Live Mixing Console M-400 Multi Channel Digital Audio Transfer System

Digital Audio Transfer & Mixing System

The cornerstone of Roland's Audio and Visual Solution

48 channels / 18 buses / 56-bit processing

www.rolandsystemsgroup.net Copyright 2007 Roland Corporation. All rights reserved.All specifications and appearances are subject to change without notice.

Oct. 2007 RAM-7009 GEN

Cover.qxd 07.10.2 5:24 PM Page 1

Digital Audio Transfer & Mixing System

The Perfect Digital Solution for Live Audio Distribution and Mixing

Live Mixing ConsoleM-400

CAT5e Cable

Multi Channel Digital Audio Transfer System

The Breakthrough Digital Mixing SolutionA simple Cat5e REAC cable from stageto mixing console. A breakthrough digital mixing and recording solution forlive sound events and installations.

Roland is known as one of the world’s

foremost audio innovators. From the VS series,

the world’s first stand alone Digital Studio

Workstation released in 1996, to Roland’s breakthrough 1999 V-Mixing System

incorporating high-quality stage-based preamps and a digital snake, Roland has

always had a reputation for innovation, high quality audio and reliability. Following

these leading edge products, Roland is now launching a total mixing solution based

its powerful REAC technology. From digital snakes on stage, to Cat5e audio

distribution, to the intuitive M-400 control surface and mixing processor with built

in linear recording, to digital splits for direct multi-channel PC recording; the next

generation V-Mixing system establishes a new era in high-quality digital mixing.

Multi Format Video Mixer

■ 48 CHANNELS/18 BUSES with GEQs & Effects

■ 56-bit internal processing■ Touch Sensitive Motorized Faders■ USB Memory Player/Recorder■ DCA Groups/Mute Groups■ Scene Recall with Head Amp Gain

Digital Studio Workstation

V-Studio VS seriesreleased in 1996

V-Mixing System

VM-7000 seriesreleased in 1999

1 2

1_2.qxd 07.10.2 5:28 PM Page 1

The V-Mixing System uses the REAC protocol between the stage units and console using asimple Cat5e cable connection instead of bulky, heavy multi-core analog snakes. The Cat5econnection is also immune from the hums buzzes and cross talk associated with analogsnakes. With no configuration required, simply plug the Cat5e cable from the stage unitsto the REAC A & B ports located on the rear of the M-400 V-Mixer and the system isready to go.

Quick and Easy Installation and Setup

Intuitive and Easy OperationThe M-400 V-Mixer features 25 x 100mm motorized, touch sensitive faders; a large, bright 800 x480 color screen; dedicated knobs for EQ, Pan, and Gain; and Scenes for total recall of all consolesettings. Designed for all operator levels, the intuitive interface is quick to navigate and easy tolearn and even has an onboard Help system. The V-Mixing System is the answer for high quality,cost-effective live digital audio mixing and control.

Superb Sound QualityThe V-Mixing system uses Cat5e-based REAC technology to convert the audioto digital on stage using high quality 24-bit remote-controlled mic pre-amps.Because the V-Mixing System is all digital, the integrity and sound quality ofthe audio signal is maintained from the stage units to the M-400 V-Mixer andback to the outputs for connection to amps and speakers without the high frequency and intelligibility losses found in analog cabling.

RF

AC

ANALOG

RF A

C

(DIGITAL)

Digital Transfer can minimize signal’s damage

Analog Multi Cable

Digital Snake

Supports advanced integrated applicationsUse the optional S-OPT Optical converter to send signals up to 2 kilometers using fibercable. Using REAC, up to 40 channels of multi-track audio can be recorded by simply connecting a Cat5e cable from the REAC Split port on the M-400 V-Mixer to a gigabit network port on your PC running Cakewalk’s SONAR software. By using Roland’s V-LINKprotocol you can connect the V-Mixing System to the Edirol V-440HD Multi format VideoMixer for a completely integrated audio and video performance solution.

Up to 40 channels over lightweight Cat5eHeavy analog multi core cable requires large, expensive conduitfor installations, and suffers from high frequency losses andpotential for inducedhums and buzzes.REAC’s transfer protocol provides pristine digital audio ina very light weight, inexpensive and easy toinstall cable format.

One S-1608 and one S-4000S-3208 Digital Snake on stage side would provide more physical inputs

A simple and affordable system to use one S-1608 Digital Snake on stage

Standard system consists of 2 S-1608 Digital Snakes on stage

32ch XLR

16ch XLR

S-1608 x 2 M-400

Phones

8ch XLR

8ch XLR2ch Digital

2ch RCA

40ch

8ch XLR

16ch XLR

S-1608

M-400

Phones

8ch XLR

8ch XLR2ch Digital

2ch RCA

40ch

8ch XLR

16ch XLR

8ch XLR

32ch XLR

S-4000S-3208

S-1608

REAC A

REAC BM-400

Phones

8ch XLR

8ch XLR2ch Digital

2ch RCA

REAC A

REAC B

* 48 input channels must be selected from 58 physical inputs via the M-400 patchbay.

Standard System

Basic System Expanded System*

Digital Audio Transfer & Mixing System

In addition to improving a system’s overall audio quality, the V-Mixing system is very cost effective to install.

The system’s digital advantages of total recall, built-in effects and recording bring many benefits to any mixing installation.

The REAC digital transfer technology used on the 48-channel M-400 V-Mixer establishes a new era in live audio mixing.

Next Generation of Simple, High Quality Audio TransferREAC (Roland Ethernet Audio Communication) is Roland’s original technology for low latency, high quality digital audio transfer. Products using REAC technology are installed today in many venues andhave been used for high profile events worldwide. REAC technology provides many system advantages.

Multi channel transfer with high quality audioREAC transfers 24-bit uncompressed multi channel audio with verylow latency. REAC technology eliminates the typical problems found inanalog transfer such as signal quality degradation or hums andbuzzes. In addition, since REAC transfer happens over light weightcable and is immune to externally induced noise, designers and integrators have more freedom for cable placement resulting inlower cost installations.

* REAC driver must be installed on PC for multi-track recording.* The number of recording tracks may differ depending on the PC performance. SONAR

24-bit multitrack recording to PC via REACUsing a Cat5e cable, simply connect a PC to the REAC split port on theback of the M-400 V-Mixer. Take inputs and buses from/to stage in theiroriginal digital form for up to 40 channels of multitrack recording.Integrate a high quality recording system with unprecedented ease at anaffordable price.

Analog Multi Core Cable

Cat5e cable for REAC

REAC connection

Example of analogconnection

Output Impedance : 2 k ohms (without direct box)Output Impedance : 600 ohms

20

2

dBr RMS CH1, vs GEN FREQ /HzANL 1: TERM 2: OFFSWP TERMINATED

1

0

–2

–4

–6

–8

30 50 100 200 500 1k 2k 3k 5k 10k 20k 20

2

dBr RMS CH1, vs GEN FREQ /HzANL 1: TERM 2: OFFSWP TERMINATED

1

0

–2

–4

–6

–8

30 50 100 200 500 1k 2k 3k 5k 10k 20k

V-Mixing SystemAnalog Transfer

● Frequency Response Comparison

V-LINK connection with V-440HD Video Mixer

Preamps on stage boost the input gain before the long journeyIn analog transfer systems, low level mic signals must go long distances before they are amplified. With the REAC system, the input signal is amplified on stage, right next to the source, and then converted to a lossless, 24-bit digital signal. This REAC audio signal can then be transferred without degradation.So direct boxes are not required.

* The number of recording tracks may differ depending on the PC performance.

3 4

3_4.qxd 07.10.2 5:31 PM Page 1

Compact Size 749mm

■749(W) ✕ 626(D) ✕ 229(H)mm/19.8kg

■High Contrast Color DisplayLarge color TFT display in wide VGA format (800 x 480) provides a clear, bright graphical display for precise management of controls and settings.

■Digital Output JacksAssignable coaxial and optical SPDIF output for digital recording or monitoring with EDIROL MA-series monitors.

■Stereo In JacksRCA stereo inputs for line-level audio from iPod/CD/DVD players and other line-level audio sources.

■USB Port for Remote ControlDedicated USB port for live or offline PC control using free M-400 RCS (remote control software) available from www.rolandsystemsgroup.net

■Talkback Mic In JackFor Talkback Mic. Supplies +48V phantom power.

■Lamp JackProvides power for standard goose-neck lamps. Jack type: XLR-4-31.

■MIDI/RS-232C JacksMIDI I/O provides MIDI control options for faders, scenes and more parameters. Can be connected to EDIROL video mixers for linking video faders to audio faders. RS232C control available as update to Version 1.

■Console Input/Output Jacks8 XLR inputs and XLR outputs assignable to/from channels and buses for external inserts and extra inputs and outputs. Inputs are Mic/Line with phantom power.

■REAC PortsA and B ports for connecting to RSS Stage Units (S-4000S or S-1608) via Cat5e. Split/Backup port provides channel split for multi-track recording. *Split not available when using S-4000S stage unit.

■Phones Jack1/4 inch phone jack with level control knob.

■Channel Buttons and MetersSEL buttons call up the Channel Edit screen. Large SOLO/MUTE buttons. LED meters show signal level.

■Motorized Fader with Touch SensitivitySmooth, fast 100mm motorized faders with touch sensitivity for instant call-up of the Channel Edit screen.

Color-coded controls for easy adjustment of channel parameters and settings.

■ Library List

CH LIBRARY GATE/EXPANDER LIBRARY COMPRESSOR LIBRARY

LIMITER LIBRARY EQ LIBRARY FX LIBRARY

GEQ LIBRARY INPUT PATCHBAY LIBRARY OUTPUT PATCHBAY LIBRARY

■GATESupplies Gate and Expander controls for Ch’s 1-24. DISP button provides additional parameter controls.

■COMPAdjusts Compressor Threshold for Ch’s 1-24 and Limiter for Main and Aux buses. DISP button provides additional parameter controls.

■EQUALIZER4 bands of EQ with color-coded controls for Freq, Gain and Q. DISP button provides additional parameter controls.

■AUX SENDSQuick access to 16 Aux Sends. Send levels can be controlled via Send Level dial or via Faders when using the Sends On Fader feature.

■PANDedicated Pan dial for fast and easy Pan control.

■TOUCH SELECTWhen lit, touching any channel fader calls up its Channel Edit screen.

■FILTER4-mode filter adjustable from 20Hz to 20KHz.

■PREAMPAdjusts Digital Snake’s preamp Gain in 1dB increments.

■Function ButtonsProvide fast access to M-400 screens.

■USB Memory Recorder SectionStereo recorder/player using USB memory drive. Linear WAV files can be recorded or played back live. Capture a live mix or provide background music.

■USB JackIn addition to record/playback of WAV files, an USB memory drive can be used to save/load M-400 scenes, libraries and user passwords.

■SCENE MEMORYUp to 300 scenes can be saved to internal memory for later recall. Scenes can recall all mixer settings or can be filtered to recall only selected parameters.

■Control SectionValue dial with cursor and ENTER/EXIT buttons for quick parameter selections and adjustments.

■Setup SectionProvides instant access to the PATCHBAY screen and the SYSTEM screen.

■Group SectionProvides instant access to the DCA Groups screen and the MUTE Groups screen.

■Talkback and Oscillator SectionGain control and ON button for talkback mic. DISP button brings up setup screen for Talkback as well as Oscillator for acoustical analysis.

■Monitor SectionMonitor output level control. DISP screen provides fast access to selectable monitor sources and SOLO parameter controls.

■User SectionMultiple users with unique passwords can be set up with access to all or a limited number of channels, parameters, their own preferences, user buttons and user fader setup.

■LAYERFast access to channels 1-24, 25-48 and Aux Bus/DCA Masters. User Fader layer customizable for one-layer mixing.

■Main FaderAdjusts Main output mix. SEL button toggles between L and R Channel Edit screens for Main channel. Includes SOLO and MUTE.

■ Channel layers and fader modules

USERAUX/DCA

CH25-48CH1-24

USER FADER 1~24AUX 1~ 16, DCA 1~8

CH25~48CH1~24

■Insert Effects8 XLR inputs and outputs on the console’s rear panel can be used for sends/returns of external insert effects on any channel or bus.

■4 x 31 bands GEQFour dedicated 31-band graphic EQ’s can be edited using 100mm faders. Additional GEQs available in FX1-4 for up to 12 31-band graphics.

■EffectsFast access to 4 stereo or 8 dual mono high quality internal effects including stereo reverbs, delays and sophisticated channel strips.■ Internal Effects List

Stereo ReverbReverb + GateStereo Chorus

Delay x 2Long DelayMulti Tap Delay

Cross Modulation DelayStereo FlangerStereo Phaser

Pitch Shifter x 2Channel Strip x 2Dual GEQ

REAC

Effects

USB Memory Recorder

System & Utility

Channel Edit Section

Rear Panel

Live Mixing Console M-400

The compact/lightweight M-400 provides 48 channels and 16 AUX buses plus Main

L/R outputs. This is an all-in-one design featuring Digital Effects processors, channel

and bus DSP and stereo linear file recording/playback function using a USB Memory

Drive. The M-400 provides extremely easy, intuitive operation.

5 6

The M-400 Mixer provides intuitive and easy operation for allV-Mixing system functions.

5_6.qxd 07.10.2 5:34 PM Page 1

The high contrast color LCD makes it easy to make precise edits and change parameters for all

of the M-400’s functions. Dedicated, accessible buttons call up large displays for editing all

important console processing, routing and other functions. All of the buttons and knobs and

their logical layout are designed for fast and intuitive operation.

Channel Edit

■ Gate/Expander DisplayLarge Gate and Expander screen for Channels 1-24 enables intuitive, graphical operation.

■ Gate/Expander LibraryUse libraries for storing frequently used settings. Presets provide easy way to get started with most common sources.

■ Channel DisplayChannel Editing Display is a familiar and easy-to-use analog-style layout of channel parameters. Change values fast using the M-400’s dedicated knobs and buttons.

■ Comp DisplayLarge Compressor screen for Channels 1-24 enables intuitive, graphical operation.

■ Comp LibraryUse libraries for storing frequently used settings. Presets provide easy way to get started with most common sources.

■ Limiter DisplayLarge graphical screen provides easy, intuitive editing of Limiter parameters for Main L/R and Aux 1-16 buses.

■ AUX Sends DisplayOverview screen for a Channel’s Aux sends provides easy way to link buses for stereo operation and to set On/Off and the Pre EQ, Pre or Post send position for each bus.

■ EQ DisplayLarge graphical display of all EQ parameters for intuitive application of EQ. Use dedicated knobs to rapidly change Gain, Freq and Q values.

■ EQ LibraryUse libraries for storing frequently used EQ settings. Presets provide easy way to get started with most common sources.

■ MeterLarge overview screen provides quick view of all channel meters and fader positions.

■ Layer ViewView and edit many of the parameters for all channels in the current fader layer.

■ EFFECTSView and edit the 4 stereo, high-quality FX for channel/bus inserts such as the advanced channel strip; or for loop effects.

■ EFFECT EDIT (Reverb)Various parameters allow precise and graphical setup of effects. User Setup can be stored to internal Memory.

■ FX LibraryUse effects libraries for storing frequently used settings. Presets provide easy way to get started with each effect algorithm.

■ External Effect InsertConfigure up to 8 External Inserts for channels or buses using the Console’s XLR inputs and outputs.

■ GEQ RackSetup screen for the M-400’s four dedicated 31-band Graphic EQs. You can even use the console’s faders for fast editing.

Meter

Effect

■ USB Memory DisplayAssign sources and destinations and manage playlists for the USB Memory linear .Wav recorder.

■ Help DisplayOnboard Help provides detailed “how-to” information on M-400 operation. No need to bring the manual to the show!

■ DCA GroupAssign channels or buses to a DCA so that their levels can be controlled with one Master DCA Fader.

■ PatchbayLarge, intuitive screen for routing any stage or console input to M-400 channels and assigning buses to outputs.

■ SystemSetup screen for all basic system parameters.

■ User DisplaySet up multiple Users each with their own level of parameter access, passwords etc.

■ Monitor DisplayAssign sources to the Monitor bus and set up the Solo mode.

■ Scene Memory DisplayTotal system recall is available using up to 300 scenes per project. Recall all M-400 settings or filter parameters on a scene-by-scene or global basis.

■ Talkback/Oscillator DisplaySet up the Talkback bus destinations and edit Oscillator settings when doing room analysis.

■ Mute GroupAssign channels and buses to the 8 Mute Groups. Use this screen to turn groups On/Off.

System&Utility

87

The large, bright 800 x 480 color LCD gives a very clear view ofall the M-400’s parameters. Live Mixing Console M-400

7_8.qxd 07.10.2 5:36 PM Page 1

Easy connectivity with external devices enhances and extends the performance of the M-400 V-Mixing System. The V-Mixing System provides a total mixing and recording solution.

Employing visual entertainment at concerts or musical events is now very common. Roland provides an integrated, Audio & Visual solution. Connecting the M-400 with an Edirol V-440HD Multi-format Video Mixer using V-LINK provides an automatic Audio Follow Video mix.

V-Mixing System’s great flexibility provides solutions for almost any kindof system integration. The Cat5e cabling makes the system easy toinstall for retrofits or portable live sound systems.

External Insert Effects The M-400 Console can be used to host additional inputs such as wireless mic modules or video decks or even additionalphantom-powered microphones. Using thesystem’s External Insert paths, they canalso serve as paths to external processorsfrom channels or buses.

Even more console inputs The console also hosts an RCA stereo pairfor direct connection of a CD player, DVDplayer or VCR. Along with the onboard USBMemory recording, they provide additionalmeans of playing back pre-show audio,sound effects or video/DVD audio.

Record and Playback audioto/from USB memory drive

The M-400’s USB Memory Recorder facilitates the playback of linear audio filesusing standard USB memory drives. It canalso be used to record high quality stereomixes of the live event. The USB drive isalso used for saving/loading console usersetup data, setting up unique UserPasswords and for system updates.

Direct Connection with PC for multi-track recording

The M-400’s REAC Split port enables directconnection with a PC's gigabit Ethernet port using only a Cat5e cable. This allows multi-track recording of up to 40 channels usingCakewalk’s SONAR software without theneed for any external audio interfaces.

Remote control and offlinesetup using a PC

The M-400’s second USB port providesdirect PC connection for remote controland saving/loading presets from a PC.When a PC is on a wireless local networkand connected to the M-400 a wirelesstablet PC or other computer could be usedon stage or in the house for any real timemixing or setup functions (using Microsoft’s Remote Desktop function).

Audio & Visual Setup

V-440HDMulti-Format Video Mixer

VC-300HDMulti-Format Video Converter

HD VCR HDV VCR DVD Recorder

(MIDI)

S-1608

S-1608

To integrate the video system to the audio system in a live recording shoot, use the Edirol VC-300HD Multi-format Video Converter to precisely adjust audio and video sync before outputing to HD and SD video recording devices.

Audio/Video Output

Audio/Video Recording

Audio Sources

Realtime Video PresenterPR series

Video Sources

AudioVideo

M-400

S-1608

8ch XLR

16ch XLR

16ch XLR

Broadcast Setup Here's another example of the advantages of REAC's easy to make digital signal splits. Using an M-400 for mixing and a split to an S-0816 Digital Snake provides a connection to an analog console in a broadcast suite.

Recording Setup Using the REAC Split port, a direct Cat5e connection can be made to a PC's Gigabit Ethernet port. Using Cakewalk's Sonar software up to 40 channels of audio can be recorded. *This function can be used on Standard System or Basic System.

Split Setup The V-Mixing system's REAC protocol makes it easy to split the source audio signals. These splits can be used to connect to another M-400 acting as a monitor console, or output for analog monitoring or recording requirements.

M-400

S-4000-SP REAC Splitter

8ch XLR

40ch

M-400M-400

S-4000-SP REAC SplitterS-1608

S-0816 S-0816

Master Console TV Broadcast BTV Broadcast A Radio Broadcast

M-400

M-400

* REAC Split function can be used on Standard System or Basic System.* REAC driver must be installed on PC for multi-track recording. * The number of recording tracks may differ depending on the PC performance.

S-16088ch XLR

S-1608

8ch XLR

16ch XLR

16ch XLR

S-1608

8ch XLR

40ch/24bit recording

PC withSONAR

Stage

Stage

Stage

Front of House

Front of House

Front of House

Monitoring

Broadcast Room

Many easy options for connecting to external devices.

Have the freedom to easilyexpand your system.

* REAC Split function can be used on Standard System or Basic System.* REAC driver must be installed on PC for multi-track recording. * The number of recording tracks may differ depending on the PC performance.

The free M-400 RCS software can be downloaded fromwww.rolandsystemsgroup.net.

The cornerstone of Roland’sAudio & Visual Solution.

9 10

9_10.qxd 07.10.2 6:01 PM Page 1

■ Analog InputsDiscrete circuit design with high quality components and 24-bit AD conversion. The indicators show signal in, clip and +48V on/off.

■ Analog Outputs24-bit DA conversion for main and monitor outputs

■ REAC Terminal Input and Output terminal for REAC’s Cat5e digital transfer. Tough and Durable Ethercon connectors by Neutrik® provide the highest possible system reliability.

■ Remote Terminal*

RS-232 terminal connects to the dedicated S-4000R remote controller or a computer installed with the free S-4000 RCS remote control software.

* Not required when using an M-400 V-Mixer.

■ Mute All Outputs Button When this button is pressed and held, all outputs will be muted for an easy way to connect or disconnect microphones or other sources.

Outputs source audio to the Slave and Split devices It receives Input from the Slave device.

Receives Input from and sends output to the Master device.

Master

Slave

Receives Input from all of the Master device's sources.Split

■ REAC mode selection switch■ Digital Output (Optical) Digital output for the source signals coming into Ch1 and Ch2.

Outputs source audio to the Slave and Split devices It receives Input from the Slave device.

Receives Input from and sends output to the Master device.

Master

Slave

Receives Input from all of the Master device's sources.Split

■ MIDI Terminals Enables the remote control of musical instruments from external MIDI devices.

■ Remote Terminal* RS-232 terminal connects to the dedicated S-4000R remote controller or a computer installed with the free S-4000 RCS remote control software.

■ Mute All Outputs Button When this button is pressed and held, all outputs will be muted for an easy way to connect or disconnect microphones or other sources.

■ Analog InputsDiscrete circuit design with high quality components and 24-bit AD conversion.

■ Analog Outputs24-bit DA conversion for main and monitor outputs

■ REAC Terminals Input and Output terminal for REAC’s Cat5e digital transfer. Tough and Durable Ethercon connectors by Neutrik®

provide the highest possible system reliability.

■ Signal IndicatorIndicators for signal in, clip and +48V on/off.

■ REAC mode selection switch

* Not required when using an M-400 V-Mixer.

S-OPT

S-1608

S-1608

S-OPT S-OPT

S-OPT S-OPT

2km

M-400

OPTIONS

■ S-OPT Optical converter offers long distance REAC audio transfer.

The optical converter converts multi-channel REAC signal to a digital optical signal and makes long distance transfer of up to 2km possible. Rugged, Neutrik® OpticalCon connectors provide highest possible system reliability.

■ S-4000-SP REAC Splitter enables splitting and extension of REAC signals.

Dual 5-port dedicated splitter for V-Mixing System provides highest possible reliability using Neutrik®

Ethercon connectors and a dual power supply.

■ Crossover Ethernet cable with Neutrik®

Ethercon connectors on both ends.

Crossover Ethernet cable with Neutrik® Ethercon connectors on both ends.

■ 100m Cat5e cable on reel

100m Cat5e cable on reel designed for light weight, portable V-Mixing System. Compact and lightweight cable reel with SC-W100S cable pre-rolled.

Please use Neutrik’s Mobile Fiber Cable for optical signal transfer. Please have contact with Neutrik for further details.

REAC Optical Converter

Optional REAC Splitter 100 meter Cat5e Cable 100 meter Cat5e CableSC-W100SS-4000-SP W100S-R

Optical Fiber Cable

2kmOptical Fiber Cable

* Ethercon and OpticalCon are the registered trademarks of Neutrik®

Stage

S-1608 S-4000S-3208The standard I/O unit for V-Mixing System with 16 inputs and 8 outputs

S-0816

The I/O unit with 8 inputs and 16 outputs for expansion of output channels in V-Mixing System.

The I/O unit with 32 inputs and 8 outputs for applications requiring more physical inputs

11 12

RSS Digital Snakes are an integral part of the V-Mixing System. Compact and portable, they

offer many flexible configurations for any installation. The high quality 24-bit remote-controlled

mic pre-amps enable digital conversion of the audio signal very close to the sources, providing

the highest possible audio quality.

Simple and flexible digital snake stage units provide SuperbSound Quality.

11_12.qxd 07.10.2 5:32 PM Page 1

MAIN LMAIN R

SOLO LSOLO R

AUX 1AUX 2AUX 3

AUX 16

MAIN LMAIN R

SOLO LSOLO R

AUX 1AUX 2AUX 3

AUX 16

GA

IN

A/D

GA

INP

HA

NTO

M

+48

V

A/D

GA

INP

HA

NTO

M

+48

V

A/D

D/A

D/A

PH

AS

EF

ILT

ER

CO

MP

EX

T F

XIN

SE

RT

4BA

ND

EQ

ATT

PR

EA

MP

PO

ST

AT

T

GR

GR

GAT

E IN

TOG

ATE

KE

Y-IN

TOC

OM

PK

EY-

IN

GAT

EK

EY-

INC

OM

PK

EY-

IN

GAT

E O

UT

CO

MP

OU

TP

RE

EQ

PR

E F

AD

ER

PR

E E

Q

PO

ST

FA

DE

R

PR

E F

AD

ER

PO

ST

FA

DE

R

FX

INS

ER

TM

UT

EFA

DE

RPA

N

PAN

MA

INS

W

AU

X 1

SW

AU

X 1

SE

ND

AU

X 1

/2LI

NK

AU

X 1

, 2 S

EN

D

SE

ND

PAN

SO

LO

WH

ITE

NO

IZE

PIN

K N

OIZ

E

SIN

E W

AVE

PR

E E

QP

RE

FA

DE

RP

OS

T F

AD

ER

AF

L(R

)P

FL(

R)

AF

L(L)

PF

L(L)

AU

X 2

SW

AU

X 2

SE

ND

AU

X 3

-16

SE

ND

AF

L S

W

EX

T F

XIN

SE

RT

4BA

ND

EQ

ATT

PO

ST

AT

TP

RE

EQ

PR

E F

AD

ER

PR

E E

Q

PO

ST

FA

DE

R

PR

E F

AD

ER

PO

ST

FA

DE

RO

UT

PU

T L

EV

EL

FX

INS

ER

TM

UT

EFA

DE

RB

AL

GE

QIN

SE

RT

AU

X 1

SW

ToA

UX

1

MA

INO

UT

L

MA

INO

UT

R

MO

NO

OU

T

-6dB

MIX

RE

AC

A IN

PU

T 1

-16

1 8

AU

X 1

-16

OU

T

RE

CO

UT

L,R

MO

NIT

OR

OU

T L

CO

NS

OLE

OU

TPU

T 1-

8

DIG

ITA

L O

UT

PH

ON

ES

LEV

EL

PH

ON

ES

OU

T

CO

AX

IAL

OP

TIC

AL

MO

NIT

OR

OU

T R

ToA

UX

2

ToA

UX

3-1

6

ToM

AIN

L, R

OU

TP

UT

PAT

CH

BAY

AU

X 1

SE

ND

AU

X 1

/2LI

NK

AU

X 1

, 2 S

EN

D

SE

ND

PAN

SO

LO

PR

E E

Q

TO S

OLO

TO M

ON

ITO

R S

ELE

CT

TO R

EC

SE

LEC

T

PR

E F

AD

ER

PO

ST

FA

DE

R

AU

X 2

SW

AU

X 2

SE

ND

AU

X 3

-16

SE

ND S

ame

as th

e ab

ove

Sam

e as

the

MA

IN L

PH

AS

EF

ILT

ER

EX

T F

XIN

SE

RT

4BA

ND

EQ

ATT

PR

EA

MP

PO

ST

AT

T

TOG

ATE

/CO

MP

KE

Y-IN

PR

E E

QP

RE

FA

DE

RP

OS

T F

AD

ER

FX

INS

ER

TM

UT

EFA

DE

RPA

NM

AIN

SW

SO

LO

AF

L(R

)P

FL(

R)

AF

L(L)

PF

L(L)

AF

L S

W

LIM

ITE

R

EX

T F

XIN

SE

RT

4BA

ND

EQ

ATT

PO

ST

AT

TP

RE

EQ

PR

E F

AD

ER

PR

E E

Q

PO

ST

FA

DE

R

PR

E F

AD

ER

PO

ST

FA

DE

RO

UT

PU

T L

EV

EL

FX

INS

ER

TM

UT

EFA

DE

RB

AL

GE

QIN

SE

RT

MA

INS

WM

AIN

SE

ND

MA

IN S

EN

D

TO S

OLO

R

SO

LOTO

SO

LO L

TO M

ON

ITO

R S

ELE

CT

TO R

EC

SE

LEC

TTO

FX

SO

UR

CE

SE

LEC

T

LIM

ITE

R

TALK

BA

CK

LEV

EL

TALK

BA

CK

LEV

EL

TALK

BA

CK

ON

SW

MA

IN L

, R, A

UX

1-1

6 S

W

MO

NIT

OR

LEV

EL

SO

LOLE

VE

L

MO

NIT

OR

LEV

EL

OS

CLE

VE

LO

SC

LEV

EL

OS

CO

NS

W

MA

IN L

, R, A

UX

1-1

6 S

W

SE

ND

LEV

EL

RE

TU

RN

LEV

EL

EX

T FX

1-8

EX

TIN

SE

RT

IN

To C

H 1

EX

T F

X IN

SE

RT

IN

To C

H 4

8 E

XT

FX

INS

ER

T IN

To A

UX

1 E

XT

FX

INS

ER

T IN

To A

UX

16

EX

T F

X IN

SE

RT

IN

To M

AIN

L E

XT

FX

INS

ER

T IN

To M

AIN

R E

XT

FX

INS

ER

T IN

EX

TIN

SE

RT

OU

T

CH

1 E

XT

FX

INS

ER

T O

UT

CH

48

EX

T F

X IN

SE

RT

OU

T

CO

NS

OLE

INP

UT

1-8

AU

X 1

EX

T F

X IN

SE

RT

OU

T

AU

X 1

6 E

XT

FX

INS

ER

T O

UT

MA

IN L

EX

T F

X IN

SE

RT

OU

TM

AIN

R E

XT

FX

INS

ER

T O

UT

SE

ND

LEV

EL

RE

TU

RN

LEV

EL

SO

LOLO

GIC

MO

NIT

OR

SE

LEC

T

AU

X 1

OU

TM

AIN

AU

X 1

-16

SE

ND

AU

X 1

6 O

UT

MA

IN O

UT

LM

AIN

OU

T R

RE

C O

UT

LR

EC

OU

T R

US

B M

EM

OR

Y R

EC

OR

DE

R

RE

CLE

VE

L

RE

CLE

VE

L

RE

CS

ELE

CT

AU

X 1

OU

T

AU

X 1

6 O

UT

9 24

MA

IN O

UT

LM

AIN

OU

T R

US

B M

EM

OR

YR

EC

OR

DE

R

US

BM

EM

OR

Y

To IN

PU

TPA

TC

HB

AY

To M

ON

ITO

R S

ELE

CT

AU

X 1

-16

MA

IN S

EN

DA

UX

1-1

6 S

OLO

MA

IN L

SO

LOM

AIN

R S

OLO

CH

1-2

4

MA

IN L

MA

IN R

AU

X 1

-16

MO

NIT

OR

CH

25-

48

TALK

BA

CK

OS

CIL

LATO

R

EX

TER

NA

L FX

AU

X 1

-16

SE

ND

Sam

e as

the

CH

1-2

4 A

UX

SE

ND

Sam

e as

the

abov

e

GAT

E/

EX

P

31 B

AN

D G

EQ

IN L

EV

EL

OU

T L

EV

EL

31 B

AN

D G

EQ

GE

Q 1

GE

QO

UT

PU

TS

ELE

CT

To A

UX

1 G

EQ

INS

ER

T IN

To A

UX

16

GE

Q IN

SE

RT

IN

To M

AIN

L G

EQ

INS

ER

T IN

To M

AIN

R G

EQ

INS

ER

T IN

GE

QIN

PU

TS

ELE

CT

AU

X 1

GE

Q IN

SE

RT

OU

T

AU

X 1

6 G

EQ

INS

ER

T O

UT

MA

IN L

GE

Q IN

SE

RT

OU

TM

AIN

R G

EQ

INS

ER

T O

UT

Sam

e as

the

abov

eG

EQ

2

Sam

e as

the

abov

eG

EQ

3

Sam

e as

the

abov

eG

EQ

4

EFF

EC

TS

IN L

EV

EL

OU

T L

EV

EL

EF

FE

CT

31 B

AN

D G

EQ

31 B

AN

D G

EQ

FX 1

FX

OU

TP

UT

SE

LEC

T

To C

H 1

FX

INS

ER

T IN

To C

H 4

8 F

X IN

SE

RT

IN

To A

UX

1 F

X IN

SE

RT

IN

To A

UX

16

FX

INS

ER

T IN

To M

AIN

L F

X IN

SE

RT

INTo

MA

IN R

FX

INS

ER

T IN

To IN

PU

T P

ATC

HB

AY

FX

INP

UT

SE

LEC

T

CH

1 F

X IN

SE

RT

OU

T

CH

48

FX

INS

ER

T O

UT

AU

X 1

FX

INS

ER

T O

UT

AU

X 1

6 F

X IN

SE

RT

OU

T

AU

X 1

OU

T

AU

X 1

6 O

UT

MA

IN L

FX

INS

ER

T O

UT

MA

IN R

FX

INS

ER

T O

UT

Sam

e as

the

abov

eFX

2

Sam

e as

the

abov

eFX

3

Sam

e as

the

abov

eFX

4

SP

LIT/

BA

CK

UP

OU

T

RE

AC

AO

UT

1 40

RE

AC

BO

UT

INP

UT

PAT

CH

BAY

RE

AC

AIN

PU

T1

To R

EA

C A

OU

T

16

D/A

17 40

RE

AC

BIN

PU

T

CO

NS

OLE

INP

UT

1-8

GA

INP

HA

NTO

M

+48

V

A/D

TALK

BA

CK

MIC

STE

RE

O IN

PU

T L,

R

1 16 17 40

RE

AC

B IN

PU

T 1

-16

25 40

S-1

608

INP

UT

INP

UT

1-16

PE

AK

SIG

GA

INP

HA

NTO

M

+48

V

A/D

S-0

816

From

ano

ther

M-4

00

INP

UT

1-8

PE

AK

SIG

16 IN

PU

TS

8 IN

PU

TS

FO

H 4

0 C

hann

el s

plit

out

(For

RE

AC

A o

nly)

GA

INP

HA

NTO

M

+48

V

A/D

S-4

000S

S

I-AD

4M

AX

40

INP

UT

S

SR

C

SI-A

ES

4A

ES

/EB

U

S-1

608

OU

TPU

T O

UT

PU

T 1

-8

D/A

S-0

816

OU

TPU

T O

UT

PU

T 1

-16

D/A

SO

-DA

4

S-4

000S

OU

TPU

T M

AX

40

OU

TP

UT

S

8 O

UT

PU

TS

16 O

UT

PU

TS

SR

C

SO

-AE

S4

AE

S/E

BU

D/A

S-1

608

OU

TPU

T O

UT

PU

T 1

-8

D/A

S-0

816

OU

TPU

T O

UT

PU

T 1

-16

D/A

SO

-DA

4

S-4

000S

OU

TPU

T M

AX

40

OU

TP

UT

S

SR

C

SO

-AE

S4

AE

S/E

BU

D/A

SO

-DA

4

S-4

000S

OU

TPU

T M

AX

8 O

UT

PU

TS

SR

C

SO

-AE

S4

AE

S/E

BU

8 O

UT

PU

TS

16 O

UT

PU

TS

To a

noth

erM

-400

MO

NIT

OR

/B

RO

AD

CA

ST

To E

XTA

RN

AL

FX

FX

1 O

UT

L /

R

FX

2 O

UT

L /

R

FX

3 O

UT

L /

R

FX

4 O

UT

L /

R

PLA

Y L

/ R

Ava

ilabl

e w

hen

the

M-4

00 is

the

FOH

mod

e an

da

S-1

608/

S-0

816

is c

onne

cted

to th

e R

EA

C A

.

Ava

ilabl

e w

hen

the

M-4

00 is

the

FOH

mod

e an

da

S-1

608/

S-0

816

is c

onne

cted

to th

e R

EA

C A

.

V-Mixer M-400 Mixer Block DiagramNumber of Channels

PROCESSING48 inputs / 18 buses

CONNECTORS

Signal Processing

AD/DA Conversion

56-bit

24-bit / 44.1kHz or 24-bit / 48kHz

Network Latency

XLR Inputs (1 to 8 ) XLR-3-31 type (balanced with phantom power)

Talkback Mic Input XLR-3-31 type (balanced with phantom power)

RCA Inputs (L/R) RCA Pin Type

XLR Outputs (1 to 8 ) XLR-3-32 type (balanced)

Phone Output Stereo 1/4 inch phone type

Digital Outputs Optical type x 1 and Coaxial type x 1

REAC Ports RJ-45 EtherCon type x 3

Remote ConnectorsRS-232C (D-Sub 9 pin type) x 1*MIDI (5 pin DIN type) x 2 (Out/Thru & In)* Serial remote control is not available on version 1 firmware

USB Ports A type x 1 and B type x 1

Other Connectors LAMP (XLR-4-31 type) x 1, Grounding terminal, AC Input

2.8 ms (typical)

INPUT / OUTPUT CHARCTERISTICS

Non Clip Maximum Output level

Residual Noise Level (IHF-A, typical)

Equivalent Input Noise Level (E.I.N.)

Total Harmonic Distortion + Noise

Dynamic Range

Cross Talk@1kHz

Nominal Input Level (Variable)XLR input jacks (1 to 8): -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu (Pad: ON) RCA input jacks (L/R): -18 to 0 dBuTalkback input jack: -50 to -10 dBu

Input ImpedanceXLR input jacks (1 to 8): 14 k ohms, RCA input jacks (L/R): 10 k ohms,Talkback input jack: 41 K ohms

Non Clip Maximum Input levelXLR input jacks (1 to 8): +8 dBu (Pad: OFF) or +28 dBu (Pad: ON), RCA input jacks (L/R): +18 dBu, Talkback input jack: +8 dBu

XLR output jacks (1 to 8): +4 dBu (Load impedance: 10 k ohms)Nominal Output Level

Output Impedance XLR output jacks (1 to 8): 600 ohms, Phones jack: 100 ohms

Recommended Load Impedance XLR output jacks (1 to 8): 10 k ohms or greater, Phones jack: 8 ohms or greater

XLR output jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load)Phones jack: 150 mW + 150 mW (1 kHz, 40 ohms load)

-88 dBu (All faders : Min)

-126 dBu

XLR output jacks (1 to 8): 0.05 % (typical), Phones jack: 0.05 % (typical)

XLR output jacks (1 to 8): 110 dB (typical)

XLR input jacks (1 to 8): -80dB (Pad: ON, Input gain: +10 dBu, typical)XLR output jacks (1 to 8): -100 dB (typical)

OTHERSDisplay

Power Supply

Power Consumption

Dimensions

Weight

800 x 480 dots Wide VGA backlit TFT full color

AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)

95 W

749.0 (W) x 626.0 (D) x 229.0 (H) mm, 29-1/2 (W) x 24-11/16 (D) x 9-1/16 (H) inches

19.8 kg, 43 lbs 11 ozFrequency Response

XLR output jacks (1 to 8) : -2 dB / +0 dB (20k ohms load, +4 dBu)Phones jack: -3 dB / +0 dB (40 ohms load, 150 mW)

(0dBu=0.775Vrms)* When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependent upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds.* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

* Total System Latency of audio signal from S-1608 inputs to outputs via M-400's REAC ports (A or B).

* Sample Rate: 48.0 kHz

* Effects : No insert effects

Number of Channels 16 in 8 out

AD and DA Conversion 24-bit / 44.1kHz, 48kHz, 96kHz

Frequency Response -2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz)

Total Harmonic Distortion + Noise 0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 to 20 kHz)

Dynamic Range 110 dB

Nominal Input Level-65 to -10 dBu (PAD: Off)-45 to +10 dBu (PAD: On) (1 dB step, Max. +28 dBu)

Input Impedance 14 k ohms

Nominal Output Level +4 dBu, Max. +22 dBu

Output Impedance 600 ohms

Recommended Load Impedance 10 k ohms or greater

Residual Noise Level (IHF-A, typ.) -80 dBu or less

Power Comsumption

POWER Indicator x 1, REAC Indicator x 1, REMOTE Indicator x 1, MUTE ALL OUTPUTS Indicator x 1

Phantom Power +48 V / 14 mA (each input, remote controlled)

S-1608: 45W

Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)

Dimensions401.0 (W) x 135.0 (D) x 177.0 (H) mm or15-13/16 (W) x 5-3/8 (D) x 7 (H) inches

Weight 4.5 kg or 9 lbs 15 oz

Indicators

Connectors

Analog Input x 16 (XLR type, balanced, phantom power) Analog Output x 8 (XLR type, balanced)Digital Output connector x 1 (Optical type) REAC Connector x 1 (RJ-45 EtherCon type)Remote Connector x 1 (RS-232C, DB-9 type)

PAD 20 dB On/Off

(0dBu=0.775Vrms)

Equivalent Input Noise Level

Network Latency

-128 dB

375 microseconds when using REAC cable only (*1)(AD - REAC - DA Latency: approx 1.2 ms)

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

*1 When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds.

■ V-Mixer M-400 Specifications

■ Digital Snake S-1608 Specifications

Power Cord x 1, REAC Connector Cover x 1, Ferrite Cores x 1Rubber Foot x 4, Rack Mount Kit x 1, Owner's Manual

Accessories

401

■ V-Mixer M-400/Digital Snake S-1608 Dimensions

Unit : mm

V-Mixer M-400 Digital Snake S-1608

Unit : mm

177

135

* EIA-4U size when the rack mount kit in accessory is fitted

626

229

636

680

749

13 14

13_14.qxd 07.10.2 5:29 PM Page 1