Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper...
Transcript of Test Subject Code K- Roll No.kset.uni-mysore.ac.in/question_papers_2014/Question Paper...
Test Paper : III
Test Subject : FOLK LITERATURE
Test Subject Code : K-2114
Test Booklet Serial No. : _______________________
OMR Sheet No. : _________________________________
Roll No. (Figures as per admission card)
Name & Signature of Invigilator/s
Signature: ____________________________________ Signature : ___________________________________
Name : ____________________________________ Name : ___________________________________
Paper : IIISubject : FOLK LITERATURE
Time : 2 Hours 30 Minutes Maximum Marks : 150
Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75
K-2114 1 ���������/P.T.O.
Instructions for the Candidates1. Write your roll number in the space provided on the top of this page.2. This paper consists of seventy five multiple-choice type of questions.3. At the commencement of examination, the question booklet will
be given to you. In the first 5 minutes, you are requested toopen the booklet and compulsorily examine it as below :
(i) To have access to the Question Booklet, tear off the paperseal on the edge of this cover page. Do not accept a bookletwithout sticker-seal and do not accept an open booklet.
(ii) Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will be given.
4. Each item has four alternative responses marked (A), (B), (C)and (D). You have to darken the oval as indicated below on thecorrect response against each item.
Example : A B C D
where (C) is the correct response.
5. Your responses to the question of Paper III are to be indicatedin the OMR Sheet kept inside the Booklet. If you mark at anyplace other than in the ovals in OMR Answer Sheet, it will not beevaluated.
6. Read the instructions given in OMR carefully.7. Rough Work is to be done in the end of this booklet.8. If you write your name or put any mark on any part of the OMR
Answer Sheet, except for the space allotted for the relevantentries, which may disclose your identity, you will render yourselfliable to disqualification.
9. You have to return the test OMR Answer Sheet to the invigilatorsat the end of the examination compulsorily and must NOTcarry it with you outside the Examination Hall.
10. You can take away question booklet and carbon copy ofOMR Answer Sheet soon after the examination.
11. Use only Blue/Black Ball point pen.12. Use of any calculator or log table etc., is prohibited.13. There is no negative marks for incorrect answers.
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K-2114 3 Paper III
������� Total Number of Pages : 32
1. The word Folk-lore is coined by
(A) Richard M. Dorson
(B) W. J. Thoms
(C) Alan Dundes
(D) Peter J. Claus
2. ‘Lore’ means
(A) Reading
(B) Food habit
(C) Knowledge
(D) Welcome
3. The concepts esoteric and exoteric are
introduced by
(A) Roger Abrahams
(B) William Hugh Jasen
(C) Alan Dundes
(D) William Clements
4. ‘What is Folklore ?’ book is authored by
(A) W. J. Thoms
(B) Alan Dundes
(C) Roger Abrahams
(D) Don-Ben Amos
5. ‘Folkloristic materials were primitive
man's poetic translation of celestial
phenomena’ is a postulate given by
(A) Structural Anthropologists
(B) Solar Mythologists
(C) Functional Anthropologists
(D) Theologists
6. Aarne divided Folktales into
(A) Numerous types
(B) Three types
(C) Four types
(D) Seven types
7. Riddle is an example for
(A) Material Culture
(B) Verbal Genre
(C) Fakelore
(D) Visual Folklore
8. An example for material culture is
(A) Bullock cast
(B) Photo of a ritual dance
(C) Epic of Manteswamy
(D) Savadatti
FOLK LITERATURE
PAPER – III
Note : This paper contains seventy-five (75) objective type questions. Each questioncarries two (2) marks. All questions are compulsory.
Paper III 4 K-2114
������� Total Number of Pages : 32
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K-2114 5 Paper III
������� Total Number of Pages : 32
9. The deity worshipped at Chikkallur
belongs to
(A) Mailaralinga cult
(B) Maadeshwara cult
(C) Cult of Ellamma
(D) Shishunala Sharifa’s Traditional
song cult
10. ‘Paddana’ is available at
(A) Bayalu Seeme Region
(B) Malenaadu Region
(C) Coastal Karnataka
(D) Slope of Himalayas
11. ‘Kuppamveethi natakam’ is a similar
form of
(A) Kelike of karnataka
(B) Kamsaale of Karnataka
(C) Villupattam of Tamil Nadu
(D) Theyyam of Kerala
12. ‘Bhuthaaradhane’ of Karnataka is similar
ritual tradition of
(A) Bettale seve of Karnataka
(B) Karaga of Tamil Nadu
(C) Theyyam of Kerala
(D) Terra Coothu of Tamil Nadu.
13. An example for a ‘Pastoral Community’
(A) Besthar
(B) Vokkaliga
(C) Golla
(D) Badiga
14. Milmann Parry and Albert Lord proposed
(A) Performance Theory
(B) Structural Theory
(C) Evolution Theory
(D) Oral-Formulaic Theory
15. ‘Four Functions of Folklore’ article is
written by
(A) William Boscom
(B) Alan Dundes
(C) Don-Ben-Amos
(D) Richard Dorson
16. ‘The Athenaeum’ is a
(A) Food in China
(B) Journal
(C) Other name for Chariator
(D) Place in London
17. ‘Indira Gandhi National Centre for Arts’
is located in
(A) Kanya Kumari
(B) London
(C) Chennai
(D) New Delhi
18. ‘Huttida Halli-Halliya Hadu’ is
authored/collected by
(A) Archak B. Rangaswamy
(B) B.S. Gaddige Math
(C) Mathighatta Krishna Murthy
(D) Krishna Murthy Hanur
Paper III 6 K-2114
������� Total Number of Pages : 32
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K-2114 7 Paper III
������� Total Number of Pages : 32
19. Which one is not a folk performing Art ?
(A) Bharatanatyam
(B) Gorava dance
(C) Puppet show
(D) Hulivesha (Tiger Dance)
20. Which one is not considered as a folksong ?
(A) Hanti Haadu
(B) Beesuva padagalu
(C) Purandara daasara keerthane
(D) Hogalike Haadugalu (Praisingsongs)
21. The scholar worked in the area ofstructuralism
I) Richard. M. Dorson
II) V. J. Propp
III) William Thoms
IV) Levi-Strauss
Codes :
(A) I is correct II, III, IV are wrong
(B) I and III are correct
(C) II and IV are correct
(D) IV and I are correct
22. The Book “Karnataka Samskruti” iswritten by
I) Devudu II) Ma–sti
III) Ti. Nam. Shri. IV) D.V.G.
Codes :
(A) I is correct II, III, IV are false
(B) II is correct I, III, IV are false
(C) III is correct I, II, IV are false
(D) IV is correct I, II, III are false
23. ‘Gurci’ song related to
I) Rain
II) Holi
III) Harvesting
IV) Naga worship
Codes :
(A) I is correct II, III, IV are false
(B) II is correct I, III, IV are false
(C) III is correct I, II, IV are false
(D) IV is correct I, II, III are false
24. Folklore has suffered from analytical and
empirical problems, said by
I) Levi-Straus, Malinowsky and
V. J. Propp
II) Levi-Straus, Malinowsky, Rad
Cliffe-Brown
III) Malinowsky, Rad Cliffe Brown,
Maxmuller
IV) Rad Cliffe-Brown, Alan Dundes,
Richard M. Dorson
Codes :
(A) I is true II, III and IV are false
(B) II is true III, IV and I are false
(C) III is true IV, I and II are false
(D) IV is true I, II and III are false
Paper III 8 K-2114
������� Total Number of Pages : 32
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K-2114 9 Paper III
������� Total Number of Pages : 32
25. South Asian Encyclopaedia is edited by
I) Frank. J. Koram and Peter J.
Clause
II) Peter. J. Clause and Margret Mills
III) S. V. Shanmugam and P. S.
Subromoniam
IV) D. P. Pattanayak and
B. N. Pattanayak
Codes :
(A) I and II are correct
(B) II and III are correct
(C) III and IV are correct
(D) II is correct I is not correct
26. Characteristics of Folklore is
I) To create a ‘text’ after ‘text’ to the
existing ‘text’
II) Improvisation in tune with space
and time
III) To create a wealth of the people
IV) To create monuments at the local
level
Codes :
(A) I and II are true
(B) II and III are true
(C) III and IV are true
(D) IV and I are true
27. Historical Reconstruction promoted the
ethnocentric notion that
I) Attempt to find meaning through
reoccurring meanings
II) Non-European cultures were
primitive
III) Folklore research to incorporate the
social aspect of Folklore
IV) Folklore could illuminate the path of
European civilizations
Codes :
(A) I and II are true
(B) I and III are true
(C) II and IV are true
(D) III and IV are true
28. Following Folklorists were associated
with Folklore Fellows network
I) Lauri Honko
II) Anna Lee Sikala
III) Elias Lonrot
IV) Lauri Harvillatti
Codes :
(A) I, II, III are correct
(B) I, II, IV are correct
(C) I, III, IV are correct
(D) IV, II, III are correct
Paper III 10 K-2114
������� Total Number of Pages : 32
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I) 4�� q�4�E���'��3�
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III) F1�����(���":����'��3�
IV) C��47 ���'��3�
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II) `������� (�R���8L4��G(�� 7M]������">R�E�D5(����x�����
III) `�������(�R4������"��4�����&��������
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III) �'�(�6(�$4��71�'4������"���$N�#��� �
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I) &�%��� %�3� (����7�7��f
II) m%�/%�-�(���o
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(C) III ��1��� IV ��$ (D) II ��1��� IV ��$
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I) $N�:�E� �#���
II) / %�m%�/����
III) ]�����O%�(7���
IV) Q�:�'���!�'(�"��
�� ��#�������H
(A) I ��$�II, III, IV ��$�� �
(B) II ��$ III, I, IV ��$�� �
(C) III ��$ I, II, IV ��$�� �
(D) IV ��$ I, II, III ��$�� �
K-2114 11 Paper III
������� Total Number of Pages : 32
29. ‘Gummate’ is a musical instrumentpopular in
I) Gulbarga area
II) Coorg area
III) Uttara Kannada area
IV) Belgaum area
Codes :
(A) I is correct II, III, IV are false
(B) II is false I, III, IV are correct
(C) III is correct I, II, IV are false
(D) IV is correct I, II, III are false
30. The role of ‘Motif index’ is
I) Searching for original of Folktales
II) Understanding the geographicalarea of Folktale
III) Identifying the Folk tales
IV) Arranging the Folk tales
Codes :
(A) I and II are true
(B) II and III are false
(C) III and IV are true
(D) I and IV are true
31. Percussion Instrument/Animal hideinstruments are
I) Ta–la
II) Tamburi
III) Tembare
IV) Karade
Codes :
(A) I and III are correct
(B) II and III are correct
(C) III and IV are correct
(D) II and IV are correct
32. The role of ‘Duti’ in Krishna Parijata is
I) To bridge the gap between thecharacters and audience
II) Acting as a wife of Lord Krishna
III) To introduce the characters to theaudience
IV) Playing the role of himmel.a
Codes :
(A) I and II are correct
(B) II and III are correct
(C) I and III are correct
(D) II and IV are correct
33. Following Folklorists were associatedwith the Finland team of siri epicdocumentation
I) T. N. Shankara Narayan
II) B. A. Vivek Rai
III) D. K. Rajendra
IV) Chinnappa Gowda
Codes :
(A) I and IV are correct
(B) II and III are correct
(C) III and IV are correct
(D) II and IV are correct
34. Toda songs were collected by
I) Richard Luis
II) M. B. Emenaue
III) Peter. J. Claus
IV) Heidrune Bruckner
Codes :
(A) I is correct II, III, IV are not correct
(B) II is correct III, I, IV are not correct
(C) III is correct I, II, IV are not correct
(D) IV is correct I, II, III are not correct
Paper III 12 K-2114
������� Total Number of Pages : 32
35. U���7 4�B�Y���1����U5���������Y���$(� 0�4������"��E?�������
I) /:�B:�E���]��
II) $N�:�E�:7��E��
III) V�5E�7 :��5%��������
IV) �%�/V�%�)�(b�
�� ��#�������H
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(C) IV ��$ (D) III ��$
36. U�KLs(�����1�'���7r 1��Y����"���'&�7��������
I) �D4�E�b��-���[
II) -���������7M$
III) * qb�E�m%��7:�E
IV) O�(�C���'�K�
�� ��#�������H
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37. U�4��� Y4����
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II) F���4�����>R�7�F���4���������)�
III) >37mJ(���� �)���
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38. (���":��`���������14������'(7��4����
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III) ��&�(�R4����9�>&�D���;��(�R4����
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(C) III ��1��� IV ��$ (D) I ��1��� IV ��$
39. U�� ��8�E���7r 1��Y(,�(�:��4���5���-�7B �����I) :7��C���>���II) (�1��4����<��@���III) �#�����o��IV) ���`���>!')7 ��
�� ��#�������H
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(C) I, II, IV ��$ (D) IV, III, I ��$
40. ��"��2�����(A)����� O7���������( W ����L ���DE��M(���KL M4�����A���"�( ��������7�����>��KL M4�G4�o���.�M7�%
�,7�R�(R) ������ ���"�7����L ����E�KL M4������7 ��l&(�4�54������"���Iu@�������1���>�����"���=6�(����x��D.�M��4��7�%
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K-2114 13 Paper III
������� Total Number of Pages : 32
35. Concept of ‘Le Langue’ and ‘De Parole’is defined by
I) Edward Sapir
II) Richard Dorson
III) Ferdinand. D. Sassure
IV) C. F. Hocket
Codes :
(A) I and II are correct
(B) III and IV are correct
(C) IV is correct
(D) III is correct
36. Oral Formulic theory is proposed by
I) Margret Mills
II) Millman Parry
III) Albert. B. Lord
IV) Jocob Grimm
Codes :
(A) I and II are correct
(B) II and III are correct
(C) III and IV are correct
(D) II and IV are correct
37. ‘Riddles’ are
I) Question and answer type
II) Metaphors or group of metaphors
III) Non-verbal communications
IV) Visual art forms
Codes :
(A) III, IV are true
(B) II, III are false
(C) IV, II are false
(D) I, II are true
38. Genres of Kannada Folk songs areI) Kut-t.uva ha–d.ugal,u, Hanti padagaluII) Pra–n.i kathegalu, ramya kathegal.uIII) Nithi kathegalu, atima–nusha
kathegaluIV) Gigi padagalu, tatva padagalu
Codes :(A) I and II are correct(B) II and III are correct(C) III and IV are correct(D) I and IV are correct
39. Scholars contributed to ‘ContextualTheory’ are
I) Don-Ben-AmosII) Keneth goldsteenIII) Luice RiceIV) Roger Abrahms
Codes :(A) I, II, III are true(B) II, III, IV are true(C) I, II, IV are true(D) IV, III, I are true
40. Assertion (A) : The aesthetics value ofcertain kind of folkloremay be contrasted withthose of some othercommunity
Reason (R) : Differential aestheticsbecomes a means ofcreating anddefending culturalboundaries
Codes :(A) (A) is false but (R) is true(B) Both (A) and (R) are true(C) (A) is true but (R) is false
(D) Both (A) and (R) are false
Paper III 14 K-2114
������� Total Number of Pages : 32
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�� ��#�������H
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�,7�R�(R) ����� VW�(�������/ ���� ����?(�,�4�� ]������(��71��(���� �)����/ �����E?���7��%
�� ��#�������H
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K-2114 15 Paper III
������� Total Number of Pages : 32
41. Assertion (A) : Yakshagana is more
ritual than a theatre
Reason (R) : The dichotomy
between ritual and
theater cannot be
applicable to many
cultures. Traditional
theater is always
ritualistic in our
country
Codes :
(A) (A) is true, (R) is correct
(B) (A) is true but (R) is wrong
(C) (A) is false but (R) is correct
(D) (A) is false, (R) is wrong
42. Assertion (A) : Concepts such as tale
type and motif are
Eurocentric
Reason (R) : Anti Arne and Stith
Thomson mainly
consulted European
folktales for their study
Codes :
(A) (A) is true (R) is correct
(B) (A) is true (R) is wrong
(C) (A) is false (R) is wrong
(D) (A) is false (R) is correct
43. Assertion (A) : Folk performers are
considered only as
vessels through whom
Folklore materials
were passed on
Reason (R) : Authenticity of
Folklore was
established by proving
anonymous
authorship and
continuity through
traditional channels of
communication
Codes :
(A) (A) is true but (R) is not correct
(B) (A) is false and (R) is correct
(C) (A) and (R) are false
(D) (A) and (R) are correct
44. Assertion (A) : ‘Folk’ is always a small
group
Reason (R) : Folklore is defined as
artistic communication
in small groups
Codes :
(A) (A) is false and (R) is wrong
(B) (A) is false and (R) is correct
(C) (A) is true and (R) is correct
(D) (A) is true and (R) is wrong
Paper III 16 K-2114
������� Total Number of Pages : 32
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/ ������$4�H���7��%
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48. ��"��2�����(A)���� U��-1�'1�Y�/ !����
U>7�����Y%
�,7�R� (R) ���� U��-1�'1Y�/ !����
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K-2114 17 Paper III
������� Total Number of Pages : 32
45. Assertion (A) : Folklore is the
knowledge of only
Islanders
Reason (R) : ‘Lore’ is considered as
knowledge
Codes :
(A) (A) is false and (R) is wrong
(B) (A) is false and (R) is correct
(C) (A) is true and (R) is correct
(D) (A) is true and (R) is wrong
46. Assertion (A) : Proverbs are used to
postpone the social
conflict
Reason (R) : Proverbs are verbal
strategies for dealing
with social situations
Codes :
(A) (A) is false and (R) is wrong
(B) (A) is false and (R) is correct
(C) (A) is true and (R) is wrong
(D) (A) is true and (R) is correct
47. Assertion (A) : Propp's study was
synchronic
Reason (R) : Propp describes the
fairy tale according to
its component parts
and to indicate the
relationship of these
components to each
other and to the whole
Codes :
(A) (A) is false but (R) is correct
(B) (A) is true but (R) is wrong
(C) (A) is true (R) is correct
(D) (A) is false (R) is wrong
48. Assertion (A) : Sacredness is a myth
Reason (R) : Sacredness is an
element in the
structure of human
consciousness
Codes :
(A) (A) is true and (R) is wrong
(B) (A) is true and (R) is correct
(C) (A) is false and (R) is wrong
(D) (A) is false and (R) is correct
Paper III 18 K-2114
������� Total Number of Pages : 32
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52. (6�1�'(7��E��������EQ��C�(7���( ��4���
��$�D���(�'������"����?�%
I) �(���I����"�4�����&��������
II) ��17� 3�����"�-3��u��������
III) �7'R�-�(����-��(6
IV) 3�'�MX��I3�M��7d�7&(���f
�� ��#�������H
(A) I II III IV
(B) III I IV II
(C) I IV III II
(D) II III I IV
K-2114 19 Paper III
������� Total Number of Pages : 32
49. Assertion (A) : Folklore provides
socially sanctioned
forms of behaviour in
which a person may
do what can’t he done
in ‘real life’
Reason (R) : Folklore has a set of
abbreviation
Codes :
(A) (A) is false but (R) is correct
(B) (A) is false but (R) is wrong
(C) (A) is true but (R) is wrong
(D) (A) is true, (R) is correct
50. Assertion (A) : Myths are central to the
religion of the world
Reason (R) : They are sacred and
true
Codes :
(A) (A) is true (R) is wrong
(B) (A) is true (R) is correct
(C) (A) is false (R) is correct
(D) (A) is false (R) is wrong
51. Assertion (A) : Christianity was placed
at the pinnacle of the
developmental scale
as the highest form of
spirituality
Reason (R) : Primitive Religion was
not rational
Codes :
(A) (A) is false and (R) is true
(B) (A) is true and (R) is true
(C) (A) is false and (R) is false
(D) (A) is true and (R) is false
52. Correct sequence of the works to be done
in field work
I) Identifying the informant
II) Analysing the data
III) Pilot survey
IV) Audio visual documentation
Codes :
(A) I II III IV
(B) III I IV II
(C) I IV III II
(D) II III I IV
Paper III 20 K-2114
������� Total Number of Pages : 32
53. -�7B �����)�����4������"�>�������'(�w����(�I&4���
(7�7���(�'���������O��5�%
I) >N�E(���� 4��7B-��X�)��w@���)�Gx
II) Z�%�3� %�������p���M�X���=6f�(��7E�(�����I&�
47��(����
III) &�%��� %�3� (����7�7��fX�(7:��4� ���
�� m(����1������ ��'�7��4����
IV) (%�?��"��0��4L:���X�8��17�7.��
�� ��#�������H
(A) II III I IV
(B) I IV II III
(C) I II III IV
(D) III IV II I
54. ����7r 1�4������"��>����7t1�4� :�
(7�7���(�'��������O��5�%
I) �KLs(�����1�'���7r 1�
II) ��'��3�E�����7r 1�
III) � ����7r 1�
IV) �L�������7f���7r 1�
�� ��#�������H
(A) I II III IV
(B) IV III I II
(C) III II IV I
(D) I IV II III
55. ��(�I&4������"�>�����'(��4� :�
(7�7���(�'��4�&������O��5�%
I) VW�(���������1����VW�(��oV�
II) P�����/](�[��*V��A 5�D
III) b(�6���}\M���o��;����*V���$�/](�
IV) VW�(��������DM���[
�� ��#�������H
(A) IV III II I
(B) I III IV II
(C) I II III IV
(D) I IV II III
56. ��� ��'���17MhE�>�����!��������
������(�4������"��>�����'(��4� :��(7�7���(�'������
O��5�%
I) ��'&�t���N����K�
II) (7������)����(� !�
III) ������V��������K���D���K�
IV) �� ���4��
�� ��#�������H
(A) II IV III I
(B) I II IV III
(C) II III IV I
(D) IV II III I
K-2114 21 Paper III
������� Total Number of Pages : 32
53. Name the scholars and their book in
chronological order
I) Archaka Rangaswamy – Huttida Halli
II) Jee. Sham. Paramashivaiah – Dakshina
Karnatakada Vrithi Gayakaru
III) Tee. Nam. Shankaranarayana –
Kaadugollara Nambike Matthu
Sampradayagalu
IV) K. Chinnappa Gowda – Bhutaaradhane
Codes :
(A) II III I IV
(B) I IV II III
(C) I II III IV
(D) III IV II I
54. Sequence the theories established
chronologically
I) Oral formulaic theory
II) Performance theory
III) Migration theory
IV) Solar mythology
Codes :
(A) I II III IV
(B) IV III I II
(C) III II IV I
(D) I IV II III
55. Sequence the books in the order of their
publication years
I) Folklore and Folk life
II) Oral epics of India
III) Textualisation of siri epic
IV) Folklore matters
Codes :
(A) IV III II I
(B) I III IV II
(C) I II III IV
(D) I IV II III
56. Chronologically arrange the books
written by Devendra Sathyarthi
I) Pratinidi Rachanam
II) Lanka Desa hair Kolambu
III) Mere Safar Diam Yadam
IV) Sandaligali
Codes :
(A) II IV III I
(B) I II IV III
(C) II III IV I
(D) IV II III I
Paper III 22 K-2114
������� Total Number of Pages : 32
57. ���� 3��.����(� ��'4�����A����������4������"�A��(� ��'4������"��(�w@�����(�'��(,�>���4��f7�4�����&��!�#�$%
*��%*��%�%9�O7����������M��� 9O7���������(�9�O7�������-3�B-�7M ��
I) �7����4���
II) �o������
III) F:��]
IV) 4��4��5
�� ��#�������H
(A) IV III II I
(B) III II I IV
(C) I II IV III
(D) IV III I II
58. ���� ��1�7��M4������"��A�����:��7���7��M-.�4����(�'��������O��5�%
N���E7��M9�1� &7��M9�47G7��M9�������(������7��M
I) )� 4
II) 1� !�$
III) 3�)��7�K�
IV) (���7�
�� ��#�������H
(A) IV III II I
(B) I III II IV
(C) I II III IV
(D) II IV III I
59. ��w@��– I���1������w@��– II����"��)� ���!�#�$��
��IJ I ��IJ��II
a) �7�H�N�(�' I) C7M :�
b) O7������ II) -����v��[
��)7(7�M
c) (�R����(���� III) C7M :���o(���
d) �I&��47��(���� IV) VW�(��/](�
�� ��#�������H
a b c d
(A) I II III IV
(B) III IV I II
(C) IV III II I
(D) II III I IV
60. ��w@��– I���1������w@��– II����"��)� ���!�#�$��
��IJ I ��IJ��II
(����������) ('�%���)
a) 4����b�������4���� I) /N�%�/��%��74�4L:�
b) �$`�����(�R4���� II) /N�%�/��%�>N�}��0
c) �$`�����'�� N� III) /��%�*��%�)4�:
d) 8�������)7:�� IV) >�� 17t�3�
�� ��#�������H
a b c d
(A) I II III IV
(B) III IV I II
(C) II III IV I
(D) IV I II III
K-2114 23 Paper III
������� Total Number of Pages : 32
57. Identify the places having in order to
these Institutions.
RRC, Folk Museum, Janapadaloka,
Folklore university
I) Rama Nagara
II) Mysore
III) Udupi
IV) Gotagodi
Codes :
(A) IV III II I
(B) III II I IV
(C) I II IV III
(D) IV III I II
58. Arrange the musical Instruments in the
order of percussion, string, wind and
wooden stick Instruments
I) Halage
II) Tamburi
III) Shehnai
IV) Kolata
Code :
(A) IV III II I
(B) I III II IV
(C) I II III IV
(D) II IV III I
59. Match the following List – I with List – II :
List I List II
a) La–van.i I) Ballad
chakra
b) Janapada II) Ministrels
Maha–ka–vya
c) Kathana III) Ballad cycle
Kavana
d) Vrutti IV) Folk epic
ga–yakaru
Codes :a b c d
(A) I II III IV
(B) III IV I II
(C) IV III II I
(D) II III I IV
60. Match the following List – I with List – II :
List I List II (Book) (Author)
a) Gumateya I) H. L. Nagegowda
Padagalu
b) Girijanara II) H. S. Accappa
kathegalu
c) Girijana III) L. R. Hegade
Prapancha
d) Bhu– mada ha–du IV) Ananthadheesa
Codes :a b c d
(A) I II III IV
(B) III IV I II
(C) II III IV I
(D) IV I II III
Paper III 24 K-2114
������� Total Number of Pages : 32
61. ��w@��– I�)74�����w@��– II����"��)� ���!�#�$������������������IJ I ��IJ��II ('�%���) (����������)
a) 1� ��7 I) 1�-�����47�4���� (�����!q�7�
b) /��%�5%� ����E II) 8���'(7G��7��@c) Z%�3� (����]�x\o III) (���7�����d) Z%�*��%�&�0��7B-� IV) (7����7`��(�R�� ��#�������H
a b c d
(A) III II I IV
(B) IV I II III
(C) I II III IV
(D) II III IV I
62. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II('�%���) (���������)
a) �'�K����)��������� I) )����$b��*��P������b�X�Co!���*��VW�(������
b) > qb�E�m%��7:�E II) ?��[��V�' %�/%`��E���(�E;7��
c) > ���:� :�� III) ��Mb�-�(��oR7 Z
d) �DM(�[��� ��� IV) ��4���0��[��*��P������'5;���������N���
�� ��#�������Ha b c d
(A) III IV I II
(B) IV II III I
(C) III I IV II
(D) II III I IV
63. ��w@��– I���1������w@��– II����"��)� ���!�#�$��
��IJ I ��IJ��II
a) �� iM4����� I) Paradigmatic
�M17M��74������� Structuralists
A������7�D��M �7M�7547�w(�
(�6f ��N��737��g`^����
b) ��`4�1������1��� II) Diffusion
�D����(�� �A ��� ��'����f
�������(, )�4
! 1���/ ���
)������(�R4���
��-1�'�(�R����
c) � ����(�:�)��w@ III) Multiple
C��C���(�:4�G4 existence
��'�Q����������" !)���>��1�B
d) �BXo���.��M4���� IV) Myth
F��+��4�4����x����� ����7f
�� ��#�������H
a b c d
(A) II III IV I
(B) III II I IV
(C) III IV II I
(D) IV III II I
K-2114 25 Paper III
������� Total Number of Pages : 32
61. Match the following List – I with List – II :
List I List II (Author) (Book)
a) Tangirala I) Tamil ProverbsVenkata Subhbarao
b) S. D. Lourdu II) Bhadraka–l .ipattuc) G. Shankara III) Kola–ramma
Pillaid) G. R. Tippeswamy IV) Ka–t.amaraju
Katha
Codes :a b c d
(A) III II I IV(B) IV I II III(C) I II III IV(D) II III IV I
62. Match the following List – I with List – II :
List I List II (Author) (Book)
a) Grimm Brothers I) Holy writ asoral lit TheBible asFolklore
b) Albert B. Lord II) Chips from aGermanwork shop
c) Alan Dundes III) TeutomicMythology
d) Max Muller IV) The Gospelsas oraltraditionalliterature
Codes :a b c d
(A) III IV I II(B) IV II III I(C) III I IV II
(D) II III I IV
63. Match the following List – I with List – II :
List I List II
a) Variation in I) Paradigmatic
number is a structuralists
common
feature of this
b) Sacred II) Diffusion
narrative
explaining
how the world
and mankind
come to be
in their present
form called tales
with
c) Single origion III) Multiple
and travelling existence
to other regions
is called
d) Bionary IV) Myth
Opposition
was used in
Codes :
a b c d
(A) II III IV I
(B) III II I IV
(C) III IV II I
(D) IV III II I
Paper III 26 K-2114
������� Total Number of Pages : 32
64. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II
a) �/R�"�4�'~�*V� I) �L$�)7 (��0�= 4�
b) /���A 5���� II) :���)o�K�[�5����
c) b(�[\�@��9�b(�6\�}�� III) /%�(%��7�����`���/ :��(7 b(�[���@
d) ��V7�E�;��� IV) > ���:� :��*V��*+�,�bo��[
�� ��#�������Ha b c d
(A) III IV I II
(B) II III IV I
(C) II III I IV
(D) I IV II III
65. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II
a) ��-1�'�!��4���� I) *N���k71��(���'��3�E���� ��'�7��
b) )���(���1����!� II) ��Q�����*N���k4����
c) 47'-��f�*�4���� III) ��$������� ��(�6kd) 4L$���WO IV) ��)��7��ME1
��1�����D���(���-�1�1
�� ��#�������Ha b c d
(A) II III IV I
(B) III I IV II
(C) I II III IV
(D) IV III II I
66. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II
a) 3� (���������4����� I) ���L1��A 5�����W�(����$��@`��E��
b) /��%�5%� ����E II) `������c) O%�)� :�� III) VW�(������
`��E��d) Z�%�3� %�������p���M IV) `��E���*V�
A 5����VW�(����$�@(�[
�� ��#�������Ha b c d
(A) II III IV I
(B) I II III IV
(C) III I IV II
(D) IV III I II
67. ��w@��– I���1������w@��– II����"��)� ���!�#�$����IJ I ��IJ��II
a) 7b����� I) (7����(7')�"VW�(�������c
b) /�4o:��V7�� II) O�(�C���' ���1���~���<��(�E��[ -��)�����' A���VW�(������
c) (��7 ���@5��� III) > ���:� :��d) )L���)����< IV) (�1��/��%
b���[ 4����<�@���
�� ��#�������H
a b c d
(A) II III I IV
(B) III II IV I
(C) III IV I II
(D) I II IV III
K-2114 27 Paper III
������� Total Number of Pages : 32
64. Match the following List – I with List – II :
List I List II
a) Ethnography I) Lauri Honko
of speaking
b) An Indian II) Dell-Hymes
Oedipus
c) Text, Texture III) A. K. Ramanujan
and context
d) The formation IV) Alan Dundes
of Oico types
Codes :a b c d
(A) III IV I II
(B) II III IV I
(C) II III I IV
(D) I IV II III
65. Match the following List – I with List – II :
List I List II
a) Sacred grooves I) Ritualperformingtradition
b) Offerings and II) Familialsacrifices celebrations
c) Rural games III) Management ofEnvironment
d) Gowri puja IV) Physicalfitness andmental stability
Codes :a b c d
(A) II III IV I
(B) III I IV II
(C) I II III IV
(D) IV III II I
66. Match the following List – I with List – II :
List I List II
a) Shankar Sen I) The South
Gupta Indian FolkloristJournal
b) S. D. Lourdu II) Janapada
c) J. Handoo III) Folklore Journal
d) J. S. Paramasivaiah IV) Journal ofIndianFolkloristics
Codes :
a b c d
(A) II III IV I
(B) I II III IV
(C) III I IV II
(D) IV III I II
67. Match the following List – I with List – II :
List I List II
a) What is Folklore ? I) Ka–rle Krohn
b) A guide for field II) Jacob Grimm
workers in and Wilhelm
folklore Grimm
c) Kalevala studies III) Alan Dundes
d) Household tales IV) Kenneth. S.Goldstein
Codes :
a b c d
(A) II III I IV
(B) III II IV I
(C) III IV I II
(D) I II IV III
Paper III 28 K-2114
������� Total Number of Pages : 32
68. ��w@��– I���1������w@��– II����"��)� ���!�#�$��
��IJ I ��IJ��II
a) $� !��:� I) :$:7�O7(��
-��O�
b) ��A 5���� II) /��%��%����C
-��O�
c) *V��47'�b7 Z III) > ���:� :��
d) A ����]'w 4� IV) / %�/��%�p'��7��
VW�(������
�� ��#�������H
a b c d
(A) I II III IV
(B) IV II I III
(C) II III IV I
(D) III IV II I
69. ��w@��– I�)74�����w@��– II����"��)� ���!�#�$��
��IJ I ��IJ��II
a) `��]'�����I1�M I) (�R�(�
b) �������I1�M II) C7�������K�:7M��[
c) �7'��p(����I1�M III) :7M��[��*V�
�o�7$w���
d) �7�� ��$(����I1�M IV) C7 47'���I1�M
�� ��#�������H
a b c d
(A) I II III IV
(B) II III IV I
(C) III II I IV
(D) IV I III II
70. ��w@��– I�)74�����w@��– II����"��)� ���!�#�$��
��IJ I ��IJ��II
a) Q�7@$(��� I) m%��D������,
��wE(��M�7$��
b) ��v(��}������ �B�@(�[ II) V7' O��C���D��
c) V� (�6�7��� III) �DM(�[��� ���
d) (� ���w� IV) �������
�oR7 Z O(��C�����
�� ��#�������H
a b c d
(A) I II III IV
(B) III IV I II
(C) IV III II I
(D) II I III IV
����S�M874�����"�P��(��������'3"4�G4�F1��$��� (71�$ ���75���'3"4�G4�)4���M�(�R7��(�4������KLs(�7��)�$����! ����1���>��$ �7�+�����(�R7��(�4�������!���7�k4��74� �>�(73�����&�%�>&����dM7��4������!)���7����A ����]'b�;����*V�� 5'��K�[� � [1953(1900)]�������V7'�K�<����'N������5�������7'R�-�(�y��� ������-3��;�k71��(�� 1�1�B4������D��$�&*���?���� 1� �D:��1� � � / ���� U�!���7�k4����� (�R7��(�4������"� �)�&���)�&����� ���8�'�D1��(�� (�14�� ���� �$�=6���� 1� �D:��1��%> ������(�R7��(�4������D��������7�����̀ ������:���)�$�7:��1���+���*�������7�������������� ��'O^����� � 1�I���74����FG���4� 5��J*�4������"���W�o��� 1�)��(�R7��(�4��74��1��%��KLs(���'�)������ ��'='+�����A��4�� � ����� �%��(�R7��(�4�����8�'�D1��(��(�R���4��7����$�1�E�4� :��� 1�� ��W� �� �� '='+�� ��� ����$���� *
K-2114 29 Paper III
������� Total Number of Pages : 32
68. Match the following List – I with List – II :
List I List II
a) Remembered I) Derrida
village Jacques
b) The Indian II) S. C. Dube
village
c) Of Grammatology III) Alan Dundes
d) Interpreting IV) M. N. Srinivas
Folklore
Codes :
a b c d
(A) I II III IV
(B) IV II I III
(C) II III IV I
(D) III IV II I
69. Match the following List – I with List – II :
List I List II
a) Popular dance I) Kathak
b) Ethnic dance II) Ballroom
dance
c) Vernacular III) Dance of
dance minorities
d) Traditional IV) Bangra dance
dance
Codes :
a b c d
(A) I II III IV
(B) II III IV I
(C) III II I IV
(D) IV I III II
70. Match the following List – I with List – II :
List I List II
a) Historical I) B. Malinowsky
Particularism
b) Structural II) Franz Boas
Linguistics
c) Functionalism III) Max Muller
d) Comparative IV) Roman
Mythology Jackobson
Codes :
a b c d
(A) I II III IV
(B) III IV I II
(C) IV III II I
(D) II I III IV
Read the Passage below and answer the
questions 71 to 75 :
Folk narratives are transmitted orally, and
this allows these narratives to be changed.
Basic psychoanalytic principles, but most
notably the argument advanced by Freud
in The Interpretation of Dreams
(1953[1900]), lead us to expect that these
changes will be such that the narrative
comes more and more to approximate a
fantasy, that is, a story that allows for the
vicarious gratification of unconscious
wishes that are common to the members
of the group within which the narrative
circulates. The process of oral transmission
Paper III 30 K-2114
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K-2114 31 Paper III
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does not stop here. Even when a narrative
becomes a fantasy that allows for the
vicarious fulfillment of unconscious
wishes, it continues to be told and retold.
When tellers replace one incident with
another, the only way to ensure that the
underlying appeal of fantasy is maintained
is to substitute psychologically equivalent
elements. Maintaining the appeal of a
fantasy when retelling and modifying it is
an unconscious process, but no more
mysterious than our use of language,
where we also find utterances being
governed by unconscious constraints.
While the argument just sketched might
justify using allomotifs to validate
psychological equivalences, there are,
nevertheless, problems with the specific
analysis that Dundes, himself, presents.
For example, although Dundes notes that
there are over 350 different versions of
Tale Type 570, he discusses only about a
half-dozen of these in his article. This
would not be problematic if the versions
discussed were representative of the
entire sample, but my own review of
versions of Tale Type 570 suggests that
this is not the case. The "king threatens
hero" incident, which is so central to
Dundes's discussion, does not appear in
many versions of this tale and, in fact, this
motif is not a part of Tale Type 570 as
outlined in the Aarne-Thompson index.
71. What is the important mode oftransmission of Folk Narratives
(A) Memorization
(B) Keeping written documentation forconfirmation
(C) Oral Narration
(D) Re-sequencing in differentpermutations and combinations
72. Whose Vicarious gratification ofunconscious wishes are fulfilled in afolk Narrative ?
(A) The performer
(B) The Audience
(C) The community to which themembers of the group belongs to
(D) The narrator
73. ‘The Interpretation of Dreams’ advanced
(A) Tale type Index
(B) Origin and Expansion concept
(C) Basic Psycho-analytic principles
(D) Aarne Thompson Index
74. Dundes discusses(A) ‘The king threatens hero’ incident(B) Love and hatredness(C) Use of Language in story telling(D) The process of oral transmission
and king Maker’s Tales
75. The name of the scholar which is notfigured in the given paragraph
(A) Alan Dundes
(B) Levi-Strauss
(C) Stith Thompson
(D) Sigmund Freud
Paper III 32 K-2114
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