Henry Rogers Broughton,

2nd Baron Fairhaven (1900-1973)

Henry Rogers Broughton succeeded his older brother, Urban

Huttleston Broughton, as 2nd Lord Fairhaven in 1966. Born in

America, Henry was educated at St Paul’s School, USA and

Harrow before Commissioning from the Royal Military Academy

Sandhurst into the Royal Horse Guards in 1920. Five years

later he and his brother bought the Barton Stud near Bury

St Edmunds and the following year they acquired Anglesey

Abbey. Here, and at his subsequent houses, Bakeham House

and later at South Walsham Hall, he formed a remarkable

collection of oil paintings, watercolours, gouaches, miniatures

and sketches. Lord Fairhaven bequeathed a comprehensive

collection of 120 flower paintings to the Fitzwilliam Museum

in Cambridge (the Broughton Bequest), including 12 Months

of Flowers by van Huysum, over nine hundred individually

mounted watercolours and gouaches and forty-four volumes

of drawings by Ehret, Redouté and many others. The works in

this sale represent the variety and quality of what was one of the

largest such collections amassed in the 20th century.

Works on PaPer from the ColleCtion of

henry rogers Broughton, 2nd Baron

fairhaven (1900-1973)

72

440. Johannes Bronkhorst (Dutch 1648-c.1726) Ducks and geese by the water; Study of a crow The second inscribed: Bouts Kraij (?) Two, the first watercolour with bodycolour, the second bodycolour, unframed 16.5 x 21.5cm and 15 x 19cm (2) £500-700

441. Augusta Innes Withers (1793-1870) Chickens and chicks with a dove Signed and inscribed 26 Grove Place Watercolour with bodycolour, unframed 11.75 x 23.75cm With another, signed, of a cockerel and hens by Samuel Howitt 13 x 18.25cm (2) £200-300

442. English School c.1830 Decorative studies of birds Two, both watercolour with bodycolour, unframed Each 15.5 x 13.25cm (2) £200-300

443. William Lewin (1747-1795) A Finch Signed with initials and dated indistinctly Watercolour with bodycolour, heightened with white, unframed 20.5 x 16cm £200-300

440

441

442 443

73

444. Friedrich Specht (German 1839-1909) Cats, kittens and dogs Three, all signed All bodycolour with pencil, unframed 13.25 x 20.75cm (3) £1,500-2,000

445. Johannes Bronkhorst (Dutch 1648-c.1726) A study of a Blackcock Signed with initials Bodycolour and watercolour, unframed 15.7 x 20cm £600-800

445

444

74

446. Louis Alexander Fagan (1845-1903) Coastal views in decorative borders Eight, three signed with initials L.F. All bodycolour, unframed Each 14.75 x 10.24cm (8) £1,800-2,200

446

75

447. Saviero Xavier Della Gatta (Italian act.1777-1829) Neapolitan scenes from peasant life Five, some signed and dated 1800 All bodycolour, unframed Each 20 x 14.75cm and similar With six further similar Neapolitan School scenes c.1820 and c.1830 (11) £3,000-4,000

447

76

448. Johann Christoph Dietzsch (German 1710-1769) Figures by a lake, a Schloss beyond; A gypsy encampment Two, both bodycolour, unframed 11.75 x 16.5cm and 11 x 15cm (2) £400-600

449. Franz de Paula Ferg (Austrian 1689-1740) Figures at a well Bodycolour, unframed 16.5 x 20.5cm With another Italian school c.1740 of a Musical Instrument Workshop (2) £400-600

450. Johann Christoph Dietzsch (German 1710-1769) Summer landscape Bodycolour, unframed 17.4 x 22.4cm With another similar Austrian School c.1760, of a winter landscape (2) £400-600

450

448

449

77

451. Johann Christoph Dietzsch (German 1710-1769) Figures in an Italianate landscape; A Gypsy encampment; Travellers by a river Three, all bodycolour, unframed 12.5 x 17.5cm and 14 x 19cm and 11 x 15.2cm (3) £1,000-1,500

453452

451

452. Henri Désiré van Blarenberghe (French 1734-1812) Military encampment; Military provisioning Two, both bodycolour, unframed 15.25 x 20.75cm (2) £1,000-1,500

453. Jean Duplessis-Bertaux (French 1747-1819) Soldiers defending a stockade Pen, ink and grisaille wash, unframed 13 x 23.5cm £400-600

78

454. Portuguese School late 18th Century Customs of Brasil, a Sedan chair Bodycolour, unframed 15.5 x 23.25cm £1,500-2,000

454

455

456

455. Johann Conrad Kleemann (German 1741-1788) A harbour scene Signed Bodycolour, unframed 12.75 x 16.25cm £1,200-1,800

456. Spanish Colonial School c.1800 Washerwomen; Figures with goats Two, both bodycolour, unframed Each 11.25 x 18.5cm (2) £700-900

79

457. Portuguese School late 18th Century Views of Rio de Janeiro Five, all bodycolour, unframed Each 11.25 x 18.25cm and similar (5) £1,500-2,000

457

458

458. German School c.1790 Ships in a sea port Bodycolour, unframed 16.75 x 22.5cm £400-600

80

460. François Ludwig, Comte de Kasselstatt (German 1753-1841) Figures in a town and in landscapes Three, all inscribed and dated 1811, 1807 and 1820, All bodycolour, unframed 13.25 x 18.25cm and smaller (3) £400-600

459. Jacob Burgi (Swiss 1745-c.1795) Figures in river landscape Bodycolour, unframed 16 x 20.75cm with two further river landscapes signed with initials FF, bodycolour, each 13.75 x 19.5cm (3) £1,500-2,000

459

460

81

461. Johann Conrad Kleemann (German 1741-1788) Harbour scenes with ships at anchor A pair, one signed and dated 1762 Bodycolour, unframed 9.5 x 15.25cm (2) £2,000-3,000

462. Austrian School c.1790 Travellers on a track; A village fire at night Two, both bodycolour, unframed 10.75 x 15cm and similar (2) £300-400

463. Follower of Abraham Jansz Begeyn (Dutch 1637-1697) Sheep and goats by an urn in a landscape Watercolour, unframed 15.5 x 12.5cm With another Dutch School landscape c.1770 in bodycolour (2) £200-300

463

462

461

82

464. Jan Dircksz Both (1618-1652) Figures in Italianate landscapes Four, one signed All bodycolour on vellum, with gum arabic, unframed 16.5 x 14.2cm and similar (4) £400-600

465. German School c.1790 Figures on a track by a pond, a cottage beyond Bodycolour, unframed 16 x 23.25cm £400-600

466. Follower of William Daniell R.A. Figures on a track by a lake Bodycolour, unframed 21.25 x 30cm £400-600

464

466465

83

467. Abraham Rademaker (Dutch 1675-1835) Figures in a wooded landscape; Fishermen on an estuary Two both signed Both bodycolour, unframed 12.3 x 18.75cm and 10.75 x 16cm (2) £1,200-1,800

468. Jean Baptiste Francois Genillion (French 1750-1829) Basilica of Constantine, Rome; Tempio della Fosse Two both signed, later titled verso Both pencil and watercolour, unframed Each 17 x 24.5cm (2) £1,000-1,500

469. Aignan Thomas Desfriches (French 1715-1800) Figures by a gateway Signed Pen, ink and grisaille wash, unframed 11.2 x 17.2cm £500-700

469

468

467

84

470. John Laporte (1761-1839) Whalebone Farm Bodycolour, unframed 19.25 x 25.25cm £500-700

471. Thomas Walmsley (Irish 1763-1806) View of Tintern Abbey, Monmouthshire Bodycolour, unframed 27.5 x 40cm £500-700

472. Thomas Walmsley (Irish 1763-1806) Melincourt Mill, South Wales Titled verso Bodycolour, unframed 23.75 x 32cm £300-500

473. Thomas Walmsley (Irish 1763-1806) Part of the Great Lake of Killarney, Ireland Signed and titled verso Bodycolour, unframed 18 x 25.5cm £200-300

474. Thomas Walmsley (Irish 1763-1806) Figures by a lake in Cumberland Bodycolour, unframed 28.5 x 39.25cm £300-400

471470

473472

474

85

475. Thomas Walmsley (Irish 1763-1806) Tintern Abbey; A farmer by a mill Two, the first signed and titled verso Both bodycolour, unframed 22.75 x 36cm and 26 x 34.5cm (2) £300-400

476. John Laporte (1761-1839) Horses by a wood in the moonlight Bodycolour, unframed 24 x 31cm £400-600

477. James Webb (1825-1895) Chepstow Castle, Monmouthshire Signed with initials and titled verso Bodycolour, unframed 27.5 x 40.5cm £300-400

478. James Webb (1825-1895) View near Hampstead Inscribed Stowers, also titled verso Bodycolour, oval, unframed 23 x 29.75cm £500-700

475

477476

478

86

479. John Claude Nattes (1765-1822) Hotwells, Bristol; A Palladian temple in a river landscape A pair, both bodycolour, unframed Each 17.5 x 26.5cm (2) £600-800

480. Thomas Walmsley (Irish 1763-1806) Herdsmen by a wood; Herdsmen, cattle and sheep by a lake, a Castle beyond Two, one signed indistinctly Both bodycolour, unframed Each 27.75 x 35cm (2) £600-800

481. English School early 19th Century Hailes Abbey, Gloucester Bodycolour, unframed 27 x 27.25cm £400-600

482. John Laporte (1761-1839) View over an extensive river landscape Bodycolour, unframed 16.75 x 22.25cm £300-400

481

480

479

482

87

483. John Laporte (1761-1839) Welsh lakeland landscapes Two, one signed indistinctly Both bodycolour, unframed 22.25 x 33.25cm (2) £600-800

484. John Laporte (1761-1839) An estuary with a waterfall; Peasants on a track Two, both bodycolour, unframed 31 x 44.75 and similar (2) £500-600

485. Follower of Philip James de Loutherbourg R.A. Cattle and a donkey in a river landscape Watercolour with bodycolour, unframed 29.75 x 40.75cm £200-300

486. Thomas Walmsley (Irish 1763-1806) Stoke Gabriel, River Dart, Devon Signed, titled and inscribed For Mrs Hopkinson verso Bodycolour, unframed 27.75 x 40.5cm £200-300

486485

484

483

88

487. German School 18th Century A river landscape in the rain Bodycolour, unframed 22.25 x 28cm £200-300

488. Follower of William Daniell R.A. Deer in a wooded lake landscape Bodycolour, unframed 20.75 x 29.6cm £200-300

489. A. C. Krygeer (Continental 18th Century) Peasants on a country track, a windmill beyond Signed verso Watercolour, unframed 25.5 x 32.5cm £100-200

490. German School c.1770 A traveller passing a chalet in a winter landscape Bodycolour, unframed 19 x 28cm £400-600

491. Christoph Ludwig Agricola (1667-1719) View over a town at sunset Bodycolour, unframed 17.5 x 22.25cm £700-900

487

489

491

488

490

89

492. Georg Christoph Gottleib von Bemmel (German 1765-1811) River landscape in Nuremburg with a mill Signed Bodycolour, unframed 19 x 28.25cm £200-300

493. Georg Christoph Gottleib von Bemmel (German 1765-1811) A ruined gateway to town Stamped CR lower left Bodycolour, unframed 17.5 x 22.75cm Provenance: The Charles Rogers Collection £500-700

494. Attributed to John Inigo Richards (1731-1810) Goats and cattle in a river landscape with a castle beyond; Herdsman and cattle on a bridge Two, both bodycolour, unframed 18.5 x 25.25cm and similar (2) £250-350

495. Jan Anthonie Langendyk (Dutch 1780-1818) A coach party crossing a stream Signed and dated 1805 Watercolour, unframed 22 x 32.5cm £600-700

494

493492

495

90

496. Aert Schouman (Dutch 1710-1792) Traders in a port scene Signed verso with initals, inscribed and dated Na Weenix 1749 Bodycolour, unframed 24 x 30.5cm £3,000-4,000

497. J. C. Wissing (18/19th Century) Figures by a farmstead; Cattle watering, a castle beyond Two, both bodycolour, unframed 16.5 x 24.75 and similar (2) £300-400

498. Attributed to Johann Gottlieb Hackert (1744-1773) Herdsman and livestock in a river landscape Bodycolour, unframed 17.25 x 22.25cm £300-500

499. Austrian School c.1760 Figures in a winter landscape Bodycolour, unframed 17 x 21.25cm £300-400

496

497

499498

91

500. Christoph Ludwig Agricola (1667-1719) Figures in river landscapes Four, all bodycolour, unframed 16.25 x 21.75cm and similar (4) £1,500-2,000

501. Juriaan Andriessen (Dutch 1742-1819) Figures in a boat on the river Watercolour, unframed 25 x 18cm £150-200

502. John Laporte (1761-1839) Figures in an autumn landscape Bodycolour, unframed 33.2 x 27.2cm £300-500 502501

500

92

503. Attributed to Johann Gottleib Hackert (German 1744-1773) Figures and cattle in a river landscape Bodycolour, unframed 17.25 x 22.5cm £200-300

504. Henri Désiré van Blarenberghe (French 1734-1812) Cavalry on the move Bodycolour, unframed 16.5 x 21.75cm £400-600

505. Abraham Rademaker (Dutch 1675-1735) An extensive river landscape with a natural arch Signed and stamped WE Watercolour, unframed 20.25 x 31.75cm Inscribed W. Esdaile 1805 verso £200-300

506. German School c.1820 A house in Heiligenstadt Bodycolour, unframed 17.5 x 27.5cm £300-400

507. Louis Chalon (Dutch 1687-1741) View over a valley with peasants in the foreground Bodycolour, unframed 17.25 x 22.75cm £300-400

507

506505

504503

93

508. Dutch School c.1630 Travellers at an Inn Bodycolour, unframed 26.75 x 32cm £300-400

509. Wybrand Hendriks (Dutch 1744-1831) after Jan Wynants Peasants on a road overlooking a valley Signed and inscribed verso Watercolour, unframed 23 x 27.25cm £250-350

510. Flemish School 18th Century Figures by a ferry on a river in an Italianate landscape Bodycolour, unframed 23.75 x 30.5cm £300-400

511. G. Gill early 19th Century Figure on a track in a wood Bodycolour, unframed 19 x 25cm £300-400

512. Jacob Burgi (Swiss 1745-c.1795) Figures with a wagon in a river landscape Bodycolour, unframed 18.75 x 26.5cm £600-800

511510

509508

512

94

513. Peter Tillemans (1684-1734) Officers watching a battle A pair, one signed Both watercolour heightened with bodycolour, unframed 29 x 44.25 and similar (2) £800-1,200

514. German School c.1790 A ship by a sea port Bodycolour, unframed 17.25 x 22.5cm £200-300

515. Johann Christoph Dietzsch (German 1710-1769) Figures and livestock in barn interiors A pair, both bodycolour and gum arabic, unframed Each 17.2 x 22.4cm (2) £500-700

513

514

515

95

516. Johann Christoph Dietzsch (German 1710-1769) A Naval engagement on the coast Bodycolour and gum arabic, unframed 20.75 x 28cm £500-700

517. Johann Martin Daubler (German 1756-1800) A village fire at dusk Bodycolour, unframed 17.75 x 22.25cm With another similar by a different hand c.1750 (2) £350-450

518. Jacob Burgi (Swiss 1745-c.1795) Figures fishing by a natural arch Bodycolour, unframed 16.5 x 23.75cm £300-500

519. Attributed to Christian Wilhelm Ernst Dietrich (German 1712-1774) A chalet by a river in a mountainous landscape Bodycolour, unframed 19.75 x 26.75cm £150-200

516

517

518 519

96

520. Jacob Cats (Dutch 1741-1799) A Herdsman and lady fording a river Signed and dated 1790 verso Watercolour, unframed 18.5 x 24.75cm £500-700

521. Johann Martin Daubler (German 1756-1800) Travellers by a river, a town beyond Bodycolour, unframed 17.5 x 22.75cm £250-350

522. Eustache François Duval (French act.1784-1836) and L. Braundet A town gateway in a landscape Inscribed on a label verso Bodycolour, unframed 20.5 x 28.5cm £250-350

523. Georg Christoph Gottleib von Bemmel (German 1765-1811) Skaters in a winter landscape Bodycolour, unframed 17.25 x 23cm £400-600

524. Nuremburg School c.1750 Figures heading home in a storm Bodycolour and gum arabic, unframed 17 x 22.25cm £300-400

520

522521

524523

97

525. Philip James de Loutherbourg (French 1740-1812) Figures by a mill in a rocky landscape Bodycolour, unframed 36.3 x 28.3cm £600-800

526. Baron Louis Albert Guillain Bacler D’Albe (French 1761-1848) River landscapes with figures by a cottage and figures by a tower A pair, both bodycolour, unframed Each 18.25 x 24.75cm (2) £300-400

527. J. C. Wissing (18/19th Century) Travellers by a river, a town beyond Bodycolour, unframed 16.5 x 25.5cm £300-400

528. Ambrosius Gabler (German 1762-1834) River landscape with figures by a watermill Bodycolour, unframed 22.25 x 30.25cm £300-400

526

528527

525

98

529. Thomas Denny (early 19th Century) Studies of exotic birds in a landscape Both numbered, one signed and dated 1820, the other inscribed indistinctly Both watercolour with bodycolour, unframed Each 40 x 32.25cm (2) £600-800

530. English School 18/19th Century The Long-tailed green humming bird from Jamaica Watercolour with bodycolour, unframed 30.5 x 22.5cm £300-400

531530

529

99

531. Attributed to Christoph Ludwig Agricola (1667-1719) A bird on a thistle Bodycolour, unframed 26.5 x 17.75cm £200-300

532. Aert Schouman (Dutch 1710-1792) Exotic heron Signed with initials and inscribed verso Watercolour, unframed 36.75 x 25.5cm £2,500-3,000

533. English School 18/19th Century Ducks among the waterlilies Watercolour with bodycolour, unframed 29 x 36.75cm £300-500

534. Jan Gerritsz van Bronkhorst (Dutch 1603-1662) Duck and fowl by a stump Signed with initials Watercolour with bodycolour, unframed 19.25 x 25cm £400-600

532

534533

100

535. Chinese School 19th Century Two birds on a branch Bodycolour, unframed 26 x 39.5cm £300-500

536. English School 19th Century Nest on an oak branch; Blackcurrant Two, one signed with initials H.E.B. Both bodycolour, unframed Each 35 x 50cm (2) £300-500

537. Chinese School 18/19th Century A pair of Australasian swamphens Bodycolour, unframed 11.75 x 19.7cm £200-300

538. Chinese School early 19th Century An Oriental bird Inscribed Chawhaw Watercolour with bodycolour, unframed 26.5 x 40.75cm £300-500

539. Attributed to Johann Christoph Gottlieb Reiler (18th Century) Chinese pheasants on a tree Inscribed verso Watercolour with bodycolour, unframed 36 x 24.25cm £4,000-5,000

537

535

536

538

101

539

102

540. Jean-Baptiste Le Prince (French 1734-1781) Study of a peasant child Pencil and chalk, unframed 23 x 16.3cm £500-700

541. Alessandro D’Anna (Italian 1746-1810) Figures in Neapolitan costumes Two, both signed, dated 1793/4 and inscribed Napoli, one inscribed Donna delle colline di Posillipo Both bodycolour, unframed Each 24 x 18cm (2) £300-400

542. Victor Jean Nicolle (French 1754-1826) Ladies by a town gate; Lady at a grotto Two, the first signed Both watercolour with bodycolour, unframed 18.3 x 12.5cm £500-700

540 541

542

103

543. Johann Jacob Hoch (German 1750-1839) Courtesans at their windows A pair, one signed and dated 1798 Bodycolour, unframed Each 24 x 20cm (2) £800-1,000

544. French School c.1690 A lady seated by a fire in a painted border Bodycolour, unframed 18 x 12.7cm £700-900

545. German School c.1790 A lady playing the Clavichord Bodycolour, unframed 28 x 22cm £400-600

545544

543

104

546. Follower of Isaac de Moucheron (Dutch 1667-1744) Figures in a classical garden Bodycolour, unframed 18 x 23.75cm £300-400

547. Daniel Dupré (Dutch 1752-1817) An angler in a river landscape Signed and dated 1794 Bodycolour, unframed 19.75 x 27cm £150-200

548. English School c.1840 A church by a lake Signed with initials E.C or E.G. Watercolour with bodycolour, unframed 22.5 x 33cm £150-200

549. Attributed to Joseph Augustus Knip (Dutch 1777-1847) A windy day Bodycolour, unframed 24 x 36.5cm £200-300

550. Jean Augustin Renard (French 1744-1807) Figures by a ruined aquaduct Signed Bodycolour, unframed 22.75 x 30.25cm £250-350

548 549

550

547546

105

551. Attributed to Pierre Antoine Patel (French 1648-1707) Women at a well in a classical landscape Bodycolour, unframed 16.5 x 23.25cm £1,000-1,500

552. Attributed to Marco Ricci (Italian 1676-1729) Figures on a road in an open landscape Bodycolour, unframed 24.25 x 27.75cm £500-700

553. French School c.1760 An Italianate landscape with figures by ruins Bodycolour, unframed 16.75 x 24in £250-350

554. Italian School c.1800 Figures in a the ruins of an amphitheatre Bodycolour, unframed 26.5 x 40.75cm £300-400

551

552

553 554

106

555. Flemish School 18/19th Century An Italianate landscape with figures and livestock Bodycolour, unframed 24.5 x 30.25cm £200-300

556. Johannes Adriaansz. Bemme (Dutch 1775-1841) Peasants on a riverside track by a bridge and farmstead Signed, dated 1880 and extensively inscribed verso Watercolour, unframed 35 x 47.5cm £400-600

557. Pierre-Joseph Wallaert (French 1753-c.1812) Anglers by a rustic bridge over a river Signed and inscribed Watercolour, unframed 31.75 x 41cm £400-600

558. Louis Bélanger (French 1736-1815) A family with livestock by a lake Pen, ink and bodycolour, unframed 34.25 x 48.25cm £500-600

559. Joseph Augustus Knip (Dutch 1777-1847) A woman on a donkey by a waterfall with a peasant and livestock Bodycolour, unframed 47.75 x 36.75cm £1,200-1,800

555 556

559

558557

107

560. Di Angelis (Early 19th Century) The crater of Mount Vesuvius at sunset Signed, titled and dated Aug. 7th 1832 verso Bodycolour, unframed 26.2 x 40.75cm £600-800

561. Francesco Zerrilli (Italian 1793-1837) View of Sicily Inscribed Veduta di Bala verso Bodycolour, unframed 27.25 x 40.75cm £300-400

562. Carlo Bossoli (Swiss 1815-1884) Travellers in a landscape in Spain, a city beyond Signed Bodycolour, unframed 25.5 x 41.75cm £400-600

563. Thomas Walmsley (Irish 1763-1806) Light House, Mumbles near Swansea, South Wales Signed, titled and dated 1804 verso Bodycolour, unframed 31 x 47.5cm £400-600

563562

560

561

108

564. German School 18th Century Travellers by a bridge and Italianate buildings in a landscape Bodycolour, unframed 11 x 16.5cm £300-500

565. Dutch School 18th Century Travellers by a river in a landscape Bodycolour, unframed 10.5 x 15cm £300-500

566. Thomas Walmsley (Irish 1763-1806) A ruined Castle entrance and bridge Signed and titled indistinctly verso Bodycolour, unframed 34.5 x 47cm £500-700

567. John Laporte (1761-1839 Boats on a river on a calm evening Bodycolour, unframed 29.25 x 46cm £800-1,200

567

566

565564

109

568. John Laporte (1761-1839) Travellers on a track, a river beyond Bodycolour, unframed 28.2 x 39.2cm £800-1,200

569. John Laporte (1761-1839) A beacon on the coast Bodycolour, unframed 29.3 x 44.3cm £800-1,200

570. J. West (18/19th Century) A house on a lake at dusk; Peasants by a river at dusk Two, one signed Watercolour with bodycolour, unframed 29.5 x 41.5cm and similar (2) £800-1,200

570

569

568

110

571. Hendrik van de Sande Bakhuysen (Dutch 1795-1860) Fishermen on the shore Signed verso Bodycolour, unframed 30 x 25.75cm £500-700

572. Attributed to Joseph Augustus Knip (Dutch 1777-1847) Travellers in a mountainous landscape Bodycolour, unframed 33.25 x 31.5cm £200-300

573. German School c.1760 Bathers by a bridge Bodycolour, unframed 10 x 16.5cm £150-200

574. Pierre Antoine Patel (1648-1707) Figures at dusk in an Italianate landscape Signed and dated 1685 Bodycolour with gum arabic, possibly on vellum, unframed 10.2 x 12.5cm £300-500

575. Tethart Philip Christian Haag (German 1737-1812) after Philips Wouwerman Figures resting in a landscape Signed, dated 1787 and inscribed verso Watercolour, unframed 33 x 38.75cm £200-300

573

572571

575574

111

576. Attributed to Marco Ricci (Italian 1676-1729) Figures by a bridge over a river, a cappriccio of Rome beyond Bodycolour, unframed 28.75 x 44.75cm £1,500-2,000

577. Francesco Zerilli (Italian 1793-1837) Messina, Sicily Inscribed verso Bodycolour, unframed 24.75 x 40.25cm £800-1,200

578. Francesco Zerilli (Italian 1793-1837) An Italian Palace, possibly Palazzo Portici, Naples Bodycolour, unframed 27.25 x 40.75cm £800-1,200

579. School of Marco Ricci (Italian 1676-1729) Travellers on a road by a country villa Bodycolour, unframed 38.25 x 58.5cm £2,000-2,500

579

578577

576

112

580. Roman School c.1780 View of the river Aniene at Tivoli; The Pantheon; The Colosseum Three, all bodycolour, unframed Each 9 x 14.5cm and similar (3) £1,500-2,000

581. Attributed to Gerrit Rademaker (1672-1711) Figures before ruins A pair, both signed with initials Both watercolour, unframed Each 12 x 20.75cm (2) £500-700

580

581

113

582. Roman School c.1780 Views of Italian buildings and ruins Some inscribed verso Nine, all bodycolour, unframed Each 9 x 14cm and similar (9) £1,000-1,500

582

114

583. Willem van Leen (Dutch 1753-1825) Parrots on a branch Signed, inscribed and dated 1789 verso Watercolour, unframed 35.8 x 22.1cm £1,200-1,800

584. Karel Borchaert Voet (Dutch 1670-1743) A bird on a fallen branch Signed Watercolour, unframed 26 x 18.5cm £500-700

585. Aert Schouman (Dutch 1710-1792) Bird of Paradise; Exotic bird in a landscape Two, both signed, one with initials and inscribed, one dated 1781 on the backing paper Both watercolour with bodycolour, unframed Each 36.5 x 26cm (2) £6,000-8,000

585

584583

115

586. William Hayes (1729-1799) A bird of prey with a snake and a tortoise; A duck and a fish by a stream A pair, both signed and dated 4th and 9th July 1760 Bodycolour on embossed paper, unframed Each 42 x 32.75cm (2) £800-1,200

587. Isaac Spackman (c.1700-1771) Studies of sparrows Signed and dated 1765, also inscribed in detail verso Watercolour with bodycolour on vellum, unframed 22.75 x 32.25cm £1,500-2,000

587

586

116

588. Aert Schouman (Dutch 1710-1792) Antelope; Deer Two, one signed and dated 1779, both inscribed verso Both watercolour, unframed 16 x 19.5cm and 13 x 21cm (2) £700-900

589. C. Holstein (18/19th Century) Domestic fowl among ruins; Swans and birds by a lake Two, both bodycolour, unframed Each 27 x 37cm (2) £300-400

590. H. Locnen (18/19th Century) Domestic fowl by ponds Two, one signed Both bodycolour on vellum, unframed Each 29 x 43cm (2) £300-400

590

589

588

117

591. After Jan Van Kessel (c.1626-1679) The Mockery of the Owl Watercolour with bodycolour, unframed 37 x 54.75cm This is a loose copy of the original in the Royal Museum of Fine Arts, Antwerp. This copy is missing the owl. £2,500-3,500

592

591

592. Dutch School c.1760 Exotic and domestic fowl Watercolour, unframed 27 x 43cm £200-300

118

593. Johann Christoph Dietzsch (German 1710-1769) A squirrel eating a pine cone Bodycolour and gum arabic, unframed 29 x 21.5cm £300-500

594. S. Bright (Late 19th Century) Birds on a blossom Signed indistinctly Watercolour with bodycolour, unframed 20.25 x 22.75cm £400-600

595. Dutch School c.1750 Peasants by a tomb in a landscape Bodycolour, unframed 16.5 x 13cm £300-500

596. Giuseppe Florenzo Vanni (Italian 18th Century) An exotic bird of the Aracari family Watercolour, unframed 36.5 x 26.75cm £800-1,200

596595

594593

119

597. Johannes Jansen (18th Century) Farmers and livestock in river landscapes Two, both signed Both watercolour, unframed 19.75 x 15.25cm (2) £800-1,200

598. Pauline de Knip (French 1781-1851) An exotic bird on a branch Watercolour with bodycolour, unframed 43.75 x 30.5cm £100-150

599. Sydenham Teast Edwards (1768-1819) An exotic brown bird Signed with initials, unframed 50.5 x 37.75cm £1,200-1,800

599

597

598

120

600. Jan van der Straet (Stradanus) (Flemish 1523-1605) A stag hunt Signed Bodycolour, unframed 16 x 23cm £500-700

601. Italian School 18th Century Amateur astronomers among the ruins Bodycolour, unframed 32.25 x 48.25cm £400-600

604603

602601

600

121

602. Abraham Rademaker (Dutch 1675-1735) Soldiers by a town gate Signed Pen, ink and grisaille wash, unframed 14.5 x 23.5cm £400-600

603. Louis Gabriel Moreau L’Ainé (1740-1806) Angler by a cottage Bodycolour, unframed 14.5 x 22.5cm £300-500

604. Dutch School c.1780 A pastoral landscape Bodycolour, unframed 10.7 x 15.2cm £400-600

605. Jacob Burgi (Swiss 1745-c.1795) Travellers in a wooded river landscape Bodycolour, unframed 15.25 x 20.5cm With another of a chapel on a river (2) £800-1,200

606. Jacob Burgi (Swiss 1745-c.1795) Figures in river landscapes Both bodycolour, unframed 17 x 22.5cm and 15.7 x 22.7cm (2) £1,000-1,500

606

605

122

607. Jacob Burgi (Swiss 1745-c.1795) Figures by a water trough in a landscape Bodycolour, unframed 21.75 x 27cm £500-700

608. Johann Christoph Dietzsch (German 1710-1769) A family and a traveller at sunset Bodycolour, unframed 11 x 15.2cm £400-600

609. Jacques Willem van Blarenberghe (Dutch 1679-1742) Figures in a wooded river landscape Bodycolour, unframed 14 x 19cm £300-500

610. J. West (18/19th Century) A mill in a mountainous landscape Bodycolour, unframed 28.5 x 37.5cm £150-200

610

608

609

607

123

611. Jacques Willem van Blarenberghe (Dutch 1679-1742) A village scuffle; Figures by a waterfall Two, both bodycolour, unframed 15.3 x 21.2cm and 17 x 22.5cm (2) £800-1,200

612. Claude Louis Châtelet (French 1753-1794) Ships on the coast at Stromboli Signed and inscribed verso Grisaille watercolour, unframed 15.5 x 26cm £700-900

613. Jacob Cats (Dutch 1741-1799) Figures and livestock by an Inn Inscribed and dated May 1789 verso Grisaille watercolour, unframed 24.75 x 36cm £600-800

613

612

611

124

614. Johann Christoph Dietzsch (German 1710-1769) Lightning strikes in stormy scenes Bodycolour, unframed 11 x 17cm and 11.5 x 15.5cm (2) £1,000-1,500

615. Attributed to Johann Christoph Dietzsch (German 1710-1769) A lightning strike Bodycolour, unframed 14.2 x 21cm £500-700

614

615

125

616. Henri Désiré van Blarenberghe (French 1734-1812) A battle aftermath; Military encampment Two, both bodycolour, unframed 15 x 20.75cm and similar (2) £800-1,200

617. German School 18th Century Italianate landscapes Three, all bodycolour, unframed 10.7 x 14.3 and 10.7 x 16.7cm (3) £800-1,200

617

616

126

618. Agostino Aglio (1777-1857) View over Mount Etna Signed and dated 1803 Bodycolour, unframed 40.5 x 55cm £2,500-3,500

618

619

619. Joseph Augustus Knip (Dutch 1777-1847) Fisherman in a boat on a millpond Signed Bodycolour, unframed 27.5 x 42cm £800-1,200

127

620. John Claude Nattes (c.1765-1822) View over the Thames with St. Paul’s beyond, 1807 Bodycolour, unframed 37.5 x 53cm £2,000-2,500

620

621

621. John Claude Nattes (c.1765-1822) View over the Thames looking West towards Somerset House with Westminster Abbey beyond Bodycolour, unframed 37 x 52.5cm £1,000-1,500

128

622. Italian School c.1790 Travellers in a wooded river landscape, a town beyond Bodycolour, unframed 41.75 x 51.25cm £2,500-3,500

623. Pieter Pietersz. Barbiers (1749-1842) Figures by a farmstead, a church beyond Signed and dated 1807 Watercolour, unframed 41 x 53cm £1,000-1,500

622

623

129

INDEX OF ARTISTSAAsch, Pieter Jansz van 337Aumonier, James 436Austrian School 418

BBaillie, Capt Wm. E 231Baker, Attrib to Thomas 423Bale, Edwin 262Ball, Wilfred Williams 267Barraud, After Henry 241Baschenis, After Evaristo 358Batt, Arthur 366, 368, 397Batt, Edythe B 438Beauclerk, Lady Diana 243Bell, Arthur George 392Biard, Francois Auguste 407Black, Andrew 434Blacklock, William Kay 390Bowden, W J 426Brett, John 265, 271Breughel, Foll of Jan 312Bright, Harry 285, 286, 287, 288, 289, 290, 291, 292,

293Browne, Alfred J W 360Bukovac, Vlaho 403Burleigh-Bruhl, Louis 255

CCalderon, William Frank 396Campbell, John Henry 275Canal, After Giovanni A 319Canaletto, Foll of A 320Carrick, John Mulcaster 405Carse, After Alexander 234Cei, Cipriano 415Chambers, George 354Chinnery, Manner of G 311Clevenbergh, Charles Antoine 364Clouet, Foll of Francois 297Cobbe, Bernard H 432Collins, Attrib to Richard 196Continental School 323, 394Cooper, Thomas Sidney 266Cosway, Richard 197, 242, 244Cosway, Richard ????????? 194Coventry, C C 344Cox, David 250Crawford, Edmund T 363Crome, John Berney 373Crossland, James Henry 406Crowe, Eyre 398

D Daniell, Thomas 246Davidson, Charles Grant 273Dibdin, Thomas colman 283, 284Diest, Circle of Willem H 316Dommersen, Pieter 425Drulin 269Durer, After Albrecht 306Dyck, After Sir Anthony van 300

EEdouart, Foll. Of A A 221Ellis, Edwin John 386, 393Emms, John 388, 389Engleheart, George 189, 193, 198, 199, English School 190, 209, 211, 212, 213, 218, 326,

327, 328, 330, 346, 350

FFamin, E M 433Fitchew, Ernest H 258Fleury, James Vivien de 355Foster, Myles Birket 272Fowke, Thomas 359

GGainsborough, Thomas 225, 226, 227, 228Gerard, Theodore 421German School 302Gianni, Girolamo 347Grutzner, Circle of Ed von 428

HHague School 435Hannam, Florence 217Harding, Attrib to George P 207Harding, George Perfect 200, 201, 202, 203, 204,

205, 206Hardy, Thomas Bush 279, 280, 281, 282, Havell, Robert 236Hayllar, Edith 381Hayllar, James 380Hayter, Sir George 342Hone, Nathanial 376Hudson, Foll of Thomas 325Hughes, Arthur 409Hunt, Edward Aubrey 361Hurt, Louis Bosworth 404

IItalian School 310, 335

JJagger, Charles 208Jones, Charles 270Joy, William 278

KKeulemans, Johannes G 294Kirchoffer, Henry 253Klisser 414Knight, George 391

LLaissement, Henri A 417Lawrence, Sir Thomas 251Lawrence, Studio of Sir T 345Le Brun, After E L Vigee 341Leader, Benjamin William 375Legros, Alphonse 400Leslie, Charles 378Leyden, Lucas van 224Linnig, William 357Lloyd, Walter Stuart 419Lucas, Albert Durer 399Lucas, David 229, 230Luny, Attrib to Thomas 348Lutz, Jorg 257

MMalton, James 233Marshall, Roberto Angelo 268Mee, Circle of Anne 195Mesgrigny, Claude F A de 383Millet, Jean F 333Millington Mannin, Mary A 210Moni, Louis de 308Morland, Foll of George 336, 424Mottram, Charles Sim 263

NNeapolitan School 427Neer, Attrib to Aert van der 315Noel, John Bates 377Northcote, James 329

OOnken, E 411Owen, Samuel 259

PPaice, George 367Palmer, Samuel 237, 238, 239, 240Papprill, Henry A 235Paul, John 313Peeters, Circle of Jan 318Pennell, Harry 410

Persogli, M 362Pether, Sebastian 349Petit, Cornielle 416Petit, Eugene 370, 401Poingdestre, Charles Henry 365Pollentine, Alfred 356Prior, Jessie Edith 222

RRaeburn, After Sir H 332Ramsay, Circle of Allan 331Ranvier, Joseph Victor 430Ravesteyn, Circle of Jan A 301Reinagle, Ramsay Richard 422Rinzi, Ernest 219Rivers, Leopold 374Roberts, David 340Rowlandson, Thomas 247, 248Rubens, After Peter Paul 305Russian School 322, 343

SSaltmer, Florence A 384Sanzio, After Raphael 309Schelfhout, Andreas 408Schetky, John Christian 371Scott, John 353Scottish School 298, 351Senton, Annie F 220Serres, Dominic M 254Serres, John Thomas 352Serres, Valerie 216Short, Frederick Golden 437, 439Siberechts, Attrib to J 334Smart, John 191, 192Smith, David Murray 413Southall, Joseph E 245Spencer, Attrib to Gervase 215Storck, Circle of Abraham J 304, 317Stry, Jacob van 314Stubbs, George 232Syer, John 412

TTeniers, David 307Thorburn, Archibald 295, 296Thors, Joseph 385Tissot, Foll of James J J 429

VValckert, Attrib to W van den 299Valter, Henry 372Varley, John 256Velde, Willem van de 303Verbruggen, Attrib to P 321Vinne, Vincent J van der 249Vollon, Alexis 431

WWard, James 339Wardlow, Alexander H 223Wardlow, Attrib to Alex H 214Watts, James Thomas 260, 261, 274Weiss, Jose 387, 395Wheeler, John Alfred 369Williams, Edward C 420Williams, Walter 382Willis, John 338Wint, Peter de 252Wright, John Massey 277Wright, Robert Murdoch 276

ZZais, Foll of Guiseppe 324Zommer, Richard K 401

130

AAglio, Agostino 618Agricola, Attrib to Christoph L 531Agricola, Christoph Ludwig 491, 500Andriessen, Juriaan 501Angelis, Di 560Austrian School 462, 499

BBakhuysen, Hendrik van de S 571Barbiers, Pieter Pietersz 623Begeyn, Foll Of Abraham J 463Belanger, Louis 558Bemme, Johannes Adriaansz 556Bemmel, Georg Christoph G 492, 493, 523Blarenberghe, Henri Desire van 452, 504, 616Blarenberghe, Jacques W van 609, 611Bossoli, Carlo 562Both, Jan Dircksz 464Bright, S 594Bronkhorst, Johannes 440, 445Bronkhorst, Jan Gerritsz van 534Burgi, Jacob 459, 518Burgi, Jacob 512, 605, 606, 607

CCats, Jacob 520, 613Chalon, Louis 507Chatelet, Claude Louis 612Chinese School 535, 537, 538

DD’Albe, Baron Louis A G B 526Daniell, Foll of William 466, 488D’Anna, Alessandro 541Daubler, Johann Martin 517, 521Denny, Thomas 529Desfriches, Aignan Thomas 469Dietrich, Attrib to Christian W E 519Dietzsch, Attrib to Johann C 615Dietzsch, Johann Christoph 448, 450, 451, 515,

516, 593, 608, 614Duplessis-Bertaux 453Dupre, Daniel 547Dutch School 508, 592, 595, 604Duval, Eustache Francois 522

EEdwards, Sydenham Teast 599English School 442, 481, 530, 533, 536548

FFagan, Louis Alexander 446Ferg, Franz de Paula 449Flemish School 510, 555French School 544, 553

GGabler, Ambrosius 528Gatta, Saviero Xavier della 447Genillion, Jean Baptiste F 468German School 458, 465, 487, 490, 506, 514,

545, 573, 617Gill, G 511

HHaag, Tethart Philip C 575Hackert, Attrib to Johann G 498, 503Hayes, William 586Hendriks, Wybrand 509Hoch, Johann Jacob 543Holstein, C 589

IItalian School 554, 601, 622

JJansen, Johannes 597

KKessel, After Jan van 591Kleemann, Johann Conrad 455, 461Knip, Attrib to Joseph A 549, 572Knip, Joseph Augustus 559, 619Knip, Pauline de 598Krygeer, A C 489

LL’Aine, Louis Gabriel M 603Langendyk, Jan Anthonie 495Laporte, John 470, 476, 482, 483,

484, 502, 567, 568, 569Leen, Willem van 583Lewin, William 443Locnen, H 590Loutherbourg, Foll of Philip J de 485Loutherbourg, Philip J de 525Ludwig, Francois 460

MMoucheron, Foll of Isaac de 546

NNattes, John Claude 479, 620, 621Nicolle, Victor Jean 542Nuremburg School 524

PPatel, Attrib to Pierre Antoine 551Patel, Pierre Antoine 574Portuguese School 454, 457Prince, Jean-Baptiste Le 540

RRademaker, Abraham 467, 505, 602Rademaker, Attrib to G 581Reiler, Attrib to Johann C G 539Renard, Jean Augustin 550Ricci, Attrib to Marco 552, 576Ricci, School of Marco 579Richards, Attrib to John I 494Roman School 580, 582

SSchouman, Aert 496, 532, 585, 588Spackman, Isaac 587Spanish Colonial School 456Specht, Friedrich 444Straet, Jan van der 600

TTillemans, Peter 513

VVanni, Giuseppe Florenzo 596Voet, Karel Borchaert 584

WWallaert, Pierre-Joseph 557Walmsley, Thomas 471, 472, 473,

474, 475, 480, 486, 566Webb, James 477, 478West, J 570, 610Wissing, J C 497, 527Withers, Augusta Innes 441

ZZerrilli, Francesco 561, 577, 578

WORKS ON PAPER - PRIVATE COLLECTION

A Collection of Bronzes, 17th – 19th century.

The property of a deceased estate.

EnquiriEs Mark Richards +44 (0)1722 411854

markrichards@woolleyandwallis.co.uk

Furniture, Works of Art & ClocksThursday 7th January 2016

SilverTuesday 19th & Wednesday 20th January 2016

A pair of George III silver candlesticks, by John Green, Roberts, Mosley and Co., Sheffield 1800. Estimate: £1,000 - £1,500

EnquiriEs Rupert Slingsby +44 (0)1722 424501

rupertslingsby@woolleyandwallis.co.uk

Lucy Chalmers +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

John Nost Sartorius (1759-c.1830) Hunting Scenes A set of four All signed and dated 1804 All oil on canvas Each 37 x 47cm; 14½ x 18½in

Estimate: £5,000-7,000

EnquiriEs Victor Fauvelle +44 (0)1722 424503

victorfauvelle@woolleyandwallis.co.uk

Oil Paintings, Watercolours, Miniatures and PrintsWednesday 16th March 2016

Auction Information

OPEninG HOurs Monday to Friday 9am to 5.30pm and 10am to 1pm on saturdays.

ViEwinG All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BiddinG in tHE rOOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered.

rEGistErinG witH us All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMissiOn BiddinG if you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

tElEPHOnE BiddinG it is usually possible to bid on the telephone by prior arrangement with the office.

liVE OnlinE BiddinG live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. to bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAt charge for this service.

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COnditiOn rEPOrts the relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

the colours printed in the catalogue are not necessarily true.

sAlE rEsults these will be posted on our website shortly after the sale.

BuYEr’s PrEMiuM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMEnt And ClEArAnCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: lloyds Bank plc, 38 Blue Boar row, salisbury sP1 1dB. Account no. 00957707 Sort code 30-97-41 iBAn no. GB20lOYd30974100957707 BiC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAt Debit cards: delta, switch, Connect

where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAt lots marked with an asterisk (*) are subject to VAT on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the Eu and are subject to VAT at 5% on the hammer price and the buyer’s premium. in online catalogues, the sales tax % column indicates the rate of VAt on hammer price.

CitEs rEGulAtiOns Please note that lots marked λ may be subject to CitEs regulations when exported.

the CitEs regulations may be found at www.ukcites.gov.uk

Artist’s rEsAlE riGHt / drOit dE suitE ‡ droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €12,500

PACkinG And sHiPPinG woolley & wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APs 0800 118 5868 sales@apservices.info

07736 544 362 www.apservices.info

Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

ValuationsValuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

insurAnCE VAluAtiOns written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. in addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

woolley and wallis valuations are accepted by all leading insurance companies.

PrOBAtE VAluAtiOns we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty sales.

Contact Christine Johnson 01722 424509

FrEE AuCtiOn VAluAtiOns Free verbal valuations of items for sale are available at our Castle street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Woolley & WallisAbsentee Bid FormFine Old Masters & 19th Century Paintings

Wednesday 9th December 2015 & Thursday 10th December 2015

PW091215Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

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INFORMATION FOR BUYERS

1. Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAt (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

4. The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

5. VAT. (*) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European union and is not operating the dealers Margin scheme or because VAt is due at 20% on importation into the uk. the double symbol (**) indicates that the lot has been imported from outside the European union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

6. we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of sale. neither the seller nor we, as the auctioneers, accept any responsibility for their condition. in particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. if two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of sale state about collection and storage. it is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. in these terms the words ‘you’, ‘yours’, etc. refer to the seller and if the consignment of goods to us is made by an agent we assume that the seller has authorised the consignment and that the consignor has the seller’s authority to contract. similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. we are not regulated by the FsA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. if the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. the cost of any illustrations is borne by you. if we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment).

(b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and

only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (interference with Goods) Act 1977, schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

sOCiEtY OF FinE Art AuCtiOnEErs And VAluErs and the rOYAl institutiOn OF CHArtErEd surVEYOrs

CONDITIONS OF BUSINESS

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. if an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of sale. in particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACs or cheque four weeks after the sale unless the buyer has not paid for the goods. in this case no settlement will then be made but we will take your instructions in the light of our Conditions of sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

woolley & wallis salisbury salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis salisbury salerooms ltd or its

authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of

deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis salisbury salerooms ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the

amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘information for Buyers’ for a brief explanation of the VAt position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums

owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense COllECt any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (iF lAtEr) after which you shall be responsible for any COllECtiOn, storage and insurance charges.

(c) no purchase MAY be COllECtEd And wE sHAll nOt rElEAsE AnY lOt tO YOu Or YOur AGEnt until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) if any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to

impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming

due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of sale.

GENERAL

16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

in accordance with long standing practice in Fine Art sale rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) the term signed and/or dated and/or inscribed means that in our opinion

the signature and/or date and/or inscription are from the hand of the artist. (i) the term bears a signature and/or date and/or inscription means that in our

opinion the signature and/or date and/or inscription have been added by another hand.

(j) dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €12,500

Auction CalendarAsiAn Art

18th & 19th May 2016John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.ukSophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

pAintings

16th March 2016 – Oils, Watercolours, Prints & Miniatures Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.ukJo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk

20th CEntury DEsign

20th April 2016 – Clarice Cliff, Art Deco & 20th Century DesignMichael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

FurniturE & Works oF Art 7th January 2016 – Furniture, Works of Art & ClocksMark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

silvEr

19th & 20th January 2016 – Silver, Vertu, Coins & MedalsRupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.ukLucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

JEWEllEry

21st January 2016Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.ukMarielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

tribAl Art & AntiquitiEs

9th February 2016Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

Arms & Armour

6th April 2016Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

English & EuropEAn CErAmiCs & glAss

23rd February 2016 – Fine Porcelain & PotteryClare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk

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