THE FIRST EDITION OF THE FIRST TAROT DECK IN ENGLISH:

THE ARTHUR EDWARD WAITE –

PAMELA COLEMAN SMITH TAROT CARDS

First Printing, Second Issue.

The ‘Pamela-A’ Deck, with crackle backs.

A complete deck of 78 cards.

Arthur Edward Waite (1857-1942), a member of the Hermetic Order of the Golden Dawn, had

long desired to create a thoroughly ‘modern’ Tarot card deck. The secrets of the Tarot were

taught within the Golden Dawn, but the only available cards were continental – mostly from

France. Another member of the Golden Dawn, William Butler Yeats, introduced the artist

Pamela Colman Smith to the Order in 1901. Waite arranged for publication of a new, ‘rectified’

tarot deck through his publisher William Rider & Son, and commissioned Pamela Colman Smith

to do the illustrations. The resulting deck is now well known as the ‘Rider-Waite’ deck, or, more

recently, the ‘Waite-Smith’ deck.

Early publication of the cards was fraught with problems. They were first issued in 1909 with a

‘Rose and Lillies’ pattern on the backs of the cards. William Rider & Son soon found that the

quality of Roses & Lilies decks was not good; the paper stock was too thin and the fronts peeled

off as soon as the cards were used. They planned a reprint "Second Series" with superior ivory

cardstock and offered to replace the decks for the customers who had bought the R&L decks.

Most of these original decks that were sold were presumably returned and destroyed. This is the

main reason the extant R&L decks are now very rare, with only 3 decks known to exist.

By April 1st, 1910, the Second series with a ‘cracked’ back pattern was ready. The card images

were a bit trimmed horizontally compared to the First series. This was for making ample margin

in cutting the cards separate. An advertisement on the back cover of the 1910 April issue of ‘The

Occult Review’ states clearly: “An Exquisitely Drawn and Fully Coloured Deck of 78 Tarot

Cards [Second Series ready April I, printed on special superior ivory cards].

Much analysis has been done on the early printings of this Tarot Deck. There were at least 6

separate printings of this deck from 1909-1940, and they have been designated as:

Pam-A. 1909. First print run, roses & lilies back. Inferior card stock.

Pam-A. 1910. Second print run. Thick card stock, ivory crackle back. NB: * Our Set*

Pam-B. circa 1920. Thin card stock, ivory crackle back, inferior reproduction quality.

Pam-C. circa 1931. Thin card stock, ivory crackle back, inferior reproduction quality.

Pam-D. Circa 1940. Thin card stock, ivory crackle back, inferior reproduction quality. This is

some sort of photographic reproduction of the Pam-A deck.

To read some excellent in-depth reference material on the early printings of this deck, see these

links:

http://www7.ocn.ne.jp/~elfindog/ocrvRWSads.htm

http://www.wopc.co.uk/tarot/rider-waite/

http://www.manteia-online.dk/waite-smith/tpc-article.pdf

We can offer:

A set of the Pamela A1 crackle backs, dating from 1910; the first edition, second issue. Copies of

this deck were sold along with the book ‘The Key to the Tarot’, boxed, at 8 shillings, or on their

own at 6 shillings. Our set has no box or book. It is complete and in exemplary condition, with

only a few cards showing any defects. The bottom edge of ‘The Hermit’ [IX] card has a

moderately large chip on the bottom edge of the face and has some minor staining, and there is a

similar, smaller chip to the face of ‘Judgement’ [XX] at the top right corner. The ‘Strength’ card

[VIII] and the ‘Justice’ card [XI] each have the reciprocal number in pencil at the head of each

card, respectively [Waite switched their order]. There is a slight crease to the upper corner of the

IX of Pentacles, a short edge-tear to the Page of Pentacles, some staining on the rear of some of

the cards – mostly confined to the Major Arcana - and a few tiny nicks & scratches. All cards are

bright & beautifully coloured, and all in all this is a beautiful deck in very good condition with

very little wear.

The set weighs in at 261.5 grams, and is 40 mm thick. Each card is 120 x 70 mm. This is a

variant from what is listed in the references which I have found, but this is certainly the Pam-A

deck, as it has the following issue ‘points’ –

Atu VI, ‘The Lovers’: The angel has red highlights on his face and is clearly ‘looking down’ on

the figures. The figures are crisply etched, and Eve’s hair is clearly in separate strands. The skin

tones are made by a mechanical screen rather than dots.

Atu XIX, ‘The Sun’: The extra squiggly line is evident beside the number at the head of the card.

The calligraphy at the base of the card is off-center. The skin tones of the child are made by a

mechanical screen rather than dots.

There are other issue points but these are the most recognizable ones. The whereabouts of the

original artwork is unknown, and the printing plates were destroyed when the Rider warehouse

in Plymouth was bombed during World War II. These cards were printed by lithography from

Pamela Coleman Smith’s drawings, and are of the highest quality. The printing of the entire deck

shows clarity & precision, as contrasted with the blurred lines & imprecise colouring of all later

editions.

Major Arcana - Front & Back

Major Arcana - Front & Back

Suit of Cups - Front and Back

Suit of Cups – Court Cards – Front & Back

Suit of Swords - Front and Back

Suit of Swords – Court Cards - Front and Back

Suit of Pentacles - Front and Back

Suit of Pentacles – Court Cards - Front and Back

Suit of Wands - Front and Back

Suit of Wands – Court Cards - Front and Back

Thompson Rare Books

5275 Jerow Road

Hornby Island, British Columbia

Canada V0R 1Z0

Ph: 250-335-1182

Fax: 250-335-2241

Email: mjt@mjtbooks.com

http://www.ThompsonRareBooks.com

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International League of Antiquarian Booksellers