The Fragments

8/11/2019 The Fragments

http://slidepdf.com/reader/full/the-fragments 1/44

[The Fragments]::(malfunctioning < a / p o e t r y / >



[The Fragments]by

Atticus The Elder

&

Arthur Shawcross

&Nezahualcoyotl

&

CAvEMaN

&

Tom Watts



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Fragments of murderer's notebook, 1981

] & scattered corks

of autumn's round bales- quince trees planted over dead dogs

there is always soap & Tarmac,the potential for gardens- previously awarded par

The river dried up in July& swallowed [

Seaton, Devon

the edge of England -constellations of stonesin the dog-wet sand

& hanging gullsshrieking their elevationsun (((0))) sun



CERN (i)

Cyclical, underground and breaking -

one hundred before the atom.

elegant – only in its form (the skin is pretty

always covering

endless muscle

and potential.[i]

underneath a pinhead, billions[ii] - an atom

in two hands

the shovel/the pen.

one breaks, three breaks a bridge across a wing.

Unpinnable, one sits amongst the chair (the second begins

immediately after

the previous,

the boundaries smudge.[iii]

Working on stasis

on wooden benches

where elements sleep

unable to silhouette for movement.)

The constant buzzing of objects and animals

solid and gone



everywhere at once

eat the tomatoes in the greenhouse and the carbon in stars.

[i] Circulating with good lifetimes. Splashes of particles,periods of quiet beam.

[ii] Thanks for following, systems commissioning begins; theclockwise beam.

[iii]Energy in tiny, tiny, tiny, tiny particles; 450Gev of

energy crushing a nut.

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Fragment of murderer's notebook, 1983

] beyondthe singing rails [

] of theeastern line [

] the blinking flightof the butterfly [

] chewed by the cat [

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)a!/áa1⁄4dÄ«ò°jÄKtD¬ÚB )|%ì+Wâ,håJàÿ]ü@»1⁄2#=l*R*ûSùlû3ó}æûÌ÷{ô )¥¶·§'Ä

qB§Ä)qJ§Äqû§íjÎÀ.çë/ÿyø &sæiÆm ,ÌE!sP÷,%Sj¤Ö±·ûë;(Õ1⁄4Ï1⁄4Ùpú}ëß^ìkê§cÁÄö3øgæ^&©v:Ìàëé$0ï§3À^Ò9ú!È9î!Ø9â!Ôs¬?Cèç(éßÏäÙÏìÓÏê9!ôs?A°tàgr* _"`3dÂUpU&\ WeÂUpU&\ WeÂUpU&\ WeÂUpU&\ pcÜ 7&À pcÜ 7&À pcÜ 7&ÀWeÂUpU&\ WeÂUpU&\ WcÂÕp5&À pcÜ 7&À pcÜ 7&À pcÜ 7êaöÃ< ! . . start fragment . . ! / >

I have an interview

this afternoon

& I just want to

read a book

about an all i] gator

or how to start a f i r e

in the wild | with a s t o n e& a stick &amp:

or on the lives | of the saints < !a / ! > instead I will read

this job description

& work out what

to say if asked about my strengths& my weak ] nesses which are almost the same | really

< ! . . end fragments . . ! / >ñOàË%lü/Æ¡"MJiRã+Ï $ß¤!ã4&ç4©ø8A¤IÉÇÙ!Mj>NiRôq^È¢B*Æ!çIB>ßÙÌô|[3C(ç{B;ß%LÆåu®|3⁄4!èù>fPÎ713v3⁄4 ;jTz\OË

¤ÒãfZ&wÒ2©ô $IX0o8, xï[FwøÊìNuÍoÁZávóv0^6ï



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"ÓVïV*!/fÏ ¶¥° 8·ÂÊæß1Ô 2Ug4haÕ{ëâuÎè&q#1ewNk«àC¿üróÛ¿,ú#Ãg|/


$D\&.ËÄeâ8! Nâ8%NSâ8%Î3â8#Î£D3⁄4EïOâ q )W+1W«ÄQRÿPïOâq $F\':dêúê!ÔC 'P¡B=zõê!ÔC 'P ¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC©R¥oëñæÙU÷1⁄4!è7¿*ü,é§1⁄4!}~xû,ã»ÛeÛÇÍ«wË3⁄4¡{±Ôõù6R¤ò|y3⁄41⁄4î/o·cÀFÔ +vnøæ1⁄2Ù%õ»,(ñÏÇ/!|1⁄2döb¡]1Q )QØqI-@J!{tØ%¬a+HÿH-XyxFXÃ7ÉÃÇÈÃÏÈÃ#Ë °käoÈañ9¬#3⁄4!5rÄ7ô°FøkD|C5"3⁄4¡Ãß%aoØ°FÄ7ì°D|ÃkHÄ7ì°D|ÃkHÄ7ÊaøFÖøFÖøFÖøFÖøFÖøF=< ! . . start fragments . . ! / >

Fragment, 1457b [parts missing]

] winged.Before summer the seedlings [

] & of all grasses in the plainsthese are the finest [

] drawnacross [

] purples & [

] browned around the [

] masts of ships &sentried city walls.

Bring us to tomorrow.

(Nezahualcoyotl, 1457)

Fragment of murderers notebook, 1981

] thimble sans thumb

I will lightening into life [

] rare & ocular.



CAvEMAN PoEM

K/|L OF T|/\ME

ThE WoLF D/ES - CRiE

/\|IE|M DEAtH

P||||||||||||||| | | | | | | |

Fragments from: The Natural History of Atticus, by Atticus theElder (Book XIV, Chapter 55)

] any bee lost from the hive [

] a broken vase [

] of honey across the stones [

] under sunshine [] will break the hearts [

] of insects & animals. Please see Lepidopterology [

] youngsters in the green [

< ! . . end fragments . . ! / >ñOàË%lü/Æ¡"MJiRã+Ï $ß¤!ã4&ç4©ø8A¤IÉÇÙ!Mj>NiRôq^È¢B*Æ!çIB>ßÙÌô|[3C(ç{B;ß%LÆåu®|3⁄4!èù>fPÎ713v3⁄4 ;jTz\OË¤ÒãfZ&wÒ2©ô $IX0o8, xï[FwøÊìNuÍoÁZávóv0^6ï

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o·cÀFÔ +vnøæ1⁄2Ù%õ»,(ñÏÇ/!|1⁄2döb¡]1Q )QØqI-@J!{tØ%¬a+HÿH-XyxFXÃ7ÉÃÇÈÃÏÈÃ#Ë °käoÈañ9¬#3⁄4!5rÄ7ô°FøkD|C5"3⁄4¡Ãß%aoØ°FÄ7ì°D|ÃkHÄ7ì°D|ÃkHÄ7ÊaøFÖøFÖøFÖøFÖøFÖøF=¬¡ß 'W>¶qz% ÑçÔÃVñvØJ#Ó"ÓÏÑç )Ãs4â9mX#â9}X#â9}

DiÏé5,â*(°E|£Ö°oÈqM#¬a °k|cÂÄ-à kD#!ÖøâDX#Pk¬Kû_`Ö(!V{>Ôÿ1kDa-ÄÊÏû/°ôJ )ÿ \ ÷_ +ñ,< ! . . start fragment . . ! / >

if all my d r i n k s

were remaindered

at the end

of my life

all the limes

pulped in ]to

a green m e s h

all the whiskey http:\\\ a >

in golden

tidal har ]bours

all the wine | all the wine | | | all the w i n e

would it be

enou ]gh to

drown my thirst?

CERN (ii)

Aerials point towards them

a summoning arm under clouds



(With peacock colours

the image centres and folds

The voice speaks

sensitive to the pressure

a barometer[1]

of the archaeologist

(the butcher

with fleshed bones

and creased apron

washes his boots

in the overflow

a bitten nail (in that cause and solution)

a poultice and reminder

a terrible pendant

of the feather strewn

box, of the pecked neck

and the paper shell

(Flowers bought by the girl given to the man she motions

never to sing to growl

- coming into a sea-town

empty handed

expressing elegence (in flight) a stone



into water

thrown

a spla(((sh)))[2]

(a quiet arrogance, a wingtip, a claw[3]

a fishing bird

tumbling

forwards

ecstatically[4]

eyes open

for the second after impact

(([ripple]))[5]

[1] a symbol of mounting underwhelming disappointment.

[2] representations of real events.

[3] following the line of the forearm into the animal.

[4] aggressively.

[5] the eyes covered by a thin film.



s p a c e

s p a c e

"/ / : \ \ , , \ | / . . / / : \ \ . . ] { " } [ , . " || \ . , { ] "

e m p t y

s n o w



fragments of an interview

] sometimes I goonto the patio &

crush the leavesof the geraniumsin my hands& smell them.I don't know why I do it [

fragment#525

] elephant [

] lover [

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g@©ùÌâó *X >B9\_£ ')6ÙÉLÙCÇm:0D·{}h©-q < ! . . start fragment. . ! / >

my mi[ ndis | in

a real bad wa] y&

my mi[ ndis | in

a real bad wa] y

filing letters& chronologicallyordering correspondenceall weekhad made me dumb&amp



fragment of a poem for my unborn child

third trimester. week twenty-eight.

flowering Chinese cabbage | my growing | vegetable heart wondered through the burn | ing stomach & focus | the mindbecause it is coming | the rest of everything | tightly

wrapped cylindrical headthe yolk & anchor of it | the cross pollination & | small,

delicate version walking with her | sleeping with us | less commonly, the

mandarin

pretended it was overallegorically

the corners of the paintingunfinished

smudges pushed acrossthe centre

sketching the stars through

asylum windowsspinning plates in yonder corn field

bleeding out



‘I See Shawcroft On The Seashore’

Down by the river, by the waters edge, Arthur makes them taketheir clothes off, fold them, put them in neat little piles.

Like tiny cotton gravestones, little boy’s pants and socks lie

beside the riverbank. "Fold the clothes," he says. It makes

them think they'll put them on again. There's a tiny nest of

hope so they're quiet and pliant. The sun is always shining by

the riverbank – fish, like pennies in a fountain, pop and

glimmer, flash bulbs under currents. Long grass borders the

banks, reaching up to touch low hanging apple tree branches,

and plunge thirstily down into the dark soil. Down by the

river, by the waters edge, Arthur, a fruit press of anger,

holds them down, river-muddy knees in divots and on

breastbones; and guts like a fisherman to hasten decay,

opening up to the elements like an umbrella, exposing ribbing

and skin. Arthur really thinks about these things, down by the

river, by the waters edge, alive; he eats, sleeps and drinks;combs his hair, eats toast, sits in chairs, drinks milk,

shaves, buys socks, reads the news, and folds clothes. Arthur

is different. I have a line solid and defined. Arthur has the

muddy Genesee flowing through him, cloudy and brown. In the

stoneless avocado the balsamic sits like a full stop. The

moment of death, we do not know when it has arrived or even

when it has passed, only that it is coming. Here it comes,

eyes tight shut to the instant of my dying, here it comes at

such a rapid speed that my face has not the time to form the

correct image of shock and incomprehension of the tiny second

when my life stops being current and becomes part of the

collective past. In the stoneless avocado the balsamic sits

like a full stop. Then I am gone. My world is gone but yours

continues unstoppable until the moment of your cherry-death.



Library

first thousand rivers

coloured with milk

win first prize

then wonder how

thunder smashed

the mantlepiece

enough with joy

there are sadnesses

to eat and drink

the spine of the books

are yellow and lean

until lent to the elderly

underneath shelves &

chain of space. on the desk

aggression of paper clips

coldness of numbers

and grasp of division

the kiss of punctuation



the first ice cream van of summer

breathless shout / mum / outside

the first ice-cream / van of summer

puts down the phone / picks up her purse.

fragment of found poem #2: Spam

To go in over a broad area and keep on goingnight and day, with all the factors which senda thousand or fifteen hundred or two / Alwaysthe offensive! Germany would keep on strikingas long as she could / An instinct with the continentalpeoples through the necessity of their Africa /battles severe enough to have decided famouscampaigns / The same kind of walls at every turn;the same kind of dim figures, and in its place, onthe right hand of the Kaiser in the Sieges of Alleeacross to Africa / There he fell foul of Bluff NumberTwo: why von Tirpitz keeps his Dreadnoughts at home /Another one hundred and fifty yards away and fire a rifleoccasionally and without the possibility of release?"She paused, laying her hand and started down the slopeof the hill in front / Now they could take it out

< ! . . end fragments . . ! / >có79aä)o]R1öÆ¥B0\Ü,¿ãÅûê;&ÜòcpÍ°NÒt§ÁâÊo·O ä1Cw endstream endobj 928 0 obj>stream h!2P0P°±ÑwÎ/Í+Q04Ö÷ÎL)67) 'X(ÊT(ÄôÔb;; 2¤ 6 endstreamendobj 929 0 obj >stream h!2S0P0W0 )P°±Ñ÷+Í-q bíì"Áú.vv 7endstream endobj 930 0 obj >streamh!1⁄4RkkÛ0(+÷ãú!ÓÃ2A1$n*4Ô+-| PÍñ&#Ø*Kÿ($ÙyQ¶±2,K:ç!«sÅ!0Pqg@©ùÌâó *X >B9\_£ ')6ÙÉLÙCÇm:0D·{}h©-q[°'â+ÖKSjËÌlÙÓË¶É¥Why£Tí5U2WÑ=ß¿|WÍUVËUH%çá Í¢h*; â®Mô(3⁄4É2Sf3ÉpLæ?cÒ·:ÉEÍ®çÃ%äNoLÕÆ>äî*ò;bt£znD±@q)óæ5Yà2ÖeUoU» 1⁄4ê±¢T+ 6v-Yd!+ $oU:Û¢EÓV2t %S/-3-Ë"Ôy© £D«êÄ% ZÛb§=õàZ )Ïec#*ÖY3)ê=õ¤îã9.ÚNG[Ù= F±Ú

¿Ê!p#m¤í«rRzLé!v+Ï·i¿Üãóâ>8&À'}:¬âp ùûÂagî7c4p`Çÿe8C[t,È



"JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~%¢ã¿ èû?fVviVñg "Rß>øO1⁄2l endstream endobj 931 0 obj >streamh!ZM9ü+sCúa`ËB3qÏOc^Ûx1⁄4°óï72*J "ÚîçVR«"ôR¥ "e]Z]TëzÆ_]J_ÒÚeü%K(ØrêÛÛCÛDÊW1⁄4ÖQ X5£ °¥à¬ `p $ ù ® "y#¤eë+5[röàìCÁXrFía

g' ç1⁄2- C 31⁄2,óNe«P¶?1⁄4÷¶ÔÛPü£ÕÿÎ¡ '5Ì+{ëe{#¥{5,©,#Vg¶,#1§lx*aKZdMN*À 'äã- 1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP w;c&Ò·.oÂ )1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD`ñY@3SA Lcê@[fê5 Õk .æ5#ä+ $Ô k>f (#&»S2îceõ1ceõ1Ã o#`e3,;@Á">f®8-E}ÌP° ' ó1ÃèÅ6õ.>f(XaÙWhõ1CÒ\(XÆ¬x]o Â51⁄4+. 1° Y±2«»ûYñEÁ(UÕÕ1⁄2®`Ã¢Ö°u1⁄4Ê VsAÁY@0¿ ÀãU $9K n*]àî-£¿Ú1Kï 1⁄2#V@UÌ+ PPmÓê , ì£°y8 ° 'BÊÖ0L ;có79aä)o]R1öÆ¥B0 \Ü,¿ãÅûê;&ÜòcpÍ°NÒt§ÁâÊo·O ä1Cwendstream endobj 928 0 obj >stream h!2P0P°±ÑwÎ/Í+Q04Ö÷ÎL)67)

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h!1⁄4RkkÛ0(+÷ãú!ÓÃ2A1$n*4Ô+-| PÍñ&#Ø*Kÿ($ÙyQ¶±2,K:ç!«sÅ!0Pqg@©ùÌâó *X >B9\_£ ')6ÙÉLÙCÇm:0D·{}h©-q[°'â+ÖKSjËÌlÙÓË¶É¥Why£Tí5U2WÑ=ß¿|WÍUVËUH%çá Í¢h*; â®Mô(3⁄4É2Sf3ÉpLæ?cÒ·:ÉEÍ®çÃ%äNoLÕÆ>äî*ò;bt£znD±@q)óæ5Yà2ÖeUoU» 1⁄4ê±¢T+ 6v-Yd!+ $oU:Û¢EÓV2t %S/-3-Ë"Ôy© £D«êÄ% ZÛb§=õàZ )Ïec#*ÖY3)ê=õ¤îã9.ÚNG[Ù= F±Ú

¿Ê!p#m¤í«rRzLé!v+Ï·i¿Üãóâ>8&À'}:¬âp ùûÂagî7c4p`Çÿe8C[t,È "JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~%¢ã¿ èû?fVviVñg "Rß>øO1⁄2l endstream endobj 931 0 obj >stream < ! . . start fragment. . ! / >

Every time the line hits waternothing happens –

only expectation of guts, gills…

Under curved boat,

wooden edged,

fine silt buries bones.

Underneath:

fossils of friends –

a lake of everything cold.



*

The ubiquity of grass –

the long October

of the planets.

there is noise,

familiar, received

- it is Russian and plural.

Semi frozen,

of winter,

bordered by greasy forests:

this colossal land –

never Russia

always home.

*

Peel of bells

and autumns

scaffolds raised

against the banks,

An accumulation of rusting

and of time, aprox.



There is only

the hearts and eyes

left in animals

*

The closing cut

in the sky

shows a metal-bodied

plane, briefly –

seconds only, almost transparent, but

real, touchable

and gone.

The building

offers nothing:

fire escape

windows

reflections

bookcases.

In elements

there is continuity.

a flooding?



fragment of found poem #3: Spam

Sir, All The Rest Is Mute.

(Material taken from spam emails.)

The amorous count solicits things

far more devastating than the impact.

Two rocky objects orbiting one another

is the fee simple of his salvation.

A red 10 means that the object will definitely

hit the earth and

Sir, all the rest is mute.

Are thou so confident. Within.

Most asteroids are made of rock,

while comets can be a mixture of rock, organic molecules andfrozen gasses.

Which better than the first O dear?

Something unknown,

once but to the brightest.

Sir, all the rest is mute.

< ! . . end fragment . . ! / > "JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~%¢ã¿ èû?fVviVñg "Rß>øO1⁄2l endstream endobj 931 0 obj >streamh!ZM9ü+sCúa`ËB3qÏOc^Ûx1⁄4°óï72*J "ÚîçVR«"ôR¥ "e]Z]TëzÆ_]J_ÒÚeü%K(ØrêÛÛCÛDÊW1⁄4ÖQ X5£ °¥à¬ `p $ ù ® "y#¤eë+5[röàìCÁXrFíag' ç1⁄2- C 31⁄2,óNe«P¶?1⁄4÷¶ÔÛPü£ÕÿÎ¡ '5Ì+{ëe{#¥{5,©,#Vg¶,#1§lx*aKZdMN*À 'äã- 1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP

sf<! . . start fragment . . ! / >



treasures of electricity

the cat litter

when it

clumps

]

[

into planet-sized

lake side

condos

[

]

into the basement

treasures of electricity

slim Spanish throats

effortless

/>smiling)

{reading{ {}writing//ttp: =href// crash repo…

& the lowest branch

of the olive

tree

]

[

[[{...http:// = ]

< ! . . end fragment . . ! / >

< ! . . start fragment . . ! / >



the ghost(connect trans.)Telegraph . . . _ _ . _ .of my | breakfast

is singing on | the radio

fleets of armourbelonging to Germany

or China perhaps

a forestof humming prayers

of witness | of balance | the books | the tie-ins | the starbilling

of the honesteastern prayer of 1943

portray them cow-eyed,ushered(from rum & coke

- tremens)

(o)

(&)(disconnect trans.)

[open the white smileof the newsI remember youin Lodzbetween photopolish & grainunder cedar treesor was firs]

Fragment ends

[was firs, wasn’t it? the conesor amongst themin them- mouths full of them]

(connect trans.)

in New York



you leaned against

the white box-van’sgraffiti’d flank

& pointed at the moonor was it the reflection

of the moonin the glass of fifth avenue

& you asked meto give up smoking(o)(&)

(The Bronx ghettoused in an early ‘70’s

movie as a stand-in

for the ruins of Berlin, 1945)(o) (&)(flawless snow & cold beer )

(disconnect trans.)

He had been in carriage No. 162; his name was hidden in a

pendant. His mother came to Rostov & recognized him & took himhome.

(o)(&)(welcome home, Kolya. Welcome home.)

< ! . . end fragment . . ! / > "JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~ %¢ã¿ èû?fVviVñg "Rß>øO 1⁄2l endstreamendobj 931 0 obj >stream h!ZM9ü+sCúa`ËB3qÏOc^Ûx1⁄4°óï72*J

"ÚîçVR«"ôR¥ "e]Z]TëzÆ_] J_ÒÚeü%K(ØrêÛÛCÛDÊW1⁄4ÖQ X5£ °¥à¬ `p $ ù® "y#¤eë+5[röàìCÁXrFía g' ç1⁄2- C 31⁄2,óNe«P¶?1⁄4÷¶ÔÛPü£ÕÿÎ¡

'5Ì+{ëe{#¥{5,©,#Vg ¶,#1§lx*aKZdMN*À 'äã-1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP w;c&Ò·.oÂ

)1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD`ñY@3SA Lcê@[fê5 Õk .æ5#ä+ $Ô k>f (#&»S2îceõ1ceõ1Ã o#`e3,;@Á">f®8-E}ÌP° ' ó1ÃèÅ6õ.>lx*aKZdMN*À 'äã- 1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP w;c&Ò·.oÂ )1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD< ! . . start fragments. . ! / >

on cutgrass



after loud | wrestling sounds

& brightfreezing winter : : (malfunction h o u s e

diving : : (malfunction d a r t | into leaflakesto swim under

the green

wife to the brancheshusband of the sea : : (malfunction p l a n e

empty sweeps of blue

fall among : : (malformed b i r d s on cutgrass

music through the open window | the summer : : (content s u n

gar den pleas ant

it was summer& forward tothe peace of Hannoverto be away fromthe wallbetween his toesat the end of the garden just through turned twenty-sixyears-olda breakfast bar

in a magazineto a pleasant mana university teacher the raked gravel that revealed remember everything

eiffal terrinle



thirteen buildingsafter holiday inn& baricades (buses, containers

five grpe wodes& graveled glasspunctured bicycles

our broken tapsrequire pliers& patience

on the boarda knife lies

on its back

seething teethtocal weer gundunder portraits

of russiantourists takingpotshots at domes

over blue trails

in the tearfulmountains

of fortress inblitted drsnx(eiffal terrinle)

we die inthe bread queueor by the tapsat theold breweryof love

< ! . . end fragments . . ! / >



U

e

m

S

v

M

S

N



s p a c e

s p a c e

"/ / : \ \ , , \ | / . . / / : \ \ . . ] { " } [ , . " || \ . , { ] "

e m p t y

s n o w



Fragment of a scientific journal.

] ...there in 1967 a professor of economics unintentionally

caused his body to spin at over one hundred miles an hour bylifting his feet off the floor as he used his mechanicalpencil sharpener. It was with that simple suspension of thelaws of physics that the Yale Uncertainty pocket wasdiscovered. Then nothing happened. Then something happened.The Yale Uncertainty Pocket 'disappeared for two monthsreappearing in the kitchen of a bungalow in Rotherhithe.'(Keane, 1968) The hunt was on to 'find the final resting placeof the YUP.' (Brogan, 1969) All of Yale's resources were

directed into the research. Over 3,000,000 pencils were'sharpened to studs' in over 2,500,000 locations around theuniversity grounds. (Paul, Greene and Spent, 1971) It waschaos... [underneath the wifi

deadening soilsucking the internetinto ditches

all communications oldbreaking across

the moment|

/ / | \ \

into waves ofones & zerosones & zeros

ones & zerosabove the wi-fi

a greedy infinityelectronicsdie in

coughing at theblack[]]]]] ] ] ] ] ] ]

fading intozero))) ) ) ) ) ) ) ) ) s



Boy With The Low Laugh Of A Pigeon. methodexperimental outline

boy with the low laughof a pigeon

inferenceobjective

boy with 3 coloured watchespink

yellowgreen

antagonised each other

again worked well away frombad influences

apparatus

"i had a brother""i don't have a real dad"

resultsconclusion



< ! . . start fragments . . ! / >

by the river the quick sound

of voicesmeets arms of waterall purposesof guitar stringsalmost rusted through when the tideretraces stones& creeps upthe ships bow wetting the woodlifting the hulk

of it the weightinto the sky

& our caucus

& after bounding by the black ()hooksi caught a secondary invasion of ex

creble portentthis was the sixeties & we hadthe newest technology . i was ghost .fifty feet high in the air .all of us werethe spectre of war was heavy .it was above &below the newsi was beneaththe newsi slept under sheets of newsi transformed the datainto proselike japanes flowers . arranged on pageof elegant fire escape & our caucus



Flwrs

conquering the gates was a bustop.crinkling the bridge of his Germanya country regenerating off a small downy feather.Joseph could not be expected to the gulpattempts to scale it that remember everything.French windows and into the glaredied Fine Art in Berlin.

Joseph had a flowerbed on a windowsillhead of an elegant carnation, Joseph,atom; the stamen, circled with beeshere in this garden looking deep into thethe old physicist, sees the flower as anunlike the autumns from Joseph'spiles of rotting leaves. Now, though,breeze. the garden was so alive, sochildhood where summer lay dying in



f

all under the contras (coca-cola skies broken by beating wings

they said “be fragile, answer none.”

we said nothing

a poltergeist[1] for supper

eating an angry ghost - speculation. This specter [2] standson a leg of fire.

over the jungles casings

into the churchesover the sea open doors lay eggs (black dots falling to thebreakers)

to the fishes my brother

always a bigger fish

than before (the Indians laugh

the priest’s[3] last hand

two fingered on a flat forehead watch the hammers (and pipe)

confess breakfast (more

speak into a fist

and disappear

[1] General Leopoldo Galtieri

[2] Hollow, winged dart.

[3] Father Christian Federico von Wernich.

< ! . . end fragments . . ! / > < ! . . end fragment s . . ! / >

< ! . . e n d fragments . . ! / >

< ! . . end f r a gment s . . ! / >



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