THB PLIGHT OF APOLLO 11 D, M, Bosenberg 215 Gunson …simson.net/ref/dmr/Apollo11.pdfOutward Voyages...

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THB PLIGHT OF APOLLO 11 D, M, Bosenberg 215 Gunson East Lansing, Michigan 48823

Transcript of THB PLIGHT OF APOLLO 11 D, M, Bosenberg 215 Gunson …simson.net/ref/dmr/Apollo11.pdfOutward Voyages...

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THB PLIGHT OF APOLLO 11

D, M, Bosenberg 215 Gunson East Lans ing , Michigan

48823

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CONTENTS

Night a t Cape Kennedy 1 The S l e e p e r s 2 On William Bartram*s Journey i n t o F l o r i d a 3 New World 4 Launch 5 The Val ley of Sh inar 6 Outward Voyages Rapid A c c e l e r a t i o n 7 Escape Ve loc i t y 8 Tracking S t a t i o n s 9 Burning of t h e Black Ghe t tos 10 Coas t ing i n O r b i t 11 The Whales 12

I g n i t i o n f o r F i n a l Descent 14 An Slegy f o r Spacemen K i l l e d i n a Cockpit F i r e 15 Waxworks 1° T r a n q u i l i t y Base 17 I n P r a i s e of Sabat ino B o d l a ' s Watts Towers 18 Lunar Landscape 19 P r a i r i e Harves t 20 Feyo te Country 21 The Open Hatch 22 On a Snapshot o f GIs Taken i n World War I I 23

Moonwalk on T e l e v i s i o n 25 Let Thi s Be a Zen Garden 26 A New England Herbal 27 S c o t t ' s P r o c e s s i o n a l s Ninety Degrees South 28 B o o t - p r i n t on t h e Moon 29 Tableau a t t h e Beach 30 Dr. P i k e i n t h e Judean Deser t 31 Before Lunar Ascent 3 2

Mylal I n q u i r y 33 North Dakota Water Tower 3h p r i s o n e r s of War 35

O r b i t a l Rendezvous 3? On Shortwave Radio a t Night 38 Radio S i l e n c e 39 Inward Voyage 40 P a s t o r a l s S i t e of an Air Crash i n t h e Woods of Kentucky 41 Splashdown and Recovery 42 Quaran t ine 43 A Fragment from T r a n q u i l i t y Base 44 American Parade 45 The Tab lo ids 46 Vic to ry Parade f o r As t ronau t s 47

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NIGHT AT CAPE KENHEDI

Tomorrow t h e t h r e e s t e e p l e j a c k s w i l l c r o s s t h e catwalk above t h e crowd. But t h i s f l o o d - l i t n i g h t t h e spacesh ip looms a Vast h a l l u c i n a t i o n .

We s h a l l p o i n t i t toward t h e slowly r e v o l v i n g moon and d i s c h a r g e i t i n o u t b u r s t s and f l a r e s a s t h e swing-arms p u l l back and tower crumbles away.

I t must ascend, f r e e i n g i t s e l f from o u r world of i r o n and rock , a f o u n t a i n of f lame r i s i n g u n t i l i t p l u n g e s i n t o deep g y r e s of space beyond o u r c o n s c i o u s n e s s .

At t h e middle watch of n i g h t be fo r e t h e s tun of son ic boom t h e s t i l t - l e g g e d b i r d s feed i n t h e palm swamp* s mouldy a i r and n a t i v e f r u i t drop i n t h e h e a t .

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THE SLEEPERS

H e r a e l i t u s , Fragment s "Even s l e e p e r s a re "workers and c o l l a b o r a t o r s i n what goes on i n t h e u n i v e r s e . "

F ly ing o v e r t h e ea r th t o n i g h t I dream of t h e c o u n t l e s s s l e e p e r s below, t h e i r e y e l i d s c losed , f a c e s f l i c k e r i n g l i k e embers i n ash . The minds of t h e s l e e p e r s c o l l a p s e inwards l i k e burned o u t s t a r s , b l ack h o l e s i n o u t e r space ; each draws l i g h t i n upon i t s e l f , and l i g h t from s t a r s beyond i t . p i c t u r e s of t ime a r e t r apped i n t h e r i f t , and thought burns f o r e v e r l i k e s o l a r f i r e a f t e r s t a r s s top sp inning and d i e .

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ON WILLIAM BERTRAM'S JOURNEY INTO FLORIDA

He h a s t u r n e d a l l h i s h o r s e s o u t to g r aze by t h e morning l i g h t i n p i n e savannas . Winding through t h e swamps, he p a d d l e s c l o s e along t h e s inuous shore , l i s t e n s to b i r d s i n t h i c k e t spea r s t e l l i n g s e c r e t t h i n g s . Homesick, he t u r n s to t h e headstream to reach t h e landmarks f o r h i s wayward q u e s t . Long i n e x i l e , he i s drawn now, unhur r i ed , to r e c o l l e c t t h e k ind red t h i n g s i n marshes squandered by a r e c k l e s s c r e a t i o n .

The f r a i l boat skims t h e j u n g l e channel through t h e noon of h i s uneasy Arcadia . He s u r r e n d e r s to t h e p e r i l o u s hush and a p o s s e s s i v e world embraces him. Through t h e coppice of o r ange t r e e s he d r ags a f t e r him t h e s l a i n unfading se rpen t as t h e snakeb i rds overhang t h e b r a n c h e s . He r e g a l e s h imse l f on d e l i c i o u s honey.

Al igh t ing from a boa t , a Seminole with a plume c r e s t e d on h i s shaven head e l e g a n t l y g r e e t s t h e p e a c e a b l e man. Prom dusk to n i g h t t h e s e t t l e r h e a r s l i s p i n g f l u t e s waf t ing through t h e ho t and incensed f o r e s t , and l o v e s t h e redmen*s uncouth c a r o u s i n g . Bet ro thed to da rkness , he i s unbound to g a t h e r blossoms, wi th tongues and f angs , of h i s once l o s t recovered kingdom. Along t h e s i nks he calmly s t e p s among t h e t h i c k e g g - s h e l l s below broken and s c a t t e r e d .

I n t h e w i l d e r n e s s t h e shaman r a t t l e s h i s gourd and knocks t h e dee r - sk inned drum. In s i l v e r q u i l l s mummers shu f f l e with t h e i r wandering t o r c h e s , p a r t i n g by mis ty p a t h s through t h e l i v e o a k s . Of what was once o u r s i n t h e h igh f o r e s t b i r d s of passage with f a l s e t t o laugh lament , f e a t h e r y palms sway to s h i v e r t ambour ines , and with c lapping jaws t h e h o r n y - p l a t e d c r e a t u r e s r o a r t h e i r c a t a s t r o p h i c p s a l m s . Under a f l i g h t of c r a n e s , t h e o l d s e l f remembers to r e j o i c e as i f i t were f o r t h e l a s t t i m e .

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NEW WORLD

k

Reason's dar l ing , Tom Jefferson walks serenely in h i s garden surrounded "by the wi lderness . Fountains chime, and. a clock of s t a r s revolves in h i s capacious head. Winding the cosmic t ime-piece, he i s overseer of se l f -evident t r u t h s .

As he dreams of a green republ ic buffalo are s la in on the grass lands , redmen's to r sos are ripped from earth and scream in the woods l i k e Satan? b e l l s gong the doom of cargoes as slaveships r i s e and r i gh t off the t i l t i n g , prophet ic shores*

Once the divine spies of Calvin long and boney in" t h e i r p u l p i t s r a i l e d at wicked pews, and shook t h e i r chains in the promised land . The crooked l i n e s of t h e i r q u i l l s inscr ibed the v i l e th ings , and promised each wayward pilgrim a wintry gr ie f .

Whispering, they spied on our parents who rejoiced in shame and with eyes ha l f -c losed consumed t h e i r soft f r u i t . The embroidered serpent coiled about the boughs of the toxic t r e e and leaves f l u t t e r e d , s e t t l i n g on the black and smoking waters .

Sweet Jefferson does not hear the voices , the murmuring of mad preachers as he s i t s a s t r i de h i s horse above the v i rg in h i l l s and va l l eys of westward-flowing streams.

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LAUNCH

Apollo, god of golden-thighed Pythagoras, s t r i k e s h i s prophet ic l y r e , and a s trange song l i f t s in waves of sound and breaches the sky, gold again in Heracl i tean f i r e*

We pay homage to our absolute star# Our wi l l i s done — and we behold, t ransported. We stand s igh t l e s s in the golden debr i s with our hands ra ised to block out the sun.

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THE VALLEY OP SHI NAB

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Nimrod's a r c h e r s l e a n back to span t h e i r bows and draw, t a k i n g aim a t heaven to h i t t h e s u n ' s f a c e , l e t t i n g arrows l e a p , p r o p e l l e d w h i s t l i n g bronze i n a i r from noon u n t i l n igh t*

Trac ing a curved p a t h , they hang m o t i o n l e s s i n moonl ight , and arc showering s i l v e r f a l l i n g i n s t e e l s h a f t s which p i e r c e t h e bowmen on ea r th with q u i l l s *

Wrathful Nirarod hands r a i s e d i n s u r p r i s e i s s t ruck dumb t h i c k with p i n s beneath B a b e l ' s tower a s t h e s t a r s wh i r l round.

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OUTWARD VOYAGE: RAPID ACCELERATION

The l i f t i n g ship g a i n s speed and curves away heading o u t ove r t h e chain of r e e f s along i t s t r a j e c t o r y , and o u t of s i gh t t h e metamorphosis begins*

Strapped to t h e i r padded couches t h e men l e a v e t h e world more and more behind and t h e i r f a c e s beneath t h e c r y s t a l masks convulse i n l u n a t i c g r i n s .

The s p e l l - c a s t i n g speed t u g s t h e i r skin as they c l eave t h e comet-freaked sky and atoms of unconceived v i s i o n break f o r t h to spray a s l a n t t h e void of space .

I t s i n s t r u m e n t s p u l s i n g s igna l s* in format ion r a c i n g through t h e a i r , t h e c h a r i o t soa r s toward t h e moon's su r f ace and d r i v e s t h e Beas t s of R e v e l a t i o n .

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ESCAPE VELOCITY

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The c h i l d r e n of -wrath h o l e up i n t h e &nerican d e s e r t and scavenge on o u r r e f u s e h e a p s . They l u r k i n wes tern movie s e t s on easy terms with t h e f l y - g o d . His crooked charms i n f e c t them and they howl i n d e l i g h t , c rawl ing around t h e sand i n end le s s a r c s l i k e t h e Scorpion, F i sh , and Grab.

S lash ing t h r o a t s i n a b r i g h t mansion they scrawl g r a f f i t i i n blood on a l l m i r r o r s which accuse t h e p a l l o r of t h e i r moon-souls . Unabsolved, unexorc ised , they a r e loosed upon t h i s e a r t h , and through s w i r l i n g gas Apollo f l e e s . Swollen red g i a n t s , whi te dwarfs , and hot b l u e s t a r s explode i n space .

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TRACKING STATIONS

The rocke t i s a metaphor t r a n s p o r t i n g meaning* We cha r t i t as i t a r c s i n t o da rkness and e l e c t r i c a l storms#

As t h e shadow of n i g h t r i d e s t h e c o n t i n e n t , f r a g i l e v e s s e l s rock on t h e sea and r e c e i v e s i g n a l s of i n t e l l i g e n t f i r e *

P r i s o n e r s of e a r t h , we s t r e t c h toward t h e f a r - o r b i t i n g f l i g h t , and echoes from t h e t a r g e t , l i k e o u r own n e r v e s , rebound between c e r t a i n t y and doubt .

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BURNING OF THE BLACK GHETTOS

Thi s summer of t h e moon-shot we f i r e from roo f tops and rove t h e s t r e e t s to ransack s t o r e s behind g r a t i n g s , and smash b lue-eyed window d o l l s .

F i r e s have s p l i t t h e dwe l l i ngs apar t and bared t h e h a l f ha l lways s i l t e d up with shards of g l a s s , c o l l a p s i n g w a l l s , f l i g h t s of p u r g a t o r i a l s t e p s .

Anxious l i g h t - b e a m s range , p e e r i n g i n t o c r a t e r s of g u t t e d t enements . With smoke and sulphurous s tench d e b r i s smoulders i n t h e d a r k n e s s .

The s i r e n s cannot q u e l l t h e rage i n t h e ru ined c i t i e s o f Tophet, burn t o f f e r i n g s which r i s e up to t h a t God as blanched as t h e moon.

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COASTING IN ORBIT

Thrust o u t i n space a lone I s i g h t t h e g lobe o f e a r t h apa r t and o t h e r w o r l d l y . Th i s heavenly s t a r hangs f r e e dawning o u t of cosmic storms a b l u e and luminous s h e l t e r *

You may h e a l us , d i s p o s s e s s e d , with r a i n on open g r a s s and h i l l s , whitecapped b r e a k e r s , scudding thunderheads , t h e w i l d e r n e s s quick with c r e a t u r e s we have named i n p a r a d i s e . I t i s your b r i d a l n i g h t , v e i l e d e a r t h , f u l l of l o v e , drawing me back home.

As t h e world r e c e d e s from v i s i o n I p r a i s e t h e t e n d e r l o s s . Th i s h e a r t bea t i s e a r t h ' s f o r I am made of h e r s l e e p l e s s d u s t . L ike a bereaved goddess she c r a d l e s l i f e , h e r sweet and p a i n f u l burden .

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TEE WHALES

The n o r t h e r n s a l t wa te r , f a r i n l a n d , from which t h e whales must r i s e to go to sea h a s locked i n i c e t h e i r s t o u t majesty* The i r power and immensity dammed up, they must b a t t e r to slough t h e burden o f f . But i n t h e dep ths l a n g u i s h , e x p i r i n g , Lev ia thans s t randed and imprisoned t h e r e *

But t h e world i s more to man than i t was be fo re he f e l l ; and he r o s e and journeyed to t h e s i t e of d i s t r e s s to save t h e wha les . In t h e f l a t l i g h t , with w i n t e r p r o g r e s s i n g , he came armed with chain saws and r e s c u e pumps* he dropped f i s h from p l a n e s f o r t h e hungry b e a s t s , f o r such t h i n g s a r e be l i eved to ho ld good. To swim to t h e Beaufort Sea, they were f r e e d .

Released, t h e whales b e a r a l o f t r i d e r l e s s and i n t h e d e s o l a t i o n , t e s t i f y they l o v e to have i t s o . The seas run o f f t h e i r s i d e s as o f f t h e s i d e s of b r i n e - c o v e r e d s h i p s , and l i f t i n g b o u n t i f u l l y i n o u t b u r s t s they quicken t h e waves away and o v e r . These v a s t mot ions which p i t c h with i n c r e a s e d thew whiten i n s u r p r i s e t h e heaving s w e l l .

I n l impid c u r r e n t s of t r o p i c seas s leek do lph ins a d r i f t have been heard to grunt t h e i r s leepy comfort . Here, i n i r o n s l e e t , remote i n t h e Arc t ic w i l d e r n e s s t h e generous whales s h a t t e r t h e wa te r s of n i g h t . L i b e r a t e d , they d e c l a r e t h e g lo ry of God.

In h i s s t a r k , exac t ing d i a l e c t i c t h e ample Aquinas wrote t h a t to l o v e God above a l l t h i n g s i s most n a t u r a l . Therefore , even t h e p e b b l e s strewn along b lack Eskimo shores l o v e t h e i r p rope r go®dj and r i s i n g to p r a i s e t h e Omnipotent a r e t h e whales , t h e whales , soaked through with ma je s ty .

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IGNITION FDR FINAL DESCENT

The r e t r o r o c k e t s d r i v e us backward u n t i l we reach zero speed and make o u r l a n d i n g on t h e moon. I t i s coming even n e a r e r , t h i s o r a c u l a r f ace of rock, s i g h t l e s s , no t l i f t i n g i t s s t i f f e n e d l i d s *

Here a re no wine-dark seas o r c louds l i k e t h o s e we saw above Greece, no brown and o l i v e North African c o a s t . These a re P l a t o * s l u n a r peaks , wind less oceans , and c r a t e r chains? t h e r e , t h e escarpment c a l l e d Apollo Ridge#

After o u r descent engines f i r e we b r ing i n t o being t h i s i s l a n d of emptiness and b r i g h t abodes* We merge with o u r own p o s s i b i l i t i e s and with t h a t s tone we must r o l l away from t h e h e a r t - s t o p p i n g s e p u l c h e r .

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m SLEGI FOR SPACEMEN KILLED IN A QDCKPIT FIRE

No procedure could save t h e t h r e e sea led In t h e i r metal honeycomb. During s imulated countdown r e a l v o l t a g e surged as t h e appa ra tu s s c a t t e r e d i t s hazard s p a r k s . Stones smoking i n t h e cha r red c o c k p i t , they never l e f t t h e g r a v i t y of e a r t h .

The way up and t h e way down a re one s ing t h e f i r e and t h e swarms of s t a r s . The d e a t h l e s s moon awai t s them with s t a i rways to b a s a l t c o u r t y a r d s , rampar t s and domes p a l e i n e a r t h - l i g h t . But they fol low o u r spaceship o u t , bur ied i n t h i s i n e s c a p a b l e e a r t h .

The speed of l i g h t i s t h e l i m i t we gain upon but can never r e a c h . Perhaps they have o u t sped any sh ip , soared beyond t h e f eve r of t ime and at f u l l speed s t r eaked away through t h e dark flowing of t h i s moment, which remains wi thout end.

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WAXWORKS

With adoring accuracy the eminent dead are reclaimed. L i fes lze , t h e i r ges tures are preserved for our gaze. We are mesmerised by the incarnat ion of the l i t e r a l . Pres ident , as tronaut , o r k i l l e r s t a r t l e s us in tal low l i k e n e s s . The s ightseers f i l e past to view declamatory i d o l s aloof within the vacuum of t h e i r pageant. A comfort for the covetous, t h i s peepshow of fa l l en angels . Time locked the vaul t in mock judgment, and the constant assassin gr ips h i s gun to f i r e once more at the dying anointed p r i n c e . We behold the p rec i se tab leau without pleading for entropy.

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TRANQUILITY BASS

H e r a c l i t u s , Fragment? "Changing, i t r e s t s , "

We must impr in t o u r own o r d e r on s o l i t u d e and chaos, and with a heavy pay load we home on t h e cha r t ed s i t e . Fact and wish converge at t h e f ixed p o i n t where pu re number sped u s .

We see no speck on t h e c h a s t e moon where t h e men have l a n d e d . Gazing up a t t h e d i s t a n t sphere we t h i n k of them suspended i n immobi l i ty beholding t h e c r e s c e n t e a r t h which hangs low above t h e l u n a r r im .

The i r b r e a t h s p u l s i n g home p e a c e f u l l y , they a re at t h e end of motion and i n touch with t h e o r d e r of t h i n g s . The i r ship draws l i g h t l i k e b u r n i n g - g l a s s as they r e s t on t h e s i l e n t p l a i n s , enclosed by t h e end le s s rush of m a t t e r .

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18

IN fRAISE OF SABATINO HODIA'5 WATTS T0WE&3

Atoms tw ink l e and draw him to t h e yard of broken cups . Grouching, he g a t h e r s fragments from s lagheaps , and by t h e nervous t ho roughfa re s i n exhaust and a r i d i t y , he c o l l e c t s t h e smi thereens of a r e s t l e s s world t h a t would g ive up halfway t h r o u g h . From r u b b l e along t h e shore , t h i s Noah s toops again to save and p i e c e t o g e t h e r s h e l l , and t i l e s , and t i n t e d g i a s s , chromosomes f o r h i s t o w e r s .

Three towers , bego t t en , r i s e i n Watts , o u t of mud they r i s e , luminous s i g h t i n g s — -t h e r e fu se , l o s s , and c a s t o f f s of l a s t days o rde red , r e c r e a t e d i n t o s c a f f o l d i n g s spun with i n t r i c a t e f i l a m e n t s i n space . Towers, t ransformed, soar to gong and windchimes: t h e b e n e d i c t i o n s of t h e i n t e r i m calm and i n t e n s e , with cadences even more sweet than t h e a l l - c l e a r s i g n a l s of t h e mi l lenn ium.

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LUNAR LANDSCAPE

Through the porthole* s f i e ld of v is ion the earthmen see the u l t imate fac t , a universe of mat ter .

We -wait on the i r reg t i la r moon with i t s gray and crusted mantle, a p i t t e d carcass f loa t ing in the void*

We wi l l see a besieged amphitheater of t i l t i n g rocks and c r a t e r s tha t gape in calamitous vacancy.

Meteors have vandalized the stonework and shat tered columns, bombarded h i l l s and stark p a s t u r e s .

We are another shooting s t a r t r a i l i n g flame with a power tha t drove us toward our radiant moon,

I f we t r e spass in your shr ines , 0 pale Artemis, l e t us sanctify your a l t a r with our consciousness*

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PRAIRIE HARVEST

The warheads parch i n s i l o s bu r i ed i n North Dakota loam of f roads where t h e migran t workers j o s t l e i n a d e r e l i c t bus* P a s t s h a n t i e s behind t h e w i r e fence they sweat to p ick t h e f r u i t from ea r th n o t t h e i r s , i n v a s t accus ing f i e l d s .

White g r a n a r i e s overshadow t h e dark h a i r e d r e a p e r s who long i n t h e morose and blond wheat f o r s c a r l e t v i n e s , crown of t h o r n s , p r o c e s s i o n s of s a i n t s and blossoms about t h e l e e r i n g head of Judas , f o r t h e dance to maracas seeds*

On t h e p l a i n s t h e church s t r i c t l y b e a r s i t s s t e e p l e , u n l i t , i t s doors f a s t Against d e s o l a t i o n and n i g h t . Harves t packed i n f a rmer s ' h o l d s , t h e f r u i t l e s s buses r o l l away i n t h e s p e l l of dawn, as huge c y l i n d e r s behind them r e a r with droning t h r o a t s *

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21

fSXOTB CDUNTHY

En r o u t e to t h e P a c i f i c , d e s e r t towns b l a z e l i k e a c i r c u s f i r e . Neons c a j o l e t h e crowd with f u g i t i v e c a p t i o n s ; songs of l u c k a r e wai led wi thou t s u r f e i t o r peace , and r e p o r t s of war r i c o c h e t o f f t h e a i r*

Radar sc reens rove t h e s t r e t c h of s tuporous n i g h t o v e r mesas where I n d i a n s squat i n hogans be fo r e t h e a l t a r ' s molten c ruc ib le , , and champ t h e i r a c r i d dus t to pray f o r p i t y as Mariner s l i d e s behind Mars and i s hidden*

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THE Of EN HATCH

The Eagle p e r c h e s on t h e moon h igh - l egged and gleaming on t h e b r i g h t l y l i t ground, Fushing slowly backwards through t h e opened ha tch we a re d e l i v e r e d i n t o a second c r ea t i on*

Prom t h e heavenly ship a l a d d e r lowers i t s foo t s e t on t h e rock of t h e high p l a c e s , and t h e sons of men l i k e solemn ange l s go down and up t h e r u n g s .

The r i s e n body descends on an u n f a l l e n world wi thout form o r l i f e * I n t h e t e r r i b l e hush a t t h e bottom rung t h e word opens up as we reach apogee.

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ON A SNAPSHOT OF GI s TAKEN IN WORLD WAR I I

To f i x t h e image t e r r i b l e and b r i g h t they remain i n s i l e n t p e r f e c t i o n , and t h a t i n s t a n t f o r e v e r f i xed t h e s h u t t e r a t t h e l a s t must c l i c k .

Now, p repared fo r f l i g h t , they a re u n a l t e r e d . One s h i e l d i n g h i s eyes , ano ther b l i n k i n g , they s tand f o r a s p e l l with t h e i r gear m o t i o n l e s s and u n p r o t e s t i n g , f o r o u r c u r i o u s , calm s t a r e , i n t h e shimmer of t h e h e a t h a z e , i n t h e sof t b l u r of t i m e ' s exposure ,

L l g h t h e a r t e d , t h e i r s t u b b l e sweet, casua l arms around each o t h e r ; smoking and smi l ing , q u i e t l y jok ing , expecting-—•> composed they seem be fo re t h e i r a i r p l a n e . Clothed i n l i g h t , s i l e n c e from t h e i r l i p s a s su r ing us with r e l a x e d pose what they must have been ready f o r i i n t h e g race of what enormity as t h e b r i g h t n e s s of t h e moment s t i l l hangs i n t h e a i r ?

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25

MOONWALK ON TELEVISION

Sdwin S. Aldrin J r» i "Then when we en te red a shadow, we would see r e f l e c t i o n s o f o u r own f a c e s i n t h e f r o n t of t h e he lme t , and they obscured anything e l s e t h a t was to be see*** F i r s t on t h e Moon, 19?0„

From t h i s mesh of d o t s t h e human eye c r e a t e s an i con of spacemen,, Unstable on t h e v e r t i c a l h o l d t h e men i n huge s u i t s slowly l o p e , w r a i t h s i n t h e moon's r e f l e c t e d l i g h t .

The l i g h t waves from t h i s event p l ay on t h e compound l e n s of t h e wor ld . Trying to ge t a g rasp on n a t u r e we mel t i n t o t h e ash gray beach, t r a n s p a r e n t a g a i n s t dead sea p l a i n s .

They f i nd no l i v i n g t h i n g , no where a f i l amen t o f capsuled moss, thumbfern push ing through a f a u l t , o r snake g l i d i n g l i k e a whipcord o v e r s h a l e i n t h e parched streambedo

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LET THIS BE A ZEN GARDEN

Take t h e pathway of f l a t s t o n e s to t h e garden and i t s m a t t e r of f a c t way g a t h e r s you i n . Bestow you r se l f once t h e r e and you cannot be exc luded . I f t h e b a r e s tones a r e t h e r e , a t t e n d them and l e t them, v iewer , be con t a in ing as they a re i n t h e incomple ted garden . Likewise obey them. Give accord to t h e given of t h e garden* s r o c k s . Then each of them t h e g r e a t e r and t h e l e s s on t h e whi te g rave l w i l l , i n i t s pr imacy, chas ten you. These, t hen , a r e immediate i n s t a n c e s of s t o n e : i n t h e middle d i s t a n c e I s t h e b a s i n s tone , and to t h e back t h e candle s tone on which to p l a c e a cand le a t n i g h t , and on t h e r i g h t a p a i l s tone to p l a c e a p a i l of ho t water on i n w i n t e r . Hence, each given p o i n t , each angle , each s tone , i n i t s ex t remi ty i s now h e r e , i n t h e calmness of a garden completed, i n t h i s moment of your acqu ie scence .

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A NSW ENGLAND HBRBAL

The Pilgrims s a i l to the p lan ta t ion of s a in t s but the garden there has no holy palms, golden c i t rons o r v ineyards- - only l imestone furrowed by t o r r e n t s of r a in , and tangled woods.

Entering, they grope about the dark and hear the f l u t t e r of j o s t l i n g wings<» The c a t t a i l marsh i s possessed by the Fiend, and wild, men hunt beas ts in the moonlight.

When the dew d r i e s in the morning they go to co l lec t t h e i r b i t t e r simples. Kneeling, they pick tansy for the pains of b i r th and g i l lyf lowers to heal an aching h e a r t .

Their f ingers dote upon the mullein p l a n t s hairy leaf , and blue hyssop tha t stanched the wounds of Chr is t ; they yank witchgrass underground and Indian tu rn ips trimmed with crimson b e r r i e s .

They ransack the woods imbrued with bloodroot; the scaly asparagus shoots for l u s t ; adder ' s tongue for sores ; rue for tormented eyes; for madness wild thyme, and tansy for the dead.

They sip the milk of herbs made sweet with honey, and t h e i r chambers reek with smoking candles . A flame s t i r s ou t s ide , as they s l i d e the bol t to fasten t h e i r door against e t e r n i t y .

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SCOTT'S PHD CESSION AL * NINETY DSGHBSS SOUTH

Drawfc to t h e p o l e l i k e b r i g h t n e e d l e s they must accep t t h e i r dead reckon ing .

The immaculate p i l g r i m s t r e k to t h e g a t e s of heaven on d e s e r t s of wh i t e p a s t seamless t e n t s of w h i t e .

They a r e no l o n g e r e f f i g i e s of s t r i c t rhythms l i k e a hymn bu t i n t h i s v i s i b l e u n i v e r s e an i n v i s i b l e church .

Beyond t h e c r o s s - f r a c t u r e of t h e main r i f t they p u t o u t t h e i r damned s t a r s so t h a t no keen g l i n t w i l l p i e r c e o u r l i d s *

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BOOT-PRINT ON THE MOON

29

Where f a t e d Adam s t a l k e d , t h e g r a s s h a s neve r grown# Sach f l e e t i n g s t ep wounded ea r th with i t s sco rch ing s y l l a b i e«

On t h e u n f a l i e n , l i f e l e s s moon t h i s i s t h e mark o f man, f i x e d l i k e an e v e r l a s t i n g s e a l .

No g r a s s need grow around t h e h e e l when s o l e and t o e o f boot a r e f lower enough, p l a n t e d on b a r r e n s i l t .

While s p e c t r a l s t o n e s a r e b leached with sun t h e sunken t r a c k of mor ta l man c a s t s a v a l l e y of t h e shadow of d e a t h .

/

/

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TABLEAU AT THS BEACH

The f i g u r e s on t h e shore do n o t see me but l o o k i n g down c o l l e c t s h e l l s unde r foo t . Waves r o l l i n , i n a u d i b l e , d ragg ing with them t h e f l o r a of t h e sea , f i b e r s s t reaming o u t on t h e gleaming mud.

When s h o r e b i r d s t a k e f l i g h t , t h e wandering g a t h e r e r s do n o t s t a r e up under t h e i r c langorous wings, bu t b e n t , devote themselves to s i f t o u t , g i n g e r l y , from sand piecemeal i r i d e s c e n c e .

They pause , m o t i o n l e s s , knee-deep i n t h e sha l lows of t h e sea , o r squat on caked h e e l s to s o r t and a p p r a i s e t h e g r i t t y s h e l l s n e a r a t hand . They stand about , ba r e foo t on unsure dunes and, to m i t i g a t e t h e i r l o s s , w i l l n o t forgo t h e mementos of t h e i r f a t h e r ' s e s t a t e .

Though I l e a v e them s c a t t e r e d on t h e beach i n t h e h e a t l i g h t n i n g and f a i n t evening l i g h t , I must r e t u r n sea rch ing a t t h e edge i n p a t i e n t sorrow, myself c a s t a shore i n t h e s e p a s t u r e s of m u t a b i l i t y , "

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DR. PIKE IN THE JUDEAN DSSSHT

He can l ead no peop le a c r o s s t h e empty d e s e r t , and dus t s torms b l i n d him with s e a r i n g g r a i n s of sand. No bush o r flame c a l l s to make good h i s l o s s aga in , and k i l n - h o t s t o n e s cannot become t h e bread, to end h i s f a s t .

Facing t h e four d i r e c t i o n s of t h e e a r t h ' s h o r i z o n , he h o b b l e s a imles s ly i n t h e furrowed dunes ; and t h e ho ly p l a c e s a r e n o t a t t h e b u r n t - o u t wadls , t h e h e i g h t s of eroding it>ck«,

He wanders too f a r from Horeb, o r J o r d a n ' s shore where small s t ones soak and rushes bend i n t h e so f t mud. When number less suns grow red t h e parched v e s s e l c r a c k s , i t s mouth s topped with sand, an ungathered p o t s h e r d .

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32

BEFORE LUNAR ASCENT

Nei l Armstrongs "We were n o t d i s t r a c t e d by t h e q u e s t i o n of whether t h e ascen t engine would l i g h t , but we were sure t h i n k i n g about i t . " F i r s t on t h e Moon, 1970,

I f t h e t h r u s t e r s do n o t f i r e two men can never f l e e t h e moons they must s t a r e o u t a c r o s s t h e gu l f and t h e i r dead ship s tay with them, Apollo, g i v e r of p rophecy .

After shock and p u b l i c mourning we'd go p e a c e f u l l y to bed and t h e p a l e one magnif ied by n i g h t be more c rue l i n i t s beau ty , a new moon mock us with r e b i r t h .

Th i s e lemental f o r c e preceded us J be fo r e o u r maiden voyage i t caused t h e r a i n , t h e ebb and flow of sea, blood t i d e s , t h e t ime of sowing, and s t i l l i t s a i l s i n n i g h t j ou rney .

.So they , f a r from human r e s c u e , would know t h a t we a r e f l e e t i n g and t h e moon a r emor se l e s s rock» L ike Buddhist monks they must wa i t i n hollowed caves h igh i n c l i f f wa l l s*

when we could t a k e them to ea r th a t l a s t , they*d be as young as t h i s week»s cover p i c t u r e , o b s o l e t e as deep sea d i v e r s f l o a t i n g up from a faded yel low sea#

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MYLAI INQUIRY

I n t h e h a l f - l i g h t of summer evening we h e a r f ragments of a war r e p o r t and on o u r s c r eens we watch t h e moon.

Tiny remote ep i sodes i n t h e c e n t r a l h i g h l a n d s seem f u r t h e r than t h e spacemen1 s r i g i d f l a g .

When dark f a l l s , t h e d r i v e - i n s along t h e highway l i g h t up t h e c o u n t r y s i d e with t h e i r huge whi te faces*

The neon calm of supermarkets and car-hood sh in ing on o u r driveway a s s u r e us t h a t we a r e a t p e a c e ;

t h e shot to t h e Sea of T r a n q u i l i t y i s a journey to redeem o u r ease , and d i s a s t e r s on o t h e r f r o n t s w i th in t h e p o i n t - b l a n k range of o u r f u r y .

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NORTH DAKOTA WATER T0WBR

Above the farms and t r e e l e s s p l a i n s the young man scales the water tower to work, remote as a manikin*

Heedless at noon he l o s e s foothold and drops head downwards l i k e a shadow without sound.

The band marching at the high school sees him, and he i s re f lec ted f a l l i n g on the t u b a ' s curved b r a s s .

The c r i cke t s chirp in evening's earth and s ta lks of eddying wheat bend toward the s a c r i f i c i a l sun,

A d iese l horn of the Great Northern proclaims darkness. Lights are switched off i n the cafe, and cha i r s reversed on t a b l e s .

The ra i l road waiting room i s empty as the l i v i n g room s u i t e i n the window on Main, dark as the implement s t o r e .

The ten o 'c lock news flames from every farm. On s a t e l l i t e report war capt ives in gray stumble through Asia,

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PRISONERS OP WJiB

Shot down by t h e laws of chance and paraded through h a m l e t s t h e airmen i n t h i s b l u r r e d f i lm drone r e g a r d s a s i f by r o t e t h e i r f a c e s uamoved and arms s l a c k , w a i t i n g f o r t r u c e o r s e c r e t moves.

The i r f e a r does no t e c l i p s e t h e l i g h t which sh ines o v e r a l l t h e l i v i n g e a r t h ; they must see t h e same sky as we, and t o n i g h t t h e same invaded moon.

When t h e room f looded with l i g h t suddenly da rkens , t h e mi s s ing men await i n t e r r o g a t i o n , and mark a bronze f l y r a t t l i n g on t h e window pane as sharp ly as a d e t a i l from t h e Las t Judgment,

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ORKCTjffr RENDEZVOUS

Like a wandering soul Golumbia c i r c l e s once more t h e l and of t h e dead s

and waits for the ear th-bom ship to r i s e .

In the joyless immensity the two modules are t iny as e lec t rons swirl ing around an unfixed cen te r .

As these toy ships of mor ta l i ty d r i f t through deep space to dock, the world in the midst of passing flow shares the thought which s t e e r s through a l l t h ings .

In the earth*s teeming f o r e s t s the African pygmy smears he r se l f with white clay, dancing as a ghost at the feas t of the new moon.

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ON SiORTWAVS BADIO AT NIGHT

38

Receiving t h e d i s p a t c h of i n f i n i t y I embark on a c r o s s i n g , and wander summoned by t r a n s m i t t e r s and c i r c u i t s . Uncer ta in r e p o r t s d i s c l o s e d from Europe c o n f l i c t with a f i t f u l , d i s s o l v i n g w a l t z . The gay s p a r k l e s of a rad io storm d i s r u p t what must be a s t r i c k e n l i n e r * s f i n a l b a l l . O r a c l e s o f chance m u t t e r t h e i r a p p a l l i n g i n t e r f e r e n c e s and man* s words, i n a c c e s s i b l e , recede*

Babel r o a r s i n s q u a l l s , r u s t l i n g and cooing b i r d s are perched on t h e t o w e r ' s b a l c o n i e s . Land masses d r i f t a p a r t , and, castaway, I am between* Borne on t h e swell o f waves, t h e wrack u p l i f t s g race fu l r i b b o n s , and wrea thes around undu la t ing boughs of ke lp* I n a u n i v e r s e of undersea mountains l i g h t y e a r s away, under a moonless sky t h e waves, wrenching rocky c o a s t s , h i s s i n g invade t h e g rave l beach of Antipodes*

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RADIO SLLWCE

The abandoned ha l f of self d r i f t s out toward darkness. The ship t w i s t s round the pear l sphere to the fa r s ide . We must r e c i t e our dead languages to the unconscious moon* Silence mouths the unspeakable*

With heavy l idded eyes the three s i l v e r i d o l s s a i l through the e ther , f loa t and tumble down the steep universe with aimless calm, anonymous in snowy f i e l d s of r a d i a t i o n .

Then as we cross the shadow-line between death and day, the spaceship mirrors the white dazzle of sun. The fresh bur s t s of s t a t i c crackle l i k e angels* tun ics v ibra t ing in contingency.

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ko

INWARD VOYAGE

Eagle (Armstrong) s "We're going r i g h t down U.S. One"

We must wish them Godspeed as t h e i r ship climbs swaying, t i p s ou t , and yaws over toward the orb i t* s curve. Racing from the Kingdom of Death they are pursued by Times in t h e i r f l i g h t earthward they cannot look behind them, and they hug the undulating walls of space to hold t h e i r course. With dark and inborn shame they hear on t h e i r headsets the Kindly ones croon of conquest and sorrow. Whirled around and around the narrowing vortex they plunge headlong home.

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JU

PASTOEALJ SETS OP AN AIR CHASE IN THE WOODS OP KENTUCKY

As i f t h e Sabbath morning shone i n f i e l d s s snow thaws above t h e autumn t imber l i n e . Smoke s t i l l ascends from t h e s i t e of t h e c r a s h . The oak and furrowed ash, g lazed with dew, formal ly enc lose t h e s i t e f o r which l a s t n i g h t they had made room. Nothing s tayed f o r t h a t s t a r sowing i t s own d i s a s t e r as i t dropped, curving b r i g h t and s o l i t a r y through space . Lightened of p i t y t t h e a i r could r e t r i e v e no succes s ive i n s t a n t s l i d i n g i n c l e a r n e s s too g r e a t to i t s imagined, easy end. Of t h e p a s s e n g e r s assembled to d e p a r t one s u r v i v e s , d i s c a r d e d somewhere o f f i n t h e smoky woods. On h i s mor ta l knees Te r ro r bends i n t h e unbearab le f a l l , and h u n t s f o r s c a t t e r e d s l i v e r s of h i s s p e c t a c l e s .

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SPLASHDOWN 0 D HSOQVERY

Prom the blue shel l of t e r r e s t r i a l skies the heat-scorched ship f l o a t s down languidly on billowing parachutes, and i t d r i f t s , canted, on the warm green water.

The Pac i f ic l aves the moonship swaying l i k e ah anemone, and fathoms down i n the l u s t r a l ocean the seaweeds with round f r u i t wind t h e i r b ra ids about the co ra l s .

In waters warm as the blood-stream, the men rev ive . Teetering atop the backwash of waves, they emerge into the l i g h t splashed morning, new born from the prodigious sea.

A he l i cop te r , i t s blades whirr ing, broods over the bruised c e l e s t i a l egg, and a c a r r i e r has tens to rescue three leaning men stunned by the forgiving air*

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i±3

QUARANTINE

The p r i e s t s of Apollo must now be the earth*s pa r i ahs . They have kissed the v i rg in crone* s crusted brow as solar winds swept from space and cosmic rays sped to s t r i k e them.

Prom her lap they have seized the dust by handfuls, and sl ipped the molten beads through t h e i r f ingers* They plunged t h e i r faces in to a r i v e r of l i g h t and heard ga lac t i c noises in the roo t s of t h e i r t e e t h .

These minds intruded in to space but did not save na ture from i t s darkness. P a t i e n t s now i n hosp i t a l gowns they l i s t e n to human sounds through g lass and nod with archaic smiles .

Before they step on to t h i s i s l and of common day, and take t h e i r p lace in a year of assass ina t ions and dread we must set them apart s pur i f ied from the contaminating world.

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A FRAGMENT PBOM TRANQUILITY BASE

This i s an -unhewn boundary s tone. I t belongs to the moon. We do not know what i t means* i f i t i s a thing to weigh o r the dwelling p lace of a ca ta tonic god.

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AMEBICAN FARADS

Lincoln* s fune ra l t r a i n g l i d e s through America, t h e ru ined garden . And t h e muffled drums compel t h e l i i ion to weep as she b e a r s a dry bouquet to h e r s o n ' s green g r a v e . The ragged s o l d i e r s l e a v e t h e i r t e n t s to h o i s t h i s b i e r s and from t h e town, beneath s p l i n t e r e d Apri l boughs, march t h e death march.

The c i r c u s t r a i n b r i n g s t h e r a t t l i n g c a i s s o n s back . Mounted on i r o n wheels t h e steam organ b r a y s and pitchmen and r o u s t a b o u t s p l a n t t h e i r t e n t p o l e s . Lady gymnasts c u r t s y l i k e clockwork d o l l s , F . T . Barnum and t h e g r e a t Tom Thumb i n f l o r a l w a i s t c o a t s , r a i s i n g t h e i r b e a v e r s , a r e suns e r u p t i n g on t h e A l l e g o r i c a l Car,

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THE TABLOIDS

When word i s o u t each n i g h t we scan t h e news to see i n i q u i t y s t a i n e d i n i n k bu t no communique of o u r expuls ion i s d ivulged i n goss ip o r banner*

Censor b a r s a c ro s s t h e eyes t h e w i t n e s s o r accused, r e a r , i s e s c o r t e d from cour t under heavy guard ; s u s p e c t s d e t a i n e d . We are one of t h e s e n s e l e s s omiss ions*

Dispatch r e v e a l s Tot with I n c u r a b l e Disease Awaiting Mirac le*s Advent; Exchange of S p i e s ; Sense le s s Tragedy; Accused Dupe of Unknown P a r t y ,

Who i s t h e a s s a i l a n t who runs amuck, o r bys t ande r caught i n c r o s s f i r e ? Thank God we a re d i s t r a c t e d by tomorrow* s news, and one b u l l e t i n g i v e s p l a c e to a n o t h e r .

By morning t h e word of n i g h t i s f lung away, then b reak ing l o o s e , s k i t t e r s through vacan t s t r e e t s * The crumpled pages , p o i n t l e s s now, a l i g h t . The promised m i r a c l e does n o t s u f f i c e .

Following t h e p e r i l o u s motorcade of noon, m u l t i t u d e s wander through t h e storm of t i c k e r t a p e , s t r i p s and shreds b lack and x-Jhite b roadcas t i n cold Manichean wea the r .

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VI CIO HI PARADE FOR ASTRO NAUTS

We s tand with u p l i f t e d anus high i n t h e open c a r , advancing through t h e t a n g l e d , f l o a t i n g s t r eamers and acknowledge o u r e a r t h ' s k i n d r e d .

As t h e s i r e n s wai l and b e l l s t o l l t h e c i t y s t r e e t s b o i l o v e r with mor ta l c r e a t u r e s , unrea l crowds j o s t l i n g behind t h e b a r r i c a d e s .

These a re t h e d w e l l e r s of ea r th worldly f a c e s , d e s p e r a t e , who cheer i n t h e p r e c a r i o u s c i t y between t h e l o s s and t h e f i n d i n g .