The challenges and complexity for a national natural...

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Engaging with contemporary social issues – The challenges and complexity for a national natural science museum Wen-Ling Lin The school of Museum Studies, University of Leicester

Transcript of The challenges and complexity for a national natural...

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Engaging with contemporary social issues –The challenges and complexity for a national natural science museum

Wen-Ling LinThe school of Museum Studies, University of Leicester

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Exhibitionarypractices

Outline

Engagement with contemporary social issues

National Museum of Natural Science 

Purpose of natural science 

museum 

Challenges and 

Complexity

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In the context of Taiwan

Preparatory Office of the National Human Rights Museum 

Practitioners

How the universal values on combating social inequality influence the Taiwanese museum practice?

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National Museum of Natural Science (NMNS)

Open in 1986

The second largest national museum

334 full‐time staff

Over 2 million visitors /year 

Photo by:  Lin Wen‐ling

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Mission

Collecting and investigating natural specimens and anthropological relics. 

To stimulate the public’s interest in the natural sciences and world cultures through creating engaging exhibits and educational programmes. 

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Research MethodOrganizational ethnographic approach

3 months intensive fieldwork

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When the South Wind Blows: the Documentary Photography of Taixi Village

Sources: http://southwind.nmns.edu.tw/photo.aspx Photo by: Chung Sheng‐hsiung and Hsu Cheng‐tang

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Political stance 

Sources: http://southwind.nmns.edu.tw/photo.aspx

Formosa Plastic Group (FPG)The Sixth Naphtha Cracking Plant 

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Exhibition introduction text

Taixi Village is in Dacheng Township, Changhua County.To the south is Mailiao Township, Yunlin County, 

the location of the Sixth Naphtha Cracking Plant, on the opposite side of the Zhuoshui River estuary.

In fall and winter, the northeast monsoon winds blow the pollution from the factory southward. 

In summer, the south wind carries the pollutions to Taixi Village.“When the south wind blows” was the key phrase used by all of the 

residents of Taixi Village who were interviewed. It is the opening line to their real‐life stories.  

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Various values and attitudes 

The topic is too sensitive

Concern about anti‐government effect

The content is not offering enough scientific evidences Negotiation

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Theatre workshop example 

The residents can express their own opinions by performing a playAim

Collective created and prepared almost a half year by some Taixi Villagers and a Theatre GroupInput

The Play Explore the personal accounts about country life before and after the Sixth Naphtha Cracking Plant was located

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Photo by:  Lin Wen‐ling

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Sources: Theatre workshop documentary

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Sources: Theatre workshop documentary

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Sources: Theatre workshop documentary

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Sources: Theatre workshop documentary

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Sources: Theatre workshop documentary

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Photo by:  Lin Wen‐ling

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Sources: http://southwind.nmns.ed

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Photo by:  Lin Wen‐ling

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Photo by:  Lin Wen‐ling

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Sources: http://southwind.nmns.edu.tw/photo.aspx

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Sources: http://southwind.nmns.edu.tw/photo.aspx

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Polarized thinking 

The view’s of the curator (echo to leading edge of the global museum studies discourse )

The long‐established culture of the museum that have tended to favour a dispassionate, depoliticised presentation

CLASH

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Polarized thinking Neutrality of science vs. Fear of engagement

Basically we are a natural science museum and we are dealing with science. Science is precise about objectivity and neutrality so that we can not have a strong subjectivity on those social issues. (Associate Curator)

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Polarized thinking Neutrality of science vs. Fear of engagement

In my opinion, they fear controversy but just because the fear you’ve lose the opportunity to open up further communication with the society – I think this is a mistake. (Associate Curator)

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Concluding thoughts 

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Thank youWen‐Ling LinThe school of Museum Studies, University of [email protected]

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