The Core Arts Standards: How Enduring...The Core Arts Standards: How Enduring Understandings can...
Transcript of The Core Arts Standards: How Enduring...The Core Arts Standards: How Enduring Understandings can...
The Core Arts Standards: How Enduring
Understandings can link Music, Visual Art,
and Literature
Carol Jago, University of California, Los Angeles
Teresa Reed, University of Tulsa
Amy Charleroy, The College Board
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NCCAS Leadership Team
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Standards Framework
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Standards Framework
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Standards Framework
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Discipline: Visual Art
Process: Responding
Anchor Standard: Students will experience, analyze and interpret art and other aspects of the visual world.
Enduring Understanding: People gain insights into the meanings of artworks by analyzing subject matter, characteristics of form and structure, contextual information, the use of media and art making approaches.
Essential Question(s): • How do artworks convey meaning?• How can the viewer "read" a work of art?• How does knowing and using visual arts vocabularies help us understand and interpret works of art?
Kindergarten Grade 3 Grade 6 HS Accomplished
Interpret art by Identifying subject matter and describing relevant details.
Interpret art by analyzing use of media to create subject matter, visual elements and mood.
Interpret art by distinguishing between relevant and non-relevant contextual information and analyzing subject matter, visual elements and use of media to identify ideas and mood conveyed.
Identify examples of the types of contextual information useful in the process of constructing interpretations of an artwork or collection of works.
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Enduring Understandings: Visual Arts
Creating: Artists' and designers' ideas develop out of life experiences and are explored utilizing inquiry methods including observation, research, and experimentation.
Responding: People gain insights into the meanings of artworks by analyzing subject matter, compositional elements, use of media and context.
Eddie Priest’s Barbershop & NotaryBY KEVIN YOUNG
Closed Mondays
is music is men
off early from work is waiting
for the chance at the chair
while the eagle claws holes
in your pockets keeping
time by the turning
of rusty fans steel flowers with
cold breezes is having nothing
better to do than guess at the years
of hair matted beneath the soiled caps
of drunks the pain of running
a fisted comb through stubborn
knots is the dark dirty low
down blues the tender heads
of sons fresh from cornrows all
wonder at losing half their height
is a mother gathering hair for good
luck for a soft wig is the round
difficulty of ears the peach
faced boys asking Eddie
to cut in parts and arrows
wanting to have their names read
for just a few days and among thin
jazz is the quick brush of a done
head the black flood around
your feet grandfathers
stopping their games of ivory
dominoes just before they reach the bone
yard is winking widowers announcing
cut it clean off I’m through courting
and hair only gets in the way is the final
spin of the chair a reflection of
a reflection that sting of wintergreen
tonic on the neck of a sleeping snow
haired man when you realize it is
your turn you are next
A Quiet Poem by Frank O’Hara
When music is far enough awaythe eyelid does not often move
and objects are still as lavenderwithout breath or distant rejoinder.
The cloud is then so subtly draggedaway by the silver flying machine
that the thought of it alone echoesunbelievably; the sound of the motor falls
like a coin toward the ocean's floorand the eye does not flicker
as it does when in the loud sun a coinrises and nicks the near air. Now,
slowly, the heart breathes to musicwhile the coins lie in wet yellow sand.
http://82nd-and-fifth.metmuseum.org/?utm_source=homepage&utm_medium=banner&utm_campaign=82ndfifth#/new
John
John Statue of two men and a boy, Egypt, 1350 B.C.
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Ave Maria
Kathleen Battle & Christopher Parkening
Bobby McFerrin & Yo Yo Ma
Marian Anderson
Charlotte Church
European Jazz Trio