Task 1.5

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Camera Angles Mise en scene Editing Sound Theory Rock- Nickelback; How you remind me (Lip sync, with some cross cutting to narrative) -Close ups; Of band members and the instruments. -Camera movement; Always panning, gives impression that they are drunk or on drugs. -Clothing; Dark, black jackets etc. -Dark lighting -Rough setting -Facial expressions; Angry -Special effects; black and grey filter. -Cutting; Doesn’t match visuals, not smooth. Almost like the song, muddled. -All non- diegetic score, no sound effects etc. Richard Goes aga theory, and very colours Rick Alt Props us match ge guitars, drums et Pop- Donkeyboy; Ambitions (Narrative Structure, with lip sync) -Camera movement; Always panning, zooming & hand-held mostly used. -High budget; Setting etc. Mainstream for pop videos. -Cross cutting; between narrative and lip sync. -Special effects; lens flare, particles. -Sound effects/ambie nt sound; backstage -Rick Al Props us would associat with pop videos a the elem of chees transiti -Andrew Goodwin; Relation between and visu Indie Rock- The Black Keys; Tighten up (Narrative Structure) -Wide shot; establishes the scene. -Panning; Walking with Dab/Son -Hand-Held camera at fight scene; gritty realism. -Framing and focusing; Important parts soft focus, the rest is deep -Soft lighting. -Setting; A park. -The costume; Same style for men & sons, optimizes the relationship roles of the modern day man and woman. -Long takes. -Straight cuts. -Jump cuts at ‘lost lover scene’. -Short takes at fight scene. -Intro, Dialogue -Ambient sound; The sound of birds, we would associate with the countryside. -Synchronous sound with editing. -Richard Dyer; Ro neighbor soft lig to give Utopia feeling. -Andrew Goodwin; Relation between and visu -Carol Vernalli Left to composit

Transcript of Task 1.5

Page 1: Task 1.5

Camera Angles Mise en scene Editing Sound Theory

Rock-Nickelback; How you remind me(Lip sync, with some cross cutting to narrative)

-Close ups; Of band members and the instruments.-Camera movement;Always panning, gives impression that they are drunk or on drugs.

-Clothing; Dark, black jackets etc.-Dark lighting-Rough setting-Facial expressions; Angry

-Special effects; black and grey filter.-Cutting; Doesn’t match visuals, not smooth. Almost like the song, muddled.

-All non-diegetic score, no sound effects etc.

Richard Dyer; Goes against theory, rain and very dark colours used.Rick Altman; Props used match genre, guitars, drums etc.

Pop- Donkeyboy; Ambitions(Narrative Structure, with lip sync)

-Camera movement; Always panning, zooming & hand-held mostly used.

-High budget; Setting etc. Mainstream for pop videos.

-Cross cutting; between narrative and lip sync.-Special effects; lens flare, particles.

-Sound effects/ambient sound; backstage

-Rick Altman; Props used we would associate with pop videos and the element of cheesy transitions.-Andrew Goodwin; Relationship between music and visuals.

Indie Rock- The Black Keys; Tighten up(Narrative Structure)

-Wide shot; establishes the scene.-Panning; Walking with Dab/Son-Hand-Held camera at fight scene; gritty realism.-Framing and focusing; Important parts soft focus, the rest is deep focus.

-Soft lighting.-Setting; A park.-The costume; Same style for men & sons, optimizes the relationship roles of the modern day man and woman.

-Long takes.-Straight cuts.-Jump cuts at ‘lost lover scene’.-Short takes at fight scene.

-Intro, Dialogue-Ambient sound; The sound of birds, we would associate with the countryside.-Synchronous sound with editing.

-Richard Dyer; Rough neighborhood, soft lighting to give Utopia feeling.-Andrew Goodwin; Relationship between music and visuals.-Carol Vernallis; Left to right composition.

Rap- Akon; Smack that(Narrative)

-Lots of close ups, follows theory.-Low angle, shows power

-Clothing; Chains/’bling’, follows Altman’s theory of rap videos.

-Fade out-Les flare effect as layer

Dialogue; “Hey convict”, shows youth crime and stereotype of black people (in jail, crime ridden)

-Richard Dyer; Utopia, ‘living the high life’, expensive lifestyle, fast cars and women

Page 2: Task 1.5

Dance- Swedish House Mafia; Greyhound(All narrative, no words in song)

-Not many ECU of faces, mainly close ups-Hand-held cameras

-Costume; Really odd clothing-Absolut vodka prop; aimed at people who drink spirits

-Straight cuts-Split screen

-Sound Effects/Ambient sound-Synchronized with editing

-Andrew Goodwin; Relationship between music and visuals.