The Harlem Renaissance 97-03
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Transcript of The Harlem Renaissance 97-03
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Harlem, a neighborhood in New York City, was the center of the African American political, cultural, and artistic movement in the 1920s and early 1930s.
Mets Lose
Here!!
Yankees Buy Pennant Here!!
Can you see any evidence from this map that this is an African American community?
Giants Stink Here!
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1930
1911
1920
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Who made up the Harlem Renaissance?• In the early 1920s, African American artists, writers,
musicians, and performers were part of a great cultural movement known as the Harlem Renaissance.
• Doctors, singers, students, musicians, shopkeepers, painters, and writers, congregated, forming a vibrant mecca of cultural affirmation and inspiration.
Why Harlem?• The huge migration to the North after World War I,
known as “The Great Migration” brought African Americans of all ages and walks of life to the thriving New York City neighborhood called Harlem.
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• Common themes: • alienation, • marginality, • the use of folk material, • the use of the blues tradition, • the problems of writing for an elite audience.
• The Harlem Renaissance was more than just a literary movement: it included racial consciousness, "the back to Africa" movement led by Marcus Garvey, racial integration, the explosion of music particularly jazz, spirituals and blues, painting, dramatic revues, and others.
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1. Harlem Renaissance brought the Black experience clearly within the general American cultural history.
a. The Black migration, from south to north, changed their cultural image from rural to urban, from peasant to sophisticate.
c. Harlem became a crossroads where Blacks
interacted with and expanded their contacts internationally.
d. The Harlem Renaissance profited from a spirit of self-determination which was widespread after W.W.I.
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2. The Harlem Renaissance had a huge significance in
American culture at the time. a. It became a symbol and a point of reference for everyone to
recall.
b. The name, more than the place, became synonymous with new vitality and Black urbanity.
c. It became a racial focal point for Blacks the world over; it remained for a time, a race capital.
d. It stood for unity; Alain Locke wrote: "The peasant, the student, the businessman, the professional man, artist, poet, musician, adventurer and worker, preacher and criminal, exploiter and social outcast, each group has come with its own special motives ... but their greatest experience has been the finding of one another."
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Some Important Historical Figures of The Harlem Renaissance
• Langston Hughes – Poet• Zora Neale Hurston – Writer• Marcus Garvey - Activist• Duke Ellington – Composer/Musician
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Langston Hughes1902-1967
Langston Hughes wrote,Langston Hughes wrote, ““Harlem was in vogue.”Harlem was in vogue.”
Black painters and sculptorsjoined their fellow poets,
novelists, actors, and musicians in a creative
outpouring that establishedHarlem as the
international capital ofBlack culture.
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Langston Hughes
• Hughes was an American poet, playwright, and writer. He was one of the earliest innovators of “Jazz Poetry”. Jazz Poetry set his poetry apart from that of other writers, and it allowed him to experiment with a very rhythmic free verse.
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Zora Neale Hurston1891-1960
American writer
Zora Neale Hurston was remarkable in that she was the most widely published
black woman of her day. She authored more than fifty
articles and short stories as well as four novels, two books on folklore, an autobiography, and a number of plays. At the height of her success she was known as the “Queen of the “Queen of the
Harlem Renaissance.”Harlem Renaissance.”
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A Jamican born immigrant and social activist, Marcus
Garvey is credited with spearheading the “Back to
Africa” movement. Garvey created the UNIA (Universal
Negro Improvement Association) and advocated
that African Americans should move back to Africa to
“redeem” it, and that the European colonial powers
should leave it. He advocated a worldwide African culture and is credited with inspiring the Rastafari Movement and
the Nation of Islam.
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Duke Ellington1899-1974 Duke
Ellington brought a level of style and sophistication to Jazz that it hadn't seen before. By the time of his passing, he was (and still is) considered amongst the world’s greatest composers and musicians.
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Art of the Harlem Renaissance
Street Life, Harlem, by William H. Johnson
Jeunesse by Palmer Hayden
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The visual art of the Harlem Renaissance was an attempt at developing a new African-
American aesthetic in the fine arts.
Thematic content includedAfrica as a source of inspiration,
African-American history,folk idioms, and social injustice.
Believing that their life experiences were valuable sources of material for their art, these artists
created an iconography of the Harlem Renaissance era.
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Henry Ossawa TannerThe Banjo Lesson, 1893
Painter Henry Tanner wanted to show
a positive image of theAfrican-American byhighlighting the sense
of dignity which is shown here in the
touching moment of theelder teaching the boy how to play the banjo. Tanner also
chose the banjo because of its African origin and its being the
most popular musical instrument used by the slaves in
early America
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Window Cleaning, 1935
“I refuse to compromise
and see blacks as anything less than a proud and majestic
people.”
Aaron Douglas1898-1979
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Johnson arrived inHarlem when the
Renaissance was in the making. While
there he created several paintings that dealt with
political and social Harlem. Chain
Gang is one example.
William H. Johnson1901-1970
Chain Gang. 1939
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“Street-life Harlem” is another example
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Palmer Hayden, The Janitor Who Paints, 1937
In this symbolic self-portrait artist Palmer
Hayden is at work in his basement studio,
surrounded by the tools of his dual professions, a
palette, brushes and easel, and a garbage can, broom,
and feather duster. The painter’s studio is also his
bedroom, and his bed, night table, alarm clock, and a framed picture of a
cat are seen in the background.
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Palmer Hayden, The Blue Nile, 1964
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Gwathmey was raised inVirginia, but it was not
until his return to the South after years of art schooling in New York that he began
to empathize with the African-American
experience. He commented, “If I had
never gone back home, perhaps I would never have
painted the Negro.” Robert Gwathmey 1903-1988
Custodian, 1963
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HomeworkHarlem: Dream Deferred
What happens to a dream deferred?
Does it dry uplike a raisin in the sun?Or fester like a sore –And then run?Does it stink like rotten meat?Or crust and sugar over –like a syrupy sweet?
Maybe it just sagslike a heavy load.
Or does it explode?
- Langston Hughes
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MrHousepian.com
• Directions: Please go to mrhousepian.com, reread the poem Harlem: Dream Deferred and click on “Start Discussion” at the bottom of the post. Please leave a short response that explains what you think this poem is about and why. Being that it is a poem, there is no right or wrong answer, just your own opinion.
• Due: Friday before midnight.