The Elephant Man (1980) Review
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Transcript of The Elephant Man (1980) Review
8/3/2019 The Elephant Man (1980) Review
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The Elephant Man (1980)
d. David Lynch
The Elephant Man, directed by David Lynch, is based on the real life story of Joseph
„Elephant Man ’ Merrick. Set in the late 1800s
and shot in black & white the Victorian feel is
very rich through-out the film. Lynch brings the
viewer into the world of Merrick and they
watch as he experiences some kind of
acceptance into human society.
The film opens at a carnival were Dr.
Frederick Treves (Anthony Hopkins)
investigates a disturbance in the „Freak Show‟
tent. The commotion is under the sign ‘ The
Elephant Man ’ , a curiosity that Trevesbecomes determined to see for himself.
Although later he helps Merrick giving him a
home and the care he needs, Treves can be
seen as no different from the others who ogle
him, albeit his interest was from a scientific interest. It can be said that Lynch does this to
embed the question into the audience‟s mind „is Merrick ever not in a freak show?‟ Whether
in the tent, the backroom of a shop, the hospital or the theatre, Merrick is always separated
from humanity because of his deformity. Hal Erickson writes in his review „Alas, even after
being recognized as a man of advanced intellect, Merrick is still treated like a freak; no
matter his station in life, he will forever be a prisoner of his own malformed
body ’ (Erickson, NDG). In the hospital
Merrick comes out of his shell and
begins to speak with all the refinement
and manners of a gentleman as well
has showing artistic talent. When
members of high society begin to meet
him it seems just like the curiosity tent
again but disguised as something
nicer. Matron Mothershead (WendyHiller) speaks to Treves about it “sir, you
saw the expression on their faces. They didn't hide their disgust. They don't care anything
about John! They only want to impress their friends !” (The Elephant Man , 1980). Because
Merrick himself seems only too pleased for their company makes the viewer ever angrier at
their exploitation of him.
Vincent Canby describes it as ‘ a very benign horror film, one in which "the creature"
is the pursued instead of the pursuer ’ (Canby, 1980). It has the essence of a horror film as
the tension of the unveiling of Merrick is built much like the unveiling of a monster, however,
by the time Merrick‟s features are revealed Lynch has lured the audience to have sympathy
for him and see him instead, as Canby suggests, as the victim. One scene in particular is
almost unbearable to watch. The Night Porter (Michael Elphick) sells tickets to see „the
Figure 1 - Film Poster
Figure 2 - Merrick meets Mrs. Treves
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Elephant Man‟ to patrons at a pub. By this point Merrick ‟s humanity is well established to the
audience so as they watch the porter and his drunken crowd torment Merrick and destroy his
room the audience themselves feel helpless and speechless much as Merrick does. Canby
also writes „Throughout the film one longs for an explosion. That it never comes is more
terrifying, I think, than John Merrick's acceptance of the values of others is inspiring‟ (Canby,
1980). As Canby‟s observed the audience is desperate for Merrick to fight back andoverpower his tormenters but he remains the epitome of human gentleness.
Lynch perfectly captivates the audience into Merrick tragic tale and his life forever
being plagued by his deformity. Brian Webster describes the film as „a memorable film about
human survival and a powerful commentary on human exploitation‟ (Webster, 2004). As the
film ends with Merrick‟s final attempt to be human by lying down to sleep it feels like an
inevitable result to the exploitation.
Figure 3 - Merrick sleeps.
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List of Illustrations
Figure 1. Film Poster . (1980) From: The Elephant Man . Directed by: David Lynch [film
poster] USA: Paramount Pictures.
Figure 2. Merrick meets Mrs. Treves . (1980) From: The Elephant Man . Directed by: DavidLynch [film still] USA: Paramount Pictures.
Figure 3. Merrick sleeps . (1980) From: The Elephant Man . Directed by: David Lynch [film
still] USA: Paramount Pictures.
Bibliography
The Elephant Man , (1980) Directed by David Lynch [Film] USA: Paramount Pictures
Canby, V. (1980) the Elephant Man (1980) – Review . In: New York Times [online]
http://movies.nytimes.com/movie/review?res=EE05E7DF1731B32CA0484CC0B7799C8368
96
Erickson, H. (No Date Given) the Elephant Man (1980) – Review . In: Rotten Tomatoes.com
[online] http://www.rottentomatoes.com/m/1006527-elephant_man/
Webster, B. (2004) the Elephant Man (1980) – Review . In: Apollo Guide [online]
http://www.apolloguide.com/mov_fullrev.asp?CID=3741
‘Tis true my form is something odd,
But blaming me is blaming God;
Could I create myself anew
I would not fail in pleasing you.
If I could reach from pole to pole
Or grasp the ocean with a span,
I would be measured by the soul;
The mind's the standard of the man.
- Adapted by Joseph Merrick from “False Greatness” by Isaac Watts