Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper...

32
Test Paper : III Test Subject : FOLK LITERATURE Test Subject Code : K-2114 Test Booklet Serial No. : _______________________ OMR Sheet No. : _________________________________ Roll No. (Figures as per admission card) Name & Signature of Invigilator/s Signature: ____________________________________ Signature : ___________________________________ Name : ____________________________________ Name : ___________________________________ Paper : III Subject : FOLK LITERATURE Time : 2 Hours 30 Minutes Maximum Marks : 150 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75 K-2114 1 ±Üâ.£.®æãà. /P.T.O. Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of seventy five multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the oval as indicated below on the correct response against each item. Example : A B C D where (C) is the correct response. 5. 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Transcript of Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper...

Page 1: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Test Paper : III

Test Subject : FOLK LITERATURE

Test Subject Code : K-2114

Test Booklet Serial No. : _______________________

OMR Sheet No. : _________________________________

Roll No. (Figures as per admission card)

Name & Signature of Invigilator/s

Signature: ____________________________________ Signature : ___________________________________

Name : ____________________________________ Name : ___________________________________

Paper : IIISubject : FOLK LITERATURE

Time : 2 Hours 30 Minutes Maximum Marks : 150

Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75

K-2114 1 ���������/P.T.O.

Instructions for the Candidates1. Write your roll number in the space provided on the top of this page.2. This paper consists of seventy five multiple-choice type of questions.3. At the commencement of examination, the question booklet will

be given to you. In the first 5 minutes, you are requested toopen the booklet and compulsorily examine it as below :

(i) To have access to the Question Booklet, tear off the paperseal on the edge of this cover page. Do not accept a bookletwithout sticker-seal and do not accept an open booklet.

(ii) Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will be given.

4. Each item has four alternative responses marked (A), (B), (C)and (D). You have to darken the oval as indicated below on thecorrect response against each item.

Example : A B C D

where (C) is the correct response.

5. Your responses to the question of Paper III are to be indicatedin the OMR Sheet kept inside the Booklet. If you mark at anyplace other than in the ovals in OMR Answer Sheet, it will not beevaluated.

6. Read the instructions given in OMR carefully.7. Rough Work is to be done in the end of this booklet.8. If you write your name or put any mark on any part of the OMR

Answer Sheet, except for the space allotted for the relevantentries, which may disclose your identity, you will render yourselfliable to disqualification.

9. You have to return the test OMR Answer Sheet to the invigilatorsat the end of the examination compulsorily and must NOTcarry it with you outside the Examination Hall.

10. You can take away question booklet and carbon copy ofOMR Answer Sheet soon after the examination.

11. Use only Blue/Black Ball point pen.12. Use of any calculator or log table etc., is prohibited.13. There is no negative marks for incorrect answers.

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Page 2: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 2 K-2114

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Page 3: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 3 Paper III

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1. The word Folk-lore is coined by

(A) Richard M. Dorson

(B) W. J. Thoms

(C) Alan Dundes

(D) Peter J. Claus

2. ‘Lore’ means

(A) Reading

(B) Food habit

(C) Knowledge

(D) Welcome

3. The concepts esoteric and exoteric are

introduced by

(A) Roger Abrahams

(B) William Hugh Jasen

(C) Alan Dundes

(D) William Clements

4. ‘What is Folklore ?’ book is authored by

(A) W. J. Thoms

(B) Alan Dundes

(C) Roger Abrahams

(D) Don-Ben Amos

5. ‘Folkloristic materials were primitive

man's poetic translation of celestial

phenomena’ is a postulate given by

(A) Structural Anthropologists

(B) Solar Mythologists

(C) Functional Anthropologists

(D) Theologists

6. Aarne divided Folktales into

(A) Numerous types

(B) Three types

(C) Four types

(D) Seven types

7. Riddle is an example for

(A) Material Culture

(B) Verbal Genre

(C) Fakelore

(D) Visual Folklore

8. An example for material culture is

(A) Bullock cast

(B) Photo of a ritual dance

(C) Epic of Manteswamy

(D) Savadatti

FOLK LITERATURE

PAPER – III

Note : This paper contains seventy-five (75) objective type questions. Each questioncarries two (2) marks. All questions are compulsory.

Page 4: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 4 K-2114

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(A) (��7M(���D$

(B) :���

(C) N�"\o

(D) ����)��

18. U)��w@���)�GxX)�Gx���)7:��Y�A������� �7��(����y�� 47')�(����

(A) >N�E(��m%��� 4��7B-�

(B) m%�/��%�4��J�����S�

(C) ��&e�@��(�I;�z���&E

(D) (�I;�z���&E�)�������

Page 5: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 5 Paper III

������� Total Number of Pages : 32

9. The deity worshipped at Chikkallur

belongs to

(A) Mailaralinga cult

(B) Maadeshwara cult

(C) Cult of Ellamma

(D) Shishunala Sharifa’s Traditional

song cult

10. ‘Paddana’ is available at

(A) Bayalu Seeme Region

(B) Malenaadu Region

(C) Coastal Karnataka

(D) Slope of Himalayas

11. ‘Kuppamveethi natakam’ is a similar

form of

(A) Kelike of karnataka

(B) Kamsaale of Karnataka

(C) Villupattam of Tamil Nadu

(D) Theyyam of Kerala

12. ‘Bhuthaaradhane’ of Karnataka is similar

ritual tradition of

(A) Bettale seve of Karnataka

(B) Karaga of Tamil Nadu

(C) Theyyam of Kerala

(D) Terra Coothu of Tamil Nadu.

13. An example for a ‘Pastoral Community’

(A) Besthar

(B) Vokkaliga

(C) Golla

(D) Badiga

14. Milmann Parry and Albert Lord proposed

(A) Performance Theory

(B) Structural Theory

(C) Evolution Theory

(D) Oral-Formulaic Theory

15. ‘Four Functions of Folklore’ article is

written by

(A) William Boscom

(B) Alan Dundes

(C) Don-Ben-Amos

(D) Richard Dorson

16. ‘The Athenaeum’ is a

(A) Food in China

(B) Journal

(C) Other name for Chariator

(D) Place in London

17. ‘Indira Gandhi National Centre for Arts’

is located in

(A) Kanya Kumari

(B) London

(C) Chennai

(D) New Delhi

18. ‘Huttida Halli-Halliya Hadu’ is

authored/collected by

(A) Archak B. Rangaswamy

(B) B.S. Gaddige Math

(C) Mathighatta Krishna Murthy

(D) Krishna Murthy Hanur

Page 6: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 6 K-2114

������� Total Number of Pages : 32

19. A��4��������D������`���������'��3�E���(���> ��c

(A) 8���1��7�M

(B) 4�������I1�M

(C) 4� C�D�

(D) )����;�

20. A��4��������D�������"��`���������1�/ �����$4�H���74����� ���c

(A) )� &�)7:��

(B) m����������4����

(C) ����� ������7�����=�1�E�

(D) )�4�G(�)7:��4����

21. �� ��N��7���7r 1����!4{��( ����D5���-�7B �����

I) $N�:�E�/ %�:7��E��

II) -%�O%��7'��

III) -��� �R7�K�[

IV) �-��7v��

�� ��#�������H

(A) I ���$9��II, III, IV 1����0

(B) I ��1��� III ���$

(C) II ��1��� IV ���$9

(D) IV ��1��� I ���$9

22. U(��7E�(���� ��l&Y�/ !�(�I&�!�������

I) ����:�� II) �D��

III) &�%��� %�p'� IV) 5%-%Z%

�� ��#�������H

(A) I ���$9 II, III, IV 1����0

(B) II���$9 I, III, IV 1����0

(C) III ���$9 I, II, IV 1����0

(D) IV ���$9 I, II, III 1����0

23. U4��?E�Y�)7:���A��(,��� ! t��%

I) ��� II) )��G

III) ����{ IV) �747�7.��

�� ��#�������H

(A) I ���$9 II, III, IV 1����0

(B) II���$9 I, III, IV 1����0

(C) III ���$9 I, II, IV 1����0

(D) IV ���$9 I, II, III 1����0

24. UO7���������-3��;�k71��(��)74���������;7T1��(�

�����M4�G ���!�����Y���)�G(���5���-�7B �����

I) �-�7v��9��D������,���1���

-%�O%��7'��

II) �-�7v��9��D������,�9��7M:��=�V�

CL'��

III) �D������,�9��7M:��=����CL'��9

�DM(�[��� ���

IV) �7M:��=�V�CL'��9�> ���:� :��9

$N�:�E�/ %�:7��E��

�� ��#�������H

(A) I ���$9 II, III, IV 1����0

(B) II���$9 III, IV, I 1����0

(C) III ���$9 IV, I, II 1����0

(D) IV ���$9 I, II, III 1����0

Page 7: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 7 Paper III

������� Total Number of Pages : 32

19. Which one is not a folk performing Art ?

(A) Bharatanatyam

(B) Gorava dance

(C) Puppet show

(D) Hulivesha (Tiger Dance)

20. Which one is not considered as a folksong ?

(A) Hanti Haadu

(B) Beesuva padagalu

(C) Purandara daasara keerthane

(D) Hogalike Haadugalu (Praisingsongs)

21. The scholar worked in the area ofstructuralism

I) Richard. M. Dorson

II) V. J. Propp

III) William Thoms

IV) Levi-Strauss

Codes :

(A) I is correct II, III, IV are wrong

(B) I and III are correct

(C) II and IV are correct

(D) IV and I are correct

22. The Book “Karnataka Samskruti” iswritten by

I) Devudu II) Ma–sti

III) Ti. Nam. Shri. IV) D.V.G.

Codes :

(A) I is correct II, III, IV are false

(B) II is correct I, III, IV are false

(C) III is correct I, II, IV are false

(D) IV is correct I, II, III are false

23. ‘Gurci’ song related to

I) Rain

II) Holi

III) Harvesting

IV) Naga worship

Codes :

(A) I is correct II, III, IV are false

(B) II is correct I, III, IV are false

(C) III is correct I, II, IV are false

(D) IV is correct I, II, III are false

24. Folklore has suffered from analytical and

empirical problems, said by

I) Levi-Straus, Malinowsky and

V. J. Propp

II) Levi-Straus, Malinowsky, Rad

Cliffe-Brown

III) Malinowsky, Rad Cliffe Brown,

Maxmuller

IV) Rad Cliffe-Brown, Alan Dundes,

Richard M. Dorson

Codes :

(A) I is true II, III and IV are false

(B) II is true III, IV and I are false

(C) III is true IV, I and II are false

(D) IV is true I, II and III are false

Page 8: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 8 K-2114

������� Total Number of Pages : 32

25. U�L1��ju�����/���o(���]�5�DY

�� �7��(����

I) V7' (��O%�(����K����1����]�����O%�(7���

II) ]�����O%�(7������1�����D4�E�b��-���[

III) /��%�-%�;�f��4� ���1���

]%�/��%����!'�H���K�

IV) 5%�]%����@�7��(����1���

m%�/��%�����@�7��(�

�� ��#�������H

(A) I ��1��� II ��$

(B) II ��1��� III ��$

(C) III ��1��� IV ��$

(D) II ��$���1��� I ��$�� �

26. O7���������4��f (�6f4����

I) ��'����1��A�������S�M(,���S�M����� 1������S�M����"

��Iu@��������

II) ��������1���� (7 (�,���4��f7�� _*�(�6f����

���.7$1����S�M����"����IZ��������

III) `������� ��1�����"����Iu@��������

IV) ���G����)� 1�������?���7�#��D4��� 1�)�

�7���(���-�E��������

�� ��#�������H

(A) I ��1��� II ��$

(B) II ��1��� III ��$

(C) III ��1��� IV ��$

(D) IV ��1��� I ��$

27. N7$&'(���������'N���������G����(� �'1��87��4�17�����51��%�>���

I) �����|�4��N�$�����>R�E4������� (�>R�E����"�(� :��Q5�������'��1�"

II) ������]������> ������ ��l&4����*������ ��l&�D���J��

III) O7��������� 3��.��4�����O7���������7�DZ(����Iu@(��������"�(��:�>���5�(���xC�(��

IV) O7���������������]������74�$(�1C�����! ����7$�����"��'(73��D��7��1��$���1���

�� ��#�������H

(A) I ��1��� II ��$

(B) I ��1��� III ��$

(C) II ��1��� IV ��$

(D) III ��1��� IV ��$

28. ��(������-�7B ������VW�(�������V������b��(�E4���$������

I) �L$�)�� (��

II) >�7"������(��7

III) /��D��������7b�

IV) �L$�)7-E�7w

�� ��#�������H

(A) I, II, III ��$

(B) I, II, IV ��$

(C) I, III, IV ��$

(D) IV, II, III ��$

Page 9: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 9 Paper III

������� Total Number of Pages : 32

25. South Asian Encyclopaedia is edited by

I) Frank. J. Koram and Peter J.

Clause

II) Peter. J. Clause and Margret Mills

III) S. V. Shanmugam and P. S.

Subromoniam

IV) D. P. Pattanayak and

B. N. Pattanayak

Codes :

(A) I and II are correct

(B) II and III are correct

(C) III and IV are correct

(D) II is correct I is not correct

26. Characteristics of Folklore is

I) To create a ‘text’ after ‘text’ to the

existing ‘text’

II) Improvisation in tune with space

and time

III) To create a wealth of the people

IV) To create monuments at the local

level

Codes :

(A) I and II are true

(B) II and III are true

(C) III and IV are true

(D) IV and I are true

27. Historical Reconstruction promoted the

ethnocentric notion that

I) Attempt to find meaning through

reoccurring meanings

II) Non-European cultures were

primitive

III) Folklore research to incorporate the

social aspect of Folklore

IV) Folklore could illuminate the path of

European civilizations

Codes :

(A) I and II are true

(B) I and III are true

(C) II and IV are true

(D) III and IV are true

28. Following Folklorists were associated

with Folklore Fellows network

I) Lauri Honko

II) Anna Lee Sikala

III) Elias Lonrot

IV) Lauri Harvillatti

Codes :

(A) I, II, III are correct

(B) I, II, IV are correct

(C) I, III, IV are correct

(D) IV, II, III are correct

Page 10: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 10 K-2114

������� Total Number of Pages : 32

29. U4�����b� Y�/ !��� ��1�7��M�������'��3�����)N��}��`��]'��7��

I) 4�� q�4�E���'��3�

II) (�:�4�����'��3�

III) F1�����(���":����'��3�

IV) C��47 ���'��3�

�� ��#�������H

(A) I ��$ II, III, IV 1����0

(B) II 1����0 I, III, IV ��$

(C) III ��$ I, II, IV 1����0

(D) IV ��$ I, II, III 1����0

30. U*3�������?Y����71�'�����c

I) `�������(�R4����F4�������"�)��:��(�������

II) `������� (�R���8L4��G(�� 7M]������">R�E�D5(����x�����

III) `�������(�R4������"��4�����&��������

IV) `�������(�R4������"��O��5��������

�� ��#�������H

(A) I ��1��� II ��$ (B) II ��1��� III 1����0

(C) III ��1��� IV ��$ (D) I ��1��� IV ��$

31. A��4�������UN���E�7��MY4����

I) 17�� II) 1� !�$

III) 1 !� IV) (���:

�� ��#�������H

(A) I ��1��� III ��$

(B) II ��1��� III ��$

(C) III ��1��� IV ��$

(D) II ��1��� IV ��$

32. U(�I;�z���7$O71��Y���������&����71�'

I) �71�'4�������1�����'�(�6(������:��-����1��! .�7�

II) p'��(�I;�z����) :�&�D����w��������

III) �'�(�6(�$4��71�'4������"���$N�#��� �

IV) Q���������71�'���EQ�� �

�� ��#�������H

(A) I ��1��� II ��$ (B) II ��1��� III ��$

(C) I ��1��� III ��$ (D) II ��1��� IV ��$

33. �$���)7�(7�M��7d�7&���:����~��� :�1� :�������87�4��7���J����

I) &�%��� %�3� (����7�7��f

II) m%�/%�-�(���o

III) 5%�(%��7O� ��'

IV) ?��"��0��4L:�

�� ��#�������H

(A) I ��1��� IV ��$ (B) II ��1��� III ��$

(C) III ��1��� IV ��$ (D) II ��1��� IV ��$

34. U1��:��Y�)7:��4������"���� 4�'Q�������

I) $N�:�E� �#���

II) / %�m%�/����

III) ]�����O%�(7���

IV) Q�:�'���!�'(�"��

�� ��#�������H

(A) I ��$�II, III, IV ��$�� �

(B) II ��$ III, I, IV ��$�� �

(C) III ��$ I, II, IV ��$�� �

(D) IV ��$ I, II, III ��$�� �

Page 11: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 11 Paper III

������� Total Number of Pages : 32

29. ‘Gummate’ is a musical instrumentpopular in

I) Gulbarga area

II) Coorg area

III) Uttara Kannada area

IV) Belgaum area

Codes :

(A) I is correct II, III, IV are false

(B) II is false I, III, IV are correct

(C) III is correct I, II, IV are false

(D) IV is correct I, II, III are false

30. The role of ‘Motif index’ is

I) Searching for original of Folktales

II) Understanding the geographicalarea of Folktale

III) Identifying the Folk tales

IV) Arranging the Folk tales

Codes :

(A) I and II are true

(B) II and III are false

(C) III and IV are true

(D) I and IV are true

31. Percussion Instrument/Animal hideinstruments are

I) Ta–la

II) Tamburi

III) Tembare

IV) Karade

Codes :

(A) I and III are correct

(B) II and III are correct

(C) III and IV are correct

(D) II and IV are correct

32. The role of ‘Duti’ in Krishna Parijata is

I) To bridge the gap between thecharacters and audience

II) Acting as a wife of Lord Krishna

III) To introduce the characters to theaudience

IV) Playing the role of himmel.a

Codes :

(A) I and II are correct

(B) II and III are correct

(C) I and III are correct

(D) II and IV are correct

33. Following Folklorists were associatedwith the Finland team of siri epicdocumentation

I) T. N. Shankara Narayan

II) B. A. Vivek Rai

III) D. K. Rajendra

IV) Chinnappa Gowda

Codes :

(A) I and IV are correct

(B) II and III are correct

(C) III and IV are correct

(D) II and IV are correct

34. Toda songs were collected by

I) Richard Luis

II) M. B. Emenaue

III) Peter. J. Claus

IV) Heidrune Bruckner

Codes :

(A) I is correct II, III, IV are not correct

(B) II is correct III, I, IV are not correct

(C) III is correct I, II, IV are not correct

(D) IV is correct I, II, III are not correct

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Paper III 12 K-2114

������� Total Number of Pages : 32

35. U���7 4�B�Y���1����U5���������Y���$(� 0�4������"��E?�������

I) /:�B:�E���]��

II) $N�:�E�:7��E��

III) V�5E�7 :��5%��������

IV) �%�/V�%�)�(b�

�� ��#�������H

(A) I ��1��� II ��$ (B) III ��1��� IV ��$

(C) IV ��$ (D) III ��$

36. U�KLs(�����1�'���7r 1��Y����"���'&�7��������

I) �D4�E�b��-���[

II) -���������7M$

III) * qb�E�m%��7:�E

IV) O�(�C���'�K�

�� ��#�������H

(A) I ��1��� II ��$

(B) II ��1��� III ��$

(C) III ��1��� IV ��$

(D) II ��1��� IV ��$

37. U�4��� Y4����

I) ��'3�"�1������D��$����

II) F���4�����>R�7�F���4���������)�

III) >37mJ(���� �)���

IV) ��I3�M�(��7������

�� ��#�������H

(A) III, IV ��$

(B) II, III 1����0

(C) IV, II 1����0

(D) I, II ��$

38. (���":��`���������14������'(7��4����

I) (����@��)7:��4����9�)� &�����4����

II) �7'H�(�R4����9�����M�(�R4����

III) ��&�(�R4����9�>&�D���;��(�R4����

IV) ���������4����9�1�1�B�����4����

�� ��#�������H

(A) I ��1��� II ��$ (B) II ��1��� III ��$

(C) III ��1��� IV ��$ (D) I ��1��� IV ��$

39. U�� ��8�E���7r 1��Y(,�(�:��4���5���-�7B �����I) :7��C���>���II) (�1��4����<��@���III) �#�����o��IV) ���`���>!')7 ��

�� ��#�������H

(A) I, II, III ��$ (B) II, III, IV ��$

(C) I, II, IV ��$ (D) IV, III, I ��$

40. ��"��2�����(A)����� O7���������( W ����L ���DE��M(���KL M4�����A���"�( ��������7�����>��KL M4�G4�o���.�M7�%

�,7�R�(R) ������ ���"�7����L ����E�KL M4������7 ��l&(�4�54������"���Iu@�������1���>�����"���=6�(����x��D.�M��4��7�%

�� ��#�������H

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(B) (A)���1����(R)�/��:�����$

(C) (A)�������$�*����(R)�1����0

(D) (A)���1����(R)�/��:���1����0

Page 13: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 13 Paper III

������� Total Number of Pages : 32

35. Concept of ‘Le Langue’ and ‘De Parole’is defined by

I) Edward Sapir

II) Richard Dorson

III) Ferdinand. D. Sassure

IV) C. F. Hocket

Codes :

(A) I and II are correct

(B) III and IV are correct

(C) IV is correct

(D) III is correct

36. Oral Formulic theory is proposed by

I) Margret Mills

II) Millman Parry

III) Albert. B. Lord

IV) Jocob Grimm

Codes :

(A) I and II are correct

(B) II and III are correct

(C) III and IV are correct

(D) II and IV are correct

37. ‘Riddles’ are

I) Question and answer type

II) Metaphors or group of metaphors

III) Non-verbal communications

IV) Visual art forms

Codes :

(A) III, IV are true

(B) II, III are false

(C) IV, II are false

(D) I, II are true

38. Genres of Kannada Folk songs areI) Kut-t.uva ha–d.ugal,u, Hanti padagaluII) Pra–n.i kathegalu, ramya kathegal.uIII) Nithi kathegalu, atima–nusha

kathegaluIV) Gigi padagalu, tatva padagalu

Codes :(A) I and II are correct(B) II and III are correct(C) III and IV are correct(D) I and IV are correct

39. Scholars contributed to ‘ContextualTheory’ are

I) Don-Ben-AmosII) Keneth goldsteenIII) Luice RiceIV) Roger Abrahms

Codes :(A) I, II, III are true(B) II, III, IV are true(C) I, II, IV are true(D) IV, III, I are true

40. Assertion (A) : The aesthetics value ofcertain kind of folkloremay be contrasted withthose of some othercommunity

Reason (R) : Differential aestheticsbecomes a means ofcreating anddefending culturalboundaries

Codes :(A) (A) is false but (R) is true(B) Both (A) and (R) are true(C) (A) is true but (R) is false

(D) Both (A) and (R) are false

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Paper III 14 K-2114

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K-2114 15 Paper III

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41. Assertion (A) : Yakshagana is more

ritual than a theatre

Reason (R) : The dichotomy

between ritual and

theater cannot be

applicable to many

cultures. Traditional

theater is always

ritualistic in our

country

Codes :

(A) (A) is true, (R) is correct

(B) (A) is true but (R) is wrong

(C) (A) is false but (R) is correct

(D) (A) is false, (R) is wrong

42. Assertion (A) : Concepts such as tale

type and motif are

Eurocentric

Reason (R) : Anti Arne and Stith

Thomson mainly

consulted European

folktales for their study

Codes :

(A) (A) is true (R) is correct

(B) (A) is true (R) is wrong

(C) (A) is false (R) is wrong

(D) (A) is false (R) is correct

43. Assertion (A) : Folk performers are

considered only as

vessels through whom

Folklore materials

were passed on

Reason (R) : Authenticity of

Folklore was

established by proving

anonymous

authorship and

continuity through

traditional channels of

communication

Codes :

(A) (A) is true but (R) is not correct

(B) (A) is false and (R) is correct

(C) (A) and (R) are false

(D) (A) and (R) are correct

44. Assertion (A) : ‘Folk’ is always a small

group

Reason (R) : Folklore is defined as

artistic communication

in small groups

Codes :

(A) (A) is false and (R) is wrong

(B) (A) is false and (R) is correct

(C) (A) is true and (R) is correct

(D) (A) is true and (R) is wrong

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Paper III 16 K-2114

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/ ������$4�H���7��%

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K-2114 17 Paper III

������� Total Number of Pages : 32

45. Assertion (A) : Folklore is the

knowledge of only

Islanders

Reason (R) : ‘Lore’ is considered as

knowledge

Codes :

(A) (A) is false and (R) is wrong

(B) (A) is false and (R) is correct

(C) (A) is true and (R) is correct

(D) (A) is true and (R) is wrong

46. Assertion (A) : Proverbs are used to

postpone the social

conflict

Reason (R) : Proverbs are verbal

strategies for dealing

with social situations

Codes :

(A) (A) is false and (R) is wrong

(B) (A) is false and (R) is correct

(C) (A) is true and (R) is wrong

(D) (A) is true and (R) is correct

47. Assertion (A) : Propp's study was

synchronic

Reason (R) : Propp describes the

fairy tale according to

its component parts

and to indicate the

relationship of these

components to each

other and to the whole

Codes :

(A) (A) is false but (R) is correct

(B) (A) is true but (R) is wrong

(C) (A) is true (R) is correct

(D) (A) is false (R) is wrong

48. Assertion (A) : Sacredness is a myth

Reason (R) : Sacredness is an

element in the

structure of human

consciousness

Codes :

(A) (A) is true and (R) is wrong

(B) (A) is true and (R) is correct

(C) (A) is false and (R) is wrong

(D) (A) is false and (R) is correct

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Paper III 18 K-2114

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52. (6�1�'(7��E��������EQ��C�(7���( ��4���

��$�D���(�'������"����?�%

I) �(���I����"�4�����&��������

II) ��17� 3�����"�-3��u��������

III) �7'R�-�(����-��(6

IV) 3�'�MX��I3�M��7d�7&(���f

�� ��#�������H

(A) I II III IV

(B) III I IV II

(C) I IV III II

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K-2114 19 Paper III

������� Total Number of Pages : 32

49. Assertion (A) : Folklore provides

socially sanctioned

forms of behaviour in

which a person may

do what can’t he done

in ‘real life’

Reason (R) : Folklore has a set of

abbreviation

Codes :

(A) (A) is false but (R) is correct

(B) (A) is false but (R) is wrong

(C) (A) is true but (R) is wrong

(D) (A) is true, (R) is correct

50. Assertion (A) : Myths are central to the

religion of the world

Reason (R) : They are sacred and

true

Codes :

(A) (A) is true (R) is wrong

(B) (A) is true (R) is correct

(C) (A) is false (R) is correct

(D) (A) is false (R) is wrong

51. Assertion (A) : Christianity was placed

at the pinnacle of the

developmental scale

as the highest form of

spirituality

Reason (R) : Primitive Religion was

not rational

Codes :

(A) (A) is false and (R) is true

(B) (A) is true and (R) is true

(C) (A) is false and (R) is false

(D) (A) is true and (R) is false

52. Correct sequence of the works to be done

in field work

I) Identifying the informant

II) Analysing the data

III) Pilot survey

IV) Audio visual documentation

Codes :

(A) I II III IV

(B) III I IV II

(C) I IV III II

(D) II III I IV

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Paper III 20 K-2114

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53. -�7B �����)�����4������"�>�������'(�w����(�I&4���

(7�7���(�'���������O��5�%

I) >N�E(���� 4��7B-��X�)��w@���)�Gx

II) Z�%�3� %�������p���M�X���=6f�(��7E�(�����I&�

47��(����

III) &�%��� %�3� (����7�7��fX�(7:��4� ���

�� m(����1������ ��'�7��4����

IV) (%�?��"��0��4L:���X�8��17�7.��

�� ��#�������H

(A) II III I IV

(B) I IV II III

(C) I II III IV

(D) III IV II I

54. ����7r 1�4������"��>����7t1�4� :�

(7�7���(�'��������O��5�%

I) �KLs(�����1�'���7r 1�

II) ��'��3�E�����7r 1�

III) � ����7r 1�

IV) �L�������7f���7r 1�

�� ��#�������H

(A) I II III IV

(B) IV III I II

(C) III II IV I

(D) I IV II III

55. ��(�I&4������"�>�����'(��4� :�

(7�7���(�'��4�&������O��5�%

I) VW�(���������1����VW�(��oV�

II) P�����/](�[��*V��A 5�D

III) b(�6���}\M���o��;����*V���$�/](�

IV) VW�(��������DM���[

�� ��#�������H

(A) IV III II I

(B) I III IV II

(C) I II III IV

(D) I IV II III

56. ��� ��'���17MhE�>�����!��������

������(�4������"��>�����'(��4� :��(7�7���(�'������

O��5�%

I) ��'&�t���N����K�

II) (7������)����(� !�

III) ������V��������K���D���K�

IV) �� ���4��

�� ��#�������H

(A) II IV III I

(B) I II IV III

(C) II III IV I

(D) IV II III I

Page 21: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 21 Paper III

������� Total Number of Pages : 32

53. Name the scholars and their book in

chronological order

I) Archaka Rangaswamy – Huttida Halli

II) Jee. Sham. Paramashivaiah – Dakshina

Karnatakada Vrithi Gayakaru

III) Tee. Nam. Shankaranarayana –

Kaadugollara Nambike Matthu

Sampradayagalu

IV) K. Chinnappa Gowda – Bhutaaradhane

Codes :

(A) II III I IV

(B) I IV II III

(C) I II III IV

(D) III IV II I

54. Sequence the theories established

chronologically

I) Oral formulaic theory

II) Performance theory

III) Migration theory

IV) Solar mythology

Codes :

(A) I II III IV

(B) IV III I II

(C) III II IV I

(D) I IV II III

55. Sequence the books in the order of their

publication years

I) Folklore and Folk life

II) Oral epics of India

III) Textualisation of siri epic

IV) Folklore matters

Codes :

(A) IV III II I

(B) I III IV II

(C) I II III IV

(D) I IV II III

56. Chronologically arrange the books

written by Devendra Sathyarthi

I) Pratinidi Rachanam

II) Lanka Desa hair Kolambu

III) Mere Safar Diam Yadam

IV) Sandaligali

Codes :

(A) II IV III I

(B) I II IV III

(C) II III IV I

(D) IV II III I

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Paper III 22 K-2114

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57. ���� 3��.����(� ��'4�����A����������4������"�A��(� ��'4������"��(�w@�����(�'��(,�>���4��f7�4�����&��!�#�$%

*��%*��%�%9�O7����������M��� 9O7���������(�9�O7�������-3�B-�7M ��

I) �7����4���

II) �o������

III) F:��]

IV) 4��4��5

�� ��#�������H

(A) IV III II I

(B) III II I IV

(C) I II IV III

(D) IV III I II

58. ���� ��1�7��M4������"��A�����:��7���7��M-.�4����(�'��������O��5�%

N���E7��M9�1� &7��M9�47G7��M9�������(������7��M

I) )� 4

II) 1� !�$

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IV) (���7�

�� ��#�������H

(A) IV III II I

(B) I III II IV

(C) I II III IV

(D) II IV III I

59. ��w@��– I���1������w@��– II����"��)� ���!�#�$��

��IJ I ��IJ��II

a) �7�H�N�(�' I) C7M :�

b) O7������ II) -����v��[

��)7(7�M

c) (�R����(���� III) C7M :���o(���

d) �I&��47��(���� IV) VW�(��/](�

�� ��#�������H

a b c d

(A) I II III IV

(B) III IV I II

(C) IV III II I

(D) II III I IV

60. ��w@��– I���1������w@��– II����"��)� ���!�#�$��

��IJ I ��IJ��II

(����������) ('�%���)

a) 4����b�������4���� I) /N�%�/��%��74�4L:�

b) �$`�����(�R4���� II) /N�%�/��%�>N�}��0

c) �$`�����'�� N� III) /��%�*��%�)4�:

d) 8�������)7:�� IV) >�� 17t�3�

�� ��#�������H

a b c d

(A) I II III IV

(B) III IV I II

(C) II III IV I

(D) IV I II III

Page 23: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 23 Paper III

������� Total Number of Pages : 32

57. Identify the places having in order to

these Institutions.

RRC, Folk Museum, Janapadaloka,

Folklore university

I) Rama Nagara

II) Mysore

III) Udupi

IV) Gotagodi

Codes :

(A) IV III II I

(B) III II I IV

(C) I II IV III

(D) IV III I II

58. Arrange the musical Instruments in the

order of percussion, string, wind and

wooden stick Instruments

I) Halage

II) Tamburi

III) Shehnai

IV) Kolata

Code :

(A) IV III II I

(B) I III II IV

(C) I II III IV

(D) II IV III I

59. Match the following List – I with List – II :

List I List II

a) La–van.i I) Ballad

chakra

b) Janapada II) Ministrels

Maha–ka–vya

c) Kathana III) Ballad cycle

Kavana

d) Vrutti IV) Folk epic

ga–yakaru

Codes :a b c d

(A) I II III IV

(B) III IV I II

(C) IV III II I

(D) II III I IV

60. Match the following List – I with List – II :

List I List II (Book) (Author)

a) Gumateya I) H. L. Nagegowda

Padagalu

b) Girijanara II) H. S. Accappa

kathegalu

c) Girijana III) L. R. Hegade

Prapancha

d) Bhu– mada ha–du IV) Ananthadheesa

Codes :a b c d

(A) I II III IV

(B) III IV I II

(C) II III IV I

(D) IV I II III

Page 24: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 24 K-2114

������� Total Number of Pages : 32

61. ��w@��– I�)74�����w@��– II����"��)� ���!�#�$������������������IJ I ��IJ��II ('�%���) (����������)

a) 1� ��7 I) 1�-�����47�4���� (�����!q�7�

b) /��%�5%� ����E II) 8���'(7G��7��@c) Z%�3� (����]�x\o III) (���7�����d) Z%�*��%�&�0��7B-� IV) (7����7`��(�R�� ��#�������H

a b c d

(A) III II I IV

(B) IV I II III

(C) I II III IV

(D) II III IV I

62. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II('�%���) (���������)

a) �'�K����)��������� I) )����$b��*��P������b�X�Co!���*��VW�(������

b) > qb�E�m%��7:�E II) ?��[��V�' %�/%`��E���(�E;7��

c) > ���:� :�� III) ��Mb�-�(��oR7 Z

d) �DM(�[��� ��� IV) ��4���0��[��*��P������'5;���������N���

�� ��#�������Ha b c d

(A) III IV I II

(B) IV II III I

(C) III I IV II

(D) II III I IV

63. ��w@��– I���1������w@��– II����"��)� ���!�#�$��

��IJ I ��IJ��II

a) �� iM4����� I) Paradigmatic

�M17M��74������� Structuralists

A������7�D��M �7M�7547�w(�

(�6f ��N��737��g`^����

b) ��`4�1������1��� II) Diffusion

�D����(�� �A ��� ��'����f

�������(, )�4

! 1���/ ���

)������(�R4���

��-1�'�(�R����

c) � ����(�:�)��w@ III) Multiple

C��C���(�:4�G4 existence

��'�Q����������" !)���>��1�B

d) �BXo���.��M4���� IV) Myth

F��+��4�4����x����� ����7f

�� ��#�������H

a b c d

(A) II III IV I

(B) III II I IV

(C) III IV II I

(D) IV III II I

Page 25: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 25 Paper III

������� Total Number of Pages : 32

61. Match the following List – I with List – II :

List I List II (Author) (Book)

a) Tangirala I) Tamil ProverbsVenkata Subhbarao

b) S. D. Lourdu II) Bhadraka–l .ipattuc) G. Shankara III) Kola–ramma

Pillaid) G. R. Tippeswamy IV) Ka–t.amaraju

Katha

Codes :a b c d

(A) III II I IV(B) IV I II III(C) I II III IV(D) II III IV I

62. Match the following List – I with List – II :

List I List II (Author) (Book)

a) Grimm Brothers I) Holy writ asoral lit TheBible asFolklore

b) Albert B. Lord II) Chips from aGermanwork shop

c) Alan Dundes III) TeutomicMythology

d) Max Muller IV) The Gospelsas oraltraditionalliterature

Codes :a b c d

(A) III IV I II(B) IV II III I(C) III I IV II

(D) II III I IV

63. Match the following List – I with List – II :

List I List II

a) Variation in I) Paradigmatic

number is a structuralists

common

feature of this

b) Sacred II) Diffusion

narrative

explaining

how the world

and mankind

come to be

in their present

form called tales

with

c) Single origion III) Multiple

and travelling existence

to other regions

is called

d) Bionary IV) Myth

Opposition

was used in

Codes :

a b c d

(A) II III IV I

(B) III II I IV

(C) III IV II I

(D) IV III II I

Page 26: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 26 K-2114

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64. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II

a) �/R�"�4�'~�*V� I) �L$�)7 (��0�= 4�

b) /���A 5���� II) :���)o�K�[�5����

c) b(�[\�@��9�b(�6\�}�� III) /%�(%��7�����`���/ :��(7 b(�[���@

d) ��V7�E�;��� IV) > ���:� :��*V��*+�,�bo��[

�� ��#�������Ha b c d

(A) III IV I II

(B) II III IV I

(C) II III I IV

(D) I IV II III

65. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II

a) ��-1�'�!��4���� I) *N���k71��(���'��3�E���� ��'�7��

b) )���(���1����!� II) ��Q�����*N���k4����

c) 47'-��f�*�4���� III) ��$������� ��(�6kd) 4L$���WO IV) ��)��7��ME1

��1�����D���(���-�1�1

�� ��#�������Ha b c d

(A) II III IV I

(B) III I IV II

(C) I II III IV

(D) IV III II I

66. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II

a) 3� (���������4����� I) ���L1��A 5�����W�(����$��@`��E��

b) /��%�5%� ����E II) `������c) O%�)� :�� III) VW�(������

`��E��d) Z�%�3� %�������p���M IV) `��E���*V�

A 5����VW�(����$�@(�[

�� ��#�������Ha b c d

(A) II III IV I

(B) I II III IV

(C) III I IV II

(D) IV III I II

67. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II

a) 7b����� I) (7����(7')�"VW�(�������c

b) /�4o:��V7�� II) O�(�C���' ���1���~���<��(�E��[ -��)�����' A���VW�(������

c) (��7 ���@5��� III) > ���:� :��d) )L���)����< IV) (�1��/��%

b���[ 4����<�@���

�� ��#�������H

a b c d

(A) II III I IV

(B) III II IV I

(C) III IV I II

(D) I II IV III

Page 27: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

K-2114 27 Paper III

������� Total Number of Pages : 32

64. Match the following List – I with List – II :

List I List II

a) Ethnography I) Lauri Honko

of speaking

b) An Indian II) Dell-Hymes

Oedipus

c) Text, Texture III) A. K. Ramanujan

and context

d) The formation IV) Alan Dundes

of Oico types

Codes :a b c d

(A) III IV I II

(B) II III IV I

(C) II III I IV

(D) I IV II III

65. Match the following List – I with List – II :

List I List II

a) Sacred grooves I) Ritualperformingtradition

b) Offerings and II) Familialsacrifices celebrations

c) Rural games III) Management ofEnvironment

d) Gowri puja IV) Physicalfitness andmental stability

Codes :a b c d

(A) II III IV I

(B) III I IV II

(C) I II III IV

(D) IV III II I

66. Match the following List – I with List – II :

List I List II

a) Shankar Sen I) The South

Gupta Indian FolkloristJournal

b) S. D. Lourdu II) Janapada

c) J. Handoo III) Folklore Journal

d) J. S. Paramasivaiah IV) Journal ofIndianFolkloristics

Codes :

a b c d

(A) II III IV I

(B) I II III IV

(C) III I IV II

(D) IV III I II

67. Match the following List – I with List – II :

List I List II

a) What is Folklore ? I) Ka–rle Krohn

b) A guide for field II) Jacob Grimm

workers in and Wilhelm

folklore Grimm

c) Kalevala studies III) Alan Dundes

d) Household tales IV) Kenneth. S.Goldstein

Codes :

a b c d

(A) II III I IV

(B) III II IV I

(C) III IV I II

(D) I II IV III

Page 28: Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper 3/K-211… · (A) Hanti Haadu (B) Beesuva padagalu (C) Purandara daasara keerthane (D) Hogalike

Paper III 28 K-2114

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68. ��w@��– I���1������w@��– II����"��)� ���!�#�$��

��IJ I ��IJ��II

a) $� !��:� I) :$:7�O7(��

-��O�

b) ��A 5���� II) /��%��%����C

-��O�

c) *V��47'�b7 Z III) > ���:� :��

d) A ����]'w 4� IV) / %�/��%�p'��7��

VW�(������

�� ��#�������H

a b c d

(A) I II III IV

(B) IV II I III

(C) II III IV I

(D) III IV II I

69. ��w@��– I�)74�����w@��– II����"��)� ���!�#�$��

��IJ I ��IJ��II

a) `��]'�����I1�M I) (�R�(�

b) �������I1�M II) C7�������K�:7M��[

c) �7'��p(����I1�M III) :7M��[��*V�

�o�7$w���

d) �7�� ��$(����I1�M IV) C7 47'���I1�M

�� ��#�������H

a b c d

(A) I II III IV

(B) II III IV I

(C) III II I IV

(D) IV I III II

70. ��w@��– I�)74�����w@��– II����"��)� ���!�#�$��

��IJ I ��IJ��II

a) Q�7@$(��� I) m%��D������,

��wE(��M�7$��

b) ��v(��}������ �B�@(�[ II) V7' O��C���D��

c) V� (�6�7��� III) �DM(�[��� ���

d) (� ���w� IV) �������

�oR7 Z O(��C�����

�� ��#�������H

a b c d

(A) I II III IV

(B) III IV I II

(C) IV III II I

(D) II I III IV

����S�M874�����"�P��(��������'3"4�G4�F1��$��� (71�$ ���75���'3"4�G4�)4���M�(�R7��(�4������KLs(�7��)�$����! ����1���>��$ �7�+�����(�R7��(�4�������!���7�k4��74� �>�(73�����&�%�>&����dM7��4������!)���7����A ����]'b�;����*V�� 5'��K�[� � [1953(1900)]�������V7'�K�<����'N������5�������7'R�-�(�y��� ������-3��;�k71��(�� 1�1�B4������D��$�&*���?���� 1� �D:��1� � � / ���� U�!���7�k4����� (�R7��(�4������"� �)�&���)�&����� ���8�'�D1��(�� (�14�� ���� �$�=6���� 1� �D:��1��%> ������(�R7��(�4������D��������7�����̀ ������:���)�$�7:��1���+���*�������7�������������� ��'O^����� � 1�I���74����FG���4� 5��J*�4������"���W�o��� 1�)��(�R7��(�4��74��1��%��KLs(���'�)������ ��'='+�����A��4�� � ����� �%��(�R7��(�4�����8�'�D1��(��(�R���4��7����$�1�E�4� :��� 1�� ��W� �� �� '='+�� ��� ����$���� *

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K-2114 29 Paper III

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68. Match the following List – I with List – II :

List I List II

a) Remembered I) Derrida

village Jacques

b) The Indian II) S. C. Dube

village

c) Of Grammatology III) Alan Dundes

d) Interpreting IV) M. N. Srinivas

Folklore

Codes :

a b c d

(A) I II III IV

(B) IV II I III

(C) II III IV I

(D) III IV II I

69. Match the following List – I with List – II :

List I List II

a) Popular dance I) Kathak

b) Ethnic dance II) Ballroom

dance

c) Vernacular III) Dance of

dance minorities

d) Traditional IV) Bangra dance

dance

Codes :

a b c d

(A) I II III IV

(B) II III IV I

(C) III II I IV

(D) IV I III II

70. Match the following List – I with List – II :

List I List II

a) Historical I) B. Malinowsky

Particularism

b) Structural II) Franz Boas

Linguistics

c) Functionalism III) Max Muller

d) Comparative IV) Roman

Mythology Jackobson

Codes :

a b c d

(A) I II III IV

(B) III IV I II

(C) IV III II I

(D) II I III IV

Read the Passage below and answer the

questions 71 to 75 :

Folk narratives are transmitted orally, and

this allows these narratives to be changed.

Basic psychoanalytic principles, but most

notably the argument advanced by Freud

in The Interpretation of Dreams

(1953[1900]), lead us to expect that these

changes will be such that the narrative

comes more and more to approximate a

fantasy, that is, a story that allows for the

vicarious gratification of unconscious

wishes that are common to the members

of the group within which the narrative

circulates. The process of oral transmission

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Paper III 30 K-2114

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������������������������ �������������������������������������������������������������������������������������� ��������� !� � ���"��� #�$%�"��&'�������(� ��������������������)*��������+���������)*��,�������-�����$��%�"�������&����$���.�/�0��1��2�������������34�� !������������������5��6�����78��������������9� �����&�����$��:�������;��6�����1��<���������������=�� ��+�������������%�������1�������������1�����'�����>"��=&!� �)*�����������"$��������"�7���(�?"��������/�0��������������@����#�"���1�������������/�0�����������������������AB��������������������������������%�"��������������1�<C��������&����5������ 0D� E,����F�"�G�������� ���%�����/�H���=������ !��%�"��������������I�=��F������"���<�����$������������������"$�����"��J�"����KI���LMH�B����78�N��<�����������"�����&!��� !��������+���%����"�������0D�E,�������1������� !� � O����P�0J�"���Q�������>���R0��������&��������������(

�F��!"����"AST���������.���6��F�U��FT�.KV��F��T ��=����������������/�<�����L8�!"3�������&�T������T7�%������ !��W������������������P���������������"�����������"$��X��(�:��%���Y������������1��$�570 ���350

LLZ����[�������������������"$�������&�T�������T����� !� ��Z�<���G�T���H�B��� ���$������1��0��"L��$���X��(�+���� ������1��$� 570 ���WF�!��P��FT������0R>\�������X !���1�����"���������+�� &!�(�7������������Z�P��������0�����+����������1��$� 570 ��� ��*�B��0R>\������&����Z�P��"+&!� (� O��G�����������������%���$�������� Q�W�=)*����� ���$������ ����� �"� =%����"� ���"���0���$���������L8�!"3�������&�T������T��.� ��"�@0"�����8��������T�L8�!"3����%�&����[���������� !� ���]���������"�+&!� (��&!���.78�������7��<����� �T�������R����������1��$570 ���/�����5��&!��"��&!�(

71. G��������������������0����^������%������1Z�P����1��������_(A) ����̀ �������a������(B) b�����^F����������^c��������W���$��

+$�������a������(C) ��deb���������(D) LLZ����0���J�"G����������L��&'���� !

�������������0��1����������D��"C���������

72. G����������������5����� !���1��������0D�E�� !�����������"�:���������C��X�7��������5��6������%����8����������������C��������_(A) �0��8�<��(B) �0"��f��(C) �1���������������I�� !����������`��

G����F�!���"$�������J�"�7�����`��������P���������*�B��������������������

(D) ��������g���

73. O@�+�*�T�̀ 0h�"H��T�7ST�C0"��dT �Q�.���8��������0R�@���((A) �������1��$����c(B) :�������������L������$��&'��(C) �0��L����������"iL8�!"H�Y���2�������V�����(D) 7��<i���� �T����c

74. ������T��������.�)*���������g�c<���X��((A) O��G�����������������%���$������Q�)*��(B) `0"R����������V"H�(C) �����%�"��������/�H����=����(D) ��deb��������%�����0K0J�����������G������

��1�������������������75. ���" ����[�P/����� !���0��`��&'����"�+�����

L��V������%������(A) �&�T������T (B) F�L��j�T

(C) �B�T����� �T (D) ���2��T�S�0�dTk

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K-2114 31 Paper III

������� Total Number of Pages : 32

does not stop here. Even when a narrative

becomes a fantasy that allows for the

vicarious fulfillment of unconscious

wishes, it continues to be told and retold.

When tellers replace one incident with

another, the only way to ensure that the

underlying appeal of fantasy is maintained

is to substitute psychologically equivalent

elements. Maintaining the appeal of a

fantasy when retelling and modifying it is

an unconscious process, but no more

mysterious than our use of language,

where we also find utterances being

governed by unconscious constraints.

While the argument just sketched might

justify using allomotifs to validate

psychological equivalences, there are,

nevertheless, problems with the specific

analysis that Dundes, himself, presents.

For example, although Dundes notes that

there are over 350 different versions of

Tale Type 570, he discusses only about a

half-dozen of these in his article. This

would not be problematic if the versions

discussed were representative of the

entire sample, but my own review of

versions of Tale Type 570 suggests that

this is not the case. The "king threatens

hero" incident, which is so central to

Dundes's discussion, does not appear in

many versions of this tale and, in fact, this

motif is not a part of Tale Type 570 as

outlined in the Aarne-Thompson index.

71. What is the important mode oftransmission of Folk Narratives

(A) Memorization

(B) Keeping written documentation forconfirmation

(C) Oral Narration

(D) Re-sequencing in differentpermutations and combinations

72. Whose Vicarious gratification ofunconscious wishes are fulfilled in afolk Narrative ?

(A) The performer

(B) The Audience

(C) The community to which themembers of the group belongs to

(D) The narrator

73. ‘The Interpretation of Dreams’ advanced

(A) Tale type Index

(B) Origin and Expansion concept

(C) Basic Psycho-analytic principles

(D) Aarne Thompson Index

74. Dundes discusses(A) ‘The king threatens hero’ incident(B) Love and hatredness(C) Use of Language in story telling(D) The process of oral transmission

and king Maker’s Tales

75. The name of the scholar which is notfigured in the given paragraph

(A) Alan Dundes

(B) Levi-Strauss

(C) Stith Thompson

(D) Sigmund Freud

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Paper III 32 K-2114

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