Ten Piquant Ending Chords

1
S E S S I O N S Ten Ending Chords VII VII VII VII VII X VI VII XIII II Fmaj7 9 11 ## Fmaj13 11 Fmaj9 11 Fmaj7 11 (no root) Fmaj7 11 # # # # Fmaj7 5 11 ## Fmaj7 5 11 ## Fmaj7 5 11 ## Fmaj7 5 11 (no root) ## Fmaj7 11 # X X X X X X X X 1 2 3 4 1 1 1 2 2 2 2 3 3 3 3 3 4 4 4 4 1 1 2 3 4 1 = root 1 2 1 2 4 3 2 4 3 1 Ex. 1 VIII VII VIII VII VIII VIII VII VII Gm9 C13 F maj7 9 11 # ## Fmaj7 9 11 ## Gm7/11 C13 5 F6/9 b Fmaj13 11 # X X X X 1 2 3 4 1 2 4 2 1 3 4 2 1 3 4 X 1 2 3 4 2 3 4 2 3 2 3 1 1 1 Ex. 2 VIII VIII VII VII IX VIII VII VII Gm7 C7 9 Fmaj7 Fmaj9 11 Gm6 C13 9 F6/9 b Fmaj7 11 # # 1 X X X X X X X X X X X X 2 3 3 2 1 1 2 3 4 2 1 3 4 2 1 3 4 b 1 2 3 4 1 2 1 2 3 4 X Ex. 4 Ex. 5 III III V VII XI XII X Gm7 C11 Fmaj9 Fmaj7 11 # Gm9 C9 5 F6/9 # Fmaj7 11 # X X X X X X X X X 1 4 4 X 1 4 1 1 2 3 4 1 2 3 4 1 2 1 3 4 1 3 2 4 Ex. 6 Ex. 7 V V VII VI X VIII VIII VII Gm C7 Fmaj7 Fmaj7 5 11 ## X X X X X X X X X X X 2 2 2 2 3 3 3 1 4 1 1 1 Gm add9 C add9 F add9 Fmaj7 5 11 ## X X X 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 Ex. 8 Ex. 9 XII X 1 2 3 4 X XII XIII V VI V II Gm7 C F6 Fmaj7 5 11 ## Gm6 C11 Fmaj9 Fmaj7 5 11 ## X X X X X X X X X X X X 2 1 2 1 3 2 1 3 1 2 2 1 3 3 X X 1 2 4 X 4 1 X Ex. 10 Ex. 11 Ex. 3 Piquant FINISHING A SONG WITH A cool chord is an art. Since listeners are more open to new sounds than ever, here’s a starter set of ten ma- jor #11 chords to give your audi- ence something to ponder. To acquaint yourself with the voicings, try Ex. 1. To hear each closing chord in a musical context, play Examples 2-11. Give yourself a few months to grow into this pi- quant harmony. g BY JODY FISHER

description

Ten Piquant Ending Chords

Transcript of Ten Piquant Ending Chords

  • SE

    S

    S

    I

    O

    N

    S

    Ten

    EndingChords

    VII VII VII VII VII X VI VII XIII II

    Fmaj7 9 11# # Fmaj13 11 Fmaj9 11 Fmaj7 11 (no root) Fmaj7 11# # ## Fmaj7 5 11# # Fmaj7 5 11# # Fmaj7 5 11# # Fmaj7 5 11 (no root)# #Fmaj7 11#

    X X X X X X X X 1

    2 3 4

    1 1 1 2 2 2

    2 3 3

    3 3

    3 4 4 4

    4

    1 1

    2 3

    4

    1

    = root

    1 2

    1 2

    4 3

    2 4

    3 1

    Ex. 1

    VIII VII VIII VII VIII VIII VII VII

    Gm9 C13 F maj7 9 11# # # Fmaj7 9 11# # Gm7/11 C13 5 F6/9b Fmaj13 11#X X X X

    1

    2 3 4

    1 2

    4

    2 1

    3 4 2

    1

    3 4

    X 1

    2 3 4

    2 3 4

    2 3 2 3 1 1 1

    Ex. 2

    VIII VIII VII VII IX VIII VII VII

    Gm7 C7 9 Fmaj7 Fmaj9 11 Gm6 C13 9 F6/9b Fmaj7 11##1

    X X X X X X X X X X X X

    2 3 3 2

    1 1 2

    3 4

    2 1

    3 4

    2 1

    3 4

    b1

    2 3 4

    1 2

    1 2

    3 4

    X

    Ex. 4 Ex. 5

    III III V VII XI XII X

    Gm7 C11 Fmaj9 Fmaj7 11# Gm9 C9 5 F6/9# Fmaj7 11#X X X X X X X X X

    1

    4 4

    X 1

    4

    1 1

    2 3 4

    1 2

    3 4

    1 2

    1

    3 4 1

    3 2 4

    Ex. 6 Ex. 7

    V V VII VI X VIII VIII VII

    Gm C7 Fmaj7 Fmaj7 5 11# #X X X X X X X X X X X

    2 2 2 2 3 3

    3 1

    4

    1 1 1

    Gm add9 C add9 F add9 Fmaj7 5 11# #X X X

    1 2

    3

    4

    1 2

    3

    4

    1

    2 3

    4

    1

    2 3

    4

    Ex. 8 Ex. 9

    XIIX

    1 2

    3 4

    X XII XIII V VI V II

    Gm7 C F6 Fmaj7 5 11# # Gm6 C11 Fmaj9 Fmaj7 5 11# #X X X X X X X X X X X X

    2 1

    2

    1

    3 2

    1

    3

    1 2 2

    1

    3 3

    X X 1

    2 4

    X

    4

    1 X

    Ex. 10 Ex. 11

    Ex. 3

    Piquant

    FINISHING A SONG WITH Acool chord is an art. Since listenersare more open to new sounds thanever, heres a starter set of ten ma-jor #11 chords to give your audi-ence something to ponder.

    To acquaint yourself with thevoicings, try Ex. 1. To hear eachclosing chord in a musical context,play Examples 2-11. Give yourselfa few months to grow into this pi-quant harmony. g

    B Y J O D Y F I S H E R