Mick Farren the Mick Farren THE ADVENTURES OF MARILYNAdventures of Marilyn
THE ENSEMBLE THEATREensemblehouston.com/pdf/ENS09-SevenGuitars-playFINAL2.pdf · Honorable Sheila...
Transcript of THE ENSEMBLE THEATREensemblehouston.com/pdf/ENS09-SevenGuitars-playFINAL2.pdf · Honorable Sheila...
THE ENSEMBLE THEATRE
Underwritten by:
By August Wilson
DirecteD By Eileen J. Morris
SEPTEMBER 19 – OCTOBER 18, 2009
B O A R D M E M B E R S A N D E X E C U T I V E S T A F F
Founder The Late George W. Hawkins Officers Argentina M. James ChairHasting Stewart PresidentMicheal J. Helm Immediate Past PresidentVernon Landers 1st Vice PresidentJackie Phillips 2nd Vice PresidentAlaina King Benford SecretaryMary D. Simon TreasurerRaquel A. Bone Assistant TreasurerM. Kaye DeWalt General CounselDeFarris Gooden ChaplainDelores D. Smith Parliamentarian
Audrey Lawson President Emeritus
Board DirectorsCrawford Bunkley, IIIJames CampbellCindy CliffordIris M. CrossDiedra Booker FontaineAudrey GilbreathAnthony W. Hall, Jr. Marian HarperPaula McCann HarrisWinell HerronLynda House-McPetersA. Renee’ LogansKen MiddletonSharon MurphySharon M. OwensPaulette PeoplesBrenda J. PetersPaul-David Van Atta
Board Trustees D’Artagnan BebelTony BlackMildred Ball BrightLora ClemmonsHonorable Garnet ColemanFredrick CooperPercy Creuzot, IIIKaren Ostrum GeorgeDuni HebronHonorable Sheila Jackson LeeC. Mick LewisLeslie MaysTeddy McDavidPatricia Allen McGill Karen ReedVernon RushWanda Thornton-RussellGeorge T. ShipleyDawn UllrichNicole WestKathleen L. WilkesLaureen WishomTony Wyllie
Executive Staff Janette L. Cosley Executive Director
Eileen J. Morris Artistic Director
The mission of The Ensemble Theatre is to preserve African-American artistic expression; to enlighten, entertain and enrich a diverse community.
The Ensemble Theatre3535 Main Street
Houston, TX 77002713-520-0055 (O) • 713-520-1269 (F)
www.ensemblehouston.com
This project is funded in part by a grant from the City of Houston through the Houston Arts Alliance.
This project is supported by a grant from the Texas Commission on the Arts.
TEXASCOMMISSIONONTHE ARTS
The Ensemble Theatre
The mission of The Ensemble Theatre is to preserve African-American artistic expression; to enlighten, entertain and enrich a diverse community.
The Ensemble Theatre was founded in 1976 by the late George
Hawkins to preserve African American artistic expression and to
enlighten, entertain, and enrich a diverse community. Thirty-two years
later, the theatre has evolved from a touring company operating from
the trunk of Mr. Hawkins’ car to being one of Houston’s finest
historical cultural institutions. The Ensemble is one of a few
professional theatres in the region dedicated to the production of
works portraying the African American experience. It is the oldest
and largest professional African American theatre in the Southwest, it holds the distinction of
being one of the nation’s largest African American theatres owning and operating its facility
and producing in-house. Board President Emeritus Audrey Lawson led the capital campaign
for The Ensemble’s $4.5 million building renovations that concluded in 1997. The Ensemble
Theatre has fulfilled and surpassed the vision of its founder, and continues to expand and
create innovative programs to bring African American theatre to a myriad of audiences.
The programs and operations of The Ensemble Theatre benefit a multicultural audience that
is diverse in age, income, ethnicity, and culture. The Ensemble produces a Mainstage Season
of contemporary and classical works devoted to the portrayal of the African American
experience by local and national playwrights and artists. The Ensemble’s Performing Arts
Education program provides educational workshops, artist-in-residence experiences, and live
performances for students both off-site and at the theatre. Also, the Young Performers Program
offers intensive summer training for youth ages 7 to 17 encompassing instruction in all
disciplines of the theatre arts. Through its varied programs, The Ensemble Theatre benefits
an audience and artistic constituency of approximately 65,000 people annually.
The Ensemble Theatre
1-800-688-3625\|| • www.portofhouston.com
More than $44 billion worth of goods come
through the Port of Houston Authority
each year, on the way to consumers
in Texas and across the nation. That’s
how the Port of Houston built a world-
class portfolio as a catalyst for regional,
national and international growth.
A Tons of Sizzle and SeasoningMore than 5,500 tons of extra virgin
olive oil passed through the Port
of Houston last year — en route to
kitchens across the country.
B Producing the ProduceThe Port of Houston handled more
than 9,000 tons of fresh fruits
and vegetables each year.
C Business is BloomingThe Port of Houston imports nearly
50 tons of cut fl owers — providing
natural air fresheners to millions of
U.S. homes and businesses.
D First-Class SeatingFine upholstered couches are among
thousands of tons of furniture entering
the U.S. via the Port of Houston each year.
D
BC
A
Kedrick Brown Interim Artistic Assistant
Teresa White Artistic Associate
Cassandra Campbell Director of Development
Donald Clemons House Manager
Brenda Wilson Tour Education Coordinator
Alona Hudson Patricia Ewing
Box Office Administrators
Willda Jackson Event Coordinator
Alvin Lakey Maintenance Engineer
Joseph Rivera House Manager
Robert Ross Audience Development Manager
Donna Smith Executive Assistant
Cynthia Thaker Accounting Analyst
Ray Walker Technical Director
The Ensemble Theatre House Rules
Children
Children six years old and older are
permitted at performances when
accompanied by an adult.
No Photographs/Recordings
Taking photographs or operating
any recording device in the
theatre is strictly forbidden.
No Smoking
Smoking is permitted only
outside of the building.
No Late Seating
Due to the intimate size of our theatres,
no late seating will be permitted.
No Food and Beverages
Eating and drinking are not
permitted in the theatre.
Wheelchair Patrons
Please notify the box office when
making your reservation, and
plan to arrive at least 30 minutes
before curtain time.
Special Service for
Hearing-Impaired Patrons
The Ensemble Theatre offers
assistive listening devices for Mainstage
shows, when requested upon making
reservation. A limited reserve
is based on availability.
The Ensemble Theatre Staff
Janette L. Cosley Executive Director
Eileen J. Morris Artistic Director
The Ensemble Theatre
Join Us for Our Discussion and Civic Engagement SeriesTheatre Speaks is a series of discussions and civic engage-ment activity The Ensemble Theatre will offer during its 2009–2010 Season. The series will include workshops, dialogue exchanges, as well as four designated community discussions and a food drive for the homeless.
“Theatre speaks to audiences in ways that raise social consciousness…sometimes theatre speaks through laughter, sometimes theatre speaks through quiet reflective moments, but most times theatre speaks loud and direct to our hearts” says Eileen J. Morris, Artistic Director.
Men’s Forum: Saturday, October 3, 2009, 5:30pm immediately following the matinee performance of Seven Guitars by August Wilson. A discussion about love, relationships, and accountability for one’s actions from the male perspective.
Food Drive: November 1– December 28, 2009 in partnership with SEARCH Homeless Services and Target.
Women of Change: Sunday, February 7, 2010, 5:30pm. A dialogue about societal changes for women since the 1960s.
Y-Diversity: Sunday, April 11, 2010, 5:30pm. A conversation about the views of Generation Y on blended families, race, and social status.
Music and Live Theatre Connect: Sunday, July 4, 2010, 5:30pm, A lesson on the influence of innovative music styles and incorporation into live theatre and musical productions.
THEATRE SPEAKS
ENSEMBLE THEATRE S u b c r i p t i o n s
Great For Holiday, Wedding, Anniversary and Birthday Gifts
Purchase An Ensemble Theatre Subscription Today!
C a l l :
713-520-0055Subscribe online for a discounted rate at www.ensemblehouston.com
T heatre Guild
The Ensemble 2009 – 2010
Dr. Teddy A. McDavid President
Alphonso Delaney1st Vice President
Dr. Dena Downey-Garrett2nd Vice President
Ingrid FaulkRecording Secretary
Rose Mary McGowanAssistant Recording Secretary
Della Harlan Financial Secretary
Aba Gayle Wiley Treasurer
Jane B. MartinAssistant Treasurer
Amelia L. AdamsRuby Harlan AdamsEarline AlexanderGwendolyn A. AmosMable Scott AustinJ. A. BaylisAnna Pearl BarrettBetty BrunoLinda BurksRachel BurrellJanice E. Cassel
Margot Charles Josephine V. DanielsBetty H. DavisFreddie Davis-KinnardSavonya DePlandBrenda F. DoganHelen W. EagletonPaulette EagletonMichele EdwardsMandura EllisBetty ForemanDr. Laurette Blakey FosterGwendolyn C. GabrielJoan L. GoffneyAnne GreauxStephen GreerEva HannahDeborah HawkinsDr. Roscette Lewis HolmesShirley Burks HowardCecelia Graves JacksonMildred A. JacksonBetty JenningsOzell Taylor JohnsonPaula F. JohnsonAnna KirkseyDorothy F. LaBostrieLorine LadetBarbara Lange
Audrey Lawson (Honorary)Bernadette LewisPearl LewisFannie LundyJane B. MartinBeverly J. MaddoxCharlene MillerVanita J. ReedBromley J. OliverMellany W. PatrongDr. Kathy RansonFran RichardsonGenevieve RousseveStephanie M. SandersBobby W. ScottLinda ShankleDr. Forrest D. SmithObelia J. StubblefieldMargie L. TaylorRonald Lee TaylorRuth E. ThorntonArnetta T. VentersMary D. VinesHenri Ann TurnerRev. Darnell L. WalkerHelen M. Ward Margaret WestbrooksRitchie WilsonElizabeth Wright
$100,000 & up
Houston Arts Alliance
$50,000 – $99,999
BP America, Inc. Houston Endowment, Inc.
Sterling Bank Target
$30,000 – $49,999
CenterPoint Energy Houston Independent School District
Shell Oil Company The Cullen Trust for the Performing Arts
$15,000 – $29,999
AVW Audio Visual Solutions Chevron U.S.A. Inc. Continental Airlines
Gilbreath Communications, Inc. H-E-B
Hilton Americas JPMorgan Chase Bank, N.A.
KRIV-TV Fox 26 & KTXH-TV My 20 McConnell Jones Lanier & Murphy, LLP
NASDAQ OMX/Globe Newswire Panhandle Energy
Pfizer, Inc. Spectra Energy
The Virginia and LE Simmons Foundation
$10,000 – $14,999
Amegy Bank Frenchy’s Chicken
ExxonMobil Greater Houston Convention
& Visitors Bureau
Miller Outdoor Theatre Puddie and James Pitcock
Schlumberger Sermoonjoy Entertainment, Inc.
Southern Union Co-Panhandle Energy SYSCO Corporation
$5,000 – $9,999
African-American News & Issues Andrews Kurth LLP
Anheuser-Busch CAMAC International Corporation
ConocoPhillips Cooper Industries Foundation
Cruise Industry Charitable Foundation The Ensemble Theatre Guild
Friends of The Ensemble Theatre
Fulbright & Jaworski, L.P. John P. McGovern Foundation
Audrey and Rev. William Lawson Janis A. and Kevin W. Lynch Maconda B. O’Connor, Ph.D.
Missouri City Chapter of The Links, Inc. Diana and Charles O’Niell
Brenda J. Peters Pharos Capital Group
Port of Houston Authority Regina J. Rogers
Brian H. Teichman Texas Commission on the Arts
T.J. Ford Foundation True Blue Community Endowment
Valero Refining –Texas, LP Wheeler Avenue Baptist Church
Curtin Winsor, III Merele G. Yarborough
$1,000 – $4,999
AccentureKathleen and Paul M. Anderson
Doug M. AngstromKelly and Samuel Ansley
Beatty Street Properties, Inc.BHP Billiton
Raquel A. BoneRosalyn L. Boyd and Walter Jones
Bracewell & Giuliani, LLPCheryl N. ButlerCamden PartnersRoxann Chargois
Lora and Dr. John B. Clemmons, Jr.Florence G. Cody
Compass BankCooke & Bieler, L.P.
Jane and James G. CrumpDavis Hamilton Jackson
& Associates, L.P.Deloitte & Touche, L.L. P.
Design SourceDMOT Management Group, LLC
Energy Software ConsultantsEnterprise Advisory Services, Inc.
First QuadrantFujitsu Consulting
G&A PartnersGayla and Dr. Donald G. GardnerGeneral Motors Acceptance Corp.
(GMAC)Guaranty Bank
Gulf Coast CFC EmployeesCarolyn and Anthony W. HallWilliam W. Harmon, HCC –
Central College
Micheal J. HelmHMS Host/Houston 8 Team
Houston Astros Baseball ClubHouston ChronicleJMG Developers
Kellogg’s Food Away From HomeMelissa and Bill King
Michael R. KingL&B Realty Advisors, LLP
Alton LaDayVernon Landers
Kenneth LeeLittler Mendelson, P.C.
A. Renee’ LogansMaverick Drum America, Inc.
Memorial HermannBorris L. Miles
Charlotte R. MillerMitsubishi Digital Electronics
America, IncDr. Wanda Mott-Russell
Sharon E. MurphyNeiman Marcus
Museum of Fine Arts, HoustonCarlotta C. Oliver
Julie OliverJacqueline L. Phillips
Pierpont Communications, Inc.Carole Pinkett
Mary and James PrinceRebecca Reyes
Alex Rodriguez, Mercedes BenzScurlock FoundationSDN Advisors LLC
Valerie and Ben SheppardShipley Snell & Montgomery, LLP
Silver Eagle DistributorsMary and Martin Simon
Christine and Michael SmithSpecialty Bindery & Printing
Strake FoundationTexas Comptroller of Public Accounts
Thacker Family Charitable Fundthe Clifford Group, Inc.The Greenspoint Club
Total Premier Services Nigeria, Ltd.Sonya Troullier
Union Pacific RailroadUniversity of Houston Chancellor/
President’s OfficeVictory Capital ManagementNicole C. and Anthony West
T H E E N S E M b l E T H E A T R E
Sponsors and Supporters
Starring Rachel Hemphill Dickson broderick “brod J” Jones
Featuring Wayne DeHart Timothy Eric byron Jacquet
Jordyn lorenz bebe Wilson
Presented by special arrangement with Samuel French, Inc.
T H E E N S E M b l E T H E A T R E presents
Lighting Design Eric Marsh
Sound Design Adrian Washington
Stage Manager lee Waddell
Scenic and Property Design James V. Thomas
Costume Design liz Tee
Hair Design Derrick Nash
This project is funded in part by a grant from the City of Houston through the Houston Arts Alliance.
This project is supported by a grant from the Texas Commission on the Arts.
TEXASCOMMISSIONONTHE ARTS
Written byAugust Wilson
Directed byEileen J. Morris
Underwritten by:
August Wilson at The Ensemble Theatre
1987-88 season Ma Rainey’s Black Bottom, directed by George Hawkins1994-95 season The Piano Lesson, directed by Claude Purdy1996-97 season Two Trains Running, directed by Alex Morris2001-02 season Fences, directed by George Brock2002-03 season The Piano Lesson, directed by Marsha Jackson Randolph2004-05 season Two Trains Running, directed by Eileen J. Morris2006-07 season Joe Turner’s Come and Gone, directed by Eileen J. Morris2007-08 season Gem of the Ocean, directed by Allie Woods, Jr.2008-09 season Radio Golf, directed by Eileen J. Morris
August Wilson andEileen J. Morris
Cast (in alphabetical order)
Hedley ....................................................................................................................................... Wayne DeHart Vera ........................................................................................................................ Rachel Hemphill DicksonCanewell ...................................................................................................................................... Timothy Eric Red Carter ..................................................................................................................................byron Jacquet Floyd .........................................................................................................................broderick “brod J” Jones Ruby ........................................................................................................................................... Jordyn lorenzlouise ............................................................................................................................................ bebe Wilson
Understudylouise/Vera ............................................................................................................................ Tisha DornVera
T H E E N S E M b l E T H E A T R E presents
Playwright....................................... August WilsonDirector .......................................... Eileen J. Morris Scenic/Property Designer......... James V. Thomas Costume Designer .......................................liz Teelighting Designer ......................................Eric MarshSound Designer/Operator ....Adrian WashingtonHair Designer ....................................Derrick NashChoreographer ......................Myra Jones RomainVocal Coach .................................DuWayne Davis Music Instrument Instructors:Guitar .............................................. Sam AndersonHarmonica ............................................David bornDrums ............................................... Eddie Horton
Ritual Consultant .........................................Ifalade’ Fight Choreographer ................leraldo Anzuldua Dramaturg ...............................Candice Alexander Stage Manager .....................................lee WaddellAsst. Stage Manager ................... Kendrick brownTechnical Director ............................... Ray Walkerlight Operator ..............................Felisia Williams Crew ................................................ .leevester ClayCrew(TSU Intern) ........................... Jason HolmesWardrobe Maintenance ......bernadine Wilturner Carpenter .......................................Paul Thomason Asst. Carpenter ..............................Terren Gamble
Production Staff
Time: 1948Place: Pittsburgh Hill District
Setting: The backyard of a Pittsburgh house.
Act I
Scene I: Afternoon
Scene II: New Day; Early Evening*
Scene III: Next Morning*
Scene IV: Several Hours later, Same Day*
Scene V: Same Day; Evening*
(Fifteen minute intermission)
Act II
Scene I: Next Day; late Morning*
Scene II: Same Day, A Few Hours later*
Scene III: Next Morning*
Scene IV: New Day, late Morning/Afternoon*
Scene V: Same Day, Afternoon*
Scene VI: Same Day, Early Evening*
Scene VII: Mother’s Day, Evening*
Scene VIII: Mother’s Day, Night*
Scene IX: Next Day; Afternoon
Parts of the sound design are from the original Seven Guitars broadway production, courtesy of Dwight Andrews.
*Denotes Flashback Scenes
About the PlaywrightMore than any other writer of his generation, August Wilson transformed contemporary theatre with a unique blend of poetry, music, storytelling and mysticism. His literary legacy is the ten play series, The Pittsburgh Ten Play Cycle, for which he received two Pulitzer Prizes for Drama. His remarkable plays chronicles the African American experience through each decade of the 20th century in terms both universal and intensely personal, weaving the stories of ordinary people and their extraordinary dreams into the social and political fabric that surrounds them. The Ten Play Cycle begins with the 1900s Gem of the Ocean, the 1910s’ Joe Turner’s Come and Gone, the 1920s’ Ma
Rainey’s Black Bottom, the 1930s’ The Piano Lesson, the 1940s’ Seven Guitars, the 1950s’ Fences, the 1960s’ Two Trains Running, the 1970s’ Jitney, the 1980s’ King Hedley II, and the 1990s’ Radio Golf. Growing up in the Hill District of Pittsburgh, Wilson never looked away from the dire realities his people faced in the past, face in the present or will face in the future. He has given us that truth with devastating power. but he creates tragic events with a supple and abiding love. He often rocks his audiences with laughter at the clumsy energies, sardonic ambitions and bustling enterprises of his characters, trying to get along and maybe ahead. Many of August Wilson’s plays were developed at the Eugene O’Neill Theatre Center’s National Playwright Conference and given their premiers at the Yale Repertory Theatre. He has enjoyed an ongoing relationship with several resident theatres amongst them is our very own Ensemble Theatre. Mr. Wilson has won numerous awards, among them two Pulitzer Prizes, for Fences and The Piano Lesson, as well as New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson and Two Trains Running. He received a Tony Award for his play Fences. August spoke in public, after an opening or at an awards ceremony; he spoke to the best in everyone listening to him. A quietly enthusiastic man, he smiled his warm smile, focused his eyes ahead of him, pursed his lips a little, and told about the fine things he could see everyone achieving. Everyone felt the warmth of a faithful artist, glowing inside the modesty of a noble gentleman.
Playwright’s NotesDespite my interest in history, I have always been more concerned with culture, and while my plays have an overall historical feel, their settings are fictions, and they are peopled with invented characters whose personal histories fit within the historical context in which they live.
I have tried to extract some measure of truth from their lives as they struggle to remain whole in the face of so many things that threaten to pull them asunder. I am not a historian. I happen to think that the content of my mother’s life-her myths, her superstitions, her prayers, the contents of her pantry, the smell of her kitchen, the song that escaped from her sometimes parched lips, her thoughtful repose and pregnant laughter-are all worthy of art.
Hence, Seven Guitars. August Wilson 1995
About the PlayIt is the spring of 1948. In the still cool evenings of Pittsburgh’s Hill district, familiar sounds fill the air. A rooster crows. Screen doors slam. The laughter of friends gathered for a backyard card game rises just above the wail of a mother who has lost her son. And there’s the sound of the blues, played and sung by young men and women with little more than a guitar in their hands and a dream in their hearts. August Wilson’s Seven Guitars is the sixth chapter in his continuing theatrical saga that explores the hope, heartbreak, and heritage of the African-American experience in the twentieth century. The story follows a small group of friends who gather following the untimely death of Floyd “Schoolboy” barton, a local blues guitarist on the edge of stardom. Together, they reminisce about his short life and discover the unspoken passions and undying spirit that live within each of them.
About the DirectorEileen J. Morris is a director, actress and educator. She worked closely with the founder of The Ensemble Theatre, George W. Hawkins, from 1982 until his death in 1990. From 1990 to 1999, she served as the The Ensemble’s artistic director. She left Houston in 1999 to work with the University of Pittsburgh’s black theatre company, Kuntu Repertory Theatre under the direction of Dr. Vernell A. lillie. She has served on several boards and panels during her 30 years as an artist and has held the offices of president, immediate past president, vice-president and secretary with the national organization, black Theatre Network from 1994–2004. She has also served on the board for the Greater Pittsburgh Arts Alliance and
Xpressions Dance Company. She has served on panels with the Cultural Arts Council of Houston, Harris County; Pennsylvania Council on the Arts; the Heinz Foundation; the Multi-Cultural Arts Council of Pittsburgh; Pittsburgh Foundation High School Arts Scholarship Committee; Pro Arts; the National Endowment for the Arts, and Theatre Communications Group. She has developed collaborations with the August Wilson Center for African American Culture in Pittsburgh, Pennsylvania; the Museum of Fine Arts, Houston; the Alley Theatre; lone Star Community College; and the Houston Independent School District. As artistic director, she has produced over 72 productions, which include four world premieres and 50 regional premieres. In 2007, The Ensemble Theatre was named best Theatre by the Houston Press and 2007 best Showcase for African American Actors by the Ultimate Section of the Houston Chronicle. The Ensemble Theatre also presented two out of the 10 best plays named by the Houston Chronicle as the best of Houston Theatre 2008. Eileen, along with Audrey lawson, president emeritus, was instrumental in initiating the Young Performers’ program
— an educational training program for youth ages 7 to 17 that addresses the collaboration of art and life skills. This program has now reached over 4,000 youth who have gone on to have careers on broadway, and in other areas such as law, medicine, education, community and politics, that allow them to use their early learned theatre techniques in their suggested fields. Her directing credits include Livin’ Fat, The Man Who Saved New Orleans, August Wilson’s Radio Golf, Ashes to Africa, Sty of the Blind Pig (Giorgee Award winner for best Production in 2008, and recently performed at the National black Theatre Festival in Winston Salem, North Carolina), and Blue at The Ensemble Theatre. In Pittsburgh at New Horizon Theatre (Onyx Award for best Director by the African American Council on the Arts in 2004), Christmas is Comin’ Uptown, Joe Turner’s Come and Gone at The Ensemble Theatre and at the Pittsburgh Playwright’s Theatre (best Director mention from the Pittsburgh Post Gazette), American Menu, Crumbs From the Table of Joy, The Dance on Widow’s Row, Get Ready, Dancing on Moonlight at Pittsburgh’s New Horizon Theatre, Jonathan, Fences (best Director from the African American Council on the Arts in 2005), Ma Rainey’s Black Bottom at Pittsburgh Playwright’s Theatre, A Love Song for Mumia, Murderer on the Hill District, Liftin,’ Flyin’ West at the Kuntu Repertory Theatre and A Black History Celebration, featuring Irma P. Hall, at Pittsburgh’s City Theatre. Eileen enjoys all aspects of the art — because art is and breathes life.
Director’s NotesIn Seven Guitars, August Wilson has provided us with perhaps the most enigmatic of his ten play cycle of plays, as it is the most lyrical, insightful prose opera and a bawdy murder mystery told in flashback. August Wilson has often been quoted as saying that all of his characterizations come from blues lyrics — a style of African American music that transverses a wide range of emotions and musical elements creating songs whose verses lament injustice or express longing for a better life and money that can also celebrate pleasure and success.
Seven Guitars provides us with a montage of mystery, folksy humor, homespun philosophy all deliciously sprinkled with ritual, music, and a joy for living and experiencing.
One of the things that we love about August Wilson is his passion and richness for storytelling and how he reaches deep into his well-spring of prose to share and contribute the stories that he wanted to tell. Stories that are reflective of our African heritage, reminisce of our families, and profoundly engaging stories that stir up memories that spring forth inspiration. The Ensemble Theatre is happy to continue producing the August Wilson ten play cycle — hence, Seven Guitars.
About the Cast(in alphabetical order)
Wayne DeHart (Hedley) is in his 28th year of involvement with The Ensemble Theatre as a director; actor and/or sound designer. Seven Guitars will be the sixth August Wilson production he has appeared in. Mr. DeHart recently garnered awards for best Supporting Actor in last season’s Radio Golf for the role of Elder barlow, and best Actor for his portrayal of Arthur Prejean in The Man Who Saved New Orleans. He is also in process of directing the world premiere of The Angola 3. His directing credits include One Monkey Don’t Stop No Show, A Lesson Before Dying, Daytrips, Sundown Names and Dance on Widow’s Row. Wayne was last seen on the Ensemble stage as “Doc” in Sty of the Blind Pig, “bynum” in Joe Turner’s Come & Gone, and as “Memphis” in Two Trains Running and he recently performed in Driving Miss Daisy with the A.D. Players. He
continues his involvement with The buffalo Soldiers Museum as well as The Silver House Theatre and Mountaintop Production’s Camp logan, which is now in its 16th year of touring.
Rachel Hemphill Dickson (Vera) is excited to be back with the family at The Ensemble Theatre. You may have also seen her on this stage in The Man Who Saved New Orleans, Joe Turners Come and Gone, Waitin’ to End Hell, Ashes to Africa, The Story, From the Mississippi Delta, Harlem After Hours, Checkmates, The Drums of Sweetwater, Tap Dance Kid, The Trial of One Short Sighted Black Woman versus Safreeta Mae and Mammy Louise. Some of her other stage credits include The Toys Take Over Christmas, Harriet Tubman’s Freedom Train, Medea, An American Daughter, Two Gentleman of Verona, Tartuffe, The Courage of Many Kate Brown, Sin, Debutante Ball, Roll of Thunder-Hear my Cry, The Art of Dining, Salome, Flyin’ West, Light in the Village, Twelfth Night, and Coriolanus. She has numerous voice-over and on-camera credits to her name including work for Shell, Waste Management, The
Federal bureau of Investigations, Kentucky Fried Chicken Restaurant, and 9-1-1 Call Centers. Rachel currently teaches theater at Prairie View A&M University and is an adjunct in theatre at University of Houston-Downtown. While Rachel has executed many of the areas in the theater including touring/outreach coordinator, producer, box office, stage management, board operator, lighting tech, prop mistress and costume design, she has a passion for directing. She attributes her joy in all her work to her lovely family and looks forward to seeing you all back for American Menu.
Do what you do out of lOVE not fear There are only two emotions –you choose– HE did
Timothy Eric (Canewell) is delighted to be performing at The Ensemble Theatre again. He has been seen in The Ensemble’s recent productions of August Wilson’s Gem of the Ocean, Joe Turner’s Come and Gone, Two Trains Running, Piano Lesson, and in Joseph A. Walker’s The River Niger. Most recently at The Ensemble he was seen in Sty of the Blind Pig. He has performed in the Alley Theatre’s productions of Of Mice and Men and One Flew Over the Cuckoo’s Nest. He was seen in Stages Repertory Theatre’s productions of Andrew bovell’s Speaking In Tongues and Orange Flower Water. At Houston’s Main Street Theatre, Tim performed in Law’s of Storms and Intimate Apparel. He has traveled with the national touring production of Celeste bedford-Walker’s Camp Logan and the international tours of Thomas Meloncon’s Diary of a Black Man and Whatever
Happened to Black Love? He received his bachelor of fine arts from Texas Southern University and is presently working on his M.A. in Radio, Television, and Film at Texas Southern. Tim is a very proud member of Actor’s Equity since 2000.
Byron Jacquet (Red Carter) is a long-time member of The Ensemble Theatre and his many credits include Livin Fat’, The Man Who Saved New Orleans, Blue, Joe Turner’s Come and Gone, Short Eyes, A Soldier’s Play, Two Trains Running, Johnny B. Goode and Distant Voices. He has performed in the touring productions of The Magic Story Maker, Brer Rabbit and Wiley and the Hairy Man. byron has also performed at Stages Theatre, appearing in The Courage of Mandy Kate Brown; The Alley Theatre in Ma Rainey’s Black Bottom, Of Mice and Men and most recently in I, Barbara Jordan; in film and television in Red Ink and American Gigolo; and several industrial films. byron attended the University of Houston and the Writer’s Clinic, Inc.
About the Cast(in alphabetical order)
Broderick Jones (Floyd) is a native Houstonian and long-time member of the Houston theatre community. He has performed in several of The Ensemble Theatre mainstage shows including Radio Golf, Joe Turner’s Come and Gone, Get Ready, Sparkle, In Walks Ed, Sundown Names Nightgone Thangs, That Serious He-Man Ball, Piano Lesson, Gospel at Colonus, Black Nativity, Harlem After Hours, Christmas Up In Harlem, and Ashes to Africa. brod J.was last seen in The Ensemble’s production of Thomas Meloncon’s The Man Who Saved New Orleans. He was a principle character in several touring gospel productions such as Laura Mae Lord Have Mercy and The Streets Can’t Have My Boys, both produced by the Master Theatre Company. In addition, he performed in the Alley Theatres’ touring production of I Barbara Jordan. He is also an Encore Theatre Hall of
Fame member, where he’s portrayed diverse characters such as Shakespeare’s Othello, and Romeo in Romeo and Juliet.
Jordyn Lorenz (Ruby) has appeared at The Ensemble as Marta Henderson in Ashes to Africa, laTonya Dinkins in Blue and beneatha in A Raisin in the Sun, for which she won the Giorgee Award for best Supporting Actress. Jordyn has performed in a number of plays throughout Houston including Romeo & Juliet, The Jukebox and How ‘Bout That, at venues such as the Encore Theatre, HCC’s Heinen Theatre and Harvest Time Church. While building her career on stage she has been busy with film projects as writer, producer and actress. Jordyn currently teaches communication at HCC, Stafford and in the School of business at U of H Downtown. learn more about Jordyn at www.jordynlorenz.com.
Bebe Wilson (Louise) has been active throughout the Houston theatre community since moving from her native home of louisiana. bebe last performed at The Ensemble Theatre as Mama in Livin Fat’. This marks bebe’s 26th season with The Ensemble where some of her credits include The Man Who Saved New Orleans, One Monkey Don’t Stop No Show, Joe Turner’s Come & Gone, Day Trip, Checkmates, Dance on Widow’s Row, Bourbon at the Border, Indigo Blues, Shakin’ the Mess Outta Misery, Blues for an Alabama Sky, Home and Spunk to name a few. She has performed at the Jewish Community Center in the White Rose Production of Oh My God. bebe’s directorial credits include The Second Princess, Crowns, Shakin’ the Mess Outta Misery, Bourbon at the Border, Christmas Miracle, Grey Panthers, Roll of Thunder Hear My Cry and many others. She dedicates this performance to her wonderful husband for his love and understanding.
About the Understudy(in alphabetical order)
Tisha Conswella Dorn (Louise/Vera) returns to The Ensemble Theatre after a seven year hiatus. During her credited show, Who Killed Hazel Patton, Sing A Christmas Song, Christmas Coming Uptown, Black Nativity, Distant Voices, Shakin the Mess out of Misery as well as numerous children shows. During this summer Young Performers program at The Ensemble, Tisha was voted favorite teacher. She is excited to be back at home with her Ensemble Theatre family and looks forward to many more main stage performances.
A Tribute to Claude Purdy The Ensemble Theatre would like to dedicate this produc-tion to Claude Purdy, the raspy-voiced director and Penumbra Theatre co-founder who was instrumental in the career of August Wilson.
born in lake Charles, lA, Claude Purdy’s skill and artistry as a director lifted August Wilson’s plays to new breathtaking heights, thrilling audiences of all back-grounds, and inspiring the actors to embody the spirit and soul of the characters. He understood instinctively the authenticity of the African American voice, not only its sound and cadence but its source and promise. His decades long association with August Wilson strengthened and deepened the playwright’s voice and his mentorship and support of fellow directors, actors and artists is a permanent part of Wilson’s legacy.
The director stuck by Wilson through the years as the writer’s stature grew, staging many of the playwright’s works in theatres across the nation. In 1990, he mounted Houston’s Alley Theatre production of Wilson’s Joe Turner’s Come And Gone, which marks the first time he and Eileen met. In 1995 he directed The Piano Lesson at The Ensemble Theatre.
An artist and shaman, he conjures a vision and view of America, jazz-like in its splendor, that is simultaneously a celebration and stern rebuke, but ultimately an irrepressible embrace‚ a love supreme. He will be missed.
BOOK NOW!!!The Ensemble can come to
Your School, After-School Program, Church or Community Event!
Wiley & The Hairy ManAdapted by Jack StokesGrades K–8
Like Aesop’s fables, Wiley & The Hairy Man is drawn from native folk wisdom “Outwit the Hairy Man and he won’t scare you again,” says mammy. Trembling, Wiley sets out for the woods, prepared to contact the Hairy Man. He looks fear in the face and outwits it. The adventures are presented in lyric poetry and mime. The actors become the woods, the cabin, and all the props, making Wiley imaginative and easy to mount.
Uncle Remus’ Br’er RabbitAdapted by Ensemble Theatre founder George W. Hawkins from the original Joel Chandler Harris story.Grades K–8
A fun-packed combination of African-American folklore and American popular culture, Br’er Rabbit is family entertainment that focuses on the Golden rule: “Do unto others as you would have them do unto you.”
A Seat for Rosa Written by Von H. Washington, Sr. and edited by Fran L. WashingtonGrades K–12
From the Whole Life Adventures of Sanko and Kiki, A Seat for Rosa gives an account of the life-changing decision of Rosa Parks. This story assures Sanko, who is dealing with a bully on his school bus, to NEVER GIVE UP HIS SEAT!
Freedom is My Middle NameWritten by Lee Hunkins (Booked through Young Audiences)Grades 5–12
Freedom is My Middle Name is a journey through time and space. Stagecoach Mary, an endearing, vibrant and powerful character from African-American history, takes five urban students on a journey back in time. Their first stop is Atlanta, Georgia and the year is 1858. There they meet Preacher Man, a conductor for the underground railroad who uses sermon and song to give escape routes. This jubilant play is filled with magic, excitement and humor.
For more info contact Bebe Wilson, Touring Education Coordinator, by calling 713-807-4317 or email at [email protected].
Platinum Subscribers Mildred and Willie brightMichael Clark Mary Carolyn ClophusDee ColemanKaren Ostrum and larry GeorgeJerelyn and DeFarris GoodenNaomi HardyMicheal J. Helmbrenda J. Peters and. John S. Chase, Jr.Maude A. JonesVernon landersWilliam and Audrey lawsonEvangeline and G. MackRose Mary McGowanTomiya MelvinDominique and Henry MosleyFred Newhouse (Valero Refining)Sharon Owens (CenterPoint Energy)Diane and John PeavyJaqueline Phillips Puddie and James D. Pitcock, Jr.Sondra and George ShipleyMary and Martin SimonAl and Josephine TervalonDM White Gold Subscribers Access Data Supply Inc.Edward AdamsRuby AdamsDorothy Ashley (A. Mardis Couseling Consultants)Joan and Robert Austin, Sr.Joi beasley (GoGo business Communications)betty blackshireKirk D. bowiebP America, Inc Cynthia Clay briggsErwin brownEarnest l. brown, Jr.Faye b. bryantCrawford bunkley, IIITish busbylynda M. and Alfred J. CallowayJames CannonPaige Cawthon Connie barnaba & Associates, Inc.Eaernestine and Charlie CooperJanette CosleyWalter DavisSandra and Edward DentGloria EllisCatherine FergusonFranklin F. FergusonJohnnie P. and Winfred Frazier
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2009–2010 SubscribersWe Appreciate You
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Ronald ShellGary SheppardMichele SimpsonNancy SimpsonJacqueline I. SmithRegina SmithRochelle SmithMarvin Sparksbarbara StarkesGlenniece StewartJeantta StriplingJoseph SykesMarsha and Jay TappSherri ThomasIda Thompsonleslie ThompsonAlma l. WalkerDaisy l. and Darnell l. WalkerSamantha A. WalkerAnita WashingtonConstance WhiteAnn and Tracy WhiteheadTamatha Whitlockbennie WilliamsKevin WilliamsPatricia WilliamsAnnette WillisSherri and John WinslowThelma Woodard-JohnsonJo Nell YarbroughFrancene Young Senior / Student SubscribersYvette AbernathyOcena Adamslu Ann AdayDebra AlexanderSarah Alexanderlizie b. AllenMichelle AllenOsby AllenClora Etta Allen-MorrisKrinstina Alsandorbobbie E. AmmonsSharon E. AmmonsEric AndersonJacqueline and Joseph AndersonJeanette and Otis AndersonJoel AndersonDolly ArdsMarlise ArmstrongPhyllis and Robert Astonbeatrice W. AtkinsonGenell AttawayPamela AuburnRose Austin Abdel baha
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Carolyn Evans-Shabazzbrenda Evensonlaoma Fergusonbetty I. FitzgeraldMona and Eugene FogtJane C. FordMattie FordChandra FordeErnestine b. FranklinKathleen and Eugene FranklinRhonda FreemanDorothy GabrielGwendolyn Gaineslinda GallowaySheila GayGloria GendrettM. loretta GentryRob GentryHelen GeorgeShirlaine M. GeorgeYvette Georgelinda and Eddie GibbsNoel GieseckelaTrelle GilesMarcell GlynnMartha Goddardlou and Elliot GouldJanice GrangerHoward GrantWillie D. GrantGenella GrayMarjorie GreenClaronette GreeneFreddie l. GuessAurdis GuidryMonica and Henry Guidrybarbara Guthrielucila and bill HaaseEtta HamiltonMiriam HamiltonRudy HamiltonP.l. HansonFreddie HardyKaye HarperAlice and Alvin Harrisbetty HarrisCheryl and Willie HarrisCherylyn HarrisDorothy Harrislinda HarrisMarie HarrisRose Mary HarrisTommye l. HarrisonPatricia HarroldAiry HattonOctavius HayesMarilyn and Joe HegarNancy b. Henry
Charles HerbertElaine HerronOlivia M. HerveyEtta M. Hilllauretta Mae HillMacel and David Hilliardbetty and Peter Hoffmanlonny HoffmanSarah HoffmanKenneth HoldenTerrell HolidaySandra and Ron Hollowayleocadia HooksJohnnie HornPatricia HoustonDoris HowardCarolyn HughesEmily HumphreyDaralyon and Percy Igbanibelinda Jacksonbeverly JacksonConstance JacksonJeanette Jameslisa Jameslynn H. Jamesbarbara G. JarmonCamilla l. and Edward JeffersonHelen O. JeffersonJoyce and Tracy JemnisonNadine F. JenkinsAyesha Mutope and Caliph JohnsonDelois JohnsonDoris JohnsonElla and Samuel JohnsonGlenda JohnsonJacquelyn and Roy JohnsonJanelle and John Johnsonlinda JohnsonMae JohnsonMaria and Farrell JohnsonPat and Charlie b. JohnsonAmanda JonesAnna M.G. Jonesbarbara Jonesbetty JonesDeborah and Johnny JonesDorothy JonesPyllis JonesSallye M. JonesValeria JonesVeronica and Jessie JonesKechia and Raymond JosephAnnette JoubertMarcia KatzClydell KelleyEmilie KilgoreArtelia KingGloria King
June KitchensWilly Kuehnlinda KyddHerma lathonJulia lawrenceFred lawsonPhilomena D. lawsonlewis lawtonKaren and Raymond leblancPatricia and lewis levyCarolyn McAfee lindeyEdwina lodreebrenda longGeraldine lundfordbarbara Jean MackPatty and bob MahlstedtAudrey and Manny MandelInez ManningShirey and Raphael Mapps, Sr.Pamela MarrsEarline MarshallWilma J. MasonPatricia and Ronald Matthewsbirdola MayesRebecca Mayhornloyce McAfeeCarolyn McCallJanice T. and Adrian McCoyCarolyn McCrayGracie McGheeSherry McGloryElsie McGowanCleo McIntoshlillie M. McIntyreJennifer MeeksShirley MelonsonAmelia and Cleo MetcalfPamela P. MetoyerYvonne Meyerlarnita and bobby MillsMildred and Darryl MillsCatherine MooreJudith MooreThelma and James MorganEileen J. MorrisSelina MorrisFaye J. MoseleyJewell and Pre MossCheryl MossesHastle D. MurrayWillie MurrayToby Myersbettye b. NarcisseRomie NealPauline and Sylvester NewmanCynthia and Rhome NixonPatricia and Harold OdomJerry J. Oliver
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2009–2010 SubscribersWe Appreciate You
2009–2010 SubscribersWe Appreciate You
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City of Houston Convention & Entertainment Departmentbethany ClarksonNicole ColemanConocoPhillipsContinental Airlines Greta CoreathersAngela CoxDiana CrossChristina and bryan CrowderTracy and Eric DarganAndrea DavisMartha DavisDelta Sigma Theta Sorority, Inc. -Suburban Houston Fort bendRachel DicksonVivian DirdenVanessa and Aaron DuncanCynthia EdwardsExxonMobilDiana FallisGigi FonteneauxFriends of The EnsembleFredricka F. GantJeri and Norris GardnerAlice GatlingMiriam Gibson Gilbreath Communications, Inc. linda GilliamGail F. GilliardGlobal Energy USA, Inc.Sandra Gloverlynn GordonNeal GormanErnest Gray Greater Houston Convention & Visitors bureauMonica and Henry GuidryAnthony W. Hall, Jr.Jeannette HallerHilton Americas Wallace HoneywellPat D. HowardAlona Hudson James Simmons & Associatesbetty H. JohnsonJanelle and John JohnsonRhenel JohnsonIsabella JonesSharon D. JonesVictoria and Gregory KylesFrederick lee lawsonWilliam and Audrey lawsonElmer ledesmaShirley leonardEleanor D. lloydClarice lowe
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Rated “Excellent” by ZagatOutstanding Wine List award 2008 & 2009 by the Wine Spectator Magazine Happy hour Monday thru Thursday, 5 to 7
Hours of Operation
Lunch: Monday – Friday 11am to 2pm
Dinner: Monday – Thursday 5pm to 10pmFriday – Saturday 5pm to 11pm
3722 MAIN STREET AT W. ALABAMA • HOUSTON, TX 77002 • TEL 713.807.0090 • FAX 713.807.0095
The Ensemble Theatre patrons receive a 20% discount for before and after the show!
The Ensemble Theatre’s
Wish List13” TV with DVD Player Combo for Presentations
Dragon Naturally Speaking 10, Speed Recognition Software
laptop Computer with External Speaker for Presentations (4Gb mem/300Gb disk space)
Portable Stereo/CD System
Walkie Talkie (2) – Motorola ClS1410
If you or your company wishes to donate the listed items to The Ensemble Theatre please call Cassandra Campbell, Development Director at 713-807-4306.
Looking for positive, fun activities for your young person during spring break?
Young Performers Program 2010sign up your young person now!
Contact: Teresa White, Artistic Associate (713)807-4309 or [email protected]
Spring Break Session: March 15 –19, 2010
Ages 6 –17
2009-2010 Ensemble Theatre Production Schedule
Sat. Sept. 19 8:00 pmSun. Sept. 20 3:00 pmWed. Sept. 23 7:30 pmThur. Sept. 24 7:30 pmFri. Sept. 25 8:00 pmSat. Sept. 26 2:00 pmSat. Sept. 26 8:00 pmSun. Sept. 27 3:00 pm
Thur. Oct. 1 7:30 pmFri. Oct. 2 8:00 pmSat. Oct. 3 2:00 pmSat. Oct. 3 8:00 pmSun. Oct. 4 3:00 pmThur. Oct. 8 7:30 pmFri. Oct. 9 8:00 pmSat. Oct. 10 2:00 pm
Sat. Oct. 10 8:00 pmSun. Oct. 11 3:00 pmThur. Oct. 15 7:30 pmFri. Oct. 16 8:00 pmSat. Oct. 17 2:00 pmSat. Oct. 17 8:00 pmSun. Oct. 18 3:00 pm
Seven Guitars, by August Wilson PG
Previews: Sept. 19 – Sept. 23, 2009 Runs: Sept. 19 – Oct. 18, 2009
Sat. Nov. 21 8:00 pmSun. Nov. 22 3:00 pmWed. Nov. 25 7:30 pmFri. Nov. 27 8:00 pmSat. Nov. 28 2:00 pmSat. Nov. 28 8:00 pmSun. Nov. 29 3:00 pmThur. Dec. 3 7:30 pmFri. Dec. 4 8:00 pm
Sat. Dec. 5 2:00 pmSat. Dec. 5 8:00 pmSun. Dec. 6 3:00 pmThur. Dec. 10 7:30 pmFri. Dec. 11 8:00 pmSat. Dec. 12 2:00 pmSat. Dec. 12 8:00 pmSun. Dec. 13 3:00 pmThur. Dec. 17 7:30 pm
Fri. Dec. 18 8:00 pmSat. Dec. 19 2:00 pmSat. Dec. 19 8:00 pmSun. Dec. 20 3:00 pmSat. Dec. 26 2:00 pmSat. Dec. 26 8:00 pmSun. Dec. 27 3:00 pm
Christmas with Great Aunt, by Thomas Meloncon G/Musical
Previews: Nov. 21 – Nov. 25, 2009 Runs: Nov. 21 – Dec. 27, 2009
Sat. Jan. 30 8:00 pmSun. Jan. 31 3:00 pmWed. Feb. 3 7:30 pmThur. Feb. 4 7:30 pmFri. Feb. 5 8:00 pmSat. Feb. 6 2:00 pmSat. Feb. 6 8:00 pmSun. Feb. 7 3:00 pm
Thur. Feb. 11 7:30 pmFri. Feb. 12 8:00 pmSat. Feb. 13 2:00 pmSat. Feb. 13 8:00 pmSun. Feb. 14 3:00 pmThur. Feb. 18 7:30 pmFri. Feb. 19 8:00 pmSat. Feb. 20 2:00 pm
Sat. Feb. 20 8:00 pmSun. Feb. 21 3:00 pmThur. Feb. 25 7:30 pmFri. Feb. 26 8:00 pmSat. Feb. 27 2:00 pmSat. Feb. 27 8:00 pmSun. Feb. 28 3:00 pm
American Menu, by Don Wilson Glenn PG/Regional Premiere
Previews: Jan. 30 – Feb. 3, 2010 Runs: Jan. 30 – Feb. 28, 2010
2009-2010 Ensemble Theatre Production Schedule
Sat. Apr. 3 8:00 pmSun. Apr. 4 3:00 pmWed. Apr. 7 7:30 pmThur. Apr. 8 7:30 pmFri. Apr. 9 8:00 pmSat. Apr. 10 2:00 pmSat. Apr. 10 8:00 pmSun. Apr. 11 3:00 pm
Thur. Apr. 15 7:30 pmFri. Apr. 16 8:00 pmSat. Apr. 17 2:00 pmSat. Apr. 17 8:00 pmSun. Apr. 18 3:00 pmThur. Apr. 22 7:30 pmFri. Apr. 23 8:00 pmSat. Apr. 24 2:00 pm
Sat. Apr. 24 8:00 pmSun. Apr. 25 3:00 pmThur. Apr. 29 7:30 pmFri. Apr. 30 8:00 pmSat. May 1 2:00 pmSat. May 1 8:00 pmSun. May 2 3:00 pm
Stick Fly, by Lydia Diamond R/Adult language
Previews: April 3 – April 7, 2010 Runs: April 3 – May 2, 2010
Sat. June 19 8:00 pmSun. June 20 3:00 pmWed. June 23 7:30 pmThur. June 24 7:30 pmFri. June 25 8:00 pmSat. June 26 2:00 pmSat. June 26 8:00 pmSun. June 27 3:00 pmThur. July 1 7:30 pmFri. July 2 8:00 pm
Sat. July 3 2:00 pmSat. July 3 8:00 pmSun. July 4 3:00 pmThur. July 8 7:30 pmFri. July 9 8:00 pmSat. July 10 2:00 pmSat. July 10 8:00 pmSun. July 11 3:00 pmThur. July 15 7:30 pmFri. July 16 8:00 pm
Sat. July 17 2:00 pmSat. July 17 8:00 pmSun. July 18 3:00 pmThur. July 22 7:30 pmFri. July 23 8:00 pmSat. July 24 2:00 pmSat. July 24 8:00 pmSun. July 25 3:00 pm
Five Guys Named Moe, by Clarke Peters PG/Musical
Previews: June 19 – June 23, 2010 Runs: June 19 – July 25, 2010
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