Mr. Sydney Ellison.

Miss Lydia Flopp

Mr. William Philp

Mr. Fredk. Eosse,

Mr. Huntley Wright.

Mr. Harry Monkhousb

ACT I.

—

The Tea Home of Ten Tliousand Joys. ACT II.

—

A Chrysanthemum Fete in the Palace Gardent,

Time—The present.

The action of the play takes place in Japan outside the Treaty Limits.

CONTE NTS.> <

1. Opening Chobus ...

2. Entrance of Officers

3. Song

4. Song

5. Song

6. Duet

7. Concerted Piece...

8. Chorus

9. Concerted Piece...

10. Duet

11. Song

12. Eecttative...

12a. Song

13. Song

14. Finale

2lct i.

" Happy Japan "

"Here they come"

"Jack's the Boy"

"The dear little Jappy-Jap-Jappy

"

"The Amorous Goldfish" ...

"The Kissing"

..."Xf you will come to tea" ...

"Lamentation"

"We're going to pall on the Marquis"

"The Toy"

"A Geisha's Life"

" Attention, pray !

"

"Chivalry"

"ChonKina"

"Though of staying too long"

Pagb

1

14

25

28

32

35

39

48

55

60

64

68

73

77

85

15. Entr'acte ...

16. Chorus

17. Song

18. Duet

19. Concerted Piece...

20. Song

21. Song

22. Entrance of Chorus

23. Entrance of Geisha

24. Song

45. Song

26. Song

27. Song

28. Finale

29. Quartette

30. Quartette

31. Song

32. Song

33. Song & Chorus

34. Song

35. Song

&ct 51,

"Day born of Love"

"The Toy Monkey"

" Ching-a-ring-a-ree !

"

"Geisha are we"

"Star of my Soul"

"If that's not Love—what is?"

"With splendour auspicious"

... "Chin Chin Chinaman"

"Love! Love!"

'

' Hey-diddle-diddle ! when man is in love

'

, "The Interfering Parrot" ...

"Before our eyes"

SUPPLEMENTARY NUMBERS."What will the Marquis do?"

"Jolly young Jacks are we"

"The Jewel of Asia" ...

"I can't refrain from laughing "

"The Wedding"

"Molly Mine"

... "It's coming off To-day"...

107

111

120

124

128

135

138

141

143

149

155

159

165

172

176

181

185

188

193

200

203

Geisha—Vocal.

"THE GEISHA."

Words by

OWEN HALL-

(A STORY OF A TEA HOUSE.)

A JAPANFSE MUSICAL PLAY.

LYRICS BY

HARRY GREENBANK.MUS!C BY

SIDNEY JONES

X? 1. OPENING CHORUS— "HAPPY JAPAN.'

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JV.° 2. ENTRANCE OF OFFICERS.- "HERE THEY COME.

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—

m m mmV g-f—t* -*" f~Though your ways are queer arid fun - ny, Japs are ve _ ry glad you've come.

mim ^ i t ^ i\ Though your ways are queer and fun.ny, Japs are ve _ ry glad you've come.

28

JU ^^ £ ;fefeg I V m

Eng . lish.man has lots of mo . ney, Eng - lish.man will spare us some.

j J. J J J- I

J' J' J- } I

J'.

fe N N Iv N

Eng . lish-man has lots of mo . ney, Eng . lish.man will spare us some,

m m m+—

»

m- m fee£9-—i*—i* >" >—tr fEng . lish.man will spare us some,Eng . lish.man has lots of mo . ney.

s* v N. F=F0-*—W£ Pr f V \r

—\r ~V p" 1

Eng _ lish.man will spare us some,Eng . lish.man has lots of mo _ ney.

M.tt 0' =»

££=fc F=^v p-

Dance or song she won't re . fuse.Pret _ ty geis. ha will a . muse,

F fe k e I h h-5 a

—

m m • •—f n cm 00 m

Pret _ ty geis _ ha will a . muse, Dance or song she won't re . fuse.

iip0-1

¥I-—

^

4* V 1>> kPret _ ty geis. ha will a _ muse, Dance or song she won't re _ fuse.

P c- ^ ii zmm^u- k

Pret - ty geis -ha will a . muse, Dance or song she won't re . fuse.

24

4->

g g r- c '

J E r ip- cr j i M*

Great big Eng.lish sai .lors, please, Try our tea - pot

n fe n n .1 s K i i fv fe s =£:m^ Jap . an . ese,

m* * +

4Great big Eng-lish sai _ lors, please, Try our tea- pot Jap _ an - ese,— ! — ---. ... .-.. .im i r* '

' r* I'

'

-j 1

I —m ' — '' ' ^

g s p r. g ^?»^

Great big Eng-lish sai . lors, please, Try our tea - pot Jap . .tan „ ese,

3 r^ ri f Vr g !»

J r rr

Great big Eng-lish sai . lors, please, Try our tea- pot Jap _ an _ ese

ffl uu-au- mMtf=* * _j£ • , a

Sai _ lorspleasi oh try our tea- pot Jap|v N I N N \^=£=^ m

an . ese.

ESai . lorspleaseoh try our tea-pot Jap an _ ese.

" g g g I c t ^3EE^

Sai . lorspleaseoh try our tea-pot Jap . an

£ee£gc g ' gg J^g

Sai _ lorspleaseoh try our tea-pot Jap _ an _ ese

;ii^ 'i r r r i ffran

dim. ijrs^nffl fifff

»» TFTF Itftt I fit>Tmj

M™

ws

1^ pdim.

—•

—

•c

-

§=m-9-

JV? 3. SONG- (FAIRFAX & OFFICERS.)"JACKS THE BOY."

PIANO.

Allegro moderate*

8

COMPOSED BY

LIONEL MONCKTON.

m^

4-1i^l

# ••

^A^A-^frJiW^

l±* iJ^I J. J h >J P^ffi P5^

$MOf all the lads that be There is on . ly one form'-. And his

When Jackhasgot his pay He's the __.jjay.est of the gay- For the

JTJ»

\

i v p i" I 1

\

i" rY^fEE

SI 3=i #£^f ^^p J-^-Effrj J^AJlf g r'r^^

*

home is on the waters deepand blue:

io_neyin his pocket burnsa hole,

But a friend he'll' never lack, For the

And he's ne . ver happy quite Till he's

#9- N \ (v P^PS i * * 5 t * S^ J>TT7*^

N \ \

JEj !!! j I y ~ii~

JT

J7

I

J- J j. J.J J-JiVj.J'[ gr; i

J_ Jy^Pworld's in love with Jack—He's the smartest and thebest of fet-lows too!.

spent it Jeft andright-Like a ]0 _ vi.al and careless hearted soul.

So his

Tho" he's

m MNNf n \ g&f f

^P

T^-i-4 t ^si Jr—

^

t'upynght I89(S. by Hopwood & Crew.

26

te j. i ,

1-. j J ; :-i j S N

d t '.i ^

hand we like to grip As he goes a .board his ship. While the

ve _ ry far from shy When a pret . ty girl is by, Yet a

wm mi

m7r ' l ' T^T

^gfg

?7

r't^ F F F

S

tM>SS fc & fc ^#-*-

E P E E^H- Igirls are fit to break their pret _ ty

lad may sure . \) "kiss and ne . ver

hearts.-

tell!'.'.

.

For he

And when

;*^* 1^ mFrt*

v~v r y

^m ^^£ E*E

;

*i »

»

fel^-J-^

*ft-fr J, J, J-

J

Id// p..

l=fc= r iJ-^t*'• »

loves them by the score When he gai • _ ly comes a. shore, And they're

du _ ty calls him back. Taut and trim goes Jul - ly Jack To the

m ±—^W^PB j

rail

St** M

if" tan do rit.

^:»r (3$ P

sad when their Jack de

ship that he loves so

parts!

.

well!

$te J. 3 J. J J. 3 J. I

? f r f1 , liim.t rit-l ,

II .

1 K J J

"^^ 1^

- .f *<"• do

mm ma

27

uif a tt myo

i'

1

' 1 1 i i i I i J- 5 iN=^

crtsct tido

imm¥s P/ *"

Jack's the boy for work! Jack'sthe boy forplay! Jack's the lad.Whengirlsare sail.To

Mf' /'J' J" fP a ttmpo

a^ icitsft iido

A B J 1PW =f g?^ y=V J ^=q^?55 T

££s * N X^

£ ^*£P^P *Ei Sa -#-= F-

Mekiss tin- 1 cars a.way! Ah! Ilanl as nails- afloat;

rT\

best offriencK ashore:

fc=£=E§^ *—

•

P3S/ dun.

* t 1Z-

^ j?Jllilp^jm f

*=*=

~ir 2°

s J- >• ;: i J P

1

1 r ii Jj -

i^^Jack aJhoyJYoure jtistthebov That all our hearts adore! all onrhearts adore!m m*x^X-^4^ mtti 5 1r f T rs^ i

/

f E^ P*<j tptnt ¥ D,C.

fefetT\

4°

F

;

f g^ PP^i P

tip

ill our hearts ajlore! all our hearts a_dore!

r j r

s —m—n\

hint.

S¥^ -«=f=

^Rcptaty

28

PI ANO.

JV"4. SONG— (CUNNINGHAM.) "THE DEAR LITTLE JAPPY-JAP-JAPPY."

Moderate

^»lJcJaCUN.

1. There came

2. They walk'd

3. So Jack

to the land of Ja

in the shade of the

has de _ „ part _ _ ed in

pan —

.

trees ,

doubt

i a

To the

In the

From that

H=F S/•'

sSi J -

j! J i i ^p _ J'^^^ S K SrCUN.

=»=*sea _ port of fair Na _ ga

gar _ duos of fair Na - ga

mai . den of fair Na - ga

ki .

- _ sa . ki.

_ _ ea . ki;

From an is . land a _ far Such a

And her cheeks they were pink At the

Though he wept and he sigh'd At the

fS ±ZTt w 4 t

asgfr=s

mm i-Jr J'^'J'"J ^ ; ^ J

i -N. J J-CUN

jol . ly Jack Tar, With his horn-pipe, his grog and his baccy Now it

nau.ti- - cal wink, And the ma _ ri . time man-ners of Jac . ky !„> . . . Though the-

lose of a bride Till the cap _ tain and crew thought him crac-ky Ar.J ho

*f m § "H.m

m ±-Sz^i

Copyright 1896, by HopwooH & Crew

"#: ;n j- ; i

j-_.j-; j i ;. J- .y j

29

chanc'd that he pick'd up a fan For a dear lit -tie Ja - pan, est-

tar could-n't speak Ja . pan . ese Yet in Eng.lish he ask'd her to

vows, as he cruis . es a - . bout (Though by les _ eons and hooks as a

I wm mmw^

m.

f|^.j-j_j'j- m I r-s j j- ;i Jtj^j j j

par - ty , . . . And he turn'd her young head When he gal-lant-ly said, "You're a

mar - ry ; ... Then she crept to his side. And her fan o.pen'd wide. As she

full' bored). . That all sea - men A. P.s Should be taught Ja - pan - ese By a

m ^r^r 2*agfe ^ 2.^ V I 5

J J J' ^ V rV^s ^^GUN. —Tttrim

mur.ra _

lit - tie ves _ sel my hear.ty!" So that dear lit - tie Jap . py - Jap -

mur'd, Hail Ka _ shi - ko . But knew not a scrap - py - scrap -

ther too li _ be . ral School Board! But that dear lit _ tie Jap _ py - Jap -

*£ ^£mf7 1 m

^m fI k^ ^ J i r

r i rj

£e£aCUN

Jap .

scrap

Jap _

pypypy.

Set her smart lit - tie cap . py - cap

Of the Ian . guage of Jap _ py - Jap

She has fill'd up the gap _ py - gap

cap - py At the

Jap . py I . . . . Had she

gap _ py , . . . . And has

30

$S ^ raU: C\ a ^'"f"

p j j i j. iitf. r.f. p

CUN. sm

mjol . ly Jack Tar From the is _ land a _ far In the west of the map. py-map-told him to go— With a Ja - pan_ese "No! "-• Or with ''Yes! made him hap - py - hap -

cho. sen instead To be hap . pi . ly wed To a Ja . pan . ese chap py - chap-

j_, .

—

r

—

I

—i —a-

mssB#

lull: GS a t

iempn

m

iCEISHA.

j- m 1 1 i ^^CUN. ^map _ py

!

hap . py?chap -py

!

So that

But he

But that

dear lit _ tie Jap - py - Jap - Jap _ py .

knew not a scrap- py - scrap - MT.ip.py.

dear lit . tie Jap - py - Jap - J.<p . py ,

Set her

Of the

She has

1 1 yn | Fi

pj_j-^

CUNNINGHAM. ^CEI. Psmart lit. tie cap - py - cap - cap - py At the jol - ly Jack" Tar From the

lan-guatfe of Jap _ py - Jap - Jap _ py ! . . . . Had she told him to go— With a

fill'd up the gap. py - gap - gap . py , . . . . And has cho - sen in . stead To bemtail:

(ALL TOCETHER.)/^ a tempo.

w « m m—

%

5Em S=£CUN. PpPis . land a - far In the west of the map - py - map - map _ py!

Ja - pan- ese "No!— Or with 'Yes!"made him hap - py - h.ip - hap - py?

hap - pi - lv wed To a Ja - pan - ese chap - py - chap - chap . py !

DANCE (after third verse.) 31

PIANO.

s ££=£fr. ?

"!/'

t=ils ij p #^£am^• s^it

s.feg¥^ t^ J.1'.'

g g |p*^ h

CLr

LCir5S sac?

# !i * *flf/fJv

./ "'f

m£ClT C-l^ l

EE;n% r? p

l>, cggrfm m ^^

jfc.'rfji*A—Jt <£ A

[^u ]^u i^mt——i m

p HP J ^

^s^

•s^i

n^£=£

•PP## Jt JLm w^m&

^cirttfiyr-^i

cir^iaf

ffl: =Em^w- ee a e/ y

3?F^•-—•*-

* v r g 1 *hi^a §^ U3 ^

32

JV? 5. SONG.— "THE AMOROUS GOLDFISH.'

A n d ;t n ( •;

VOICE

PIANO

* ^ ^mF^big glass bowl, As

sun - shine bright, That

time up - set Tire

dear lit. tie gold _ fish

of _ fi . cer brave to

of _ f i . cer brave and

do,

charm,

gay.

PPf^ * #

But she

And he

And his

§^9)r r v- tr

§m ICopyright INfJfi. by Hop-wood & Crew.

1:1

h h

S F^ ^ Ir

—

p—

r " " '

—loved with the whole of her heart a^Tid soul Aji ^ of.fi.cer bravevowed she was quite a de _ light _ ful sight. So her spintswere gaysad lit. tie pet he con -trived to for. get, For with ne.ver a crumb

At ,

£ \r—from thetill hedid he

* ^m m fcefiaJjrus i

f. f fi 4=

LJ CI

f

1 f ',V

o . cean Wave, And she thought that he loved her too!

came one day With a girl on his stal .wart arm!

chance to come, So the gold-fish pined a - way!

£££} } ffllf

Herhi

Un

m^m i i=t £#*=»

i t or' i « ^^?small in . sidewhis . pers low

. til at last

he dai . ly fed With crumbs of the best di

they talked of love He begged for a rose and a

some care - less soul 'With a smash knock'd o . ver the

# *m ^gest _ ive bread.worn out glove;

big glass bowl,

Tins kind at ten . tionIJtn wh.-.i lln-y kissed a

And there on the car _ pet,

proves; 1 said she, "How exfond goo. I - bye, Thedead and cold. Lay the

34

ce^d.ing . ly fond he

poor In .IK' gold - fish

poor lit . tie fish

$te mi—u

—

j-

Ill" should

He shouldIs a

And sho thought"It's fit . fit _ fit _ ie"rT

And sho sohbed"It's bit - bit . lot _ tor..

But her fate so bit _ bit _ bit - ter..

Ppr r ir tr i m<&* w^m h

wm

love

1 ovi-

st o _ ry

my glil . glit

this crit _ frit

fit . fit

glit - tor.

crit _ ter,

fit _ ter.

Than his

When I

For a

heart give a _ way To the

thought he would wish For a

sad lit- tie sigh And a

; fl-fr J--0 —

u

t T3 j n^ ra f£§* § ^E# A

^

i*=^ -* m—

±J^ *•^mtwit . ter. 1"

glit _ ter.."

tif . ter!"*

i?—trbut . ter.fli.-s gay. Or the birds that twit - twit

nice lit .tie fish W'nh a frock all glit . glit

tear hi the eye Than a thought -less tit tit

ga^i?

-4—j-tjP^ J *T It;*=?=?=

{-J1U./).>'

JV?6. KISSING DUET.- i MIMOSA & FAIRFAX.)

35

Moderato.

VOICE.

FAIRFAX.

PIANO.

m $pp ^=tsm a ¥ za

eharni-ing lit _ tie %-ei - s/ia

make my mfan_ing eliar_er« m

Quite the nic _ est girl in A _ sia,

You must come a lit _ tie near, rr

-£—

s

P £

nrBut I

Ilav.ini

^^ ife 4-1 i i

i m^m ^

$tmfear there's something miss.ing, O my pret - ty Jap - an _ ese! English

first dis. _ cn_ver 'd whether There is a _ ny - one a _ bout; Thenyour

£ r-£Mt^ P £^

^ it *^¥

fCnyvright 189€, bv Hujj«nar1 & Crew.

36

i 'j •

i ^mFrench and Ger_ manface half - shy _ ly

miss.es Do not ask me whatrais.ing Tillyour -yes in his a

fkiss is— They are

gaz _ ing, Place your

£ % $ m?

3S 1 4-1 *_£

MIMOSA.

Sj/;« mo.v.so

£fall cx.perl at kiss _ ins?. Will you teach me, if you please? I be _

pret _ ty lips lu . ge.ther In a dain . ty lit _ tie pout.(MIM.)lf a

m ^M i J I ^51 *f*f 1 rpf

95^i-J-* i

i ^^ p;u r/iosso

^^T=f

p I ijJ j| ^ V-fr? *£e£ ^lieve Im quick and cle _ ver, And I pro.mise 111 ensmile my cheeks should dim. pie, It's be _ cause it's all so

dea.vour In the

s i m _ p 1 e ! W h y of

B3=r

ms ztfej iihrri iin*

ir*5*

PPpii»

ii

!i I. ^=G^ ** 3*

r r g JJ

i ^task to do you ere. ilit If your pu _ pil I may be! O mysuch a tame pro.ceed _ ing Should you make so great a i fuss? Its a

37

II i ij r e

*=k

jrj-

u •

*CCr/A

sat _ lor bright and breez_y, Is it dil - fi .cult or

farce ah . surd . ly ho! . low -But per - haps t here's more to

ea _ sy?— Is it

fol . low? For in -

IS,

f

^sMf ggFAIRFAX.

ts=V: 3^or shall I dread it? On.ly wait and you shall see!

true . tion I am plead.inj£!— And I give it ^ to you— thus! (Kisses her.)

4ffTfl4.

r^Jrn j j= js W^ 35

I *f foco ;vz/7.^

#><i.

MIMOSA,rr tt)Hi)u yoco jntno mo'sso. FAIRFAX.

m mm fe^It has

half a . fraid to

charms I can't ex

try— Then the task we won't pur

plain— Which you ne _ ver knew be

t m i Pffr ^p rTfl P.rMrPr„»•

asa//.

a tempo poco mt no mosso.-*£

Iz2

I=£MIMOSA. FAIRFAX.

s^ 3 ^?=r £sue. Shall I like it by-andfore! Teach me once, just once a

b} > It's

irain! Pret

ob_ject.ed to by fev !

ty pu-pils I a dore.

J ^ ^ #^r^ #*^fs^

^^ 1? 4-/*'/J

#'

38

mp^U? | 3 k M gj gj

^m«e- g.

i 1MIMOSA. Piumesso. mr

—* mLit - tie mai . den, Won _ der

Lit . tie mai _ den, Won . der

la . den, Ev' - ry

la _ den, Ev' ± ry

FAIRFAX.

iBE i wm$=^ m

« : *

Lit - tie mai _ den. Won - der

Lit _ tie mai _ den, Won _ der

la . den, Ev' _ ry

la _ den, Ev" _ ry

-^

f f fP i n u

mPiii mosso.

i -& * 1Ul#

^s

^1r i;i

r'I iM ±

day learns some - tiling new.

day le.irns some - thing more.

jgj ^ 8

£day learns some - thin^ new.

.day learns some _ thing more. Presto

il | i j^

n

39

JV° 7. CONCERTED PIECE— "IF YOU WILL COME TO TEA.'

Allegro moderato.

PIANO.

Sfa^-" r^^ i

ilJXJ/ ^

as

r-n

Ibmsi

^^v r^

#a CEISHA.

is. Nw=£ ^ ^If you will come to tea. Sir

^=fJ J i i

^^ T=f

% *r \ m mm p-tc mm m w w

* #

One and Two and Three, We'll do our best For an

tJ r- > S=fc=6:J ~

g i Pg d -»

En? _ lish guest On an A - - si _ _ at _ _ ic spree. We'll

<\.p\ri«rht 1896, bv Hnjm.iorl Sfcr Clew.

dance and sing for you

P g»J "

i

a ig lJ

4fa ^^ N iv.

j* r i J'pthrough, And show you thea, You of . fi . cer - men, What

^ | ffuI

!

m r r r r r r

NE*jfej4*- J luf J

*ii t==Kg g f F

Vnat smart lit . tie girls can do!

il

vMk*

/T\^^ =£=£ \ K N

J' J' I J. J'J J'lJ^**

. . . For you're all so bright and bree. zy— 0! That we're sure to find it ea.sy-O! Toffl

-~ ' ™ feS rv S 1 N N N& K=S=c=c

1 ! J' J' I J. —«^-*~'

•

—

—

#

**For you're all so bright and bree.zy— 0! That we're sure to find it ea.sy-O! To

11

J-J- I j. JJi- I Ji' J J J '

i'- ffp > ^K=£*&*

For you're all so bright and bree.zy— 0! That we're sure to find it ea.sy-O! To

u

mtm&

iC\

ppi p^mm-*—»—*~

^^ m m m ^eeB=3=1

zm4 t

\ I j j g B lafesB! K—

F

irz

#tf

tease 'e 0! And please 'e 0! With our an . tics Jap. .an. . ese .y 0! .

g ft 5 M N feS ^=^ N N=£eb£em t:

*u tease 'e 0! And please 'e 0! With our an . tics Jap. .an. . ese . y 0! . .

mm E * N N k gg f } i § W m s^»—*—*——

»

tease 'e 0! And please 'e 0! With our

Tl *

3**tI

an . tics Jap . _ an . . ese _ y O! . . .

OFFICERS

Itf

We are

—r-

We aremWe

** ^P=^i

>»»» j nr3

v iwmm

i*.§PW 4^i^P

42

*Mt

k&i

To tease 'e 0! And

fefe££

*tTo tease 'e 0! And

S=Sm•

a*To tease 'e Of And

£ P't'gP^^ fe ^^^ / g V

a sai.lors bright and bree.zy 0! And we're sure to find it ea.sy 0! To tease 'e 0! And

»

T

g- r rJ

'

i rrr J,Ji rrr J

i rr rJ

i ^^sai.lors bright and bree.zy 0! And we're sure to find it ea-sy 0! To tease 'e 0! Andw i ; l :

• • p r I p r r*—

#

p f^/ V V E=Zsai-lors bright and bree.zy 0! And we're sure to find it ea - sy 0! To tease 'e O! And

** mI

t w i

* 1 I :

¥^ms jt j-] =S*S te

i^S EB ^*fe

p=sc JM-Jir^Ji r r feaPjUr EEe

t2^44

please 'e OJWithour antics Jap.an.e6e .y, With our antics Japan. esc . y 0!

—fvfr= fc \ ISB=£ hJ-J-hJ^ £££ »* * ^—

»

ia

please 'e CMWithour antics Jap.an.ese.y, With onr antics Japan . ese . y O!

H-J* JUJ'-MUp KKN J-|

J J I.I |J

4—

#

se.y. With oui

4 4 4

please 'e OlWith our antics Jap.an.ese.y.m j. | j .j^+f-r

r antics Japan . ese . y 0!

P

V g I P P p £ I p p fz=tz

**please V OlWithyour antics Jap.an.ese.y, With your antics Japan . ese . y 0!S Ss

r-gp i cp J ' J'

JJ"f f i

r r|,]-- |JM

please 'e O.'Withyour antics Jap.an.ese.y, With your antics japan . ese . y 0! .

y#iiJ:^ r.|tmif N \ N

P£prpzp4—m- VVVV 12.

please 'e OlWithyonr antics Jap.an.ese.y, With your

m ilf ': t

antics Japan . ese . y 0! .

i ffl

•g ** t ItsiP3*

E

SE

43OFFICERS.

U s N K *

1 J' J J J ^ P>—mconrse we'll come in - side, For none of us have tried How

4fet mmm*=*=* CJ g

¥=£=£: Jn J-JI Jf. f. jp •

* V Vdance and song With a fine Souchong Are ef. _fec_tive_ ly al - - lied. But

(k> j J J # 1 I

*r- I

»J

r- ¥ =?=

if youve spo _ ken true We'll quick - ly prove to yu What

p i j n ^m 'J i § J'

bB I U ' [Jfey=

44

I j J1

j'i> i * V £

3^i i i j i j i

sai-lors three Of the Queen's Na - fee For good lit.tle girls will <!•>,

4***= i ^s

p P E P P£For good lit.tle girls will do.

=**= m * * ^HJSillii

S=*i

g!j|to > JJIlT J

+ \%

%

*fe«t i Mr' f

^ ^ •—

#

i£

We are sai _ lors bright and bree - . zy 0! So of

t e p £ i. I J IBE

*—«—

We are sai _ lors bright and bree. - zy U! So of

rf^ 11 r i %ss ^g* f

AtIWe are sai - lors bright and bree - - zy 0! So of

I7\

f ¥ W PIggg|

/7\ S % *^=pB

tMJL$*fe

iS

course we find ea . _ sy 0!

£To

Stease^E ^ ^

s£And

^course we find

^m *

0! To tease Anda

m0!

^course we find ea _ . sy U! To teasem ^ i # # i

And

i. i J

a*S ^^ W rfFdW:*

ifct

For you're

*<=For you're

For you're

*wt BE J' ^ g I 1yyt

squeeze 0! Lit . tiem Mis _ . sy Jap - - anS. —fer-

?squeeze U! Lit . tie Mi« - - sy Jap . .an 0!

^^ r r 1 1 if^FP Pipsqueeze A" 0! Lit . tie Mis. . sy J,ip . .an . ese . . y 0!

all 60 bright and bree.zy 0! That we're sure to find it ea . sy 0! To

f"m i i i i ii i il i iu^ i-» j- j- j *

i***

all so bright and bree . zy 0! That we're sure to find it ea - sy O! To^S f*s £tf^F

To

W^f PTo

PPM ^W PI S J i

m n p 1 1 ^ ^ s i

i** ^^ J^ g J' iP^£ !

/•l? ac / z ri g

#tease 'e 0! And please e 0! With our an _ tics Jap _ an - _ ese _ y, With

m & j<j^' S t- S E: m N * ^our

g=E&«*• g

*»tease 'e 0! And please 'e 0! With our an _ tics Jap .an. .ese.y, With

SEEEEEEE fc S = S S m N _v v N iv. Nt , zm. * *—* m m

>se . y, Wit

•tease 'e 01 And please 'e 0! With our an _ tics Jap -an. th our

tc=*c F=PEtease 'e 01 And squeeze e ..tie- . -, ,_,. ,_,...,„ Mi6 _ sy Jap. an- .ese.y, tit.

P 1 1 1 g i j i j' jm i p p r-

1

i i i J'

tease 'e 0! And squeeze 'e 01 Lit.tle Mis . sy Jap .an. -ese.y, Lit . tie

gjgg . } £ j r- 1 I I C fit N N

19CA 'atease ^ 0! And squeeze 'e 0! Lit -tie Mis _ sy Jap - an- - ewe - y, Lit _ tie

$y n a J~n a 1 issT3 3 T1

"

¥*ff^

v * f r f f

*fem r I j n*

an _ _ tics Jap . an _ . ese

9 K ^ N sJ' J- J

47

1e

pu

an - - tics Jap . an . . ese . _ . y^ m=m

an _ . tics Jap .an - . ese _ . . y

P=P t=**4

Mis . . sy Jap . an _ . ese 0!

US d d z p ^ ^e

Mis _ . sy Jap _ an _ _ ese 0!

W \ P P P r r

DANCE.

ap i^Sf pi ^s nP,r3J73w^^^

gfe £ S *1= ^ yi i

#g H/B ffi M b L

Mm EB*w

-fr«f-1^tt^ ^ i HH i =y=

48

JV-°8. CHORUS OF LAMENTATION.

Lento.

PIANO.

CHORUS.

£3ee£r f p g i f f p=gig

Oh, will they sell our mas.ter up, Or take him off to gaol, And

eIb ; jy-j'

ij j .j j' ij-> i ^-*—

*

Oh, will .they, sell our mas-ter up, Or take him off to gaol, And

| jr'j-

i f g g p?ic c g e?if | j ji j m

^Oh, will they sell our mas-ter up, Or take him off to gaol, And

S-

¥m / V *—V— '=¥= ' V V — V V 9s?Oh, will they sell our mas-ter up, Or take him off to gaol, And

*F¥=P

rirt

Copyright 1896, by Hopwood & Crew.

49

$ r r r £ i r r f lt i r ^on the tea - house plaster op The no _ ti - ces of sale? What.

=£ i' 1 g J' I J J J J*• 0-

on the tea - house plaster up The no _ ti . ces of sale? What.

(mm m ^^ ^/ V V- Y r

on the tea-house plaster up The no, ti _ ces of sale? What.

* #• P P-

£=Pf/ / / V V

on the tea-house plaster up The no _ ti _ ces of sale? What _ e _ ver

mri r<l

P M'f J I pi J- g J J

1>

_ e - ver will be _ come of us If this should come to

$

pass?

fc N N J J J J

It's

SS fe E N—*—

*

_e _ ver will be _ come of us If this should come to pass? It's

t^^ i£ Ir- . k r mz £ PY 1

Sver will be _ come of us If this should come to pass? It's

Pip ¥=£ " p Pir~r f

—

\r

will be _ come of us If this should come to pass? It's

flfljfl m^ „^i m.m\xm

r rir r ^^

so

6 mW y ^las,

^#a _ _ las, las

,

a _ _ las!

m m ^m i ly y y y

las,

_ las,

las, a - las, a - _ las!

J > j J y y =g 3EE££=

^Ha - - las, a - las, a - - las!

V 1 £ y g :=F £ £ f S Iy y

\- las.

**

las, a _ las, a - _ las!

fflffl^I^atS

J LJ

tf »Jk

#

^ S *f

¥ m m

» t

CEISHA (sobbing.)51

* ^ [V —[<: r^=V= S K N N N

-» *

—

blow, oh, oh!

* 9Fill - ing us withHere's a dreadful woe, oh, oh!

, i i i ' o^¥Here s a dreadful blow, oh, oh!

?==E F« N \

woe, oh, oh!Fill - ing us with

^mis==^ f ^^a')

i ^^ gWa g e B^Se £U3=gea

f ? ^ ^^ ^s S 5 \m a a

How could Geisha know oh, oh!

mFate would treat them

J- } * E

so? oh, oh!

P^ ?^=*h ^^^-9 r~How could Geisha know oh, oh! Fate would treat them so? oh, oh!

Essssa

5 t 1

£==glnJr t-w

•)•t j | £ £& n .rm g^E

tor

«&*

=£=£r

J" t P rP£Pret - ty fa - ces showM Tears that fast _ er flow.

sm

iPret _ ty fa - ces show Tears that fast, er flow.

i | J V > i- J- *

Oh, oh! Oh, oh!

v n ^ ^Oh, oh! Oh, oh!

Oh, oh

!

Oh, oh!

m wk *rJ i3 g§ m^ £*

53

t Flease at pri _ ces low,mm ^

ipnDo not let us go,

j ; JOh,

£ E^=¥=

Please at pri _ ces low, Do not let us go, Oh,

^e£ £Oh, oh! Oh,

rv s. m«—

•

Oh, oh! Oh,

* p-

PZ /Oh, oh! Oh,

1M.Oh, oh£

h, oh!

#dte^ ^^ ^n^Oh,

HJL JL

* E n y Pf*—•—

#

oh! Here's a dreadful blow, oh, oh! Fill _ ing as withm jT

' j. jgpfoh!

L *Here's a dreadful blow, oh, oh! Fill _ ing us with

fe K N a iff^ {L--N N

*—

*

*—*

—

w~Fill _ ing us withoh! Here's a dreadful blow, oh, oh!

j i p rt j i rrroh! Here's a dreadful Mow, oh, oh! Fill _ ing us with

I J' IlJ J J

j I 1 J' j J

oh! Here s a dreadful

J. J J J

blow, oh, oh!

lilyFill _ ing us with

"J. J J J'^oh!

iHere's a dreadful blow, oh, oh!

m—t 1

^P dr i^ ffeS jl_4,as

f

Fill - ing as with

woe, oh,

=fc

oh!

f&n- Wk-Y- P ±

How could Gei-sha know oh, oh!

\r m IF*te would treat them

* m ^p ^=^

How could Gei-sha know oh, oh!woe, oh, oh! Fate would treat themm 2rf tef —TE

3ei - sha knoi mwoe, oh, oh! How could Gei-sha know oh, oh

mfFate would treat them

S^=£ £ ^sm_y-*—woe, oh, oh! ha knHow could Gei - sha know oh oh! Fate would treat them

*£\ ^t±=± £*

woe, oh, oh! How could Gei-sha know oh, oh!

*ri^-j i i 1 a 1 —Fate would treat them

fas t. t Ismwoe, oh, oh! How could Gei-sha know oh, oh! Fate would treat them

i^p^nf3=

w i^fs=3

^ *s^ pSsiifeSf f f f

* ^TT^-ev _ er wi'l be - come of us, If., this

[ 1 1

#so, oh, oh! What this should come to

£ N \ =£ £1^ —*

—

come to

£so, oh, oh! What

N

—

ev - er will be - come of us, If this should

* pfp tf\ t : c cji rJ' i j-

#so, oh, oh! What-ev_er will be - come of us, If., this should come to

£ \ \=fefe £p^

, Mi!so, oh

#WWhat - ev - er will be - come of us, If this should

—*come to

i=:F=» 3=£m3f

so, oh, oh! Whatg k =fep

ev _ er will be - come of us. If., this should come to

1 —0 0- P)me to

t«-

oh, oh! What - ev - er will be - come of us, If this should come

^P^P y=f

^ mf

pass? Its bound to rn _ in some of us, A - - las> a - las

,

5 359 w*

mw

±/7Sm

las!

^ -las!

-&.m£

/s\

las!

V - las!

n\

/t\mplas!

5E=-las!

J

»E

N? 9- CONCERTED PIECE—"WE'RE COINC TO CALL ON THE MARQUIS.'

Moderato.

P I ANO.

B j j *-^sr

y y

j- g *=»=a

* ! tti=^*v y y y

i > m JiJ I jM I

(FAIRFAX.) This in _ fa_mous lord

(OFFICERS-) You'll par _ don us, pray,

Shall have his re - ward MyFor ask - ing the way, Our

* =5=5= y »

If*"9-

S y y

J J I J" J j feE^N N N-• * *—

an - ger each mo_nient in - crea _ ses! Let's qui _ et _ ly slip A -

ig _ no-rance kind-ly for - giv - ing, Bat oh! we are so Im -

t T"iff T yH *

y y y

;n_r > » ^ y yy y

£i£ £ ic—

N

^P P*i (j K

W=P-0 #_ way to our ship, And blow the old beg-gar to

- pa _ tient to know Where Mis - ter I - ma _ ri is

pie - - -ces.(CUN.)Of

liv _ _ ing.(CEI.)We'll

¥^ y y r7

ty ' T y y

S y y y y =y=5=y y

Copyright 1896, by Hopwood & Crew.

5«

I

JiJfJ Jr

coarse to bom-bardshow you the road

P^^A fel _ lows back yard Is

To reach his a - bode, De

A.

m !i i

i

jol - ly good fun, but you'll

light - ed your fa - vour at

t m j ji

j j^^rue it!

earn-ing

\

You'd bet-ter in_ stead Try punching his head.(CIRLS.)We'd

Sim _ pli - ci - ty quite, Keep well to the right, And

g » I '

I I I j i£ g y

-tX-T utir r

^^ i y f » y 1 fc y y j

if J J J J J J '^ =£

like to be there while you do it!

care-ful - ly look for a turn - ing.

A ja rja rm6-*-

¥Us

y y g¥&PP

y y

^ &

ALL.

57

ALL.!jjjjj-jij.

j j i j j j / j'jir ^ Jgo. ing (o call on the Mar. - qui.-, To pay off a nice lit ..tie score And

^mm m rn m^W i i i

—

N

f*

i3S =*=g as ^=^^=^ i* i FF

j f f.J^ f l fflJJ^ l Nf JJ-\LL

won't he be chat.ty When rat-a-tat tat.ty We knock at his dig-ni.fied duor? We've

fj- OJ OJ mZ 7 7 mm*=± ^^mim i m ^ f^# i^^=f y 8 ^^ 5—

£

j J' J J^'-tVnethine too funny to miss. For

ALL.;* r

something to say to the Mar . . quis, It's something too funny to miss,

iv P1

P~" IJ^n 1

^^1

E

"^^s

, pv

Ipy » * ZIZZE =»=*= y y r. y y p y y r.-y—»-

I rr J J^N F I p i ^

/ i7

Tft

C «* HIALL

p as Ji r

JJr-*

af.ter pooh-poohing All how-do-you-doing We're go-ing to say it lik(e this!—

mw mm^mEE y y i^*=F

I5=5=

sy y

i

i

5=5=

V"

T

-a—S-

DC

r>82'.' CHORUS.m >j. UJ'.r

J^ mm!*qc miE iP^E =F

We're go_ing to call on the Mar - quis To pay off a rice lit-tle score, And

#H^^ jrTJJi-J.-^^- 1 J ' JJMMU'i^-

u

We're go.ing to call on the Mar. quis To payoff a nice lit-tle score, And

as f_UJi^j^iJ. J J|jjjjjj

|

j. ,

|w,e're go.ing to call on the Mar . quis To pay uff a nice lit-tle score, And

ifa i j I ^ n: \r ,»p^m$/ / wWe're go.ing to call on the Mar _ quis To payoff a nice lit _tle score, And

m^g^^ g=£:• P^ P ^^TT

.//

S| ^^= :5=¥: S ^ =?=*= 33E-*-*- EE* =:

g f r.J J rir n:-|,J '

i ^f d I*

-j^-<

—

r—r—»—= r—-—•

—

- '

*-;

wont he be chat. ty When rat - a-tat-tat-ty We knock at his dig.ni-fied door. We've

S.S.IVN.S.1 F N fr > r —

E

p :m j- i ,j-

won't he be chat -ty When rat - a-tat_tat_ty We knock at his dig-ni-fied door. We've

&v

t ' c F I I P P i 1 1 P ip p p f g i r fwon't he bechat-ty When rat - a - tat_ tat- ty We knock at his dig-ni-fied door. We've

jHrrr'c % ci c c c -rjj-i"c c ggg c.

|

J Iwon't \he be chit -ty When rat - a - tat_ tat_ ty We knock at hrs dig. r*i-fied door. We've

y j j i

si)

j' J I j' Ji^-- -j ffj F=y^ P* r-

something to say to the Mar quis. It's something too fun.ny to

m S. K K K V 3K K~ fi fc Si K S K S£5something to say to the Mar _ quis, It';; something too fun.ny to Kur

$ t " t -lU-g— F g g g F 'f^ j-g-H-H-

something to say to the Mar _ qnis, It's something too fun.ny to For

i\. , p * =m 3 3 g^br^5^5 g—V / =gsomething to sav to the Mar . qnis It's something too fun.ny to miss

mmm W^J= §=M=im

For

Ig^M^f-

6V., *

?r?v fl«j fr

rj

f ig y a g g^=s= yy p r~?~fee

r=*

^ eg I . . j j-i

^ji^g 1 r

fc=3t * k ^ P=*g2 r/af-te^ pooh-poohing All how-do-you-do- ing We're go-ing (o say it like this!

^—J w J J a J l JJJ* J 1 JK—

K

i i eg p r^—Tjr-

af.ter pooh-poohing AH how-do-you-do. ing We're go.ing to say it like this!

ft m_

tttK P C I CCCC'C c i^cg I i 7r / r

af.ter pooh-poohing All how-do-you-do.ing We're go.ing to say it like thisl

m qcj> fv. K K n~rp- J i

J ]'^» trr^^m=mz * » maf.ter pooh-poohing All how-do-you-do.in,^ We're go.ing to say it like this!

frEfritr.- i fffrri frrf f-f BB k g g

^ j^ g P M I?=y: ¥=*= =5=^=f—*- S ft

> k y y T~^~~r a g i

^g g 7 *

^r f g gj^g:f

S » y i \ l 7 g I=31

60

JV.° 10. TOY DUET.— (MOLLY & FAIRFAX.

PIANO.

Allegretto.

^t

WZ* w

d» * *M .*. J.

f

%

g g—r^tot

tnp,

play

(IMOLLY.)When I was but

(FAIR.) I know I had

(MuLLY.)What jol . . ly games

%

$

ti - _ _ ny

fa - - mous

used to

m

MyA

With

* >

mm V »fes £ m fi N.

Wa love _ _ ly

that used to

a _ _ cross the

~~m

For one— a la _

A spot . ted horse

We rac'd and romp'd

dol _ lies were

paint - ed gun

lit - - tie boys

lot,

pop,

way!

dy

that

fflHh-j ; 1J^

Ip ;J' ri ip

T\

Is5fe

-•—IFf^ould shut her eyes and.

Ex . - act _ _ ly like four

I gave them backs at. .

born and bred-

boast _ ed legs

chil _ dren di> -

PPPl

muve her head. Pa .

wood _ 9a pegs; Put

leap - frog too

.

We

P^i1 t=

rT|»*

P ^"C=3

Copyright 1896, by Hopwood & Crew.

61

- P-<

though

bow I'd

mMa _ _ md!

I own'd

our hoops

±and . .

- o . the* talk'd, And

box of bricks, Andflew our kites, At

when you wuund her . .

crim _ son mon - - keys

hop _ scotch had some

=P=F= § fff I

gp£ * • •*=*=

,

1- j- iij j^ i n m mup she walk'd, But

climb _ ins sticks, Mysplen _ did fight.-.; But

ft

more than a _ _ ny. .

.

in _ _ fant joys were

life was on - lv

o - _ ther toy I

cen _ tred in Aquite rum . plcte With

IK\

HE*boy.

rin.

street.

/7\

loved a

nod - ding

Punch and

lit . . tie

Chi - nese

Ju - dy

drum - mer

Man - da

in the

(FAIR.) Of

(MOLLY.) Of

(FAIR.) How

course 1

course I

well it'

^m i P 5 5

know the

know the

va _ _ ried

wzg&

Vf*

p% ^=F i f f

mm—»—you mean-

you mean-

—9—That

That

I've

sort

.

sort.

charms I knuw

drum _ _ mer boy I've

Man _ - da . rin I've

seen that Punch and

of - - . ten seen,

of _ - _ t'-n seen.

Ju - - - dy hh iw!

i ^^1=^

'-*—f-

*

«2

^P* ^

beats a fee - _ hie rum - ti - turn- turn When he hil«

bells will tin - . kle ring- - a - ding-din?,While his head

Punch comes up with nm! - i - toot- toot, To lhe ha _

hi- lit .

he'll grave

Hy h.-'s

K

tie

drum - ti - turn -turn, And his arras

suing- a -ding -ding, And his hands

brutr - i - toot -toot; But his To _

seem ra .

to . - ge .

. by makes

s

_ ther numb-ti -turn -turn As they

_ ther bring-- a - cfing-ding Wh.'n you

him hoot - i - toot -toot, And the

63

fc*rise and dwu n _ . w.t rd

pull a pii" . of

bea - - d!r hid- him

J w a J^r»»» - ti - turn - turn.

smug - a - dint;- ding.

si-, i tit - I - tout - tout.

BOTH.

Oh.

Oh.

Oh.

w^mthe

the

the

dear

dear

dear

old

ulj

old

-J,- _ J J J' eg 3^• -^ways .

ways .

ways .

toys and the

toys, and the

games , and the

OTisim _ pli

6im - pl>'

sim _ pie

Of

Of

Of

thnxe.

those

those

* m m m^~m—

be - wor _

be - wor _

be - wor _

child _ _ ish - ver - se _ ry, Might

child . _ ish - ver - se _ ry, Might

child - _ ish - ver _ se . ry, Might

Sweet

Sweet .

Sweet .

iy

'y

iy

£ ft

cur - so _ ry

cur _ >o . ry

cur _ so _ rv

te %

\ \ t~~MNur _ se _ ry Dav6

Nur.se _ ry Days

Nur . se _ ry Days

64

A"-° IL SONG— (MIMOSA.) "A GEISHA'S LIFE."

VOICE.

PIANO.

i

Allegretto.

* fe Srm * • te%

fcrt AA gcLsha's lift" im _ a _ gin _ a.tion

And e - ver as my sum -i - sen I

/7\

^?=Eall

J | I p J;

J' J' J; J I J' l=f

tints

play

With all the ''h.irming ro _ li.ur of the rose,

Cume lo . vers at my pn't - ty feet to fall,

And

Who

i^mf^ i msI \ \ J i Jp^p

peo _ pie won't be . . lieve her when she hints

fan - - . cy — till I bid them ran a,- - way-

Its

A

Cnuyritrht 1896, by Hop-wood & Crew.

65

j juJ Jr \ J^i J- J uJ J J JlJ ija

beauties are not quite -what they sup -pose.

geishtts heart has room e_noughfor all!

Be - cause Im ra-ther quaint and pictur-

Yet Love may work his will, if so he

W^m F F r F t F

I

p^ Pesque>

please;

They think that for a but-ter-fly like meHis ma _ gic can a woman's heart un _ lock

ExAs

'

jimi-f *5

H I 1 r i

J J J Jr JU h

t f f FFPi_ is-tence is de - light - ful _ly grotesque- How ve_ry much mis- ta- ken folks maywell be-neath ki - mo - nn Jap - an - ese As un-der a - ny smart Pa - ris - ian

fefem i i f it^t *=*»

i i I > g ^ Is

Tempo di Valse.

S pbe!

frock.

?yi."i.ii j

S£ T P

a Pi

*^H

Bi

.n i I f=g= » zy^rrg: H N n

"Oh, dance, my lit- -tie get - sha gay, And sing your. . . pret-ty"We love yon, lit- -tie gei - sha gay! Oh, won't you ... love us^ mmSFf* * 2 1 * *

SSId^E S*

s v E p£|songs!" they say;

too?" they say;

But don't

But don't

you

you

see

see

It's hard

It's lost

on

on

meme

WhoWho

T~ i N i \ fjs a i *JtA

§«f*-^l* ^ i i^^

;•!<• i«it:

w ¥pp a tempo.

^m ^^sing

hear

and dance the live

the same thing day

m

tea*n

J 15*3 *-

^JO.

long day?. "Oh, dance,by day?.

and

a?

ra((:

a tempo.

^m i=£m

S r r m /9\

67

don't you see Its hard on me Who sing the live long day?.. sing the

=J= ^ 1^1^ mSBf jp

nil

Titr TfSC3*

si i *r

:

/T\

P S^

th-

4 D.C.^'

m j '

jT ir J

't? mlive long day Who sing

S# P 1

B M i§# to

s y y

1 1 j i- dS

tftt

« » » v y y y

# IJ^ ^=^ y y =£=*

1

68

N?12. RECITATIVE.— ATTENTION PRAY.

Allegretto.

VOICE.

PIANO.

a TAKAMINI.

m Mi

1 1 \ i g j ^MU.tt a

S^At-ten_tion, pray! and si-lence, if

gji4S£

^^you

:u~>

f ' rT-ftrp '

pte ^^

ai »nJfJJ

|

Jr^J|

-l ^?

please! The Tea House Reg-u _ la_tion Act de - crees

»»'j jjjiy- I s=* ^SE f^E

By Section Seven - teen, Sub - section Three

hM^ , ^ 1 J|£3 j

That if a

?^Ff PH F^*f

«i«

ii» rnr i

jjjj| ;.j;;ujj;

Mhold - er of a licence be Found guil_ty af_ter tri-al— or be- fore-

$ \ i \i=^E i^E =*=£

gij s ^^ 4^^E 5=£

Copyright 1896, by Hopwood & Crew.

69

Iil mm N ^^ i J' g J- N v £=^

Of dis_ o _ bedience to su _ pe _ ri _ or Au _ tho _ ri _ tyj

i*M =*=*If

=¥=*: pHHr-c

w*m ¥^*=*=>= ^y i

il i J I I ; Js

; 1PiH3By this en _ act - ment old, His Tea-house and its

I J j j ji^ iJ -r

j 1

1 j ihi i f

contents must be sold; And all in - - dentures of his geisha too, By

f^m * y *=?

^mpi r r

JJ'iii^ J

i r J Jr

IMARI

psssppp

public auction— un _ reservd-must go! Such is the law! It is! I

a f i; « *

j 'a^ 3E£-**-

^^ k '—^=^=^- 3EElE -*-=- 3E£

70

TAKAMINI.

m j ji

j. j-ii

dodu _ ty I must cow pro.ceed to

$a ^ryy ^3=£ 5=fcf^^

Wfe^7

ad lib. a tempo.m j ;. jj. jij. hj- Ji

J> i

) j jLot number one! Bring forth JMi'm_o _ sa San,

if—*-

m

The champion

a T I

=*=£

£geish.a , pride of all Ja

^^ /

—Opan!

P

r

9§s

mCHORUS.71

^Come forth, Mim _ o _ sa- Pride of all Ja.

mCome forth, Mim _ o _ sa- Pride of all Ja_

^^ * m

Come forth, Mim - o _ sa- Pride of all Ja.

fe£ £^p^Come forth, Mim _ o _ sa- Prtde of a'.l Ja

.

mim £ r\m—m

itltitfr &E ^

^^s I g Ml tt^«/J

J J J J J

KATANA.^^pan, Queen of the Tea-house, O Mim^a _ *u Sun.' Oh,

\—N-

5 Jii.U-pan,

I

Queen of the Tea-house, Jffim_o_ tf« Sun.'

^^^-o- ^-pan,

g*Queen of the Tea-house, Mim_n_ ta San!

1 J J J J I-pan, Queen of the Tea-house, O Mim_ n _ xa San.'

g|£

£* # -#•

i il.ii^f—f-^

te .# *#Hif tf If /i 3Efe

£fc i ^_^t^ ijsr«i*

72

help me, comrade, ere it is too late,

v v mTo save Mimo _ sa from this dreadful

Wf \ Bl y 3i g e i i iE

«i J. Ii » g? <l » «=£

31

FAIRFAX.

i i J i JJ i^ **=pF=*

fate!

I

Stop! If your country you would not dis.

^^^y i » W1

jj: j j «^=j^*_

ij i <

It*

*3jJ

I J J J J J.J- J- J l

J im.grace,

« temGive orders that this tale shall not take placet Come,

\

9w ^ SE

^J tJ f»t* If MP

fe^s» 1*^#*

' JJJ, JJ JtJJ I >r>^^ £=£ §i>——-K

* # ' • a

men,what code ofhonor doyou hold?— Willyou stand by and see a woman aold?

$m

Ms^m2:

if

JV\° 12? SONG.— (FAIRFAX & CHORUS./'CHIVALRY.",. & FAIRFAX.

73M *=£9 £ WWhile na - ture with man _ hood en.

No mat _ ter what na _ tion may

i *£:i £**

£P^ ^=^r=E*—*—

*

3S minit » ^^ /

j

r r ' r r r

#fc ^ ^¥ mT>

44

do\rs

claim

ns

us

And beau _ ty our pul _ sis can fire,

Or un . derwhat flag we par . ade,

1 i i ^^i up

There's

A

j i 1

«£ 5^r it»f

^t*

fs

4£ ^11

1 r i rne _ ver a sight

mo _ menu's in _ ac

that can

tion would

rouse us

<hame us

y J n i=^ +=±Like

When

t r r fgg j j j

db* j j j. ai

jfeH*wo _ man in dan _ ger most dire,

wo _ man has need of our aid.

uWeThe

wm^ >fi£

¥Copyright 1896. by Hopwood & Crew.

74

**:

urJ I iask

ve

SB

^^not the whyri _ est out

or

cast

the

and

where _ for",

Strang _ er

&TheA P

si i mdWt

^j- :;

'i £wron^ or the right of her cause-

-peals to our sym _ pa_thies then;

**"fsais

fr

WhenE

a £ f

i

75

U Poco mtno mosso

,

JCZZS i==m \ l V s£¥=s=f £ ppp —\r—Themen, by the hearts thatare in us, By chivalry, honour and right,

^''"n' l"V\i^i'l\

liii'i-htt-aii 5^^S=H

fEC ~Q~ IE* ?

| J JJJ> J P r.^j'Ji J

i i%wrongs of a woman must win us Till death in her ser.vice to fight!

men, by the hearts thatare in you , By chi.val.ry hon.our and

u *==& £^ *£=*m?4 d> d z^t

men, by theheartsthat are in you, By thLval.ry, hon.our and

=tf= *=* fei M vJ-J r §i iJ-i. g CE

O men, by theheartsthat are in By chi.val.ry, hon.our and

m$ m it rr f ffe

K~*«—i—t*

-M--^

men, by theheartsthat are in us By chi.val.ry, horr.our and

^ £^ ^pN^

76

#ifci ^=r#ra//.

£ miiiiright, The wrongs of a wo.manmust win you, Till death in her ser.vice to

¥ | j i i-f ;j ;;-n J JiJ m 1

right, The wrongs of a wo -manmust win ydu,Till

•i p m m m ma yi?

death in her ser.vice io

^=$Z-m *-m m F -* If'. oF-

g te g g

«right,

(2-5

The wrongs of a wo _manmust win

_/2

I err rr

us, Till death in her ser.vice to

% w ccr c-

^right,

JP-'

The wrongs of a wo_rnanmust win

m a

us, Till

*death in her ser.vice to

N v.mbEEZz

ss *N N>r\azaa:

# 2^r-TT

^ £=£ iS m /Oi

/ -

fight! fight!

.

fight!

^^ r7\

~CT~

fight!

fight!

sag r

3BE m t-

fight!

fight!

-o-

fight!

BS=

P*#£*:

VSwmr^ -ft BR—

DC.

i I j

5^

^M

~n~

•Af-° 13- SONG— (MOLLY & CHORUS.) "CHON KINA."

77

PIANO.

m./

as

%

t i g

m:: f- a:PP*

f? ff

PP ^H™m £ # i£^ ^i j 1 / l j n J=£ >—

*

£E=T P^P*1. I'm the emart-est lit - tie gfi- "ha in Ja - pan,S.Plea.iu to. no .tire how cor- rect and high _ ly bred .

3. I'm con - si.der'J 4U1U' an - ri - en - tal belle,

i JJH

And the

Is the

And they

mf r^f r * *

g j n ^^ « 1 ^^ 1 j te—

E

P™fM, *peo . pie call me Ro .

hair e. . rect - ed (.tiff

tell me I per . form

li Po . li Sun—ly on my head

,

ex . treme _ ly well . .

Lost in

All se .

On - the

Copyright 1896, by Hopwood & Crew.

78

M. m j j- j i jad - - mi - ra _ tion ut _ ter At the va - _ ri' 1 - %& - ted flut . ter Of myere _ _ ly coil'd and braid - ed. While my cheeks are pink - ly sha . ded, And mysa . . mi _ sen or k<> . tn -While my ve . . ry la - test pho _ to Is an

1 wm ^wmr r r

m m m m •n m rm mm m pn ^^M.

cle _ . ver - ly ma . ni _ pu - la - ted fan

.

lips are tint - ed e . _ le - gant _ ly red I

ar . - ti - cle that's al - ways sure tu sell.

4s pi

I canI'm a

When they«or lJljpip P

r

| | j- j>i £^^ ^M. msm

$

- ny mea - sure that Is g>y

,

of fa _ shion a6 it flios ,

- ver dain - - ty cups of tea— .

To and

And myThe at .m

*~ # *^a ^

79

jO'-i.J' J- Jl^^ff^S sstiil my art pa _ . li_ _ces Then— at ex . . tra spe . cial pri - cee — I can

charms of Ru . - li Po _ _h Will not cap- - ti . vate you whol _ ly Till youliaut;h - ty, poor and low . ly Call for pret - . ty Ro - - li Po . li--= Ev' - ry

&J3-W^ 9 SE^ m 3E2I=P

i EW5r L-T

aep 1-^

S S iJ j B p -i^^febg ^dance for you in t/uitt- an _ _ o - - ther way.gaze in - to her li - quid al _ mond eyes,

cus _ _ to _ mer is sure to or - der m^!

3- mm uit J*:

m^

is + s- iNPN P £P^ifM.

CAu fri - nu

,

fAoi? fri _ nu, Chun chmi

,

ki - tut ki _ na

,

m I-U4fS

*

^3=^ ^=3= » •

"T

P £ ii^=r=#

-V,i . _ £d _ _su_ _ ki. Yn _ Avi _ h I - //!.( . H.i . frn . rf.< . f<: *oi.'

j 1 i -^

j «i

fr

m$=± ~t —r

80 CHORUS.Is;1 SOPRANO.

fei j mj J m £p p^pCTinn Art . na, cnon2".rf SOPRANO.

Ari - net, Chon chon, ki - na ki -

J i J J r £J J J'i JJ'JCnon Art - na, cnon

TKNOR.*! - na, Chnn chon, ki . na ki - na,

(p. J J r-r^r jl_j-iJ

r ^^ ^ pChun ki - nu, chon

BASS.let _ na, Chun vhun,

^^ki _ n« A- / . na.

i» m-

V / / / / f / rChun ki . nu, chon ki - nu, Chun chnn

, A-/ - na A-i . na,M^* *

£ 3 1r T r r

m m mp-r

P J' j' JA*i . - £-a _ su _ Ari, Vo . Aro _ na - ma, Ha _ Aro _ rfu _ £t\ no?'.'

It J. J J BE3 IJji'JJ .FPlA*u. _ £•« - fa - An, Ko - Aro _ k - ma, Ha . ku . Hu - te hni!

J J I J" I J IP=FPpAu . . ga . «a . Ari, >*o - A-o _ Au . ma, fla . Aro - rfa - t^ fcoi.'

gj r J J iJ fl: ' ^ ffF

JBT

(After third verse.)

81

r r p : t

Ki - it _ gi _ ri

3

su hoi!

p g r p pA*i - n" - #i - /•/

3

£11 Adj.'

p^p

as

A"i - ri _ £» _ n" - - su foil/

rru fKi - ri - gi - ri - _ su hni

mts^t m £ * * J=i

^F# £fP

-A ^^^Ki _ r* _ #'* - Ao//

1f

#ri _ su /ioi.'

1P I P g

a^

fO _ ri _ g"i _ ri' _ in

l=P=#hoi!

I~JO _ ri _ gv . ri _ su Aoi'.'

^^ m ^ p

i? *

i fap ^#^

82

DANCE. nmm

mmtWtVj n ^=^=3 1 d |

- i—a—

p gg^ #f

i 3=p: —m-

& 3~iT- aF F

Bi i « irza^ §=§ §Ea=a:

^FB f ^^ 3E ^FT f rr ls r 2_r t?

g ^ r3 gsjg^5 ' g 'CJ TJ TJC

S=iSn^^-f—LJ-f^o fir r

v v—

#

m Pi? aisg m ,

lj %

tJ tJ ^

ppJ— J J-

1

J J JI

J

4

Chon ki _ not, chon ki - na , Chon chon,

83

P mki - na ki . na,

j_J

I

J ^^i J J ' i ^^Chon ki _ nor, Cnon A< _ na, Chon chon,

Mi J J- I J J-^=t

Ari . na Arr" - na.

£P P=^PChnn

^mki chon ki . na , Chon chon

,

ki . na ki - na,

mm^ / / / k ¥ ¥Chnn ki chon ki _ na, Chon chon

, fri _ na A" r _ na,

^^i J J- 3- W!>!>

g j i "J J J=£=9= i /

rfu

F- gJ JlJjr^-jrlJJ J'J

l J

M'a - - ga . sa . ki

,

Yo - A-o - ha . ma, fla . Avi _ rfu . («>' ko>/

i i >±I p 1 1 p i pgp

A"u . . ga _ sa . A-j, Yo . Ao _ na . ma, flu _ Avi . rfa _ it

> i- m j1 K

l=f=S

^-J > J I J ^e£e££*k _ $a - ki . r« - *o . a«

^j~

^ r

^v ^

n«i7

^^^^^^Aa - - gu - i'a . ki

,

Yo . Ao _ ha _ ma, fla _ Ao . rfa - te hoi!

Hn - kn ^ da - te hoi!

84fti

:

J J

£

J J J- i J

C/7»n A"! . _ na, vhon A-i - na, Chun ;-h,

^ki - na ki - na.

j i m^ v *=N£ g p J- ' ^3T-|OAon ki - - na, c/hi;i ki . nu, C/?on than,

m J t-1

j ^ ^A"! - na Ari - na

,

£P^?as

C/ion ki - - na, cnon ki . na, Chan vhon, ki - na k 1 - na,

V V r W W Vki - na ki - na,Chnn ki . - na, chon ki - na, Chan chon,

m * * *

s i± ^ * ~g* w T T

m \ K ^p =f=F#A"a - . ^u _ su - ki, Yo _ Arrj _ hu - ma, Ha _ ko _ rfa . £f hoi!

I J- J J IJ- I j I J J- pp^A"a . . gu - so . A-i, Ko - A-u _ /in _ ma, Ha _ ko . rfa - te hoi!

m JC= J J J^ .h

J

Ip =E=F=£Aa . _ ga - so - A-!, Ko _ A-o . na - ma, Ha . ko . da . te' hoi!

m i1-

'-i

l<r J J J|J J J J| r i I

A*a - - g-a - *a _ ki, Yo „ A-r< _ ha - ma, Hit - ko _ rfu . te hoi!

SB

N? 14*. FINALE. ACT I— "THOUGH OF STAYING TOO LONG.'

Allegro moderato. CUNNINGHAM.

VOICE.

PIANO.

m i -\ i y \

E£mm%£ C * *

5f=£

=*m ^x^^=^

mThough of

=9= %

•/T\

5 5 g f

pnis J^ju-j'J.j'ji

j-j-j^ i *•N. E

CUN.« I «

staying too long youre ac - cusing ns, Yel Ja - pan has such-wonders to show, Andyouve

(£* ii J* » jjj* g > I

]•i > J'v

jI

J

vg »

J'* i I r i i j> »

a | j *

^ ^^ I Iy g i ^^ y yI g £ » y

Iy E :r=^

f

i N »J

g g fif *J J^ hNk N Sr

PPfc *CUN *->

all been so good in a - musing us, That no wonder were sorry to go. While the

^p -

1

i 5 r ? y hQP f* y sy -y— K ?T

s^l 3**3 i^="=5=^ y » i I

y^gfgg 'gcUW^-^H i-J'^jy ^ ^=£=5=CUN. ^freest of fun is per _ ims-si-ble, And such ex_cellent tea we ob - tain, And the

s 9-=-

**

mm m. ^^ ^P=*=?: ^s=^*—*- =?=*1

PCopyright 1896, by Hopwdpd & Crew.

86

CUN.%UiirttJ'J-^ i f

Ji

>i ii j'

i K i ,! ^girls are so quaint and so kiss-a-ble, We shall cer_tain_ly come here a _ gain .' . . : . .mo

ih ^ii'i f*fm P?i£ ** *

# $-

m J' 8 j h y y k E=j ^ K==g

P =?=¥= P y y s y ^ ££#OFFICERS.

j'l J- IJ J S^Fp i

r7 r

p f ' eCUN.

efc*g=tt

For to pass the most pleasant of days Vou should always contrive when you

i »fj J I E J E E E N,J y g J" S l. JT > J" J" J^g

For to pass the most pleasant oi days You should always contrive when you^ 'ti'—*+p-gc g g c i

rJ,

c P m : MFor to pass the most pleasant of days You should always contrive when you

j-ryri

To at - ten-tively study tlie ways Of the dear lit-tle girls of Ja

-

E M \ —S—ICmm,\ fr fy fc K k

rj% \

~c *mm I as g i

To at - ten-tively study the ways Of the dear lit-tle girls of Ja-

mr

T'p P ' P

•

P r- r r P i

r' •

g r^g g g g- g gTo at- ten-tively study the ways Of the dear lit-tle girls of Ja-

CHORUS.W- sop.

87

| j, tf±

r * fe^£¥=0-& ryy

E f t r\r *=+W=^r- V^Y-

Yes to pass, the most pleasant of days You should always contrivewhenyou tan To at _2".' 1 SOP.

frh ff d Z '^^ ,j j j J j| ^ '

f j jl J.J J-y J ^ 1 J ' d

_ pail. Yesto passthemostpleasantof days Youshouldalwayscontrivewhenyoucan To at

TKXOR.

USlltttftr,} Mj-j-| ^J!

J-J'j'r

i r *J J^=npan. Yesto passthemostpleasantof days You should ahvayscontrive.wh'-nvnu ran To at _

BASS0—0^^m i'

im rft ii

r

7'f f^fH-H-r^f

_pan. Yes lo pass the most pleasant of days You should always contrive when you can 7u at

£=*. f-e#f## *

i f.-fffff iMf^^i^f

s «g%&£E^t [ffijf v.

V gc nWrci rJ cr -gciJ m i^t=tt*.tentively study the ways Of thedear littleKirlsof Ja.pan.

H};}m}-\) >^i^^V \tnL.tentively study the ways Of the deai little girls of Ja.pan.

wj;miJ> 'r^pipgfegf f i *=* I.tentively study the ways Of the dear little girls of Ja.pan.

^Tggffg i ^'rg'gggg'ffg * »

-tentively study the ways Of the dear little girls of Ja.pan.

* * P ^ *

88CHORUS.

cres - _ cen

*if

j j jJ

i-Pcr mmm j- j -

i

j *mNight ap.proaches clear and star-ry— Silver shadows soft_ly fall, Bring - ing rest to

cres - _ cen _

h£ m t,J j: j, IJ^M* • * \

-d—d*t»——Tr*—"-^

—

j v.—^-#

Night ap.proaches clear and star-ry— Silver shadows soft_ly fall) Bring- ing rest tocres - - cen -

^n pj;r f i

r g£f firJ|J j-uj J' j , I ih^N^

Night ap.proaches clear and star-ry— Silver shadows soft_ly fall, Bring _ ing rest to

cres - _ cenn tres _ - cen -

y'"r I r g

'

r ft p T;r g'

r f r >r g||J ^

Night ap.proaches clear and star-ry— Silver shadows soft_ly fall, Bring - ing rest to

sj,»ii;AjjJnf

[S;in^ isgreat I-ma.ri, Wel_come rest to one and all.

*rfo

ffi-S 3£p a <iJ J t|J J i

qm=x-a-*

great I- ma _ ri, Wel-come rest to one and all.

Ppp J'f p r r

'

Jc"f ^

great I_ma_ri, Wel-come rest to one and all.

ag Jr g p^great I-ma.ri, Wei -come rest to one and all.

89KATANA.

m ^ £MPm P m

P PPearl of the ra-diant Eastern sea, Light of a sol-dier's life.

#ni jj i I it i ^tapppPP r pf

Si =fe 3^i ^^ ^^.: ' i » r r r T

fe P g e r M=£ lispPP^PPTime in its course will set thee free

—

Free to be-come my wife!

i y

i m i mmi m j t^ 3:

s ^ ^^ ii £ IP*=P"T r r r Sa>.

i ^fe£K. Pf £"7 1?-7~

All that my heart de _ sires to say Would that my lips could tell;

?

mn

1 jj 1 4^ >il>4 ^3=e pp ?

sm mp—

*

: r \ z-*tj J p

Fairest of for_tune bless thy way— Light of my life, fare- well!

fe p r iii lX3

fgff

90

ffc

I g r pir n.i

j-.jg J-

i

j. JF

J.

Rose of my fan-cy's gar _ den fair, Fortune foretells Joy that ex-cels-

It=

^ P m m

*^ i i 3

^siH Pm IA > ^4 j- ^4 j> >4 ^

J 1 I J, J I! J¥ pK.

*Al-mond-eyed maid of beau - ty rare

,

Fondest of fond fare - wells

!

m

m

is:

P/Oi

ISfc

P ' J<_i si

Efc

S > j «fr

/a

H y. i

*=£l

^S

3b

*• kb f^—

"f

MIMOSA.Poco pin viyo.

91

m j;

j- J J-i r m i P i

s.MIM.e=^

Soi ry and sad I go from thee, Lord of my lov - ing heart!

# 1 fiiiil •**-\—\T-\ 1-*rl 111-r v -w-w-9 F

*

v v s. I NJ Jir P i

^ JJ^ ^^MIM. ^S fit-^-

Ever and ev_er think of me, Though for a time ve part. Saved by a friend from

fSIa

fif««» ^y iy1* ** ¥ ¥ *

% PEEEE^=i!f: **

r gJ- i^J =£££ p iMIM. IZZ

hap_less fate, Whither she goes go Ij So till I come, my soLdier, wait!

I yj *J SWW ra W- If mm m T r

i *r-

f^-

^ ^r-9

^=3 ^ I^ ^ ^MIM.:T

So till I come— good - bye!

J.. iJ J

So till I come— good - bye!

##PPPCiJ r C2JU/m

fr

tt

92

MINI.WLj-r.rr p J J. u^pj. I j^j^

p• p pmmm r.

m*

Son of thesword,-whosegIeamingbladeGuardingitsprize Danger defies, Truestof knights to trusting maid,

£ ^*£:

/C\

,i- ' i. ^* i ^=^ i

^ia

^ jg3: £

MIM.

I J. J. Ii . J

.

1.1. I i„l. I J » 1 H II I.'SP^ JjJ

.

I

iiJ .JJ •

[

t|J • ___^_1 J 3

o, afe£ m"'T y £ y

r

^.Ti

m-m-V v I p g y

P

IPl SEE =y^=

£=£

g

93

#Z=3Ea ^

MOLLY.

Allegro vivo.

SOh,

m ~ mm mm ^=t.r

b=s= t^m

b s fc^ S \ ^^^=—^^sIY1.

what will they do with Mol _ ly, With poor lit_tle mad-cap me? Ive

f\S P.)}S K £=!£ PfPfM. mgot in a mess In a Jap-an-ese dress, And what will the consequence be? No

F=*¥£3

m m Jbl ^~£e^S

/ J t\j ?m? \ j^ r wmdoubt with a girl like Mol - ly They'd try to take li-ber-ties free, Bnt

94

M. ^Ps N > > J" i i e— —#

—

— — j j-J j'jjii

^^afe

if they ve (he fol_ly To take them -with Molly, They'll have to be sharper than she!

¥t ^gi

Now

ir

ii'' 1

Now

=j| ||^

Now

^ssNow

#tafct* 3*a—

g

S ^Si * i

/

iwmi ^

fT

g i g g e i- e i r7

r^* / ' vwho is this Ro - li Po - li, And what is her lit - tie game? We're

fcj i'JJ Ji I J

j mt ^ J'i J^;A>« is this Ro - li Po - li, And what is her lit - tie game? We're

l^p-mn; £r i r g g "g : mr /

who is this Ro - li Po - li

,

And what is her lit _ tie game? We're

^^ r V m %P^¥k E gP k kuA» is this Ro - li Po - li, And what is her lit - tie „ game? We're

th-^

I \ u 1^

i

f Mj gj pg r r,^bound to admit That we're puzzled a bit, For no _ body knows her by name. it'.

f g i fc BE^ Jim J Jimf=pp^bound to admit That we're puzzled a bit, For no - body knows her by name. It's

p i r gig f c p g i g r-g i ££ i r j r-

bound to admit That we're puzzled a bit, For no - body knowsherby name. It's

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bound to admit That we're puzzled a bit, For no -body knowsherby name. It's

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hard up_on Ro _ li 'Po - li To hint that she's o_pen to doubt, And

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i ^hard up-on Ro - li Po - li To hint that she's o_pen to doubt, And

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rhard op_on Ro - li Po - li To hint that she's o-pen to doubt, And

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hard up_on Ro - li Po - li To hint that she's o_pen to doubt, And

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96

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yet were suspicious, And rather am-bitious Of finding a thing or two out. And

yet we're suspicious, And rather am-bitious Of finding a thing or two out. And

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yet we're suspicious. And rather am-bitious Of finding a thing or two out. And

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yet we're suspicious, And rather am_bitious Of finding a thing or two out. And

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r^=^yet we're sus.picious, And rather am-bitious Of find-ing a thing or two out.

rail: rts^f£ I \ m % p r-

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yet we're sus.picious, And rather am_bitious Of find-ing a thing or two out.

u ^ _ m m m rail: ^

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yet we're sus-picious And rather am-bitious Of find-ing a thing or tw# out.

97JULI-

Piicn pi& mosso

fe l^Eone, It seems my work is on - - ly

^np^fc=j=jt1 ^=i * *

r f r 1 1

FAIRFAX.

F-

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ft rtIMARI.

jlt j pi m j3s=(sr

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from you. Laugh a _ way! But dont make sure

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j. j j ^youve got the best of

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my lord. In Eng - lish hands is

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t J. ^ J' J 1 r. J I r ^ J g jIP#she; So dont you dare To touch a hair Of the head of that dain_ty

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err- s i f ; Isgeisha fair! If truth be told To a Mar_quis old., Its >"i', not the girl, Whos

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aychorus.

fc fe S1 i i

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r. £3mm £=£ ¥just been sold! It's on _ - ly the way Of sat - lors gay, Yet ii

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It's

gly the way Of sai - lors gay> Yet it

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It's on ly the way Of ii _ lors gay, Yet it

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seems Dn_common-ly rude to say That if truth be told To a

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J- (=F¥fseems un_ common- ly rode to say That if truth be told To a

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seems un-common_ly rude to say That if truth be told To a

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ins un_common_ly rude to say That if truth be told To a

£ £ £^^1 LLfiLf LI£

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100

£3-t-E-E-Mar - quis old, It's

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not the girl, who's just been sold!

IMARI.

This

=£^ 3£»t g i r. ! p^

Mar - quis. old, Its , not the girl, whos just been soldi

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Mar _ quis old, It's , not the g^rl, whos just been sold!

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Mar _ quis old, Its , not the girl, whos just been sold!

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con - - - ver _ _ sa - tion we will not pro -long

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turn out that af - ter all you're -wrong

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CHORUS.tOl

3 ^ ^y v I PPlease to go! Please to go! Fast the sun is set - ting,

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E £ 1

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Please to go! Please to go! Fast the sun is set -ting,

m ^msm m 99&Z2

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Due res-pect to cus_tom show; Or- ders you're for _ get - ting.

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Due res - pect to cus-tom show; Or - ders you're for - get - ting.

m 1 1 1 j j j^5

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Due res-pect to cus-tom show; Or - ders you're for _ get - ting.

Due res-pect to cus _ torn show; Or - ders you're for - get -ting.

fa aia

as

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^

102

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Please to go! Plf-ase to go! Seek the ci _ ty's shel - ter;

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*Please to go! Please to go! Seek the ci - ty's shel - ter;

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Please to go! Seek the ci - ty's shel -ter;

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Pskel_ter hel - ter skel - ter !

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skel-ter, hel - ter — skel - ter !

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Please to go!

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Fast the sun is set - ting,

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Due res - pect to

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r \ rcus -.torn show;

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Or _ ders you re for9

-get - ting. Please to go!

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cus - torn show; Or _ ders youre for _ _ get - ting.

t r r r

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cus -torn show;

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J. J1 J J

Please to go!

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cus -torn show;

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Please to go! Seek the ci - ty's shel-ter;

i:

Time is pressing.

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—

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Please to go! Seek the ci _ ty's shel-terj Time is pressing—

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Swift progress - ing , Hur ry hei ter - skel - ter,

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t J J |J JP=P P-skel -ter, hel - ter — skel- ter, hel- ter — skel

¥ mt \ tt m at

-skel -ter, hel - ter — skel -ter, hel - ter — skel.

si £ 1/ 1/k k k kskel-ter, hel _ ter — skel - ter, hel- ter — skel.

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END OF ACT 1.

ACT II10 7

N? 15. ENTR'ACTE.

Andante

PIANO

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£ i I fj

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108

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Ill

N?16. OPENING CHORUS. ACT II— "DAY BORN OF LOVE

SOPRANO.

ALTO.

TENOR.

BASS.

PIA NO.

fe

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Day born of love, Of gladness and de - light, Your

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mo.ments soon in - vite To mys . tic

-T3 Omar.riage rite!

Ji Ji*' «i - tii^ ^ ~0~

mo . ments soon in . vite To mys . tic

J J .NYl. J I hJ J ^mar.riage rite!.

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mo.ments soon in - vite To mys - tic mar.riage rite!.

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mo.ments soon in . vite Tu mys . tic mar.riage rite!.

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Copyright 1896, by Hnpwood & Crew.

112

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Thron'd high a . bove, O Ten - to Sa ma shines. And laughing he di .

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Thron'd high a . bove, O Tt-n- to Sa ma shines, And laughing he di

.

£ £ =££ Sp—&rr pp.

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.

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sp—&-•—vines

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lov . er's sweetde . signs.

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lov . er's sweet de . signs.

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lov . er's sweet de _ signs.

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113

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s£-^-j--j--lMuoo b)" night and bMi by day

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Night for rest and gen - tie sleep Night for rest and sleep.

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mo _ ments soon in . vite

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117

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118

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prospect lies Of rich and fes.tive fare,

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120

JV*.°Z7. SONG— (MOLLY.) "THE TOY MONKEY.'

COMPOSED BY LIONEL NIONCKTON.

Allegro moderate

PIANO.

MOLLY. ^l.Poor lit . tie maid . en, who

2. No . bo . dy doubts that this

P PfI

P wy v f

r=5

^fe^ H fc is^S d. * d

loves a bit of fun,

hor . rid Ja - pan - ese

Learns her pro-pen _ si. ty to rne!

Wives— o . ri. en - tal- ly— has got;

Pmm i m'^'r f i'h £ f_JL...f

Copyright 1896, by Hopwood & Crew.

M. #HJust

One,

fe I

g J ^look at me! what

two or three, or

121

I J* | I J.

prtt _ ty thin« I've done!

ma _ ny as you please -

P^f mms $

k

s—frJ. J J- M JmM. *

. d .

—

#

Here's a de _ light _ful how -de - do! A pre _ cious pic _ kle I'm in!

/ won't be ad . ded to the lot! He thinks I can't re . sist hiin:

S m r»S 1 \ K> P^«= J, E<*

mtV i Ij B » ' hr

I J-- nJ4

J: J ^N=? *

Fool-ish lit .tie Mol - ly,

Kull . ing in his rich . es,

Punish'd for your fol _ ly.

Fan-cies he be-witch _ es

-

A wood _ en

Bat round my

fc=*ttj .njs, .cm >;i

s re

te M 1 J g I >=» g -r *E? i^^M-lg 'fi E

j: iJ J: j j J i Ismon _ key climb - in'

thumb I'll twist him

„ ,k g g i

I s _ n't on .< stick like

Whe.thei he's a -ware or

SgJZJ j- ,j-

^f=

^r^= 5 •,

you!

not.'

- poio ri>:

=* I ij J T

122

^CHORUS.

n T y K mm *=^=* * i^Click!

Click!

click! I'm a

click! He's a

mon-key on a stick!

mon-key on a stick,

A - ny one with me can

Bound to let me have my

;i i 1 -/" =£ EC J-^ r?rrffi ^=£ SE

3 1

4^=F^E^ S§ P±=:±

# S§^ J--N J'Jli^J.^^^Fplay,

way

!

And my an. tics he'll en -joy Till he finds a nrw-er toy.When he'll

So I'll keep him all a- live Till my English friends arrive-When I'll

123

A J g J mza

mm I

5SM- -*-

Sfe

1

£

fc*:

iy l*- yr y# f

^^ ^^ gjj,k££SP

y i yJn: HE^ ^

/ K

^vt^Tf m =£i? J^fyf^=w g E g r » :

ifCf.f-o .

^ J^ ^HE £2 ££ ^^^ Jn= TOpoco rit.

BJ i"r Fr ry £ ^^5=s» pW H

i S3 .i. - a Ms mE ^P^ T ^rr r^r5 te* *=£

^ <&.

i j-j]sS prgqgnjg gUl ^^r

ie At=t u istS—

*

f- J^ ife^i ^FTT^r.* -pr^-^iP r^-Vy^*=*-=? i I

/

124

N?18. DUET— (JULIETTE &WUN-HI.) "CHINC-A-RING-A-REE!"

Allegretto

PI ANO.

^mP^ ^mJULI. When /

WUN-HI.When me

^g I

want

want get

ny

tie

thing

my

dune,

way,

I

Keep

f f P ij^ I

nn m4 *

m 3=E 7 9

#n i LJ J'

|J

try my fd _ vour . ite plan —much ee o _ . _ . pen eyes;

I wh>'e . die and co.ix, AndFor Chi - na - man mild Him

Copyright 1896, by Hopwood & Crew.

125

P £g g g

flat . ter the folks As on - ly

well . ee sharp child— Tell pl>n . ty

£e£ i£a French girl can!

Mg whop . _ per lies!

If

JULl.To

$ pin~£~&

^m ^^ t*—*- ^^=F

^ m ^e _ ver I chance on one

ge - ther we'll work tu - day -

Who won't

You're juot

be coax'd by

the man for

mF

i : r rrt

j

i p g I r ^me,

me!

I peep and I

A girl ne - ver

pry, And I work on the sly— Cum.jibs At a few lit - tie fib»— Cum .

'm nr iWJW H^? P^Pfm Z3i=*h ^=r J! i ; g ^T^ m w

WUN-HI JULIETTE.

LjV- P f

'|i'TJ # ^ J i

WUN-HI.

s. prrn - ez - vuus <«?

f»ren - r z - vuus ca?

lire' ft',,-'

Hee! Wee!CamCum

*T W^pren . ez - rows cu I H 'ret

pn n _ ez - rous cci? Hen/no is:

±

s£=^ g y gg N- » ~^~ =?^

126

4BOTH.

3P^s ^^ I* J' } £ E ^chi - kee hi - kee ching - a - ring - a - ree! The

^^ £ te i is K I K A# P*»

smart French girl and the cute Chi . -nee! Mon - sieur, mam'- se'.le Suit

IFf i~-^h^r mm £=

*

JJ^ Jfr fc tt fe

r I i f f Ht i E "g E52 fc=fe

ve . ry ve - ry well, So sing Ching-a-ring Ching-a - ring- a - ring - a - ree!

^n W i I

as

^ee£PThe smart French girl and th.i

m ^m §^p m

127

ft J; j; iijrn i »gEgFC g i r ^c J/

%^ ^=aring - a - ring - a - reel DANCE (after second verso.)

tf^ i**T »/

^i ipsD.C.

. £ £ lff-ff :;HH^P§H=g

BJSi ^^-^^ P **

128

JV.°79. CONCERTED PIECE— "GEISHA ARE WE."

ustPIANO.

fat4 GEISHA.

& mk mmkP^P¥ P^Pf

*A

Gei.sha are we, Bid-den to be Present to-day at the ce - re.mo _ nee ;

Hi Hji @ J J ^*W ^ £ 5y

P

wm i==iip^ P p^p

aP* nj .1 i j i;-N jjuiJjkj, WP -Si-

Each in her best, Dain.ti.ly dress'd Brings en-ter.tainment for ev _ e . ry guest.

j «n„j.j . JS..J j

Copyright 1896, by Hopwood & Crew.

129

4C. f?t} j;,jij m i j ;jt gf. 1 g gr r

Smart lit.tle maid. Versed in her trade, Knows what will please when ex.pressivt _ly play'd,

ai i

fjf ^=p£ innl p*^

# *=p£^ ^pp n££ fe=fV ij^i j e j+ c

Guess.es what dance All will en-trance, Aid.ed by sau.cy and mis.chie-vous glance.

n i j .

jhj jjn^o „ ja j .a

m ^ j.i ijwp PPi4C.

*ia

Gei-sha are we, Bidden to be Present to-day at the ce. re-mo - nee,

MM ftj j a tow ^ 3E

r

asi i===ip^ p^^p

u.& 5i£i ^ j m i in+ c P^Pp *=3=

Iaa

Each in her best, Dain.ti - ly dress'd Brings entertainment for ev.e.ry guest.

^ J flj j j £UJ2±MT i *i£ «l

3e

ate p i

Pi nr *f r f

F^_* * <2_

a

ft

130OFFICERS.

*fepc gF J j-J-i JJ-J jj-J-rJ

i

^OFF

evl ry-thing you know. For our spirits ra.ther low your words may hap. pen ease. Will the

LLU '

I I

T ^M m

m j fj

p ^#ta£

j j' g p i g ^m \ K \ ££i*E £OFF ^—

*

wedding be a treat? Are there lots of things to eat? Is the bride extremely sweet and ve.ry

#** S f'f' W>p—f»

^—

g

7•y«ii" j g j^ I I f

**=4 GEISHA.

e£eta±a=s I*

r^/iJM fei*—

»

OFF P JL / tr

Jap.an.ese? Is the bride extremely sweet and very Japan. ese? Oh you

*£#fsf*f | i J i

i It it

*St

te

131

4C ^ \ V. m K. E §£=£/ ' V F r- fr r I ^

mus_nt ask us ques.tiuns and de . tain us all the day, For you're

^F^ sit: j j -^+J-i^ -^—^-g *j g1C.

naugh . ty Eng - lish sai - lors, and we don't know what you'll say! Yes, the

p r / j ji-

a*

3f r

«=j i i^ ^ ^

J-C

+ c.# J iJ- J 'rj

-r ^.CUNNINCHAM

i1

1 1 J- g J -$^H 1&*

please to let us go, and ohl we won . der how you dare! If th<

Hi i J -Jfi n ^

ta i

ii

**

132

c. p* ;jj; -^ •- ^^^ J J- £i

Mar - quis should de . tect This flir - _ ta _ tion in . cor _ reel , His au

**= m I j | ji > n

i

•Mi 11

f j E > g j j j 8 1 ! j g I

*t V \ V N s j* ^^ N \3E «^ g

_ tho . ri - ty un . check'd He will as _ _ sert with us. But you're

iu *^

jgjg I7 I £ J , f =F =§!=^

#y j i i- j ^ r- f 8

P^P^P E^all so ve , ry nice That with . . out re . fleet . ing twice, We in

^#f I \ I J » V I : ? iv g i

i

$*£ J J f J r .£ ^#c. ^ g d

- tend to break the ice. And make you flirt with us'.

*fei i^mi i s

*fc

ENGLISH CIRLS-133

j J' J i;mJlJ ;[^J J ^1Now yuu mustn't go and leave us for the geisha, if you please,Forwe

**= mj j]jj, jlt§ j ji

*^4Kip £ ^

3ao ^4=^ • j j j

N E N

J-J J' ^ I J'i

N v Nr-y ^gi^ s N

PP ff£•—

#

3IP

cannot have you flirt-ing with these pretty Jap.an-ese! They are charming lit -tie creature>.but it

n 11n * ji

r r r^ ^ ^4 GEISHA.

v k 1a „ „{1j^^N^J-

l iynyJi^ l

.^-VJ^iiE.G.

real - ly is - n't fair, So you'll please to let them go, and oh! we won. der how you dare! Yes we

5J -sfeb* J"l

P=P lESS arif^^^ *tPgi§===^ Jit

¥N^tOFFICERS.

=£c r rarer '

'J PPPJG.

*Ae

won.der how they dare! Yes we wonder how we dare I

t * * " ' *s

^^^

4K-BH-4

f34

4**

CEISHA.& ^ ^ ^,r

e c ri *j ^

**el

Gei . sha are we, Bid-den to bt

Hi ,

I'n .sent to - day at the

iSJJ. £ i i a£ P^P

Bi i r

.B.

e=§PP P

nF^ ^^ ^^^ce . re - mo . nee;

ifeP^—±Each in her best

pt i i

Dain-ti - ly dress'dn j j%mm

^m &$=*

J

=1P

^m m ^m N V-

P r c c rBrings en.ter-tain_nient lor ev.e.ry guest.

pip 7'I i <r—

?

Brings en.ter-tain- nient for

Ii iif » F f=r

mfc=M JL i m

s«3 I#=F

dbSs

ev _ e - ry guest.

^* §

Bi r rf

*i ^

dim:

/> Lf F"

_*

P^

186

N\° ,20.SONG— (FAIRFAX.) "STAR OF MY SOUL.

PIANO.

Andante.

^ ulb'rr

mmnj3 ;.

:

¥

m7 f

ssei—

I

*r— r r

* J S E J1

-Irp

1f g d

Friend - less and fair.

O . ver my path

my help may sorely need?

the joy.ous sunlight falls;

How can I wait, and

Yet is my dear, whose

pJr~^PPi in iWW *f?*#

=@E=s= ^3:

^opyritrhtr 1896, by Hopwonr! & Crt-w

136

* \ \ N ^ I^^ m N N I

leave her sad and lone . ly, Count _ ing the hours that all too slow . ly speed?

charms so fasthave bound me, .Caged like a bird with -in those gild _ ed walls.

* FW ' J71^r^r^F TCr^— _ 4-5-4-TT 7T

^ P IB ¥K F i j j J hs ^Nfe£ ^^—*—• *-

Earth has no grace that does not cling a.bout- her:

—

Would I could break the cru-el bonds that hold her.

Life has no charm, if mine she

Snap ev _'ry chain that ketjis us

# J g u J. J i J-JJUUIm

may not be;

two a - P.art!

P"JL~

Star of my soul!— I can_not live with_out her;

Star of my soul!— the half I have not told her

9 i*ll 'w?#j

Jgin ffy j3

:ar F

=£=£ ^~* *O grant this day may give her

Of all the love that fills myback to

beat . ing

me

!

heart

!

'im——f=BW 3=

f r

^

137

t J ,u £ 5 h Kf J" I l =f r- rJl^Dream, my dear - ebt, till we meet once more. Day-dreams of hap_pi_ness a -

f 1^m j J^ J *=£#

f f^^ 2^ 5^r r r r

j j -i J j | r r jy i

j j j

gain in ntore. Dreams of a fu-ture that our fates may hold,

-CT>d J z

5s*. * 5ai>.

1st time

' Off / J' j jjJ=H=*mPassd in the wonder-land of love un-told!

^ ^^i i%

f^i» • i*"**

r

d»» * iwT j i .n».'/

-j—j- i ^=p ^ r

-Uj.

2nd time ,

rQ^UM=^=£O!

' DC.

r^

iPass'd in the wou^der _ land of love un.told!

I n\#PP^ OBMB n\m*r^rr

*-

: ^i j r * i =zz

p%a W

138

N?21. SONG— (JULIETTE.) "iF THAT'S NOT LOVE- WHAT IS?"

PIANO.

umAllegro moderate

5f

JEflfiEr

3Sp

I

sm

mm*=4^^

EE £Fint

IV

2EE

*ia 3==£PP ^~mr * *~

who's won my heart There's no . thing that I

if he were rich— Still fur - ther I'd con

l.To win the man

2. To win his heart-

*sm m «=¥= ^ bIZgg

P

^te

* * w

jWff ^*- **-

**« J J- I J Ip r r-i M lt p^Pi *

would. n't do! I'd wear a frock that was. n't smart— An un. -be.com ing

-sent to go! I'd catch his eye by con . duct which Would not be vo . .ted

fcg m nn m«==^=1 »«f TT

siss ^ i I J y r g 2 if r ^m** * (• * *

mm n\

J Jj JPj.

f5 f531 -» »~

cha-peau too. If square-cut shoes should please his taste,, Then - no more point . ed

cumme il faut. I'd prove to him in tete . a - tete That girls are not so

r?\

**fes J^-f^ S ^#f**

—

T

ait^

!J^j' U gr g » J ^==f=F:— - y

:

Copyright 1896, by Hopwood & Crew.

$139AP ^ mm ? life

toes for me, And thir . ty in _ ches round tho waist I'd cheer, ful _ Iy..

prim and chill, And then if he should he. . si . tate— I'd go a lit .

con

.tie

fe^ 3e£ l»S3^w*3?r p r p

*—»—*—&*

N iil^ I yp | | toP^

Ha jJ ; j T T J~f\

l J' J =J.

sent to be.

fur - ther still!

And if that's not love— what

And if that's not love— what

#'i i

'i nj i J mi ^ * * * #.5"ftf7i ^

^^^y £ 7 y

/-1

py

I J y g

4d TC-fg ^^ S^-N: ^J. ±=*is?

is?

For I

For I

feel my heart go

feel my heart go

pop,

pop,

And my 6en . ses whirl and

And my sen - ses whirl and

m n 3E±Z** * * ¥ 4 t * P- * *

agfe ^t^ 3S =F^: P 1 y SM^E ^^^

*fe * i

fizz

fizz

Till I don't know where to stop!

Till I don't know where to stop!

140

yfc -P 0-

/ / / :m -#-«-

i

i

i y m iCar c'est oi'n . it, m?s a - mic> Que fan aime en tons pays

^m m jt]

^te a!=^I

#A"~">.¥1 l-Jij j^r^^-tr?^ PCur I'a - mour, t'a-moar, t'a - mour, t'a.mour, L'u-mour ne rai-.ion.ne

P rTL Mi ^ta EXT [if

fjj j||Sfc

1«* •*^ £a =£3

«A=F ^-t^-^- ^^pil.9 .' Cdi' t\< - mour, t'a _ mour, I'a _ _ mour, I'a - muur, L'a

i^fe a j j in^5Bgjff^g H*^^Mi

^ i Sfel . 2'.' ^./TS

^^J.

?uiiur ne ra/san - lit pas'

mmour ne raison ,. «t

-,Pas; •'

* /TV O, %

LircrLLf LU 5*^^ r

i,r-r r;j

ai 7 i i

-M^ 0\rt\

$ +=£D.C.toSyni. DC to Syro.

141

X?21. JAPANESE MARCH. (ENTRANCE OF CHORUS.)

p IANO.

> i I s n

^m. £he • ta » K3=<= JL^l^¥ ^Ko _ i _ wa se_ni sumu, Ton _ wa ki_ni tomaru,Hi_to_wa na_sa_ke _ no

3=F v s.

f g I Ir if ??2=5

Ko _ i - wa se.ni sumu, Ton _ wa ki.m tomaru,Hi_ to.wa na_sa_ke _ no

^^33=^F ^fv4£3E£^/Ko - i wa se.ni sumu, Tori _ wa ki_ni tomaru.Hi_ to.wa na_sa_ke _ no

Copyright 1896, b\ Hnpwui.d & Crew.

142

=£ ' •—k '

" r NT Jt£ r

j t.»2=Z * ' /

Ka.ge.

*E5Ko _ i _ wa se.ni sumu, Tor.i . wa ki.ni toinaru, Hi. to. .a

/> r

p m$Ka.ge. Ko _ i _ wa se.ni sumu, Tor_i _ wa ki.ni tomaru, Hi . to.wa

^'Fr ictfi^i^=§ir ^fKa.ge. Ko _ i _ wa se_ni sumu, Tor_i _ wa ki.ni tomaru, Hi _ to_wa

w£ =M*p if 'ir c:

i r

c

J'e r j y-y

Ka_ge. Ko _ i _ wa se.ni sumu, Tor.i _ wa ki.ni tomaru, Hi

mmm ±to.wa

&E2_3E_H.

*&=* # i»

«^- _S PCJfe

31 i ~cr

IsSe£^na.sa.ke_ no Ka.ge, Ka.ge, Ka.ge Ka.ge

^ 1

m .

1^na.sa.ke . no Ka.ge, Ka.ge, Ka.ge Ka.ge

fe£ ^PPni

.

3na.sa.ke . no Ka.ge,

^:

» r- r-r-

;

Ka.ge,

MKa.ge Ka_ge

mw w"CT~

na.sa.ke _ no Ka.ge, Ka.ge, Ka.ge, Ka.ge

;•fe*E£ I P W

IT Mfm l ^ tc2: v y V g ^& V s y^: E

*Vi/

14 3

N? 23. ENTRANCE OF GEISHA-'WITH SPLENDOUR AUSPICIOUS.'*

PIANO.

Andant« con moto.

mm'U- I £ i^rn

as

mmj r A r^

m pr+ i-

h ^P

§1I v i pi^p"With splen - - door aus . - pi - cious , . . O

t \ |s mi * t

*

With splen - - dour au.- . - pi - ciou& , . .

l * P P3=^ 3=*=

m i £A J- l tJ f U J-

^^ ^ f* p

m t P g ^ J- J J| r f f^

sun-beamsil - lu - mine Ihe day! With per - - fnme de - - li _cioiiB>

»fa h h N jg fs I

s- \ ist— == -— -— -— <

—

» i i 4 4 ' i 8 Psun-beamsil - lu - mine the day! With per - - fume de . . li . cious,

i P f Iifc feI£E£ =t==yff

S Ji J J^ J^ i: j /i ^ >j J:

^ f ^ rCojjyriifht 1896, by Hopwood 8: Crew-

144

l*r^TT^P ^ 5S£+ l^ppflowers make fragrant the way' zc _ - phyrs, go car-ry. Our

j m j- 1 J'^=?=? iflowers make fragrant the waj

!

O ze - - phyrs, go car- ry . Our

S I if iif j f^fe 5^

a^ «ti i j-M-J^ > .m j- t^Ufc^ ^J. J J i J ^

P 8 I P t ^so.ag to the Mas— ter of Might, Who com - eth to

sjEpI J'

J J—J- J ^5song to the Mas— ter of Might , Who com eth to

#4^4 % IS/ y

15J^ jl j £ j ^ j_.r ^ /

fe^ ^ fl»-l-

i s S J I |J

|

J ^jfeWmar - ry The Rose of his fan - cy's de - - -light! Sing

k JJ J ^#$g K K ^ K zzc# U"TTmar - ry The Rose of his fan - cy's de - - - light!. . •» . Sing

pinn f\

\j j ijr

' ^.^^2

(^ £P P IE

115

\ J-.r J-r r i f p ^^ p ^

sweet - ly and shril - ly :twit-ter - ing birds of the

S k —Sr-

T' I r i f1=^1 p £

sweet, ly and ehril -ly» twit - ter - ing- birds of the

£ f^ P U »

L

=?===?

m f=fe

;i j\n r

Ji

^ j;j'^p^p t»—

^

*Than li - lac or li - ly The bride is more dain-ti - ly

i ifefe^ ji

j^ j- j- j- j ip^Than li _ lac or li - ly The bride is more dain-ti - ly

i PH d )'nmd

V*-*

¥y i>

b mm =$m

fair

f.iir

From hill and from val - ley Th.

P p£p^

^From hill and from val - lev

^#4 * P j* y- • y- mTh.

^

146

$ rt* i J -M ' '

r H J rnt

!

—|

r.

-choes are greet- ing the day. With soft fal - lal-Ial- ly, And

jtI

j- j- | hm j._ j jij. | r|ii

t| | |

e - choes are greet- ing the day With soft fal- lal-lal-ly, . . . And

Meno mosso

\ K K. HHM JiftttgMJ-_J J

ten - der fal - lal - lal - lal - lay ! And ten -der fal - lal - lal - lal - lay! And

jji„r H ,J-iV iJ._ J Ji^.Jjj^U

ten -der fal - lal - lal - lal - lay I ... . And ten -der fal- lal -lal- lal - lay! . And

m mw l€f Rf

m m mr^r TT-

r^^ra tempo

J-i

.J. J J el•

p c e p

#

ten _ der fal - lal - lal - lal - lay

fe- N K

Ah

*£ ^=£=

With

Ji

.J. i J ift*ten - der fal - lal - lal - lal - lay I

i

Ah ! . .

a tempo

.

£ i

With

^ @|«-=-

I*

3©

#

w ^ *fO£ S

147

£ m jj j-^u..^per- - - fume de- - li - cious, . . O flow-ers make fragrant the way

Nn— ^

fP3^m i

per- - - fume de - - li _ cious, . . flow - ere make fragrant the way !

J. J Jp—r r'f \ ^^/ I v

ze - . - phyrs, go car- ry Our oong to the Mas-ter of Alight, Who

^ fe.N V k—

k

s 1 K ^= fc=iw

Ze - - - phyrs, go car - ry Our song to the Mas-ter of Might, Who

#^i§E w IPS^P IIF 1*

£i

148

* Pe£

g d I Ji-J^f £eth to mar - ry The Rose of his fancys de - light , . . . . The

( mmmeth to mar - ry The Rose of his fancy's de - light. The

&mj= Bfa m pfe

ss Ii r i r ^'tt~r i : ' g^

i^ j^j-j'j^fj, j ji^.j jj^Rose of his fancys de— light, .... The Rose of his fancys de- light!

#P^ m ^^ tt \S hg

Zt£=

Rose of his fancy's de - -light, The Rose of his fancy's de - light

!

149

N?24<. SONG— (WUN-HI& CHORUS.) "CHIN CHIN CHINAMAN."

Moderato.

PIANO.

* mis-*Pm % \ ##^%

HTc^[£fwmpi'ti state:

il*

i*

j' H f H 1

J J JI

g e £ f rI

J J J^^W-H

1. Chi_na_man no mo - ney ma.kee Al - lo li - fee Ions,'!

3.When me get. tee catchee cheatee Play-ing pie.cee card,

Washee - washee once irn' ta-kee —

Chi _na. man they al . lo beat.^e —

f^ P P P= *P P

fe fe £ m N

—

s sfc=fc^c=c t=5^=£g P m r

W-H.

Washee - washee wron?! When me thinkee sl'sal.ee col.lars

Kickee wellee hard! When me ta _ ki.-e ni . cee pla . cee

P'licee - man . ee come;

Ma-kee plen.ty tea,

7

f 'n&n^ P P PCopyright 1896, by Hopwoud & Cn-w.

150

W-H.

i* \ \ \ H \ \ P JM-p»

—

V p—p

—

p- y—

rt~

Me get fi _ nee fi . vee dol.lars— Plen.ty muchee sum!

Get.tee me in more dis .gra.cee — Up they sell.ee me!

t

^

$ >J J J* ^ d dW-H P^FP d *

Chin chin Chi . na . man

Chin chin Chi . na . man

Muchee muchee sad!

Muchee muchee sad!

Me a . fraid Al - lo trade

Me a _ fraid Al - lo trade

U UJ prr-mT f

m WP=H yj,J'J M I Ph h t I

**^Well . ee well _ ee bad!

Well . ee well _ ee bad!

No.ee joke— Bro.kee broke— Ma - kee shut _ tee shop!

No.ee joke— Bro.kee broke— Ma - kee shut - tee 6hop!

M W g' I

'

r

mwm m#mW-H.

i§

CHORUS.„ lit SOPKAXO.8 a I £ J J*

151

I g EChin

2n«t SOPRANO.*

chin Chi . na . man Much - ee much . ee «ad!

m i £ I 5 fe § 5

Chin chin Chi - na - man Much . ee much _ ee sad!

TKKOR.

¥ g f f g rChin chin Ch i . na _ man Much _ ee much - ee sad!

mmBASS.

I i i i r

Chi . na . man uch - ee much - ee sad!

J* J" J* | J-—*AlHe a _ _ fraid lo trade Well . ee well - ee bad!

m w i i! J !< s

~9

Al

~m r~lo trade

1Well - ee well - ee bad

!

He a - _ fraid

He a . . fraid Al _ _ lo trade

m J J*

Well _ ee well - ee bad!

He a _ . fraid Al - - lo trade Well - ee well _ ee bad!

V

wm

158

No . ee joke— Bro . kee broke- Ma . kee shut . tee shop!

y* ;- g f g gp e ig

No . ee joke— Bro . kee broke-

% % g £Ma _ kee shut _ tee shop!

153

*DANCE.

S mmPIANCK P +

3S

:« wrf1

mm^

» #•- -" 3 "

^^ JrJgfC m £ * , »fs s^

^piigtfflLJ'ul p*J* mi

J-' >J*=£3

=«£*H U=BJ# , **Tf p§icoa i

S*M-k

& f

Piu

1»4

mmE mmmjj^jjJf

m-0- "^SLJ a

IU m

B ,ffn nii

/mi J^ j-n I

"U Lj igi tagiWW^a jTi

i

m f iglr^^3* it

i P^ ^•

I f *£M^Mz4m= ^p*~^?

/

^ 5 #j £Si

J'ffffif i ff f f f

y* LJfa g £

^ Hi

is:

N? 25. SONG.-(FAIRFAX & CHORUS.) LOVE! LOVEl

% Andante.

VOICE.

PIANO.

pmito&E

i~iu 2

^^isFF^= £

§^-^f-

*

37:

T

Oh,When

IT\

WWr*JE

to ^ S (5 \ N?=?=} w ^ s=m a i r«, *

of Love, Inlit - tie laugh-ing god of Love, Tn kind -ly mood you seem to be, Though

lov- ers woo in ac-cents soft, You laugh at hopes that prom - ise fair, And

te i i: c a ff p ?s tKLli

££ iiI

r' * r

»

3

ji^ tr

r ^^ :£=s \

/Oi

ij-I g J ^

EM.

sea- ted on your perch a-bove You smile at lov -ers' mis - er - y! Forstill you sit and laugh a -loft When love is hate_and hope des pair! As

m i wmm ^rm *%

&sm j : : :£ s*= S^ £

¥—y- *

—

Vman to you is but a toy, And yet you some- times deign to hear; Toclay with - in your hands are we, And yet you've eas'd my... heart's a-larms, For

U III:w e e **3

w I^ ^fcj o ;>

Copyright 1896. by Hopwood & Crew.

156

day you fill my heart with joy*

she who's all the world to meTo - day you give me back my dearl

Will soon be safe with - in my arms!

Tempo di Valse.

fe I T~ i J i

pin It'llto ^^g£ wAh!

te i JI ^J J.

Love! love! soft- ly you

Pf5

^Pf^

/a/a?

i

&£poco piu mnssn

i £pcall; Love! love! laughing at all! Mis - chiev-ous Cu -pid with

h\ i Jg-J § JfJ I

it JspJ jj ^^£ * 1

SfflSHMJ- ==*

HE z:3:

!±*rutt.

g^F^ ^**Pam - or - ous dart, Mans at your mer-cy for you rule his heart!

^=^ 5 3ft «—r^ ^-

* j J

Tiir

ggp^ f5 ?5C

I

*—0-S ^ J-Ldt^L3D

157

& u tempo di valse-

g=PE 1 ^ s=^=3 #-h^n

Love! love! soft -ly you call; Love! love! laughing at all!

1 r iJ- iuJm=f e r j i

j f^ggLove! love! soft-ly you call; Love! love! laughing at all!

iM<S^ ^^f • d.

Love! love! soft-ly you call; Love! love! laughing ai all!

*t^F^ ^^ ^^ f p -?*-*—»^

=fc±:

Love! love! soft-ly you call; Love! love! laughing at al

^Wt r ~Tf ^^ ^= q:ISQ • •' +

^Love! love! soft-ly you call;

H=& £ i

Love! . love! laughing at all!

i JMIf^ ^S a^ .*

iS frVHj-HI Iil =§§ H imi

^ j. t,J"r

i r rr

i

r r r i r~ 1 « f 'J- gg

piMis - chiev-ous Cu-pul with am-or-ous dart Man's at your mer-cy for you rule his heart!

m'i

J rn rr ^aMis- chiev-ous Cu-pid with am-or-ous dart,.

p£ m mmas*33*=*Mis-chiev-ous Cu-pid with am-or-ous dart,.

p& J.J l;J J^ F

J »Jf

s=:Mis-chiev-ous Cu-pid with am-or-ous dart,.

ss T *f-n»Ay j. j J irrrfea &=*==

Mis- chiev-ous Cu-pid with am-or-ous dart,.

^^ =p=*

si ^ i i «

f==

as^ =«=*: gEr

1f1^ ^s

168m dim.

mer - cy for you

i)K i J J-PK

=g=

rule, for you

feS| «g

rr\

rule his^1

jjJ g *=Man's at your

p£mer - cy for you

mrule his

J J g ' J J PMan's at your mer - cy for you

^te °| J Jd I

rule his

Man's at your mer - cy for you

ss mrule his^^ £M * is.

Man's at your mer - cy for you

P*^nrule his

mmP-

a r-

:e

«•

H9

—

~az

l.VJ

X" 26. SONG— "HEY-DIDDLE DIDDLE: WHEN MAN IS IN LOVE.

VOICE.

PIANO.

9 i^m

# p

gg^*#PP£*=£ ^ r

mN#-^f ^

^fe£

*=*=

f=£

CUNNINCHAIV.

^yy-j- jg

-1 ^L^^j-L^^^u

He's long-tag to mar.ry a dear lit . tie bride. So beau ti l\jl, ( hannjng- and

So come where the ban.quet is lav . lsli . ly laid — Our wel-Come is sure to be

mm£ m j j^=^ i—LUl

E- ; 1

- J " -'..-1^ s ^i;un.* d

sup . .pie That peu - pie will say, as he walks at her side, By

hear _ ty; We'll learn from the lips of some quaint lit - tie maid The

nirn j J-f J

r / f ji g

£

n ~w~ p

J' I J

Copyright 1896, by Hnuwnort & Crew.

160

CUN.j j j j- j^V

i c r~f I \*mp^m &£Jove! what a <rouil look, insr i'ou _ pie!

joys of a Ja - pan _ ese, par- ty!.^But wont he be wild when he

For dash _ ing young sai - lors there's

" a •T^T ^m $ ^^g

fi J J- s J =£J: I ICUN.

knows that we dure To

al - ways a charm In

laugh at hi« am _ or - ous ful _ ly,

flirt - ing with short or with tall ones;

H^ %

Be

I

r Ijp-- rm £f f ^ f

I* j- f i J j-i> i ^*P^Pp;un.

P. cause we in.tend to take jol . ly good care He does _ n't get mur_ried to

know I can do with a girl on each arm, And two on my knees if they're

m mm &\"

w^r

^=3am mf fi i IIPJUN.

Mol . ty!

small ones!

^f

161

CUN.

ForFor

£ P % \

1- I > r

hey - did _ die - did - die! whenhey - did . die - did - die! when

manman

is

is

in love

in loveHeHe

i F F=>=* £ I f

J-^K rV-^

% r r C P ^CUIM.-V ^^ fthinks that he's luck.y all

thinks that he's luck.y all

o _ thers a . bove Too . thers a - bove To

wed such a squeeze a . ble,

wed an em. brace, a _ ble,

jl|lrn

|

^ i

f

m i

i uj m^m M J £^^ i- p i

i=£ j j^ I 3PiipJUN.

Sit - on - your - knees - a - ble,

Pat - on - the - face .a ble,

Dear lit _ tie du _ ti . ful

Dear lit . tie du . ti . ful

I*

m m £ ^

^ i' J' J'i j. j i F=NCUN. P^

duck of a dove, su< h aduck of a dove, such a

dear lit . tie duck of adear lit - tie duck of a

dove!

.

dove!

162CHORUS

J-j£=* J- | J m

thinks

thinks

that he's

that he's

mluck

lucky

y

all

all

thers a

thers a

bovebove

mToTo

3sthinks

thinks

that he's

that he 's

luck

luck

all

alli^thers

thers

bovebove

ToTo

¥ ¥^P P^Pthinks

thinks

that

that

he's

he's

luck

luckyy

all

all

thers

thers

buvebove

ToTo

J' J J J"

thinks

thinks

luck

luck

all

all

thers

thers

bovebove

iT1 J

P

ToTo

£

zm m m ^

j

163

f F I'' I- P^Pwedwed

such a squecz - aan em _ brace

> | J J

ble,ble'

:fc

^E=iSitPat

onon

Pyour - kneesthe face .^^

aa

ble,ble,

wedwed

such a squeezan em - brace

ble,ble,

SitI 'at

onon

yourthe

knees _ aface _ a

ble,ble,

c c i : f f- F P^wedwed

suchan

squjezbra( e

ble,ble,

SitPat

onon

yourthe

knees . aface _ a

ble,ble,

3 ^m $wed such a squeez _ a ble, Sit - on - your - knees - a . ble,

wed an em . brace . a ble, Pat - on - the face _ a ble,

i

m ^ m m

j I I j £ni £Pdudu

ti

ti

ful

ful

duck ofduck of

dove, such adove, such a

m J x Jdudu

ti

ti

fulful

duck ofduck of

dove, such adove, such a

P^P Prdu

ti

ti

ful

ful

duck ofduck of

dove, suchdove, such

m

ap

dudu

ti

ti

ful

ful

dove, such a

dove, such a

ff- r r

f fr=r

m m 3

p

OAIMCE,

m^ rumr 1 £ j ^

^^^ ^ J ^fe£

rff fff ^mm ^s^fe

D^

^^ ^^i | y 7 I y >

» •» -y—

E

=?=F-6—

JV\° 27. SONG.- (MOLLY & CHORUS.) "THE INTERFERING PARROT.

165

Moderato.

PIANO.

$*.:P-Rl>

".yyr:j 1 I

1 3_^ • •

^Mi

# MO LLY. ^=£*f J. J. J

;

J-

A par. rot once

He left the poor

Ca . na . ry's yel

Of course there is

re _ si _ ded in a

ca.na _ ry -with her

low coun _ten_ance with

pret-ty gild _ ed cage,

spi.rits ra _ ther low,

jea.lous . y wasgreen.

mo ral, and of courseit's at the end —

Sar .

But

AndThose

£BS=fefe^feWT

cas . tic waswhen she got

when he met

fool _ ish young

his tern . per, and

her hus _ band homehis wife they had

ca _ na _ ries had

un _ cer . tain

her tongue be

a nice do_mesa mon _ key for

wasgan

his age,

to go.

tic scene—a friend,

HeIn

Till-

And

ssm

F^^^ 3^ mmm^mrn ^=iknew that two canaries had a - partments overhead Who'd on _ ly ve_ry re.cent.ly been

vain hetried cares_ses,and at.temptedto deny— The sil . ly lit.tle bird be.gan to

she withpockethandkerchiefand ht with sul-lenscowl, They hurried off (o 51T Jus.tice

as to all the troubleeach in turn was givingvent. They put the cunning monkey on the

3E

1± ± ±-

^m It . I A ,

Copyright I8')fi. by Hopwood & Crew.

166 CHORUS-1^! *.^'.><J SOPRANOS. MOLLY.

infe J i J. } J: J ]-.=53=3=*

•wed! They'd recent, ly been wed!cry! The bird be.gan to cry!

Owl! To Mf Jus.tice Owl!scent! They put him on the scent!

TKX.

pJ-^-JU

He kept an eye on all that they wereShe told him that sheknewhelov'd a _

He grant _ ed a ju_ di . cial se . par-He called up. on the par.rot in the

g i i

^^They'd re.cent.ly been wed!Thebird be.gan to cry!

To Mf Jus.tice Owl!They put him on the scent!

BASS.

i*-*—i %

They'd re.cent.ly been wed!Thebird be.gan to

To MT Jus.tice

They put him on the

cry!

Owl!scent!

CHORUS

mMOLLY.

£M:UnV£Jlli I

do . ing— An in . ter-Ter-ing parrot in a nas.ty frameof mind ! Andno . ther— A , shocking ac . cu . sajtion for a lit -tie bird tomake! And

_ a tion— And all because of Polly's un.sub . stan. ti . at .ed words! Andmorn . ing— No doubt the par.rot wonder'dwhaton earth he had to say! And

'" i i p *

N E Km N—'X S fr N S

An in . ter.fer. ing parrot in a nas.ty state of mind!

A shocking ac. cu.sa.tion for a lit.tle bird tomake!And all because of Polly's un.sub. stan.ti . at . ed words!

No doubtthe par.rot wonder'dwhaton earth he had to sav!

g| - * ||J

)l:* J. J

;

AnAAndNo

in . ter.fer- ing parrot in a nas ty state of mind!shuckingac . cu,. sa.tion for a lit.tle, bird tomake!all because of Polly's un.sub- stan-ti . at . edwords!

doubt the par. rot wonder'dwhaton earth he had to say!

i

r

m

r

^ m

T

i

i J. J

*

vow'il he'd stop their bill . ing and their coo - ing.

said she mean) to go an(' see her mo _ ther.

now they live in i . cy i _ so - la . tion.

'went for'' hiiii with -out the slight- est warn - ing.

i167

CHORUS.

fWhich

ATwoThe

Se

WhichATwoThe

m

,p yj vJy-M mWhich

ATwoThe

^ it

K-^-

T W

mm. ¥m5 ~n~

real - ly was ex-Ceed . ing . ly un . kind!

ve . ry sil . ly step for her to take!real.ly ve _ ry wretched lit _ tie birds!par_rot had a ve - ry hap.py day!

Ex.ceed_ing.ly un_kind!A sil _ ly step to take!

Two wretched lit _ tie birds!A ve - ry hap.py day!

£ i.J. J J. J fc=k m "nc

s

real . ly wasve . ry sil .

real . ly ve .

par _ rot had

e___.ceed_ ing-ly un _ kind!

ly step for her to take!ry wretched lit . tie birds!a ve _ ry hap.py day!

£ U trt J. J

Ex.ceed-ing _ly un_kind!A sil - ly step 'to take!

Two wretched lit - tie birds!

A ve - ry hap _ py day!MM¥ 12=1=3 ~TI~

~0~

real _ ly wasve . ry sil .

real - ly ve .

par _ rot had

exxeed _ ing.ly unly step for her to

ry wretched lit _ tie

a ve _ ry hap_ py

kind!

take!birds!

day!

J

Ex-ceed-in /:_ ly un.kind!A sil . ly step to take!

Two wretched lit - tie birds!

A ve . ry hap.py day!

«

—

• A.

w !!-£ w

as ^^ ^^r T

168 MOLLY.

9^-~m—andandandandPo l . ly

Pol_ly winked his eye,

Pol _ ly winked his eye,

Pol _ ly winked his eye,

Pol _ ly piped his eye,

Pol.ly gavePol.ly gave

Pol.ly gavePol.ly gave

sigh,

sigh,

sigh,

sigh,

AndAndAndAnd

i * t ' i * ia^ i tatai

11/ n vs. ^ I

PL W \ » • J

"

JfflS c v r » a)WJ a j « • a^ Pol . Iv

Pol . ly

Pol . ly

Pol . ly

Jf i> J r

tooktookboughtused

ft

his best hathis best hat

a Spe _ cial

a naugh _ ty

down;down;Sun.word.

I- g

HeHeHeThe

im i I ±=P= J f a ? f» *1

j 41:1

1, » .—i 1t a —J—1\J V m * *

i.

~1 :

J. *

£^£ ^IT!

called on Mrs C.

knew there'd be a fuss,

read the full re _ portmon _ key- when he'd done-

-*

—

andsoof

of

tea, Whenbus, He

what oc.curr'd in Court, Andfea . thers hard . ly one Had

took a cup of

jump . ing on a

iw ^

3^£_!L

i £m ¥

i

Mr C.

calU-il on Mr.chuc _ kled at

left up . on

had gone to

C. in

the mis . chief

the bad old^town;town;done;bird,

=T=

Then wise . ly wagg'd his

Then wise _ ly wagg'd his

Then go . ing off

He scratch'd his ach

to

ing

^ §f

i*=*head,

headbed,head,

m ^And se . ri . ous

And se . n _ ousCon .tent _ ej - ly

And rue _ ful _ ly

m'y

he

he

said:

said:

said:

said:

(Spoken.) 169

m"Well, hus _ bands are a

"A pret . ty wife you've'Thank good _ ness that's >all

"Oh, Sa . rah, ain't it

^=£ ST T

ggi —

* m m m mlot! A pret _ ty one youve got!

got! I see you've had it hot,

rii;ht! I'll get some sleep to - night-prime? I ve h;ul a beast _ ly time!^

Such tales I ne _ ver

And bless your heart, it's

A thing I can - not

Poor Pol . ly's feel _ ing

±

Ti m ^pheard! So dis _ so. lute a bird

true She's just as bad as you!

du When lo . vers bill and coo.

bad— Oh, what a day I've had!

fr—I ne . ver met be

.

Di . rect . ly you are

They won't an.noy a

I'm sor . ry on the

=f

SE

gSfc ^^- fore! What go . ings on! Oh, lor!"

gone — Oh, don't she car . ry on!"soul! Poor Pol _ ly! scratch a poll!"

whole— Poor Pol - ly! scratch a poll!"

534 EZ

i

170 CHORUS.

fw i^ *m^Pol.lyPol_lyPol.lyPol.ly

*

winkedwinkedwinkedpiped

his eye,

his eye,

his eye,

his eye,

and

andand

and

Pol - ly

Pol - ly

Pol . ly

Pol. ly

gave

gave

gavegave

a sigh,

a sigh ,

a sigh,

a sigh,

AndAndAndAnd

'J

- j i I i p i p ^Xz

Pol.ly

Pol.lyPol.ly

Pol.ly

winked

winkedwinked

piped

his eye,

his eye,

his eye,

his eye,

as

and

and

and

and

—fc

Pol . ly

Pol . ly

Pol . ly

Pol . ly

gave

gave

gave

gave

a sigh,

a sigh,

a sigh,

a sigh,

AndAndAndAnd

^2=

Pol. ly

Pol . ly

Pol. ly

Pol. ly

P

winked

winkedwinkedpiped

his eye,

his eye,

his eye,

his eye,

P=f

and

and

and

and

\

Pol . ly

Pol . ly

Pol . ly

Pol . ly

Pgave

gave

gave

gave

a sigh,

a sigh

,

a sigh,

a sigh,

I! I I

AndAndAndAnd

^ ./

i it

rf^fl LV

IS

jf \p [> •l R^ b \ x a _P(fo

" -L

—

j -. a

—

»~

• 7

^J2—

Pol .

—

•

•-f#— • •

—

r took his best

• ' #i —hat down; He

Pol . i-s< took his best hat down; HePol . Ij' bought a Spe cial Sun. He

I

Pol . 1} used a naugh ty word. The

yi

r>

i?_ b m a m . m ' *ffh

™ r r r r * ' , i rw) U L" r•J P k k y

Pol . 1} ' took his best hat down; HePol . h' took his best hat down; HePol - i> bought a Spe cial Sun. He

*):11>

Pol - iy use

s,

J a naugh ty wo rd. Tr e

\—J-Pol .

i

took his bt'Sti

h

i

at

<2-= «*

down; HePol . i> took his best hat down; HePol . '> bought a Spe cial Sun. He

a ,],

Pol . i* us>_*d a naugh

I^1f

t

i

f word. The

*

HK=F==k=z ^ P f. 1—

£

s n i i 1

UD r^ -!-*J «

r r 4

it .1 ^4V , I, uI" * w' b* V J 1 i

9M

41f

j

^fc±p m

called on Mrsknew there'd be a

read the full re _

mon _ key when he'd

K

C.

fuss,

port

done

andso

of

of

j, jjj .i. mtook a cupjump _ ing on

what oc - curr'd

fea_ thers hard .

S fc-

of teaa bus,

in Court,ly one

WhenMeAndHad

m*=called on Mrs C.

knew there'dbe a fuss,

read the full re _ port

mon _ key when he'd done

snd took a cup of tea Whenso jump _ ing in a 'bus, Heof what oc _ curr'd in Court, Andof fea . thers hard.ly one Had

m g J-. $ J!

J'. m\ called on Mrs C.

knew there'd be a fuss,

read the full re _ port

mon . key when he'd done

and took a cup of tea Whenso jump _ ing in a 'bus, Heof what oc _ curr'd in Court, Andof fea _ thers hard- ly one Had

IS ^T f ^r rs

m^l". 27 3'. 8 Last.

Szl:-0

Mr. — C. had gone to town-called on Mr C. in town.chuckled at the mis - chief done,

left up. on the bad old bird.

$ i ].}].}]3=f=£ Iat ^

Mr. _ C. had gone to town.called on Mr C. m town.chuckled at the mis - chief done,

left up.on the bad old

IV N.

biru.

*m i.ti.*' mv

— * *Mr. C. had gone to town.

called on Mr. C. in town.chuckled at the mis _ chief done.left up.on the bad old bird.

172

N?28. FINALE— "BEFORE OUR EYES-

SOPRANO.

ALTO-

TENOR.

BASS-

PIANO

$Mm

Bae

*—#

r i r g r

^Be _ fore our eyes The pros.pect hes Of

m • i m « m

^=g

Be - fore our eyes The pros, pent lies Of

m N . .

Be _ fore our eyes The pros_pt;ct lies Of

4-j. ; i j i

j- ^Be _ fore our eyes The pros.pect lies Of

m&jm

m^^i^

r=r

^ i

u^J ji

J- n J. iiJ J Ji i £#^Mrich and fes.tive fare, With cups of su _ /Ire' rare To toast the hap . py

EsSg ' * » «•

rich and fes.tive fare, With cups of ,?u . kr rare To toast the hap _ py

rg r r u" P-t^r r p r^F ^

—

p-

rich and fes.tive fare, With cups of sa . ke rare

aTo toast the hap _ py

#E5feii rr j j M" j ir p a a r

rich and fes.tive fare. With c/up^ of sa . ke rare

+$++ 1 ite

To toast the hap . py

, ,f-ffgfe -g-

1=1 » 9 9~±-

n pf j f #f# jip— =M IPCopyright 1896, by Hopwood' & Crew.

iP 1 I it:

/ I

^pair. No won. der then That maids and men D _ nite in Hy.men's praise,

173

And

¥ £zzz

pair. No won.der then That maids and men - nite in Hy. men's praise

till ^J * IZ ^H- r I

^ And

1 #-=—1»

aipair. No won. der then That maids and men D - nite in Hy.menV. praise,

ifr-^j j i

J- Wu-;r r

And

pair. No

9^

won. d*r then That maids and men U . nite in Hy.men's praise,

•—r»g±1=4 9-=-

AnJ

is r

a # A-

r=F=* f r 1jTiiiis^

Tempo di Va.lse-

m*~.—

K

f # mm m

sing their joy _ ous lays, their joy. ous lays!.

^m iHnn=^m I

sing their joy. ous lays, their. joy.-_ous lays!

fftf'

sing their joy lays, their, joy - ous lays!.

m msing their joy ous lays, their joy _ ous lays!

Tempo di Valse.

£ f # 4

174

fe -jS-r-

Hap - py Ja - pan,

f

i

j Jr

J - '

i

Gar- den of glit- ter! Flow, er and fan

a m mHap - py Ja - pan,

^Gar . den of glit - ter

!

Flow _ er and fan

P P P 1*

r r mHap . py Ja - pan

,

mGar- don of glit - ter! Flow, er and fan

iP r

jir

'

i r

^

Hap . py Ja . pan,

Gar-den of glit- ter! Flow.er and fan

i£

an-i-J. ^a .l^ j-j. ^j- u.

p p^ M ^ ^ r f

i J J . i J J ^^Pp

Flut . ter and flit -ter; Land of bam _ boo, (Ju - ve.nile whacker!)

1P P a m

Flut _ ter and flit . terj

Land of bam . boo,

^(Ju . ve - nile whacker!

p m p P—1»

r r r i r rFlut _ ter and flit, ter; Land of bam - boo,

m(Ju - ve . nile whacker!)

J J llj f• r '

^ i r ^ ¥Flut . ter and flit -ter; Land of bam . boo,

" £ a.-

Ee

h§ i-i^

t- <gL

J-4.

±

(Jn . ve _ nile whacker!)

#

PJ=4 I J -i-J. J-J-

£ T i"

175

m j j j i ji» m«

Por - ce _ lain too, Tea-tray and lac . quer! Hap_py Ja . pan,

&=m -•—•- J J J i - i .

Por - ce _ lain too, Tea-tray and lac - quer! Hap _ py Ja - pan,

fe J r Ji

J -i P^Pfr^r ' nrPor - ce . lain too, Tea-tray and lac _ quer! Hap.py Ja _ pan,

Si #^r^ * M Jg

P• * *

Pbr . ce - lain too Tea-tray and lac _ qner! H.ip_py Ja - pan,

176

K? 29- QUARTETTE— "WHAT WILL THE MARQUIS DO?'(MIMOSA, FAIRFAX, CUNNINGHAM & WUN-HI.)

PIANO.

J* l J" t ? IP=P^f

(FAIRFAX.)When he finds that his dear lit . tie love - bird's gone, Oh,

(MIMOSA. (When he finds that his dear lit . tie bride has fled, Oh,

P=*=^ f ^ f^Pm PP

« J I J J^ i J- J J J' l s£u-/iur will the Mar - quis do?

uhitt will the Mar - quis do?-

i P™f ^^Will he fly in - to a ratfe, Or

If he is _ n't tuo up - set He'll

*E

r lj- r r

^ p^pt-j

fjj-jj- i «i*J J«J ! J f-v s

fill the emp.ty cage With an - o . ther lit . tie bird- or two? ......"... (CUN.) He'll

mar.ry Ju_li_ette. And a . dore her fur a month— or two! (WUNHi.)M''

;#^ ^ #SP3 f^FT r

^ ^E ^ smm

177

>» f^W j ^ r m\ i i t

vow that the ce . re . mo _ ny must go on— With sump lit . tie girl or

think that he'll break.ee break.ee Wun - Hi's head Some b.id luck.ee day or

4 i r~r r¥m «*^X^3

fc g » * it *And I fan . cy he'll ad - mit

If no heat . ee me with stick,

m

That he

Then he

~w

^ ^==£ a j' j1

j' j ^m*«does - n't mind a bit

;

For

giv - ee me a kick— But

one of them is ve _ _ ry like an

one of them is well . ee like an

9 £ >—-B^ " H

£ ^ 4*

#H^ £ i i i I $$

i^ther!

ther!

Fur one of them is ve _ _ ry like an

But one of them is well _ ee like an

fc

o _ ther!

o - ther!

Jfc

178MIMOSA.

I=Pm m JJ^rg r

JOh, what will he do, and what will he say?— Will his lan.guage be' im_proper In a

WUN-HI.

i/ ' / p P 1/ / I K3PPP K l fc ft iH^mrlw^

Oh, what will he do, and what will he say?— Will his lan.cuage he im.proper In a

FAIRFAX.

| AJ> | | I , |EEg § \ 1l* J'r r r IP

sOh, ii-Aiif will he do, and what will he say?— Will his lan-guage be im.proper In a

CUNNINGHAM.m m m m zm

\ % g p f r F f i 1 1

1

rP

I [f BEEOh, it'/iut will he do, and u.-Aut will he say?— Will his lan-guage be im.proper In a

fees jPh P i f Jgp ^S i=^ P ^# £ E—

N

i b j g Js=* ^Mf> fJa -pan _ e - sey way? He may do what he likes; he may say what he thinks; But we'll

I k m : M i f^ iHH t 5=?/ F y

Ja _ pan - e .sey way? He may do what he likes; he may say what he thinks; But we'll

dlJJtt* I g 1 1 f j* j> J J Ji

J J J n-r- J ^Ja-pan.e - sey way? He may do what he likes; he may say what he thinks; But we'll

!f* f f f £ g g H p j ^

s k M ^ f=?I / £=-&=£ V V

Ja.pan.e . sey way? He may do what he likes; he may say what he thinks; But we'll

m w w 1 d« E

at £

179

j MM j*J ^ j*i

j* j* j* j*

pop a lit .tie stop-per On his jol_ ly, jol-ly jinks! Oh

i * e e i p iF ^ JJ j<5=? g fr g

: = f g g I g PVfz rrri£=3

pop a lit . tie stop.per On his jol-ly, jol-ly jinks! He may do what he likes; he may

m ar 1— 1

\ g T F g P g |l * ' ' J '^ P E P g

pop a lit . tie stop-per On his jol-ly, jol-ly jinks! He may do what he likes; he may

»M-Hg gg m hwj I jjij- g'K gpop a lit - tie htop.per On hi6 jol-ly, jol-ly jinks! He may do what he likes; he may

S ^P K V.

5—

J

^ i ^fct P^¥

what will he do, and what will he

f= f,;/ ; j.jU'J'g i

f g^^

i VfiJ'J' J psay what he thinks; But we'll pop a lit.tle stop.per On his jol.ly, jcl-ly jinks! He may

j tJ'* I J j lJ' Jg»

|S g J'J^

|

'

l

f g,J^^

say what he thinks; But we'll pop a lit-tle stop.per On his jol.ly, jol-ly jinks! He may

g p tJ ^ J j p i

J1m l J'J^tr*^ J ff

say what he thinks; But we'll pop a lit-tle stop-per On his jol-ly, jol-ly jinks! He may

i a np« a^b mi^3 ^

180

say

.

fe3he may say what he think.-.: But we'll pop a lit.tle stopper On his jol.ly, joLly jinks!

L Oi

f*£ £ P E HE EEEfEE ! ??? ?£? ? £ I fffffff I

do what he likes; he may say what he thinks; But we'll pup a lit-tle stopper On his jol.Iy, joLly jinks!

wm m^mmmmmmmdo what he likes; he may say what he thinks; But we'll pop a lit-tle stopper On his joLly, joUly jinks!

. - - - fc S *frm i m 'ffif }*&}}\ttt&&*m?iat*

do what he likes; he may say what hethinks;Bnt we'll pop j lit-tle stopper On hi- joLlv, jol-ly jinks!

m ^5 %

^to f /=i S gSDC.

DANCE.

181

JV.° 30. QUARTTETTE- "JOLLY YOUNG JACKS ARE WE.

#Allium vivo.

PIANO.

3t=z

P?

^mmm

p n*»;

FAIRFAX.

m *

$^ Half - round

We've seen

the world we ve

all *orto and

boys. Onloo— Some

Smm r

w^i ^g^p

plea - - sure

ra - - ther

i

anil on du _ _ tv —qaair.t - ly dre.--t>'d ones;

At

But

Jl^£

ev' _ _ _ ry port we've

give me eyes ofmw

^m wmr

m m t j iCUNNINCHAM.

known the

Eng . lish

joys

blue-

Of same be _ witch - icg beau _ ty!

Be _ _ . lieve me, they're the best ones!

ft ^ SThe

That

* S:^ ft i

182

$ mChi .

. pie maid from

nese girl I

6un .

could

¥

I I 1 1 j iny France, Who blush'd and

n't stand With feet of

seem'd

small

to

' di

H i i If

^E t=t ^mfe i i j. i ^

fal . . ter-

_ men - sions,

The

Or

Span . . ish girl weGret . . chen from the

met by chance WhenFa . .ther- - land, Who

i f S: i m^IE &

£ ^ CUDDY.

stroll

ask/d

ing

us

through Gib

our in .

ral _ _ tar.

ten- -tions.

Give me a girl from

Well, a _ - ny you don't

t M=WCE * H1

l@ j-s=S

P^^ i

j^f

ALL.

time! I

out! y

m jN J MJol-lv young Jacks are we,

rfr

Mer_ ry of heart and gay!

^P PS ?Ml!Ill?? y * ** ^

V :

li |gj yy i i3C^C yy i 5-y-y- =F=^

S 3 J I V ^ =£p^PP ? PSons of the roll _ iag sea Homage to Beau.ty pay. What if her eyes are

m ir=f r=r CfEf* o # V * *

to ; 7 ^^y y M-r- *| yy :sr¥ t=2=^£-«=rj* 5^

i ^ j j nJJF^3dark?- What if her eyes are blue?- Beau-ty is fuir Ev'_ - ry- where If

PSl » SiS3£^ aP*^ =7=?=

4r r

s i f^ffy ! E y !:^y==y=y:

y y _ =?=? £ EO I? i

iH

* * */"

^3

lOi

^ 3^r^*' w 2V

PP ^Bcau.ty's the girl for

feyou!

IV

Beau.ty's the girl fur you!

»- >

$ 7' 9

i

_ #i y ^ EE 1 y ljL 1 ^ ;^=Fg=^

^ y y =7^DC. I

184

m m j J J M u^^pfJol . ly young Jacks are we, Mer.ry of heart and gay!-

- ^ -T # *•

Sons of the roll-ing

• 9-•9-5-

//

^^1 zMdkjJ cJtf# ^*

*^* *»^t=*

>j j i j ^N=£^ ? 5s

Homage to Beau _ ty pay. What if her eyes are dark?—

^ ^m9-±- ±=m 3=E

^mm#=4* Bg!t3 ta-^ £3

P ^ ^J- I JJJ s£rt>w* J 0 0-

What if her eyes are blue?— Beauty is fair Ev'_ ry -where If Beauty's the girl for

g » * •i 1 f iti

^ ii>i» » I =y=yfc

BE

EE

II?V '

l» fi

toT=^

185

N?3I. SONG— "THE JEWEL OF ASIA.

WRITTEN BY HARRY CREENBANK.

Andante e ben marcato.

COMPOSED BY JAMES PHILP.

PIANO. ^ §

E

fai j r j g

Ml

N^P^ *Ee£ £P3r ease1. A small Jap_an_ese Once sat at hei

«.But when he came back (A - las! and a _ lack!)

%

£3 i £

In a gar _ den cool and

To that gar _ den cool and

=5^ zz:

"!/

S ^ i IS v i=£ =£Wl mm m m

Whensha

sha dy,

a fo_ reign _er gay Who wasThe fo _ reign _ er bold Was de _

in j] j mj ij ^^pp -ti

/=

* fc*1pri^ &y=^ V—v-

1^p —'—r*pass_ing that way Said, "May I come in, young la

_ci_ded_ly cold, And talk'd of an Eng _ lish la

dy?" So sh"

dy. With his

m m m¥ W * mf

m fit $ m&

By arranifeineiit with Messr.

s Willcncks 8c C? Ltd.Copyright 1896, bv Hopwood 8c Crew.

186

M J Jr r r Hr^'r c r

|J- i =»B

o .. pen'd her gate, And I blush to re_late That he taught Ja_pans fair

heart in a whirl For the lit_tle white girl,, He de _ clared how much' he

ii—sn-A] ,W r l j

m j j Mvj < i is i^^ =^r

inni 4k£Wjtj j

j i ,

:i,j j rf i. j;u

r

r.r o^-^dauj;h _ ter

missd her,

To flirt and to kiss Like the lit _ tie white Miss WhoAnd for _ got, if you please, His poor Japan., esc- For he

p &£jL ?

bLTXi tpd;s u n a-

Hilli

i -W ^ IHI3jj35 ^;•«//.

iEES? £^ Dt'licatu.a tempo. m

lives o'er the west _

ne _ _ _ ver. .

.

e _ _

#_ ern wa . _ ter!

_ven kiss'd her!

r> *

He call'd her the jew_el of

But she was the jew_el of

m inmrail:

m Q-A*life! inpi

# ^ isia,

sia,

of

of

AA.

sia,

. sia,

of

of A_ _

sia,

sia,

But

The

jrtfH* ijwf i

sf ^^

187

*=3E ^^^ i=n9 r * i

m •

she was the Queen of the Gei_sha,

beau_ti _ _ ful Qu.en of the Gei _ sha,

the Gei _ sha,

the Gei _ sha,

# W ¥

the Gei _ _ sha; So she

the Gei _ _ sha, And she

' 4ZS±m^^r=r=r wm 4

^

gp 1 i J f jg-!Mw

J J^J jJ'^K J jji=^iF£$laugh'd, 'Though you're rea-dy to - day, 6ir,

laugh'd It is just as they say, sir-

To flirt when I flut-ter my fan To -

You love for as long as you can ! . . . . A

|e4 H flf=p= ifc=*=£ Pi ^frg

c~zqK

fcilll£ If

Jef £

J J r g-#

ad lib:

J J r J J fmor _

month,

row you'll go

or a week

,

1

on your way, sir,

or a day, 6ir,

For_ _ get _ ting the girl of Ja

Will do for a girl of Ja

jji JIJJ

a fag j mi

^rT|

// colla voce.

^ -4i i*^

_pan!'

_pan!

'

WW i** i

fc

l^i

ft ft*Sa. D„c.

188

N? 32. SONG-"l CAN'T REFRAIN FROM LAUGHING."

MUSIC BY NAPOLEON LAMPELET.

Allegro ginsto.

PIANO.

2fc

/

mmoito riten: a tempo-

*=*

C-J ^mm c i g m i

oi—

g

?=4=r=£^jp£ MM r , l

ibWP iFine.

fModerato (laughing.)

^ J J J J [J J J J f f J^J-IJ 3'/ d * -

fc

-M if JU.

4 ' £ # •

—

v—m m m • j

I can't re_frain from laugh _ ing for I'm tickled by their plan Ila! Ha! Ha! Ha! Ha!

Now marriage is a mat _ ter far too se_ri_ousfor chaff Ha! Ha! Ha! Ha! Ha!

idbc

p fr3

p£f^

3=r

Ha!Ha!

**

IW9

* ^^ mHa! Ha! Ha! Ha! Ha!Ha! Ha! Ha! Ha! Ha!

Ha!Ha!

A Gei _ sha's much too

And yet it's so a _

S J=

# fe fc fc fc5 g :S £ rr g

g

i

f M; g '-• gcle _ ver for a no _ ble of Ja _ _ panmus _ ing that it on _ ly makes me laugh

And if they are sue

I'm long _ ing to be

i—p ~0tL- ¥rail:s *

r. g j i J; j n

J 5 i

\cess_ful, they'll be a

mar_ried in the

ble then to

ent _ al

boastmode

*if.

#

ma tempo.

* m £With par _ don _ a _ ble gleeYet when I stand be _ _ side

P^ | fa fae*

^^ i j|

190

S fc fe

V- ^ *.

Wher _ e _ v£r (hey may beMy charm _ing lit _ tie bride

How neat _ ly they haveOf course I shall be

~9 9 9 9 9 * 9~

got this haugh _ ty gen _ tie _ man on toast!hap _ py, but I know I shall ex _ plode

Ha! Ha! Ha! Ha! Ha!Ha! Ha! Ha! Ha! Ha!

%Me S $P%Ha!Ha!

Ha! Ha! Ha! Ha! Ha! Ha! Ha!Ha! Ha! Ha! Ha! Ha! Ha! Ha!

Ha!Ha!

REFRAIN.

V feg

^^^ = fr * ^NiHa! I'm tickled by a • tri _ fie it is

>4 mH M m r r '

m

191

m ^^=^ e *^=^-

I can _ not see a joke that o _ thers

J'j J Ji=i3^E w i§=^==^^=^

do, do, do, And of - _ ten laugh at some _ thing I should

PP^ J § J1

riten:

te-

^m t y i ^ .not

.

mHa! Ha! Ha! Ha! Ha! Ha! H.,! Ha! Ha!

.J i t

a tempo.

E^ ^

192

*=*=

Ha! Ha! Ha!

1

And, of _ ten laugh at some, thing I. should

3^E P^f

in } i i_r, r^r ,

\ % £ £ i | £ £

does _ n't mat _ ter what? Ha! Ha! Ha! Ha! Ha! Ha! Ha!

r rJl

r ril g

*&f=£ zt

*±% * V ^ £=£Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha!

jMi_m m

rati:

mm

1

E

f

a tempo.

D.C.

N?33. SONG—"THE WEDDING.

WORDS BY ADRIAN ROSS.

Allegretto.

193

MUSIC BY SIDNEY JONES.

VO ICE.

PIANO.

dfc

\ j j I

*= Hig:

J^r^l§3

l.Then2.Per_3. For^

giP*

»r r r sB^m^PmP^

j j i- j K~

K

E= c

r r r g t=? m—m-

dk

come and join the beau _ ti _ ful feast It is_n't a time to tar _ ry. .

.

_ haps you Bri _ tish think me a brute, In your man _ _ ner phil _ an_thro_ pic

why should a daiu_ty Eng.lish girl A sil_ly young Bri _ tish tar kissIs.

1 SOPRANO-* m s

TVIn your

A2n.d SOPRANO.

j ! r §

uIn your

A

#iTEXORS.

j i3 j

BASSES-In yourA

ai g^E iuIn your

A

=*=*= S V j $ ^=^= ^=H= WJU T~r<—*—

•

i

—

2—

«

91 PCopyright 18T)7, by Hopwood 4- Crew.

194

a- jl

IS

mansilm

*_ _ n't

iy

a

_ ner

young

time

phil

Bri .

to

. an _

tish

tar

thro

tar

ry. .

pic.

kiss

.

PFor

At

When

mIS

mansil

_ _ n't

iy

a

_ ner

young

time

phil

Bri .

to

an _

tish

tar

thro

tar

ry •

pic.

kiss

q I P—b"

—

a

_ ner

young

is

man_ _ n't

msil iy

time

phil

Bri

to

an -

tish

tar

thro

tar

pic.

kiss

mIS _

mansil

n't

iy

_ ner

young

time

phil

Bri

to

an .

tish

tar

thro

tar

ry

pic .

kiss

gp£

¥ *

i¥

j i

JrVl rL/ J

' ^^all the best of West and of Eastpre_sent I must de _ cline.. dis _ pute

she can mar_ry a belt _ _ _ ed Earl

Is spread on the day

On the mar _ _ riage pro _

Or a most meg- ni _ fi _

I

blemcent

mmWM m ^ m

ginmar. ry..

to _ pic.

Jnur- kiss- m^=£

19&

1SoI

She^ P ^^Is spread for the day

The mar _ riage pro

A most mag _ ni _ fi

I mar_ry....blem to - pic

cent ' Mar-kiss'.'.

,

i I I m mit..

$

Is spread for the day

The mar _ riage pro

A most mag _ ni _ fi

I mar. ry. . .,

blem to - pic.cent "Mar-k ties.

'.'

m : i J i^ W f^=£Is spread for the day

The mar _ riage pro

A most mag - ni _ fi

I mar _ ryblem to _ pic..

.

cent "Mar-kits'!.

;>» i m 1 \if I J mIs spread for the day

The mar _ riage pro

A most mag _ ni _ fi

I mar_ ry.

.

blem to _ pic.

cent "Mar— kits'.

tmy y

m»* * ^P

t m Mfol _ low me in

grant ex _ pe _ ri

may be skit_tish

and lift the latch, And drink

ence may have shown, That tak

and make a scene, But I

good health

ing one

shall smile

to the

wife and

in a

SZl mf fr r

m i m r ' ' t

196

pre _ _ sent match, And clear the board with a hap - py des_patch, Thatone a _ lone Is ve _ _ _ ry well in the tern _ pe _ rate zone, Butstyle se _ rene, And she will be as the rest have been, As

S'l i I Ie£^ ^§f T r

$* ji / ^ gP P

_ i _ kar_i . . .

fie tro_pic . .

ny Barkis . .

I

is. nt

I amwilling

a

as

har _

tri _

a _

ThenFromFor

—9~

That

But

As

i _ kar_ i . .

fie tro_pic .

ny Barkis. .

$ I 9 j

is _ n't

he is

willing

K~

a har

a tri

as a

—W~That

But

As

is _ n't

he is

willing

a har

a tri .

as a

i _ kar_i . .

fie tro_pic .

ny Barkis. .

it 1 I

^That is _ n't

But he is

As willing

a har

a tri -

i _ kar_i. .

fie tro_pic .

ny Barkis. .

tttt mi 1 i

f ^That is _ n't

But he is

As willing

r

m m m0m,

a har _

a tri _

as a _

i _ kar. i ,

fie tro_pic

ny Barkis.

1,1l] £53

i fc

w t 1 1

1 g j » :

i97

* =£ mmer_ ri _ ly pour a glass uf champagne, I've tried it be_fore, I'll try it a _ gain

iI'll

hav_ing one more why should I re_frain, I've done it be_fore, I'll do it a_gain,I'll

when I a _ dore- it is not in vain, I've been there be_fore, I'm go_ing a _ gain, I'm

Smiig s iM 9 9 9

i i

mi m i ! i

as di _et,

go thro' it,

so knowing,

3=9= p^ppHe'll try it

He'll do it

He's go_ing

as di _ et he's tried it be_ fore, And hell try it again and hell

go thro' it he's done it be_ fore, And he'll do it again and he'll

so knowing he's been there be_fore, And he's go_ing again and he's

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He'll try it

Hi'll do it

He's go_ing

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go thro' it

so knowing

he's tried it

he's done it

he's been there

be_ fore, And he'll try it

be_ fore, And he'll do it

be_ fore, And he's go_ing

again and he'll

again and he'll

again and he's

J J J J J hyiUUi=9=?= 3=9=

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He'll do it

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as di _ et

go thro' it

so knowing

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he's done it

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be_ fore, And he'll try it

be_fore, And he'll do it

be_fore, And he's go.ing

again and he'll

again and he'll

again and he's

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be_ fore, And he'll do it

be_ fore, And he's go_ing

again and he'll

again and he'll

again and he's

198

S^ m/^1**~& 2".d

I'll try it

I'll do it

I'm go _ ing

—9 9 9~

I'll try it a _ gain.

I'll do it a _ gain .

I'm go _ ing a _ gain.

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do it

go, ing

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do it

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do it

go _ ing

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a _ gain .

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3rd tim.-.

DANCE.

199

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200

N?34. SONG— "MOLLY MINE.

W'OKDS BY

ADRIAN ROSS.

Music by

SIDNEY JONES

Andante.

PIANO .

Hvvi- > J-

J

1

1 1 J- i r ^Here a.mong the flow.ers,

You dis- trust, ed me girl,

Mol . ly

Mol _ ly

mine,

mine,

fefes m ppi» ^ I

he=£ ^=^=S£

*Kb ^s^ ^^-#-^

Mm . utes go like hours.

Turned a mim.ic - ted girl,

shade

Fair

or

and

shine;

fine:

^^ ri

Copyright 1897, by Hopwood & Crew

f ' ' *f

^=^

201

By the golden gra - ting

Now, too late the dan _ ger

£WhereYou

you

di

pine,

vine,

m rail.

1i iSEI _ die I am wait . ing

Cap _ tured by a stran _ ger

Mol . ly

Mol . ly

minemine .

m a tempo

=F=^ J. | j 1 1 n ifMol - ly,

Mol . ly,

Mol _ ly

Mol . ly

1I have strayed in fol . ly,

playcl with like a dol _ ly.

ta^-^-e—

»

t>—£&*.i.

J / y #=p=eifefc

n. \,

i^—

^

t i t^ ' £ 3m ^ g

3-- 1 p»

« a ^^Far from you my dar-ling true and left you wnit-iug here;

Just a toy to be the joy of one you hate and fear-.

202

feppP ^ V y j-rs. hrmAh for. get and par _ don, Make my heart the gar . den,That you shall be nev . er, Mine you are for ev _ er

,

Where there blows my Eng.lish rose, my Molly Molly dear.

True and tried my Eng.lish bride, my

fej -m i J5 m IPmwm

a tempo

$mF

fcS£

OT3 n. in

^*

Mol.ly Mol . ly

0\

dear.

Sp

!^rtfW

ygtf.

id

f ; M * i j

o»

T" J'hFt-./.

F:/w.

*

203

VOICE .

PIANO.

%

N?35- SONG— (IMARI & CHORUS.) "IT'S COMING OFF TO-DAY.

Allegro moderato.

I i;

1 \ 1 | ^^Oh, Im long - ing to be mar- ried, ForWhen the te - re _ mo - ny's end _ ed, The at

I am go _ ing to the mar-riage In a

*E^EiEE^EE$=5E ^=^*=*^

ba_che-lor Ive tar-ried Ra_therIrat-tions will be splen-did For the

new- ly- paint -ed car-riage, And the

long- the !a - dies say; Ve - ry

folks who rare to stay; Quite re.

band of course 'will P'ayj The de -

Copyright 1897, by Hnpwond & Crew.

204

of- ten they've re _gret_ted That I wias_n't to be net-ted-of_ ten they've re _gret_ted That I w5s_n't to be net- ted— But at

-gardless of the prices, There'llbe straw-ber_ries and i - ces From the-mandso ve - ry large is That they're put-ting up the charges For the

P^ilast they've got theirshop a _ cross thewin-do%vs on the

$r \'

\ Q\\\ tnwiuiit mway!way!way.

Yet I shan't re-gret my ac-tion If the bride gives sa-tis_ faction, And if

But if a-ny-bo-dy present Ut-ters a - ny-thing un_ pleasant Of theIve some tenants in pos- session On the route of the pro-cession But a

i 5 £ PiUii i I } i- ipg p^not— she need-nt stay;

bride and bridegroom gay,week-ly rent they pay;

But she's dain - ty and de - li -cious, So theI may just as well re-mind him That heSo in spile of all their shin -dies, As I

y m * } i m \ m EJ' I

J -J^^wedding seems aus-pi _cious, And its

leaves his head behind him— For it's

want to let their windies, They are

coming off to - daycoming off to - daycoming out to - day

To - day!To - day!To - day!

ToToTo

205

_ mo - ni - a'l en-deavour Will be bet-ter late than ne_ver, And it's comlaiiyh at me he chooses, Then his head at once he lo-ses, For it's complace of ob- ser _ vatiim At my jol - ly ju - bi _ la-tion,Which is com

ing off to

ing off to

ing off to

- day!-day!

/ q sop. i&a.

ToToTo

day!day!day

!

to

to

to

day!day!day!

In spite of long rie - lay,The pe - nal-ty he'll pay,111 make the peo-ple pay

m 3sk

Ma-triIf to

For a

£3E ?^f ESToTo

TENOR . To

dayjday!day!

to

to

to

day!day

!

day!

iIn spite of long de - lay, Ma-tri .

The pe - nal-ty he'll pay, If to

111 make the peo-ple pa,v F"or a£^ i=P^f mBASS,

ToToTo

day!day!day!

^s\-

£to

to

to

day! In spite of long de -

day! The pe - nal-ty he'll

day! Ill make the peo_ple-m m—

lay,

pay,pay

Ma-trj .

If to

'For a

PP^ ^mToToTo

day!day!day!

to

to

to

A.

day!day!day!

In spite of long de -

The pe - nal-ty he'll

1 1J make the peo_ple

lay,

ray>pay

Ma-triIf to

For a

206' 1st fc 2iid. I#fe s. (S N

, K _ „ k, - K\ '1st & 2ndJ£

-mo-ni-al endeavour Will be bet-ter late than never, And it's

laugh at him hechooses,Thenhishead at once he loses, For it's

place of ob_servation At my jol-ly ju -bi _ lation Which is

comingcomingcoming

off to- day!off to- day!off to - day!T*

_ mo _ ni

laugh at

place of

- al endeavour Will be bet-ter late than never, And itshim he chooses,Thenhis head at once he loses, For it's

ob_ servation At his jol - ly ju - bi _ lationWhich is

/comingcomingcoming

PPPP

off to - day!off to - day!off to - day!

P=p£p^£_mo-ni-al endeavour Will be bet-ter late thanlaugh at him he chooses,Tlien his head at once heplace of ob_servation At his jol_ly jn_bi_

-P—P—P-

F g'

i i

never, And its coming off to- day!loses, For it's coming off to - day!lationWhich is coming off to - day!m ¥m m?=?e=£

_mo-ni_al endeavour Will be bet-ter late than never, And it's

laugh at him he chooses,Thenhishead at once he loses, For it's

place of ob_servation At his jol-ly ju _ bi _ lationWhich is

comingcomingcoming

Jt

off to - day!off to - day!off to - day!

I 3rd time.DA>i'CE. (after last verse

•» D.C.

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