The Corning Museum of Glass Annual Report 2010...Ian McKibbin White David B. Whitehouse * Trustee...

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The Corning Museum of Glass Annual Report 2010

Transcript of The Corning Museum of Glass Annual Report 2010...Ian McKibbin White David B. Whitehouse * Trustee...

Page 1: The Corning Museum of Glass Annual Report 2010...Ian McKibbin White David B. Whitehouse * Trustee Emeritus † Deceased, June 13, 2010 ‡ Deceased, March 26, 2010 Pages 4, 16, and

TheCorningMuseumof GlassAnnualReport2010

Page 2: The Corning Museum of Glass Annual Report 2010...Ian McKibbin White David B. Whitehouse * Trustee Emeritus † Deceased, June 13, 2010 ‡ Deceased, March 26, 2010 Pages 4, 16, and

Officers

James B. FlawsChairman of the Board

E. Marie McKee President

Amory Houghton Jr. Vice President

James R. Houghton Vice President

Denise A. Hauselt Secretary

Linda E. Jolly Assistant Secretary

Mark S. Rogus Treasurer

Robert J. Grassi Assistant Treasurer

David B. Whitehouse Executive Director

Trustees

Roger G. Ackerman*Peter S. AldridgeThomas S. Buechner †Van C. Campbell*Dale ChihulyPatricia T. DannJames B. FlawsJohn P. Fox Jr.Ben W. Heineman*Amory Houghton Jr.Arthur A. Houghton IIIJames D. HoughtonJames R. HoughtonThomas C. MacAvoy*E. Marie McKeeCarl H. Pforzheimer IIICarlos A. PicónHelmut RickeMark S. RogusCharles A. Ryskamp*‡Antony E. SnowPeter F. VolanakisWendell P. WeeksIan McKibbin WhiteDavid B. Whitehouse

* Trustee Emeritus† Deceased, June 13, 2010‡ Deceased, March 26, 2010

The Fellows of The Corning Museum of Glass

Carole AllaireGary E. BakerRenée E. BelferRobert A. BelferMike BelkinWilliam W. Boeschenstein*Alan L. CamerosLt. Gen. Christian Clausen, retiredSimon CottleKenneth C. DepewThomas P. DimitroffJay R. DorosDavid DowlerMax ErlacherChristopher T. G. FishAlice Cooney FrelinghuysenWilliam GudenrathJirí HarcubaDouglas HellerA. C. Hubbard Jr.Lawrence JessenKenneth L. JobeDorothy-Lee JonesOlive JonesLeo KaplanHelena KoenigsmarkováMichael KovacekDwight P. LanmonHarvey K. LittletonLouise LutherKenneth W. LyonJosef MarcolinGregory A. MerkelKirk J. NelsonBarbara H. OlsenElmerina L. ParkmanPaul D. ParkmanPaul N. PerrotJohn V. B. PerryJoan P. RandlesRichard F. RandlesPeter RathRachel RussellProf. Dr. Axel von SaldernJosh SimpsonJohn P. SmithJean SosinWalter SpieglPaul J. StankardProf. Dr. Rudolf von StrasserLino TagliapietraCatherine M. V. Thuro-GriptonKenneth R. TreisDeborah TruittDavid WattsKarol WightEric Martin WunschRainer ZietzMaris Zuika

*Life Fellow

Cover and opposite:

Reverse-painted view of the Singelgracht, Amster-dam. The Netherlands, about 1750–1775. W. 93.3 cm (2010.3.146).

Photo Credits

All of the photographs in this Annual Report are by The Corning Museum of Glass (Nicholas L. Wil liams, Andrew M. Fortune, and Allison S. Lavine), with the following exceptions:

Pages 4, 16, and 18: Photo by Gary Hodges

Page 12: Photo by Deidi von Schaewen

Pages 13 and 14: Photo by Maria Strinni Gill

Page 19: Installed at the Chrysler Museum of Art, 2009

The Fellows of The Corning Museum of Glass are among the world’s leading glass collectors, scholars, dealers, and glassmakers. The objectives of this organization are (1) to disseminate knowl-edge about the history and art of glassmaking and (2) to support the acquisitions program of the Museum’s Rakow Research Library. Admission to the fellowship is intended to recognize accomplishment, and is by invitation.

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An educational institutiondedicated to the history,art, and science of glass

Chartered by the Boardof Regents of the Universityof the State of New YorkApril 27, 1951(6026)

Accredited by the AmericanAssociation of Museums1973, 1986, 1999, 2010

TheCorningMuseumof GlassAnnualReport2010

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The Year in Review

One of the highlights of 2010 was receiving reaccreditation by the American Association of Museums (AAM), the professional body that represents America’s museums. Fewer than 800 of the nation’s 17,500 museums are ac-credited. Accreditation by the AAM, which is widely recognized as the ultimate seal of approval for museums, is granted in recog-nition of commitment to excellence, account-ability, and the highest professional standards. Everything described in this Annual Report came under scrutiny, and we were proud (but not surprised) to be reaccredited.

The Museum first applied for, and was grant ed, accreditation in 1973, and since then it has never lost this distinction. Our next review by the AAM is planned for 2023, by which time we will have been accredited for half a century.

There was much to be proud of in 2010. Visitation increased by six percent over 2009, and during the year we welcomed some 387,000 guests. While individual and family visitation was slightly lower than in 2009, the number of tour groups grew by 25 percent. Gross revenue from sales in the GlassMarket and by food services was almost $6 million. Just over one-quarter of all individual and

family guests participated in the Make Your Own Glass Workshop, which for the first time generated revenue of $1 million. The marked increase in group tours prompted us to provide a temporary third venue for the Hot Glass Show, in the auditorium. We also began Hot Glass Show demonstrations on the third of Celebrity Cruises’ Solstice-class ships, and glass auctions on all three ships generated $58,000 for The Studio’s Glassmaking Scholarship Fund.

We continued to enrich our collections. In addition to purchases of glass objects that range in date from the 17th century to the present day, we received, as a gift from the Ennion Society, The Cold Genius, an evocative work in stained glass, made by the American artist Judith Schaechter in 2009.

Other highlights included a large reverse-painted scene, created about 1750–1775, that shows the Singelgracht, one of Amsterdam’s many canals; a richly engraved tankard deco-rated by Johann Franz Trümper at the Altmün-den glasshouse in Hesse-Kassel, Germany, in 1742; a wineglass with a stipple-engraved por-trait executed in The Hague by David Wolff, one of the great late 18th-century masters of this meticulous technique; an imposing cameo glass lamp attributed to Thomas Webb and

The Cold Genius, cut colored glass, lead came; light box. Judith Schaechter (American, b. 1961), U.S., Philadel-phia, PA, 2009. W. 106.7 cm (2010.4.121). Gift of the Ennion Society.

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Sons of Stourbridge, England, about 1880; and Forest Glass, made in 2009 by Katherine Gray, who used found tumblers to create treelike forms and reverse the age-old cycle of destroy-ing forests to make glass, by using glass to make a forest.

One of the pleasures of working at the Mu-seum occurs when the collecting paths of cura-tors and librarians intersect. Members of the Beilby family were celebrated 18th-century English enamelers who decorated numerous drinking glasses with coats of arms, landscapes, and other motifs. In 2010, the Rakow Research Library acquired, with funds contributed by the Fellows of the Museum, a pencil and wash landscape with trees and buildings beside a river, drawn about 1765 and signed by William Beilby.

Seventy-four donors gave the Museum 305 objects for its glass collection, while no fewer than 278 individuals, galleries, and museums and other institutions enriched the holdings of the Rakow Library.

During the year, we presented six temporary exhibitions. We extended the 2009 special ex-hibition, “Voices of Contemporary Glass: The Heineman Collection,” which was seen by more than half a million visitors. The 2010 special exhibition was “Medieval Glass for Popes, Princes, and Peasants,” an overview of glass vessels made in Europe between the end of the Roman Empire and the beginning of the Renaissance. The West Bridge was the venue for three smaller exhibitions. “Tiffany Treasures” brought together objects from the Herbert F. Johnson Museum of Art at Cornell University, the Rockwell Museum of Western Art, and our own collection. “East Meets West: Cross-Cultural Influences in Glassmaking in the 18th and 19th Centuries,” drawn exclu-sively from our collection, explores influences in glassmaking that resulted from cultural exchange between western Europe and East Asia. A small exhibition in the “Masters of Studio Glass” series focused on the master engraver Jirí Harcuba. Meanwhile, in the Rakow Library, we exhibited “Drawings for American Stained Glass,” a selection from the Library’s collection of works of art on paper.

Two events in 2010 that enhanced the stew-ardship of our collections were the opening of a new and enlarged conservation labora-tory and the installation of compact shelving in the Rakow Library. The new shelving not only provides superior conditions for existing

Cartouche study contain-ing landscape design, signed “WBeilby .” Eng-land, William Beilby (English, 1740–1819), about 1765. Watercolor, pen, and ink on paper. H. 15.5 cm, W. 19.9 cm (CMGL 115145). Pur-chased with funds from the Fellows of The Cor-ning Museum of Glass.

hold ings, but also more than triples the Li-brary’s capacity for paper-based publications. This is excellent news because, although we have an ambitious program to digitize the Library’s holdings, we foresee an increase in the rate at which we collect paper, especially in the field of unique archival materials.

The Museum produced a varied list of pub-lications. For the first time, the Annual Report was published in electronic form (with printed copies available on demand). We also changed the contents of the Report to focus on pro-grams. Instead of appearing exclusively in the Report, acquisitions of glass and library mate-rials were described and illustrated in the first volume of Notable Acquisitions, which reviews 50 remarkable additions to our collections.

Other publications on paper included two issues of our Members’ newsletter, The Gather; volume 52 of the Journal of Glass Studies; New Glass Review 31; Medieval Glass for Popes, Princes, and Peasants; and the first in a pro-jected series of three volumes that will provide a comprehensive catalog of our Islamic glass collection. Medieval Glass accompanied our special exhibition, and Islamic Glass in The Corning Museum of Glass, Volume One doc u-ments our rich collection of scratch-engraved and wheel-cut glass of the early centuries of the Muslim era.

At the same time, The Studio produced two DVDs in the “Glass Masters at Work” series: Vittorio Costantini and William Gudenrath,

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both of which were created by the Academy Award–winning filmmaker Robin Lehman.

Educational and public programs are de-signed for all age groups. Adult activities in-cluded the 49th annual Seminar on Glass and a one-day conference on medieval art and ar-chitecture. Among our youth programs were the Junior Curators (who mounted an exhibi-tion titled “Dreaming with Open Eyes: Fantasy Meets Reality”), the Explainers program, and Fire Up Your Future, which focuses on career possibilities in museums and the arts. Scout programs continued to increase, and 12,500 schoolchildren visited the Museum to partici-pate in “Glass: It’s Art, History, Science, and More!” Cooperation with area teachers was reinforced by two Evenings for Educators and the New York State Middle School Association Institute, which was hosted by the Museum.

The Studio presented a full program of ac-tivities. An international faculty taught 61 in-tensive one- or two-week courses in fields as diverse as glassblowing, hot sculpting, flameworking, enameling, and beadmaking. The year’s activities included nine 10-week courses that consisted of one session each week, 30 weekend workshops, and nine one-day workshops. Seven artists from four coun-tries received artist-in-residence awards, and scholarships were awarded to enable 50 artists and students to take classes at The Studio.

Outreach takes many forms. In addition to deploying the Hot Glass Show on the third of Celebrity Cruises’ Solstice-class ships, the Museum presented its GlassLab at the Vitra Design Museum (Germany) during Art Basel.

Much closer to home, the Hot Glass Roadshow participated in Corning’s first GlassFest, which was attended by more than 10,000 people who watched our glassmaking demonstrations in Centerway Square.

The Museum often borrows from institu-tions and collectors to assemble our special ex-hibitions. “Medieval Glass” is a case in point. Conversely, whenever Corning’s treasures would enhance an exhibition elsewhere with-out endangering their safety, we are happy to lend. In 2010, we lent objects to 17 insti-tutions in the United States and abroad. We also lent an entire exhibition—the Richard Meitner show that occupied the West Bridge in 2009—to the Museum of Glass in Tacoma, Washington. Masterworks by Louis Comfort Tiffany (including the exquisite vase that ap-peared on the cover of the 2006 Annual Re­port) were lent to the Musée du Luxembourg in Paris, the Montreal Museum of Fine Arts, and the Virginia Museum of Fine Arts in Rich-mond. We made other loans to the American Museum of Natural History, the Australian National Maritime Museum, the Yale Center for British Art, and the National Constitution Center in Philadelphia.

The Museum accomplishes its programs with support from many sources. Corning Incorporated continues to provide munificent support, as it has done from the day the Mu-seum opened. Additional support comes from donors, foundations, the Fellows of the Mu-seum (who help to secure acquisitions for the Rakow Library), Members, and our patron group, the Ennion Society (which supports glass acquisitions and educational activities). At the annual dinner of the Ennion Society, a sale of glass objects raised almost $16,000 for the Scholarship and Artist-in-Residence Fund at The Studio. Grants in 2010 included $36,890 from the New York State Council on the Arts and $12,500 from the F. M. Kirby Foundation. We acknowledge this support with gratitude; without it, we would not be reporting many of the successes, collective and individual, that are listed in this Annual Report.

We are looking forward to 2011, when we will celebrate the Museum’s 60th birthday on May 19 with a variety of special programs and activities.

David WhitehouseExecutive Director

Ron Bentley, president of Chemung Canal Trust Company, cuts glass ribbon with George Kennard, Steve Gibbs, and Don Pierce at opening ceremony for Corning’s GlassFest.

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Selected Additions to the Glass Collection*

Ancient

Bead, wound, applied, marvered. Probably England, first century B.C.–first century A.D. D. 2.5 cm (2010.1.7).

Bottle, blown. Germany, Low Countries, or northern France, late fifth–sixth century. H. 19.9 cm (2010.1.1).

Islamic

Roundel with musician, stamped. Central Asia, probably 12th century. D. 9.5 cm (2010.1.10). Purchased with funds from Polly and John Guth.

European

Schwarzlot beaker, blown, enameled. Ger-many, Rhine Palatinate, attributed to Johann Anton Carli, about 1675. H. 7.4 cm, D. (rim) 8.8 cm (2010.3.143).

Bowl and plate, mold-blown. Italy, Ven- ice, late 17th century. D. (plate) 35.5 cm (2010.3.140, .141).

Tankard, blown, tooled, applied, cut, en-graved; mounted with silver-gilt foot-ring (silver-gilt domed lid with thumb-piece is missing). Germany, Hesse-Kassel, Altmünden glasshouse, engraved by Johann Franz Trümper, 1742. H. 15.6 cm (2010.3.10).

Cutlery, aventurine glass, cast, tooled; silver, steel blade and fork. Italy, Venice (glass), and England, Sheffield, Daniel Gurney (metal), about 1750. L. (knife) 20 cm, (fork) 17 cm (2010.3.120A, B).

Reverse-painted view of the Singelgracht, Amsterdam. The Netherlands, about 1750–1775. W. 93.3 cm (2010.3.146).

Armorial tumbler, blown, enameled. England, Newcastle upon Tyne, William and Mary Beilby, about 1765. H. 13 cm (2010.2.48). Purchased in part with funds from the F. M. Kirby Foundation.

Portrait goblet, blown, cut, stipple- engraved. The Netherlands, The Hague, attributed to David Wolff, about 1780–1798. H. 15.5 cm (2010.3.144).

Cameo kerosene lamp, blown, cased, acid-etched, cold-worked, assembled. England,

Stourbridge, probably Thomas Webb and Sons, about 1880. H. 50.8 cm (2010.2.36).

Two vases, blown, applied, enameled, gilded. Bohemia, Karlsbad, attributed to the Harrach glassworks, about 1882; design patented by Ludwig Moser, 1878. H. 47 cm (2010.3.142A, B).

Asian

Ruby glass bowl, blown, cut. China, Beijing, 18th–19th century. D. 20.3 cm (2010.6.19).

American

Pair of tumblers, blown, tooled, engraved, applied, enameled, gilded. England (glass) and U.S., probably eastern Massachusetts (decora-tion), 1822–1826. H. 10.4 cm (2010.4.23A, B).

Birdcage seed box, mold-blown. U.S., prob-ably Sandwich, MA, Boston and Sandwich Glass Company, 1830–1840. H. 12.8 cm (2010.4.112). Gift of the Jones Museum of Glass and Ceramics.

Footed vase, blown, tooled, applied. U.S., probably Cambridge, MA, New England Glass Company, about 1845. H. 24.8 cm (2010.4.10). Purchased with funds from the Gladys M. and Harry A. Snyder Memorial Trust.

Bead, first century B.C.–first century A.D. D. 2.5 cm (2010.1.7).

Roundel with musician, probably 12th century. D. 9.5 cm (2010.1.10). Purchased with funds from Polly and John Guth.

Tankard. Engraved by Johann Franz Trümper, 1742. H. 15.6 cm (2010.3.10).

* For more information about many of these ac-quisitions, see The Corning Museum of Glass: Notable Acquisitions 2010 (May 2011).

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Schwarzlot beaker. Attributed to Johann Anton Carli, about 1675. H. 7.4 cm, D. (rim) 8.8 cm (2010.3.143).

Vase with matching ball stopper. Probably Bakewell, Pears & Co., about 1850–1870. OH. 37.5 cm (2010.4.55).

Vase with matching ball stopper, blown, ap-plied. U.S., probably Pittsburgh, PA, Bakewell, Pears & Co., about 1850–1870. OH. 37.5 cm (2010.4.55).

Pitcher, blown, tooled, applied, cut, en-graved with figures and “Emily.” U.S., East Cambridge, MA, New England Glass Com-pany, engraved by Henry S. Fillebrown for his wife, 1860–1866. H. 23.4 cm (2010.4.144).

Condiment and butter dishes in form of canoe, blown, ground, cut; silver mounts. U.S., Philadelphia, PA, J. E. Caldwell & Company, about 1880. Longer: L. 25 cm (2010.4.11, .12).

Plate in “Parisian” pattern, blown, cased, tooled, cut. U.S., White Mills, PA, C. Dor-flinger & Sons, 1890–1910. D. 21.3 cm (2010.4.52). Gift of Bill and Bobbie Mullen.

Colonial ware vase, blown, applied, enam-eled. U.S., New Bedford, MA, Mt. Washington Glass Company, 1893–1895. H. 23.4 cm (2010.4.83).

Rock crystal vase, blown, cased, cut, copper-wheel engraved, ground, polished. U.S., White Mills, PA, C. Dorflinger & Sons, engraved by Walter Graham, about 1903. H. 31 cm (2010.4.14).

Figural lamp, blown, iridized, tooled, as-sembled; bronze. U.S., Corning, NY, Steuben Division, Corning Glass Works (glass), and New York, NY, Segar Studios Inc. (metal), about 1925. H. 64.5 cm (2010.4.7).

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Smallpox Virus and HIV (Human Immunodefi-ciency Virus) from the “Glass Microbiology” series. Luke Jerram (British, b. 1974) with the assistance of Brian Jones and Norman Veitch, the 25th Rakow Commission, 2010. Larger: H. 17.5 cm, W. 25.7 cm (2010.2.46).

Modern

One hundred beaded fringe sample cards and illustrated monograph on the Casa G. Grilli, glass beads; string, paper. Italy, Venice, Casa G. Grilli, about 1902–1925. Dimensions vary (2010.3.20–.119).

Pokal with stars, cased, mold-blown, cut. Dagobert Peche (Austrian, 1887–1923), Czechoslovakia, Nový Bor (Haida), Johann Oertel & Co. for the Wiener Werkstätte, Vienna, Austria, about 1919–1920. H. 22.7 cm, D. 17.1 cm (2010.3.134).

Black Cylinder #3, cased, blown; applied thread drawing. Dale Chihuly (American, b. 1941) with the assistance of Flora Mace, Joey Kirkpatrick, and James Mongrain, U.S., Seattle, WA, 2006. H. 60.2 cm, D. 20.7 cm (2010.4.128). Gift of Dale and Leslie Chihuly in memory of Thomas S. Buechner.

The White Necklace, blown; steel cable. Jean-Michel Othoniel (French, b. 1964), Italy, Murano, Salviati & C., 2007. H. 274.3 cm (2010.3.133).

Material Culture, blown; glue, wood table. Beth Lipman (American, b. 1971), U.S.,

Sheboygan, WI, and Brooklyn, NY, 2008. H. 175.3 cm (2010.4.43).

Soma, kiln-cast, cold-worked; metal. Rich-ard Whiteley (Australian, b. United Kingdom, 1963), Australia, Canberra, ACT, 2008. H. 177.8 cm (2010.6.18).

Untitled, cast. Nicolas Africano (American, b. 1948) with the assistance of Melanie Hunter, U.S., Normal, IL, 2008. H. 65 cm (2010.4.22). Gift of Lani McGregor and Daniel Schwoerer.

The Cold Genius, cut colored glass, lead came; light box. Judith Schaechter (American, b. 1961), U.S., Philadelphia, PA, 2009. W. 106.7 cm (2010.4.121). Gift of the Ennion Society.

Forest Glass, glass, acrylic, steel; about 2,000 found drinking glasses. Katherine Gray (Canadian, b. 1965), U.S., Los Angeles, CA, 2009. Tallest: H. 289.6 cm (2010.4.49).

Smallpox Virus and HIV (Human Immuno­deficiency Virus) from the “Glass Microbiology” series, blown and flameworked borosilicate glass. Luke Jerram (British, b. 1974) with the assistance of Brian Jones and Norman Veitch, U.K., Bristol, the 25th Rakow Commission, 2010. Taller: H. 25.7 cm, D. 17.5 cm (2010.2.46).

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Selected Additions to the Library Collection

Joachim Friedrich Meyen and others, Kurzer Unterricht von der Beschaffenheit und dem Ge brauch der Vergrosserungsglaser und Tele­skopien. Germany, Dresden and Leipzig, Fried-rich Heckel, 1747. H. 20.3 cm, W. 16 cm, 72 pp., seven leaves of plates (CMGL 114461). This treatise on microscopy is bound with five other extremely rare German tracts on micro-scopes and optical instruments.

Five cartouche studies. England, William Beilby (English, 1740–1819) and Thomas Beilby (English, 1747–1826), about 1765. Watercolor, pen, and ink on paper. Largest: H. 18.8 cm, W. 23.5 cm (CMGL 115144–115148). Purchased with funds from the Fellows of The Corning Museum of Glass. One cartouche con-tains a watercolor landscape design, signed by William Beilby.

The Botanic Garden: A Poem, in Two Parts. England, London, Erasmus Darwin (English, 1731–1802), for J. Johnson, 1791. Two vol-umes in one. H. 29.5 cm, W. 22.5 cm (CMGL 119090). Two engraved frontispieces, 18 en-graved plates (one folding). Fore-edge painting of “Kew Bridge on the River Thames.”

Première exposition publique des produits de l’industrie française. France, Grenoble, J. Allier, 1799. First edition, second printing. H. 21 cm, W. 12.5 cm, 30 pp. (CMGL 117335). This is the earliest published catalog of a French industrial exhibition (held in Paris in 1798) containing names and locations of participating artists and merchants.

Tube appellé kalidoscop ou multiplicateur, design for a kaleidoscope. French, 1818. Ink and watercolor on paper. H. 27 cm, W. 43.5 cm (CMGL 113208).

Seven design patents for ornamentation of glassware. U.S., Washington, DC, United States Patent Office, 1886–1892. Each: H. 38 cm, W. 25.4 cm (CMGL 119132, 119136–119142, 119147). All cut glass patterns; pat-ents awarded to William C. Anderson, 1892; Richard Briggs, 1889 (2); George E. Hatch, 1886; Thomas G. Hawkes, 1889; John Hoare, 1891; and Hermann Siegel, 1892.

Weiss­Décor­Buch, bound design pattern book for luxury domestic glassware. Central Europe, about 1900. Original pencil and ink drawings, with some color. H. 54 cm, W. 38 cm (CMGL 113539).

Glassblowers, Murano. Italy, Venice, James McBey (Scottish, 1883–1959), 1925. Print made from dry-point engraving, antique

The Botanic Garden: A Poem, in Two Parts. Erasmus Darwin, 1791. H. 29.5 cm, W. 22.5 cm (CMGL 119090). Right: fore-edge painting of “Kew Bridge on the River Thames.”

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French cream laid paper. H. 17.3 cm, W. 20 cm (CMGL 113141).

Five design plans for structures and mech-anisms relating to the production of the 200-inch disk for the Hale Telescope at Palomar Mountain, California. U.S., Corning, NY, George V. McCauley (American, 1882–1976), about 1934. Black ink on coated linen. Larg-est: H. 96 cm, W. 114 cm (CMGL 118491, 118492, 118498, 118502, 118510). Gift of Mrs. Anne Price.

Design drawing for Venini glass figurine, seated male musician playing cymbals. Italy, Fulvio Bianconi (Italian, 1915–1996), about 1950. Pen and pencil on paper. H. 26 cm, W. 20 cm (CMGL 119150). Gift of Rainer Zietz.

Glassblowers, Murano. James McBey, 1925. H. 17.3 cm, W. 20 cm (CMGL 113141).

Design drawing for Venini glass figurine, seated male musician playing cymbals. Fulvio Bianconi, about 1950. H. 26 cm, W. 20 cm (CMGL 119150). Gift of Rainer Zietz.

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Exhibitionsand Loans

Special Exhibition

Medieval Glass for Popes, Princes, and Peasants

Changing Exhibitions GalleryMay 15, 2010–January 2, 2011

Other Exhibitions

Favorites from the Contemporary Glass Collection

Changing Exhibitions GalleryThrough January 3, 2010

Tiffany Treasures: Design Drawings by Alice Gouvy and Lillian Palmié

West BridgeThrough March 21, 2010Rakow Research LibraryMarch 24–April 30, 2010

Tiffany Treasures: Favrile Glass from Special Collections

West BridgeThrough October 31, 2010

View of “Medieval Glass for Popes, Princes, and Peasants” exhibi-tion.

Voices of Contemporary Glass: The Heineman Collection

Contemporary Glass GalleryThrough January 2, 2011

Masters of Studio Glass: Jirí HarcubaWest BridgeMarch 27–October 31, 2010

Drawings for American Stained GlassRakow Research LibraryMay 17–December 31, 2010

East Meets West: Cross-Cultural Influences in Glassmaking in the 18th and 19th Centuries

West BridgeNovember 18, 2010–October 30, 2011

Glass on Loan

In 2010, the Museum had 61 objects on loan to 10 exhibitions in the United States, Canada, Europe, and Australia. These loans are listed below in chronological order.

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“Alchemy: Crucible of Chemistry,” Bruce Museum, Greenwich, CT, through January 3, 2010; six objects.

“Horace Walpole’s Strawberry Hill,” Yale Center for British Art, Yale University, New Ha-ven, CT, through January 3, 2010; one object.

“Venice in the Age of Canaletto,” The John and Mable Ringling Museum of Art, Sarasota, FL, through January 10, 2010; and Memphis Brooks Museum of Art, Memphis, TN, Feb-ruary 13–May 9, 2010; one object.

“Louis Comfort Tiffany: Couleurs et lu-mière,” Musée du Luxembourg, Paris, France, through January 17, 2010; “Tiffany Glass,” Montreal Museum of Fine Arts, Montreal, QC, Canada, February 11–May 2, 2010; and

“Louis Comfort Tiffany: Color and Light,” Virginia Museum of Fine Arts, Richmond, VA, June 5–August 29, 2010; six objects.

“Mythic Creatures: Dragons, Unicorns, and Mermaids,” Australian National Maritime Museum, Sydney, NSW, Australia, through May 23, 2010; and Ontario Science Center, Toronto, ON, Canada, October 9, 2010– January 9, 2011; one object.

“Traveling the Silk Road: Ancient Pathway to the Modern World,” American Museum of Natural History, New York, NY, through August 15, 2010; six objects.

“Preston Singletary: Echoes, Fire and Shadows,” Museum of Glass, Tacoma, WA, through September 19, 2010; Heard Museum, Phoenix, AZ, October 18, 2010–February 6, 2011; one object.

“Ancient Rome and America,” National Constitution Center, Philadelphia, PA, Feb-ruary 19–August 1, 2010; one object.

“Masters of Studio Glass: Richard Craig Meitner,” Museum of Glass, Tacoma, WA, July 17, 2010–June 19, 2011; 34 objects.

“Wine and Spirit: Rituals, Remedies, and Revelry,” Mount Holyoke College Art Mu seum, South Hadley, MA, September 2– December 12, 2010; four objects.

* * *

Library Materials on Loan

“A New Light on Tiffany: Clara Driscoll and the Tiffany Girls,” Museum Villa Stuck, Munich, Germany, through January 17, 2010; two original watercolor design drawings for Tiffany Enamel Department, lent to the New-York Historical Society.

Objects on display in West Bridge exhibition “Tiffany Treasures: Favrile Glass from Special Collections.”

View of exhibition “East Meets West: Cross-Cultural Influences in Glassmaking in the 18th and 19th Centuries.”

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Education and Public Programs

Adult Programs

Conference on Medieval Art and Architecture (hosted by the Museum), November 13

Exploritas (formerly Elderhostel) at The Studio, March 15–18

Glass and Ceramics Conservation 2010, inter-im meeting of the ICOM Committee for Conservation Working Group (hosted by the Museum), October 3–6

Hot Glass ProgramsDemonstrations at the Museum and in CorningCorning, NY, GlassFest, May 27–30Flameworking, Glass Breaking,

Optical FiberHow’d They Do That?The Late ShowYou Design It; We Make It!

GlassLabVitra Design Museum, Weil am Rhein, Ger-

many, June 14–20 (during Art Basel; de-signers: Atelier Oi, Nacho Carbonell, Wen-dell Castle, Paul Haigh, Sigga Heimis, Max Lamb, Tomáš Libertiny, Olgoj Chorchoj, David Wiseman, Jeff Zimmerman; makers: Steve Gibbs, Lewis Olson, Eric Meek, Marc Barreda, Maria-Bang Espersen, David H. McNabb)

Centre International de Recherche et d’Edu-cation Culturelle et Agricole (CIRECA), Domaine de Boisbuchet, Lessac, France, June 30–July 10Liquid Fusion Workshop (leader: Paul

Haigh; makers: Annette Sheppard, Eric Meek, Verana Schatz)

Woodburning Workshop (leaders: Fred Herbst, Steve Gibbs; maker: Lewis Olson)

Hot Glass Show

Hot Glass RoadshowUniversity of Wisconsin, Stevens Point, WI,

October 5–9 (makers: Erik Meek, John Cowden, G. Brian Juk, Jamie Perian, Ian Schmidt)

SOFA Chicago, Chicago, IL, November 5–7 (leader: John Cowden; makers: Erik Meek, G. Brian Juk; guest artists: Jamie Harris, John Miller, Laura Donefer, Richard Jolley, Devyn Baron, Keith Rowe, Martin Janecky, Brook F. White, Susie Slabaugh, Tim Shaw, Noel Hart, Tyler Rock)

Hot Glass at SeaPresented live narrated demonstrations in hot

glass studio on Celebrity Solstice, Celebrity Equinox, and (since it was launched in April) Celebrity Eclipse

Jeff Zimmerman presents GlassLab demonstration during Art Basel at Vitra Design Museum.

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Meet the Artist LecturesDante Marioni, February 25Jirí Harcuba and April Surgent, June 24

Members’ EventsPreview of “Medieval Glass for Popes, Princes,

and Peasants”Reception with Dante Marioni (Meet the Artist)Reception with Jirí Harcuba and April Surgent

(Meet the Artist)Reception for Rakow Commission by Luke

Jerram (Meet the Artist)Tour of “East Meets West,” November 20

Rakow Library ProgramSave Your Memories: A Workshop on Caring

for Family Diaries, Letters, Photographs, and Other Keepsakes (co-hosted by South-east Steuben County Library), May 2

Road Scholar (formerly Elderhostel) at The

Studio, October 17–22 and November 14–19

Seminar on Glass (49th annual): “Medieval Glass and Its Influence,” October 14–16LecturesOctober 14

“Beauty and the Beast,” William Gudenrath“Glass and Glassmaking in the Middle Ages,”

David Whitehouse“Medieval Stained Glass and Its Architectural

Context,” Timothy B. Husband“Welcome and New Acquisitions Review,”

David Whitehouse

October 15“Armorial, Guild, and Family Glasses,” Florian

Knothe“The Hedwig Beakers,” Jens Kröger“Let’s Fill This Glass with Wine!” Azélina

Jaboulet-Vercherre“Rakow Commission,” Luke Jerram (presented

via Skype)Presentation on techniques of medieval glass-

workers, William Gudenrath and David Whitehouse

October 16“Imagining the Past and Inventing the Present:

The Uses of History in 19th-, 20th-, and 21st-Century Glass,” Tina Oldknow

“No Lost Art: Responses to Medieval Art and Craftsmanship in Late 19th- and Early 20th-Century Stained Glass,” Peter Cormack

Gallery and Museum Tours“Exploring Techniques in the Collection

Galleries,” William Gudenrath“Medieval Glass for Popes, Princes, and

Peasants,” David Whitehouse“New Conservation Lab and Registration

Area,” Warren Bunn and Stephen Koob“Stained Glass through the Ages,” Bonnie

Wright“Tiffany Treasures,” Jane Shadel Spillman

Other ActivityWood-Fired Furnace Demonstration, Fred

Herbst and Steve Gibbs, at Corning Com-munity College

2300° (10th-anniversary year)“Smokin’ Hot,” January 21“Birthday Bash!” February 18“Day after St. Patrick’s Day,” March 18“GlassFest,” May 27“East Meets West,” November 18“Peace, Love, and 2300°,” December 16

Family Programs

Family Exploration Series“Families Explore: Egypt,” January 17“Families Explore: India,” February 21“Families Explore: France,” March 21“Families Explore: Green” (Earth Day),

April 18“Families Explore: The Middle Ages,”

May 16“Families Explore: Germany,” September 19“Families Explore: Science,” October 24

Participants in “Fami-lies Explore: The Middle Ages” enjoy a spinning-wheel demonstration.

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“Families Explore: China,” November 21Family Night at the Museum, March 12 and

September 24Fun with GlassHoliday Open House, December 4 and 5Make Your Own Glass

Children’s Programs

Glass Camp: Glass Detectives (ages 9–12), July 12–16

Little Gather (storytelling, ages 3–10)Merry Mischief: Medieval Mayhem, July 7Suzanne D. White: A Glass Act for Kids,

July 14Tommy Gardner: Kangaroo Waffles and

Other Treasures, July 21Nels Cremean/In Jest: The Greatest Show

on Mirth, July 28Prismatic Magic: A Summer Jam Spectacular,

August 4Susan Rozler: Mama Earth’s Kitchen Band,

August 11Judy Stock: Instruments around the World,

August 18Miss Kristy and Friends: Shelves of Stories,

August 25

Youth Programs

ExplainersFire Up Your Future, January 8 and August 12Junior Curators (included exhibition “Dream-

ing with Open Eyes: Fantasy Meets Reality” at The Studio, June 11–October 31)

Scout ProgramsAll Scouts

Fun with GlassSuper Scout Saturday, November 6

Boy ScoutsArtGeologyScience

Girl ScoutsAdvanced Bead It! March 27 and

October 9ArtBead It! March 27 and October 9Science

School Programs

Glass: It’s Art, History, Science, and More! (attended by 12,500 children)

Immersion in Glass StudiesStudent Art Show (42nd annual), May 7–11

Teacher Programs

Evening for Educators, March 18 and Novem-ber 18

Love It Local! July 19New York State Middle School Association,

eighth annual Middle Level Institute (hosted by the Museum), June 28 and 29

Educational Tours

Adventures in Glass: Art, History, Science (all grades/interdisciplinary or subject-focused)

Jane Spillman, curator of American glass, leads guided tour of “Tiffany Treasures” exhibition.

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Ancient Civilizations (middle school and up)Architecture (high school and college)Astronomy (middle school and up)Be a Designer (all grades)Exploring Shapes and Colors (pre-kindergarten

and kindergarten)Glass and Our Community (third grade)Glass: It’s All Shapes and Sizes (first grade)Glass Matters! (fifth grade)International Baccalaureate Program: Chemis-

try and World History Interdisciplinary Study

Introduction to the Rakow Library: Services and Collections (all grades/interdisciplinary or subject-focused)

Meet the Museum (adult groups)Museum Careers (high school and college)Supply and Demand (middle school and up)Team Building (adult groups)Uses of Glass (elementary school)

Guided Tours

Artist’s Choice ToursJirí Harcuba, June 25Martin Janecky, July 2Nick Mount, July 9Kristina Logan, July 16Paul Stankard, July 23Laura Donefer, July 30Rebecca Congdon, August 6Treg Silkwood, August 13Denise Stillwaggon Leone, August 20William Gudenrath, August 27Daniel Clayman, September 3

Audio and/or curatorial tours of “Medieval Glass” and “Tiffany Treasures”

Docent-led tours of “Voices of Contemporary Glass”

Family Hidden Treasures toursHidden Treasures toursSummer youth group tours: Journey through

GlassTours of The Studio

Gallery Activities

Activity CardsGarden Gallery Hunt (Glass Collection

Galleries)Harvest Hunt (Glass Collection Galleries)Searching for Animals (Glass Collection

Galleries) Sources of Inspiration (“Voices of Contem-

porary Glass” exhibition)

What Inspired Frederick Carder? (Carder Gallery)

Who’s Looking at You, Kids? (Glass Collec-tion Galleries)

Winter Wonders (Glass Collection Galleries)“Be a Glass Detective”: Family Gallery “Director’s Top 10” Rack Card (Museum

Collection)“Kids’ Top 10” Rack Card (Museum Collection)Museum Explainers’ Gallery Carts

Ancient GlassCaneworking and MurrineCasting TechniquesGlass Recipes and Cameo GlassOpticsPressed and Cut GlassStained Glass

The Studio

Intensive CoursesJanuary 4–9“Flameworking for Everybody,” Emilio Santini“Mold Making and More” (kiln casting),

Lucartha Kohler“A Personal Introduction to Molten Glass”

(glassblowing), Carl Siglin

Luann Baker creates object at furnace during glassblowing class at The Studio.

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January 11–16“Flameworking Using Ultimate Details,” Loren

Stump“Introduction to Pâte de Verre,” Sayaka Suzuki“Looking at Patterns and Murrine” (glassblow-

ing), Giles Bettison

January 18–23“Color and Form” (glassblowing), Jamie Harris“Exploring Gilding on Glass” (gilding and

painting), Frances Federer“Imagery in Kiln Forming,” Rene Culler“Survey of Forms in Soft and Borosilicate

Glass” (flameworking), Shane Fero

January 25–30“Color, Form, and Decorative Motifs in Boro-

silicate Glass” (flameworking), Suellen Fowler

“An In-Depth Introduction to Venetian Tech-niques” (glassblowing), William Gudenrath

“Next Steps in Glassblowing,” Harry Seaman

“Painting the Void: Sandblasting and Vitreous Painting,” Denise Stillwaggon Leone

February 1–6“Advanced Cold Construction” (cold working),

Martin Rosol“From the Kiln to the Hot Shop (and Back

Again)” (kiln working and glassblowing), Mark Ditzler and Harry Seaman

“Graphic and Color Systems in Glass” (glass-blowing), Mark Matthews

“Intermediate Marbles with Borosilicate Glass” (flameworking), Christopher Rice

February 8–13“Beadmaking with an Introduction to Glass

Buttons” (flameworking), Heather Trimlett“Enhance Your Glass” (kiln-worked glass and

silver, bronze, and copper metal clay), Ed and Martha Biggar

“From the Kiln to the Hot Shop (and Back Again),” Mark Ditzler and Harry Seaman

“An In-Depth Introduction to Venetian Tech-niques” (glassblowing), William Gudenrath

May 31–June 11“Flameworking for Everybody,” Emilio Santini

and Alex Hamilton“Scandinavian Focus” (glassblowing), Susanne

Jøker Johnsen“Venetian Techniques in Glass Painting,” Lucia

Santini“What Is Going On in There?” (kiln working),

Ann Robinson

June 14–19“Cold Construction” (cold working), Martin

Rosol“Flameworking Using Ultimate Details,” Loren

Stump“The Sum of Its Parts: Methods and Materials

for the Mixed-Media Glass Artist,” Lance Friedman

“Traditional Printmaking Techniques on Glass” (kiln working), Jody Danner Walker

June 21–July 2“Bead Intensive” (flameworking), Heather

Trimlett and Caitlin Hyde“Blowing and Sculpting inside the Bubble,”

Martin Janecky“Glass Carving, Engraving, and Cold Construc-

tion,” Jirí Harcuba and Martin Rosol“Power of Light: Traditional Czech Sculpting”

(kiln working), Pavel Kopriva

Susan Plum prepares glass plate for sand-blasting during Denise Stillwaggon Leone’s class “Painting the Void: Sandblasting and Vitreous Painting” at The Studio.

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July 5–10“Enhance Your Glass: Intermediate Steps”

(precious metal clay and glass), Ed and Martha Biggar

“Form and Color” (glassblowing), Nick Mount“Within the Walls” (kiln working), Martin

Kremer

July 12–17“Beadmaking: Expanding Your Skills” (flame-

working), Kristina Logan“Hot Glass Sculpting,” Karen Willenbrink-

Johnsen and Jasen Johnsen “Revealing the Surface” (kiln working, sand

casting, and cold working), Chad Holliday

July 19–24“Fantastic Fused Fish, Flowers, and Fauna

(kiln working), Mark Ditzler“An In-Depth Introduction to Venetian Tech-

niques” (glassblowing), William Gudenrath“Miniature Paperweights” (flameworking),

Paul Stankard“Next Steps in Glassblowing,” Harry Seaman

July 26–31“The Art of Cameo Engraving,” Helen Millard“Flameworking Cocktail,” Karina Guévin and

Cédric Ginart“Hot Glass, What a Blast!” (glassblowing),

Laura Donefer“Personal Expression in Kiln-Shaped Glass,”

Jacqueline Cooley and Jo Newman

August 9–14“Beginning Flameworking,” Jim Byrnes“Sculpting from Nature,” Treg Silkwood“Three-Dimensional Kiln-Formed Mosaics,”

Douglas Randall

August 16–27“An In-Depth Introduction to Venetian Tech-

niques” (glassblowing), William Gudenrath“Painting the Void: Sandblasting and Vitreous

Painting,” Denise Stillwaggon Leone“Pâte de Verre” (kiln working), Kimiake and

Shin-ichi Higuchi

August 30–September 4“Advanced Solid Sculpture” (hot sculpting),

Pino Signoretto“Mold Making for Glass Casting” (kiln work-

ing), Daniel Clayman“The Zen of Flameworking,” Debbie Tarsitano

September 6–11“Beginning Glassblowing,” Amanda Gundy“Blowing Your Mind” (glassblowing), Janusz

Pozniak“Explorations in Glass Casting” (kiln working),

Loretta Yang“Introduction to Flameworking,” Timothy

Drier

Ten-Week Courses (one session each week)Spring

“Beadmaking & Jewelry Design,” Linda McCollumn

“Beginning Glassblowing,” Allison Duncan“Continuing Glassblowing,” Jeremy Unterman“Introduction to Cane Working,” Jeremy

Unterman“Introduction to Flameworking,” Jim Byrnes

Fall“Beadmaking & Jewelry Design,” Linda

McCollumn“Beginning Flameworking,” Jim Byrnes“Beginning Glassblowing,” Allison Duncan“Continuing Glassblowing,” Jeremy Unterman

Weekend WorkshopsSpringGlassblowing“Beginning Glassblowing,” Aaron Jack, Dane

Jack, Quinn Doyle, and Janet Dalecki“Next Steps in Glassblowing,” Quinn Doyle“Some Assembly Required: An Introduction to

Hot Glass Construction,” Jeremy Unterman

Flameworking“Bead Basics: Introduction to Flameworked

Beads,” Caitlin Hyde and Linda McCol-lumn

“Beginning Flameworking,” Jim Byrnes“Flameworked Animal Beads,” Elijah

Schwartz“Fusing and Flameworking Crossover,” Gayla

Lee and Becky Congdon“Next Steps in Creating Flameworked Beads,”

Becky Congdon“Next Steps in Flameworking,” Jim Byrnes

Flat Glass“Beginning Stained Glass,” Tony Serviente“Flat Glass Techniques,” Tony Serviente“Fused Glass Jewelry,” Gayla Lee“Introduction to Fused Glass,” Glady West“Next Steps in Fusing,” Glady West

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Slate Grove and Leo Tecosky blow glass dur-ing their collaborative artists’ residency in September 2010.

“Photosandblasting Glass,” Denise Stillwaggon Leone

“Precious Metal Clay and Glass Using Copper and Bronze,” Ed and Martha Biggar

FallGlassblowing“Beginning Glassblowing,” Aaron Jack, Chrissy

Lapham, and Quinn Doyle“Introduction to Cane Working,” Jeremy

Unterman“Next Steps in Glassblowing,” Aaron Jack

and Lorin Silverman

Flameworking“Bead Basics: Introduction to Flameworked

Beads,” Linda McCollumn“Beginning Flameworking,” Jim Byrnes“Fancy Icicles,” Caitlin Hyde“Flameworked Animal Beads,” Elijah Schwartz“Fusing and Flameworking Crossover,” Gayla

Lee and Becky Congdon“Next Steps in Flameworking,” Jim Byrnes

Kiln­Based Glass“Flat Glass Techniques,” Tony Serviente“Functional Fusing,” Janet Dalecki“Next Steps in Fusing,” Glady West“Painting on Glass,” Denise Stillwaggon Leone“Precious Metal Clay and Glass Using Copper

and Bronze,” Ed and Martha Biggar

One-Day WorkshopsSpring

“Beadmaking,” Allison Duncan“Beginning Glassblowing,” Quinn Doyle“Paperweights at the Furnace,” Chrissy Lapham

Fall“Beadmaking,” Allison Duncan“Fast and Fun: A Lively Introduction to

Stained Glass and Etching,” Tony Serviente“Jewelry Design with Precious Metal Clay and

Premade Glass,” Beth Hylen“Marble Making,” Quinn Doyle“Paperweights at the Furnace,” Quinn Doyle“Pumpkins and Gourds at the Furnace,”

Chrissy Lapham

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AwardsTo the Museum Award for “outstanding collaboration” to the

Rakow Research Library for working with Carder Steuben Club to digitize photo-graphs from early years of Steuben firm, presented by Association for Library Col-lections and Technical Services

From the Museum

Artists in ResidenceEliza Au (Canada), AprilMarie Retpen (Denmark, lives in Spain),

AprilGayla Lee (U.S.), May

Leo Tecosky and Slate Grove (U.S.), September

Erica Rosenfeld (U.S.), OctoberK Hyewook Huh (South Korea), November

Rakow Commission: Luke JerramRakow Grant for Glass Research: Jerzy J.

Kunicki-Goldfinger, Marjan SterckxRakow Library research scholarships: Anne

Rich (Horseheads High School, first place), Lauren Burt (Corning–Painted Post West High School, second place)

Student Art Show scholarships: Jacque Pruden (Corning–Painted Post East High School), Alex Nagle (Corning–Painted Post West High School)

Forest Glass, glass, acrylic, steel; about 2,000 found drinking glasses. Katherine Gray (Canadian, b. 1965), U.S., Los Angeles, CA, 2009. Tallest: H. 289.6 cm (2010.4.49).

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Professional Activities

Publications

Bardhan, Gail P. “Breaking the Glass Ceiling,” The Flow, Winter 2010, pp. 32–34.

Chatterjee, Nivedita. “Tiffany Design Draw-ings,” Profitable Glass Quarterly, v. 13, no. 2, Summer 2010, pp. 22–23.

Dolbashian, Diane. Contributor to The Cor­ning Museum of Glass: Notable Acquisi­tions 2009, Corning: the museum, 2010 (hereafter, Notable Acquisitions 2009).

Goldschmidt, Eric S. “Goblet Shape Funda-mentals,” Glass Line, v. 24, no. 1, June /July 2010, pp. 14–21.

——. “Modern Interpretations and the Impor-tance of Our Past,” Profitable Glass Quar­terly, v. 13, no. 3, Fall 2010, pp. 34–36.

——. “My Favorite Tools: Heat, Gravity, & Centrifugal Force,” The Flow, Autumn 2010, p. 16+.

Gudenrath, William. Roman Cameo Glass in the British Museum (with Paul Roberts, Veronica Tatton-Brown, and David White-house), London: British Museum Press, 2010.

Glass Masters at Work: William Gudenrath (DVD), a video by Robin Lehman, Corning: The Corning Museum of Glass, 2010.

——. “Glassblowing in the Middle Ages: Tradition and Innovation,” in David White-house, Medieval Glass for Popes, Princes, and Peasants, Corning: The Corning Mu-seum of Glass, 2010, pp. 70–83.

Hylen, Beth J. “At the Lamp,” The Flow, Summer 2010, pp. 42–44+.

——. “Explore the History of Beadmaking at the Rakow Research Library,” The Glass Bead, v. 17, no. 3, Summer 2010, pp. 7–9.

Knothe, Florian. Contributor to Notable Acquisitions 2009.

——. “East Meets West: Cross-Cultural Influ-ences in Glassmaking in the 18th and 19th Centuries,” Journal of Glass Studies, v. 52, Corning: The Corning Museum of Glass, 2010 (hereafter, JGS), pp. 201–216.

——. “Persian Series Vase,” in World of An­tiques & Art, no. 78, February–August 2010, pp. 134–135.

——. “Tapestry as a Medium of Propaganda at Louis XIV’s Court: Display and Audience,” in Baroque Tapestry, ed. Thomas P. Camp-bell and Elizabeth Cleland, New York and New Haven, Connecticut: The Metropoli-tan Museum of Art, 2010, pp. 342–359.

Koob, Stephen P. “An Assessment of Poly -mers Used in Conservation Treatments at The Corning Museum of Glass” (with Norman H. Tennent), Glass and Ceramics Conservation 2010, interim meeting of the ICOM-CC Working Group, Corning, Octo-ber 3–6, 2010, Corning: ICOM Committee for Conservation in association with The Corning Museum of Glass, 2010 (hereafter, Glass and Ceramics), pp. 100–109.

——. “The Conservation Program in the Sanc-tuary of the Great Gods on Samothrace,” in Samothracian Connections: Essays in Honor of James R. McCredie, ed. Olga Palagia and Bonna D. Wescoat, Oxford, U.K.: Oxbow Books, 2010, pp. 197–208.

——. “An Experimental Treatment for Severely Crizzled Glasses,” Glass and Ceramics, pp. 128–132.

Black Cylinder #3, cased, blown; applied thread drawing. Dale Chihuly (American, b. 1941) with the assistance of Flora Mace, Joey Kirkpatrick, and James Mongrain, U.S., Seattle, WA, 2006. H. 60.2 cm, D. 20.7 cm (2010.4.128). Gift of Dale and Leslie Chihuly in memory of Thomas S. Buechner.

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Oldknow, Tina. Contributor to Notable Acquisitions 2009.

——. “Au-delà de la fonction: Quand le verre se fait art / Contemporary Glass: Transcend-ing Function for Art,” in Studio Glass: Collection Anna et Joe Mendel/Anna and Joe Mendel Collection, ed. Diane Charbon-neau, Montreal: Musée des Beaux-Arts /Museum of Fine Arts, 2010, pp. 13–17.

——. “Dan Klein (1938–2009),” JGS, pp. 265–266.

——. “A Glimpse at the Past of Contemporary Glass: Corning’s 1959 and 1979 Exhibi-tions, the Toledo Glass Nationals, and Other Landmark Shows” (with Thomas S. Buechner and others), Glass Art Society Journal, Seattle: the society, 2010, pp. 126–132.

——. “Jury Statement” and “The Rakow Com-mission,” New Glass Review 31, Corning: The Corning Museum of Glass, 2010, pp. 71–74 and 95–97.

——. Karen LaMonte: Charting the Iconog­raphy of Desire (exhibition brochure), New York: Heller Gallery, 2010.

——. “Thinking BIGG,” in Breakthrough Ideas in Global Glass, ed. Kelly Stevelt and Valarie Williams, Columbus, OH: Ohio State University, 2010, pp. 13–16.

Spillman, Jane Shadel. Editor, The Glass Club Bulletin (GCB), National American Glass Club, nos. 216–218, 2010.

——. Contributor to Notable Acquisitions 2009.

——. “Another Amelung Sugar Bowl,” GCB, no. 218, Autumn 2010, pp. 5–7.

——. “Ceramics Copied from American Glass: A 19th-Century Phenom[e]non,” GCB, no. 216, Spring 2010, pp. 9–13.

——. “A Lafayette Vase,” GCB, no. 218, Autumn 2010, pp. 7–9.

——. Review of Joan E. Kaiser, The Glass In­dustry in South Boston, in GCB, no. 216, Spring 2010, pp. 20–22.

——. Review of Ardis M. Slater, Bellflower Pressed Glass: America’s First Complete Tableware, in GCB, no. 218, Autumn 2010, pp. 19–20.

——. Review of Oceans Odyssey: Deep­Sea Shipwrecks in the English Channel, Straits of Gibraltar & Atlantic Ocean, ed. Greg Stemm and Sean Kingsley, in GCB, no. 217, Summer 2010, pp. 16–17.

——. Review of Tiffany Glass: A Passion for Colour, ed. Roselind M. Pepall, in GCB, no. 217, Summer 2010, pp. 18–19.

Van Giffen, N. Astrid R. “Deterioration and

Preservation of Blaschka Glasses” (with Katherine Eremin and others), Glass and Ceramics, pp. 53–62.

Whitehouse, David B. Islamic Glass in The Corning Museum of Glass, v. 1, Objects with Scratch­Engraved and Wheel­Cut Ornament, Corning: the museum, 2010.

——. Medieval Glass for Popes, Princes, and Peasants, Corning: The Corning Museum of Glass, 2010.

——. Contributor to Notable Acquisitions 2009.

——. Medieval Glass for Popes, Princes, and Peasants (exhibition brochure), Corning: The Corning Museum of Glass, 2010.

——. “The Periplus Maris Erythraei and Be-yond,” review of Renata Tomber, Indo­ Roman Trade: From Pots to Pepper, in Journal of Roman Archaeology, v. 23, 2010, reviews fascicle, pp. 782–784.

——. “Thomas S. Buechner (1926–2010),” JGS, pp. 261–263.

See also Gudenrath, William.

Footed vase, blown, tooled, applied. U.S., probably Cambridge, MA, New England Glass Company, about 1845. H. 24.8 cm (2010.4.10). Purchased with funds from the Gladys M. and Harry A. Snyder Memorial Trust.

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Lectures

Bardhan, Gail P. “From Theophilus to Cappy Thompson: The Rakow Library,” American Glass Guild conference, Detroit, MI.

——. “The Visual Idea: A Conversation about the Rakow Library’s Design Drawings” (with Beth J. Hylen), Carder Steuben Club Symposium, Corning, NY.

Brill, Robert H. “Four Projects Suggested for Collaboration, 2010–2011,” Sullivan Park, Corning Incorporated, Corning, NY.

——. “The Morphology of Weathering on Ancient Glasses,” meeting of the Glass and Optical Materials Division, American Ce-ramic Society, Corning, NY.

——. “Some Informal Remarks on Our Mu-seum’s Experience with the Bruker Tracer III–V XRF Analyzer,” Denver X-Ray Con-ference, Denver, CO.

Brumagen, Regan. “Beads: Bicone, Chevron, Dichroic, Kiffa, Millefiori, Porphyr, Rondel . . . You Will Find Them All in the Rakow Research Library of The Corning Museum of Glass!” (with Beth J. Hylen), annual gathering, International Society of Glass Beadmakers, Rochester, NY.

Bunkley, John K. “Preserving Your Communi-

ty’s Stories through Oral History,” annual conference, New York State Library Assis-tants’ Association, Corning, NY (hereafter, NYSLAA conference).

Burns, Kenneth L. “Closing In on Compact Shelving” (with Lori A. Fuller and Tracy L. Savard), NYSLAA conference.

Cassetti, Robert K. “Singing from the Same Sheet of Music” (with Nancy J. Earley), Museum Institute, Sagamore, NY.

Earley, Nancy J. See Cassetti, Robert K.

Fuller, Lori A. See Burns, Kenneth L.

Gudenrath, William.*

Hylen, Beth J. See Bardhan, Gail P., and Brumagen, Regan.

Knothe, Florian.* “Beyond Boundaries: Beads in The Corning Museum of Glass,”

International So ciety of Glass Beadmakers conference, Rochester and Corning, NY.

——. ‘“Conspicuous Distinctiveness’: Heraldry and the Continuous Application of a Medi-eval Art-Form in Glass,” conference on me-dieval art and architecture in honor of Prof. Meredith Lillich, The Corning Museum of Glass.

——. “East Meets West: Cross-Cultural Influ-ences in Glassmaking in the 18th and 19th Centuries,” New York Metropolitan Glass Club, New York, NY.

Koob, Stephen P. “Conservation and Care of Glass Objects,” GlassFest, Corning, NY.

McGovern, Megan H. “Coordinating Digiti-zation Programs: Theory and Practice,” NYSLAA conference.

——. “Managing Digital Assets” (via Skype), annual conference, Western Museums Asso-ciation, Portland, OR.

Mills, Mary Cheek. “Cut Vine and Shamrock: Lamps and Tableware of Union Cut and Plain Flint Glassworks,” Jeffrey S. Evans & Associates, Mt. Crawford, VA.

——. “Glass in Early America,” Winterthur Museum & Country Estate, Winterthur, DE.

——. “History and Technology of American Glass,” Sotheby’s Institute of Art, New York, NY.

Oldknow, Tina.* “Glass: Material in the Ser-vice of Meaning,” Glass Art Association of Canada Conference, Montreal, QC, Canada.

——. “New Glass Review: What Makes the Cut,” Australian National University, Can-berra, ACT, Australia, and John Burton Program, Salem Community College, Car-ney’s Point, NJ.

——. “Seeing through Mass: Glass Architecture and Its Metaphors,” Australian National University, Canberra, ACT, Australia.

——. “Sources of Inspiration: The Heineman Collection,” Peninsula Glass Guild, Charles H. Taylor Arts Center, Hampton, VA, and University of Rochester Laser Energetics Lab, Rochester, NY.

——. “Studio Glass” and “Collecting,” for the course “Glass Insights” (with Richard Jolley and Tommie Rush), Penland School of Crafts, Penland, NC (included panel dis-cussion).

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——. “The Wizard of Nancy and His Succes-sors: Glass, Contemporary Art, and Alche-my,” Metropolitan Glass Club, New York, NY; National Gallery of Australia, Canberra, ACT, Australia; Sydney College of the Visual Arts, Sydney, NSW, Australia; and Tyler School of Art, Temple University, Elkins Park, PA.

Savard, Tracy L. See Burns, Kenneth L.

Spillman, Jane Shadel. “Dining in Style: Table Settings,” Petite Antiques Forum, Baton Rouge, LA.

——. “Dining with the President: White House Table Settings,” Charleston Art & Antiques Forum, Charleston, SC.

——. “From Victorian to Mid-Century Modern: American Glass, 1900–1960,” Decorative Arts and Preservation Forum, Columbus, MS.

——. “Glass in the American Home: From Vic-torian to Mid-Century Modern,” Columbus, MS.

——. “Glass in the Southern Home,” Natchez Antiques Forum, Natchez, MS.

——. “Pairpoint Tableware,” Carder Steuben Club Symposium, Corning, NY.

Whitehouse, David B.* “Early Islamic and Byzantine Silver Stain” (with Lisa Pilosi), The British Museum, London, U.K.

——. “The Glass from Begram,” The Metro-politan Museum of Art, New York, NY, and Asian Art Museum, San Francisco, CA.

* For lecture at Seminar on Glass, see page 13.

Other Activities

Bliss, Kelly L. Received certificate of achieve-ment, level 4, from New York State Library Assistants’ Association (hereafter, NYSLAA).

Brill, Robert H. Vice chairman, Technical Committee 17, International Commission on Glass (hereafter, TC 17).

Brumagen, Regan. President, Academic and Special Libraries Section, New York Li-brary Association; member, membership promotion committee and instruction sec-tion, policy and publications review com-mittee, Association of College & Research Libraries.

Bunn, Warren M., II. Vice president, Executive Committee, Board of Directors, The Exhibi-tion Alliance (a New York State nonprofit museum service organization); member, Registrars’ Committee, American Associa-tion of Museums (hereafter, AAM).

Cassetti, Robert K. Board member, Museum-wise, Oneonta, NY.

Corradini, Ellen D. Secretary, Museum Man-agement Committee, AAM; member, So-ciety for Human Resource Management, Alexandria, VA.

Duane, Elizabeth M. Board member, Gaffer District and Finger Lakes Wine Country, Corning, NY; chairman, marketing com-mittee, Finger Lakes Tourism Alliance, Penn Yan, NY.

Gudenrath, William. Taught “An Introduc -tion to Venetian Glassworking Techniques,” Fire River Art Glass Studio, Sacramento, CA; demonstrated Roman, medieval, and Renaissance Venetian glassworking tech-niques at the Provinciaal Archeologisch Museum, Velzeke, Belgium; made replace-ment foot for The Metropolitan Museum of Art’s Virgil Cup of late 15th or early 16th century to replace stylistically incorrect 19th-century replacement foot; member, Interna-tional Advisory Committee, UrbanGlass, Brooklyn, NY.

Hylen, Beth J. President, Art Libraries Society of Western New York; member, History Advisory Committee, Glass Art Society; member, Safety Advisory Committee, Inter-national Society of Glass Beadmakers.

Condiment and butter dishes in form of canoe, blown, ground, cut; silver mounts. U.S., Philadelphia, PA, J. E. Caldwell & Company, about 1880. Longer: L. 25 cm (2010.4.11, .12).

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Kapral, Kathleen A. Received certificate of achievement, level 4, from NYSLAA.

Knothe, Florian. Served as consultant on French furniture to the Philadelphia Mu-seum of Art, Philadelphia, PA.

Koob, Stephen P. Supervised one intern from the Université Paris 1 Panthéon-Sorbonne, and one from the Academy of Fine Arts, Antwerp, Belgium; chairman, TC 17; mem-ber, Conservation and Heritage Manage-ment Committee, Archaeological Institute of America.

Mills, Mary Cheek. Trustee, Neustadt Col-lection of Tiffany Glass, New York, NY; chairman, nominating committee, National American Glass Club; directed hands-on workshops “Techniques of Glassworking,” Sotheby’s Institute of Art, New York, NY, and “Understanding Glass Technology,” Winterthur Museum & Country Estate, Winterthur, DE.

Nace, Aprille C. Co-chairman, Academic and Special Libraries Section and the NY 3Rs biannual conference, Faster than the Speed of Bytes: Technology, Cognition, and the Academic Librarian; member, Public Aware-ness Committee, New York Library Associ-ation; made “Tiffany Girls” presentation to Chemung Valley History Museum, Elmira, NY.

Oldknow, Tina. Chairman, Advisory Council, North Lands Creative Glass, Lybster, Caith-ness, U.K.; external examiner, The Gerrit Rietveld Academie, Amsterdam, the Nether-lands; juror, Ranamok Glass Prize (Sydney, NSW, Australia), 23rd annual Juried Penin-sula Glass Guild Show (Hampton, VA), Emerging Artist-in-Residence Program, Pil-chuck Glass School (Stanwood, WA), and Red Hot Auction, Museum of Glass (Taco-ma, WA). Member, Advisory Committee, Glass Art Society; Advisory Board, Glass Art Association of Canada; and Interna-tional Council, Pilchuck Glass School, Stanwood, WA.

Public Services Team, Rakow Research Library. Presented oral history project and provided Rakow roving librarian at Corning, NY, GlassFest; prepared glass trivia game for

Carder Steuben Club Symposium, Corning, NY; provided special tour for the University at Buffalo student chapter of the Special Li-brary Association; made presentation to the Fellows of The Corning Museum of Glass; hosted the annual meeting of the South Central Regional Library Council Academic Librarians Group.

Rakow Research Library staff members. Mem-bers, planning committee, annual conference, NYSLAA, Corning, NY: Sheila A. Tshudy, Julia A. Corrice, Tracy L. Savard, Emily S. Davis, Laurie J. Derr, Kathleen A. Kapral, and Lori A. Fuller.

Schwartz, Amy J. Board member and member of governance committee, Museum Associ-ation of New York.

Spillman, Jane Shadel. General secretary, As-sociation Internationale pour l’Histoire du Verre (hereafter, AIHV); secretary, Interna-tional Council of Museums, Glass Commit-tee; first vice president, National American Glass Club; vetted Winter Antiques Show, New York, NY.

Tshudy, Sheila A. Chairman, annual confer-ence, NYSLAA, Corning, NY; member, Certificate of Achievement Review Board, NYSLAA; member, executive committee, Library Assistants’ Special Interest Group, South Central Research Library Council.

Van Giffen, N. Astrid R. Supervised one in-tern from the Université Paris 1 Panthéon-Sorbonne, and one from the Academy of Fine Arts, Antwerp, Belgium; member, Glass Deterioration newsletter committee, ICOM-CC Glass and Ceramics Working Group.

Whitehouse, David B. Board member, AIHV and American Friends of Chartres Cathe-dral; trustee, The Corning Museum of Glass and Rockwell Museum of Western Art, Corning, NY. Member, Royal Geographical Society and Society of Antiquaries of Lon-don, U.K.; Accademia Fiorentina delle Arti del Disegno; Pontificia Accademia Romana di Archeologia, [Rome], Italy; Accademia di Archeologia, Lettere e Belle Arti, Naples, Italy; and Deutsches Archäologisches Insti-tut, [Berlin], Germany.

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Publications

Islamic Glass in The Corning Museum of Glass, Volume 1

David Whitehouse432 pp., 626 color illustrations, drawings

Medieval Glass for Popes, Princes, and PeasantsDavid Whitehouse, with contributions by William

Gudenrath and Karl Hans Wedepohl274 pp., 192 color illustrations

The Corning Museum of Glass: Notable Acquisitions 2009

84 pp., 73 color illustrations

Glass and Ceramics Conservation 2010: Interim Meeting of the ICOM­CC Working Group, October 3–6, 2010, Corning, New York, U.S.A.

Hannelore Roemich, Editorial CoordinatorICOM Committee for Conservation in association

with The Corning Museum of Glass240 pp., more than 150 color and b /w illustrations

Journal of Glass StudiesVolume 52275 pp., illustrations

New Glass Review 31128 pp., 227 color illustrations

Glass Masters at Work: Vittorio Costantini57-minute color video (DVD)

Glass Masters at Work: William Gudenrath120-minute color video (DVD)

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Leadership Team

Robert K. Cassetti Senior Director, Creative Services and Marketing

Ellen D. Corradini Director of Human Resources

Elizabeth M. Duane Director, Marketing and Community Relations

Nancy J. Earley Senior Director, Administration and Finance

E. Marie McKee President

Amy J. Schwartz Director, Development, Education, and The Studio

David R. Togni Jr. Director of Finance

David B. Whitehouse Executive Director

* * *

Peter Bambo-Kocze Bibliographer

Gail P. Bardhan Reference and Research Librarian

Jeannine M. Bates GlassMarket Area Coordinator

Dorothy R. Behan School and Docent Programs Coordinator

JoAnne H. Bernhardt Guest Services Associate

Sally K. BerryGroup Sales and Loyalty Marketing Manager

Frederick J. Bierline Operations Manager

Kelly L. Bliss Cataloguer

Jacqueline M. Brandow Make Your Own Glass Workshop Assistant, The Studio

Nancy R. Brennan Buyer

Regan Brumagen Education and Outreach Reference Librarian

Ann M. Bullock Human Resource / Constituent Management Specialist

John K. Bunkley Reference and Interlibrary Loan Librarian

Warren M. Bunn II Collections and Exhibitions Manager

Kenneth L. Burns Public Services Assistant

Kimberly A. CarlisleExecutive Assistant

Nivedita Chatterjee Processing Archivist

Rebecca A. CongdonDevelopment and Special Projects Coordinator

Christy L. Cook Assistant Registrar

Julia A. Corrice Serials Assistant

John P. Cowden Hot Glass Programs Supervisor

Lynn M. Creeley Retail Operations /Inventory Associate

Laurie J. Derr Collections Management Assistant

Daniel G. DeRusha Hot Glass Outreach Logistics Planner

Marla M. DoanGlassMarket Senior Area Coordinator

Diane Dolbashian Librarian

Quinn H. Doyle Facility Coordinator, The Studio

Allison M. Duncan Fun with Glass Team Leader, The Studio

Matthew K. Eaker Maintenance Coordinator

Peggy J. Ellis Guest Services Coordinator

Shirley K. Faucett GlassMarket Area Coordinator

Kathleen D. Force Storage Facility Coordinator

A. John Ford Narrator / Interpreter

Andrew M. Fortune Photographer / Digital Imaging Team Leader

Lori A. Fuller Associate Librarian, Collections Management

Adrienne V. GennettCuratorial Research Assistant

Steven T. Gibbs Hot Glass Programs Manager

MuseumStaffStaff as ofDecember 31, 2010

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William J. Gilbert Safety Manager

Eric S. Goldschmidt Flameworker Team Leader/ Demonstrator /Narrator

William Gudenrath Resident Adviser, The Studio

Sheila A. Guidice Guest Services and Leisure Sales Manager

Bonnie L. Hackett GlassMarket Sales and Administrative Support Associate

Brandy L. Harold Registrar

Myrna L. Hawbaker Volunteer Program Coordinator/ Telephone Administrator

Stephen Hazlett Preparator, Mount Maker

Beverly J. Hough GlassMarket Area Coordinator

Beth J. Hylen Reference Librarian

Scott R. Ignaszewski Audiovisual and Events Supervisor

Nedra J. Jumper Administrative Project Planner

Kathleen A. Kapral Acquisitions Assistant

Kala G. Karden Volunteer Program Supervisor

George M. Kennard Hot Glass Team Leader/Gaffer

Florian Knothe Curator, European Glass

Thomas M. Knotts Executive Secretary

Stephen P. Koob Chief Conservator

Valerie M. Kretschmann Accounting Associate

David A. Kuentz Innovation Center Technician/ Demonstrator

Allison S. Lavine Digital Photography Assistant

JoAnne M. Leisenring Guest Services Associate

Suzette L. Lutcher GlassMarket Purchasing and Sales Associate

Louise M. Maio Public Programs Planner

Miriam Martinez Membership Services Specialist

James I. Matteson Maintenance Supervisor

Linda R. McCollumn Make Your Own Glass Workshop Assistant, The Studio

Michael A. McCullough Assistant Controller

Megan H. McGovern Digital Asset Specialist

Linda K. McInerny GlassMarket Area Coordinator

Eric T. Meek GlassLab/Ultralight Team Leader/Gaffer

Deborah G. Mekos Senior Graphic Designer

Karen A. Metarko Financial Analyst

L. Kerry MillerTour, Sales, and Reservations Coordinator

Stephanie A. Miller Digital Communications Supervisor

Mary Cheek Mills Education Programs Manager

Timothy M. Morgan Inventory Control Specialist

Aprille C. Nace Associate Librarian, Public Services

Victor A. Nemard Jr. GlassMarket Merchandise Manager

Cameo kerosene lamp, blown, cased, acid-etched, cold-worked, assembled. England, Stourbridge, probably Thomas Webb and Sons, about 1880. H. 50.8 cm (2010.2.36).

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Francis R. Ochab Preparator

Tina Oldknow Curator, Modern Glass

Lewis R. Olson Hot Glass Technical Team Leader/Gaffer

Nancy J. Perkins Events Coordinator

El L. Peterson Maintenance Technician

Shelley M. Peterson Retail Buying/Sales and Operations Supervisor

Donald G. Pierce Hot Glass Team Leader/Gaffer

Martin J. Pierce Digital Photography Technician

Richard W. Price Head, Publications Department

Dara C. Riegel Communications Specialist

Christopher A. RochelleHot Glass Cruise Ship Demonstrator/Narrator

Jacolyn S. Saunders Publications Specialist

Tracy L. Savard Cataloguing Specialist, Artwork and Books

Harry E. Seaman Facility Manager, The Studio

Debra C. Sharretts Human Resource Coordinator

Aaron P. Sheeley Desktop Coordinator

Annette R. Sheppard Hot Glass Cruise Ship Demonstrator/Narrator

Carl A. Siglin Hot Glass Cruise Ship Team Leader

Damon V. Smith Network Analyst

Megan E. Smith-HeafyDigital Designer/Developer

Tina S. Snow Marketing and Communications Coordinator

Jane Shadel Spillman Curator, American Glass

Sara L. Squires Accounting Associate

June E. Stanton GlassMarket Store and Customer Service Supervisor

Yvette M. Sterbenk Communications Manager

Jason M. ThayerAudio Technician

Jill Thomas-Clark Rights and Reproductions Manager

Timothy C. Thompson Server Administrator

Sheila A. Tshudy Cataloguing Specialist, Trade Catalogs and Audiovisual Materials

Jeremy I. Unterman Facility Coordinator, The Studio

N. Astrid R. van Giffen Assistant Conservator

Randy T. Vargason Information Technology Manager

Karen L. Vaughn Student and Instructor Services Coordinator, The Studio

Regina L. WagnerGuest Services Supervisor

Ling Wang Database Administrator

Diane E. Webster Guest Services Lead Studio Associate

Gladys M. West Make Your Own Glass Workshop Manager, The Studio

Melissa J. White Collections Database Specialist

Tina M. Wilcox Accounting Associate

Nicholas L. Williams Photographic Department Manager

Nicholas C. Wilson GlassMarket and Guest Services Technical Coordinator

Shana L. Wilson Conservation and Research Assistant

Violet J. Wilson Administrative Assistant, Curatorial Department

Erin A. Wing Special Projects Manager, The Studio

Bonnie L. Wright Gallery Educator

Stefan M. ZollerPreparator

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DocentsandVolunteers

Anita Adelsberg, 2Jerry Altilio, 5Malinda Applebaum, 4Melissa Bauco, 5Susan Berry, 4Beverly Bidwell, 4Karen Biesanz, 6Judy Bliss, 4Barbara Burdick, 9Louise Bush, 2Richard Castor, 10Zung Sing Chang, 8Sharon Colacino, 5Barbara Cooper, 5Kimberly Cutler, 2Anne Darling, 6Shirley Edsall, 10Charles Ellis, 9Dee Eolin, 5Sherry Gehl, 10Michael Geiger, 3Cheryl Glasgow, 6Nathalie Gollier, 5Gretchen Halpert, 2Thomas Hart, 9Virginia Hauff, 10Roberta Hirliman, 5Janis Hobbs-White, 4

William Horsfall, 8Carla Dyer Jaeger, 7Albert Johnson, 9Margaret Kish, 3John Kohut, 6Jean Krebs, 8Eileen Kremer, 4Daniela L’Antigua, 2Steven Levine, 5Lenore Lewis, 12Dennis Lockard, 5Tricia Louiz, 3Doris Lundy, 19Mary Margeson, 6Sophie Mayolet, 2Connie McCarrick, 5Erin McLaud, 4Mia McNitt, 6William Mecum, 3Daniel Minster, 6Francine Murray, 3Martha Olmstead, 10William Plummer, 8William Powell, 6Judith Prentice, 4Cindy Price, 2Sandrine Remy, 2Thomas Reynolds, 2

Anna Rice, 12Karen Rowe, 6Marian Rutty, 4Betty Santandrea, 3Loris Sawchuk, 30Gisela Smith, 7Shao-Fung Sun, 5Patricia Thiel, 18Steve Tong, 7Edward Trexler, 8Florence Villa, 7Donald Walker, 10Betsy Whedon, 4Mary Young, 4

Honorary docents, who have given more than 15 years of service to the Museum but are no longer able to provide tours, are:

Philip AddabboJosephine BickfordEloise HopkinsMary Ellen IversLucille RichterBetty Shroyer †

In September 2010, we were joined by a class of 19 docents-in-training:

Roger BartholomewCheryl BartonMartina BogerJoseph ColettaBarbara CunninghamMartha CusterSharon DeRushaLinda FieldsBianca HeldtChristine Hoyler Barbara KurcobaYun Kyung LeeElizabeth LiskLisa McKnightDavid StaffordBernadette Doherty

WagonerElizabeth WhitehouseLorraine WrightYizhou Zhang

† Deceased

Stanley AckersonElaine AcombMarcia AdamyLaura AddiegoAnita AliHilda AllingtonSeneca AnastasioAdil AsgherAksa AsgherMolly BehanPeter BehanBillie Jean Bennett

Beverly BidwellHelen BierwilerNancy BurdickAnnette BushLouise BushMargaret CarterSally ChildsGrace ClarkHarold CookPhyllis CookRose DarcangeloBeverly Dates

Marilyn DensonSharon DeRushaSally DutcherShirley EdsallCharles EvansNancy K. EvansCorrine EverhartHelene FordWillis FordJudy FrandsenSherry GehlYolanda Giuffrida

Susan GoodrichAnita GoodwinTerri GraceDavid GuSophia GudenrathGretchen HalpertVirginia HauffJanis Hobbs-WhiteSamah HoqueBarbara Hornick-LockardAnnie HouSally Howells

The Museum’s 70 docents led more than 1,470 tours in 2010 (a total of 2,943 hours).

Our docents, and their years of service to the Museum, are:

In 2010, our volunteers worked a record number of hours—6,880—as they served at special events and helped many Museum departments.

Volunteers in 2010 were:

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Awanda HuntGeorge HuntSuzanne JefferyLaura JohnsSally JohnsonFarhan KhanNicole KieliSarge KinlinMargaret KishInga KochMarianne KostyRobert KostyJean Krebs

Earl LeonardEarl Leonard Jr.Jill LewisLes LewisKatie McCannConnie McCarrickKatherine McNamaraLee MertsonMildred MilesJulie MillerJanet MongAmanda OggeriKavita PatilJanet PerdueConnie PetroJudith PrenticeLucas PruchRocco PuccioRose PuccioRoxanne ReedAnna RiceAnne Rich

Pat SabolLeah SchmidtSusan ScorzaConnie ScudderCourtney SetzerIndira SharmaDeborah SmithGisela SmithMegan SmithAngela Sopp Thomas Speciale Emily Sporn Pat Starzec Adam Stickler Joseph Stutzman Maria Stutzman Justin Sun Shao-Fung Sun Genevieve Tarantelli Winifred Thom Sven Thomas Emily Tifft Joan Tojek Dorothy Touschner James Touschner Katheryn Tripeny Prema Vaddi Eileen Wesneski Judy Whitbred Shelby Wilson Joanne Woodruff Radha Wusirika

New volunteers are: Cara BendorChristopher BerryCole BlissShawn BlissJason BosketShirley BrzezinskiAaron BuckDasha BuduchinaElizabeth CaroscioCorning Chinese

AssociationMichael ColettaCara CurranKaylyn CurranShelby DavisBasak Demirbas

Carolina DownieJuliet DownieIan EltoraMax ErlacherKassra EshraghiAlyssa FranklinAllegra GivensMegan GoodwinSarah GreggAmy HaytonGina JarmilloChris JohnsonMarshall KetchumKasia KieliJulian KoobKevin KucharskiMaya KuttyRachel LebenKaitlyn LemboAnna LeonardNina ListopadzkiRan LiuKatie LynchLiza McKee-ColeMarcia McPhersonMcKenna MurrayLiz Newman-EhmanJemi OngJ. P. PassmoreJodylane PerinoRobert PerkinsDena PuglisiStephen QuattriniAdrien RemyAlex RitterCharlotte RogusEmma RogusNatalie RogusBrianna RossettieKacey ScheibSydney SchmidtSimran SinghGrant SmithJerica SpeerBen SpencerVictoria SquiresPatrick StevensPeter SylvesterKate TriceLauren WitmerEric Zhou

Untitled, cast. Nicolas Africano (American, b. 1948) with the assis-tance of Melanie Hunter, U.S., Normal, IL, 2008. H. 65 cm (2010.4.22). Gift of Lani McGregor and Daniel Schwoerer.

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Development and Donors to the Museum

Development

The Corning Museum of Glass gratefully acknowledges the many donors, Members, foundations, and corporate contributors that supported its initiatives in 2010. Thirteen new individuals and couples joined the Museum’s patron group, the Ennion Society.

The highlight of the year was the annual Ennion Society dinner, held on October 13 in the Museum’s auditorium, which presented a princely celebration of medieval glass. One hundred fifty-seven members of the Society and guests attended, and they enjoyed dining in a medieval setting. The evening was gra-ciously hosted by James B. Flaws, chairman of the Museum’s Board of Trustees, and his wife, Marcia D. Weber. A sale of glass objects raised nearly $16,000 for The Studio’s Scholar-ship and Artist-in-Residence Fund.

Additional Ennion Society events in 2010 included private dinner receptions—at the homes of Society members—for “Meet the Artist” lecturers Dante Marioni, Jirí Harcuba, and April Surgent; a private tour of our special exhibition, “Medieval Glass for Popes, Princes, and Peasants,” led by David Whitehouse; and a reception for the Rakow Commission by Luke Jerram, which included the unveiling of two flameworked and blown glass sculptures, Smallpox Virus and HIV (Human Immunode­ficiency Virus), from his “Glass Microbiology” series.

Gifts given by members of the Ennion So-ciety during the year were used to add an im-pressive work by the American artist Judith Schaechter to the Museum’s collection. The acquisition of this object, a stained glass panel titled The Cold Genius, was voted upon by members of the Directors’, Curators’, Sus-tainers, and Collectors Circles of the Society.

In December, Ennion Society members were invited to preview our Holiday Open House glass sale. The Studio Holiday Open House weekend raised almost $40,000 for The Studio’s Scholarship and Artist-in-Residence Fund. Proceeds from glass auctions on Celeb-rity Cruises’ Solstice-class ships added $58,000 to the Museum’s Glassmaking Scholarship Fund.

Grants in 2010 included $36,890 from the New York State Council on the Arts; $12,500 from the F. M. Kirby Foundation, which helped us to purchase an 18th-century armorial tumbler enameled by members of

the Beilby family; $3,000 from the Samuel H. Kress Foundation to allow Dr. O. Akin Ige, a professor and glass researcher from Nigeria, to attend the interim meeting of the Interna-tional Council of Museums’ Committee for Conservation working group, held at the Museum in October; and $3,500 from The Triangle Fund, which supported The Studio’s cooperative glassblowing and flameworking program with the Corning–Painted Post High School Learning Center.

The Membership Department welcomed 1,000 new Members in 2010.

About 270 Members attended the opening of our special exhibition, “Medieval Glass for Popes, Princes, and Peasants.”

Amy J. Schwartz Director, Development, Education, and The Studio

* * *

Donors to the Glass Collection

Seventy-four donors gave the Museum 305 objects for its glass collection during the year.

AnonymousTwo light bulb blanks. U.S., Wellsboro, PA,

Corning Glass Works, 1950–1951.

Lois and Tom Allis, Hammondsport, NYTwo candelabra. Italy, Venice, Pauly & Cie.,

Compagnia di Venezia e Murano, about 1950–1970.

Ruby glass bowl, blown, cut. China, Beijing, 18th–19th century. D. 20.3 cm (2010.6.19).

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William N. Arduser, Canandaigua, NYBread plate. U.S., 1908.Knurl and stipple guide bottle. U.S., Elmira,

NY, Thatcher Manufacturing Company, 1980.

Marvion E. and Esther Ashburn, Irvine, PAFour Pyrex plates, two Pyrex saucers, and

one Pyrex coffee cup. U.S., Corning, NY, Corning Glass Works, 1940s or early 1950s.

Sheldon Barr and Thomas Gardner, New York, NY

Devotional flask with Saint Nicholas of Bari. Italy, Venice, 17th century.

Devotional flask with Saint Nicholas of Bari. Possibly Italy, Venice, 17th century.

Plate. Italy, Venice, Salviati & C., enameled by Giuseppe Devers, about 1868.

W. Bastiaan Blok, Noordwijk, The NetherlandsSeal. Sixth–fifth century B.C.

Alice Chappell, New York, NYThree sculptures. Japan, Tokyo, Yoshihiko

Takahashi, 1998.Five sculptures. Japan, Tokyo, Yoshihiko

Takahashi, 1999.

Dale and Leslie Chihuly, Seattle, WA (in memory of Thomas S. Buechner)

Sculptural vessel, Black Cylinder #3. U.S., Seattle, WA, Dale Chihuly, 2006.

Corning Incorporated, Corning, NY“Tortoise” champagne flute. Germany,

Riedlhütte, F. X. Nachtmann Bleikristallwerke GmbH and Steuben Glass, Ted Muehling, 2004.

Thomas P. Dimitroff, Corning, NY200-inch disk Pyrex paperweight. U.S.,

Corning, NY, Corning Glass Works, 1934.

Gerald M. Eggert, Rochester, NY (in memory of Christine Clara Eggert Weiss)

Two saltshakers. U.S., New Bedford, MA, Mt. Washington Glass Company, about 1880–1889.

Vase. Probably U.S., possibly England, 1900.Peachblow compote and footed bowl. U.S.,

New Bedford, MA, Pairpoint Corporation, designed by P. Kiluk, 1970–1979.

Bowl with animal print decoration. Sweden, Kosta, Kosta Boda AB, Kjell Engman, about 1990–1995.

Bud vase, Tulipa. Sweden, Kosta, Kosta Boda AB, Ulrica Hydman-Vallien, about 2001–2002.

Gerald M. Eggert, Rochester, NY (gift of Holly C. Eggert)

Bowl. China, about 1888–1918.Silver-clad glass pinch bottle with stopper.

China, about 1900.Compote. U.S., Bath, NY, H. P. Sinclaire

and Company, about 1920–1923.Two cologne bottles with stoppers. U.S.,

Bath, NY, H. P. Sinclaire and Company, 1920–1928.

Spanish compote. U.S., Corning, NY, Steuben Division, Corning Glass Works, 1920–1933.

Bowl, Ariel. Sweden, Orrefors, Orrefors Glasbruk, Edvin Ohrstrom, 1951.

Two Burmese vases. U.S., New Bedford, MA, Gundersen Pairpoint Glass Works, about 1955–1956.

Vase, Nevada. Sweden, Kosta, Kosta Boda AB, Ulrica Hydman-Vallien, about 1993.

Kate Elliott, Santa Fe, NMNikau Vase. New Zealand, Auckland,

Karekare, Ann Robinson, 2005.

Ennion Society of The Corning Museum of Glass, Corning, NY (funds)

Stained glass panel, The Cold Genius. U.S., Philadelphia, PA, Judith Schaechter, 2009.

Plate in “Parisian” pat-tern, blown, cased, tooled, cut. U.S., White Mills, PA, C. Dorflinger & Sons, 1890–1910. D. 21.3 cm (2010.4.52). Gift of Bill and Bobbie Mullen.

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Dr. Giraud V. Foster, Baltimore, MDSculpture. U.S., Savoy, MA, Thomas Patti,

1970.

Lance Friedman, Chicago, ILSculpture, Pop­Bead. U.S., Chicago, IL,

Lance Friedman, 2004.

Ina and Sandford Gadient, Boca Raton, FLBowl. China, 19th century.

Thomas GardnerSee Sheldon Barr.

Jane L. Gerson, Reston, VA (in memory of Beatrice F. Lewis)

Vase, Serpent. France, Wingen-sur-Moder, René Lalique et Cie, René Lalique, designed in 1924.

David and Elissa Goldstein, Naples, FLGrotesque vase. U.S., New Bedford, MA,

Pairpoint Corporation, 1920–1937.

Greater Milwaukee Foundation, Kenneth R. Treis Fund, Milwaukee, WI (funds)

“Lacy Jasmine” vase. France, Verreries et Cristalleries de Baccarat or Cristalleries de Saint-Louis, about 1835–1845.

Polly and John Guth, Corning, NY (funds)Roundel with musician. Central Asia, prob-

ably 12th century.

The Hoard Family and Ariana and Rohan Sokhi, Tequesta, FL

Two compotes, five-piece console set, and two candlesticks in “Grape and Vine” pattern. U.S., New Bedford, MA, Pairpoint Corpora-tion, 1920–1937.

Eugene and Jeanne Holman, Central City, PAGoblet. Belgium, Seraing, Cristalleries du

Val St. Lambert, 1904.

Lawrence Jessen, Frederick, MDGlass pane. U.S., probably Maryland, prob-

ably New Bremen Glassmanufactory of John Frederick Amelung, 1787–1790.

Claret decanter with stopper. Probably U.S., possibly England, about 1840–1860.

Elizabeth Kinzer Johnson and Barbara Kinzer Tobin, Strasburg, PA (granddaughters of Ione Wilson Kinzer)

Covered butter dish. U.S., Joseph Wilson, about 1900.

Dorothy-Lee Jones, Weston, MAPlate. U.S., Sagamore, MA, Pairpoint Cor-

poration, about 1989.

Jones Museum of Glass and Ceramics, Sebago, ME

One Japanese, 40 American, and 43 Euro-pean glass objects. Various makers and dates.

F. M. Kirby Foundation (funds)Armorial tumbler. England, Newcastle upon

Tyne, William and Mary Beilby, about 1765.

John Kohut, Elkland, PA (in memory of John Joseph Kohut and Frances Mary Piecuch Kohut)

Goblet in “Poussin” pattern. U.S., Corning, NY, Steuben Division, Corning Glass Works, about 1930.

Anna and Willem Lameris, Amsterdam, The Netherlands

String of 19 beads. The Netherlands, 17th century.

Dr. Charles Lothridge, New Hope, PAEight wineglasses, one threaded vase, two

Rock crystal vase, blown, cased, cut, copper-wheel engraved, ground, pol-ished. U.S., White Mills, PA, C. Dorflinger & Sons, engraved by Wal-ter Graham, about 1903. H. 31 cm (2010.4.14).

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threaded finger bowls, two optic-molded finger bowls, eight wineglass rinsers, one fruit bowl, one brandy decanter with stopper, one rum decanter with stopper, three decanters with stoppers, and one pitcher. England, 19th century.

Two wineglasses and one vase. Bohemia, 19th century.

Three wineglasses. U.S., 1900–1930.Two wineglasses. U.S., Steuben Glass

Works/Steuben Division, Corning Glass Works, 1903–1933.

Sugar bowl with lid. U.S., probably 1920–1935.

Ellen C. Luce, Painted Post, NYVase with flowers. France, Cristallerie

d’Emile Gallé, about 1920–1930.Vase, Tournesol (Sunflower). France,

Wingen-sur-Moder, René Lalique et Cie, René Lalique, designed in 1923.

Vase with fish. Possibly Czechoslovakia, 1950–1959.

Dorothy Keller Mahoney, Pine City, NY (daughter of Anthony Keller)

Two practice tumblers. U.S., Corning, NY, Steuben Division, Corning Glass Works /Steu-ben Glass Inc., engraved by Anthony Keller, 1930–1940.

Eight plaster casts. U.S., Corning, NY, Anthony Keller, 1940–1950.

Lani McGregor and Daniel Schwoerer, Portland, OR

Sculpture, Hollows. Australia, Queanbeyan, NSW, Cobi Cockburn, 2007.

Sculpture. U.S., Normal, IL, Nicolas Afri-cano, 2008.

Yvonne Moretti, Inverness, FL (in memory of her father, Alessandro Moretti)

Fazzoletto (handkerchief) vase. U.S., Huntington, WV, Pilgrim Glass Company, Alessandro Moretti, 1975.

Dr. G. J. Mount, North Adelaide, SA, Australia (gift in part)

Two sculptures, Reclining Plumb Bobs. Australia, Adelaide, SA, Nick Mount, 2009.

Bill and Bobbie Mullen, Birmingham, MIPlate in “Parisian” pattern. U.S., White

Mills, PA, C. Dorflinger & Sons, 1890–1910.

Robert and Marlea Oldfield, Horseheads, NYPunch bowl. Probably U.S., possibly Corning,

NY, T. G. Hawkes and Company, 1890–1910.

Tina Oldknow, Corning, NYDivided tray, Forbidden Fruit. U.S., Jamaica,

NY, Bent Glass Company for the Glass Guild, Georges Briard, about 1958.

Mrs. Maryalice Arnold Pellicci, Buffalo, NYTwo cruets with stoppers. U.S., Corning,

NY, T. G. Hawkes and Company, 1890–1910.

Karlye Gill Pillai, Latham, NYMug. Germany or Bohemia, engraved by

Emil Kaulfuss, 1890–1903.Cut vase and cut dish. U.S., Corning, NY,

probably T. G. Hawkes and Company, 1900–1915.

Bell. U.S., possibly Corning, NY, Steuben Division, Corning Glass Works, 1920–1933.

Bowl. U.S., possibly Corning, NY, Steuben Division, Corning Glass Works/Steuben Glass Inc., 1930–1939.

Caroline E. Prisse, Amsterdam, The Nether-lands

Sculpture, Elephant. The Netherlands, Leer-dam and Amsterdam, Caroline E. Prisse, 2001.

Richard and Joan Randles, Webster, NYDecanter with silver top. U.S., Corning, NY,

T. G. Hawkes and Company, 1915–1935.

Portrait goblet, blown, cut, stipple-engraved. The Netherlands, The Hague, attributed to David Wolff, about 1780–1798. H. 15.5 cm (2010.3.144).

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Joan Reep, Kailua-Kona, HISilver Glass Bowl. U.S., Boulder, CO, Joan

Reep, 1973–1974.Silver Glass Vase. U.S., Boulder, CO, Joan

Reep, 1996.

Dr. William C. Rock and Annette Lamphier Rock, Brockport, NY

Six kerosene lamps. U.S., 1890–1910.

Dr. Susan W. Schwartz, State College, PATwo Christmas ornament molds in the

shape of a pine cone, one Christmas ornament mold in the shape of a sphere with finial and decorative floral element, and one Christmas ornament mold in the shape of a ribbed tear-drop. U.S., Wellsboro, PA, Corning Glass Works, about 1940–1955.

Daniel SchwoererSee Lani McGregor.

Christopher Sheppard, London, U.K.Strand of 85 turquoise beads, strand of 89

black beads, and strand of 72 amber beads. Vietnam, Han dynasty, 206 B.C.–A.D. 220.

Three wood molds. Germany, 19th century.Tray and cup. Provenance uncertain, 20th–

21st century. Dish and two amphoriskoi. Provenance

uncertain, 1975–2010.

Marilyn and Bruce Shobaken, State College, PASeven “Baltic” drinking glasses. Sweden,

Orrefors, Orrefors Glasbruk, designed by Simon Gate, 1924, manufactured in 1953.

Ashtray. France, Baccarat, Cristalleries de Baccarat, about 1955–1965.

Bowl. U.S., Corning, NY, Steuben Glass, a division of Corning Glass Works, designed by Donald Pollard, 1973.

Ashtray. Sweden, Kosta, Kosta Glasbruk AB, designed by Goran Warff, about 1976.

Tina Snow, Addison, NYTwo wineglasses commemorating the wed-

ding of Prince Charles and Lady Diana. Prob-ably U.S., possibly United Kingdom, 1981.

Gladys M. and Harry A. Snyder Endowment Fund (funds)

Footed vase. U.S., probably Cambridge, MA, New England Glass Company, about 1845.

Ariana and Rohan SokhiSee The Hoard Family.

Steuben Glass LLC, Corning, NYVase with rose and snake (working proto-

type for “Tattoo” vase), vase with owl and branch (working prototype), and vase with moth (working prototype). U.S., Corning, NY, Steuben Glass, designed by Kiki Smith, 2007.

Bob and Stephanie Strous, Isle of Palms, SCVessel, Navajo Blanket Cylinder. U.S.,

Providence, RI, Dale Chihuly, 1975.Moon paperweight. U.S., Oakland, CA,

John Lewis, 1976.Vase. U.S., Knoxville, TN, Richard Jolley,

about 1977–1979. Patchwork Teapot. U.S., Berkeley, CA,

Richard Marquis, 1978.Vase. U.S., Winston-Salem, NC, Jon Kuhn,

1979.Sculpture, Shard. U.S., Normal, IL, David

R. Huchthausen, 1980.Carrot Cup. U.S., Penland, NC, Robert

Levin, 1981.Perfume bottle. U.S., Urbana–Champaign,

IL,William D. Carlson, 1981.Vase. U.S., Smithville, TN, David White,

1981.Sculpture. U.S., Boyerstown, PA, William

Dexter, 1984.Sculpture, Interlock System. U.S., Tulsa, OK,

Kreg Kallenberger, about 1984–1985.

Wayne C. Templer, M.D., Corning, NY (in memory of his parents, Dr. and Mrs. Willis C. Templer)

Vase with scroll handles. U.S., Corning, NY, Steuben Glass Inc., designed by Sidney Waugh, about 1937.

Barbara Kinzer TobinSee Elizabeth Kinzer Johnson.

Bart Woloson, Lake Forest, ILThree thermometers in original case. U.S.,

Philadelphia, PA, distributed by Arthur H. Thomas Co., and Corning, NY, glass manu-factured by Corning Glass Works, about 1900–1930.

Rainer Zietz, London, U.K.Plaque with inscription “Cia. Venezia Mu-

rano.” Italy, Venice, Pauly & Cie., Compagnia di Venezia e Murano, about 1850–1900.

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Wineglass. Italy, Venice, Pauly & Cie., Com-pagnia di Venezia e Murano, Guido Balsamo Stella, about 1930–1935.

Goblet with seven dragonflies. Czechoslo-vakia, Nový Bor, Stanislav Libenský, 1946.

“La Reine” decanter and six glasses in origi-nal packaging. Federal Republic of Germany, Immenhausen, Süssmuth Glashütte, Richard Süssmuth, about 1956–1958.

Vase with stopper. Italy, Murano, Yoichi Ohira, 1988.

Sculpture, Lost Homes II (Verschwundene Heimat). Czechoslovakia, Železný Brod, Dana Vachtová, 1989.

*

Donors to the Future Machines Gallery

The Museum is collecting machines that are significant in the development of 20th-century industrial glassmaking, in anticipation of dis-playing them in a machines gallery.

AGI /Advanced Glass Industries, Rochester, NYTwo prisms. U.S., Rochester, NY, AGI /

Advanced Glass Industries, about 2009–2010.

Emhart Glass Sweden AB, Sundsvall, SwedenThree sections of independent section (IS)

machines. Sweden, Emhart Glass, 1987–1990.Eleven additional parts for IS machines.

Sweden, Emhart Glass, 2009–2010.

* * *

Donors to the Rakow Research Library

Financial DonorsJay and Micki Doros, Irvington, NJ Brad Gougeon, Midland, MIDavid D. Schepps, Aventura, FL

Lenders of MaterialsDave Buck, Corning, NYNicholas M. Dawes, New York, NY Alan and Cathy Gleason, Campbell, NY Eric Hilton, Odessa, NY Elmer V. Huels, Lindley, NYAnne Price, Corning, NY

Donors to the Library CollectionElena Agnini, Munich, GermanyElisabeth R. Agro, Philadelphia Museum of

Art, Philadelphia, PA

Sanford Alderfer’s Fine Art & Antiques, Hatfield, PA

American Bottle Auctions, Sacramento, CAAmerican Glass Gallery, New Hudson, MIAmici dei Musei di Roma, Rome, ItalyAnnieglass Inc., Watsonville, CAAntiquitèaten METZ GmbH Kunstauktionen,

Heidelberg, GermanyArchäologischer Dienst des Kantons Bern,

Bern, SwitzerlandArchitectural Glass Design Australia,

Hampton, VIC, AustraliaWilliam N. Arduser, Canandaigua, NYThe Artful Home, Madison, WIArtland, Dayton, NJAsahi Glass Company Ltd., Yokohama, Japan Marvion E. and Esther Ashburn, Irvine, PAAssociation for Glass Art Studies, Tokyo,

Japan Aste Boetto srl, Genoa, ItalyThe Auctions at Rookwood LLC, Cincinnati,

OHB & P Lamp Supply Co., McMinnville, TNLee F. Baldwin, Corning, NYJohn Banham, Durham County Local History

Society, Spennymoor, County Durham, U.K. Pronob and Gail Bardhan, Corning, NYElizabeth V. Barenthaler, Elmira, NYMichael Barry, Shawnee Mission, KSArlon Bayliss, Anderson, INPetyr Beck, Documentary Media, Seattle, WARicky Bernstein, Penrose Design, Sheffield, MAPat Blair, American Cut Glass Association,

Escondido, CAMartin Blank, Seattle, WATomas Blecha, Prague, Czech RepublicBlenko Glass Company, Milton, WVJody and Kelly Bliss, Rock Stream, NYBodum USA Inc., New York, NYBoisgirard & Associés, Paris, FranceBoston College, Chestnut Hill, MAVernon Brejcha, Lawrence, KSRobert H. and Margaret R. Brill, Corning, NYBroadfield House Glass Museum, Kingswin-

ford, U.K.Bronner’s Christmas Wonderland, Franken-

muth, MISusan Silver Brown, Paradise Valley, AZThomas S. Buechner, Corning, NY †Bukowskis, Stockholm, SwedenSean Campbell, County Leitrim, Republic of

IrelandÜzlifat Canav-Özgümüs, Dogus Üniversitesi

Sanat ve Tasarım Fakültesi, Kadıköy, Istanbul, Turkey

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Cardinal International, Pine Brook, NJChambre Syndicale des Ceramistes et Ateliers

d’Art de France, Paris, FranceRichard and Alice Chappell, Woods Hole, MAChristmas by Krebs, Roswell, NMThe Cleveland Museum of Art, Cleveland, OHGrace Cochrane, Sydney, NSW, AustraliaKatharine Coleman, London, U.K. Barbara J. Conner, Big Flats, NYContemporary Glass Society, Kingswinford,

U.K.Sherry Cooper, Duncan and Miller Glass

Museum, Washington, PAFaith Corrigan, Willoughby, OHCowan’s Auctions Inc., Cincinnati, OHJohn Cowden, Trumansburg, NYCrystal Classics, Columbus, OHCultureel Centrum Het Dak, Leerdam,

The NetherlandsDartington Crystal, Torrington, U.K.The David Collection, Copenhagen, DenmarkGiancomo De Carlo, Venice, ItalyJo de Laat, VC Productions, Oisterwijk,

The NetherlandsKenneth C. Depew, Fort Myers, FLRobert Deutsch, Old City of Jaffa, IsraelThomas Dimitroff, Corning, NYJay and Micki Doros, Irvington, NJFrançois van den Dries, Tilburg, The Nether-

landsBandhu Scott Dunham, Prescott, AZRachel Dworkin, The Chemung County

Historical Society Inc., Elmira, NYEdgewood Orchard Galleries, Fish Creek, WIElegant Lighting, Philadelphia, PAMark Eliott, North Bondi, NSW, AustraliaKate Elliott, Santa Fe, NMRobert Emeringer and Zaiga Baiza, Asselborn,

LuxembourgFenton Art Glass Company, Williamstown, WVShane Fero, Penland, NCFostoria Ohio Glass Association, Fostoria, OHDonald Friedlich, Madison, WIGalerie bei der Albertina Zetter GmbH, Vienna,

AustriaAgnès Gall-Ortlik, Barcelona, SpainCandice Gawne, San Pedro, CAWilliam L. Geary, Västervik, SwedenThe J. Paul Getty Trust, Los Angeles, CAGlasatelier-Galerie Annemiek Punt B.V.,

Ootmarsum, The NetherlandsGlasgalerie Michael Kovacek, Vienna, AustriaSusan Taylor Glasgow, Columbia, MOGlass Art Research Center, Cheonan City,

Republic of Korea

Glass Crafters, Sarasota, FLStephen Gleissner, Wichita, KSGeorg Goes, Museumsdorf Baruther Glashütte,

Baruth, GermanyDarren Goodman, Waynesville, OHHelen Grantham, Bonhams, Gloucestershire,

U.K. Grassi Museum für Kunsthandwerk, Leipzig,

GermanyDonghai Guan, Academy of Arts & Design,

Tsinghua University, Beijing, ChinaHabatat Galleries, Royal Oak, MIOliver Habel, Munich, GermanyNoa Hagiladi, Ramot Meir, IsraelHampel Kunstauktionen, Munich, GermanyGordon H. Hancock, East Patchogue, NYScott Hansen, Briarcliff Manor, NY

Soma, kiln-cast, cold-worked; metal. Richard Whiteley (Australian, b. United Kingdom, 1963), Australia, Canberra, ACT, 2008. H. 177.8 cm (2010.6.18).

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Norman C. Heckler & Co., Woodstock Valley, CT

Peter Herzberg, Corning, NYIrene Hollister, Hanover, NHEd Hoy’s International, Warrenville, ILBeth Hylen, Corning, NYRichard Hylen, Painted Post, NYBarbara Idzikowska, Wrocław, PolandJoseph L. Imler, St. Augustine, FLThe International Exhibition of Glass Kana-

zawa, Kanazawa, Japan International Society of Glass Beadmakers,

Columbus, OHMargaret M. Iwen, Madison, WISusanne Jøker Johnsen, Copenhagen,

DenmarkDorothy-Lee Jones, Sebago, MEJames D. Julia Inc., Fairfield, MEJun and Ree Kaneko, Kaneko Studio,

Omaha, NEIgal Kaptsan, Downingtown, PAThomas Karman, Harpers Ferry, WVTetsuji Katsuta, Suntory Foundation for Arts,

Tokyo, Japan Christine Keers, Sunderland, U.K.Kingsley North Inc., Norway, MIHan der Kluijver, Geervliet, The NetherlandsJan Kock, Højbjerg, DenmarkHelena Koenigsmarková, Museum of Decora-

tive Arts, Prague, Czech RepublicKoganezaki Glass Museum, Kamogun, Japan Lucartha Kohler, Durham, NCJohn Kohut, Elkland, PAJohn Kohut, The American Cut Glass Asso-

ciation, Elkland, PAPavel Kopriva, Kamenický Šenov, Czech

RepublicJens Kröger, Berlin, GermanyKubla Crafts, Charleston, SCTherese Lahaie, Emeryville, CALancaster Colony Design, Dublin, OHDwight P. and A. Lorraine Lanmon, Santa Fe,

NMKen Leach, Gallery 47, New York, NYSerge Lechaczynski, Galerie International du

Verre, Biot, FranceLouis LeLoup, Neupré, BelgiumSteve Levine, Wayne, NYBeth Lipman, Sheboygan Falls, WIMuly Litvak, Litvak Fine Art, Tel Aviv, IsraelDoron and Marianne Livnat, Oostvoorne,

The NetherlandsSteven Lodge, High Wycombe, U.K. Hans-Martin Lorch, Lorch + Seidel Contem-

porary, Berlin, Germany

Jessica Loughlin, Thebarton, SA, AustraliaNicole Vachier Lozano, San Antonio Glass

Art Guild, San Antonio, TXLou Lynn, Winlaw, BC, CanadaJeroen Maes, Glazen Huis, Vlaams Centrum

voor Hedendaagse Glaskunst, Lommel, Belgium

Mallett & Son Ltd., London, U.K.Paul Marioni, Seattle, WAMarilyn Marley, Lady Lake, FLE. Marie McKee, Corning, NYKate McKinnon Designs, Tucson, AZJames Measell, Marietta, OHMeissner-Neumann, Prague, Czech RepublicMichael Angelo Menconi, Westmont, ILGregory Merkel, Corning, NYUrsula Merker, Kelheim, GermanyMidwest Auctioneers & Realty Inc., Jim

Wroda Auction Services, Greenville, OHMillon & Associés, Paris, FranceRitsue Mishima, Venice, ItalyKazuko Mitsushima, Osaka, Japan Monna Glass, Istanbul, TurkeyMorphy Auctions, Denver, PANick and Pauline Mount, Leabrook, SA,

AustraliaMount Holyoke College Art Museum, South

Hadley, MAKathleen Mulcahy, Oakdale, PAMusée des Beaux-Arts, Chartres, FranceMusée du Verre, Ville de Conches, Conches,

FranceMusée-Atelier du Verre, Sars-Poteries, FranceMuseo de Zaragoza, Zaragoza, SpainMuseo del Vetro di Murano, Murano, ItalyMuseum of Art and Archaeology, Columbia,

MOMuseum of Neon Art, Los Angeles, CANamseoul University, Cheonan City, Republic

of KoreaNassau County Museum of Art, Roslyn

Harbor, NYNational Gallery of Australia, Canberra, ACT,

AustraliaNew Zealand Society of Artists in Glass,

Auckland, New ZealandJohn and Loretta Nielsen, Sunshine State

Carnival Glass Association, Palm City, FLTina Oldknow, Corning, NYJennifer Opie, Teddington, U.K. Oriental Trading Company Inc., Omaha, NEMaricel Alvarado Orozco, San José, Costa

RicaPage Button Auctions, Batavia, NYYorgos Papadopoulos, London, U.K.

Birdcage seed box, mold-blown. U.S., probably Sandwich, MA, Boston and Sandwich Glass Company, 1830–1840. H. 12.8 cm (2010.4.112). Gift of the Jones Museum of Glass and Ceramics.

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Dr. Paul D. and Elmerina L. Parkman, Kensington, MD

Kazimierz Pawlak, Academy of Fine Arts, Wrocław, Poland

Irina Penkova, Kiev, UkraineRosalind Pepall, The Montreal Museum of

Fine Arts, Montreal, QC, CanadaPIASA, Paris, FrancePilchuck Glass School, Seattle, WAKarlye Gill Pillai, Latham, NYPolski Komitet Narodowy, Warsaw, PolandPoulin Auction Company, Fairfield, MEAngus M. Powers, New York State College of

Ceramics at Alfred University, Alfred, NYAnne Price, Corning, NYDonna M. Reckseen, Long Beach, CAReid Memorial Presbyterian Church,

Richmond, INHenri Reiling, Utrecht, The NetherlandsRemmen Auction & Appraisal Service,

Portland, ORResearch Institute for Islamic Archaeology

and Culture, Tokyo, Japan Pascale Rihouet, Rhode Island School of

Design, Providence, RIRings and Things, Spokane, WARoan Inc. Auctioneers & Appraisers, Cogan

Station, PAPierre-Louis Roederer, Paris, FranceRoger H. D. Rowley, Pritchard Art Gallery,

University of Idaho, Moscow, IDThe Royal Commission on Environmental

Pollution, London, U.K.Ginny Ruffner, Seattle, WAMare Saare, Tallinn, EstoniaSalusa Glassworks Inc., Prescott, AZSchantz Galleries, Stockbridge, MAPaul Schelling, Corning, NYDavid D. Schepps, Aventura, FLJames R. Schmidt, West Collingswood, NJJohnathon Schmuck, Santa Cruz, CASchöler & Co. GmbH, Kremsmünster, AustriaScottish Glass Society, Glasgow, U.K. Seeck Auctions, Mason City, IAGiampaolo Seguso, VetroVetro, Venice, ItalyWilliam H. Sheriff, Silver Spring, MDAnne-Lise Riond Sibony, Paris, FranceJosh Simpson, Shelburne Falls, MASisson Imports, Kent, WASklárské Muzeum, Kamenický Šenov, Czech

RepublicArdis M. Slater, Bonita Springs, FLSloans & Kenyon, Chevy Chase, MDL. E. Smith Glass Co., Mount Pleasant, PAVal and Rob Smith, LABAC, Leawood, KS

Jane Shadel Spillman, Corning, NYRobert B. Stahr, Chicago, ILMiriam Steger, Facet Design, Leende,

The NetherlandsSteuben Glass LLC, Corning, NYNorman D. Stevens, Storrs, CTStockholms Auktionsverk, Stockholm, SwedenGary Stradling, New York, NYSuntory Museum of Art, Tokyo, Japan Thomas A. Tag, Great Lakes Lighthouse

Research, Chicago, ILGabriella Tassinari, Milan, ItalyNeil Tetkowski, Kean University, Union, NJJill Thomas-Clark, Elmira, NYGünther Thorn, Ersfeld, GermanyThe Louis Comfort Tiffany Foundation,

New York, NYBlanche Tilden, Carlton, VIC, AustraliaTim Timmerman, Beaverton, ORTMSK Magazine, Shanghai, ChinaCaterina Tognon, Caterina Tognon Arte

Contemporanea, Venice, ItalyThe Toledo Museum of Art, Toledo, OHToyama City Institute of Glass Art, Toyama,

Japan Traver Gallery, Seattle, WAPavlos Triantafyllidis, Rhodes, GreeceHeather Trimlett, El Cajon, CAAl Trinidad Jr., Pearl River, NYUppsala Auktions, Uppsala, SwedenLieve Van Stappen, Ghent, BelgiumAnne Vanlatum, Musée-Atelier du Verre, Sars-

Poteries, FranceVetri International Glass, Seattle, WASilvio Vigliaturo, Turin, ItalyPetr Vlcek, Prague, Czech RepublicWagga Wagga City Art Gallery, Wagga Wagga,

NSW, AustraliaUrsula Wallraf-Losch, Bonn, GermanySunny Wang, Academy of Visual Arts, Hong

Kong Baptist University, Kowloon, Hong Kong

David Watts, Barnet, U.K.John J. Weishar, Weishar Enterprises, Wheeling,

WVDan West, The American Cut Glass Associa-

tion, Alva, FLWest End Gallery, Corning, NYWhalen Realty & Auction, Neapolis, OHDavid Whitehouse, Corning, NYWinship Designs Inc., Eugene, ORGregory L. Witul, Niagara Falls, NYAnn Wolff, Berlin, GermanyCharles B. Wood III Inc., Cambridge, MAWoody Auction, Douglass, KS

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The Yamazaki Mazak Museum of Art, Nagoya, Japan

Jay Okun Yedvab, Toronto, ON, CanadaBrent Kee Young, Cleveland Heights, OHZest Gallery, London, U.K.Rainer Zietz, London, U.K.Donalie Zimmerman, Edgerton, KS

† Deceased

* * *

Donors to The Studio

We thank the foundations, individuals, and companies that made generous donations of funds and materials to The Studio’s programs in 2010.

Anonymous gifts (2)Association of Israel’s Decorative Arts,

New York, NYSarah Blue, Hamilton, NYNatalia Phillips Bulgarelli, San José, Costa RicaBullseye Glass Company, Portland, ORJeremy Burdge, Hilliard, OHC-E Minerals, King of Prussia, PAEdward Clark, Kailua, HIAmber Cowan, Philadelphia, PASue Richers Elgar, Plainfield, ILMax Erlacher, Campbell, NYLouise Erskine, Paxton, MA (in memory of

R. Dale Drier, father of Tim and Tracy Drier)

Alan Fine, Berkeley, CAJane and Terry Francescon, Moline, ILFusion Products International, Laguna

Niguel, CAGaffer Glass USA, Kent, WAGail Hapner, Belmont, NHHis Glassworks Inc., Asheville, NCElizabeth Janka and David Judge, Brooklyn, NYDrs. Allan Jaworski and Deborah M. Winn,

Silver Spring, MDMr. /Mrs. Gene W. Kammerer (for the

Christopher John Kammerer Memorial Scholarship Fund)

Howard Kessler, Freeport, ME (in memory of R. Dale Drier, father of Tim and Tracy Drier)

Robin Lehman, Rochester, NYMary McEachern, Rockville, MD (in memory

of R. Dale Drier, father of Tim and Tracy Drier)

Metropolitan Contemporary Glass Group, Scarsdale, NY

Elizabeth G. Miller, Pound Ridge, NYPencie Newton, Burke, VANorthstar Glassworks Inc., Tigard, ORKaren Ohland, Lyndhurst, NJ (in memory of

R. Dale Drier, father of Tim and Tracy Drier)

Paperweight Collectors Association of Texas Inc., Austin, TX

David Porter, Lansing, MIRenee Schilit, Tarzana, CALorraine Schinelli, Dunwoody, GAVincent Tancredi, Brooklyn, NYTyler Glass Guild, Philadelphia, PAUroboros Glass, Portland, OR

* * *

Gifts in Kind

Special thanks to the businesses and individ-uals that provided goods, services, and gifts of time and talent to the Museum in 2010.

Absolute A Cappella, Cornell University, Ithaca, NY

Aces, Corning, NYChristine Adams, Corning, NY All Saints Academy, Corning, NY Alternative School for Math and Science,

Corning, NY Atwater Estate Vineyards, Hector, NY Todd Baker, Corning, NYWendy Brubaker, Corning, NYSteve Calkins, Ithaca, NY Frederick Carder Elementary School,

Corning, NY Tashina Cardone, Elmira, NYCasa Larga Vineyards, Fairport, NY Cascata Winery, Watkins Glen, NY Chateau LaFayette Reneau, Hector, NYChemung Valley Montessori School,

Elmira, NYCatherine Clark, Corning, NYCorning Brass Works, Corning, NY Corning Christian Academy, Corning, NY Corning Free Academy Middle School,

Corning, NY Corning Gaffer District, Corning, NY Corning–Painted Post East High School,

Corning, NY Corning–Painted Post West High School,

Painted Post, NYLisa Cowden, Trumansburg, NY Crystal Chords, Corning, NY Damiani Wine Cellars, Hector, NY

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Dr. Frank’s Vinifera Wine Cellars, Ham-mondsport, NY

James Duffy, Elmira, NY Eagle Crest Vineyards, Conesus, NY Erwin Valley Elementary School, Painted

Post, NY Shawn Farwell, Corning, NY Flowers by Christopher’s, Elmira, NY Fox Run Vineyards, Penn Yan, NY Fulkerson Winery, Dundee, NY Lisa Gillis, Corning, NY Glenora Wine Cellars Inc., Dundee, NY Maria Goldwyn, Painted Post, NY Hugh Gregg Elementary School, Corning, NY Hazlitt 1852 Vineyards, Hector, NY Heron Hill Winery, Hammondsport, NY Hickory Hollow Wine Cellars, Dundee, NY Sharron Holland, Watkins Glen, NY James Horton, Painted Post, NY Hosmer Winery, Ovid, NYHunt Country Vineyards, Branchport, NY Joni Kehoe, Corning, NY Keuka Lake Vineyards, Hammondsport, NYKing Ferry Winery, King Ferry, NY Lakewood Vineyards, Watkins Glen, NY Lamoreaux Landing, Lodi, NY Lindley-Presho Elementary School, Painted

Post, NY Marina Liriano, Corning, NY McGregor Vineyard, Dundee, NYMiles Wine Cellars, Himrod, NY Katherine Miller, Corning, NY Montezuma Winery, Seneca Falls, NY Northside Blodgett Middle School, Corning,

NY Erin O’Leary-Brown, Painted Post, NY One-Heart Community Drum Circle, Ithaca, NY Sheila Ortiz, Corning, NYBarbara Page, Trumansburg, NYPenguin Bay Winery, Hector, NY Kent Phillips Elementary School, Corning, NY PTA Reflections Program, Corning, NY Connie and Josh Randall, Painted Post, NY Ravines Wine Cellars, Hammondsport, NY Red Newt Cellars, Hector, NY Rockwell Museum of Western Art, Corning,

NY Lisa Rossi-Sullivan, Corning, NY Rodi Rovner, Corning, NYWilliam E. Severn Elementary School,

Corning, NY Sheldrake Point Vineyard, Ovid, NY Six Mile Creek Vineyard, Ithaca, NYCalvin U. Smith Elementary School, Painted

Post, NY

Standing Stone Vineyard, Hector, NY Teresa Telehany, Painted Post, NY Keenan Tolbert, Corning, NY Tuba Christmas, Horseheads, NY White Springs Farm Estate Winery, Geneva, NY Winfield Elementary School, Corning, NY Birgitt Wolf-King, Painted Post, NY Megan Wukovitz, Corning, NY

* * *

Donors to Museum Funds

The Corning Museum of Glass gratefully acknowledges individuals and organizations that made substantial financial gifts to its ac-quisitions and education programs in 2010. This list is exclusive of membership contribu-tions. Complete lists of donors to the glass collection, the Rakow Research Library, The Studio, and the Museum’s public programs will be found on pages 31–41.

Ennion Society

Lifetime MembersThe Ben W. Heineman Sr. Family

Directors’ Circle ($25,000 and above)James B. Flaws and Marcia D. Weber

Curators’ Circle ($10,000–$24,999)Marian Burke and Russell E. Burke IIIRoy and Myra GordonPolly and John GuthRobin Lehman and Marie RolfMr. /Mrs. Carl H. Pforzheimer IIIWendell P. Weeks and Kim Frock

Sustainers Circle ($5,000–$9,999)Frederick and Jean BirkhillJeremy and Angela BurdgeDavid BurgerKirk and Penny GreggMr. /Mrs. James R. HoughtonE. Marie McKee and Robert Cole Jr.*Robert Minkoff and Shelley KushnerDr. Susan W. SchwartzRichard and Judy SphonPeter and Cathy Volanakis

Collectors Circle ($2,500–$4,999)Larry and Susan AielloBob and Brenda BrownAlan and Nancy† Cameros

Bottle, blown. Germany, Low Countries, or northern France, late fifth–sixth century. H. 19.9 cm (2010.1.1).

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Dr. Charles and the Rev. Virginia G. DenekaClaudette M. Doran, CCD, and Eleanor T.

Cicerchi, Claudette’s International De-sign ing Women Inc.

Alan and Lynnette Eusden*Olivia and Harlan FischerLee and Tarie HarrisJames D. Houghton and Connie B. CoburnMr. /Mrs. Gene W. Kammerer*Dr. /Mrs. Thomas C. MacAvoyAnn and Barry Nicholson*Pamela and Glenn SchneiderKenneth R. Treis

Members ($1,000–$2,499)John and Carole AllaireThomas and Ulrike Appelt*Kate and Ric AsbeckBruce and Ann BachmannGail O. and Elijah Baity*Susan Bartlett and Edouard de Limburg

StirumRobert A. and Renée E. BelferThomas E. and Barbara BlumerMr. /Mrs. Thomas BucklesThomas S.† and Mary BuechnerVan C. and Susan H. CampbellYi ChangMary and Jack ClelandSarah and Daniel CollinsCharles R. and Trudy CraigPatricia T. DannKenneth C. DepewThomas P. and Peetie DimitroffLeonard DobbsJay and Micki DorosDrs. Robert and Caren DoueniasMr. /Mrs. David DowlerMr. /Mrs. Robert DukeWilliam Eggers and Deborah McLeanRoberta Elliott and Charles WantmanMr./Mrs. Max ErlacherJames FallonChristopher T. G. FishMr. /Mrs. John P. FoxJane and Terry FrancesconJere Gibber and J. G. HarringtonRobert and Patricia GilchristRobert J. and Martha E. GrassiVincent and Anne HattonDenise A. HauseltBen W. Heineman Jr. and Cristine Russell

HeinemanDouglas and Katya HellerMr. /Mrs. Thomas Hinman

The Honorable/Mrs. Amory Houghton Jr.Drs. Allan Jaworski and Deborah M. WinnKenneth L. Jobe and Rita PatelLinda E. JollySharon KarmazinGrace and Christopher Kelly*Ben and Tracy KranerMr. /Mrs. Peter L. KrogJon and Judith LiebmanMr./Mrs. Doron LivnatKenneth W. Lyon and Sylvia Applebee LyonRick and Mary Beth MaxaJean-Pierre and Laurette Mazeau*Mr. /Mrs. Donald A. McCabe Jr.*Mary E. and James† McEachernDrs. Thomas and Mila MeierPeter L. MeltzerDr. Gregory A. Merkel*Joseph A. Miller and Rachel C. WoodMike and Frances MohrThe Rev. Richard M. MurphyKaren J. OhlandRichard O’LearyFran and Mary Helen OlmsteadBarbara H. OlsenSandra D. PalmerMike and Christy PambianchiElmerina and Paul ParkmanProf. John V. B. PerryRichard E. RahillRichard and Joan RandlesDouglas and Shirley ReedDrs. Helmut and Ute RickeJames A. Rideout and Diane Murray*Mark and Kay Rogus*Myrna and John RossJoseph J. RothermelDan Schwoerer and Lani McGregorJosh Simpson and Cady ColemanJohn C. and Bonnie A. SirianniJean SosinKristin and Charles SwainLillian TaylorMr. /Mrs. G. Thomas Tranter Jr.Mary and Tony TripenyDeborah TruittMr. /Mrs. Robert TurissiniJason and Judith Walsh*Richard and Janet WeertsRobert and Barbara WeinbergTim and Paddy WellesLucille WerlinichMr. /Mrs. Ian McKibbin WhiteTony and Ann WimpfheimerJay Okun Yedvab

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Carole Yorke and Gerard ConnMarianne W. and James D. Young

*

Contributors ($100–$999)Mr. /Mrs. Gerald A. AltilioDr. /Mrs. Dudley B. AndersonLouise Bacher Sheldon Barr and Thomas GardnerBrad GougeonJoan GriswoldTed and Pamela ParrotMarilyn RunnelsGeorge† and Dorothy SaxeDavid ScheppsMr. /Mrs. Brian Sickora

Foundations, Trusts, Corporations, and Other Organizations

Association of Israel’s Decorative ArtsRobert & Renée Belfer Family FoundationF. Ross and Laura Jean Birkhill Family

FoundationJeffrey J. and Mary E. Burdge Charitable

TrustThe Cameros Family TrustCelebrity Cruises Inc.Claudette’s International Designing

Women Inc.Community Foundation of the Elmira-

Corning Area and the Finger Lakes Inc.Corning IncorporatedCorning Incorporated FoundationFidelity Charitable Gift Fund, Advisor

Charitable Gift FundGreater Milwaukee FoundationJewish Community Endowment FundJewish Community Foundation/Milwaukee

Jewish Federation Donor Advised FundJewish Endowment Foundation of LouisianaThe Karma FoundationF. M. Kirby FoundationKarl H. Koepke TrustSamuel H. Kress FoundationMarket Street Trust CompanyMetropolitan Contemporary Glass GroupNew York State Council on the ArtsPaperweight Collectors Association of

Texas Inc.Joseph J. Rothermel Charitable TrustSchwab Charitable Fund Josh Simpson Contemporary Glass Inc.Gladys M. and Harry A. Snyder Memorial

TrustSyracuse University

The Triangle FundUnited Way of Greater RochesterWestchester Glass ClubWunsch Foundation Inc.

Corporate Matching Gift DonorsCorning Incorporated FoundationExxonMobil FoundationIBMIngersoll-Rand CompanyJohnson & Johnson Family of CompaniesMerrill Lynch & Company Foundation Inc.Regions Financial Corporation

Gifts in MemoriamThomas Buechner Mr. /Mrs. Ian McKibbin White

R. Dale DrierLouise M. ErskineHoward KesslerMary McEachernKaren J. Ohland

James D. Fallon Jr.James Fallon

Natalie HeinemanGeorge† and Dorothy Saxe

Anna and Karl KoepkeKarl H. Koepke Trust

Harry Lowell Jr.Mary and Jack Cleland

Myra NewlandLouise Bacher Joan GriswoldThe Honorable Amory Houghton Jr.

and Priscilla Dewey HoughtonDorothy MooreMarilyn Runnels

Daphne L. RothermelJoseph J. Rothermel

Gifts in TributeMeredith LillichAnonymousSyracuse University

Evelyn Kilton PeeleJames Fallon

* Gift matched by a corporate matching gift

† Deceased

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Museum Contributing Members

CorporateCorning Incorporated

AssociationCarder Steuben Club Inc.

Patrons ($500–$999)Mr. /Mrs. Dean C. BeemanMr. /Mrs. W. Wallace Dyer Jr.Dr. Dawn R. HowellRandall T. JohnsonJoan Lunney and William IdlerLindsay Mills

Supporting ($250–$499)Kevin and Dawn AbleDr. Ann Abram and Steven NovakMargery and Martin AdamsLee AdelsbergJean AllenKirk and Denise Allen*Tracy A. BensonPaul and Esther BorrelliMark and Margaret CarsonDr. /Mrs. Isidore Cohn Jr.

The Corning Museum of Glass gratefully recognizes individuals and organizations that have joined at Contributing Membership levels ($100 and above).

Fred and Gail CovelerSusan and Willson Craigie*Martha CusterLisa DaigleDr. Donald R. Dolan Jr.Walter and Karen Douglas*Judith H. and Thomas DwyerMr. /Mrs. Richard EhlersDr. /Mrs. Rob ElgarMr. /Mrs. Floyd W. English Jr.Jeff and Beverley EvansGlass Alliance of Los AngelesCarrie Gugger and Jay KelleyCheryl and Julian S. GutmakerTom Hansard*Sandra L. Helton and Norman M. EdelsonAllan IngenitoPatricia JacksonJ. Jerry and Sally M. KerstingJanet C. KirekerGretchen and Peter KochSemrin KorkmazMr. /Mrs. Leonard LeightHoward J. LockwoodMr. /Mrs. Ted MarksAngelo and Laurie MitchellDr. /Mrs. William PlummerChristina RifkinBen RileyJames and Sharon RoseBen SolwitzJohn and Kathy StaufferPeggy SteffelDr. Radomir Stevanovic and Susan C. PennyJohn Thoman and Lee VenoliaMr. /Mrs. Stephen ToombsJohn M. Ulrich and Lynn A. PiferVanessa Somers Vreeland and Frederick

VreelandBrent and Susan WeddingRobert Whiting and Audrey J. Randall

WhitingWilliam B. and Marion G. WilmotDarryl M. Wood and Helene T. WollinJohn B. WoodMr. /Mrs. Dennis Younge

Donors ($100–$249)Don and Kay AdamsDick and Marilyn AlberdingSteve and Julie AlbertalliKathleen D. and Dennis AlbrechtPeter S. and Jane AldridgeRobert AlexanderMr. /Mrs. Gerald A. Altilio

Colonial ware vase, blown, applied, enam-eled. U.S., New Bedford, MA, Mt. Washington Glass Company, 1893–1895. H. 23.4 cm (2010.4.83).

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Dr. /Mrs. Floyd AmannKathryn Anastasio and William GroomeEdward Andrewlavage and Madonna

CornelissenRichard and Jacqueline AndrusDrs. Alan Angell and Beth DollingerElizbieta BakowskaMr. /Mrs. Sam Balash Jr.Jeff and Elizabeth BauerSteven Mark BavisottoAlan and Leslie BellerRonald and Gail BellohusenHarvey and Janice BergerElizabeth BevinsKlaus BiemannAmy BlakeWendell BlandingGeorge BlundallMrs. George B. BoettnerMichael B. BonoDirck and Lee BornBradley BraunFay S. and Phelan A. BrightRachel BrumbergKendra T. and David F. BrunoEric F. Burns and Lynn C. Williams BurnsMr. /Mrs. Sean I. BurnsTimothy and Bonnie BurzankoNorma BushorrMary Sue ButchThomas D. and Barbara ButterfieldMr. /Mrs. Richard ByrneNicholas CalderoneSteven R. Campbell and Noreen MitchellAlexandra CannonRobert and Mary CarlsonSusan W. and Dennis CarlsonKaren Ann and John F. CarozzaKarl CarterCarol P. and James C. CaseChetna Chandrakala and Abhas KumarTsuhan and Shufen ChenDanielle B. Clair-GouletKatherine and William ClatanoffRichard and Seija CochranMaureen H. Cohn†Marie H. ColeDr. /Mrs. Robert E. ColeSam ColeTim Coleman and Judy Smith-ColemanEugene and Anne ConnellGeorge and Barbara ConnorsA. T. and Sherry CooperMarie T. and Bernard W. CostichS. M. Dutch Craumer and Bonny Helm

Sarah and Tom CreathAnne CrowleyCarl and Susan CuipyloLes Czarnota and Maria J. Kucza-CzarnotaC. Matthew and Elizabeth DannJoseph and Judith DarweeshVera V. DaumanRobert C. Dean and Catherine TaylorLee DeBrish and Marline RiehleVivian I. DedrickJean and Richard DuludeSharon M. DunscombeSteve Ealick and Judith VirgilioMr. /Mrs. Robert L. EcklinRobert and Charleen† EdwardsMr. /Mrs. Tibor EgervaryPamela EllingerPaul and Lori EngleEugene D. and Joan C. EppenJohn and Bea FargnoliDr. /Mrs. Richard FastiggiStan FeingoldLynne Feldman and Anthony SuchmanPolly and Andrew FilsonJoseph FlanaganA. J. FratarcangeloTimothy J. FrawleyBarrett and Peter FrelinghuysenDeborah Friedman and Robert BreuerRonald and Gloria FriedmanFundacio Centre del Vidre de BarcelonaEdward R. Galus and Andrea A. CotnerDr. /Mrs. Anthony E. GerbasiRichard H. Gilbert Jr.Louis and Cheryl Glasgow*Mr. /Mrs. Eugene GoldsteinMr. /Mrs. Carl F. GortzigDr. Edward J. GrandtDianne GreggSuri and Veena GurramIngrid Haaijer and John J. McMahon

Beaded fringe sample card, glass beads, string, paper. Italy, Venice, Casa G. Grilli, about 1902–1925. W. 42.1 cm (2010.3.53).

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Ellen and Bill HamiltonPhillip HamiltonAudrey Handler and John MartnerJohn HansellElisabeth HardingMr. /Mrs. Leif HardisonDarlene and John HarrisHolly M. Hatch and Meghan D. BunnellAnne Gould HaubergMarie HaycoxValerie HayesEvelyn Hellstern and Mohammad DjafanHans A. Hess and Marta S. RingelbergDouglas and Helen HillStephen and Lynne HillMelissa HinesJoy Hoffman and James NortonDebra and Kurt Hollasch*Curt and Rosemary HooeyMichael HoranLaine and David HortonDavid and Nina HowardF. M. Howell & Co.Mr. /Mrs. Duane E. HumlicekWilliam C. and Carole M. HutchisonDr. James F. Hyde Jr.Amy IrvineDennis JamesCol. Jack James, USMC (Ret.)Barbara A. JohnsonEric and Bridget JohnsonMichael JohnsonMr. /Mrs. Hank JonasJanet Jones and Ben MarshKimberly and James KaffenbargerErnestine and Franklin KampChristine Karatnytsky and John CuratoloCarl Kass and Della Lee SueMr./Mrs. Patrick L. KeelerNancy King and Douglas MartinJohn KirkmanMr. /Mrs. Richard B. KleinTracey KnappRichard Kniffin*Glenn KohnkeJean K. KrebsMildred C. KunerLawrence Kurtz and Paul SpencerNaveen Kurudi and Swetha BuddaMichael J. Kuryla and Lisa GallagherErnestine W. KylesMr. /Mrs. Gerry C. La FolletteJoel Kenneth LabovitzBryan and Melissa LadnerMarilyn and Arnold Lampert

Mr. /Mrs. Brian LandisCamille LaParra and Stephen GoodmanDr. /Mrs. Milton C. LappJennifer and Michael LavinNancy and Chanel LeBlancPaula and Earl LeonardLinda and Rudolf LienhardEdward and Carol LincolnEdwin J. Lopez and Patricia A. BrausRoy and Blanche LoveRichard and Ellen LuceMr. /Mrs. Merrill LynnMichael and Patricia MacDonaldMartha and Tom MacinskiDouglas MackKathryn C. and Alfred N. MackMalcolm N. MacNeilPaula and Richard MandelAudrey MannLaura L. and Douglas A. MannBecky and Joe MarinelliMargery MarottaDrs. William and Phyllis MartinMariquita MastersonJames and Christie McCarthyThomas and Laura McGrathElisabeth S. McKnightMcLallen House B&BKaren E. Mead, M.D.Jennifer and Mrugendra MehtaMartha and Dady MehtaAndrew and Isabelle MerthaDr. /Mrs. Kenneth K. MeyerChristina MeyersMary Cheek MillsMaureen Mines and Mark W. HolmanJoan Mintz and Robinson MarkelCecilia and Lawrence MoloneyElaine Montambeau and Bruce HarveyLaura MooneyTyler and Mary MooreRandal Morey and Carol MillerMr. /Mrs. John MorrashMr. /Mrs. Lewis W. Morse Jr.Margaret and Thomas MorseRhonda Morton and Peter ChwazikNathan and Miriam MunzBruce Nelson and Pam GrayKirk NelsonRaymon Noble, M.D.Ondrej NovotnyPetr NovotnyH. Barbara NunanNancy D. O’BryanGeorge and Theresa O’Connell

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Dr. /Mrs. John F. OlmsteadMargaret M. OstermannJoseph O’Toole and Matthew ClingermanJames Parker Jr.Sheila and Michael ParksTed and Pamela ParrotThe Rev. James R. PearceWilliam R. PeletzMichael J. PershernRoy and Barbara W. PollockAnne and Warren PriceDr. /Mrs. L. David PyeMarilynn A. QuickChristopher and Elizabeth QuinlanMr. /Mrs. William G. RauAndrew Reeves and Michelle BoucherLucille RichterMichael and Bette RogersThomas and Lauril RohdeEric D. RosenbergCatherine M. Rossiter and Dr. Kirk D.

TolhurstDebra and Kenneth RussoDr. Naoyuki G. Saito and Richard P. JasperDr. Philip A. Sandberg and Dr. Susan M.

Brown-SandbergRobert C. and Drusilla SanfordGeorge† and Dorothy SaxeChrista and Dieter SchererDavid and Sandra SchimmelGeorge Schneiderman and Elizabeth SteinMr. /Mrs. Paul SchnipelskyDr. /Mrs. David F. SciortinoRichard and Mary K. SeagerSaurabh and Payal ShahCurt and Paula ShanahanDoug SheaforMatthew and Rachel ShermanBrenda J. SmithDana SmithDoug and Paula SmithDr. J. D. SmithMonica and Raymond SommervilleJoanne Sonsire-Gardner and Thomas GardnerDr. and Mrs. William A. SorberHarry and Erna SowersbyMark and Lao SpetserisAafke and Tammo SteenhuisLarry and Marion SteinerLisa M. StephensonMonty and Marian H. StephensonBrent Stermer and Peter MarksGeraldine StorchMark StoughtonConnie and Russell Striff

Gautham Sunkara and Hema AmirineniSteven P. and Betty J. SuttleFrank S. SwainCarol Tadzynski-MoorePatrick Tepesch and Kate PatersonMr. /Mrs. John W. ThomanDrs. Margene and Robert TichaneMr. /Mrs. August V. TitiJudette M. Tolbert and Michelle A. SchifleyA. A. Trinidad Jr.Mr. /Mrs. William C. UghettaJim and Linda VarnerMr. /Mrs. William G. VenemaMr. /Mrs. U. V. VenkataramMr. /Mrs. Willard A. VetterVinehurst Inn Rooms and SuitesMr. /Mrs. Louis VogelDavid Vogt and Teri Jo KinnisonFritz F. and Linda C. WasserThomas C. WeilerJamie S. Weiner, M.D., FACPJanice WeisenfeldDan WestRobert and Jill WhiteCraig and Karen WillandMeredith Williams and Gladys BirdsallDuane Willis and Barbara Millier-WillisSusan M. Wise and John WalzakYing WuJoanna WurteleMr. /Mrs. Kogo YamaguchiDonna A. YemanJohn A. Zanetti and Shay RumseySusan ZellerDavid and Judith Zucker

* Gift matched by a corporate matching gift

† Deceased

Armorial tumbler, blown, enameled. England, New-castle upon Tyne, Wil-liam and Mary Beilby, about 1765. H. 13 cm (2010.2.48). Purchased in part with funds from the F. M. Kirby Founda-tion.

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Operating Results

Attendance at the Museum grew each month throughout 2010, contributing to the strong financial results for the year. Visitor revenues were 14 percent stronger than in the previous year because of the increase in visitation, improved sales in the GlassMarket, and greater participation in the Make Your Own Glass Workshop. Visitor revenues totaled $9.2 million, a $1.1 million increase over 2009. Other earned revenues also contributed to the financial success of 2010.

The Museum ended fiscal year 2010 with annual operating revenues exceeding operating ex-penses by $2.2 million. The abbreviated version of the Museum’s operating results shown below reflects 2010 year-end results for the general operating fund in comparison with last year (dollars in thousands).

2010 2009

Total revenues and other funding $ 36,945 $ 33,936

Total expenses 34,761 33,140

Operating surplus $ 2,184 $ 796

Other important results for 2010 were:

1. Museum visitation grew six percent above 2009 attendance to 387,000.a. Individual and family visitation was down two percent from 2009 because of reduced

regional travel.

b. Tour groups were up 25 percent, to their highest level of visitation in 12 years, including a significant increase in Chinese and Indian tourists to the Museum.

c. In addition, 35,300 people attended a rich series of education programs and public programs at the Museum.

2. Make Your Own Glass Workshop revenues reached $1.0 million for the first time in 2010, an 11 percent increase over 2009. A quarter of all individual and family Museum visitors made glass at the workshop, up from 22 percent in the previous year. In 2010, 52,000 glassmaking experiences were provided.

3. Total glass and library acquisitions were $1.2 million. Donations to the Museum’s collections were valued at $428,000.

4. The Museum Operating Reserve Fund balance at the end of the year was $20.6 million, up from $17.5 million at the end of last year. The fund recorded investment gains during 2010, and $1.1 million of the 2010 operating surplus was transferred to the fund before December 31.

FinancialReport

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The Corning Museum of GlassConsolidated Statement of Activities

Years Ended December 31, 2010 and 2009(Dollars in Thousands)

The following comparative list consolidates the Museum’s unrestricted, temporarily restricted, and permanently restricted activities (2010 unaudited).

2010 2009Revenue, gains, and other support:

Contributions from Corning Incorporated $ 25,082 $ 22,264Admissions 2,504 2,088Sales from merchandising and food services 5,693 5,089Studio, education, and outreach 2,837 2,357Other revenues and contributions 1,017 1,114Interest and dividends 508 514Net appreciation (depreciation) of investments 1,642 2,248

Total revenue, gains, and other support 39,283 35,674

Expenses:Program services:

Curatorial, exhibitions, and research 5,210 5,415Studio, education, and outreach 6,317 5,548Library services 1,615 1,713Publications 366 400 Visitor services 2,173 2,158Merchandising and food services 3,738 3,499Cost of sales from merchandising and food 2,722 2,464

Total program services 22,141 21,197

Support services:General administration 8,032 7,163Marketing and public relations 2,237 2,063Information services 1,196 1,048

Total support services 11,465 10,274

Acquisitions:Purchases for the glass collection 893 1,444Purchases for the library collection 261 219

Total acquisitions 1,154 1,663

Total expenses 34,760 33,134

Other changes in net assets: (592) 617

Change in net assets 3,931 3,157

Net assets at beginning of year 24,287 21,130

Net assets at end of year $ 28,218 $ 24,287

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The Museum concluded 2010 with consolidated financials reporting a 16 percent increase in net assets of $3.9 million. The Museum’s net assets at December 31 are categorized as follows:

2010 2009

Unrestricted $25,995 $22,109

Temporarily restricted 734 705

Permanently restricted 1,489 1,473

Total net assets $28,218 $24,287

Financial Outlook

The operating budget for fiscal year 2011 has been set with expectations for continued growth in visitation, earned revenues, and support from Corning Incorporated. Operating and acquisition expenditures are expected to total $38.2 million, a 10 percent increase over 2010.

The primary fiscal goals for the Museum remain preserving core mission programming, manag-ing resources to the annual projected revenue, and ensuring the future stability of the institution by protecting the Museum Operating Reserve Fund.

Audited Financial Statements

The complete financial records of the Museum are audited on an annual basis. Upon comple-tion of the audit, the 2010 audited financial statements and accompanying notes to the financial statements will be available on the Museum’s Web site, www.cmog.org, or upon request from the Director of Finance at (607) 937-5371.

Nancy J. EarleySenior Director, Administration and Finance

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CMG

The Corning Museum of Glass Corning, New York 14830-2253

www.cmog.org