The Cradle of Christ (Stabat Mater Speciosa): A Canticle ...
60
University of Dayton University of Dayton eCommons eCommons Marian Sheet Music Marian Library Special Collections January 1894 The Cradle of Christ (Stabat Mater Speciosa): A Canticle for The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas Christmas Sir John Bridge Jacopone da Todi John Neal Follow this and additional works at: https://ecommons.udayton.edu/imri_sheetmusic Recommended Citation Recommended Citation Bridge, Sir John; da Todi, Jacopone; and Neal, John, "The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas" (1894). Marian Sheet Music. 49. https://ecommons.udayton.edu/imri_sheetmusic/49 This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in Marian Sheet Music by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected].
Transcript of The Cradle of Christ (Stabat Mater Speciosa): A Canticle ...
University of Dayton University of Dayton
eCommons eCommons
Marian Sheet Music Marian Library Special Collections
January 1894
The Cradle of Christ (Stabat Mater Speciosa): A Canticle for The Cradle of Christ (Stabat Mater Speciosa): A Canticle for
Christmas Christmas
Sir John Bridge
Jacopone da Todi
John Neal
Follow this and additional works at: https://ecommons.udayton.edu/imri_sheetmusic
Recommended Citation Recommended Citation Bridge, Sir John; da Todi, Jacopone; and Neal, John, "The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas" (1894). Marian Sheet Music. 49. https://ecommons.udayton.edu/imri_sheetmusic/49
This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in Marian Sheet Music by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected].
HANDEL
J. F. BRIDGE. (\
THE
ONE SHILLING & SIXPENCE.
* ~~ 11111~11111~1~c1r,1111•artc•I
BACH
ORATORIOS, CANTATAS, MASSES,&c. PRICE .ONE SHILLING EACH.
THOMAS ANDERTON. THE NORMAN BARON. THE WRECK OF THE HESPERUS.
E. ASPA. THE GIPSIES.
ASTORGA. STABAT MATER.
BACH. GOD SO LOVED THE WORLD. GOD GOETH UP WITH SHOUTING, GOD'S TIME IS THE BEST. MY SPIRIT WAS IN HEAVINESS. 0 LIGHT EVERLASTING. BIDE WITH US. A STRONGHOLD SURE. MAGNIFICAT, THOU GUIDE OF ISRAEL.
~SU, PRICELESS TREASURE. ESUS, NOW WILL WE PRAISE THEE.
HEN WILL GOD RECALL MY SPIRIT. ]. BARNEY.
REBEKAH. BEETHOVEN.
THE CHORAL FANTASIA. THE CHORAL SYMPHONY (THE VocAL
PORTI.ON) 0
ENGEDI. MOUNT OF OLIVES. MASS, IN C (LATIN WORDS). •MASS, INC. RUINS OF ATHENS.
KAREL BENDL. WATER SPRITE'S REVENGE (FEMALE
VOICES). SIR W. STERNDALE BENNETT. EXHIBITION ODE, 1862.
G. R. BETJEMANN. THE SONG OF THE WESTERN MEN.
HUGH BLAIR. HARVEST-TIDE.
]. BRAHMS. A SONG OF DESTINY.
]. F. BRIDGE. •ROCK OF AGES. THE INCHCAPE ROCK. THE LORD'S PRA YE!<..
E. BUNNETT. OUT OF THE DEEP (PsALM 130),
CARISSIM1, JEPHTHAH.
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SIR M. COST A. THE DREAM.
F. H. COWEN. A SONG OF THANKSGIVING.
ROSALIND F. ELLICOTT. ELYSIUM.
ROBERT FRANZ. PRAISE YE THE LORD (u7TH PsALM ).
NIELS W. GADE. ZION. SPRING'S MESSAGE. Bd. CHRISTMAS EVE. THE ERL-KING'S DAUGHTER.
A. R. GAUL. A SONG OF LIFE.
G. GARRETT. HARVEST CANTATA.
R. M. GARTH. THE WILD HUNTSMAN.
GLUCK. ORPHEUS (AcT II.).
HERMANN GOETZ. BY THE WATERS OF BABYLON. NCENIA.
A. M. GOODHART. EARL HALDAN'S DAUGHTER.
CH. GOUNOD. DE PROFUNDIS (130TH PSALM).
DITTO (OUT OF DARKNESS), MESSE SOLENNELLE (LATIN WoRDS). THE SEVEN WORDS OF OUR
SAVIOUR ON THE CROSS. !>~~~l1Il~RS OF JERUSALEM.
]. 0. GRIMM. THE SOUL'S ASPIRATION.
EDWARD HECHT. 0 MAY I JOIN THE CHOIR INVISIBLE.
HANDEL. CHANDOS TE DEUM. ODE ON ST. CECILIA'S DAY. THE WAYS OF ZION. MESSIAH (POCKET EDITION). ISRAEL IN EGYPT (DITTO). JUDAS MACCAB./EUS (DITTO), bETTINGEN TE DEUM. UTRECHT JUBILATE. 0 PRAISE tHE LORD. ACIS AND GALA TEA. DITTO. EDITED BY J. BARNEY. 0 COME, LET US SING UNTO THE
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THE CREATION (POCKET EDITION), SPRING. SUMMER. AUTUMN.
WINTER. •FIRST MASS, IN B FLAT. FIRST MASS, IN B FLAT (LATIN). SECOND MASS, IN C (LATIN), THIRD MASS (hiPERIAL). (LATIN,) • THIRD MASS (IMPERIAL). •TE DEUM.
DR. HILLER. A SONG OF VICTORY.
H. HOFMANN. SONG OF THE NORNS (FEMALE VOICES).
HUMMEL. FIRSTMASS, IN B FLAT. SECOND MASS, IN E FLAT. THIRD MASS, IN D.
H. H. HUSS. AVE MARIA (FEMALE VOICES).
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N. KILBURN. THE LORD IS MY SHEPHERD.
LEONARDO LEO. DIXIT DOMINUS.
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E. MUNDELLA. VICTORY OF SONG (FEMALE VoICE•,.
C.H. H. PARRY. BLEST PAIR OF SIRENS. THE GLORIES OF OUR BLOOD AND
STATE. H. W. PARKER.
THE KOBOLDS.
PERGOLESI. STABAT MATER (FEMALE VoicBI).
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E. PROUT. FREEDOM. THE HUNDREDTH PSALM.
PURCELL. TE DEUM AND JUBILATE, IN D
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ROMBERG. ·THE LAY OF THE BELL. THE TRANSIENT AND THE ETERNAL.
ROSSINI. • STABAT MATER.
ED. SACH. WATER LILIES.
W. H. SANGSTER. ELYSIUM.
SCHUBERT. SONG OF MIRIAM. MASS, IN A FLAT. MASS, IN B FLAT. MASS, INC. MASS, INF, MASS, ING.
SCHUMANN. THE PILGRIMAGE OF THE ROSE. THE KING'S SON, MIGNON'S REQUIEM. ADVENT HYM1'1, "IN LOWLY GUISE." MANFRED. NEW YEAR'S SONG.
H. SCHUTZ. THE PASSION OF OUR LORD.
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]. H. MEE. THE LASTJUDGMENT. HORATIUS (MALE Vo1cEs). ¥2~• J#ifrsT1fJ,~~~NER. ST. PAUL~:~;!~JE~~%~)~· HYMN TO ST, CECILIA. ELIJAH (POCKET EDITION), E. c. SUCH. LORELEY. GOD IS OUR REFUGE (PSALM 46). HYMN OF PRAISE. A. SULLIVAN. AS THE HART PANTS. EXHIBITION ODE.
~~grEEN hflA~~ gm.GoF EGYPT CAME. FESTIVAL TE DEUM. NOT UNTO us. A. GORING THOMAS. LORD, HOW LONG. THE SUN WORSHIPPERS. HEAR MY PRAYER. E. H. THORNE. ri~tsi1&~1:'~f'Ji¥.f·¥I~:Jx~:· BE MERCIFUL UNTO ME. MAN IS MORTAL. VAN BREE. FESTGESANG (HYMNS OF PRAISE). ST. CECILIA'S DAY.
2~~w~~~.NG (MALE VOICES). HILDA WALLER. TO THE SONS OF ART. THE SINGERS (Female Voices). • AVE MARIA (SAVIOUR OF SINNERS). c. M. VON WEBER. •THREE MOTETS (FEMALE VOICES). PRECIOSA.
MEYERBEER. •MASS, IN G. 91ST PSALM (LATIN WORDS), • MASS, IN E FLAT. g1sT PSALM (ENGLISH WORDS). JUBILEE CANTATA.
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The Works marked • have Latin and English Words.
LONDON & NEW YORK: NOVELLO, EWER AND CO.
;1~.:~ c~~r~~!Jl. 136 CHATSWORTH Rnan
7
INSCRIBED TO THE
REV. GEORGE PROTHERO, M.A ., SUB-DEAN OF WESTMINSTER.
THE CRADLE OF CHRIST (STABAT MATER SPECIOSA)
. A CANTICLE FOR CHRISTMAS
LATIN HYMN BY GIACOPONE, (13Ttt CENTURY)
TRANSLATED BY REV. DR. NEALE, (1866)
SET TO MUSIC FOR
SOPRANO AND BARITONE SOLi, CHORUS, AND ORCHESTR.A
BY
J. FREDERICK BRIDGE, D. Mus. GR ESHAM PROFESSOR OF Musrc.
Composed for the Heriford Musi·cal Festival, I894.
PRICE ONE SHILLING AND SIXPENCE.
LON DON & NEW YORK
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Copyright, 1894, by J. Frederick B ridge.
""/
LONDON:
NOVELLO, EWER AND CO.,
PRINTERS.
..
3 6
NOTE.
"Giacomo da Todi-better known by his familiar name, Giacopone-was one of the great triad of Franciscan ecclesiastical poets : the other two being S. Francis himself and Thomas of Salerno, the author of the Dies lrae. He left a great number of poems, by far the most celebrated being the Stabat Mater dolorosa. This seems, almost from the time of its composition, to have become world-famous, and probably there is not a Church in whose breviary or missal it does not occur. But he also left the companion sequence, Stabat
Mater speciosa ; this the hymn of the Cradle as that other of the Cross. It was indeed known to exist, but was buried in such obscurity that Ozanam, in his work on the Franciscan poets, believes himself to have been the first to reprint it."-Rev. Dr. Neale.
A copy of this poem, published in 1495, is to be found in the British Museum. I have set the Latin of Giacopone's hymn as it originally stood ; but in adapting Dr. J. Mason Neale's version of it, to be sung in English Cathedrals and Churches, it has been absolutely necessary to make a few verbal alterations. These occur in No. 4, the words having been slightly altered and addressed to Christ. The ninth verse (No. 5), has indeed been left unchanged, but that may be without much strain imaginatively regarded as the request of one of those who stood beside the manger-cradle, and not in the light of a prayer.-J. Frederick Bridge •
, ,
THE CRADLE OF CHRIST (STABAT MATER SPECIOSA).
A CANTICLE FOR CHRISTMAS.
No. 1.-CHORUS.
FuLL of beauty stood the Mother, By the manger, blest o'er other, · Where her little One she lays :
For her inmost soul's elation, In its fervid jubilation,
Thrills with ecstasy of praise.
0 what glad, what rapturous feeling Filled that blessed Mother, kneeling
By the Sole-Begotten One I How: her heart with laughter bounding, She beheld the work astounding,
Saw His Birth, the glorious SoN.
No. 2.-SOLO (Baritone).
Who is he, that sight who beareth, Nor CHRIST'S Mother's solace shareth,
In her bosom as He lay : Who is he, that would not render Tend'rest love for love so tender,
Love, with that dear Babe at play ?
For the trespass of her nation She with oxen saw His station
Subjected to cold and woe : Saw her sweetest Offspring's wailing, Wise men Him with worship hailing,
In the stable, mean and low.
No. 3.-CAROL-CHORUS.
Jesus lying in the manger, Heavenly armies sang the Stranger,
In the great joy bearing part ; Stood the Old Man with the Maiden, No words speaking, only laden
With this wonder in their heart.
No. 4.-SOLO (Soprano).
Jesus, fount of life still fl.owing, Let me, with her rapture glowing,
Learn to sympathise with Thee : Let me raise my heart's devotion, Up to Christ with pure emotion,
That accepted I may be.
Saviour, let me win this blessing, Let Thy sorrow's deep impressing
In my heart engraved remain : Since Thou didst, from heaven descending, Deign to bear the manger's tending,
0 divide with me Thy pain.
Keep my heart its gladness bringing, To Thee, Saviour, ever clinging
Long as this my life shall last; Love like that Thine own love, give it, On Thy Holy Name to rivet,
Till this exile shall be past.
No: 5.-CHORUS.
Virgin, peerless of condition, Be not wroth with my petition,
Let me clasp thy little Son : Let me bear that Child so glorious, Him, whose Birth, o'er Death victorious,
Will'd that Life for man was won.
No. 6.-PRAYER.
All who love this stable truly, And the shepherds watching duly,
Tarry there the live-long night: Pray we that by Jesu's merit, His elected may inherit
Their own country's endless light.
Latin Hymn, "Stabat Mater speciosa," Giacopone (13th century). Translated by Rev. Dr. NEALE (1866).
INDEX.
No. 1...:._lNsTRUMENTAL INTRonuoTION AND CHoRus.
" Full of beauty stood the Mother " ( Stabat Mater speciosa.)
"Who is he" ( Quis jam est.)
No. 2.-SoLo (BARYTONE).
No. 3.-CAROL-CHoRus.
" Jesus lying in the manger" (Nato Christo.)
No. 4.-SoLo (SoPRANo).
" Jesus, fount of life still fl.owing " (Eja Mater.)
No. 5.-CHoRus.
" Virgin, peerless of condition " (Virgo virginum.)
No. 6.-PRAYER.
" All who love this stable truly " ( 011ines stabulum arnantes.)
PA.GB
1
13
16
23
27
38
THE CRADLE OF CHRIST. (STABAT MATER SPECIOSA.)
No. 1. INTRODUCTION AND CHoRus.-" FULL OF BEAUTY STOOD THE MOTHER." (STABAT MATE R SPECIOSA.)
• Andante p°::,torale. '-"'
Copyright, 1894, by J. F. Bridge.
J. F. Bridge-" The Cradle of Christ."-(1,)
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got ten . One! 0, 0 what glad, whatrap-tur-ous ge ni ti! O, 0 quamlae 1- ta et . . be -
~~~:~~~~~Im~if~~G~-·~~~~~~~~~~rt i==::E: ~· ± ~-
_L>.
got ge
-·-DL
:t-:J-
ten One! ni ti!
:~J. ::.0:: ::I
=t= =t=
0, 0,
0 what glad, what rap-tur-ous 0 quamlae - ta et . . be -
~~ J. c
mf
0 0
feel - a
~· :::rz:
feel - a
_r,t; .I':: .._ -.,. = what glad, what rup- tur-ous feel ing
ta quamlae ta et . be - a
what glad, quam lae
X IX X ~ IX~. :;;<: JC. :..: ~-~ !...J~ ;I'• ---~ ~ .._
what rap- tur-ous feel ta et be-a
,, feel
ing ta
ing
-=
-==
-==
Filled that Fu - it
Filled that Fu - it
f
Filled that
J_---.J_
-1.i"--'-
bless ed il - la im-ma - cu
± I
"" I
bless ed il - lei im-ma - cu -
J,..-...... I
~·--~ bless ed ing, what rap- tur-ous
ta, quam lae - ta be a ta Fu - i' il - la im-ma - cu -
~·
ing, ta,
--· ::!::
what quam
r IC
~~~Ji ~f~ ::!:: t:: ;z:
=~ ~-:-:---_.l_ _._ -~
rap lae
tur- ous feel - ing Filled that ta be - a - ta Il-laim-ma-cu-
J. F. Bridge-" The Cradle of Christ."
,..-" . _L}_
*x JL •
JV Mo -
- la . _L}_
i~ rv v•.
Mo -. la .
l~:kl? ~· :::"".'.
li.T
-G>: • · ::rz: ~..!".:
.
_L}_
~l'L w:
Mo . la -
7C..
Mo .
la
~.;
.
One! ii !
One ! ti
One ! ti!
::s; ::E ;;;;::;: •
One! ti I
9
. ~
:B: E: ::;;; ::E: . ~ ~- . . .. ., -ir .,. ... ther, kneel · ing By the Sole Be . got . ten ta, Ma . ter, Ma - ter u ni - ge - . ni -
/\ .. ~~ --!o:l- -l /:'., ~ u.. • """". -.. t .. -·-· ---· -e-·
ther, kneel - . ing the Sole Be . got . . ten ta, Ma . ter, Ma · tei· u . ni . ge . . ni -
. .'l!J!.J_ ..A.
W--· -;QJ:J ~~ ::E: :B: ::E: ::B: ~· ~· ~ ~ . .L · ~
ther, ta,
7C.
ther, ta,
. .. -·
::B: ::E:
...
~
kneel · ing By the Sole · Be . got - ten Ma ter, Ma · ter u ni . ge . - ni .
'P'P
63 :B: :::.....: ~· G>.
-~ . .
::i:: I Hy the Sole - Be - got · ten Ma . ter U· ni · ge - ni .
/\
. .. ~- = J:::
P•~-•: -•: "q>l• -·-~"':== 'II~·
~#f ~ ---· --0-· pp .ii.
--!o:I- = . ~· --- .. _.._. . d · --.-. --.- -,,-- -~. -..- .
E ff. -----_.,_ -lo<. -;w: ~· ~ --1".. _jti=;: '.:!(_ .IL ~3!: lJIL. ~· JC ::6 ~ ---~ ::i::
1 -lZ~ ~ :L .Cif---..-. H ow, her heart with laughter bouud- ing, She be · held .. the work as . Quae gau· de - bat et ri . de· bat, Ex . iil ta bat, cum vi -
J' I tJ How, her heart with laughter bound- ing, She be · held . . the work as • Quae gau- de · bat et ri . de • bat, E x • ul . ta bat, cum vi -
L . .J. "'· • -.·-== -IP ~--'"-I~ ~I JZ:JC. !: J:: ~
T ~ ~
How, her heart with laughter bound· ing, She be · held . . the work as -Quae gau· de • bat et ri · de - bat, Ex • ul · ta bat, cum vi
f --;:- - ti' --------- ~ .... ~ -~· ~· n._ lo! . -t.,_ • • -b•_,. . ~ :E: ~ ~ ~ "¥ ~ _r_ x--±1- I ~+=fg
How, her heart with laughter bound -ing, She be - held . . the work as -Quae gau- de · bat et r i - di - bat, Ex - ul ta bat, cum vi -
J. F . Bridge-" The Cradle of Christ."
-----....,
tound de
tound de
l7!=1¥Cf). '~ . o.J
! - tonnd
~ - de ---
~--· I
r . -
...
. -
~I
I
ing, bat
ing, bat
qt ing, bat
10 p ..
.., !
Saw His Birth, Na - ti par - tum,
p_-==~-Saw His Na - ti
Birth, par - tum,
-=== ===-p_~. ~.
.., f-- t: I
saw His Na • ti
·~ saw His Na - ti
-=== ~4f? =J r · rttf
Saw His Birth, saw His Na ti par - tum, Na - ti
' . ~i-· t ~· J r. I 'L -= ===r -==
·~~-.--..--~~,·-r.~E"~IF~.o~--r·~,~=J~Ei@g-__,-~~~~-~~
- tound - - - ing, - de - - - bat
~ . . . 'I
ritenuto.
~~: Birth, par
Birth, par
_a_ _, cres. ::iz: ;=1
Birth, par Creij.
a•
Birth, par
the tum
the tmn
glo in
glo in
-i---t-~· •
the tum
-&:·
the tum
glo in
=· = glo in
Saw His Birth, Na - ti par • tum,
saw His Na - ti
, ::-...._! ~ I -....,
~L. ..Ill_ i'. . '- , "-~ . J' b j r · c I fc _==:°F
'?'=-~---p I ~ iJ_" _J_. ' ~·. -19- ". -"- • _,,__ • . -Tr. _}::: - ~ _..- ' :1::2:
I I I
rious cly -
rious cly
:.: :
rious cly
rious cly -
a tempo.
Ir· Son. ti.
Son. ti.
ff :;;:;: :
Son. ti.
if I
Son. ti.
·..., ____ _
-----+-
-P-·
b·
J. F. Bridge-" The Cradle of Christ."
F p~ I r 'j r :1 'j .
Full of Sta - bat
LI!.. no. --,j-
Full of Sta - bat
11
i 0; ·
beau Ma
~o- · beau Ma
-~· ter ==-~~ -== _ .. _ri~==±F
_J: .,,!~
Full of beau - ty stood the Sta - bat Ma te1· spe - ci -
~t! w r 4 r 'jp~ @ d-: - 'J: Ii: 4)
Mo 0 -
---· d .
th er, sa,
---===- =='-'
ere.~. -= sf ,,-.....
-~~
ft:ll of beau - ty stood the Mo - ther, By the sta - bcit Ma - te1· spe - ci o - sa, J'ltx- ta
• • • --- ...... -·-stood the Mo - ther, full of b~ - ty stood the Mo - ther, spe - ci - o sa, sta - bat Al a - ter ~pe - ci o - sa,
:::::;::==- __.:.., '-' -= ,,. - ··-·- _cres·-~------§' ?-
Mo 0 -
ther, sa, '-'
I J.
' . , "- "1 r "1 IL . • • iil=::c:::: . ==a.. ' .____.,,
full of beau ty stood the Mo - ther, sta - bat Ma ter spe - ci o - sa,
cre!J.71sf __ ·_zm==== J ~: ~J_ . J J5 J :!3a=J '1 r :iJ
J. F . Bridge-" Th e Cradle of Christ." Jl
12
~ ==- '!1'11 --====== r.:-.
~ E ....
~·=· '4 - 3 . JC.• :...:· ± CSI
~ ·=· . :;;;;< · ::I: • [V - -.- l~I I :,.. T -• ' I
man - ger, by the man ger, bl est, blest o'er foe . num, jux . ta foe · mim gau -di 0 - sa, gau • di .
l±Ll!: ==- '-" ~5 ~h '4 ~~1 @: j fl& :-. J ;. l •. J 7 j . Ir J@ . .: i
i5 --~ . ---• - ---- 1 I ...... __,, 1 I I :,.. \.'../
By the man-ger, blest, by the man · ger, blest, . . blest o'er Jux-ta foe num, jux-ta f oe • num gau - di -o . sa, gau · di .
:ft 'f1 I A ' J_==- '-1 pp :z h ...... -. ~-~--= · ~-~ IL• 2..• .R..• __.__.
= · · ~~ . . r8 T= t T
"" \.'../
_ ___,_·
By the man - ger, the man - ger, bl est, blest o'er Jux . ta foe - num, foe · num ga1i - di- o - sa, gau - di .
-""- ==- '-" 14 : ~ ... ~:::;;;::; E~
= . I
By the Jux, ta
~1=J. ff ~-f • I t"" "1~ - --
'- iii' l...W
~ :., :J :=qff 1
l:®8!: _._. _.._. _J. _h,J_ ;
'
E ::B: ::!'.:
___,, rail G it -k :z ::a:.:iz: ~
~ ~· 19 -U-• --.-0 - - ther.
- 0 - - sa. r all.
1 ~i I 1 ' rsl --- ·-..- . ~...,.
I
0
0
rall.
0
0
-U-· ther.
sa.
~ ·
ther. sa.
E
t
ral,l.--= ====-
....
"1
:@lit; J-== j . lj_: t "11 0
0
ther. sa.
I
-
=
-
. . --.- . I I I L r-•u · ,~· .. . . iii' I I \.'../ blest o'er ' man - ger, b est, .
foe-num gau-di- o - sa, gau - di -
~: J·:-Q-J· 1: I .,d: I I -· ...... ·a· ...... - ~r· _ .. _ . ---·
. . . ~
'-"
=
'-"
I -
==- 'PP Voices alone.
E ::B:
U• .. .. .-. ~\.'../
= [H_q~ ~
I - ftqf
BAss Sow. 11if
i1 "1 1"1 r ~ Who is Qui.sjam
J . F . Bridge- " Th e Cr adle of Christ ."
..
13
No. 2. SoLO (BARYTONE).- " WHO IS HE." (QUIS JAM EST.)
he, est,
that sight who bear qui non gau - de
·19-
eth, ret ,
::==- cres.
-e-
lay: . o?
eth In her ho - som as He lay, ret In tr.in - to .~o - la ti o ?
....
·cf cres. '-"' 3 3
in in
J
Who Quis
mf
Nor C~·is
Christ's Mother's so -lace - ti ma-trem si vi -
. her ho - som as .
. tan-to so -la
3
. He ti -
is he,that wouldnotren - der non pos - set col - lae - ta - ri,
1 ~-===-- !-+---1--1 "'ffltf F R::Etf 1 =
@~~~~~~~~~~~~~
for love - ti ma - trem con
so ten der, ten - d 'rest love tem-pla ri Ghri8 - ti ma
. for love so ten - der, trem con-tem-pla- ri L11 •
1-i:;;:t ~ -v-....___;d
J . F . Bridire-" The Cradle of Christ."
dim.
@~ c
Love, den- tem
14
pp -=== rall. a tempo. -i+a=gpr· s 1 r) · I ,. ~
with that dear Babe at play 1 cum Fi li - 0?
mf ..
r £ftj For the Pro pee -
J- 8 r fi
---==-... _. 1 1 k r
tres-pass of her na - ti on She with ox - en saw His sta - tion - ca - tis su - ae gen - tis Ghristum vi - dit ciim jii-men - tis
Sub Et
cold sub -
Wise Va
and woe: di- tum;
Saw Vi
men Him with wor - ship hail gi - en-tem, a - dor - a
her sweetest Ofi~spring's wail dit su - um dul - cem na
_,,_.
l _r _r __ PF ..... F I r .
ing, tum
In Vi
i llH~· --¥=t;::4 -::+ ----J. F. Bridge-" The Cradle of Christ ."
ject- ed to al-go - ri
ing, tum,
~~ m:: cre8.
the sta - ble li di - ver •
it
mean and low, - so- ri-o,
--=
15
===-
in vi
'-" r.--- -==I Tempo Imo.
and low. Who is ri o. Quis jam
-== ===-
Nor Christ's Mother's so-lace sitar - eth, In Chris - ti matrem si vi - de - ret, I n
he, est,
T empo Imo.
--...... ..... .... If I I r
her bo - som tan - to 80 -
.... ....---.... ...
the li
sta - ble di
,...---~
ver
that sight who bear-eth, qui non gau - de - re,t,
tranquil lo. 'P'P ..--...
I e ... ·---~ r Cl I=- U--- - 3 -
as He lay, in . her la - ti o? in . tan
rall.
'-"
bo · som, - to, . .
in u . her bo - som as He lay. in . tan - to so la ti o?
'-"
J . F. Bridge-" The Cradle of Christ."
No. 8. CAROL-CHORUS.-" JESUS LYING IN THE MANGER." (NATO CHRISTO IN PRAESEPE.)
I Allegro moderato. • ·= ~-8_4·---------.
PP very smoothly.
" ?-' '
" -6-" I
ly - ing • in the . . Chris - to in prae
very wmoothly. ,---·~------....-.__
.. ---Je Na
SUS Jy ing to GhriB - to
.fr" I
man - ger, Be pe,
.. in in
the . prae
Heaven - ly Goe li
...__. ---·
ar -ci
mies veB
-------.. _._. ~ man - ger, Heaven - ly Be pe, Goe li
{~~. ~ - tz:W· :.~1~; JJ.. J. M~h!a fi7 r' I I ~ i I • I ~ I ~ ---, -· ~ I • ...___ .,_________ "----~
I _1' ~- _J_.
-e-· I -·· I
J . F . Bridge-" The Cradle of Christ. "
17
~ cres.
~ :x H ----==I == ri· :;;;[· "311._~ IW· :I: ·
__._ 41.. . :::"".'. - _r ..¥ ::""'.: :v .. sang the .. Strang - er, In the great joy bear - ing . . can . unt . . lae - te, Cum .. im - men - 80 gau . di .
:ft ~ ~ ~ cres.
:.ii: :x ± ?JC.· ...,.____ . ± .
fi.T ...__ . . ...__ ..... -.._..,. ~
'---ar . mies sang the .. Strang - er, In the great joy bear ing .. ci - ves can - um .. lae - te, Cum. im - men - 80 gau - di .
~ cres. ;;;:;:::::: - I - I - I •':-- I c c I r ~ ~ '• s r.
I I fi.T In the great joy bear - ing Cum •• im - men - 80 gau . di .
cres. . ::ii:
. --.• 1 . . ..c: iz:
. In the great joy bear . ing Oum . . im -men - 80 gau . di .
,,. _l _h_ ' _ll_ = _J_
:E!.: ::l3: . . . . . ::a. ::ill[• ' . r\W- . r . . =· I-.: { ....-I ~.....,_ ~:..: 1e.1 I i;;;) r. I I; I ~ -·-· ~-' ... '-- I cres.
~
...,
--e-·
=· part,
- o,
part, o,
part, - o,
part, o,
. l~~-- -e-·
. i I
7- ::ii:•
the great
.
joy im - men - so
--= - "¥:_ x
--=-~.,...- -- +· ---+· in the great joy cum .. im - men so
in the great joy cum. im-men-so
-==
: I Jl . . \
~- ~-
bear · ing . gau - di -
--e:· part;
o;
~
bear gau
~- -ing di
-e-· part;
o ;
bear - ing . . part ; gau - di - o;
J'I J. l I J. j. in cum ..
the great joy im- men · so
bear ing -gau - di
J. F. Bridge- " The Cradle of Christ.•
part; o;
=· ~-
. ~ 'P'P -----=-
Je SUS
Na - to
=
13J. Je
Chris -
'P'P
18
J'L ~= :;;r:. :if: ~ ~ :I
~ :;;[ :JI[ •• :Jr.:• :~ _.__ ~· _.__ . _._
:JI[ . ::z: :::""'. .~
'7 ::=:
ly - ing in the .. man - ger, Heaven . ly ar mies sang · the .. Chris . to in prae - se - pe Coe . li ci ves can . unt..
_a_ ~ ~ ~ ~
~ ± w •· i ::;;r: :L• _._ . . -.-. ~ ..__:: '-.-. -· ---· .. ....___ J e . SUS ly - ing in the . . man - ger, Heaven ly ar . mies N a - to Chris - to in prae se . pe Coe li ci . ves
--ft P'P :E - :y rs;: g [lb_ = . :c. . -IL • ~
w :::""'.: :JI[
J e . SUS ly . . ing Na . to Chris . . to
12: """"" ::z. _._ . _._. _._ . _._. . :.L. JL .
-L
. SUS in the man - ger, Heaven . ly ar - mies - to in p1·ae . se pe Coe - . li ci - ves
,. _l --""- ' ,.. ' -..._
_/"'L~ ' _!:_ ~· i~ . . _._ . . . :l · . .. ~.t . . 1· ~ --- ·
. lo./ r_ . T I ~ i ~ . I :,.. r: . i i :;. i _, 1, ~I '---- __../
,..---.... I )::_ ~ . --- . ~ J' I i Jg I '.t'J J '.ti=:==:i-. f . ~ . . .
-e-· I
-o-· I
-e-· I
-a-· I
_a_ ir K cres.
at-=~ = . ~~ :c
:if:~ · .
~ . .. ----i i
r8l ¥- _ L.
Strang - er, In the great joy bear ing part, lae . te, Cum. im . men 80 gau di - o,
l=d~. ~
cres.
Lf8~44¥g; J t i l ~~d@;==El:f=r=t ....___ -·· ......._...,,,. -=
sang the . Strang - er, In the great j oy bear . ing part, can . unt . lae . te, Cum .. im . men - so gau . di . o,
c1·es.
~ -~ ~- -~ I J. I -=- ' b; I i'r. !1ETI r r . r i f 1 I ·-__ ;' .
ti' in the man - ger, In the great joy bear . ing part, in • . prae . se - pe, Cum. im . men - so gau . di - o,
cres. ~~t. ~ J . I~ Jjj J. J l pgJ . ~J fllEEt . I -=
sang the Strang er, In the great j oy bear - ing part, can - unt lae . te, Cum . im . men . 80 gau - di . o,
K fl
r:±fc= 1~4Whl rs=
I~-,,_ ::;;r:. ~ ~-
T ::lll[ ~ )!14i. . . ... .. .,..,---· (---·
' ~. cres. J_ Jh._ . ,ad -e-·
:I :""' :E . . . :I • ....
-..ri- I ~- ~ r:· J . F. Bridge-" The Cradle of Christ .'
19
;q J. r· I EB ~ 1 rr in the great joy cum .. im-men-so
in the great joy cum .. im-men-so
in the great joy cum .. im-men-so
in cum .
the great juy im. - men - so
bear - ing part. gau - - di - o;
bear - ing part. gau - - di - o;
bear - ing part. gau di-o;
bear ing part. gau - - di o;
{~I~ ~~~11, @=\l19--. I --. : •
-11.
=~~:ii: ::x r'Sl A:• A:•
::E: :B:
fJ -,,- -.- ~ ~ ~ ~
Stood the old man with the mai Sta - bat se nex cum pu - el , b A
p
J. F. Bridge-" The Cradle of Christ."
',..--... I 1....--...
9'-- --1
Stood the old . . man Sta - bat se - nex
#llL!._- -IL=
den, stood the old man la, sta - bat se - nex
Stood the old man Sta - bat se - nex p
@@± FP· J:¥t Stood the old man Sta - bat se - nex
20
~ cre.s. L pp .J£
~ --"1: ~ JI_ ... _. -b_ :E: ~ ~ ...!:i. £ .=. .,
.JI... ..... ..... :Z• :Z· Iv JL. -= -= =
with the mai - - den, No . words speak -cum pu el - la, Non cum ver -
fr_ .cres. pp ± z E ::s: C'>:::i.: :E: ::E: :E: = :Z• :&• :& • e· =t lt:T ,,,. :I ...,,.- ~ -= ~ -=
with the mai - den, No. words speak -cum pu - el - la, Non cum ver -
_ll._ cre.s. 'PP . . ..:: ::!a: :E = =r:
rni . ~- = · ::""'. :!"'. = rv -with the mai - - den, No . words speak -cum pu - el - - la, Non cum ver
ere.~. pp...-..._ : JL• JL• JL• t . ...
" with the mai - den, No. words speak cum pu - el - la, Non cum ver
L _,.. l ..b..:l ~ -'°" i ~
~_._ JL ~- ~ ~
~- _._ ~- ± I !!- -= Dl: • JC. . ~- . . . . JC.. :::i::;:· ~- . ~ It.I " i I -iri ~T
~
'-._./
C'res. pp ,......._ ___
--· ~~- .....-..... f
. ::::: ::""'.. _._. . ...IL.• .
• i.;_. :i=:
• I• ::I: ~ :I• .:::::'. :c'.[ ¥
~ -:Z-
:;;;[. :E: ::!a: -!d. ::s:
flJZ ~-::""'. ::""'.
ing, -- Oil ly la den with . . ho, nee lo que la Stu -
_ll._
~ ~ :E: :'3: :E: ::s: :E: --: ~:
_.,,;_. :&• :.:: . .&• -=· ~--= ;=: -= ..:::::: ::""'.
ing, ly la den -:-
on with .. bo, nee lo que la Stu -
--"..
~-~ ::s: :E: :E
:00::• :E o..I -= ::""'.
~
ing, on ly la den with .. bo, nee lo que la Stu -
,...-..__ ,..--..._ JL•
:E = ::s: JC.• ::I: . Z• =· - ing, on ly la den with .•
bo, nee lo que la Stu -
J_~ l :fr ~ _j_ - ...L - _j_ _I!.
J ~·
::'.i;: ~-::r:~: :I ~-~
.&· .IL~;_._ -= JC.E=: -= =· ~ =· iv
:.=:: = · =· = · =· r · .... :..-r r T ~..._____,
(=: :I• :I ... :¥ []; :::u;: ~ ± ::;,i::.
1i :::n:: •
~: ~- ~- ~-J. F. Bridge-" The Cradle of Christ."
21
:ft. ~ ::;;::. =-· =· w~ ~ ~ --v=
this won der in pes cen te.~ cor
1-i}. :::::r cw: "7'I':
rv v ~~· this won der in pes cen tes cor
:ft. ~
~· ~ ~
I'-'" ~ --;;:: this won der in pes cen tes cor
,,......_ 'P'P :f.=- · =· :s
this won der in pes cen tea cor
11.=, ~ ~ - , .... ""'-
{ ::iz: .J. • I :::i;: . • :E• ~ . ,~~r:· ~-19· ~= I ·-.19-·
I I
'P'P ~ · •..!"-
:!!.
~· ~· -et·
__, M ..a.
97""
..ll.
~
IV ....,,.. ::;;[• ~
::Z:•
with this won stu pes cen
~ IJl: = = ,~
= =
...a. M ----------~ :J..• --- --_,,-.
I'-
4 · -e-· ...._ _____ _,., g·. -e-·
J. F . Bridge-" The Cradle of Christ."
.. +:=e~-7
their heart, di bus,
:::;;:. "::::t ·
---· -.-. ~· their heart, di bus,
.+· ::;- . =· ::i=
their heart, di bus,
<'. . ~ --their heart, di bus,
~= - ~ <;;;;[. ~· ::::: . 7: _;•· ~·
I =
.;; . :J-· ~· ..._...
7 . der tes
=
= ----
.J_ ___ .J....-1 __ - ·-----~.--'-~. "31"_ • 7.:_•,_. -----'-i.- ! ...... _...... , -
1=-~. I. ~g
22
~: = 1~1 J ti i I )j. I - I - I I~ . . e, ·
in their heart, cor - di - bus,
_..o_ --== t+- --- r J J'l:J. I I - I J. -p •w J. j. J. Iv ....._,,
' 7 in their heart, with this cor di - bus, stu - pes -
i*: _'I!'/!_ - . llL2i': • ~· :;;;;::. JL• ~
1v- ' ::"'.'.: ~
with this in their heart, won - - - - -
C01' di - bus, stu - pes - cen -. - - - -pp ..-...
I~---_,,_. ..IL ..IL
s; .J.t._ . . :::i:: . in their heart , with this coi· - di - bus, stu - - pes - -
J3Ml-+?Tltft{t$1 -~= · i=jt:- I ~ : · ''¢: .. EE I ==-- --,r . -.-
I '- I 'PP ,,,__
~..J ~-l· J2J r-. '_J_..-... _d_ --= l _1 . _._ . . : JL• ::=::: ::=::::
=· :::i:: :e . 2:·
T =· ~ T I T T
~ rall. molto. a tempo.
~ . ~ ~~,~ -~ - I E. I J. I J,. I ,J. p ~ . ~: -
with this won der iu their heart. stu pes - cen - tes cor - di bus.
~ r ·all._molto.
rv :::i:: . . . ...__ _ ____, . '-won - - der in their heart.
- cen - - tes car - di bus. _.l}_ 1·all. molto. pp
ru ... ~· . n . :z.• ~· ~ __._ ::=::: ::=::::
v ::=::::
- der in their heart. - tes car - - di - bw;.
rall. molto.
~- I ~~ . ~- IPPJ. I ~~ . I ~3. p J. --;:: > '
won - - der in their heart. cen - tes cor - - - di . bus.
J_ _J_ ----.
:fr: I :;;;[ ·
~
~ 7-[
w JC_ ·=a, ::=:::: 3/C_ . ~
..,_ . _;,,s_. i I ./ -... _;~
=-- ralt. molto. pp a tempo.
J . '~ · 1..-... 1 J'I j: j: _J_ . I J. t @Ep . I a=
.,,_
I er: p =---i . e: I ,
T ' I
{Jaj ': . ..J
-;-
J. F. nr-d;p -" The Cradle of Christ ."
No. 4.
23
SoLO (SoPRANo).-" JESUS, FOUNT OF LIFE STILL FLOWING."
Lai·go tranquillo. (EJA MATER.)
- - -E
me, with her rap - ture glow sen - ti - re vim ar - do
ing, ris,
Thee, am,.
learn to sym - pa·thise Jae ut te - cum sen
Learn to sym - pathise Fae ut te - cum sen
with ti
Thee: am!
-19-
J . F. Bridge-" The Cradle of Christ." 1
- ----E
with ti
t . .;.r
24
I' .. ~
Let me raise my heart's Fae ut ar - de - at
de - vo tion, cor me - um,
Up In
to Christ a - ma
with pure e -tum Chris - tum
That ac cept - ed I may be, Ut si bi eom-pla - ee - am,
ac -si -
~'~~~~~~~l~F
1 ~-raU.
_(@~v e r
~1 ,J J ~
'~a r- I I ! r; 44 ~ .. ......
o- f
I~ :::t: -·
Bf,( un poeo animato.
Sa-viour, let me win this bless - ing, Sane - ta Ma -te1·, is - tud a • gas,
,J. F . Bridge-" The Cradle of Christ ."
~-
?.-:::==:::=:::::=:::::;-•-
Let Thy sor-rows deep im Pro -be in - tro - dii - cas
---!-~* ! ~ . press · mg p/,a . gas
1 ;(r· In my heart Cor - di fix
25
en-graved re - main, as va - li · dP.,
Since Thou didst, from heaven de - scend · ing, Tu - Na · ti coe - lo lap - si,
= una corda. 1-P tranquillo e tempo lmo.
r @l~t:
-=== sf
rall.
17~ in my heart en-graved re cor . di .fix · as va • li ·
... ....
....
Deign to bear Jam dig - na
~
r +~: -o··
........... rall. -====-
the man - ger's ti foe - no
'---·-----
::==-
0 di · vide with me Thy pain, . . di - vide with me Thy
pain. de.
- ci, Poe - nas ine - eum di - vi de, . poe-nas me - - cum di · vi -,...--·----!
---------. .J_.
ral,l. D p A a tempo. /\ /\--...
=:=iii= _ _,
Keep my heart its glad· ness Fae me ve - re con - gau •
( cill~~ 1: .• gf+§fi abJ ~-n 1 ....-=w .rm r~ --'1~-- -- rq4Jn~~ .... q -- ::~~ PP una corda._ l p -== 1 1 1 1 ,.all. ! a tempo.
~! _J ~ J J J J I _J • J J ; J I _j J ~ J ~J_J_ffi~=~=--==::_,_f==_ -===--==-___,_=
J. F. Bridge-" The Cradle of Chri•t."
3 -=
--ing, To Thee, re, J e - SU -
"
26
f_ . 3
Sa viour ev - er cling li no co - hae - i·e
ci·e~.
. •-·ii! __
ing, Long re, D o
cres.
as nee
~~_:::::::-~_~.,____:_;__~F=~l+--e __ , _ _._..!$.__.;,,__,____~ ______ ; ps ff?r ~ this e
my Life shall last, go vi - ve - ro,
Love like that Thine own love, give In me sis - tat ar - dor tu
it, i ;
I -.-
On Thy Ho- ly Name to riv et, Till this ex Pu - e - ri - no . Jae me cu i, Dum sum in
/\
f±t_I e· ex ile shall be past. in ex ; i - li o.
ile shall be past, ex - i - li - o,
-e-· I
J . F . Bridge-" The Cradle of Christ ."
-= ===-
till this dumsiim
27
N o. 5. CaoRus.-" VIRGIN, PEERLE SS OF CONDITION." (VIRGO VIRGLVUM.)
[
~ Allegro rnoderato. 1st SoPitANo.
~4 - = - = [i7
IL~-"= 2nd SOPRANO. ±-= = ~ ~ ::a:
[i7 Vir gin, -
ALTO. Vir - go _fl_ rr
::E:
~~-4 ~ .
Vir - gin,
TENOR. Vir - go
·"" =--i:: ~- .A. ~1- -=-t..I
Vir - gin,
BABS. Vir - go
.~:a: ±-== = = = = 2.• :!!" ::.£'. ~ Vir - gin,
I Vir - go Allegro moderato. • = 96 to 104.
~ fl~ · ~ ~ J$LJ ~,=1~ ~ ~ ~af~i ~:71~'$ ~ :g.._....:;: -+ :g -,,- ~ - - -
f I ~ ~,-=-
-6'- -· --...._....
Ji
f
Vir Vir
,J. J I J
gin, peer go ver
I
J I ~~ F I &.J
less . . of . . con - di
I d.
t i on, ra,
I
r ~
gi num pra~
~,,__~-~........,,_..--~Jf-t--J+--+,]-Jl--+l--+2-4--1 --<-J- -.._..J l --+6--<-1-'~~-=Jl-J-1--j~, -...._.... ·----peer
vir less, . . gi
peer - less . . of . . con - di - t ion, num, vir gi- nitm prae - cla - ra,
.Be Mi hi
d -6i- • __./ peer - less of peer - less of con - di vir - nuin vir gi - num prae-cla
vir - gi - num
not jam
~br3-J-f 0 I J l ... peer - less, vir gi
peer num,
less, peer-less of con - di vir - gi - num prae - cla
; @+&¥i Fo~ rl
J. F. Bridge-" The Cradle of Christ ." c
28
_L'l_ ........... ,jjo. ff _a_ • --~ -~ -- JC.
~ ' :u. :...'.'.l <SJ IS> £ t..I +:::= _L
Be not wroth, be not wroth with my pe Mi - hi jam, mi -hi jam non sis a -
§!% ~J ~J [F· ====-~ #z~,=r·; #J -1 I E-=~ r J - r .•l " w~th , with my pe - ti - tion, not wroth, be not non, non sis a - ma - ra, 'JWn, mi - !ti
..LL -ff Ir ::z: . ~ ~ ' (07 " '1'
,, ~ . ti on, Be .. not wroth, not wroth with my pe -- ra, Mi- hi jam non . . sis Lwn sis a -
fr =-=--h ~ 2: . ;;;:J• ±
w== ~ :::"
di - tion, Be not wroth, not wroth with my pe - ela - ra, Mi - hi jam .. ;ion, non Bis a -
1i: ff I I . ~ '.:11 :.IL. ~ ...... -"-
- ti on, Be not wroth, not .. wroth with my pe -- ra, Mi hi jam .non, .. non sis a --
I I I " I \
~~ aj #:J I ;' ~ft, ,~- ~ I ~: F l;j a ~ #H: -6'- '-I I I -<
i.I _J_ I _!.i_ ....--..._ I J_ .ff_Q_• -61- -15>-• I _illl_ _Q_ _Q_
':Q'•
l ::s • :::rz: .
dim. eres.
I _.-._
.,,. -2- -f JL --=.
~ "!2 p ;:::
lif 2.. 2..
- ti - - ti on, be not wroth with my pe - ti - ti on, Let me - ma ra, mi- hi jam non ·Bis a - ma - 1·a: Fae me
fr ::h. ":J!: -==-=-
~ = · ..d ~d j f? "16' -E din1. ~ -J. .e~es .. w: :e:. IS> ::z: 2:
u:~ wroth with my pe - ti - - ti on, pe ti - tion, Let me jam non sis a - ma - - ra, a - ma - ra: Fae me
~ rlim. eres.,..-=o =j J &JJ 1£ :f'. ;;;]
~ w ::z: ::::::: Jc. -. .___,.,. - ti tion, be not wroth, Let me - ma - ra, non sis a - ma 1·a:. Pac me
JR dim. ,~-§~ IS> 1¥7r r I IS>. r I r r z]~ I ere}
- ti - - ti on, be not wroth with my pe - ti - tion, Let me - ma - - ra, mi- hi jam non sis a ma - - ra : Fae me
_'!!_ -==-~ :;;::;: . ~ jfi
cres.
~l ~ t;J ~F~ cr: ~ ~ ~2 ~..a: dim;
- ti - - tiOn, be not wroth with my pe ti - tion, Let me - ma - - ra., mi - hi jam non sis a - ma - ra: Fae me
-Fr·:~ I ~ ~
___l_
I pj q(J a¥W-r~ I ~· ~ I I=~ p 0 "-"--.....__1 I I I --.._,., i I .___,.,. ' .__., I dim. p cres.
,_Q_ ..Q_ _Q_ _Q_• _._ ..p~ ..P- 142.. -6>- .JJI_ -=-1'.<::. =.--<Sl====:J: ii ~.:!!-= • : ~ ::E ' l
J. F . Bridge-" The Cradle of Christ.''
29 _LL f",..,,~
":'/!: A
~!L:= = = = ~ ~ = ~ :J: [V clasp thy lit tle Son.
Lpar - - vum ra. - pe re; _ft
"1!:. -"-I~~ ,,,: ft = = = ffi' ~ ~ ~: _L_L 1--'
clasp thy lit tie Son. Let rue par - - vum ra - pe - re; l!'ac ut
" 4'-
x.:rt'-::..!:',_ ¥:_ = = ~ ..rz:~ :;;::: ~ t..T V<:..1 ""<=>' 'i<:..I
clasp thy lit tie Son. par - - Rm ra - pe 1·e; ;L
..A .J. _.,_
~ JC. _._ ~ = ~~-Ee 2 2: 2: ~ ~ JC. ~ ::E
(t.T thy lit tie Son. J,et bear that Child so glo
T• clasp ... - me - nous, pai· - vum ra - pe re; Fae ut ;,_ul-chrumfan- tem por - tem,.
. ± .1!... =· - JC. JC. -± = ~ ~~=~e ~ -¥: :J: ~ clasp thy lit - tie Son. Let me bear that Child so par - vum ra pe re; Fae ut pul-ehrum fan-tem
~Q ' A
Jnet=eF ~~- I ~i i I ~@ - I J 2 J J I 2 j JJ f 'P If I _J_
~ I. I I I rrJ ~~ j I I : a • 1.:, ii!
~,] ,J I:,
f
.-:._ ..f.__ ~,,_ ~ = _._ ... ~:y:
fi7 Let bear that Child so glo rious, me -Fae ut pufr.chrumfan-tem por - tem, l _LL ' =r::::q:
r-l!=~ .. ~~ - •-==:ff [V bear that Child so
CJ ~
glo - rious, let me bear that Child so glo - rious, Whose pul-chrumfan-tem poi· - tem, Jae ut pul-chrum Jan-tem por - 11 tem, Qui ..
_ft
'firs:!!- ~-T E ' ttr· ' -e- ... --- • 0 CJ li· Let me bear that Child so glo - rious, lill, Whose
Fae ut pul-chrum Jan-tem por - tem, Qui nas -:fr. ::iz. ..= 'ff!. " 7r.~_s_~ JC ~ ~ JC. 2: .~ IY= ~ ::::::
I T
. that Child so glo - rious, let me bear that Child, Him, Whose fan - tem por - tem, Jae ut por - tem Qui nas -
-~ " ~vtEWe ~
.... ~ ~ I r I • I I ot I J E:p r c f-
'
glo - rious, let me bear that Child so glo rious, Him, Whose poi· - - tem, Jae ut pul-ehrum fan-tem por - tem, Qui nas -
Fs=s=~ +pp r I : ~ j I s F F r I ~6 .
F ~!t l3Z:
i rv r I ... ~ r I
I I I I d~J.!Li-~~ I J JtL I -·- .:. I re; t9 r I :, I I.e. t ~ I -.,,_... ' _, '
J. F. Bridge-".The Cre.dle of Christ."
30
~--e-==12~---+ . ,,,.--
~ ff-e-
p ~ E I .r E I : c I ~~ -{! C I ':e- I
ff- Him, Whose Birth, o'er Death vie - to - . . . rious, Qui nas - cen . do vi - cit mor . - tem,
~L~~==; E -=== ,~f ""-
I [2. r fr FE~ ffirl:O'er Death vie - to - rious, o'er
I Death vie to . - - - nous,
vi - clt mor - tem,. vi - cit _::/f_or . . tem, --<1. :d:~k --..
~: r ' _.__ _._ ..
~ = · .. -e- =- ::e -;r- ..=::: B~th, o'er Death vie rioJs, o'er
~
' to - Death vie - to - . - . rious, - cen ·do vi - cit moi· tem, vi - cit mor . - - tern,
.a. /l- ::z ~E. ~: ~ =a :a: E .I ::ii!: :I: ~:£:ii: ::ii!: ::ii!:
1a.T Birth, o'er Death vie
..__...., rious, .. o'e;neath vie
T rious, - to - - - to - - -
- cen · do vi - cit mor - - tem, vi - cit mor . . . tem, 1st BAss. _fi.A _._
(1~- JC. ~ -· ~
~ _,<I .. Z•
Birth, o'er Death vie to rious, o1er Death, o'er . Death vie · to-rious, - cen - do vi - cit mor - tem, moi· - tem, vi cit mor - tem,
2nd BAss. -~
iftE ~r-rE ~ r I ~ ~3~ I ~3. ~ 1;0·~;!, l;:J Birth. o'er DJath vie - to rions, o'er Death vie - to - - . - rious,
. cen ~do vi - cit mor - tern, . . vi - cit mor . - - - tem,
--<1. I I ~. J_ J_ JIL -19- _Q__
lq (9
' :a~-5' 8 E~ oi-----=~ I ::i:: :ii: ~ ~
fiT l T I l l i I
' _.'_ l J_ l l J_ ~- ff~~ J. :d ~-.rr. _._ ff? -;z_ uir: :c"'.
"""" ..2 -- ~ 2- ::z
~ ' l I !
II II II
II B
,Will'd that for man was won, Life for man was Vo - lens vi - tam tra-de - re,
II II II
II ,,..-----... . vi tam tra de 11,,-.... ,,.-.--. rail. molto.
Will'd that Life for man was won, Life, . Life. for man was Vo - lens vi - tam tra - de - re,
II II II II
vi tam . tra de -A · rall. motto.
Will'd that Life for man was won, Life . for man wa.s Vo· le'118 vi - tam tra - de - re, vi tam tra de
II I\ A A 11,,.-..... ,,.-.--. rall. molto.
e- t9--
------Will'd that Life for man was won, Life, • Life . • for man was
Vo - len.9 vi . tam tra - de re, ls~,t_~nd_!ASSE~- II
II l2a
vi tam .. tra de. I\
-19-,,.-.....--G- rail. molto.
v f~r Will'd that Life man was won,
Vo · lens vi tam tra - de - re,
G>
Life for man was
·. vi tam tra de II ...
11,,.-.....
rall. molto. ,,.--..... -19- -19-
J. F. Bridge-" The Cradle of Christ.''
* A llegro con brio
~1 r - I -won. re . . _,.._
_!.(_
.:!t B:: ::;;;;;: ~
1v won.
- re.
if% :J t - I -won.
- re.
~~% r t - I -won.
- 1·e. /\ I . ~ ~ ~a
(@~~ I t r "l 12
won. Him, Whose Birth, - re. Qui nas - cen - do
Allegro con b1·io. ~ == 120. -11
~ ::!'::
fiT
~
-h 11 · ~% w=
..Q_ ± --"--
1-..1
/\ JC.
~-~ .. T ~I
I
Ii Eb-~ t
~
/I ~:
Hirn, Qui
E
won, - re,
~- ± ~i
_.._ ~-
I I I
¥ 1,..--...1
I ~r :
Whose Birth, nas - cen - do
..J. ~ J:_~
iz:
that Life for man vi tam tra
31
I - I
I - A
I - I
J11-·-;- . /\
~ r r. ~~~ ~=-11 I o'er Death vie - to - rions, Will'd that Life for vi cit mor - tem, Vo - lens vi - tam
. /\
--- • • v•-
I ~· ---I ,,.---...._ I I
~r I c ~
k _Q_ ----r ::!L I was won,
.____.,. for man ..
de re, vi tam /\
*To shorten this work the last bar on page 37 (letter E), may be here taken. J. F . Bridge-" The Cradle of Christ."
- I
- t
- t
~ . ~ man was tra de -
-,...,-"!'-'-----'--·-I
J
~ f=t
q
t
JC.•
was .. tra - de
I ~
f
tr·
..l}_
[lj'
I'-'
...a.. ~ ~ (iT
.Ll.
32
= = = ::E
/\ ::;;;i.
~ ~- :rs:i ~ ~
Him, Qui
Whose Birth, nas - cen - do
o':r Death vie - to - rious, Will'd ~at I:e for man vi cit mor - tem, Vo lens vi - tam tra
was de -
won, re,
that Life vi
won, for man was won, re, tra de - re,
/\ :z:
r
~
for man was tamtra de
that vi
won, re,
Life tam,
~ :z: I
/\
for vi
man. tam
for man vi - tam
/\
~ I
was tra-de -
was tra-de -
_L
Him, Qui
Whose . Birth, nas - cen - do
o'er Death vie - to-rious, Will'd that Life for man was vi cit mor-tem, Vo - lens vi - tam tra - de •
2. -~:Z ... ~__.... ~v won, will'd that Life for man was won, for man .. was re, vo - lens vi - tam tra de re, vi tam tra-de •
........ ...---,.....
= i won, will'dl that Life for man was won, Life .. for man, re, vo • lens vi - tam tra - de-re, vi tam, vi tam,
I _Q_ ...... GI- ..,.__
IL-'--"'-=c _._ ::!£ ::;;: ::;;: ~ ¥ ~ ¥
won, that Life was won, Life for re, vi tam tra - de - re, vi tam
/\ I I J_...--- l l f,,i. _1 I j_ j_ J_ J. ~
:ii!: :z: :I: I ::!'.: _,._ . ~: I!f:-
=!; :I:• ~ -
~ E t&tt± JC. ~ ~ ~ ;;;;:;: ='-= ~I w-- ~
I :-:= J I I I ,. I T 1-..! ,..------.,_
.n_J ~
I .fg I _J_ r·dFt . ~ I :- ; r I E r I j I
J. F. Bridge-" The Cra.dle of Christ."
1>_ :2:0
ff-
won, re,
~
~~ ~
won, re,
_a_ ,,-._
~- ;;::::
fiT Life
man tra
vi
33
_1'.
~ .... ~
·--_._,__ ±± .L ~ J:.
will'd that Life for man was won, vo- lens vi - tam tra de - re,
...__..... Life vi
was won, tain tra · de
will'd that Life for man vo - lens vi - tam tra
won, was won, de· re,
was . de .
-:.:. -~~-:.:.._~-~--+-~-I-
for tam
was de
JC.
man tra
~·
won, re,
i .....__. i r vr
---was won, that Life . de . re, vi tam
:H: x~
I. . ~·~ ~
will'd that Life for man vo-lens vi· tam tra
= 2:::!:: ::i::;;;;:: i -vru 1 Tj-
was tra • de
was de -
I I
r gf23¥· d ~ iJ pj9k==trl. J
1>_ ;..._
-r ? ~
It 5 p h-£=:C:=E=Hd&r. Ir Rflf Pt ; r c won, that Life for man was won,. for man •. was
. re, vo-lens vi . tam tra · de . re, vi . tam tra-de -1>_ /\
:N
:I~ ~-~ . ,._ .
1-..1 I i ... . _,_ v• Him, Whose Birth, o'er Death vie - to - rious, Will'd that Life for man was Qui na.s . cen • do vi . cit mor - tem, Vo - lens vi - tam tra . de ---..
1---f}-,...-------.., r-, -- /\....-...
~ ~ J/£ e · --- c r·---t. -IL if·
won, that Life was won, .. Him, . . re, vi· tam tra . de - re, Qui ..
~~ _._. _.Joi_ _._.
A_._ -"!. .._
---~- ± - -=-~
won, O'er Death vie-to - rious, Will'd that Life was re, Vi - cit mor - tem, Vi. tam tra ·de -
l:::fz: 9 i,dlptlrt; @t·I~ I
~-~r·;s;& I p: tflh:.:!'.. _ .. _
1t:r----r b i ~I I I I -C- r I j..._-I
~ i~ ~-=- ~ J c:g - 1~1r ·:gr r I r. tr p 4 J. 1''. Bridge-" The Cradle of Christ."
r-::;_ __],, 7.[~
(iT
~· :::iz:
oJ
= won,
re,
::z:
won, re,
.... ~. i"'
o'er Death vie-to
34
O'er Dea.th vie - to Vi cit mor
- rious, tem,
O'er Death vie - to - rious, Vi - cit mer - tem,
:ii:
rious,
~CI ~
o'er Death vie-to
L ~
o'er Death vie - to - rious, Will'd that cit mor - tem, Vo - lens
~--.:::
o'er Death vie - to - rious, Will'd that vi cit mor - tem, Vo - lens
~ ± rious, Will'd that
vi - citmor tem, vi cit nwr tem, Vo lens
-- . ]"'. /\ ~-.,,,_ -b. _,,_.
~JC. ~ ~ :::iz:: JC. :z: I ~
~
JC_ :=:
won, O'er Death vie- to rious, re, Vi cit mer • tem,
-for man was won, Life
tam tra de - ·re, VO -/\
for man was won, Life tam tra de - re, VO
.ff. A
for man was won, Life tam tra - de - re, VO
th .. for man was won, Life
tra de - re, VO
o'er Death vie-to - rious, Will'd, Vo vi cit mor - tem,
c
for man, for man was won, lens vi - tam tra de - re,
-----... ~
for man was .. won, lens vi tam tra - de - re,
f'9 •
=::: for man was won,
lens vi - tam tra - de - re,
~··
for man was won, lens vi - tam tra - de - re,
J. F. Bridge- " The Cradle of Christ ."
/\
H im, Qui
/\
Him, Qui
~
will'd that lens
_L . : ;H -·:J"".
Whose nas -
Whose nas -
·--for man was
vi - tam
/\
\
:..,;_ ......
Will'd Vo
E =
35
that Life for man was won, lens vi - tam tra - de - re,
/\
::E = ._; -. -,, ~JC. ~ =- -11"' .,. --
~:
Birth, o'er Death cen- do vi -
J_ ::"3: J.:.
vie cit
~· ~ JZ: ~
to - rious, mor-tem,
/\
JC. x llI. ]!!:;;;[
T "' Birth, cen - do
o'er Death vie - to - rious,Will'd that
won, tra
vi cit
was de
E
mor-tem, Vo - lens
Jc. ::iiiiL
won, re,
_,.._ J_
/\
J.:.
Life vi -
J_
Life was won, Him, Wh11se tra de re, Q1ti nas -
JC.• JC. :i:#ill!: jj[ :::v: ::z: = . for man was won, will'd that Life, that cit tra - de - re, vo - lens vi - tam,
= Jc.· Jc. ::E!: = z JC.
for man was won, fra de - re,
/"<. A
I ~I '1' ~± -
Him, Qui
Whose Birth, nas - cen - do
o'er Death vie - to - rious,
~ .,,~ , ~ 11!:-.i- =b- -r==t
vi cit mor - tem,
v -
Birth, cen - do
o'er Death vie - to - rious, Whose nas
Birth, - cen- do
o'er Death vie - to - rious, vi cit mo1· - tem, vi cit mo1· - tem,
j_ ~
...L
.:L~ ~ JC. = :!I: ::c
._.,_ _Y- ~-I!!:
-r ~-
Life for man was won, will'd thatLife, that Life for man was won, .. vi - tam tra de re, vo . lens vi~- tam, vi - tam tra - de re, ..
i." ~ =--= =
Him, Whose Qui nas -
_l J_ J_ J_ I =
JC. :;;;,;i: _L l l .. ---
~- ~-- ~
=-= I I v
J. F. Bridge-" The Cradle of Christ."
Ii:~ " ::i;;: 6>- ~ =u. v
Him, Whose Qui nas -
-". " v
Him, Whose Qui nas -
.A. " ~ ~ = :JC ~ ::iz:
li7 Him, Whose
Qui nas -I
: --· :::s; -"'l- if.' -~ - r'#-L
Birth, o'er Death vie -
- cen - do, vi cit
:ft j_ J_
~ 6>
~: =!:::::':=: :d :
~- ~. ~
-"'" =-L ~ _L
-~. + I
~-stringendo. " rn = ~ E = E ~
['7
36
d = :JC •
Birth, Will'd cen - do, Vo -
_._ . __._
Birth, Will'd cen - do, Vo -----::JC~ I•
Birth, Will'd cen - do, Vo -
.h,._ -·-· to - rious, Will'd
mor - tem, Vo -
J_ J_ . . . ' I
~ ~ .. -·-· .::!I
:JI[. :JC
I T I
~ that Life for lens vi - tam
that Life for lens vi - tam
I 7C. ~ ::;z
that Life for lens vi - tam
_h._
that Life for lens vi - tam
--"' J_ I
~-~ ..
:JC
~ :JC
I I
I :J!". =
won, Him, Whose nas
Birth cen - do re, Qui
-" stringendo. " :JL.li: :::::::::e--- ::E!: =
19 ::.IL
won, Him, re, Qui
~ • st1-ingendo.
&=+=or==- r " ?r won,
re,
'<>'• _._
• ::JZ:
~::i=rz: won,
re,
Him,
stringendo. Qui
~ __._ ~1-
H im, Whose Birth Qui nas - cen - do
r I r~ stringendo.
" _d _J _d_
Whose nas
r Whose
nas
= Birth cen - do
Birth cen - do
::::: . LL
o'er Death vie - to vi cit tra
J . F . Bridge-" The Cradle of Christ."
. "
man was won, J,ife was tra - de - re, trn - de -
- :c -. --man was won, Life was tra - de - re, tra - de -__._. ::.IL 7C.
+z:. J_ ::::z
man was won, Life was ti·a - de - re, tra - de .
-·· _].\.
man was won, ti· a de - re,
I --"' J_ . . .
-·-· ~ :JC
=-=· T ~
:JC I
~
o'er Death vie - to vi cit mo1·
o'er Death vie - to vi cit mor
o'er Death vie - to vi cit mor
rions, de- re,
Life was tra - de -
~~====§ _IC_
~-
];[ ::JI:
I
Et4
I
Him, Qui
/\
Him, Qui
87
Whose na.s
Whose nas
Birth, cen - do
Birth, cen - do
o'er Death vie - to vi cit mor
---- '-----------:--' o'er Death vie - to rious, vie vi cit mor
A
m~~~~~~~m~~1~~ .-rrt rious, tem,
Him, Qui
-v;;__ ..__,
Him, Qui
Whose na.s
Birth, cen - do
Whose Birth, nas - cen - do
o'er Death vie - to vi cit mor
I\
~ -p-· I
rious, Will'd that Life tem VO - lens vi
GJ
rious, Will'd that Life tem, VO lens vi
I v i'r) I 'r· r I a+£~ rious, Will'd that Life tem, VO - lens vi
~p>- -19-
rious, Will'd that Life tem, VO - lens vi
r
o'er Death vie - to rious, vie -vi cit mor
I I I I . --~ ~---I----~ • rious, fem,
o'er Death vie -vi cit
-,J-.._7 -,J-
rall. molto. E '-'......--... 19
for man was won. tam tra de rf'..
rall. molto. '-'
GJ
for man was won. tam tra rle re.
rall. molto. .~ ......--... r-i-r-~F?Clff for man was won.
tam ti·a - de re. rall. molto.
p 19--19 '-' f---f-- -
for man was won. tam tra de re.
J. F. Bridge-" The Cre.dle of Christ."
38
No. 6. PRAYER.-" ALL WHO LOVE THIS STABLE TRULY."
1 (OMNES STABUL UM.) A ndante con ·nwto. -·= 84. ,.---.
ltl-R-~--'i---91 smoothly.
1m. :J. I 4JtJ. I J. 4:}'14::J'J. I
I Andante con moto. •· ::: 84. ,.---.
'P -,r . _._. I I
smoothly.
All who Om - nes
1 ~r a . . ' love this
sta • bu
I .
love this sta - bu -
r. -.. j ;
sta - ble .. lum a
sta - ble .. lum a
1¥§±¥23 tru - ly, man · tea,
,.--·-----
(~_._v ___ -c_--r-·
tru - ly, man - tes,
r . r. And · the Et pas
-~- .
I
_._. I
--- . -e-. -6>-. -G- . -19-. -i. '-"1 . I I
~ -== ~ . ~·
. -.._..- •
Tar - ry there the P er noc - tan . tes
I -
I J . J~ll Q =l ~. lfJ. J B J . WZ-E '-"
watch - ing . . du . ly, Tar ry there the vi - gi - lan - tes, P er - noc • tan · tea
'P'P ---== :E· . :i:
shep ·herds watch - ing . . du - ly, Tar ry there the ·to- res vi - gi - lan - tes,
I -
J, F. Bridge- " The Cradle <if Christ."
P er • noc - tan - tes
Wt . J '-" Tar -
Per -
ti ~J. ~El ry there the noc · tan - tes
--- -~~~fil- J. 4111 !iJ.
live - long night, 80 d - ant,
:ft -· .11
w --12-iC· :IC• = · -~
live - long night, 80 ci ant,
_LL
::;;;:: . ~- -v= v
live long night, 80 - ci - ant,
====-~~f'" r·· I ~,J .
live - long night, 80 . ci ant,
~::iz:~.: · . x ~~~-7--11~ ::a..: •
:::O::• . :;;;[· 1P-*- " ~=== <
I J_ ~ ~· . --
. . _ :::f:tt:<-u-. . ·i· -<-
---· _,,
_fl_ .lo
~~ = = v
bl: .lo = ~ ~
=
39
F
I ~4· A "'I , r. I r. ii=t=r· I £~ . -=
tar - ry there the live - long night: per noc - tan - te.s 80 - ci - ant.
:t ~ .:.,t . _._. ,.._. :.a:..
11.'---'-.- -.- -- - - .- -~
tar ry there the live - long night : per - noc - tan - tes 80 ci - ant.
x ::;;;[· ~ ~ . .
JL• :IC• =· = -
tar ry there the live - long night: per noc - tan - tes 80 - ci ant.
I q:J,. ) -=- ti J . J. I !iJ. ~· I [2. F
tar ry there the live - long night : per - noc - tan - te8 80 ci ant.
F I E ::I :::E!: ... . ~ =-:·~· ~~: 5+: I . ~- . I~ ... . :~- . r·
: . :::E!: ~ .
I I
=
:::E!: Bj£ Yi ~ -#" Pray we that P er vii- - tit
. I l
by tem
.
. i ____,,_ .
I
J e na -
I
> . ~ ±r-:-+-'J: ::i:;
I
-1<---- -o-~~e·-·~--~
su's me -ti tit
TT
,. ' -ft. ,..---------., ~J_ _L~J y...~ _l ~
~I • -G-!- -G-!-t I
J . F . Bridge-" The -Cradle of Christ.''
40
" :'It. -==-- G _,,,_ ::rz: ~ - -~-~~t:- ::r:: ::E'!: - ~
N :JI': ----- JL·
-:IC_ • ::ll!:• ~~ ~ ~ ";;L ;a: . __.___. __.__. . . Iv - ~ .....__,
I e .... Pray we that by Je - su's me - - rit, His .. -Per vir - tu - tem na - ti tu - - i, 0 ra ut e -
" ===-~ --== -:fi!Z "E :x - :::l: - E -:IC_ • ~
lt.T ~ .... -. ---,,- . ., . ., . ---=- · --F,J- " - ~t. pray we that by Je · su's me - - nt, - i, per vir - tu - tem na - ti tu - i.,
fr l st_TENl_R. --==--=- - r :11_:rz:E=t'. ~ . = · IW : ~ . . . = it.7 Pray we- that by Je - sn's me - - rit,
Per vir - tu - tem na - ti tu ' i, l~2nd_T.E~R _,,,_
~ - =- ~ "::B4!-a · _,.__. :L:c:l"::JE-~±
ii7 . = ':--' I ....
Pray we that by Je · su's me - - rit, HIS . . e -~er vir · tu - tem na - ti tu - - i, 0 - ra ut e --=== =-==-za: : - - ----i- --t-., . . . .
:y
P ray we that by Je - su's me - . rit, Per vir · tu - tem na . ti tu i,
---"-
~~p:r:Y$.18: r· G
~ ~-? .tl J:. I Of . 44~ E [V
~ J'I ·~--· ..._ ===- 'P I I '-._.,./ 11
I ....____, . I I 'P 1-:-'l :ft . I . . . . ~ .
Cl[ ,.__,___± -~ -s: • ----'--w • . . . JL • =-:ft -JL • --v I
1st SOPRANO. If!% r · I Ff" ·- - lect ed
lee - ti, " 2nd SOPRANO.
l&:---:P • _..,,.
lect -lee -
AT.mn 'P
ed ti,
_.4.;; = :E::B~· =--· fe.7 :::!:
:;;;:;: . le ct lee
His. 0 - ra
'P
Bis. 0 - ra
I I I 'I 1- 1 --v I
may . . in - he - rit Their own coun-try-s e - lee - ti su - i A d . pa - tti am
cres: _f_ ~ . ~::a ~ . - 2. ~___.__. ~ • _J_ :::!: :::!: ::.. • =--- • ~ •
may . . in - he - rit e - lec-ti su -i
cres.
~·:Ji JL· ~· ~ · Jc. • JL · ~· -r e ~ Jec~ay in - he - rit ut e-lec - - ti su-i
.l cres.
~·lL ~·JL· ~· ~ · ~ • JL_ •
e - Je~~ay in · he- rit ut e -lec · · ti 8U • i
____.__ .
Their own . . coun - try's . A d La -tri - am . . .
__._ • ~ :1:: :;,o_. •..Q.!.,,o-~-'-,9~
__=:: I =. , i." I 'fheir ~. coun-try's Ad . pa - tri - am
f I 2•
Their Ad
"§!-" ____,.__
own pa .
coun-try's tri- am
cres. 2 f
~ : {~ ~i i ·~ F41-: ~ . __,i • d ... . 14 :
cres . ...-:-.._ 1 I I f .•. ___._. _._ : _.__ : Jlil. _.,_. I _..._. 1..---...
~ ::B:
J. F . Bridge-" The Cradle of Christ.''
ra ll A I . 41
'aqio _n .
l:&:-11: , ; end
H ff ,....
~·=g=-· less
~~con_~spress. -1 ~
I tpiIFf? 8· ~- I c v · Ir ::;·r coun - try's end Jess - light,
ve - ni ant, ~-=!.op. _m_7' -A...-ll:::::: .
----~·= 18 ~
end - le~s light, ve ni - ant,
~?:all ,.... J¥!-
nI'[ . ~_.a_. rv . ~
end less light, ve ni ant,
~all.-== _£. ... . r~=· ~ .
li)L-end - less light, l ve
- ni ant, 1::::::2::;±_rall. d2 z~ ~ ~· fi7 = ~~
end - - less light, ve - ni - ant,
C'\ rail. ...!lo.~- I ifl .
~2[~~] :. -"""' --'L!2~ ._lL I - ...:
I end - - less ve - ni
_a_ ...,,,. I I ~-rr~i. . .
=::E:JZ: -£-fi7 '--" ~--< rall.
~_J I =-=~ = t l:ff!±l;:~: ~ .
r
~ J. ==- '/!.'l!i
~~--<-.~---+ light. . ~-:-
I light,
- ant, H'-1'
:;i_.
:;i_·
-e-·
ff -""'-. = .
their own ad pa - tri - am
=· ·=· -*'.-r•· 1 '3-I .. their own coun-try's ad pa
* tri - am
:::E
~· -.-. _,_. their own ad
'/JP
. ~·-
:;;;;;:: ... . ::"".'.:::!:'::::""'.:
.h:;;.!' I .____...I .. cou:try's their .. own
p°:j' . pa - tri - am
:ii; ·~· .
JL• io' I
their":'. T~I conn - try's ad . pa tri - mn
p~ I .Jftti+@· I' . ~·;. then.'.".
F .___,. . own conn - try's
ad . . pa - tri - am A d(Lgio. con espress.
. _g• :;;;;:_. .... _. .
'P'P Voices alone. J_ ,.--.._ J_ t"" "1 , ,...-...._ I _j_ . .i. .i. . ::E • . =· . ::O:• .. ~ · f f '-._../
= = = =
I - I
[~ · I =t hght. . .
~~~~·-. -==-+=-1 --4~-- I - I
E I
* The Alto part should be a little more prominent than the others. J . F . Bridge-" The Cradle of Christ.'
- -ve - - ni -
- ,.... - ~ I
:=--. ./ ~,h--L-
end - - less ve - - ni ,....
~ ::E ' ru
-.-~-.- -~ ~JL·
coun - try's end-less pa - triam ve - ni ,....
. . end - - Jess ve - - ni -,.... 2.• =-=· :ill!:•
end - - Jess ve - . ni -
,.... IJ · I J. J. IT _,
end - - less ve - - ni ,.... . . . . L-!~ ,. . ,. ,. C-J i . 1 '--"I ~
"". .,......_!-_,._!--r . . . f I I
,....
'-' - I u ,.... - --+ = II
'-' - t - go ,.... - I - 0
,.... - I - ==o
FINIS.
NOVELLO'S ORIGINAL OCTAVO EDITIONS OF
Oratorios, Cantatas, Odes, Masses, &c. FRANZ ABT.
THE FAYS' FROLIC SPRINGTIME SUMMER
(Female voices) ... . .. 2/6 (ditto) (SOL-FA, 0/6) 2/6 (ditto) 2/6 (ditto) (SOL~;A, 0/6) 2/6 THE GOLDEN CITY
THE WISHING STONE THE WAT E R F AIRIES THE SILVE R CLOUD MINSTER BELLS
(ditto) 2/6 (ditto) 2/6 <dit to) 2/6 (ditto) 2/6
B . AGUTTER. MISSA DE SANCTO ALBAN O (E nglish)
THOMAS ANDERTON. YULE TIDE TH E NORMAN BARON ... WRECK OF THE HESPERUS (SoL-FA, 0/4)
W. I. ARGENT. MASS, IN B F LAT ...
P. ARMES. HEZEKIAH ... ... . .. ST. JOH N THE EVANGELIST ST. BARNABAS
A. D. ARNOTT. YOUNG LOCHINVAR
THE GIPSIES ENDYMIO N ...
STABAT MATER
E. ASPA.
ASTORGA.
BACH.
... 8/0 ,,o 5/0
2/6
2/6 2/6 2/0
1/6
1/0 4/0
1/0 1/6
KAREL BENDL. W ATER-SPRITE 'S REVENGE (Female voices) ... 1/0
WILFRED BENDALL. THE LADY OF S HAL OTT (Female vv.) (SoL-FA, 1/0) 2/6
SIR JULIUS BENEDICT. ST. PETER ... ... ... ... ... ... ... 3/0 3/6 5/0 THE LEG E ND OF ST. CE CIL IA (SOL-FA, 1/6) ... 2/6 3/0 4/0 PASSION MUSIC F ROM ST. P ETER 1/6
SIR W. STERN DALE BENNETT.
G. R. BETJEMANN. THE SONG OF THE W ESTERN MEN ...
W. R. BEXFIELD. ISRAEL RESTORED
HUGH BLAIR. HARVEST-TIDE
JOSIAH BOOTH.
a;o 3/a 5/0 410 6/0 1/0
1/0
4/0 6/D
1/0
THE DAY OF REST (F emale voices) (So L-FA, 1/0) ... 2/6
E . M. BOYCE. THE LAY OF THE BROWN ROSARY YOUNG LOCHINVAR
J. BRADFORD. HARVE ST CANTATA ... T HE SONG OF J U BILEE PRAIS E THE LORD ...
1/6 1/6
1/6 2/0 2/0
MASS, I N B MINOR MISSA BREVIS, IN A THE PASSION (S. MATTHEW) ... ... ...
2/6 3/0 4/0 1/6 2/0
W . F . BRADSHAW. 2/6 4/0 GASPAR BECERRA
1/6 1/3
11 Abridged, as used at St. Paul's THE PASSION (S. JOHN) ... CHRISTMAS ORATORIO MAGNIFICAT ... GOD GOETH UP WITH SHOUTING GOD SO LOVE D THE WORLD ... ... GOD'S TIME IS THE BE ST (SorrFA, 0/6) ... MY SPIRIT WAS I N H E AVINESS 0 LIGHT EVERLASTIN G BIDE WITH US A STRONGHOLD SURE ... .. . BE NOT AFRAID (SOL·FA, 0/4) ... . .. BLESSING, GLORY, AN D W ISDOM I W RESTLE AND PR<\ Y (SoL-FA, 0/2) THOU GUIDE OF ISRAEL ... ... .. . J ES U, PRICELESS TREASU RE ... .. . W H EN WILL GOD R E CALL MY SPIRIT J ESUS, NOW WILL W E P RAI SE THE E
]. BARNEY. RE BEKAH (SoL-FA, 0/9) THE LORD IS KIN G (97th Psalm) ...
LEONARD BARNES. TH E BRIDAL DAY
J. F . BARNETT. THE AN CIENT MARINE R (SOL-FA, 2/0) THE RAIS ING OF LAZARUS .. . P ARADISE AN D TH F. P E RI . .. ... THE WISHING BELL (Female voices)
BEETHOVEN. T H E P RAISE OF MUSIC RU INS OF ATHENS .. ... ... . .. ENGEDI; OR, DAVID IN THE WILDERNESS MOUN T OF OLIVES .. . ... ... ... ... MASS, IN C ... ... ... .. . COMMUN ION SERVICE , I N C MASS, IND ... ... ... .. . TH E CHORALSYMPHONY .. .
D ITTO, VOCAL PA RT (SoL-FA, 0/6) T H E CHORAL FANTASIA (SoL-FA, 0/3) ... ... A CALM SEA AND A P l<OSPEROU S VOYAGE . MEE K, AS THOU LIVE DST
6/2/94.
2/0 2/0
2/6 4/0 J. BRAHMS. 2/6 4/0 A SONG OF DESTINY ... 1/0
1/0 1/0 1/0 1/0 1/0 1/0 1/0 1/0 0/6 0/6 0/4 1/0 1/0 1/0 1/0
SIGURD ...
DANIEL RUDEL ...
C. BRAUN.
J. C. BRIDGE.
J. F. BRIDGE.
5/0
3/6 4/0
ROCK OF AGES (Latin and English) (So1.-FA, 0/4)... 1/0 MOUNT MORIAH ... 3/0 BOADICE A.. ... ... 2/6 CALLIRHOE (SOL-PA, 1/6) ... 2/6 NINEVEH ... 2/6 T HE INCHCAPE ROCK.. . ... ... 1/0 THE LORD'S PRAYE R (SoL-FA, 0/6) ... 1/0
DUDLEY BUCK.
3/0 4/ J 3/0 4/0
1/0 1/6 2/6 1/6 2/0
THE LIGHT OF ASIA .. . 3/0 3/3 5/0
2/6
EDWARD BUNNETT. OUT OF THE DEEP (13oth P salm) .. .
4/6 W . BYRD.
MASS FOR FOUR VOICES (in F minor) 3/6 4/0 5/0 CARISSIMI.
1/0
2/6
6/6 9/0 4/0 JEPHTHAH ... 2/6
1/0
l/o 210 3/0 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 1/6 3/~ 2/0 2/6 4/0 2/6 1/0 1/0
F. D. CARNELL. SUPPLICATION
GEORGE CARTER. SINFONIA CANTATA (u 6th Psalm) ...
WILLIAM CARTER. PLACID A
CHERUBINI. REQUIEM MASS, C MINO R (Latin and English) ... SE COND MASS, I N D MINOR ... THIRD MASS (CORONATION) 0/4
0/2 - I FOURTH MASS, I N C
5/0
2/0 3/6
2/0 2/3 4/0
l /O l /o 2/6 2/0 2/3 3/6 l /O 11• 2/3 1/0 1/3 Z'l
NOVELLO'S OCTAVO EDITION OF ORATORIOS, &c.-Continued.
JOB NAOMI
E. T CHIPP.
FREDERICK CORDER. THE BRIDAL OF TRIERMAIN (SoL-FA, 1/0)
SIR MICHAEL COSTA. THE DREAM ...
H. COWARD. THE STORY OF BETHANY (SOL-FA, 1/6) ...
F. H. COWEN. ST. JOHN'S EVE (SoL-FA, 1/6) ... A SONG OF THANKSGIVING ... SLEEPING BEAUTY (SoL-FA, 1/6) RUTH (SOL-FA, 1/6) ... ... ... ... .. . . .. SUMM ER ON THE RIVER (Female vv.) (SoL-FA, 0 19) THE WATER LILY ... ... ... ... . .. VILLAGE SCENES (Female voices)
]. MAUDE CRAMENT.
4/0 2/0
2/6
1/0
2/6 3/0 -
2/6 3/0 4/0 1/6 2/6 3/0 4/0 4/0 4/6 6/0 2/0 2/6 1/6
I WILL MAGNIFY THEE, 0 GOD(145th Psalm) ... 2/6
W. CRESER. EUDORA (A dramatic Idyll) 2/6
W. CROTCH.
". ~~ MYLES B. FOSTER. ~~ £°~ ~§
THE LADY OF THE ISLES ... ... ... ... 1/6 THE ANGELS OF THE BELLS (Female voices)... 1/6
(DITTO, SoL-FA, 0/8) THE BONNIE FISHWIVES (female vv.)(SoL-FA 0/9) 2/6 SNOW FAIRIES (Female voices) ' 1/6
ROBERT FRANZ. PRAISE YE THE LORD (117th Psalm)
NIELS W. GADE. PSYCHE (SoL-FA, 1/6) ... . .. SPRING'S MESSAGE (SoL-FA, 0/3) ERL-KING'S DAUGHTER (SoL-FA, 0/9) ZION ... ... ... . .. THE CRUSADERS (SoL-FA, 1/0) COMALA ... ... ... . .. CHRISTMAS EVE (SoL-FA, 0,'4) ...
HENRY GADSBY. LORD OF THE ISLE S (SOL-FA, 1/6) ... ALCESTIS (Male voices) .. . COLUMBUS (Male voices) .. .
G. GARI<ETT. HARVEST CANTATA (SoL-FA, 0/6J THE SHUNAMMITE .. . THE TWO ADVENTS .. .
R. MACHILL GARTH. E Z EKIEL ... ... . ..
1/0
2/6 3/0 4/0 0/8 1/0 1/6 2/6 1/0 1/6 2/0 2/0 2/6 4/0 2/0 2/6 4/0 1/0 1/6
2/6 4/0 2/6
1/0 3/0 1/6
P ALESTINE ... 3/0 3/6 5/J THE WILD HUNTSMAN 4/0 4/6 1/0 1/6
W. H. CUMMINGS. ·THE FAIRY RING ...
T E DEUM •GIDEON
W. G. CUSINS.
FELICIEN DAVID. T HE DESERT (Male voices)
P. H. DIEMER. . BETHANY
M. E. DOORLY. .LAZARUS
F. G. DOSSERT. MASS, IN E MINOR
F. DUNKLEY. THE WRECK OF THE HESPERUS
ANTONIN DVOR.i\.K.
2/6
1/6 3i6
1/6 2/0
4/0
2/S
5/0
1/0
A. R. GAUL. A SONG OF LIFE (Ode to Music) (SOL-FA, 0/6) JOAN OF ARC (SoL-FA, 1/0) PASSION SERVICE RUTH (SOL-FA, 0/9) ... THE H OLY CITY (SOL-FA, 1/0) ... TEN VIRGINS (SOL-FA, 1/0) ISRAEL IN THE WILDERNESS (SO L-FA, 1/0) ... UNA
(DITTO, SoL-FA:· 1/0)
FR. GERNSHEIM .
1/0 2/6 3/0
~;g :1~ 2/6 3/0 2/6 3/0 2/6 3/0 2/6 3/0
- SALAMIS. A TRIUMPH SON G (Male voices) 1;6
F. E. GLADSTONE. I - I PHILIPPI 2/6
GLUCK. ORPHEUS 316
HERMANN GOETZ. BY THE WATERS OF BABYLON (137th Psalm) ... 1/0 N CE NIA ... ... ... 1/0 TH E WATER-LILY(Malevoices) 1/6
ST. LUDMILA 5/0 6/0 7/6 CH. GOUNOD. DITTO (German and Bohemian Words) 8/0 MORS ET VITA (Latin or English ) ... ... 6/0
4/0 4/0 4/0 4/0 4/0 4/0 4,0
THE SPECTRE'S BRIDE ... ... . .. 310 DITTO (German and Bohemian Words) 6/0
3/6 5/0 DITTO, SoL-FA (Latin and English)... 2/0 REQUIEM MASS, from" Mors et Vita" ... ... 2/6
6/6 7/6
3/0 STABAT MATER ... 2/6 P ATRIOTIC H YMN... ... ... ... . .. 1/6
DITTO (German and Bohemian Words) 3/0 RE QUIEM MASS 5/0 )•JASS, IN D ... 2/6
A. E. DYER.
3/0 4/0 THE REDEMPTION (English words) (SoL-FA, 2/0)... 5/0 DITTO (French Words) ... ... 8/4 DITTO (German W ords)... . .. 10/0
6/0 7/6 MESSE SOLENNELLE (ST. CECILIA)... 1/0 OUT OF DARKN E SS ... ... 1/0 COMMUNION SERVICE (Messe Solennelle) 1/6 TROISIEME MESSE SOLENNELLE ... 2!6 DE PROFUNDIS (13oth Psalm) (Latin Words) 1/0 2/6 SALVATOR MUND! ... . ..
E LECTRA OF SOPHOCLES ... 1/6 2/0 DITTO (Out of darkness ) 1/0 THE SEVEN WORDS OF OUR SAVIOUl{ ON
THE CROSS (Filia: Jerusalem)
THE ASCENSION THE EPIPHANY
H. ]. ·EDWARDS.
PRAISE TO THE HOLIEST
EDWARD ELGAR. THE BLACK KNIGHT
2/6 2/0 1/6
2/0
DAUGHTERS OF JERUSALEM GALLIA (SOL-FA, 0/4)
- 1 - A. M. GOODHART. EARL HALDAN'S DAU GHTER ARETHUSA ...
C.H. GRAUN.
1/0 1/0 1/0
1/0 2/0
6/0 7/G
1/6 2/6
2/0 3/0
ROSALIND F. ELLICOTT. ELYSIUM .. . 1/0
1/6
THE PASSION OF OUR LORD (Der Tod Jesu) TE DEUM
2/0 2/6 410 2/0 2/6 4/0
THE BIR TH OF S ONG .. .
GUSTAV ERNEST. ALL THE YEAR ROUND (Female vv.) (SoL-FA, 0/9) 2/0
E. FANING. B UTTERCUPS AND DAISIES (Female voices) ... 2/6 -
(DITTO, SOL-FA, 1/0)
ALAN GRAY. THE WIDOW OF ZAREPHATH ARETHUSA ... ... ... . .. THE LEGEND OF THE ROCK-BUOY BELL
]. 0. GRIMM. THE SOUL'S ASPIRATION
G. HALFORD. THE PARACLETE
HENRY FARMER. I E. V. HALL. MAS S, IN B FLAT (Latin and English) (SOL-FA, 1/0) 2/0 2/6 3/6 I IS IT NOTHING TO YOU
2/0 1/6 1/0
1/0
2/0
0/8
NOVELLO'S OCTAVO EDITION OF ORATORIOS, &c.-Continued.
HANDEL. ALEXANDER'S FEAST 2/0 ACIS AND GALATEA ... ... ... ... . .. 1/0 DITTO, New Edition, edited by J . Bamby (SoL-FA 1/0) 1/0 ALCESTE ... .. . ... ... .. . ... ' ... 2/0 SEMELE... ... 3/0 THE PASSION ... ... ... 3/0 THE TRIUMPH OF TIME AND TRUTH::: 3/0 ALEXANDER BALUS 3/0 HERCULES ~O ATHALIAH 3/0 ESTH ER... 3/0 S USANNA 3/0 THEODORA ... 3/0 BELSHAZZAR ... ... ... . .. ... ... 3/0 THE MESSIAH, edited by V. Novello (SOL-FA, 1/0) ... 2/0 THE MESSIAH, ditto, Pocket Edition... . .. ... 1/0 THE MESSIAH, edited by W. T . Best ... ... 2/0 ISRAEL I N E G YPT, edited by Mendelssohn ... • .. 2/0 ISRAEL IN EGYPT,edited by V. Novello ,Pocket E dit. 1/0 J UDAS MACCABJEUS (SoL-FA, I /0) ... ... .. . 2/0 JUDAS MA CCAB JE US, Pocket Editio n ... 1/0 SAMSON (SO L-FA, 1/0) ... ... ... 2/0 SOLOMON 2/0 JEPHTHA 2/0 JOSHUA... 2/0 DEBORAH 2/0 SAUL ... .. . ... 2/0 CHANDOS TE DEUM 1/0 DETTI NGEN TE DEUM 1/0 UTRECHT JU BILATE ... ... .. . ... 1/0 0 COME , LET US SING UNTO THE LORD
(5th Chandos Anthem) 1/0 0 PRA IS E THE LORD (6th Chandos Anthem) 1/0 CORONATION AND FUNERAL ANTHEMS
W. H. HUNT. 2/6 4/0 STABAT MATER 1/6 2/3 1/6 2/6
3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 2/6 4/0 1/6 2/0 2/6 4/0 2/6 4/0 1/6 2/0 2/6 4/0 1/6 2/0 2/6 4/0 2/6 4/0 2/6 4/0 2/6 4/0 2/6 4/0 2/6 4/0 1/6 2/6 1/6 2/o
H. H. HUSS. AVE MARIA (Female voices) ...
F. ILIFFE. SWEET ECHO
JOHN WILLIAM JACKSO N. I CRIED UNTO GOD
W. JACKSON. THE YEAR
D. JENKINS. DAVID AND SAUL (SOL-FA, 2/0)
A. J ENSEN. THE FEAST OF AD ONIS
W. JOHNSON. ECCE HOMO ...
C. WARWICK JORDAN. BLOW YE THE TIWMPET IN ZION
ALFRED KING. 5/0 THE EPIPHANY
N. KILBURN.
3/0 3/6
1/0
1/0
1/6
2/0 2/6
3/0 3/6
1/0
2/0 - -
1/6
3/0 Or, singly:
THE KING SHALL REJOICE ... ZADOK THE PRIEST MY HEART IS INDITING... .. . . ..
018 Oi3 0/8 0/6 1/0 1/0
TH E SILVER STAR(Femalevoices) 1/6 THE LORD JS MY SHEPHERD (23rd Psalm) 1/0 LET THY HAND BE STRENGTHENED
THE WAYS OF ZION .. . ODE ON ST. CECILIA'S DAY .. . OLIVER KI NG . L 'ALLEGRO ... . .. 2/0
1/6 216 2/B 4/0 BY THE WATERS OF BABYLON (I37th Psalm) ..• 1/6
THE NAIADS (Female voices) ... 2/6 HAYDN . THE CREATION (SoL-FA, 1/0) ... THE CREATION, Pocket Edition THE SEASONS ... ... ... . ..
Each Season, singly (S PRING, Tonic Sol·fa, 6d.) FIRST MASS, IN B FLAT (Latin) ...
DITTO (Latin and English) SE CO ND MASS, IN C (Latin) ... . .. THI RD MASS (IMPERIAL) (Latin and English)
DITTO (Latin) ... SIXTEENTH MASS (Latin) ... . .. THE PASSION; OR, SEVEN LAST WORDS OF
OUR SAVIOUR ON TH E CROSS T E DEUM (English and L atin) ... . . . INSANJE E T VANlE CURJE (Ditto) ...
BATTISON HAYNES. TH E F AI RIES' ISLE (Female voices) ... A SEA DREAM (Female voices) ...
H. HEALE. JU B ILE E ODE
C. SWINNERTON HEAP. FAIR ROSAMOND (SoL-FA, 2/0)
EDWAlW HECHT. ER IC THE DANE ... ... ... . .• 0 MAY I JOIN THE CHOIR INVISIBLE
GEORGE HENSCHEL. OUT OF D"RKNESS (r3oth Psalm) ...
HENRY HILES. F AY RE PASTOREL THE CRUSADERS ...
FERDINAND HILLER. NALA AND DA MAYAN TI ..• A SONG OF VICTORY (SoL-FA, 0/9) .. .
HEINRICH HOFMANN. FAIR MELUSINA ... CINDERELLA ... .. . SONG OF THE NORNS (Female voices)
HUMM E L. FIRST MASS IN B FLAT . . . COMMUNION SERVICE, ditto .. . SECON D MASS, IN E FLAT .. . COMM UNION SERV ICE , ditto .. . THIRD MASS, JN D ... COMMUNION SERVICE, ditto ... ALMA VIRGO (Lat in and English) QUOD IN ORBE (Ditto) .. .
J . KINROSS. 2/0 2/6 4/0 1/0 1/6 2/0 3/0 3/6 5/0 1/0
SONGS JN A VINEYARD(Femalevv.)(SoL-FA,0/6) 2/6
H. LAHEE. 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 1/6 2/0 3/0
THE SLEEPING BEAUTY (Femalevv.) (SOL-FA, 0/6) 2/6
2/0 2/6 1/0 0/4
2/6 2/6
1/6
4/0
3/6 4/0 5/0
3/0 1/0
2/6
6/6 2/6
4/0 1/0 1/6
6/0
LEONARDO LEO. DIXIT DOM!NUS
H. LESLIE. THE FIRST CHRISTMAS MOHN
F. LISZT. THE LEGEND OF ST. ELI ZABETH T HIRTEENTH PSALM ...
C.H. LLOYD. ALCESTIS ... ANDROMEDA ... H ERO AND LEANDER ... THE SONG OF BALDER THE LONGBEARDS' SAG A (Male voices) ... THE GLEANERS' HARVEST (Female voices) A SO NG OF JUDGME NT
W. H. LONGHURST. THE VILLAGE FAIR
HAMISH MAcCUNN. LAY OF TH E LAST MINSTREL (SOL-FA, 1/6) LORD ULLI N'S DAUGHTER (SoL-FA, 0/8) ...
G. A. MACFARREN. SONGS IN A CORNFIELD (Female voices) MAY-DAY (SoL-FA, 0/6)
2/0 2/6 4/0 W¥v~~~gI~gJNLlGACY (O peretta) 4/0 1/0 A. C. MACKENZIE.
THE D REAM OF JUBAL 1/0 1/6 2/6 THE STORY OF SA YID ... 2/0 4/0 JASON ... . .. ... ... ... . .. 1/0 1/6 2/6 THE BRIDE (SoL-FA, 0/8)... ... . .. 2/0 4/0 THE HOSE OF SHARON (SoL-FA, 2/0)
... 1/0 1/6 -
2/6
3/0 3/6 5/0 2/0
3/0 3/0 3/6 5/0 1/6 1/0 1/6 2/6 2/6 3/0 4./0
2/0 2/G
2/6 3/0 4/0 1/0
2/6 4/0 l /<l 1;6 2/6 6/0 1/0 2/6
2/6 ... 3/0
2/6 1/0 Ml
3/0 4/0 3/6 5,-0 3/0 4/0
6/0 716 1/0 1/6 2/6 JUBILEE ODE .. . .. ... ... ... . .. 2/0 4.0 THE COTTER'S SAT URDAY N I GH T (SoL-FA,1;0)
2/6 2/0 1/6 0/4 THE NEW COVENANT ..
0/4 VEN!, CREATOR SPIRITUS ... 2/0
NOVELLO'S OCTAVO EDITION OF ORATORIOS, &c.-Continued. ------------------------------------------~---
J. B. McEWEN. THE VISION OF JAC OB 2/0
F. W. MARKULL. ROLAND'S HORN (Male Voices) 2/6
F. E. MARSHALL. PRINCE SPRITE (Female voices) 2/6
J . H. MEE. HORATIUS (Male voices) ... ... .. . ... . .. 1/0 DELPHI, A L EGEND OF HELLAS (Male voices) 1/0
MENDELSSOHN. ELIJAH (SoL-FA, 1/0) ... ELIJAH (POCKET EDITION) ... . •. AS THE HART PANTS (42nd Psalm) COME, LET US SING (95th Psalm) ... . .. WHEN ISRAEL OUT OF EGYPT CAME
2/0 2/6 4;0
i~~} 1: :;: 1/0
H. W. PARKER. TH E KOBOLDS ... HORA NOVISSIMA ...
C. H. H. PARRY. DE PROFUNDIS (r3oth Psalm) ... ... . .. ODE ON ST. CECILIA'S DAY (SOL-FA, 1/0) BLEST PAIR OF SIRENS (SOL· FA, 0/8) THE GLORIES OF OUR BLOOD AND STATE PROMETHEUS UNBOU ND JUDITH... ... . . . L'ALLEGRO (SoL·FA, 1/6) .. . ETON ... ... . .. THE LOTUS-EATERS (The Choric Song) J OB ••. .. . ... . .. ..• .. .
DR. JOSEPH PARRY. NEBUCHADNEZZAR
DITTO, S oL-FA . ..
B. PARSONS.
1/0 3/6
2/0 2/0 1/0 1/0 3/0 510 6/0 7/6 2;6 2/0 2/0 2/6
3/0 4/0 5/0 1/6 2/0 2/6
(DITTO, SOL· FA, 0/9) NOT UNTO US, 0 LORD (u5th Psalm) ST. PAUL (SoL-FA, 1/0) ... ST. PAUL (Pocket Edition) .. . . .. ... HYMN OF PRAISE (Lobgesang) (SoL-FA, 1/0) ... LORD, HOW L ONG WILT THOU (SoL-FA, 0/4) ... HEAR MY PRAYER (s. solo and chorus) (SoL-FA,0/31
2/0 2/6 4/0 THE CRUSADER 1/0 1/6 2,0
T. M. PATTISON.
3/6
DITTO DITTO I LAU DA SIO N (Praise J ehovah) (SoL-FA, 0/9) ••• THE FIRST WALPURGIS NIGHT (SOL-FA, 1/0) ... MIDSUMMER NIGHT'S DREAM (Female voices) ATHALIE (SoL-FA, 1/0) ... ... ... ... ... ANT IGO NE (Male voices ) (SOL-FA, 1/0) MAN IS MORTAL(Svoices) ... .. . FESTGESANG (Hymns of Praise)
DITTO (Male voices) •.• CHRISTUS (SoL-FA, 0/6) ... ... .. . . .. THREE MOTETS FOR FEMALE VOICES SON AND STRANGER (Operetta) LORELEY (SoL-FA, 0/6) ... ... ... CEDIPUS AT COLONOS (Male voices) ... . .. TO THE SONS OF ART (Ditto) (SoL-FA, 0/3) JUDGE ME,_ 0 GOD (43rd Psalm) (SOL-FA, 0/1,) .. . WHY RAGE FIERCELY THE HEATHEN .. . MY GOD, WH Y, 0 WHY HAST THOU FOR-
SAKEN ME (22nd Psalm) ... SING TO THE LORD (g8th P salm) ... . .• SIX ANTHEMS for the Cathedral at Berlin. F;;
8 voices , arranged in 4 parts ... . .. AVE MARIA {Saviour of Sinners), 8 voices
MEYERBEER. NINETY-FIRST PSALM (Latin) .. .
DITTO (English) .. .
A. MOFFAT.
1/0 1/6 2/6 1/0 1/0 0/4 2/0 2/6 4/0 1/0 1/6 2/6 1/0 2/0 2/6 4/0 4/0 6/0 1/0 1/0 1/0 110 1/0 4/0 1/0 3/0 l /O 0/4 0/6
0/6 0/8
0/8 1/0
1/0 110
A CHRISTMAS DREAM (A Cantata for Children).. . 1/6
B. MOLIQUE. ABRAHAM
MOZART. KING THAMO S FIRST MASS (Latin and English) SEVENTH MASS, IN B FLAT ... . •• COMMUNION SERVICE, IN B FLAT, ditto TWELFTH MASS (Latin) .. . ... ... . ..
DITTO (Latin and English) (SOL-FA, 0/9) REQUIEM MASS . .. ... ... ... ... . ..
DITTO (Latin and English ) (SoL·FA, 1/0) .. . LITANIA DE VENERABIL! ALTAR IS (ED) .. . L!TA N IA DE VENERABILI SACRAM ENTO(Bb) SPLENDENTE TE DEUS ... F irst Motet 0 GOD, WHEN THOU APPEAREST ditto HAVE MERCY, 0 LORD... Second Motet GLO RY, H ONOUR, PRAISE Third Motet
E. MUNDELLA. VICTORY OF SONG (Female voices) ...
JEREMIAH DR. JOHN NAYLOR.
JOSEF NESVERA. DE PROFUNDIS
E. A. NUNN. MASS, IN C ...
REV. SIR FREDK. OUSELEY.
3/0 3/6 5/0
1/0 1/6 1/0 1/6 2/6 1/0 I /6 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 1/0 1/6 2/6 I /6 2/0 310 I /6 2/0 310 0/3 0/3 0/3 0/3
1/0
3/0
2/6
2/0
THE MARTYRDOM OF ST. POLYCARP ... 2/6
R. P. PAINE. THE LORD RE IGNET H (93rd P salm) 1/0
PALESTRINA.
~m~ ~~~,~M~l~llZd1AR IA ~/~ MISS A BR E VIS ... .. . ... ... 2'5 MI S SA "0 ADMIRABILE COMMERCIUM" 2J6
MAYDAY (SoL-FA, 0/6) .. . ........ . THE MIRACLES OF CH RIST (SoL- FA, 0/9) THE ANCIENT MARINER ... . .. THE LAY OF THE LAST MINSTREL
A. L . PEACE. ST. J OHN THE BAPTIST
A. H. D. PRENDERGAST. THE SECON D ADVENT ...
PERGOLESI. STABAT MATER(Female voices) (SoL-FA, 0/6)
CIRO PINSUTI. PHANTOMS-FANTASM J NELL' OMBRA
E. PROUT.
1/6 2/0 2/6 2/6
2/6
1/6
1/0
1/0
216 DAMON AND PHJNTIAS (Male voices) THE RED CROSS KNIGHT (SOL· FA, 210) THE HUNDREDTH PSALM ... FREEDOM
4/0 4/6 6/0 1/0
HEREWARD ... ... . .. QUEEN AIMEE (Female voices)
PURCELL. DIDO AND JENEAS .. . .. . TE DEUM AND JUBILAT E , I N D •.•
J. F. H. READ.
1/0 4/0 2/6
2/6 l!O
HAROLD 4/0 BARTIMEUS ... 1/6 CARACTACUS... .. . ••• ... ... ... 2/6 THE CONSECRATION OF THE BANNER 1/6 IN THE FOREST (Male voices) 1/0 PSYCHE ... .. . . ... ... ... . .. 5/0 THE DEATH OF YOUNG ROMILLY(Male voices) 1/6
J. V. ROBERTS. JONAH ••• 3/0
W. S. ROCKSTRO. THE GOOD SHEPHERD 2/6
J. L. ROECKEL. THE SILVER PENNY (SoL-FA , 0/9) ... 2/0
EDMUND ROGERS. THE FOREST FLOWER (Female voices) ... 2/6
ROLAND ROGERS. P RAYER AND PRA ISE ... FLORABEL (Female voices)
ROMBERG. THE LAY OF THE BELL (New Edition, t ranslated
4/0 2/6
6/0
7/0
by the Rev. J . Troutbeck, D.D.) (SOL-FA, 0/8) 1/0 1/6 2/6 THE TRANS IENT AND THE ETERNAL 1/0
DITTO, SoL-FA, 0/4
ROSSINI. STABAT MATER (SOL-FA, 1/0) ... 1/0 1/6 2/6 MOSES JN EGYPT... 6/0 6/6 7/6
CHARLES B. RUTENBER. DIVINE LOVE 2/6
ED. SACHS. WATER LILIES 1/0
C. SAI NTO N-DOLBY. FLORIMEL (Female voices) 2/6
NOVELLO'S OCTAVO EDITION OF ORATORIOS, &c.-Continued.
CAMILLE SAINT-SAEN S. THE H E AVEN S D E CLARE-CCELI EN AR RA NT
(19th Psalm) ...
W . H . SANGSTER. ELYSIUM
FRAN K J. SAWYER. THE STAR IN THE EAS T
H. W . SCHARTAU. CHRISTMAS HOLIDAYS (Female voices)
SCHUBERT. MASS, IN A F LAT .. . ... . .. COMMUNION SERVIC E , ditto ... MASS, IN E F LAT ... ... . .. COMMUNION SERVICE , ditto ... MASS, IN B FLAT .. . ... COMMUNION S ER VICE , ditto ... MASS, INC ... . .. COMMUNION SERVICE , ditto .. . MASS, ING .. . .. . ... .. . COMMUNION S E RVIC E , ditto .. . MASS, I N F ... .. . .. . . . . COMM UNION S E RVIC E, dit to ... SONG OF MIRIAM (SoL-FA, 0/6)
SCHUMAN N. THE MINSTRE L'S CU RSE THE KING 'S SO N ... . .. .. . MIGNO N' S R E QUIEM ... .. . ... ...
1/6
1/0
2/6
0/9
l ;O 1/6 2/6 2/0 3/6 2.0 2/6 4/0 2,0 2/6 410 1/0 1/6 2/6 2/0 3/6 1/0 1/6 2/6 2/0 3/6 1/0 1/6 216 2/0 3/6 1/0 1/6 2/6 2,0 3/6 1/0
1/6 1/0 1/0
C. VILLIERS STANFORD. EDEN ... .. . . .. TH E VOYAGE OF MAELDUNE CARMEN SJECULARE THE REVE NGE (SoL-FA, 0/9) GOD IS OUR HOPE (46th Psalm) CE DIPU S RE X (Male voices) THE EUME NIDES .. . M ASS. IN G MAJOR ... . .. COMMUNION SERVICE, IN G E AST TO W E ST ... ... ... THE BATTLE OF THE BALTIC
H. W. STEWARDSON. GIDEON
]. STORER.
&~ ~i ]~ ~8 &!~ 0 0
5/0 6/0 7/6 2/6 3/0 4/0 1/6 1/6 2/0 3/0 3/0 2/6 2/6 1/6 1/6
4/0
THE TOURNAME NT ... ... ... 2/0 MASS OF OUR LADY OF RANSO M 210
E. C. SUCH. NARCISSUS AND ECHO... .. . ... 3/ 0 GOD IS OUR REFUGE (46th Psalm ) ... 1/0
ARTHUR SULLIVAN. THE GOLDEN LEG E ND (SOL·FA,2/0) 3/6 4/ 0 5/0 OD E F OR THE COLONI AL AND IN DIA N
EXHIBITIO N 1/0 FESTIVAL TE DEUM 1/0 1/6 2/ 6
W. TAYLOR. ST. JOHN THE BAPTIST 4/0
A. GORING THOMAS. THE SUN-WORSHIPPERS 1/0 PARADI SE AND T HE PE RI (So L-FA, l /~) ...
PILGRIMAGE OF T HE ROSE ... MANFRED FAUST ... ... .. . ADVENT H YMN," IN LOWLY G UISE " NEW YE AR'S SONG (SO L-FA , 0/6)
2/6 310 4/0 110 1/6 216 1/0 E. H. THORNE.
3/6 5/0 13 E MERCIFUL UNTO ME 3,0 1/0 1/0 1/0
H. SCHUTZ. THE PASSION OF OUR LORD 1/0
BERTRAM LUARD SELBY. CHORUSES AN D IN CIDENTAL MU SIC TO
"HELE N A I N TROAS" 3/6 SUMMER BY THE SEA (Female voices) ... 1/6
H. R. SHELLEY. VEXILLA REGIS (The Royal Banners forward go) 2/6
E. SILAS. MASS, IN C ... ... .. . ... 1/0 COMMUNION SERVICE IN C 1/6 JOASH ... 4/0
R. SLOMAN. · SUPPLICATION AND PRAISE
HENRY SMART.
6/0
BERTHOLD TOURS. A FESTIVAL ODE... ... ... . .. THE HOME OF TITANIA (Female voices) ...
FERRIS TOZ ER.
1/0 1/6
KING NEPTUNE'S DAUGHTE R (Female Voices) 2/6
VAN BREE. ST. CECILIA'S DAY (SoL-FA, 0/9) 1_10 1/3 i /6
CHARLES VINCENT. THE VILLAG E QUEEN (Female voices) (SoL-FA, 0/6) 2/6 THE LITTLE MERMAID (Female voices) .. . . .. 2/6
W. S. VINNING. SONG OF THE PASSION (according to St. John) ... l /6
S. P. WADDINGTON. JOHN GILPIN
W. M. WAIT. THE GOOD SAMARITAN GOD WITH US
R. H . WALKER.
2/0
2/0 2/0
KING RENE'S DAU G HTE R (Female voices) THE BRIDE OF DUNKERRON (SOL-FA, 1/6)
~~ 216 410 JERUSALEM ... 3/0
R. H. WALTHEW. ]. M. SMIETON.
KING ARTHUR (Sor.-FA, 1/0) ARIADNE (S oL-FA, 0/9)
ALICE MARY SMITH
2/6 2/0
TH E RE D KI N G (Men's voi ces )... ... ... ... 110 THE SO N' G OF THE LITTLE BAL TUNG (ditto) 1/0
DIT TO, SOL-FA , 0/8 ODE TO THE NORTH-E AST WIN D ODE TO TH E PASS.JO NS
E . M. SMYTH. MASS IND
A. SOMERVELL. MASS, IN C MIN OR
CHARLTON T. SPEER. THE DAY DREAM ...
SPOHR.
1/0 2/0
2/6
2/6
2/0
MASS {for 5 solo voices and doubl e <.:hoir) 2/0 HYMN TO ST. CE CILIA ... 1/0 CALVARY .. . 216 FALL OF BABYLON ... ... a;o LAST JUDG MENT (SoL-FA, 1/0) 1/0 THE CHRISTIAN'S PR AYE R ... 1/0 GOD, THO U ART GREAT (SoL·FA,0/6) ... .. . 1/0 HOW LOVELY AR E T HY DWELLI NGS FAIR ... 0/8 JEHOVAH, LORD OF H OSTS.. . 0/4
JOHN STAINER.
3/0 4/0 3/6 5 0 1/6 :J:6 1/6 :l/6
THE CRUCIFIXIO N (So L-FA, 0/9) 1/6 2/0 ST. MARY MAGDAL E N (SoL- FA, 1/0) THE DAU G HTER OF J AIR US (SoL- FA, 0/9)
2/0 2/6 4/0 116 2/0
THE PIED PIPER OF HAMELIN ...
WEBER. IN CONSTANT ORDER (Hymn) MASS, IN G (Latin and English) ... MASS, IN E FLAT (Ditto) .. . COMMUNION SE RVICE, IN E FLAT JUBILE E CANTATA PRECIOSA THREE SEASONS ...
IN EXITU ISRAEL D!XIT DOMINUS ...
S. WESLEY.
S. S. WESLEY. 0 LORD, THOU ART MY GOD
]. E. WEST. SEED-TIME AND HARVEST
C. LEE WILLIAMS. THE LAST N IGHT AT BETHANY (SoL-FA, 110) GETHSEMANE .. . ... .. . ... .. . . ..
A. E. WILSHIRE. GOD IS OUR HOPE (Psalm 46) ...
THOMAS WINGHAM. TE DEUM (Latin) ..•
CHAS. WOOD. ODE TO THE WEST WIND ...
]. M. W. YOU NG. THE RETURN OF ISRAE L TO PALESTI NE
LONDON & NEW YORK: NOVELLO, EWER AND CO.
2/0
1/6 1/0 1/6 2/6 1/0 1/6 2/6 1/6 1/0 1/6 1/0 1/0
0/1 l ;O
1/0
2/0
2/0 2/J 2/0 2/6
2/0
1/6
1/0
2/6 3/0
NOVELLO'S
VIOLONCELLO & PIANOFORTE ALBU11S.
I. Mendelssohn. - Four Marches. Transcribed by B. TouRs. No. r, Wedding March; No. 2, War March of the Priests; No. 3, Cornelius March; No. 4, Funeral
s. d.
March 2 6
7. Arthur Sullivan. - "Golden L egend." Nine Transcriptions by
s. d.
B. TOURS ... 2 6
9. Joachim Raff.-Six Marceaux de Salon 2 6
2. Berthold Tours.-Thirty Melodies 2 6 12. Arcangelo Corelli.-Six Sonatas. Book 2. Edited by A. DoLMETSCH 3 6
These Melodies are expressly written to be used in connection with the Author's Violin Primer. 13. Siegfried Jacoby.-Eight N ational
Melodies (Arranged) 2 6
3. Mendelssohn.- "' E lijah." Ten Transcriptions by B. TouRs l
14. Gounod. - "Redemption." Nine 0 T ranscriptions by B. TouRs
4. Gounod.-" Mors et Vita." T en Transcriptions by B. TouRs
15. Arnold Dolmetsch.-Twelve Easy 2 6 Pieces
2 6
2 6
5·. BattisonHaynes.-TwelveSketches 2 6 16. Haakman.-Twelve Characteristic Pieces 2 6
6. Siegfried Jacoby.-Hungarian Dances (Transcribed) 2 6 20. Arnold Dolmetsch.-Ten Pieces.. . 2 6
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Novello's Albums for Pianoforte and Stringed Instruments-
N o. l. ARNOLD DoLMETSCH.-Suite of Four Pieces ...
No. 2. PURCELL.-Suite of Five Pieces. The Pianoforte Accompaniment, Marks of Expression, Bowing, and Fingering, by Arnold Dolmetsch
No. 3. EDWARD GERMAN.-Three Dances from Music to "Henry VIII." I n the press.
Francesco Berger.-Cavatina in F, for Violoncello, with Pianoforte Accompaniment
Rosalind F. Ellicott.- A Reverie, for Violoncello and Pianoforte .. .
H. Hoffmann. -Russian Romance (from Prairie Pictures), arranged by F. GRUTZMACHER
2
2
Romance. Op. 48 2
J. Hollman.-Six Morceaux: No. l,
L egende; No. 2, Pizzicati; No. 3, Aubade; No. 4, Andante; No. 5, Petite Valse; No. 6, Tarantelle 7
Or, singly, each 2
6
G. Libotton.-Six Pieces for the Violoncello with Pianoforte Accompaniment:-
N o. l, Etude Caprice 2 6 ,, 2, Reverie l 6 ,, 3, Caprice Hongrois 2 o ,, 4, Nocturne (Chopin) 6 ,, 5, Chant sans Paroles (Tscbai-
kowsky) .. . 1 6 ,, 6, Du bist die Ruh' (Schubert) I 6
Walter Macfarren.-Sonata in E minor 6 o
A. C. Mackenzie.-Six Pieces. Op. 37. Arranged (from the original for Violin) by J. B. KRALL
Mendelssohn.-Romance sans Paroles. Op. 109
5 0
6 Sonata in F minor. Op. 4 Sona ta in B flat. Op 45 So:i.ata in D. Op. 58
l 6 2 6 3 6 4 0 3 0 Variations Concertantes in D. Op. 17
0 C. Hubert H. Parry.-Sonata in A 6
Alfred Piatti.-Serenata for T wo Vio-loncellos and Pianoforte
Otto Schweiger.-Sonata. Op. 28
6 C. Villiers Stanford. - Three Inter-o mezz1. Op. 13
7 6
3 0
7 6
4 6
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• i. Mendelssohn.-Four Marches. Transcribed by B. TOURS. No. l, Wedding March ; No. 2, War March of the Priests; No. 3, Cornelius March; No. 4, Funeral March . . 2 6
•2. Berthold Tours.-Thirty Melodies (expressly written to be used in connection with the Author's VIOLIN PRIMER) 2 6
•3. Mendelssohn.-" Elijah." Ten Transcriptions by B. TOURS 0
• 4. Gounod.-" Mors et Vita." tions by B. TOURS
Ten Transcrip-
• 5. Battison Haynes.-Twel ve Sketches ..
•5, Siegfried Jacoby.-HungarianDances. (Transcribed) ..
7. Ippolito Ragghianti.-Nine Morceanx de Salon
8. Oliver King.-Twelve Pieces
•9. Joachim Raff.-Six Marceaux de Salon
IO. Siegfried Jacoby.-Six Characteristic Pieces. For Two Violins
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• 13. Siegfried Jacoby.-Eight National Melodies. (Arranged)
2 6
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2 6
2 6
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3 6
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2 6
*16. Haakman.-Twelve Characteristic Pieces ..
17. Handcl.-Six Sonatas. The Pianoforte Accompaniment by A. DOLMETSCH . .
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19. Kate Ralph.-Six Pieces
20. Various Composers.-Fourteen Pieces
2 r. Various Composers.-Twelve Pieces ..
22. Various Composers.-Thirteen Pieces
23. Rosalind F. Ellicott.-Six Pieces
•24. Arthur Sullivan.-" The Golden Legend ." Nine Transcriptions by B . T ouRs
25. J. Miiller.-Forest Pieces (Op. 9)
26. Ethel M. Boyce.-Eight Pieces
27. I. B. Poznanski.-Ten Pieces ..
28. Ch. de Beriot.-Eight Pieces ••
29. Henry Purcell.-Fourteen Pieces. The Pia'1oforte Accompaniment, Marks of Expression, Bowing, and Fingering by ARNOLD DoLMETSCH . ,
30. H. W. Ernst.- Seven Pieces
3r. F. David.-Five Pieces ..
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3 6
3 6
2 6
2 6
2 6
2 6
2 6
2 6
2 6
2 6
2 6
2 6
2 6
2 6
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• 14. Gounod.-" Redemption." Nine Transcrip- 32. H. Yieuxtemps.-Four Pieces .. 2 6
tions by B. TOURS 2 6 33. F. Schubert.-Six Valses arranged by SIE<~-• 15. Arnold Dolmetsch.-Twelve Easy Pieces .. 2 6 FRIED J ACOBY 2 6
* T hese Albums may also be had arranged for Violoncello and Pianoforte.
Edward German.- Three Dances from the Music to Shakespeare's " Henry VIII." Arranged for Violin and Pianoforte by the Composer
net H. Grossheim.-Six Easy Pieces for Violin and
Pianoforte (Op. 24) .. .. .. net C. Gurlitt.-Six Pieces for Violin. With Piano-
forte Accompaniment . . net Romance (from the abo,·e) .. W. Macfarren.-First Sonata
Second Sonata .. •A. C. Mackenzie.-Six Pieces for Violin. With
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Zingaresca (from the above) Benedictus (from the above)
11 II
Orchestra. Full Score Orchestral Parts
" • , Arranged for net
Highland Ballad, Op. 47, No. l, for Violin with Pianoforte Accomp:rniment . . net
Two Pieces (Barcarola and Villanella), Op. 47, No. 2, for Violin with Pianoforte Accompaniment net
s. d.
3 0
2 6
4 0
2 0
6 0
6 0
5 0
2 0
2 0
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3 6
3 6
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Pibroch. Suite for Violin Solo. Arrangement for Violin and Pianoforte . . net 6 o Orchestral Parts rS o
Concerto for the Violin. Arrangement for Violin and Pianoforte . . net 6 o Fnll Score ., 21 o Orchestral Parts ,. 2 r o
Alfred Moffat.-Twelve Transcriptions for Two Violins and Pianoforte . . . . net 5 o
Joseph Ne5Yera.-Ten Pieces for the Violin. With Pianoforte Accompaniment net 6 o
Percy Pitt.-Bagatelles for Violin and Pianoforte (Op. r.) . . net 3 6
I. B. Poznanski.-Ten Sketches for Violin and Pianoforte net 3 6
J. L. Roeckel.-Six Pieces for the Violin. With Pianoforte Accompaniment . . net 5 o
Emile Sauret.-Elegie et Rondo for Violin and Pianoforte . . . . . . . . net 4 o
Herbert W. Wareing.-Six Pieces for the Violin. With Pianoforte Accompaniment :-
r. May Day Festival net 2 o j 4· Pastoral Dance net 2 o 2. At Killee ., 2 o 5. Legende . . " 6 3. Romance ,. I 6 \ 6. Saltarello . • 2 o
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Nos. 1, 2, and 3, in One Vol., cloth, 4s.
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Nos. 7, 8, and 9, in One Vol., cloth, 4s.
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No. 13.-Wollenhaupt, J, Ten Pieces, including Marche Hongroise, Scherzo Brilliant , &c.
No.14.-Wollenhaupt, J, Ten Pieces, including " L a Gazelle," " Mazeppa Galop," &c.
No.15.-Wollenhaupt, J, Ten Pieces, including "Les Clochettes," "Fen Follet," &c. Nos. 13, 14, and 15, in One Vol., cloth, 4s.
No. 16.-Schweizer, Otto. Eight Scottish Airs (arranged for four hands) .
No.17.- Spindler, Fritz. Nine Pieces, includin g "Murmuring Rivulet," The Pilgrims' Chorus ("Tannhauser "), &c.
No.18.- Spindler, Fritz. Nine Pieces, including" L'Oisillon," "Le Carillon," "The Evening Star"(" Tannhauser ") , &c.
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No. 26.- Tours, Berthold. Juvenile Album. Eight Characteristic P ieces (Duets), 2s.
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No. 29.-Kjerulf, Halfdan. Nine Pieces. Op. 4, Nos. r to 3; Op. r2, Nos. r to 6.
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No. 38.-Altschul, Rudolf. Fifty Hungarian National Songs.
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No. 55.- Hofmann, H. F ourteen Pieces. Nos, 53, 54; and 55, in One Vol., cloth, 4s.
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NOVELLO, EWER AND CO.'S MUSIC PRIMERS. 34 0GS No. 43· EDITED BY SIR JOHN STAINER.
MUSICAL GESTURES A NEW AND EASY METHOD OF LEARNING THE RUDIMENTS OF
MUSIC FROM THE OLD NOTATION BY
J. FREDERICK BRIDGE MUS. DOC., OXON.
Organist and Master of the Choristers of Westminster Abbey; Gresham Professor of Music.
This system is already in use in many Schools and Choirs. Dr. Sweeting, Music Master of Rossall School, writes: "The result is admirable. The' Gestures' and also the
rudiments in rhyme will, I am sure, lighten the dry part of many a Music Master's work." Mr. Hanforth, Mus.B. , Organist of Sheffield Parish Church., says : " It is a capital system. I have given my boys
one good dose already-a class of about thirty. From the avidity with which it was swallowed I believe it will prove a popular medicine. This morning I found them busily conducting a class among themselves."
Dr. Sawyer speaks in high terms of the" Gestures," which he has introduced in his various Choirs and Classes.
Choirmasters, or Heads of Schools, can see the Westminster Boys at the " Gestures" on written application to Dr. Bridge.
PRICE TWO SHILLINGS. In Paper Boards, T wo Shillings and Sixpence.
OPINIONS OF THE PRESS. DAILY TELEGRAPH.
No little amusement was created last evening by the spectacle of a number of Dr. Bridge's choristers crossing the platform with measured tread while enunciating the notes of the scale in any key desired. All the 11 Gestures" were duly illustrated in this way, and their simplicity was t hus effectually brouf ht home to the minds of the audience .... Dr. Bridge's "Gestures ' will facilitate the learning of the 11 rudiments " by young pupils.
STANDARD. Dr. Bridge afterwards proceeded to put near a score of choristers
from Westminster Abbey through musical gestures-twenty-three in all-and with their assistance he abundantly demonstrated his simple but effective method.
DAILY NEWS. Professor Bridge, organist of W estminster Abbey, has just written
for N ovello's " Music P rimers 11 an interesting account of how the Abbey choirboys are taught in class by means of" Musical Gestures." T he shapes of notes and the rests are shown by various positions of the fingers and arms, the tones and semitones by steps and half s teps, and so forth, there being twenty-three "Gestures,11 each illustrated by the picture of an Abbey boy in the act of performing it. At Westminst~r Abbey the juniors have long practised the rudiments by means of this ingenious device, and Professor Bridge enthusiastically declares the boys prefer the music game to cricket. H e is now publishing the book mainly for use in the nursery, for school classes, and for country choirs.
MORNING POST. With the aid of the W estminster Choristers, who were in attend
ance, Dr. Bridge ran through the whole set of lessons, and the proficiency of the boys and the ingenious and amusing gestures and rhymes employed occasioned hearty applause and laughter. The whole time occupied by the lecture and the practical exposition of the method was only just over an hour.
DAILY CHRONICLE. Judging from the illustrations, vocal and physical, shown by the
choristers of W estminster Abbey, the invention should be of immense service to country c.hoirmasters.
MORNING LEADER. . . . B ids fair t o win immortality in the grateful recollection of future
generat.ions of childi:en . H e has invented a new system of imparting the rudiments of music to children, a system which, in his own words, "cc_:>mbines physical training with musical training." . .. By Dr. Br_1dge's system-one of the very greatest ingenuity- you enlist a child's love of exercise and movement in aid of his musical studies.
ST. JAMES'S GAZETTE. L ike most good invention$, its simplicity is its chief merit. It will
save the instructors and pupils alike many a weary half-hour.
ECHO. The ingenious manual devices by which these highly-trained lads
represented the duration of notes and their position and the various written signs of music, beat time double, triple, and quadruple, sang and stepped the scales, and explained the meaning of the gestures, in their natural voices, and not in stupid monotone, were as novel as they were pleasing, and were evidently as much enjoyed by the boys as the spectators.
SUNDAY TIMES. An expeditious method of learning the simpler rudiments of music
by means of manual exercises . .. . Should be of much service in training country choirs.
FIGARO. It is a very ingenious idea, and admirably suited for the nursery and
also for training village church choirs and others.
MUSICAL NEWS. The organist of W estminster Abbey has often something new to tell
us, and as he is well provided with a set of chubby cherubs on whom experiments can be tried, we are not surprised at his putting forth a new means of teaching youngsters the signs in music ... , At the end of the book are ten Vocal E xercises in rhyme, designed to impress· upon beginners the rudiments of music. T hese are most cleverly constructed, and we advise choirmasters to get the book and make use of them.
YORKSHIRE POST. Dr. Bridge's system may be described as a sort of musical drill in
whi.ch the scholars' gestures are ingeniously contrived to represent ihe vanous symbols used to express notes, clefs, rests, &c. In addition to this, some vo~13:l exercises, entitl~d "Rudiment~ in Rhyme," are well calculated to impress upon begmners t he rudiments of music while exercising at the same time their voices." 1
LEEDS MERCURY. A ~ortion of the Abbey Soprano C::hoir illustrat ed vocally the novel
but s1~ple scheme of Professor Bridge, and the proceedings, held in the City of London School, were followed with considerable interest by a crowded audience .
GLASGOW HERALD. A most ingenious. little book .. . . The book is largely made up of
beautifully drawn diagrams a nd fi gures, which make the work of the teacher plain . . .. A better method than that here laid down of driving the elements into boys' heads could scarcely be imagined.
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COMPOSITIONS · BY DR. J. F. BRIDGE. -·-
BOADICEA, QUEEN OF THE ICENI. A Cantata. (Vocal Parts, 2s.) ..
NET s. d, 2 . 6 3 0 MOUNT MORIAH (THE TRIAL OF ABRAH AM'S FAITH). An Oratorio. (Vocal Parts, 2s. 8d.)
ROCK OF AGES (JEsus, PRO ME PERFORATus). Latin and English Words. The Latin Version by the Right Hon. W . E . Gladstone, M.P. Composed for the Birmingham Musical Festival, 1885 1
CALLIRHOE. A Cantata. Composed for the Birmingham Festival, 1888 . . . . 2 THE REPENTANCE OF NINEVEH. Oratorio. Composed for Worcester Festival, 1890 THE LORD'S PRAYER. Motet for Chorus and Orchestra. Composed for the Gloucester Festival, 1892 THE INCHCAPE ROCK. Ballad for Chorus and Orchestra
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HYMN TO THE CREATOR (THE SONG OF ST. F RANCIS OF AssIS1). Motet for Solo Soprano, Chorus, and Orchestra. (This W ork was performed at the W orcester Festival, 1884.)
PATEY AND WILLIS, 44, GREAT MARLBO ROUGH STREET.
OVERTURE (MoRTE o'ARTHUR). MS. Performed at the Chester Festival, 1888. "THE FESTIVAL." Ballad for Men's Voices
METZ LER AND CO.
SERVICES. MAGNIFICAT AND NUNC DIMITTIS in D. Easy Setting, partly unison .• MORNING AND EVENING SERVICE, together with the Office for the Holy Communion, in G •. COMMUNION SERVICE in D (Short Setting) OFFERTORY SENTENCES .•
ANTHEMS. GIVE UNTO THE LORD THE GLORY. Short full Anthem for Harvest IT IS A GOOD THING TO GIVE THANKS THE LORD HA TH CHOSEN ZION o WE DECLARE UNTO YOU GLAD TIDINGS. Short full Anthem for Easter o HOPE THOU IN THE LORD. Composed for a Special Service for Children CHRIST BECAME OBEDIENT. Short full Anthem for Ascensiontide BLESSED BE THE LORD THY GOD. Composed for Jubilee Service, Westminster Abbey, 1887 o HAPPY IS THE MAN. For Four Voices . . o THE GOD OF HEAVEN, HE WILL PROSPER US. Composed for the "Church House"
Inaugural Ceremony HE GIVETH HIS BELOVED SLEEP. Composed for Browning's Funeral .. CROSSING THE BAR. Composed for Tennyson's Funeral in Westminster Abbey (Tonic Sol-fa, 2d.) I WILL FEED MY FLOCK. Anthem for Harvest THE BLESSING OF THE LORD. Wedding Anthem •.
CHRISTMAS CAROLS. IN SORROW AND IN WANT. Four Voic·e·s
0o 32 1 JOY, YE PEOPLE ••
CHILD DIVINE. For Four Voices • • . CHRISTMAS BELLS. For Four Voices •.
HYMN FOR A MIDNIGHT SERVICE BROTHER, THOU ART GONE BEFORE US
SONGS. FORGET ME NOT .. .. .. .. 1 61 TEARS .. .. .. .. 0 GLORIOUS CITY (The Centurion's Song) . CROSSING THE BAR .•
From the Cantata" Boadicea" • • .• 2 o SONGS FROM SHAKESPEARE
GLEES, PART-SONGS, &c. THE GOOSE. Humorous Part-Song for Men's Voices • . • • . . • PEACE. (A Fable.) For A.T.T.B. WITH THEE, SWEET HOPE I For A.T.T. B.B. . . WHEN THE SUN SINKS TO REST. s.A.T.B • •. LOOSE THE SAIL I REST THE OAR! s.A.T.B. HURRAH FOR ENGLAND. s.A.T.B. A CANTICLE TO APOLLO. Madrigal for Five Voices BOLD TURPIN. Humorous Part-Song THE GOSLINGS. Humorous Part-Song for Men 's Voices AN OLD RAT'S TALE. ,, ,, ,, ·ODE TO THE TERRESTRIAL GLOBE. Humorous Part-Song for Men's Voices TO PHCEBE. Humorous Part-Song for Men's Voices THE WELL OF ST. KEYNE. Humorous Ballad for Men's Voices
SONATA ORGAN.
MUSIC PRIMERS. ·COUNTERPOINT (Novello, Ewer and Co.'s Music Primers, No. 9) • • • . • • • • • , DOUBLE COUNTERPOINT AND CANON. (Novello, Ewer and Co.'s Music Primers, No. 12) .. ORGAN ACCOMPANIMENT (Novello, Ewer and Co.'s Music Primers, No. 27) MUSICAL GESTURES (Novello, Ewer and Co.'s Music Primers, No. 43) ..
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