TC Electronics D-TWO_OM

D•TWOMULTITAP RHYTHM DELAY

UUSSEERR’’SS MMAANNUUAALL

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.2 Keep these instructions.3 Heed all warnings.4 Follow all instructions.5 Do not use this apparatus near water.6 Clean only with dry cloth.7 Do not block any ventilation openings.

Install in accordance with the manufacturer's instructions.

8 Do not install near any heat sources such as radiators, heat registers, stoves, or otherapparatus (including amplifiers) that

produce heat.9 Do not defeat the safety purpose of the

polarized or grounding-type plug. Apolarized plug has two blades with one wider than the other. A grounding type plug

has two blades and a third grounding prong. The wide blade or the third prong

are provided for your safety. If the provided plug does not fit into your outlet, consult anelectrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Unplug this apparatus during lightning storms or when unused for long periods of time.

13 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objectshave fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or hasbeen dropped.

• This equipment should be installed near thesocket outlet and disconnection of the device should be easily accessible.

• Do not install in a confined space.• Do not open the unit - risk of electric shock

inside.

Caution:You are cautioned that any change ormodifications not expressly approved in thismanual could void your authority to operate thisequipment.

Service• There are no user-serviceable parts inside. • All service must be performed by qualified

personnel.

Warning!• To reduce the risk of fire or electric shock,

do not expose this apparatus to rain or moisture.

• This apparatus must be earthed.• Use a three wire grounding type line cord

like the one supplied with the product.• Be advised that different operating voltages

require the use of different types of line cord and attachment plugs.

• Check the voltage in your area and use the correct type. See table below:

Voltage Line plug according to standard110-125V UL817 and CSA C22.2 no 42.220-230V CEE 7 page VII, SR section

107-2-D1/IEC 83 page C4.240V BS 1363 of 1984.

Specification for 13A fused plugs and switched and unswitched socket outlets.

The lightning flash with an arrowheadsymbol within an equilateral triangle, isintended to alert the user to the

presence of uninsulated "dangerous voltage"within the product's enclosure that may be ofsufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within anequilateral triangle is intended to alertthe user to the presence of important

operating and maintenance (servicing)instructions in the literature accompanying theproduct.

a

IMPORTANT SAFETY INSTRUCTIONS

Certificate Of ConformityTC Electronic A/S, Sindalsvej 34, 8240Risskov, Denmark, hereby declares on ownresponsibility that following products:

D•TWO Multitap Rhythm Delay

- that is covered by this certificate andmarked with CE-label conforms withfollowing standards:

EN 60065 Safety requirements for mains (IEC 60065) operated electronic and

related apparatus for householdand similar general use

EN 55103-1 Product family standard for audio,video, audio-visual and entertainment lighting control apparatus for professional use. Part 1: Emission.

EN 55103-2 Product family standard for audio, video, audio-visual andentertainment lighting control apparatus for professional use. Part 2: Immunity.

With reference to regulations in followingdirectives:73/23/EEC, 89/336/EEC

Issued in Risskov, November 1999Anders Fauerskov

Chief Executive Officer

EMC / EMI.This equipment has been tested and found tocomply with the limits for a Class B Digitaldevice, pursuant to part 15 of the FCC rules.These limits are designed to providereasonable protection against harmfulinterference in residential installations. Thisequipment generates, uses and can radiateradio frequency energy and, if not installed andused in accordance with the instructions, maycause harmful interference to radiocommunications. However, there is noguarantee that interference will not occur in aparticular installation. If this equipment doescause harmful interference to radio or televisionreception, which can be determined by turningthe equipment off and on. The user isencouraged to try to correct the interference byone or more of the following measures:

• Reorient or relocate the receiving antenna.• Increase the separation between the

equipment and receiver.• Connect the equipment into an outlet on a

circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

For the customers in Canada:This Class B digital apparatus complies withCanadian ICES-003.Cet appareil numérique de la classe B estconforme à la norme NMB-003 du Canada.

b

3

TABLE OF CONTENTS

INTRODUCTION

Table of Contents . . . . . . . . . . . . . . . .3Introduction . . . . . . . . . . . . . . . . . . . . .5Front Panel . . . . . . . . . . . . . . . . . . . . .6Rear Panel . . . . . . . . . . . . . . . . . . . . .8Signal Flow Diagram . . . . . . . . . . . . . .9Typical Setups . . . . . . . . . . . . . . . . .10

BASIC OPERATION

The D•TWO Display . . . . . . . . . . . . .11Setup . . . . . . . . . . . . . . . . . . . . . . . .13Recall . . . . . . . . . . . . . . . . . . . . . . . .15Edit . . . . . . . . . . . . . . . . . . . . . . . . . .15Store . . . . . . . . . . . . . . . . . . . . . . . . .15

ALGORITHMS

Delay ModesTraditional Delay Mode . . . . . . . . . . .16Straight Delay Mode . . . . . . . . . . . . .17Rhythm Mode . . . . . . . . . . . . . . . . . .19Rhythm Tap Edit . . . . . . . . . . . . . . . .20PingPong . . . . . . . . . . . . . . . . . . . . .21Dynamic . . . . . . . . . . . . . . . . . . . . . .22Reverse . . . . . . . . . . . . . . . . . . . . . .22Shortcuts . . . . . . . . . . . . . . . . . . . . .23Additional AlgorithmsSpatial . . . . . . . . . . . . . . . . . . . . . . .24Filter . . . . . . . . . . . . . . . . . . . . . . . . .24Chorus . . . . . . . . . . . . . . . . . . . . . . .24

APPENDIX

MIDI Implementation . . . . . . . . . . . . .26MIDI Control Changes . . . . . . . . . . . .27Technical Specifications . . . . . . . . . .28Preset List . . . . . . . . . . . . . . . . . . . .29

TC Electronic, Sindalsvej 34, DK-8240 Risskov – [email protected] Rev 5.4 – SW – V 1.01English VersionProd. No: E60500302

5

INTRODUCTION

Congratulations on the purchase of your new D•TWO Multi-tap Rhythm Delay.The D•TWO Multi-tap Rhythm Delay is an easy to use, high quality digital Delayunit. When it comes to Delay effects we are convinced that with this unit you arewell covered. This applies for live-sound production as well as in the studio. TheD•TWO covers not only all the traditional Delay functions, but also a few brand newones. With traditional Delay units it is generally only possible to control Feedbackand Level on a specified fixed Delay time. With the D•TWO you are now able to tapactual rhythm patterns consisting of up to 10 taps directly into the unit. Many will recognize the TC 2290 studio Delay unit as the Delay unit that introducedthe “Dynamic Delay” function. A function that allows the Delay Output level to beactively altered by the dynamics of the Input level. A function that can be used toleave the source material clear and undisturbed while played and delicatelyaccompanied by the Delay between phrases. Yes, this feature is also available inthe D•TWO.

We hope you will have as much pleasure using the D•TWO as we had making it.

For any questions left unanswered by this manual feel free to visit our online supportcenter; TC Support Interactive, which can be accessed via: www.tcelectronic.com

Latest manual revision can always be downloaded from www.tcelectronic.com

6

FRONT PANEL OVERVIEW

POWER buttonPower on/off.

IN LEVEL knobAdjusts the Input level. At center position a relay willswitch the Input circuitbetween consumer and prolevel. This will insure optimalInput Gain range and superb“signal to noise” ratio isachieved.

MIX knobAdjusts the global mix betweendry and wet signal. Fullyclockwise position is 100%effect.

IN metersThe IN peak meter shows theInput level of left and right channels. The meter range is: 0, -3, -6 ,-12, -18, -24, -40dB.

OVERLOAD LEDSThe OVERLOAD LEDsindicate one of two situations: - The Input level is too hot

and therefore overloading.- There is an internal DSP

overflow. The OVERLOAD LED is litwhen 1 sample is @ 0dBFS.

DELAY TIME indicatorThe DELAY TIME indicator candisplay Delay time in either ms(milliseconds) or BPM (BeatsPer Minute). This is selected inthe Setup menu. The ms orthe BPM icon next to the Delaytime will be lit accordingly.

The tempo is also indicated viathe blinking TEMPO/RHYTHMindicator.

SUBDIVISION indicatorThe selected subdivision determines the recalculation ofthe tapped tempo. Example:At 120BPM you tap 1/4 notes.The tapped time equals500ms. If the Subdivision isset to 1/8, the D•TWO nowrecalculates the Delay time to250ms.

DYNAMIC meterIndicates the gain reduction onthe Delay Output when usingthe Dynamic Delay algorithm.

EDITED iconThis icon will be lit as soon asthe current recalled preset hasbeen modified.

FACTORY/USER iconShows whether you are operating in the Factory or theUser bank.

MIDI IN iconIndicates the presence of incoming MIDI information.

SAMPLE RATE indicatorThe SAMPLE RATE indicatorshows the clock source andthe incoming master clock.The “DI” icon will be blinking ifno clock or unacceptable clockis found.

FEEDBACK %The amount of level fed backto the Delay line. Indicates theDecay time of the Delayrepeats.

FEEDBACK #The exact number of repeats.

FB FILTER LEDSIndicates the Feedback Highand Low Cut filter setting.

FILTER LEDSIndicates the overall High andLow Cut filter setting.

PINGPONG LEDSIndicates the panning currentlyprocessed.

7

FRONT PANEL OVERVIEW

DELAY/TAP keyThis key has two mainfunctions: - When the DELAY key LED

is lit, the DELAY wheel canbe used to adjust the Delaytime.

- When the key is tapped the D•TWO measures the time between the last two tapsand the Delay time iscalculated according to theselected subdivision.

FEEDBACK/RHYTHM keyThis key has three mainfunctions:- When the LED is lit the

DELAY wheel is changing the Feedback level or %.

- When the key is pressedand held, the DELAY wheelchanges the number ofrepeats.

- Tap a rhythm pattern usingthis key. A rhythm patterncan consist of up to 10 taps.

DELAY & FEEDBACK wheelSets the Delay time orFeedback depending on whatis selected.

SPATIAL keyEnables/disables the Spatial function. Double click shortcutsto the Spatial parameters. Options are: - Left channel offset

+/-200ms.- Phase reverse any channel.

FILTER keyEnables/disables the Filter functions. Double clickshortcuts to the High and LowCut filter parameters.

CHORUS keyEnables/disables the Chorus.Double click shortcuts to theChorus parameters.

REVERSE keyEnables/disables the ReverseDelay. Double click shortcutsto the Reverse Delayparameters.

DYNAMIC keyEnables/disables the DynamicDelay. Double click shortcutsto the Dynamic Delayparameters.

PING PONG keyEnables/disables the PingPongfunctions. Double clickshortcuts to the PingPongparameters.

EDIT keyEnters the general Edit list.This is where all presetprocessing parameters arelocated. Use the ARROW keysto select parameters.

RECALL keySelects the Recall menu.

SETUP keyEnters the Setup menu.This is where all I/O and global parameters are located.

STORE keySelects the Store menu.Presets can be stored in theUser bank only. Location isselected using the CONTROL wheel. Operation is confirmed using ENTER.

ARROW UP/DOWN keysAre used to move the cursoraround in the display.

CONTROL wheelIs used to change values.

ENTER keyPress to confirm operations.

BYPASS keyBypasses the unit. There arethree different Bypass modes. - 0% Mix: Input signal is

passed directly to theOutput. -FX Input: Input bypassallowing the effects to ringout.

- FX Output: Kills the effect but keeps the direct signallevel.

The Bypass mode is selectedin the Setup menu.

8

REAR PANEL

IN

UL6500EN/IEC 60065

PROFESSIONAL AUDIO EQUIPMENT

THRUINLEFT LEFTRIGHT RIGHT OUTMIDIBALANCED INPUTS BALANCED OUTPUTS DIGITAL I/O PEDAL

DI

DO

S/PDIF

SERIAL NO.

TYPE: MAN001

TC ELECTRONIC

MADE IN THAILANDWARNINGTO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK DO NOT EXPOSE THIS EQUIPMENT TO

RAIN OR MOISTURE

AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS

OUVRIR.

100-240VAC50-60Hz, 15W

CAUTION

R

C USTHIS CLASS B DIGITAL DEVICE MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCE-

CAUSING EQUIPMENT REGULATIONS AND COMPLIES WITH PART 15 OF THE FCC RULES.

OPERATION SUBJECT TO CONDITIONS STATED IN THE MANUAL.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

BalancedJackAnalogInputs

PedalInput

MIDIIn/Out/Thru

BalancedJackAnalogOutputs

DigitalS/PDIFInput/Output

PowerInput100 - 240V

SerialNumber

Sleeve - Pin 1 (Ground)Tip - Pin 2 (Hot)Ring - Pin 3 (Cold)

Sleeve - Pin 1 (Ground)Tip - Pin 2 (Hot)Sleeve - Pin 3 (Cold)

Jack (unbalanced) - XLR Jack (balanced) - XLR

TIPRINGGND

TIP

GND

MIDI CableDIN CONNECTOR5POLE - MALE45 degrees

DIN CONNECTOR5POLE - MALE45 degrees

max. 10m

SHIELDED CABLE (3 or 5 wires + screen)

(Use Left Inputfor Monoconnection)

9

SIGNAL FLOW

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10

TYPICAL SETUPS

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Mode selectionThe D•TWO has three Delay modes: Traditional, Straight and Rhythm.

Traditional modeThe standard setup used by any Delay unit, including the traditional feedbackstrategy.

Straight modeThe D•TWO default mode, including the ability to control the exact number ofrepeats.

Rhythm modeA unique feature allowing you to tap a specific rhythm of your choice. TheD•TWO automatically enters the Rhythm mode when FEEDBACK/RHYTHM istapped.

Please note that the Mono/Stereo mode is selected in the Setup menu.

Connect the D•TWO as illustrated using balanced 1/4” jack cables.

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Stereo Mode Mono Mode- use Left Input

11

THE D•TWO DISPLAY

MIDI ActivityLED

PingPongIndication

FeedbackFilter

Filter EditedLED

Delay Time BPM/ms SubdivisionDynamic Meter

TempoIndication

RhythmIndication

Text LineInput Meters

Preset Number

Preset BankIndicator

Overload LEDs

Delay TimeThe DELAY TIME indicator displays the mainDelay time in either ms or BPM (beats perMinute= 60/ms*1000). When in Rhythm mode,the DELAY TIME indicator, displays the totaltime of the full pattern, or the total number ofsubdivisions in the current Rhythm pattern.

Tempo IndicatorThe Tempo indicator is blinking at the currenttempo (BPM/ms).

Rhythm IconThe Rhythm icon is lit when the D•TWO is inRhythm mode.

SubdivShows the current Subdivision being used. Tap the beat in 1/4 notes and the D•TWO willrecalculate the Delay time in accordance to theSubdivision. In Rhythm mode the Subdivisionsets the Quantization grid.

Example:Tap 500ms (120 BPM measured in 1/4 notes)with the Subdivision set to 1/8. The D•TWOrecalculates the Delay time to 250ms. To setthe recalculated Delay time press EDIT and usethe CURSOR keys to select the Delay timeparameter.

DynThe Dynamic Delay is a ducking function thatreduces the Output level of the Delay with aspecified level (Damping) when the Input signalexceeds a certain Threshold (Threshold).The Dynamic meter indicates the amount ofgain reduction on the Output of the delay.

Preset NumberThese three seven segments will display thecurrent preset. The icons below will indicatewhether it is Factory or User presets.

EditedThis icon will be lit as soon as the currentpreset has been modified but not yet stored.

Factory/UserShows whether you are operating in theFactory or User bank.

MIDI InShows incoming MIDI information.

Text LineThis 20 character text line is used to displaypreset names, parameter names etc.

12

THE D•TWO DISPLAY

MIDI ActivityLED

PingPongIndication

FeedbackFilter

Filter EditedLED

Delay Time BPM/ms SubdivisionDynamic Meter

TempoIndication

Text LineInput Meters

Preset Number

Preset BankIndicator

Overload LEDs

DI 44.1/48 IconIndicates whether the D•TWO is locked to anexternal clock or not. When locked to anexternal clock either the 44.1 or 48 icondisplays the incoming Sample Rate.If the clock is unacceptable or no clock isavailable, the "DI" indicator will flash.

ms IconThe ms icon is lit when the 4 digits show theDelay time in milliseconds.

BPM IconThe BPM icon is lit when the 4 digits show theDelay time in “Beats per Minute”.

Feedback %Indicates the amount of level fed back to theDelay line, thus controlling the Decay of theDelay repeats.

Feedback #Indicates the number of repeats allowed. Unlikethe Feedback parameter in most other Delayunits this parameter lets you decide exactlyhow many repeats you want.The maximum number of controlled taps is 10.

FB FilterIndicates the Feedback High Cut and Low Cutfilter setting. At times a too precise/clear Delaycan disturb the music instead of complementingit. Try reducing the highs of the Delay byadding a High Cut filter. This will simulate amore analog/softer feeling.

FilterIndicates the overall High Cut and Low Cut filtersetting.

PingPong Indicates the currently selected type of panning.The Ping Pong effect occurs when the PanningSpeed is synced to the Delay time.

13

SETUP

SetupThe Setup menu holds all general Setup-parameters including parameters normallyfound in Utility, Level and I/O menus.

Basic Operation• Press the SETUP key to enter the Setup

page.• Use the ARROW keys to select parameter.• Use the CONTROL wheel to change

parameter value. All changes are instantly effective.

Mono/ Stereo InThe channel select on Analog Inputs is doneautomatically via sensing on the Inputconnectors.

Input SelectDial the CONTROL wheel to select betweenAnalog or Digital.

Analog InputWhen "Analog" is selected the D•TWOautomatically defaults to the internal 44.1kHzclock as Sample Rate.

Digital InputWhen "Digital" is selected the D•TWO attemptsto lock to the S/PDIF Input. During the lock-upperiod the "DI" display icon flashes indicatingnone or unacceptable clock, and the Outputsare muted. When lock is achieved the "DI" icon turns solid,and the Outputs are un-muted.

ClockAnalog InputWhen Input source is analog the followingSample Rates are available:Internal 44.1kHz - The D•TWO runs at internal44.1kHz.Internal 48kHz - The D•TWO runs at internal48kHz.Digital - The D•TWO locks to the incomingDigital clock.

Digital InputWhen Input Source is digital the followingSample Rates are available:Internal 44.1kHz - The D•TWO runs at internal44.1kHz.Internal 48kHz - The D•TWO runs at internal48kHz.

Digital - The D•TWO locks to the incomingDigital clock.

Please note that when using internalclock with external digital audio, theincoming digital audio must be in syncwith the set D•TWO internal clock inorder to avoid slip-samples.

***Rate Mismatch****This Error message will occur in thedisplay if the D•TWO detects slip-

samples. Typically this problem only occurs invery special clock setups e.g. if the D•TWO isrunning via internal clock, while processingaudio from the Digital Input. If the incomingclock and the internal clock does not match theD•TWO will display ***Rate Mismatch****

Out Range Sets the maximum gain range of the analogOutput stage.Range: 2dBu, 8dBu, 14dBu and 20dBu.

Out levelRange: 0 to Off (-100dB) in 1dB increments.Controlling the overall digital/analog Outputlevel.

Digital In GainAdjusts the digital In level. This parameter isonly active when digital In is selected.

DitherGoing from one type of bit resolution to a lower,e.g. from 24 bit to 16 bit, you actually loose 8bits of information. The process of cutting off bits is calledtruncation and it introduces digital distortion oflow level signals, due to the lack of completesignal information. To compensate for this,“dither” must be applied. Dither is a smallamount of filtered noise that generatesrandomization at the noise floor, ensuring aless distorted low level signal. Dithering is relevant only on digital Outputs andit is always the receiving device that determinesthe number of bits you must dither to. A CDR ora DAT recorder should normally be dithered to16 bits.

14

SETUP

Status BitsSets whether the D•TWO is sending outAES/EBU (professional standard or S/PDIF(consumer standard) status bits.

Delay UnitSelect ms (milliseconds) or BPM (Beats PerMinute).

Delay ModeSelect between Stereo and Mono.

Reverse OffsetOffsets the Reverse Delay with 0-200ms. Thisenables you to tailor the feel of the ReverseDelay to the source material.

MIDI Tempo Sync.Range: 2/1, 1/1, 1/2, 1/4. Locks the Delay to the incoming MIDI clock,enabling the D•TWO to be synchronized to anyMIDI device, e.g. a sequencer.The D•TWO owns the ability to subdivide theincoming MIDI clock in order to adapt the Delayto very fast or very slow tempo arrangements,e.g. selecting the 1/2 setting will lower theincoming sync to half tempo.

MIDI ChannelRange: Off/1-16/Omni.Sets the responding MIDI channel of theD•TWO.

MIDI CCRange: On/Off.Determines whether the D•TWO shouldrespond to MIDI Continuous Controllers or not.

Program bankDetermines which bank an external MIDI devicewill address in the D•TWO when sending aprogram change. The options are: Factory,User or External.When External is selected controller #32 canbe used to address either the Factory or theUser bank.

Factory bank: Controller #32=0User bank: Controller #32=1

MIDI Bulk DumpPress ENTER to perform a Bulk Dump of allpresets to an external MIDI device. The D•TWOis always ready to receive MIDI Bulk Dumpinformation.

MIDI Sys-Ex IDDetermines the Sys-Ex ID number of the unit. All effect parameters can be changed via MIDISys-Ex using an external MIDI device. In orderto define which unit the sent MIDI Sys-Exinformation should reach, the appropriate IDnumber must be set.

Bypass ModeThere are three different Bypass modes:

0% MixThe Input signal is passed directly to theOutput.

FX Input Shuts off the Engine Input in order to let theeffect "ring out", but leaves the same amountof dry signal through the unit.

FX OutputShuts off the Engine Output in order to kill theFX instantaneously, but leaves the sameamount of dry signal coming through.

Pedal SetupThe pedal Input of the D•TWO can recognizetwo pedals simultaneously. One on the tip, andone on the ring of the 1/4” jack connector. The Ring pedal is fixed to Tap tempo.The Tip pedal can be set to Bypass, Tap tempoor Rhythm tap. The Pedal used must have amomentary switch.

View AngleAdjusts the intensity of the display back-light forbetter viewing comfort.

15

RECALL - EDIT - STORE

RecallBasic operation• Press RECALL to enter the Recall page.• Use the CONTROL wheel to select preset.

Blinking preset number and simultaneouslyblinking ENTER key LED indicates that youare previewing the preset and that it is notyet recalled/activated.

• Press ENTER or RECALL to recall thepreset.

Preset typesUser presets - RAMUser presets that can be edited and stored inany User location. You can store up to 100User presets.

Factory presets - ROMFactory presets that can be edited and storedin any User location. You cannot store presetsinto a Factory location.The D•TWO holds 50 Factory presets.

EditThere are two groups of parameters to edit.Parameters for the additional effects and theDelay specific parameters.

Delay specific parametersClick on the EDIT key. Use the ARROWUP/DOWN keys to select parameter and usethe CONTROL wheel to change value.

Parameters in the additional effectsDouble click on the effect key. Use theCURSOR keys to select parameter and use theCONTROL wheel to change value.

StorePreset typesUser presets - RAMUser presets that can be edited and stored inany User location. You can store up to 100 userpresets in the User bank.

Factory presets - ROMFactory presets that can be edited and storedin any User location. You cannot store presetsinto a factory location.The D•TWO holds 50 factory presets.

Preset LocationsPresets can be stored in User locations only.The Store page automatically suggests the firstfree User location in the memory as storingspace unless the currently recalled preset is aUser preset. In that case the same Userlocation is suggested.

Storing an edited preset with the samename at the same location • Press STORE to enter the Store menu.• Press ENTER twice to store the preset. The

display reads "Stored" shortly and returns tothe Recall page.

Storing a preset with the same name at anew location• Press STORE to enter the Store menu.• Use the CONTROL wheel to select storing

location.• Press ENTER twice to store the preset, the

display reads "Stored" shortly and returns tothe Recall page.

Storing a preset with a new name• Press STORE to enter the Store menu.• Select storing location using the CONTROL

wheel. • Press the STORE key again or the ARROW

DOWN key to enter the” Naming” display. • Use the ARROW keys to change cursor

position. • Dial the CONTROL wheel to select

characters. • Press ENTER to store the preset.

Available characters: ABCDEFGHIJKLMNOPQRSTUVXYZ abcdefghijklmnopqrstuvxyz 0123456789 /*-:."#$%&()_

16

DELAY MODES

The D•TWO holds 3 basic Delay modes• Traditional Delay mode

In this mode the D•TWO operates as aregular Delay unit.

• Straight Delay modeIn this mode you will have total control overeach tap.

• Rhythm modeIn this mode you are able to tap a specificrhythm into the unit. Afterwards full control ofall taps are available.

Traditional Delay ModeThe Traditional Delay mode, makes the D•TWOwork as any regular Delay unit. The delayedsignal is fed back into the Delay line by theFEEDBACK % knob, thus creating Delayrepeats.

The ParametersParameters of the Traditional Delay modeare, as the name suggests, quite similar tothose of any other Delay unit.

Delay - Delay TimeTap the DELAY/TAP key, or press the DELAYkey once and dial the DELAY wheel to changethe basic Delay time. The maximum tap time is2000ms.

Feedback LevelHit the FEEDBACK/RHYTHM key and dial theDELAY wheel to change the amount of signalfed back into the Delay line. A 100% setting willloop the Delay line.

Feedback RepeatsIf the Feedback Repeats setting differs from “-”you have specified the number of repeats andyou are no longer in the Traditional mode.

ShuffleThe Shuffle parameter has no effect in theTraditional Delay mode.

QuantizeThe Quantize parameter has no effect in theTraditional Delay mode.

Track Tap The Track Tap parameter allows the preset toinstantly track the current basic tempo, andadapt to this as opposed to using the tempo,that the current preset was stored with. This enables you to use a number of presetswithout having to tap the overall tempo morethan once.

RhythmDcay - Rhythm DecayThe RhythmDcay parameter has no effect inthe Traditional mode.

SubdivisionThe Subdivision recalculates the basic Delaytime accordingly. BPM equals 1/4 subdivision.To see the recalculated Delay time - pressEDIT and use the CURSOR keys to select theDelay time parameter.

Press and hold the DELAY/TAP keyand dial the DELAY wheel, to changethe Subdivision.

Delay Line

Feedback loop

How to enter Traditional mode ?

When coming from Straight Delay modeSet the FEEDBACK # to “-” by pressing andholding the FEEDBACK/RHYTHM key whiledialing the DELAY wheel counter clockwise.When “-” is selected the D•TWO is inTraditional Delay mode.

When coming from Rhythm modeTo enter Traditional Delay mode from Rhythmmode you must first go to Straight Delay modeby pressing DELAY TAP twice. Then press andhold the FEEDBACK RHYTHM key whileturning the DELAY wheel counter clockwise.When “-” is selected the D•TWO is inTraditional Delay mode.

The Maximum Delay time of the Traditionalmode is:Stereo mode: 5 sec. Delay time.Mono mode: 10 sec. Delay time.Stereo/Mono is selected in the SETUP menu.

17

DELAY MODES

Additional EffectsTo the Traditional Delay mode the effectsdescribed below can be added:Please see detailed description on 23-25.

Spatial:Gives the Delay a wider feeling either by using“left channel offset” or “Phase Reverse” of left,right or both channels.

Filter:Enables a High and a Low Cut filter in theFeedback loop and in the actual Delay line.

Chorus:Adds Chorus, to smooth the Delay repeats.

Dynamic:A ducking function that reduces the Outputlevel of the Delay with a specified level whenthe Input signal exceeds a certain Threshold.

PingPong:The PingPong effect is not available in theTraditional mode.

Straight Delay ModeThe Straight Delay mode, utilizes a feedbackstrategy that gives you all the normal controlsof a Delay and on top of that, the ability tocontrol the exact number of repeats.Instead of a traditional feedback loop, theStraight mode uses a Multi-tap strategy.

Delay Line

Delay Taps

How to set up the Straight modeSet the FEEDBACK # to anything between 1and 10 by pressing and holding theFEEDBACK/RHYTHM key while turning theDELAY wheel. The D•TWO is now in theStraight mode.

Max. Delay timeDue to the Multitap Delay strategy, themaximum Delay time available is scaled withthe number of specified taps, e.g. if you have10 repeats you will have 1000ms available oneach tap, while 5 repeats would give you2000ms on each tap.

The maximum Delay time in total is:In Stereo mode: 5 sec. Delay time.In Mono mode: 10 sec. Delay time.Stereo/Mono is selected in the SETUP menu.

The ParametersThe Straight Delay mode allows you to controlthe exact number of repeats and additionallyoffers the ability to add shuffle feel to the Delayrepeats.

Delay TimeTap the DELAY/TAP key, or press theDELAY/TAP key once and dial the DELAYwheel to change the basic Delay time. Themaximum tap time pr. tap is 2000ms.

Feedback LevelHit (one time only) the FEEDBACK/RHYTHMkey and use the DELAY wheel to change theDecay of the repeats. A 100% setting will leave every repeat atmaximum level.

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DELAY MODES

Feedback # Press and hold the FEEDBACK/RHYTHM keyand dial the DELAY wheel to change the exactnumber of Delay repeats. The maximumnumber of repeats is 10 or limited by the totalDelay time. In case of limited repeats, theFEEDBACK # parameter will be blinking. E.g. 10 repeats of 1500ms = >10 seconds.

ShuffleThe Shuffle parameter allows you to add shufflefeel to the straight Delay repeats. The shufflefeel is added to every second repeat, byoffsetting the repeat according to thepercentage of the shuffle parameter.The Shuffle parameter only works on straightSubdivisions i.e. 1/2, 1/4, 1/8, 1/16.

QuantizeThe Quantize parameter has no effect in theStraight mode.

Track Tap The Track Tap parameter allows the preset toinstantly track the current basic tempo, andadapt to this, as opposed to using the tempothat the current preset was stored with. This enables you to use a number of presetswithout having to tap the overall tempo morethan once.

RhythmDcayThe RhythmDcay parameter has no effect inthe Straight mode.

SubdivisionThe Subdivision recalculates the basic Delaytime accordingly. BPM equals 1/4 subdivision.


Additional EffectsTo the Straight Delay mode the effectsdescribed below can be added:Please see detailed description on pages 21-25.


Filter:In a traditional feedback loop, the signal willpass the feedback filter each time it passesthrough the feedback loop. This is perceived asif the signal is gradually filtered more and more- repeat after repeat. This effect can beachieved in the Straight mode by using the FBfilters.

Chorus:Adds Chorus, to smoothen the Delay repeats.


PingPong:The PingPong effect synchronizes panning withthe tempo of the Delay repeats.

19

DELAY MODES

Rhythm ModeThe Rhythm mode offers a new unique featureto Delay control i.e. Rhythm Delay. Tap therhythm that you want the D•TWO to perform onthe FEEDBACK/RHYTHM key. On top of thisthe D•TWO can help you quantize the rhythmpattern to a specific subdivision, edit the rhythmpattern, or change the level of each tap in therhythm pattern.

Feedback %Sets the Decay of the rhythm patterndepending on the RhythmDcay parameter.(see description on the next page).

Feedback # Indicates the total number of taps utilized in therhythm pattern. While tapping the rhythm, theFeedback # will be counting the number of tapsin the current rhythm. Additionally the Delaytime display will be indicating the total time ofthe over all rhythm pattern. When Quantize isinactive the total time will be displayed in ms orBPM. When Quantize is active, the total timewill be expressed in number of subdivision e.g.total number of 1/16th notes.

ShuffleThe Shuffle parameter allows you to add shufflefeel to the straight Delay repeats. The shufflefeel is added to every second repeat, byoffsetting the repeat according to thepercentage of the shuffle parameter.The Shuffle parameter only works on straightSubdivisions i.e. 1/2, 1/4, 1/8, 1/16.

QuantizeThe Quantize parameter allows you to quantizethe tapped rhythm according to a specificsubdivision e.g. 1/16 note. In order to take full advantage of the Quantizefunction, a base tempo must be tapped beforetapping the actual rhythm. The Quantize function is non-destructive duringedits, meaning that the original tap values aremaintained until the quantized rhythm is storedin a preset, enabling you to check out severalquantizations before the setting is stored.

In order to use Quantize you must tapa regular tempo on the DELAY/TAPkey before you tap the rhythm.

Track tap The Track tap parameter allows the preset toinstantly track the current basic tempo, andadapt to this, as opposed to using the tempothat the current preset was stored with. This enables you to adapt a specific Rhythmpattern to any tempo.

Delay Line

Delay Taps

1 2 3 4 5

How to set up enter Rhythm modeSimply tap the FEEDBACK/RHYTHM and theD•TWO will instantly create the rhythm patternthat you tap. The “RHYTHM” icon in the Delaytime display indicates that you are now inRhythm mode. Tap the DELAY/TAP key to exitthe Rhythm mode.

Max. Delay timeDue to the Multitap Delay strategy, themaximum Delay time available is scaled withthe number of specified taps, e.g. if you have10 taps, you will have 1000ms available oneach tap, while 5 repeats would give you2000ms on each tap.

The maximum Delay time in total is:In Stereo: 5 sec. Delay time.In Mono: 10 sec. Delay time.Stereo/Mono is selected in the SETUP menu.

The ParametersThe Rhythm mode allows you to tap and edit aspecific rhythm pattern. The maximum numberof taps in a pattern is 10 taps.

Delay TimeSets the basic tempo of the tapped rhythm.When using Quantize the basic tempo must betapped/set before tapping the rhythm. The basictempo is indicated when the DELAY/TAP key isenabled. The maximum tap time pr. tap is2000ms.

20

DELAY MODES

RhythmDcay - Rhythm DecayThis parameter sets the Decay style of theRhythm pattern. A Rhythm pattern is always fedback from the last tap, meaning that the entirepattern is repeated when Feedback % isdifferent from 0.

NormalWhen the Normal Decay style is selected, theRhythm pattern will decay, tap by tap, as astandard Delay. When Feedback % is set to“0”, the pattern will decay over the total patterntime (total pattern time is indicated in the Delaytime display when the FEEDBACK/RHYTHM isselected).

StepWhen Step Decay style is selected, the Rhythmpattern will decay pattern by pattern, meaningthat all taps in a pattern will be played back atequal level. The level is lowered as the patternis repeated. When Feedback % is set to “0”, the currentpattern will be played back once at full level.

Subdivision:In Rhythm mode the Subdivisions are used asthe quantization grid. This means that whenQuantize is active, the Subdivision determinesthe smallest increment that a tap can be, e.g. ifthe base tempo is 500ms (120BPM) and theSubdivision is set to 1/16, the shortest time of aRhythm tap will be 125 ms (500/4=125ms).


Rhythm Tap EditWhen in the Rhythm mode the tapped Rhythmpattern can be edited tap by tap. This gives youthe possibility to change the Rhythm patternthat you just tapped, or to build a new patternfrom scratch. The Tap Edit menu contains three parametersfor each tap: The Tap number, the Tap level, theTap time.

How to enter/exit Tap EditPress and hold the FEEDBACK/RHYTHM keyto enter the Tap Edit menu. The Feedback #parameter will be blinking while in Tap Edit. Press any key (except ARROW UP/ARROWDOWN) to exit the Tap Edit menu.

The Tap numberIndicates the number of the current Tap. Usethe DELAY wheel to scroll through the ten taps. The Delay time display indicates the total Delaytime of the Rhythm pattern up to the end of theselected Tap, in either ms/BPM or number ofSubdivisions (depending on whether Quantizeis on or off).

The Tap levelSets the level of the current Tap. Press theARROW UP/ARROW DOWN keys to edit thelevel. When a tap is muted, it is still valid as a timefactor. This can be used for “filling up” a bare.g. if you feed back a Rhythm pattern thatcontains six 1/8th notes in a 4/4 pattern, therhythmic feel will change, as the pattern doesnot fit a whole bar. Alternatively a muted Tap of2/8 can be placed as the last tap, giving noaudio, but creating a full bar repeat length i.e.8/8 (2/8+6/8=8/8= 1 bar).The levels available are:Mute, -12dB, -6dB, -3dB, 0dB(default), +3dBand +6dB.

The Tap timeSets the time from the previous to the currenttap. When Quantize is inactive, the Tap time isset in ms increments.When Quantize is active, the Tap time is set inthe current Subdivision e.g. number of 1/8thnotes. Dial the CONTROL wheel to change the Taptime. Turning the Tap time fully counterclockwise will set the Tap to “Off” meaning that

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DELAY MODES

the current Tap is disabled.Taps cannot change order. This means that if atap is placed “on top” of a second tap, thesecond tap automatically will be set to “Off”.

Additional EffectsTo the Traditional Delay mode the effectsdescribed below can be added:Please see detailed description on this and thefollowing pages.


Filter:Enables a High and a Low Cut filter in theFeedback loop and in the actual Delay line.

Chorus:Adds Chorus, to smooth the Delay repeats.


PingPong:The PingPong effect is not available in theTraditional mode.

PingPongBasic operationEntering the PingPong menu can be done intwo ways:• Press PINGPONG and scroll to the Pingpong

parameters. • Double click the PINGPONG key for shortcut.The PINGPONG key also works as on/off forthe PingPong function.

PingPong basically means that the Delay ispanned in accordance with the Tapped Delaytime.

Style Range: L-R, L-C-R and DynamicThe Style parameter determines how the signalis panned.

L-R:The L-R mode will pan the signal hard left, hardright.

L-C-R:Pannes the taps left, center and rightaccordingly.

Dynamic:This setting will fit the number of Delay repeatswith the number of panning positions. Forexample a Delay with 5 repeats would use 5pan positions from left to right.

Please note that PingPong is in-activein the traditional Delay mode.

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DELAY MODES

DynamicBasic operationEntering the Dynamic menu can be done in twoways:• Press EDIT and scroll to the Dynamic

parameters. • Double click the DYNAMIC key for shortcut.The DYNAMIC key also works as on/off for theDynamic function.

The Dynamic Delay is a ducking function thatreduces the Output level of the Delay with aspecified level (Damping) when the Input signalexceeds a certain Threshold (Threshold).

ThresholdRange: -40 - 0dBSets the Input Threshold that must beexceeded to activate the “Ducking”.

ReleaseRange: 20ms - 7sec.Sets the Release time of the “Ducking” function.

DampingRange: -60 - 0dBSets the amount of damping added to thesignal during “Ducking”.

ReverseBasic operationEntering the Reverse menu can be done in twoways:• Press EDIT and scroll to the Reverse

parameters. • Double click the REVERSE key for shortcut.The REVERSE key also works as on/off for theReverse function.

The Reverse function plays back triggeredreversed chunks of the audio. There are anumber of different playback styles to choosefrom. Additionally the Reversed taps can beoffset in order to tailor the rhythmic feel of theDelay. The Offset parameter is located in theSetup menu.

RvrsThres - Reverse ThresholdSets the trigger level of the Reverse Delay.In order to retrig the Reverse Delay, the signalmust drop 6dB below the current Threshold,and then trigger the Threshold again. In Rhythm and Traditional mode, the ReverseDelay can be re-triggered by both the signal,and by the Feedback. This means that once theReverse Delay is running, the Feedbackparameter will allow the Reverse Delay to ringout like a normal Delay.

Rvrs StyleThe Reverse Style enables you to choose froma number of different Reverse strategies:

All:All taps are played back in reverse style.

1st/1st Trg:The first tap is reversed, while the rest of thetaps are played back as normal Delay taps.The “Trg” determines whether the forward tapsare triggered like the reversed taps or, simplyfreewheeling like a normal forward Delay.

2nd/2nd Trg:The second tap is reversed, while the rest ofthe taps are played back as normal Delay taps.The “Trg” determines whether the forward tapsare triggered like the reversed taps or, simplyfree wheeling like a normal forward Delay.

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DELAY MODES SHORTCUTS

Jump to User BankWhile in the Recall menu, hit ARROW UP tojump straight to User preset 1.

Jump to Factory BankWhile in the Recall menu, hit ARROW DOWNto jump straight to Factory preset 1.

Change Feedback # Press and hold the FEEDBACK/RHYTHM keyand use the DELAY wheel, to change numberof Repeats.

Change SubdivisionsPress and hold the DELAY/TAP key and dialthe DELAY wheel, to change the Subdivision.

Edit Additional EffectsDouble click the key of the Effect you wish toedit.

Exit Rhythm ModeTap DELAY/TAP key, to exit the Rhythm mode.

Enter Tap EditPress and hold the FEEDBACK/RHYTHM keyfor 1 second, to enter the Tap Edit menu.

Exit Tap EditPress any key, to exit the Tap Edit menu.

Last/Last Trg:The Last tap is reversed, while the rest of thetaps are played back as normal Delay taps.The “Trg” determines whether the forward tapsare triggered like the reversed taps or, simplyfreewheeling like a normal forward Delay.

Odd/Odd TrgThe Odd numbered taps are reversed, whilethe even of the taps are played back as normalDelay taps.The “Trg” determines whether the forward tapsare triggered like the reversed taps or, simplyfreewheeling like a normal forward Delay.

Even/Even TrgThe Even numbered taps are reversed, whilethe odd of the taps are played back as normalDelay taps.The “Trg” determines whether the forward tapsare triggered like the reversed taps or, simplyfreewheeling like a normal forward Delay.

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ADDITIONAL ALGORITHMS

To each of the described Delay modes thefollowing effects can be added.

SpatialBasic operationEntering the Spatial menu can be done in twoways.• Press EDIT and scroll to the Spatial

parameters. • Double click the SPATIAL key for shortcut. The SPATIAL key also works as on/off for theSpatial function.

Offset LRange: +/-200msOffsets the Left channel by +/- 200ms. TheOffset is always added to the Main Delay time.The Offset is independent of the Tap function.

Phase ReverseRange: L, R L&RWith the Phase Reverse parameter you canreverse the phase of the Delay left, Delay rightor the entire Delay signal.

FilterBasic operationEntering the Filter menu can be done in twoways.• Press EDIT and scroll to the Filter

parameters. • Double click the FILTER key for shortcut.The FILTER key also works as on/off for theFilter function.

FB High Cut - Feedback - High CutRange: 19.95Hz - 20kHzHigh Cut type filter that allows you to reducethe high frequencies of the Delay. This givesyou a softer and more analog sounding Delaywhich in some cases will seem less disturbingon the overall sound, than a Delay with no High Cut.

FB Low Cut - Feedback - Low CutRange: 19.95 - 20kHzLow Cut type filter reducing the low endfrequencies of the Delay. When using Delay onsignals with low frequencies a full-range Delaymight introduce a less tight feeling in that area.Use the Low Cut filter to avoid this.

High CutRange: 19.95Hz - 20kHzHigh Cut filter allowing reduction of the highend frequencies on the source material.

Low CutRange: 19.95Hz - 20kHzLow Cut filter allowing reduction of the low end frequencies in the source material.

ChorusBasic operationEntering the Chorus menu can be done in twoways.• Press EDIT and scroll to the Chorus

parameters. • Double click the CHORUS key for shortcut.The CHORUS key also works as on/off for theChorus function.

SpeedRange: 0.05Hz - 19.95HzSets the Speed of the Chorus.

DepthRange: 0 - 100%Sets the Depth of the Chorus.

AmountRange: 0-100%Sets the amount of Chorus added to the Delaysignal.

FeedbackRange: -100 to +100The amount of processed signal that is fedback to the Input of the Chorus. When thefeedback value is negative, the Feedbacksignal is phase reversed. Use the Feedbackparameter to create a Flange effect.

Chorus TimeRange: 0 - 50msA Chorus is basically a Delay being pitch-modulated by an LFO (Low FrequencyOscillator). The typical Delay time used in aChorus is around 10-20ms. A Flanger typicallyuses a Delay time of approx. 5-10ms.

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ADDITIONAL ALGORITHMS

Golden RatioEnsures a Golden Ratio between the Speedand Depth when active. If you want to createwild Chorus/Flanger sounds, you may want toturn the Golden Ratio off.

Ph Reverse - Phase ReverseReverses the phase of the left Chorus channel.This widens the stereo image of the Chorus/Flanger.

LFO CurveSets the curve of the LFO. Choose betweenSine or Triangle.

LFO PhaseAn LFO phase change, offsets one of the twoLFO’s slightly (left/right). This means thatleft/right starts the current waveform at twodifferent points.Example: If LFO phase is set to 180 degrees,left and right LFO will be exactly opposite.

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APPENDIX - MIDI IMPLEMENTATION CHART

D•TWO MultiTap Rhythm Delay

Function Transmitted Recognized RemarksBasic Channel Default 1 1

Changed 1-16 1-16Mode Default

Messages X XAltered

Note Number X XTrue Voice X X

Velocity Note ON X XNote OFF X X

After Touch Key’s X XChannel X X

Pitch Bend X XControl Change 16-28 16-28

48-99 48-99

Prog Change O O

SysEx O OCommon Song Pos X X

Song Sel X XTune

System real time Clock X O

Commands X XAux Messages Local ON/OFF X X

All Notes OFF X XActive Sense X XReset X X

O:YES Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONOX:NO Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO

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APPENDIX - MIDI CONTROL CHANGES

Param Name MIDI CC Min Max DELAY 48 0 10000 (5000)FBLEVEL 50 0 100FBREPEATS 51 non 10SHUFFLE 52 0 100QUANTIZE 53 0 1TRACKTAP 54 0 1RHYTHM DECAY 55 0 1SUBDIV 56 0 12FXLEVEL 57 0 100SPATIAL OFFSET 58 0 400SPATIAL PHASEREV 59 0 3FBHICUT 60 0 60FBLOCUT 61 0 60HICUT 62 0 60LOCUT 63 0 60CHOSPEED 64 0 208CHODEPTH 65 0 100CHOAMOUNT 66 0 100CHOFEEDBACK 67 -100 100CHOTIME 68 0 500CHOGOLDENRATIO 69 0 1CHOPHAREVERSE 70 0 1CHOLFOCURVE 71 0 1CHOLFOPHASE 72 0 2PINGSTYLE 73 0 2THRESHOLD 74 -60 0RELEASE 75 11 26DAMPING 76 -60 0REVERSETHRESHOLD 77 0 5REVERSESTYLE 78 0 10

Rhythm mode only MIDI CC Min value Max valueRHYTHM TAP 1 TIME 80 Off *RHYTHM TAP 1 TIME 81 Off *

- - - -RHYTHM TAP 1 TIME 89 Off *RHYTHM TAP 1 LEVEL 90 mute +6RHYTHM TAP 1 LEVEL 91 mute +6

- - - - RHYTHM TAP 1 LEVEL 99 mute +6

*) Sum of taps can be up to 10000ms (10seconds) in mono and 5000ms (5 seconds) in stereo.

D•TWO MIDI Control Change List

System Parameter Name MIDI CCINLEVEL 16DIGINLEVEL 17OUTLEVEL 18MIXLEVEL 19BYPASS 20REVERSEOFFSET 21SPATIAL 22

System Parameter Name MIDI CCFILTER 23CHORUS 24REVERSE 25DYNAMIC 26PING-PONG 27RHYTHM 28

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APPENDIX - TECHNICAL SPECIFICATIONS

Digital Inputs and OutputsConnectors:Formats:Output Dither:Sample Rates:Processing Delay:Frequency Response DIO:

Analog InputsConnectors:Impedance, Bal / Unbal:Max. Input Level:Min. Input Level for 0 dBFS:Sensitivity:A to D Conversion:A to D Delay:Dynamic Range:THD:Frequency Response:Crosstalk:

Analog OutputsConnectors:Impedance Balanced /Unbalanced:Max. Output Level:Output Ranges:

D to A Conversion:D to A Delay:Dynamic Range:THD:

Frequency Response:Crosstalk:

EMCComplies with:

SafetyCertified to:

EnvironmentOperating Temperature:Storage Temperature:Humidity:

Control InterfaceMIDI:Pedal:

GeneralFinish:

DisplayDimensions:Weight:

Mains Voltage:Power Consumption:Warranty Parts and labor:

RCA Phono (S/PDIF)S/PDIF (24 bit), EIAJ CP-340, IEC 958HPF/TPDF dither 24/20/16/8 bit44.1 kHz, 48 kHz0.1 ms @ 48 kHzDC to 23.9 kHz ± 0.01 dB @ 48 kHz

1/4" phone jack, balanced21 kOhm / 13 kOhm+24 dBu0 dBu@ 12 dB headroom: -12 dBu to +12 dBu24 bit, 128 x oversampling bitstream0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz100 dB typ, 20 Hz - 20 kHztyp < 92 dB (0,0025 %) @ 1 kHz+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz<-95 dB, 20 Hz to 20 kHz

1/4" phone jack, balanced

40 Ohm+20 dBu (balanced)Balanced: 20/14/8/2 dBuUnbalanced: 14/8/2 dBu24 bit, 128 x oversampling bitstream0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz104 dB typ, 20 Hz to 20 kHztyp <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz<-100 dB, 20 Hz to 20 kHz

EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B

IEC 65, EN 60065, UL6500 and CSA E65

32° F to 122° F (0° C to 50° C)-22° F to 167° F (-30° C to 70° C)Max. 90 % non-condensing

In/Out/Thru: 5 Pin DIN1/4" phone jack

Anodized aluminum frontPlated and painted steel chassis

23 character / 280 icon STN-LCD display19" x 1.75" x 8.2" (483 x 44 x 195 mm)4.1 lb. (1.85 kg)100 to 240 VAC, 50 to 60 Hz (auto-select)<15 W1 year

Due to continuous development these specifications are subject to change without notice.

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APPENDIX - PRESET LIST

D-Two DelayStraight 2290 DelayDynamic DelayDynamite Pink PunkChorused DelayBig E SlapbackPhase reversed EchoReversed SlapTape EchoLow Cut 1/ 8th NotesMono RadioDegraded PanningShuffled 1/ 16thLeft / Right SlapbackGTR Bitch-SlappedGTR Lead The WayMy Old EchoplexDouble Tap FlangeSlapback FlangerFat FlangerThe Stereo ChorusAmbient ChorusFat GuitarGiant mockup in 3/4Beauty in The Beats

Dark and Long1/ 16th StabRightfieldNew Jock SwingRhythm Enginergroovey BreakerHeavy AccentSyncopated BeatboxShort Shuffled 1/ 16Shuffle HatMarmite on the KeysECHOecho..echo…CHOReversed CunksTow Bar 1/8 PatternLast Man Standing---> The End (:Jungle FeverDark TripletsFast TripletsMoving HatD-Two In The HouseShuffel Your FeetStabbed In The BackFlying StabsReversed Semi Bar

12345678910111213141516171819202122232425

26272829303132333435363738394041424344454647484950

The D•TWO holds 50 Factory presets. Preset names and locations can be found in the table below.In addition to these presets it is possible to store 100 user-presets.

TC Electronics D-TWO_OM

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