TABLE OF CONTENTS

Welcome Messages

PASIC 2001 Planning Committee

Sponsors

Exhibitors by Name/Exhibitors by Booth Number

Exhibitors by Category

Exhibit Hall Map

Exhibitors

PASIC 2001 Map

PASIC 2001 Area Map

Wednesday, November 14/Schedule of Events

Thursday, November 15/Schedule of Events

Friday, November 16/Schedule of Events

Saturday, November 17/Schedule of Events

Artists and Clinicians

Percussive Arts Society History

Special Thanks/PASIC 2001 Advertisers

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0012NASHV ILLEN O V E M B E R 1 4 – 1 7

2 PAS President’s Welcome

PASIC Host’s Welcome

®

www.pas.org

0012NASHV ILLEN O V E M B E R 1 4 – 1 7

Today, as I sit to write my“welcome to PASIC”

message, I realize that ourworld has forever changed.United States PresidentGeorge Bush has declaredtoday a “National Day ofPrayer and Remembrance.”

It is a grim reminder of the chill-ing events that shook the U.S.on September 11. I am espe-cially grateful to all of our PASinternational members who sentpersonal messages to me,members of the Board of Direc-tors, and into the PAS office inLawton, Oklahoma. Your out-pouring of support and conso-lation are deeply appreciated.

I applaud those of you whohave offered to use your re-sources and talent as percus-sionists to provide relief andcomfort to those who have suf-fered. Nothing can diminish theimpact of loss and suffering

from this tragedy. However, inthis land of diversity, we all dealwith grief and healing in differ-ent ways. I’m in no waytrivializing this tragedy when Itell you that I’m especially look-ing forward to seeing friendsand colleagues from around theglobe at PASIC in Nashville.Percussion is the passion thatbinds us all and allows us tocome together in a commonplace to see our friends, heargreat music, learn from ourmasters, and to celebrate ourart.

Together, if only for a fewdays, we will share a dream of

Welcome to Nashville,Tennessee and PASIC

2001. The Host Committeeand I extend a warm wel-come to our city and we wel-come back those of youreturning for your second orthird PASIC in “Music City.”This year’s convention prom-ises to be another excitingand memorable event in thehistory of our outstanding or-ganization. The local plan-ning committees, along withpast PAS Executive DirectorRandy Eyles, current PASExecutive Director MichaelKenyon, the Executive Com-mittee, and the PAS staff,have all worked long hoursover the past year and a halfto bring you four days of out-standing music and camara-derie.

All my life I have beenamazed at the bond amongmembers of the percussioncommunity, and nothing ex-

emplifies this more than thePercussive Arts Society andPASIC. I truly believe we areamong a select few organiza-tions in terms of our commit-ment and passion to our art.This commitment is amplifiedby the fact that every one ofyou feels that this convention istoo important to miss, even withthe state of affairs around ourcountry and the world. I ap-plaud you all.

This year’s PASIC will giveeach of you the opportunity tolearn from and be inspired bysome of the world’s finest per-cussionists and drummers, toexchange ideas, make newfriends, renew old friendships,and listen to some amazing mu-sic. The convention events aredivided into specific areas ofinterest: drumset, world percus-sion, orchestral percussion andtimpani, marching percussion,electronic percussion, malletpercussion, and education ses-

sions. I am pleased to note thatthe focus of New Music/Re-search Day is on electronic per-cussion, and we have anexpanded number of sessionsin the orchestral area. Manythanks to Larry Snider, PeggyBenkeser, and the New Music/Research Committee, and toAlan Abel and the newly formedSymphonic Percussion Commit-tee for all their hard work in put-ting together these sessionsand concerts.

I would be highly remiss if Idid not take this opportunity tothank the people without whomPASIC would not happen. Firstand foremost, the PAS staff inLawton. To the local planningcommittee, thanks to everyonefor taking time out of busyschedules and away from fami-lies to volunteer your time tohelp make this year’s PASIC asuccess. I consider myselflucky to have such a well-sea-soned and experienced com-mittee, and thanks should go totwo-time host Bill Wiggins forour excellent training. We alsoowe a debt of gratitude and aspecial thanks to Karen Huntand her logistics team for theirtireless efforts in making thisevent run so smoothly.

I feel it imperative to thankthe percussion industry for theirnever-ending support in makingthis convention possible. As along-time member of the indus-try, I can truly appreciate theamount of money, time, and en-ergy each company spends insecuring the artists and en-

sembles we will be enjoyingover the next four days. Letus also not forget about thetruckloads of equipmentthey provide!

My thanks also go to ErikJohnson and the staff at In-novative Percussion for af-fording me the opportunityand time to take on these re-sponsibilities, and for pick-ing up the slack whenevernecessary, especially duringthis week. Finally, I mustthank my wife, Lisa, andson, Ryan, for all their under-standing and support, as myadditional responsibilitiestook time away from home.

While you are in NashvilleI hope you will take time toexperience all that our cityhas to offer. Nashville has awide variety of outstandingrestaurants, and we have in-cluded an extensive restau-rant guide in this program.

Again, I welcome you allto the Music City, and wishyou an exciting and memo-rable time at PASIC 2001.

a happier world that liesahead for all of us.

4 PASIC 2001 Planning Committee

Percussive Arts SocietyBoard of DirectorsEXECUTIVE COMMITTEEJames Campbell, PresidentMark Ford, President-electRichard Holly, Vice PresidentKristen Shiner McGuire, SecretaryMike Balter, TreasurerRobert Breithaupt, Immediate Past PresidentMichael Kenyon, Executive Director

DIRECTORSSteve Beck, Pro-Mark Corp., Houston, TXGregg Bissonette, Westlake Village, CAMichael Burritt, Northwestern University,

Evanston, ILJim Catalano, Ludwig/Musser Industries,

Elkhart, INGary Cook, University of Arizona, Tucson, AZTheresa Dimond, Los Angeles, CAPeter Erskine, Santa Monica, CADavid Eyler, Concordia College, Minnesota

State University–Moorhead, MNPhil Faini, West Virginia University,

Morgantown, WV

Steve Houghton, Glendale, CAKathleen Kastner, Wheaton Conservatory of

Music, Wheaton, ILDana Kimble, West Point Band,

West Point, NYArthur Lipner, Stamford, CTEmil Richards, Toluca Lake, CALisa Rogers, Texas Tech University School of

Music, Lubbock, TXNey Rosauro, University of Miami, Coral

Gables, FL/Santa Maria, BrazilEd Shaughnessy, Calabasas, CAKay Stonefelt, College at Fredonia—SUNY,

Fredonia, NYEd Thigpen, Action Reaction, Copenhagen,

DenmarkIan Turnbull, London, Ontario, CanadaNorman Weinberg, University of Arizona,

Tucson, AZBill Wiggins, Nashville, TN

PAST PRESIDENTSRobert Breithaupt, 1999–2000Genaro Gonzalez, 1997–98Garwood Whaley, 1993–96Robert Schietroma, 1991–92

Percussive Arts SocietyStaffMichael Kenyon, Executive DirectorRebecca Kinslow, Executive AssistantOtice Sircy, Museum Curator/LibrarianTeresa Peterson, Publications/Marketing/ Advertising ManagerRick Mattingly, Publications/Web EditorGreg Shawn, Membership Manager/ Information SystemsHillary Henry, Graphic DesignerCatherine Flynn, Administrative SecretaryAlexis Rimes, ReceptionistLelain Wait, Editorial AssistantDanny Mendonsa, Mail ClerkBrad Feeney, Intern

Frank ShafferUniversity of Memphis,Memphis Symphony

Kirby ShelstadIndependent Composer,Studio Percussionist

Ron SorboFreelance Musician

David SteinquestAustin Peay StateUniversity

Tommy WellsFreelance Musician

Bill WigginsAssistant Professor ofPercussion Blair School ofMusic of VanderbiltUniversity

Karen HuntLogistics Coordinator

George BarrettPASIC 2001 Host

Chris BrooksRow-Loff Productions

Sam BaccoNashville Symphony

Austin BealmerFreelance Musician

F. Michael CombsProfessor of Music at UT–Knoxville, PrincipalTimpanist with KnoxvilleSymphony Orchestra

Scot CoreyTrevecca NazareneUniversity, FreelanceDrummer–Percussionist

Monte CoulterUT–Chattanooga, PrincipalPercussionist ChattanoogaSymphony Orchestra

John Beck, 1987–90Thomas Siwe, 1984–86Larry Vanlandingham, 1982–84James Petercsak, 1978–81Gary Olmstead, 1973–77Saul Feldstein, 1968–72Gordon Peters, 1964–67Donald Canedy, 1960–63

Todd LondonBelmont University

Nancy MathesonProfessor of Music,University of Tennessee atMartin

Alan RiceCentennial High School,Forks Drum Closet

Christopher NortonBelmont University,Percussion Coordinator

Tom RoadyIndependent StudioPercussionist, Clinician

Joseph RasmussenNashville Symphony,Professor of Music at TNTech University

Rande SanderbackEastern Tennessee StateUniversity

Tony CoxMount Juliet High School,Director

Chris CrockarellRow-Loff Productions

Lalo DavilaMiddle Tennessee StateUniversity, DirectorPercussion Studies

Julie HillOakland High School

Julie DavilaOakland High School,Chair PAS MarchingPercussion Committee

Shawn HarrisJohn Overton High School,Freelance Musician

Phillip GregoryHillwood High School,Director

Erik JohnsonInnovative Percussion

5Sponsors

ALFONCE PRODUCTIONSLuigi MorleoAMERICAN DRUM

MANUFACTURING COMPANYDavid HerbertAQUARIAN ACCESSORIESYoron IsraelATTACK DRUMHEADSTerry BozzioJerry KroonPat PetrilloTommy WellsAUDIX CORPORATIONJohn BlackwellStanton MooreAVEDIS ZILDJIAN CYMBAL

COMPANYKeith AleoRuben AlvarezKenny AronoffAnders AstrandJohn R. BeckBrady BladeBrian BladeMat BritainClayton CameronJim CampbellGlen CarubaCavaliers Front EnsembleLalo DavilaPeter ErskineMark FordBrian FullenNorbert GoldbergThom HannumAkira JimboErik JohnsonBret KuhnMike ManginiRick MarottaTony McCutchenVictor MendozaNexusPat PetrilloPaul Rennick with Carolina

Crown CymbalsGordon StoutTempus FugitMatt WilsonAVEDIS ZILDJIAN DRUMSTICKSBrian BladeMike ManginiPat PetrilloMatt WilsonMIKE BALTER MALLETSFlat BaroqueBERKLEE COLLEGE OF MUSICYoron IsraelHidemi MuraseBOSPHORUS CYMBALSStanton MooreCALIFORNIA PERCUSSIONDavid HerbertCARL FISCHER, INC.Stanton MooreCOYLE STEEL DRUMSCaribbean Sound Steel BandDAD RECORDSFilippo LattanziDRUMFRAME, LTD.Billy Ashbaugh

DRUM PARADISE NASHVILLE, INC.Johnny RabbDRUM WORKSHOP, INC.Billy AshbaughTerry BozzioJohnny RabbChester ThompsonChad WackermanEVANS DRUMHEADSTim AdamsBilly AshbaughJohn BlackwellPeter ErskineThom HannumDavid HerbertKalaniJohnny RabbTony VerderosaFRED GRETSCH ENTERPRISESStanton MooreGIBRALTER HARDWAREKalaniGROVER PRO PERCUSSION, INC.Keith AleoTheresa DimondNeil GroverH&H MUSIC COMPANYWestfield High School

Percussion EnsembleHAL LEONARD CORPORATIONTony VerderosaHOCHSCHULE FUR MUSIK–

NURNBERG GERMANYBill MolenhofHOHNER HSS, INC./

SONOR DRUMSYoron IsraelLewis NashHONEYROCK PUBLISHINGLuigi MorleoINNOVATIVE PERCUSSIONAnders AstrandMat BritainThomas BurrittCavaliers Front EnsembleLalo DavilaRay DillardErik JohnsonBret KuhnMark FordDan MoorePaul Rennick with Carolina

Crown CymbalsJOHNNYRABB DRUMSTICK

COMPANYBrady BladeJohnny RabbKENDORBill MolenhofKP3Michael BurrittChristopher NortonLANG PERCUSSION, INC.Arnie LangLATIN PERCUSSION, INC.Ruben AlvarezBilly AshbaughTerry BozzioClayton CameronCaribbean Jazz ProjectNorbert Goldberg

Akira JimboDan MooreStanton MooreLUDWIG DRUM COMPANYClayton CameronBill MolenhofLUDWIG MUSIC PUBLISHING

COMPANYStanley LeonardMALLETECH INSTRUMENTSMichael BurrittFilippo LattanziChristopher NortonGordon StoutMAPEX USA, INC.Ruben AlvarezBrady BladeBrian BladeMARIMBA ONEKatarzyna MyckaMARSHALL UNIVERSITYFlat BaroqueMARYLAND DRUM COMPANYPat PetrilloMEINL USA L.C.Johnny RabbMILLENIA MEDIAFilippo LattanziMINISTRY & AGENCY FOR

CULTURE AND INTERNATIONALRELATIONS–NURNBERG

Bill MolenhofOBERLIN CONSERVATORY OF

MUSICMichael RosenPAISTE AMERICA, INC.Billy AshbaughKalaniJerry KroonPaul LeimTony VaccaChad WackermanTommy WellsPANYARD, INC.Mat BritainPEARL CORPORATION AND ADAMS

MUSICAL INSTRUMENTSTim AdamsRobby AmeenMat BritainMichael BumpThomas BurrittGlen CarubaMichael D’AngeloLalo DavilaRay DillardFlat BaroqueRichie FloresMark FordThom HannumAndy HarnsbergerMarty HurleyKuniko KatoJerry KroonMike ManginiMitch MarkovichNexusJohn PrattPaul Rennick with Carolina

Crown CymbalsRobert Vilera

Tommy WellsMatt WilsonPERFORMANCE TECTONIC

LABORATORYRonnie EngelTHE PHILADELPHIA ORCHESTRAAlan AbelPRO-MARK CORPORATIONTim AdamsLiberty DeVittoTheresa DimondFlat BaroqueBrian FullenJoe JacksonJerry KroonJoe LockeBen MillerBill MolenhofJeff Moore with Madison

Scouts Bass Drum LineBabatunde OlatunjiStreet BeatsChris TreloarTony VerderosaTommy WellsWestfield High School

Percussion EnsemblePURESOUND PERCUSSIONBilly AshbaughREGAL TIP/CALATOClayton CameronGlen CarubaYoron IsraelPaul LeimRick MarottaLewis NashChester ThompsonREMO, INC.Robby AmeenKenny AronoffBilly AshbaughJohn BergamoBrady BladeBrian BladeGlen CarubaChalo EduardoClayton CameronEbenezer Da SilvaRichie FloresBrian FullenNorbert GoldbergHands On’SembleMarty HurleyAkira JimboPaul LeimMike ManginiRick MarottaStanton MooreLewis NashBabatunde OlatunjiMatt SavageChristine StevensChester ThompsonRobert VileraRHYTHM FUSIONWestfield High School

Percussion EnsembleROSS MALLET INSTRUMENTS, INC.Joe LockeSABIAN, LTD.Dave Black

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John BlackwellTerry BozzioBill CahnEbenezer Da SilvaJim DallasLiberty DeVittoTheresa DimondFlat BaroqueMarty HurleyYoron IsraelArnie LangRolando Morales MatosBen MillerDan MooreLewis NashTom SherwoodChester ThompsonTony VerderosaSAN JACINTO COLLEGE CENTRALJames MetcalfeMichael MizmaSHURE, INC.Kenny AronoffPeter ErskinePaul LeimSTANLEY LEONARD PERCUSSION

MUSICStanley LeonardSTEVE WEISS MUSICFilippo Lattanzi

TAMAKenny AronoffJohn BlackwellLiberty DeVittoTENNESSEE TECH UNIVERSITYAbusuaTOCA PERCUSSIONKalaniUDU DRUMRonnie EngelUNIVERSITY OF KENTUCKYUniversity of Kentucky

Percussion EnsembleUNIVERSITY OF MEMPHISUniversity of Memphis

Percussion EnsembleUNIVERSITY OF NORTH TEXASGideon Foli AlorwoyieUNIVERSITY OF OKLAHOMAUniversity of Oklahoma

Percussion OrchestraUNIVERSITY OF TENNESSEE–

CHATTANOOGAUniversity of Tennessee–

Chattanooga PercussionEnsemble

UNIVERSITY OF TENNESSEE–KNOXVILLE

University of Tennessee–Knoxville PercussionEnsemble

Sponsors

VATER, INC.John BlackwellVIC FIRTH, INC.Ruben AlvarezKenny AronoffBilly AshbaughPeter ErskineNorbert GoldbergThom HannumYoron IsrealAkira JimboKalaniVictor MendozaStanton MooreWARNER BROS. PUBLICATIONSBilly AshbaughBill MolenhofWESTFIELD HIGH SCHOOLWestfield High School

Percussion EnsembleWESTERN KENTUCKY UNIVERSITYProject 166: WKU

Percussion QuintetWESTERN VIRGINIA UNIVERSITYPaschal YoungeYAMAHA CORPORATION OF

AMERICA–DRUMSET DIVISIONPeter ErskineBrian FullenNorbert GoldbergAkira Jimbo

Paul LeimRick MarottaTony VerderosaYAMAHA CORPORATION OF

AMERICA–BAND &ORCHESTRAL DIVISION

Keiko AbeAnders AstrandJohn R. BeckCaribbean Jazz ProjectCavaliers Front EnsembleDavid CollierJean GeoffroyBret KuhnStanley LeonardVictor MendozaDan MooreJeff Moore and Madison

Scouts Bass Drum LineNey RosauroDave SamuelsTempus FugitWestfield High School

Percussion Ensemble

7

Musical perfection like his requires the

technological precisionof these.

ON TOP™

remo.com 28101 Industry Drive, Valencia, CA 91355

The exotic melodies, structure, and climactic style of master musician Trilok Gurtu inspires audiences with the help of Remo’s Trilok Gurtu

Signature Series; Snare Drums, Kick/Conga and Spring Drums.

VISIT US AT BOOTH #417. REMO SPONSORED DRUMHEADS ARTISTS: Kenny Aronoff, Brady Blade, Stanton Moore, Clayton Cameron, Akira Jimbo,Mike Mangini, Lewis Nash, and Chester Thompson. REMO SPONSORED WORLD PERCUSSION ARTISTS: Ebenezer DaSilva, Christine Stevens,Chalo Eduardo, Hands On’Semble, Norbert Goldberg, Matt Savage, and Glen Caruba.

8 Exhibitors by Name Exhibitors by Booth Number

Avedis Zildjian CompanyEvans ManufacturingJazzTimes, Inc.Modern Drummer PublicationsMusic Yellow PagesWarner Bros. Publications

Literature Bins

A Putnam Mallets ...................................406ABIS ..................................................... 821Acoustic Woods Custom Drums ............ 708Agate Impex ......................................... 819Alfred Publishing Company, Inc. ............... 1Alternate Mode, Inc. ................................. 5American Drum Manufacturing

Company ........................................... 14Aquarian Accessories ........................... 404Audix Corporation ................................... 37Auralex Acoustics ................................. 610Avedis Zildjian Company ...................... 139Mike Balter Mallets ............................... 521Bands of America ................................... 41Batterie Music ......................................... 58Bergerault USA–Professional Division of

Peripole–Bergerault ......................... 411Berklee College of Music ........................ 38Black Swamp Percussion LLC .............. 612Bosphorus Cymbals .............................. 839C. Alan Publications ............................... 36California Percussion .............................. 14Carl Fischer, Inc. ...................................... 3Clarion Associates ............................. 42Clearsonic Mfg., Inc. ............................. 412Clevelander Drum Company ................. 510Coe Percussion ...................................... 16Columbus Pro Percussion, Inc. ............. 140Cooperman Company ........................... 833Custom Music Company/

Kori Percussion .................................. 21DeMorrow Instruments, Ltd. .................... 74diggit, Inc. ............................................ 804Djembes Sun Radius/Warne Triangles & Stoessel Beaters .... 809Doc’s Proplugs, Inc. .............................. 814drop6 media, Inc. .................................... 40Drum Workshop, Inc.;

Pacific Drums and Percussion ...........426Drummers Collective .............................. 32Drums In the Wind

(Woodwind & Brasswind) .................. 511Drumstuff.com ........................................ 57Dynasty USA/

DEG Music Products, Inc. ................. 443E-pad! Drum Systems ........................... 811Encore Mallets, Inc. ................................ 17Evans Drumheads ................................ 637Fork’s Drum Closet ............................... 416GP Percussion ........................................ 33Grip Peddler ........................................... 47Grover Pro Percussion, Inc. .................. 138Guitar Center ........................................ 712“Gus” Moeller Tribute .............................. 68Hal Leonard Corporation .........................24Heavyhitterpads.com ............................ 823Hohner HSS, Inc./Sonor Drums ............ 337HoneyRock Publishing ........................... 34Humes & Berg Mfg. Company, Inc. ....... 715Iñaki Sebastián Mallets S.L. .................. 409Innovative Percussion ............................... 9johnnyraBB Drumstick Company ............ 25Kaman Music Corporation ..................... 449Kooienga Drums ................................... 807Lang Percussion, Inc. ........................... 711Lefima Percussion ................................ 504LP Music Group/ Latin Percussion, Inc. ...................... 543Ludwig Drum Company ......................... 437Malletech Instruments/ Keyboard Percussion Publications ..... 28MalletWorks Music ................................... 5Mapex USA, Inc. ................................... 420Marimba One .......................................... 30Maryland Drum Company ..................... 410Meinl USA L.C. .................................... 643

Meredith Music Publications .................. 24Modern Drummer Publications .................. 7Mountain Rythym .................................. 414MRP Drums .......................................... 408Musician’s Institute . ......................... 507My Mi Drums, Inc. ................................. 812Nearfield Multimedia ............................. 405Oberlin Conservatory of Music ................ 64On the Wall Productions, Inc. ............... 707Paiste America, Inc. .............................. 619Pan Caribe, Inc./Steel Island .................. 43Pan Press, Inc. ....................................... 60Peace Musical Company ...................... 609Pearl Corporation and Adams Musical Instruments ............. 239Percussion Construction ......................... 39Percussion Events Registry Company .... 71Percussion Specialist .............................. 61Percussive Arts Society ........................ 729Per-Del Percussion Development Company ..................... 35Per-Mus Publications, Inc. ...................... 55Pork Pie Percussion ............................. 710ProLogix Percussion ............................. 508Pro-Mark Corporation ............................. 49PureSound Percussion ......................... 813Rebeats Vintage Drum Products ............. 56Regal Tip/Calato ................................... 513Remo, Inc. ............................................ 417Rhythm Fusion, Inc. .............................. 705Rhythm Makers ................................... 817Robo-Percussion .................................... 59Roland Corporation US ......................... 629Ross Mallet Instruments ....................... 420Row-Loff Productions ............................. 12Sabian, Ltd. .................................. 337, 810Schlagwerk Percussion ......................... 815Shure Incorporated ............................... 613Sibelius Software .................................... 45SKB Corporation .................................... 20Slug Percussion Products ..................... 608Smith Publications .................................. 63Spanway Imports .................................. 904Steve Weiss Music ............................... 825Studio 4 Music ........................................ 1Tap Space Publications .......................... 62Taye, Inc. .............................................. 719The Percussion Source ......................... 737Touch the Earth .................................... 611Tour Timps ........................................... 509TreeWorks Chimes ............................... 416Trinidad & Tobago Instruments Limited ......................... 806Unigrip Drumsticks ................................ 805US Marine Drum & Bugle Corps ........... 505US Navy Music Program ........................ 67Vanderbilt University/Blair School of Music .............................. 66Vater Percussion, Inc. ........................... 829Vaughncraft Percussion ........................ 825Vic Firth, Inc. ........................................ 347Winter Guard International .................... 606XL Specialty Percussion, Inc. .............. 808Yamaha Corporation of America– Drumset & Electronic Percussion ...... 529Yamaha Corporation of America Band & Orchestral Division ............... 427

1 ............... Alfred Publishing Company, Inc.1 ........................................ Studio 4 Music3 ..................................... Carl Fischer, Inc.5 ................................. Alternate Mode, Inc.5 .................................... MalletWorks Music7 .................. Modern Drummer Publications9 ............................... Innovative Percussion12 ............................. Row-Loff Productions14 .............. American Drum Manufacturing

Company14 .............................. California Percussion16 ...................................... Coe Percussion17 ................................ Encore Mallets, Inc.20 .................................... SKB Corporation21 ........................ Custom Music Company/

Kori Percussion24 ......................... Hal Leonard Corporation24 ................... Meredith Music Publications25 ............ johnnyraBB Drumstick Company28 ............................ Malletech Instruments/

Keyboard Percussion Publications30 .......................................... Marimba One32 .............................. Drummers Collective33 ........................................ GP Percussion34 ............................ HoneyRock Publishing35 ................................. Per-Del Percussion

Development Company36 ............................... C. Alan Publications37 ................................... Audix Corporation38 ........................ Berklee College of Music39 ......................... Percussion Construction40 .................................... drop6 media, Inc.41 ................................... Bands of America42 .................................. Clarion Associates43 .................. Pan Caribe, Inc./Steel Island45 .................................... Sibelius Software47 ........................................... Grip Peddler49 ............................. Pro-Mark Corporation55 ...................... Per-Mus Publications, Inc.56 ............. Rebeats Vintage Drum Products57 ........................................ Drumstuff.com58 .........................................Batterie Music59 .................................... Robo-Percussion60 ....................................... Pan Press, Inc.61 .............................. Percussion Specialist62 .......................... Tap Space Publications63 .................................. Smith Publications64 ................ Oberlin Conservatory of Music66 .............................. Vanderbilt University/

Blair School of Music67 ........................ US Navy Music Program68 .............................. “Gus” Moeller Tribute71 .... Percussion Events Registry Company74 ................... DeMorrow Instruments, Ltd.138 .......................... Grover Pro Percussion139 ...................... Avedis Zildjian Company140 ............. Columbus Pro Percussion, Inc.239 ........................... Pearl Corporation and

Adams Musical Instruments337 ............ Hohner HSS, Inc./Sonor Drums337 .......................................... Sabian, Ltd.347 ........................................ Vic Firth, Inc.404 ........................... Aquarian Accessories405 ............................. Nearfield Multimedia406 .................................. A Putnam Mallets408 .......................................... MRP Drums409 .................. Iñaki Sebastián Mallets S.L.410 ..................... Maryland Drum Company411 ............... Bergerault USA–Professional

Division of Peripole–Bergerault412 ............................. Clearsonic Mfg., Inc.414 .................................. Mountain Rythym416 ............................... Fork’s Drum Closet416 ............................... TreeWorks Chimes417 ............................................ Remo, Inc.

420 ................................... Mapex USA, Inc.420 ....................... Ross Mallet Instruments426 ........................... Drum Workshop, Inc.;

Pacific Drums and Percussion427 ........... Yamaha Corporation of America

Band & Orchestral Division437 ......................... Ludwig Drum Company443 ....................................... Dynasty USA/

DEG Music Products, Inc.449 ..................... Kaman Music Corporation504 ................................ Lefima Percussion505 ........... US Marine Drum & Bugle Corps508 ............................. ProLogix Percussion507 ................................ Musican’s Institute509 ........................................... Tour Timps510 ................. Clevelander Drum Company511 ................................ Drums In the Wind

(Woodwind & Brasswind)513 ................................... Regal Tip/Calato521 ............................... Mike Balter Mallets529 ......... Yamaha Corporation of America–

Drumset & Electronic Percussion543 ................................... LP Music Group/

Latin Percussion, Inc.604 ........................ Vaughncraft Percussion606 .................... Winter Guard International608 ..................... Slug Percussion Products609 ...................... Peace Musical Company610 ................................. Auralex Acoustics611 .................................... Touch the Earth612 .............. Black Swamp Percussion LLC613 ............................... Shure Incorporated619 .............................. Paiste America, Inc.629 ......................... Roland Corporation US637 ................................ Evans Drumheads643 ..................................... Meinl USA L.C.705 .............................. Rhythm Fusion, Inc.707 ............... On the Wall Productions, Inc.708 ............ Acoustic Woods Custom Drums710 ............................. Pork Pie Percussion711 ........................... Lang Percussion, Inc.712 ........................................ Guitar Center713 .................................. Spanway Imports715 ....... Humes & Berg Mfg. Company, Inc.719 .............................................. Taye, Inc.729 ........................ Percussive Arts Society737 ......................... The Percussion Source804 ............................................ diggit, Inc.805 ............................... Unigrip Drumsticks806 ................................ Trinidad & Tobago

Instruments Limited807 ................................... Kooienga Drums808 ............... XL Specialty Percussion, Inc.

Djembes Sun Radius/809 .... Warne Triangles & Stoessel Beaters810 .......................................... Sabian, Ltd.811 ........................... E-pad! Drum Systems812 ................................ My Mi Drums, Inc.813 ......................... PureSound Percussion814 .............................. Doc’s Proplugs, Inc.815 ......................... Schlagwerk Percussion817 .................................... Rhythm Makers819 ......................................... Agate Impex821 .................................................... ABIS823 ............................ Heavyhitterpads.com904 ...............................Steve Weiss Music829 ...........................Vater Percussion, Inc.833 ........................... Cooperman Company839 .............................. Bosphorus Cymbals

9Exhibitors by Category

ACCESSORIESE-pad! Drum Systems ........................... 811Grip Peddler ........................................... 47Heavyhitterpads.com ............................ 823ProLogix Percussion.............................. 508Pro-Mark Corporation ............................. 49PureSound Percussion ......................... 813Rebeats Vintage Drum Products ............. 56Slug Percussion Products ..................... 608Yamaha Corporation of America Band &

Orchestral Division ......................... 427Yamaha Corporation of America–Drumset &

Electronic Percussion ...................... 529

AUDIO & VIDEO PUBLISHERSABIS ..................................................... 821Alfred Publishing Company, Inc................. 1C. Alan Publications ............................... 36Carl Fischer, Inc. ...................................... 3Hal Leonard Corporation ......................... 24Mallet Works Music ................................... 5RAWI Percussion Publications ................ 34Rebeats Vintage Drum Products ............. 56Sibelius Software .................................... 45Touch the Earth .................................... 611Warner Bros. Publications ..... Literature Bin

BAND & ORCHESTRAL PERCUSSIONBlack Swamp Percussion LLC .............. 612Clevelander Drum Company ................. 510Cooperman Company ........................... 833Djembes Sun Radius/Warne Triangles & Stoessel Beaters .... 809Dynasty USA/

DEG Music Products, Inc. ............... 443Grover Pro Percussion, Inc. .................. 138Hohner HSS, Inc./Sonor Drums ............ 337Kaman Music Corporation ..................... 449Lang Percussion, Inc. ........................... 711Lefima Percussion ............................... 504Ludwig Drum Company ......................... 437Maryland Drum Company ..................... 410Per-Del Percussion Development Company ..................... 35TreeWorks Chimes ............................... 416Vaughncraft Percussion ........................ 825Yamaha Corporation of America Band &

Orchestral Division ......................... 427

CYMBALSAvedis Zildjian Company ...................... 139Bosphorus Cymbals .............................. 839Hohner HSS, Inc./Sonor Drums ............ 337Meinl USA L.C. .................................... 643Paiste America, Inc. .............................. 619Sabian, Ltd. .................................. 337, 810

DRUM HEADSAgate Impex ......................................... 819Aquarian Accessories ........................... 404Clearsonic Mfg., Inc. ............................. 412Evans Drumheads ................................ 637Remo, Inc. ............................................ 417

DRUMSETSAcoustic Woods Custom Drums ............ 708

Drum Workshop, Inc.;Pacific Drums and Percussion ......... 426

Dynasty USA/DEG Music Products, Inc. ............... 443

Hohner HSS, Inc./Sonor Drums ............ 337Kaman Music Corporation ..................... 449Lang Percussion, Inc. ........................... 711Ludwig Drum Company ......................... 437Mapex USA, Inc. ................................... 420MRP Drums .......................................... 408My Mi Drums, Inc. ................................. 812Peace Musical Company .......................609Pearl Corporation and Adams Musical

Instruments ..................................... 239Pork Pie Percussion ............................. 710Remo, Inc. ............................................ 417Taye, Inc. .............................................. 719Yamaha Corporation of America–Drumset &

Electronic Percussion ...................... 529

ELECTRONIC PERCUSSIONAlternate Mode, Inc. ................................. 5Nearfield Multimedia ............................. 405Roland Corporation US ......................... 629Yamaha Corporation of America–Drumset &

Electronic Percussion ...................... 529

HARDWARE & CASESBlack Swamp Percussion LLC .............. 612Drum Workshop, Inc.;

Pacific Drums and Percussion ......... 426Hohner HSS, Inc./Sonor Drums ............ 337Humes & Berg Mfg. Company, Inc. ....... 715Kaman Music Corporation ..................... 449Pork Pie Percussion ............................. 710SKB Corporation .................................... 20Taye, Inc. .............................................. 719Vaughncraft Percussion ........................ 825XL Specialty Percussion, Inc. ............... 808Yamaha Corporation of America Band &

Orchestral Division ......................... 427Yamaha Corporation of America–Drumset &

Electronic Percussion ...................... 529

KEYBOARD PERCUSSIONABIS ..................................................... 821Bergerault USA–Professional Division of

Peripole-Bergerault ......................... 411Coe Percussion ...................................... 16Custom Music Company/

Kori Percussion ................................ 21DeMorrow Instruments, Ltd. ................... 74Dynasty USA/

DEG Music Products, Inc. ............... 443Lefima Percussion ............................... 504Malletech Instruments/Keyboard Percussion

Publications ....................................... 28Marimba One .......................................... 30Pearl Corporation and Adams Musical

Instruments ..................................... 239Ross Mallet Instruments ....................... 420Yamaha Corporation of America Band &

Orchestral Division ......................... 427

PERCUSSION RETAIL STORESColumbus Pro Percussion, Inc. ............. 140

Drums In the Wind ................................ 511(Woodwind & Brasswind)

Drumstuff.com ........................................ 57Fork’s Drum Closet ............................... 416Guitar Center ........................................ 712Steve Weiss Music ............................... 904The Percussion Source ......................... 737

PRINT PUBLISHERSABIS ..................................................... 821Alfred Publishing Company, Inc................. 1Batterie Music ......................................... 58C. Alan Publications ............................... 36Carl Fischer, Inc. ...................................... 3drop6 media, Inc. .................................... 40GP Percussion ........................................ 33Hal Leonard Corporation ......................... 24HoneyRock Publishing ............................ 34Innovative Percussion ............................... 9JazzTimes, Inc. ...................... Literature BinMalletWorks Music .................................... 5Malletech Instruments/

Keyboard Percussion Publications .... 28Meredith Music Publications ................... 24Modern Drummer Publications .................. 7Music Yellow Pages ............... Literature BinPan Press, Inc. ....................................... 60Percussion Specialist .............................. 61Per-Mus Publications, Inc. ...................... 55Rebeats Vintage Drum Products ............. 56Robo-Percussion .................................... 59Row-Loff Productions ............................. 12Smith Publications .................................. 63Studio 4 Music ........................................ 1Tap Space Publications .......................... 62

SCHOOLS & ORGANIZATIONSBands of America ................................... 41Berklee College of Music ........................ 38Clarion Associates .................................. 42Drummers Collective .............................. 32“Gus” Moeller Tribute .............................. 68Musican’s Institute ................................ 507Oberlin Conservatory of Music ............... 64Percussion Events Registry Company .... 71US Marine Drum & Bugle Corps ............ 505US Navy Music Program ........................ 67Vanderbilt University/

Blair School of Music .......................... 66Winter Guard International .................... 606

SOUND EQUIPMENTAudix Corporation .................................. 37Auralex Acoustics ................................. 610Clearsonic Mfg., Inc. ............................. 412Doc’s Proplugs, Inc. .............................. 814Shure Incorporated ............................... 613

STICKS & MALLETSA. Putnam Mallets ................................. 406Agate Impex ......................................... 819Avedis Zildjian Company ...................... 139Mike Balter Mallets ............................... 521California Percussion .............................. 14Clevelander Drum Company ................. 510Cooperman Company ........................... 833

diggit, Inc. ............................................ 804Encore Mallets, Inc. ................................ 17Grover Pro Percussion, Inc. .................. 138Hohner HSS, Inc./Sonor Drums ............ 337Iñaki Sebastián Mallets S.L. .................. 409Innovative Percussion ............................... 9johnnyraBB Drumstick Company ............ 25Lefima Percussion ............................... 504Percussion Construction ......................... 39Pro-Mark Corporation ............................. 49Regal Tip/Calato ................................... 513Unigrip Drumsticks ................................ 805Vater Percussion, Inc. ........................... 829Vaughncraft Percussion ........................ 825Vic Firth, Inc. ........................................ 347Yamaha Corporation of America Band &

Orchestral Division .......................... 427

TIMPANIAmerican Drum Manufacturing

Company ........................................... 14Clevelander Drum Company ................. 510Dynasty USA/

DEG Music Products, Inc. ............... 443Lang Percussion, Inc. ........................... 711Lefima Percussion ............................... 504Ludwig Drum Company ......................... 437Pearl Corporation and Adams Musical

Instruments ..................................... 239Tour Timps ........................................... 509Yamaha Corporation of America Band &

Orchestral Division .......................... 427

WORLD PERCUSSIONABIS ..................................................... 821Clearsonic Mfg., Inc. ............................. 412Cooperman Company ........................... 833DeMorrow Instruments, Ltd. .................... 74Djembes Sun Radius/Warne Triangles & Stoessel Beaters .... 809Kaman Music Corporation ..................... 449Kooienga Drums ................................... 807LP Music Group/

Latin Percussion, Inc. ..................... 543Meinl USA L.C. .................................. 643Mountain Rythym .................................. 414On the Wall Productions, Inc. ............... 707Paiste America, Inc. .............................. 619Pan Caribe, Inc./Steel Island .................. 43Remo, Inc. ............................................ 417Rhythm Fusion, Inc. ............................. 705Rhythm Makers ................................... 817Schlagwerk Percussion ......................... 815Spanway Imports .................................. 713Touch the Earth .................................... 611Trinidad & Tobago

Instruments Limited ......................... 806

10 Exhibit Hall

Please limit testing of instruments to not louder than a moderate dynamic level (up to mf) and fora brief period only (up to 30 seconds). Failure to adhere to this policy will result in the following:

1st Offense: Warning (Badge will be punched)

2nd Offense: Expulsion from Exhibit Hall (24 hours)

3rd Offense: Permanent expulsion from Exhibit Hall

No refunds will begiven, and decisions

of the security guardsare final.

PASIC 2001SOUNDPOLICYPLEASE BECONSIDERATEOF OTHERS!

EXHIBIT HALL HOURS9:00 A.M. – 5:00 P.M.

Thursday through Saturday

12 Exhibitors

A. Putnam Mallets 406117 SW 332nd Place #2502Federal Way, WA 98023Phone: 253-661-5715 Fax: 253-952-6865E-mail: aputnam@gateway.netWeb: www.aputnammallets.com

Handcrafted mallets for marimba, timpani,bass drum, gong and vibes.

ABIS 82180 Evlogi Georgiev Street1124 Sofia, BulgariaPhone: 3592/444153 Fax: 3592/467459E-mail: abis@antonko.comWeb: www.antonko.com

Keyboard percussion instruments, Bulgariandrum tapan, publications and recordings.

Acoustic Woods Custom Drums 7081027 Wetterau AvenueLouisville, KY 40217Phone: 502-635-1011E-mail: acousticwoods@aol.com

Hand crafted, custom built drums with exoticwood veneers featuring unique sound portscreating maximum resonance and rich, ro-bust tonal quality.

Alfred Publishing Co., Inc. 116320 Roscoe BoulevardVan Nuys, CA 91406-1216Phone: 818-891-5999 Fax: 818-830-6249E-mail: CustomerService@AlfredPub.comWeb: www.alfredpub.com

Educational music publisher of instrumentalmaterials including percussion methods, soloand ensemble literature and the exclusivedistribution of Studio 4 Music.

Alternate Mode, Inc. 553 First AvenueChicopee, MA 01020Phone: 413-594-5190 Fax: 413-592-7987E-mail: kat1993@aol.comWeb: www.AlternateMode.com

The complete line of KAT midi mallet andpercussion controllers.

American Drum Manufacturing 14 CompanyP.O. Box 40403Denver, CO 80204Phone: 303-722-3844 Fax: 303-722-3025E-mail: tympani@ecentral.comWeb: www.americandrum-w-light.com

A custom manufacturer of Dresden chainand specialty tympani for over 50years. We specialize in restoration/repair ofour products and other makes of tympani.

Aquarian Accessories 4041140 North Tustin AvenueAnaheim, CA 92807Phone: 714-632-0230 Fax: 714-632-3905E-mail: Aquarian98@sprintmail.com

Aquarian drumheads, precision corps drum-heads, studio rings, cymbal rings, port holes.

Audix Corporation 379400 Southwest Barber StreetWilsonville, OR 97070Phone: 503-682-6933 Fax: 503-682-7114E-mail: info@audixusa.comWeb: www.audixusa.com

Manufacturer of high quality microphonesand monitor speakers for the live sound andrecording markets.

Auralex Acoustics 6108851 Hague RoadIndianapolis, IN 46256-1284Phone: 1-800-95-WEDGE Fax: 317-842-2760E-mail: auralex@auralex.comWeb: www.auralex.com

Acoustical products at real world prices.

Avedis Zildjian Company 13922 Longwater DriveNorwell, CA 02061Phone: 781-871-2200 Fax: 781-871-3984Web: www.zildjian.com

A complete range of cymbals—plus drum-sticks, accessories and educational litera-ture.

Mike Balter Mallets 52115 E. Palatine Road Suite 116Prospect Heights, IL 60070Phone: 847-541-5777 Fax: 847-541-5785E-mail: info@mikebalter.comWeb: www.balter.com

Custom and semi-custom percussion malletsfor keyboard percussion, concert percussion,marching percussion and more.

Bands of America 41526 Pratt Avenue NorthSchaumburg, IL 60193Phone: 800-848-2263 Fax: 847-891-1812E-mail: BOAInfo@bands.orgWeb: www.bands.org

Nonprofit education organization. Annualprograms include the World PercussionSymposium, National Percussion Festival,National and Regional Concert Band Festi-vals and Marching Band Championships.

Batterie Music 58P.O. Box 90014Pasadena, CA 91109Phone: 626-798-7144 Fax: 626-798-7144E-mail: battmusik@aol.comWeb: www.batteriemusic.com

Music for the orchestral percussionist pub-lished by Raynor Carroll, Principal Percus-sionist, Los Angeles Philharmonic.

Bergerault USA– 411Professional Division of Peripole-Bergerault, Inc.P.O. Box 12909Salem, OR 97309-0909Phone: 800-443-3592 Fax: 888-724-6733E-mail: pro@BergeraultUSA.comWeb: www.BergeraultUSA.com

Manufacturers and sole distributor ofBergerault keyboard mallet percussion in-struments. Extensive product line includesvibraphones, marimbas, bass marimbas, xy-lophones, glockenspiels and concert chimes.

Berklee College of Music 381140 Boylston StreetBoston, MA 02215-3693Phone: 800-Berklee (US/Canada) or617-747-2222 Fax: 617-747-2047E-mail: admissions@berklee.eduWeb: www.berklee.edu

Independent music college for the study ofcontemporary music offering courses to afully accredited four-year baccalaureate de-gree or diploma.

Black Swamp Percussion LLC 61213493 New Holland StreetHolland, MI 49424Phone: 616-738-3190 Fax: 616-738-3105E-mail: info@blackswamp.comWeb: www.blackswamp.com

Snare drums, field drums, bamboo andmaple timpani mallets, tambourines, tri-angles, cases, castanets and woodblocks.

Bosphorus Cymbals 8396020 Dawson Boulevard Suite FNorcross, GA 30093Phone: 770-662-3002 Fax: 770-447-1036E-mail: info@bosphoruscymbal.comWeb: www.bosphoruscymbal.com

Hand hammered cymbals from Turkey.

13Exhibitors

C. Alan Publications 36P.O. Box 29323Greensboro, NC 27429Phone: 336-272-3920 Fax: 336-272-3988E-mail: calanp@earthlink.netWeb: www.c-alanpublications.com

Percussion and band publisher.

California Percussion 142366 9th AvenueSan Francisco, CA 94116Phone: 800-865-7933 Fax: 510-523-3786E-mail: info@californiapercussion.comWeb: www.californiapercussion.com

Professional model Herbert timpani malletsand professional quality triangle holders, ac-cessories and practice tools.

Carl Fischer, Inc. 365 Bleecker StreetNew York, NY 10012Phone: 212-777-0900 Fax: 212-477-6996E-mail: cf-info@carlfischer.comWeb: www.carlfischer.com

Publishers of percussion videos, books andperformance material including the newDave Weckl video series, “A Natural Evolu-tion,” the Firth-Feldstein Percussion Methodand the “Hip Pockets” Series.

Clarion Associates, Inc. 421711 New York AvenueHuntington Station, NY 11746Phone: 631-423-2990 Fax: 631-423-2821E-mail: clarion@villagenet.comWeb: www.clarionins.com

Clarion is an insurance firm dedicated solelyto the needs of musicians worldwide.

Clearsonic Mfg, Inc. 4121223 B Norton RoadHudson, OH 44236Phone: 330-650-1420 Fax: 330-650-1445E-mail: brian@clearsonic.comWeb: www.clearsonic.com

Manufacturers of drum shields, gobos andretailers of specialty percussion products in-cluding Tamburo drums, Attack Heads andSlug Percussion Products.

Clevelander Drum Company 5103800 Kelley AvenueCleveland, OH 44114Phone: 216-391-1234 Ext. 130Fax: 216-391-8999E-mail: drum@grotro.comWeb: www.clevelanderdrum.com

Manufacturer of professional percussionproducts, specializing in snare drums, tim-pani and timpani mallets.

Coe Percussion 161104 Richardson RoadTallahassee, FL 32301-3622Phone: 850-228-6960 Fax: 850-942-4081E-mail: matt@coepercussion.comWeb: www.coepercussion.com

Custom built five octave and smaller marim-bas, and four octave xylophones. Concertgrands, height adjustable, and etude modelsavailable.

Columbus Pro Percussion, Inc. 1405052 North High StreetColumbus, OH 43214Phone: 614-885-7372 or 800-775-7372Fax: 614-885-4761E-mail: mail@columbuspercussion.comWeb: www.columbuspercussion.com

Pro shop carrying all major brands of combo,concert, marching, world and electronic per-cussion. Also offering custom work, repairsand lessons.

Cooperman Company 833Essex Industrial Park #11; P.O. Box 276Centerbrook, CT 06409-0276Phone: 860-767-1779 Fax: 860-767-7017E-mail: info@cooperman.comWeb: www.cooperman.com

Persimmon and hickory drumsticks, concertand marching models, matched pairs.Handcrafted world percussion frame drums,rope tension field drums and historicaldrums. Parts, repairs and restorations.

Custom Music Company/Kori Percussion 211930 Hilton RoadFerndale, MI 48220Phone: 248-546-4135 or 800-521-6380Fax: 248-546-8296E-mail: cmckori@aol.comWeb: www.custommusiccorp.com

Kori marimbas and xylophones.

DeMorrow Instruments, Ltd. 741318 Center StreetArkadelphia, AR 71923Phone: 870-246-4010E-mail: demorrow@arkansas.net

Handmade keyboard percussion instru-ments, services include keyboard retuning,bar replacement and refinishing, and key-board replacement. Ask about auxillary per-cussion instruments.

diggit, Inc. 8046433 Topanga Canyon Boulevard #158Woodland Hills, CA 91303Phone: 818-615-0080 Fax: 818-884-2043E-mail: diggitsw@jps.netWeb: www.diggitusa.com

diggit, STICKWEIGHTS, “The drummer’swarm-up.” Diggit, RadPad “The On-the-Go”drummer’s warm-up and practice pad.

Djembes Sun Radius/ 809Warner Triangles & Stoessel Beaters2074 South Airport Road WestTraverse City, MI 49684Phone: 231-922-9092 Fax: 231-922-9034E-mail: dwarne@traverse.comWeb: www.sunradius.com

Carved African djembe drums, symphonictriangles and beaters by Dave Warne andJohn Stoessel.

Doc’s Proplugs, Inc. 814719 Swift Street Suite 56Santa Cruz, CA 95060Phone: 831-425-5920 Fax: 831-425-0178E-mail: info@proplugs.comWeb: www.proplugs.com

Ready-to-wear preformed protective ear-plugs in 8 sizes vented and non-vented.Ready-to-wear earmolds with adaptor tohold budstyle earphones and Handsfree budheadsets without headband available.

drop6 media, Inc. 40P.O. Box 81Denton, TX 76202Phone: 877-77drop6 Fax: 940-383-2025E-mail: info@drop6.comWeb: www.drop6.com

Percussion ensemble publications, classical,pop, marching, steel band and originals.

14 Exhibitors

Drum Workshop, Inc.; 426Pacific Drums and Percussion3450 Lunar CourtOxnard, CA 93030-8976Phone: 805-485-6999 Fax: 805-485-1334E-mail: info@dwdrums.comWeb: www.dwdrums.com

American manufacturer of drums, pedals,hardware, snare drums and drum accesso-ries. DW is also the exclusive worldwide dis-tributor for Pacific Drums and Percussion.

Drummers Collective 32541 Avenue of the AmericasNew York, NY 10011Phone: 212-741-0091 Fax: 212-604-0760E-mail: collective@thecoll.comWeb: www.thecoll.com

Course catalogues, faculty books and vid-eos. Interviews with Admission Director.

DRUM! Magazine Literature Bin773 North 9th Street Suite 253San Jose, CA 95112Phone: 408-971-9794 Fax: 408-971-0382E-mail: info@drumlink.comWeb: www.drumlink.com

Reading for drummers and percussionists,with insightful interviews, challenging les-sons and product tests designed to help playbetter and faster.

Drums In the Wind 511(Woodwind & Brasswind)4004 Technology DriveSouth Bend, IN 46628Phone: 800-540-4054 Fax: 219-251-3501E-mail: DITW@wwandbw.comWeb: www.drumsinthewind.com

Full line percussion dealer handling march-ing, concert, combo and accessories. A divi-sion of the band instrument company, TheWoodwind and Brasswind.

Drumstuff.com 57906 Dry Creek RoadCampbell, CA 95008Phone: 408-537-0600 Fax: 408-559-8632E-mail: info@drumstuff.comWeb: www.drumstuff.com

Drumstuff.com is an e-marketplace for drum-mers and percussionists. Buy, sell, ask apro, interviews, tour dates, transcriptionsand more.

Dynasty USA/DEG Music Products, Inc. 443P.O. Box 968Lake Geneva, WI 53147Phone: 262-248-8314 or 800-558-9416Fax: 262-248-7953E-mail: allanm@degmusic.comWeb: www.degmusic.com

Marching, concert percussion including tim-pani, keyboards, practice pads and accesso-ries.

Encore Mallets, Inc. 17702 Runge DriveLewisville, TX 75057Phone: 972-436-6963 Fax: 972-436-6963E-mail: dan@encoremallets.comWeb: www.encoremallets.com

Nancy Zeltsman mallets, xylophone mallets,latex mallets, rubber ball mallets, bell mal-lets, Payson timpani mallets, Payson concertbass drum mallets, Nick Petrella xylophonemallets, and Nick Petrella suspended cymbalmallets.

E-pad! Drum Systems 8114179 Nagle Avenue #8Sherman Oaks, CA 91423Phone: 818-788-4335 Fax: 818-788-4335E-mail: info@epadco.comWeb: www.epadco.com

Drum practice pads that respond more likedrums. Featuring: Standard and ProDeluxeKneepads and New EP-9 and EP-12 circularpads, EP-12 Custom in White Marine andBlue Fusion Wrap.

Evans Drumheads 637595 Smith StreetFarmingdale, NY 11735Phone: 516-439-3300 Fax: 516-439-3333E-mail: mail@evansdrumheads.comWeb: www.evansdrumheads.com

Corporate Affiliate: J. D’Addario & Company,Inc. Brands: Emad, EQ Series, Power Cen-ter, Genera, Hydraulic, Tri-Center Conga andBongo Heads, Timbale Heads, MX Marching,Timpani and Orchestral heads, Prepaks.

Fork’s Drum Closet 4162701 12th Avenue SouthNashville, TN 37204Phone: 615-383-8343 Fax: 615-269-0245E-mail: sales@forksdrumcloset.comWeb: www.forksdrumcloset.com

Retail drum accessories.

GP Percussion 331385 Almond AvenueSt. Paul, MN 55108Phone: 651-645-7328 Fax: 651-645-7342E-mail: rebeccakite@gppercussion.comWeb: www.gppercussion.com

Marimba, vibraphone and percussion musicfrom various publishers.

Grip Peddler 47110 Calle CordilleraSan Clemente, CA 92673Phone: 949-361-9999 Fax: 949-361-9998E-mail: steve@grippeddler.comWeb: www.grippeddler.com

Traction pads for bass drum and hi-hat ped-als.

Grover Pro Percussion, Inc. 13822 Prospect Street, Unit 7Woburn, MA 01801Phone: 781-935-6200 Fax: 781-935-5522E-mail: info@groverpro.comWeb: www.groverpro.com

Tambourines and accessories, triangles andaccessories, snare drums, custom snarewires, wood blocks, concert bass drums, tim-pani mallets, concert bass drum mallets andkeyboard mallets.

Guitar Center 7125795 Lindero Canyon RoadWestlake Village, CA 91362-4013Phone: 818-735-8888Web: www.guitarcenter.com

Drums, percussion, accessories, electronicpercussion and world percussion from topmanufacturers including DW, Pacific, Pearl,Premier, Tama, Yamaha, Roland, Sabian,Zildjian, Paiste, Remo, Evans, Aquarian,Pork Pie, Vic Firth, Vaer, Pro-Mark,johnnyraBB, Regal Tip, Latin Percussion,Gibralter, Toca and many more.

“Gus” Moeller Tribute 681551 Ben Sawyer Boulevard, #23Mt Pleasant, SC 29464Phone: 843-884-9353E-mail: vjbatt@home.com

Hal Leonard Corporation 247777 West Bluemound RoadMilwaukee, WI 53213Phone: 414-774-3630 Fax: 414-774-3259E-mail: halinfo@halleonard.comWeb: www.halleonard.com

Publisher.

16

Heavyhitterpads.com 82312345 Mountain Avenue Suite N-160Chino, CA 91710Phone: 909-590-2598E-mail: heavyhitterpads@yahoo.comWeb: www.heavyhitterpads.com

Drum practice pads: six varieties includingmylar and kevlar feels, scale quadpads withrealistic playing areas in small and largedrum sizes–they’re purple!

Hohner HSS, Inc./Sonor Drums 337P.O. Box 9167Richmond, VA 23227Phone: 804-550-2700 Fax: 804-550-2768Web: www.hohnerusa.com

Distributor of Sabian cymbals, Sonor drums,Vic Firth, Pro-Mark, johnnyraBB, Rockbagsby Warwick, and Rockwood drums byHohner.

HoneyRock Publishing 34396 Raystown RoadEverett, PA 15537Phone: 814-652-9184 Fax: 814-652-6886E-mail: honeyroc@bedford.netWeb: www.bedford.net/honeyrock

Percussion performance literature, booksand recordings.

Humes & Berg Mfg. Company, Inc. 7154801 Railroad AvenueEast Chicago, IN 46312Phone: 219-397-1980 Fax: 219-397-4534E-mail: products@humes-berg.comWeb: www.humes-berg.com

Percussion cases–bags and accessories.

Iñaki Sebastián Mallets S.L. 409Okendotegi 4020115 Astigarraga Gipuzkoa SpainPhone: 34-943-331241 Fax: 34-948-142718E-mail: mallets@cin.esWeb: www.cin.es/mallets/

Keyboard mallets.

Innovative Percussion 9501 Metroplex Drive, Suite 109Nashville, TN 37211Phone: 615-333-9388 Fax: 615-333-9354E-mail: info@innovativepercussion.comWeb: www.innovativepercussion.com

Mallets, drumsticks and publications.

JazzTimes, Inc. Literature Bin8737 Colesville RoadSilver Spring, MD 20910Phone: 301-588-4114 ext. 514Fax: 301-588-5531E-mail: gsabin@jazztimes.comWeb: www.jazztimes.com

Since 1970–America’s Jazz magazine. 1999Recipient of Jazz Awards Show Category forBest Jazz Magazine.

johnnyraBB Drumstick Company 253405 Highway 138Toone, TN 38381Phone: 901-658-2160 Fax: 901-658-2169Web: www.johnnyrabb.com

Home of the Rhythmsaw Drumstick. Offeringnumerous styles of high quality drumsticksand other percussion products. Choice ofpopular tip styles to accompany their fullline.

Kaman Music Corporation 449P.O. Box 507Bloomfield, CT 06002-0507Phone: 860-509-8888 Fax: 860-509-8891E-mail: info-kmc@kaman.comWeb: www.kamanmusic.com

Presenting Gretsch drums, Toca Hand Per-cussion, Gibraltar Hardware, CB and VicFirth Educational Percussion.

Kooienga Drums 807578 Frazier Hollow RoadDowelltown, TN 37059Phone: 615-536-5567E-mail: beechhollow@hotmail.com

Handcrafted traditional and custom drums.Djembes, two-headed djembes and specialtydrums.

Lang Percussion, Inc. 711325 Gold StreetBrooklyn, NY 10023Phone: 718-624-1825 Fax: 718-624-5004E-mail: mlang@prodigy.net

Gladstone Snare Drums and Drum Sets,Goodman Timpani; new “Animal” metal shellsnares.

Lefima Percussion 504Barbaraweg 393413 Cham GermanyPhone: 49-9971-32081 Fax: 49-9971-31122E-mail: aehnelt@mail.teleconsult.deWeb: www.lefima.comU.S. distributor–Everett BealeEmail: e.beale@worldnet.att.net.Web: home.att.net/~e.beale/

Drums, timpani, sticks, keyboard instru-ments, mallets, tambourines and triangles.

LP Music Group/Latin Percussion, Inc. 543160 Belmont AvenueGarfield, NJ 07026Phone: 888-576-8742 Fax: 973-478-1503E-mail: marketing@lpmusic.comWeb: www.lpmusic.com orwww.congahead.com

For over 35 years Latin Percussion, Inc. hasfeatured a complete and vast selection ofwood and fiberglass congas and bongos,timbales, community drums, udu drums,cowbells, blocks, chimes, tambourines,shakers and more.

Ludwig Drum Company 437P.O. Box 310Elkhart, IN 46515Phone: 219-522-1675 Fax: 219-295-5405Web: www.ludwig-drums.com

Manufacturer of percussion instruments andaccessories.

Mallet Works Music 5P.O. Box 2101Stamford, CT 06906-1506Phone: 203-327-2854 Fax: 203-406-0665E-mail: mwmusic@attglobal.netWeb: www.malletworks.com

Specializing in the music of Arthur Lipner,Ney Rosauro, Double Image, David Fried-man, Dave Samuels, Mike Mainieri andmore. CD’s, mallets, accessories.

Malletech Instruments/ 28Keyboard Percussion PublicationsP.O. Box 467Asbury Park, NJ 07712Phone: 732-774-0011 Fax: 732-774-0033E-mail: mostlymarimba@mostlymarimba.comWeb: www.mostlymarimba.com

Manufacturer of marimbas, xylophones andglockenspiels and publisher of keyboard per-cussion music.

Mapex USA, Inc. 420P.O. Box 1360La Vergne, TN 37086-1360Phone: 888-627-3987 Fax: 615-793-2070E-mail: mapex@mapexdrums.com

Featuring American maple, cherry and wal-nut and Asian basswood shells in an exten-sive range of sets and componentscomplimented by professional, innovativehardware.

Exhibitors

Marimba One 30P.O. Box 786Arcata, CA 95518Phone: 707-822-9570 Fax: 707-822-6256E-mail: percussion@marimba1.comWeb: www.marimba1.com

Concert marimbas.

Maryland Drum Company 410216 Schilling Circle, Suite 102Hunt Valley, MD 21031Phone: 410-584-2539 Fax: 410-584-8634E-mail: jweinstock@marylanddrum.comWeb: www.marylanddrum.com

Hand-crafted, American-made drums, bornfrom passion and designed by Keith Larsen,Product Specialist. Instruments of traditionalcraftsmanship and technical innovation.

Meinl USA L.C. 6438400 NW 30th TerraceMiami, FL 33122Phone: 877-88-MEINL Fax: 305-418-4771Email: gomeinl@aol.comWeb: www.meinl.de

Manufacturer of cymbals and ethnic/handpercussion, including Byzance, Amun andclassic lines and educational.

Meredith Music Publications 247777 West Bluemound RoadMilwaukee, WI 53213Phone: 414-774-3630 Fax: 414-774-3259E-mail: garwoodw@aol.comWeb: www.meredithmusic.com

Creative and comprehensive method books,solos, ensembles and texts for percussioninstruments.

Modern Drummer Publications 712 Old Bridge RoadCedar Grove, NJ 07009 USAPhone: 973-239-4140 Fax: 973-239-7139E-mail: mdinfo@moderndrummer.comWeb: www.moderndrummer.com/

Publisher.

Mountain Rythym 414P.O. Box 1356Lakefield, ONT Canada KOL 240Phone: 905-764-6543 Fax: 905-764-6685E-mail: drums@mountainrythym.comWeb: www.mountainrythym.com

Manufacturers of percussion instruments–featuring our patented, easy-to-use “simpletwist” tuning system. Djembes, ashikos, eth-nic percussion kit, congas, timbales andmore.

MRP Drums 408514 West Valley Stream BoulevardValley Stream, NY 11580-5127Phone: 516-568-2820 Fax: 516-825-4485E-mail: mrpdrums@aol.comWeb: www.mrpdrums.com

Custom handbuilt snares and drumsets.

Music Yellow Pages Literature Bin184 Hempstead AvenueWest Hempstead, NY 11552Phone: 516-489-6514 Fax: 516-538-9429E-mail: scott@musicyellowpages.comWeb: www.musicyellowpages.com

Industry directory featuring 38,000 listings ofevery major manufacturer, wholesaler anddistributor. Also available online.

Musician’s Institute 5071655 McCadden PlaceHollywood, CA 90028Phone: 800-255-PLAY Fax: 323-462-6978E-mail: music@mi.eduWeb: www.mi.edu

Professional-level music education to stu-dents of guitar, bass, drums, keyboard, voiceand recordings. The Institute offers a Bach-elor of Music degree program, six-month totwo-year certificates, and three-month cus-tom designed programs.

My Mi Drums, Inc. 81287 Woods DriveClinton Corners, NY 12514Phone: 866-MYDRUMSE-mail: mymi.drums@att.net

Unique tensioning system suspends drumshell between top and bottom heads allow-ing to resonate freely, while maintaining theability to vary the tensions between theheads. Absolutely no hardware attachmentsto the shell itself.

Nearfield Multimedia 4051330 East 223rd Street #524Carson, CA 90745Phone: 310-518-4277 Fax: 310-518-4279E-mail: multimedia@nearfield.comWeb: www.multimedia.nearfield.com

Electronic instruments designed by DonBuchla.

Oberlin Conservatory of Music 6477 West CollegeOberlin, OH 44074Phone: 440-775-8413 Fax: 440-775-6972Email: conservatory.admissions@oberlin.eduWeb: www.oberlin.edu

School/University.

19

Pearl Corporation and 239Adams Musical Instruments549 Metroplex DriveNashville, TN 37211-3140Phone: 615-833-4477 Fax: 615-833-6242E-mail: donclick@pearldrums.com orstevehearn@pearldrums.comWeb: www.pearldrum.com

All areas of percussion equipment.

Percussion Construction 39P.O. Box 6116Kingwood, TX 77325Phone: 800-3MALLET Fax: 281-360-4104E-mail: sales@percussionconstruction.comWeb: www.percussionconstruction.com

Full line of keyboard and timpani mallets.

Percussion Events Registry Company 713815 Comanche TrailBedford, TX 76021-3114Phone: 817-354-3815 Fax: 817-354-7080E-mail: perc@ont.com

Your one-stop source for scheduling percus-sion events.

Percussion Specialist 6141 E 400 N Box 153Logan, UT 84321Phone: 800-341-7004E-mail: percussionspecialist@hotmail.com

Solo and ensemble music for all percussioninstruments. Thousands of titles in stock.

Percussive Arts Society 729701 NW Ferris AvenueLawton, OK 73507-5442Phone: 580-353-1455 Fax: 580-353-1456E-mail: percarts@pas.orgWeb: www.pas.org

The Percussive Arts Society (PAS) is a mu-sic service organization promoting percus-sion education, research, performance andappreciation throughout the world.

Per-Del Percussion 35Development CompanyP.O. Box 130LaVergne, TN 37086Phone: 615-885-5871 Fax: 615-885-1322E-mail: howieoliver@hotmail.com

Manufacturers of triangles and triangle ac-cessories.

Per-Mus Publications, Inc. 55P.O. Box 218333Columbus, OH 43221Phone: 614-529-0085 Fax: 614-529-0085 *51E-mail: PerMus@aol.com

Offering over 200 items for percussion (so-los, ensembles, books.) Publications for in-struction, recitals and contest use atelementary through high school and collegelevels.

Pork Pie Percussion 8237241 1/2 Eton AvenueCanoga Park, CA 91303Phone: 818-992-0783 Fax: 818-992-1358E-mail: porkpie@westworld.comWeb: www.porkpiedrums.com

Drums, hardware, thrones and accessories.

ProLogix Percussion 508P.O. Box 609Uniontown, OH 44685Phone: 330-966-2079E-mail: prologixperc@aol.comWeb: www.prologixpercussion.com

Producers of a variety of practice pads.

Pro-Mark Corporation 4910707 Craighead DriveHouston, TX 77025-5899Phone: 713-666-2525 Fax: 713-669-8000E-mail: info@promark-stix.comWeb: www.promark-stix.com

Drumsticks, mallets, and percussion acces-sories.

PureSound Percussion 8132050 Cotner AvenueLos Angeles, CA 90025Phone: 310-966-1176 Fax: 310-473-4255E-mail: info@puresound.comWeb: www.puresoundpercussion.com

Hand crafted snare wires dramatically im-prove the sound and performance ofdrumset, marching and concert snare drums.

Rebeats Vintage Drum Products 56219 Prospect Street; P.O. Box 6Alma, MI 48801Phone: 517-463-4757 Fax: 517-463-6545E-mail: rebeats@rebeats.comWeb: www.rebeats.com

Vintage drum books, videos, shirts, andother products.

Exhibitors

On the Wall Productions, Inc. 7078312 Olive BoulevardSt Louis, MO 63132Phone: 314-692-2900 Fax: 314-213-3194E-mail: scream@fclass.netWeb: www.thundertube.com

Novelty sound effects and percussion: Thun-der Tubes, Zydeco Steel Ties, Bonego’s(skull bongos), Giant Twirl drums,Groanaphones, and more!

Paiste America, Inc. 619460 Atlas StreetBrea, CA 92821Phone: 800-472-4783 Fax: 714-671-5869E-mail: info@paiste.comWeb: www.paiste.com

Traditional, Signature, Dimensions, 2002Classic, Rude Classic, Innovations, Alpha802, 502, 402, 302, Gongs, Exotic Percus-sion, Cast Bronze Drums.

Pan Caribe, Inc./Steel Island 4314103 Panorama DriveAustin, TX 78732Phone: 800-525-6896 (USA & Canada)or 512-266-7995 Fax: 512-266-7986E-mail: info@pancaribetours.com andpan@steelisland.comWeb: www.pancaribetours.com orwww.steelisland.com

Tour packages for Trinidad & Tobago. Steelpans.

Pan Press, Inc. 60P.O. Box 1126Elgin, IL 60121-1126 USAPhone: 630-587-3473E-mail: paul@panpress.comWeb: www.panpress.com

Original music for steelband and solo steelpan.

Peace Musical Company 609P.O. Box 5306Hacienda Heights, CA 91745Phone: 626-581-4510 Fax: 626-581-4710E-mail: peacemusical@mminternet.comWeb: www.peacemusic.com.tw

From student level percussion to customdrum set-up, Peace Musical Company isready to shake the drum community.

20 Exhibitors

Rhythm Fusion, Inc. 705P.O. Box 3226Santa Cruz, CA 95063Phone: 831-426-7975 Fax: 831-423-2073E-mail: rhythm@cruzio.comWeb: www.rhythmfusion.com

World percussion instruments from Africa,Asia, Europe, Middle East, USA.

Rhythm Makers 8171489 Fairview Church RoadFloyd, VA 24091Phone: 540-745-7140 Fax: 540-745-7142E-mail: drums@swva.netWeb: www.drummakers.com

Ashikos and Djun Djuns with instant slidetuning.

Robo-Percussion Music 59P.O. Box 269Charlton, MA 01507Phone: 508-765-1575 Fax: 508-248-4904E-mail: scott@robopercussion.comWeb: www.robopercussion.com

Robo-Percussion Music designed a curricu-lum for the first nine years of percussionstudy. Our methods, solo and ensemble mu-sic are built upon this curriculum.

Roland Corporation–US 6295100 South Eastern AvenueLos Angeles, CA 90040-2938Phone: 323-890-3700 Fax: 323-890-3701Web: www.rolandus.com

Electronic drumkits, drum machines, soundmodules, pad controllers and electronicdrum accessories.

Ross Mallet Instruments 420P.O. Box 90249Austin, TX 78709Phone: 512-288-7400 Fax: 512-288-6445E-mail: info@rossmallets.comWeb: www.rossmallet.com

Manufacturers of a complete line of profes-sional level marimbas, vibraphones, xylo-phones, bells and chimes.

Row-Loff Productions 12P.O. Box 292671Nashville, TN 37229Phone: 800-624-8001 Fax: 615-885-0370E-mail: rlpmail@rowloff.comWeb: www.rowloff.com

Music publisher.

Sabian, Ltd. 337, 810219 Main StreetMeductic NB Canada E6H 2L5Phone: 506-272-2019 Fax: 506-272-1265E-mail: sabian@sabian.comWeb: www.sabian.com

Manufacturer of cymbals, gongs, crotalesand metallic percussion instruments and per-cussion accessories.

Schlagwerk Percussion 815c/o Salwender International1140 N. Lemon Street Suite MOrange, CA 92867-4722Phone: 714-538-1285 Fax: 714-633-7881E-mail: info@salwender.comWeb: www.salwender.com

German made percussion instruments withCuban, Peruvian and African heritage. CajonLa Peru Cajon Comparsa, Yambu Peruano,tuneable framedrums in many sizes, F-pentatonic Logdrums, udus, small percus-sion and shakers.

Shure, Incorporated 613222 Hartrey AvenueEvanston, IL 60202Phone: 847-866-2200 Fax: 847-866-2279E-mail: info@shure.comWeb: www.shure.com

Microphones and microphone accessories.

Sibelius Software 451407 Oakland Blvd, Suite #300Walnut Creek, CA 94596Phone: 925-280-0600 Fax: 925-280-0008E-mail: lmarchese@sibelius.com orpkreymborg@sibelius.comWeb: www.sibelius.com

Notation software providing a fast and easyway to write, play, scan, edit and print musicfor percussion, and even publish it on theInternet.

SKB Corporation 201607 North O’Donnell WayOrange, CA 92867Phone: 800-410-2024 Fax: 714-283-0425E-mail: ted@skbcase.comWeb: www.skbcases.com

Manufacturer of musical instrument cases.SKB recently introduced the Roto X seriesdrum cases. Heavy-duty molded cases withfabric foam-lined interiors.

Regal Tip/Calato 5134501 Hyde Park BlvdNiagara Falls, NY 14305Phone: 716-285-3546 Fax: 716-285-2710E-mail: regaltip@aol.comWeb: www.regaltip.com

Regal Tip drumsticks, drum brushes, malletsand percussion accessories.

Remo, Inc. 41728101 Industry DriveValencia, CA 91355Phone: 805-294-5600 Fax: 805-294-5701Web: www.remo.com

A complete line of drumheads, drums, worldpercussion, kids percussion, marching andaccessory products. Weatherking,Fiberskyn, NuSkyn, Renaissance, Suedeand PowerStroke drumhead product lines.

22

Tap Space Publications 62P.O. Box 55753Portland, OR 97238Phone: 888-628-1899 Fax: 503-288-6085E-mail: info@tapspace.comWeb: www.tapspace.com

Tap Space Publications is the producer ofbooks that specialize in forefront marchingand concert percussion literature.

Taye, Inc. 7194881 Chino AvenueChino, CA 91710Phone: 909-628-9589 Fax: 909-628-1799E-mail: info@taye.comWeb: www.taye.com

Acoustic drums and accessories. Percussionhardware, music stands.

The Percussion Source 7371212 W 5th StreetCoralville, IA 52241Phone: 866-849-4387 Fax: 888-470-3942E-mail: service@percussionsource.comWeb: www.percussionsource.com

Concert percussion instruments and acces-sories for the serious player from beginner topro.

Touch the Earth 61188 Dobyns Church RoadStuart, VA 24171Phone: 540-694-5910 or 704-544-2212Fax: 540-694-5432E-mail: tucherth@swva.netWeb: www.touchtheearth.com

Middle Eastern and Central Asian folk per-cussion instruments, audio and video prod-ucts, instructional materials and one-on-oneinstruction.

Tour Timps 50913814 Lookout RoadSan Antonio, TX 78233Phone: 210-637-0414 Fax: 210-637-0232E-mail: OrpheusMus@aol.comWeb: www.orpheusmusic.com

Revolutionary portable timpani–designed forprofessional usage.

TreeWorks Chimes 416443 Chestnut StreetNashville, TN 37203Phone: 877-372-1601 Fax: 615-780-9911E-mail: info@treeworkschimes.comWeb: www.treeworkschimes.com

Hand crafted aluminum/titanium alloychimes. Tempered and polished for vibranttone. Hand tied to black walnut with braidedCordloc™ for strength.

Exhibitors

Slug Percussion Products 608P.O. Box 578306Chicago, IL 60657-8306Phone: 312-432-0553 Fax: 312-432-0552E-mail: info@slugdrums.comWeb: www.slugdrums.com

Powerhead™ Beaters, Batter Badge® VentedImpact Pads™, Tweek® Drumkey-Clips,Muffelt™ Dampener.

Smith Publications 632617 Gwynndale AvenueBaltimore, MD 21207Phone: 410-298-6509 Fax: 410-944-5113

Display of serious contemporary music forpercussion.

Spanway Imports 713P.O. Box 726Sanger, TX 76266Phone: 940-458-7267 or 877-484-4961Fax: 940-458-7367E-mail: todd@brazildrums.comWeb: www.brazildrums.com

“Contemporanea” Brazilian drums and ac-cessories.

Steve Weiss Music 8252324 Wyandotte RoadWillow Grove, PA 19090Phone: 215-659-0100 Fax: 215-659-1170E-mail: steveweissmusic@aol.com

Mail order company handling all major linesand imports from around the world. NEWCATALOG AVAILABLE. Featuring WarnerBros. Videos, Abel triangles and beaters,Chinese cymbals and gongs, CDs, new bagsand other unique instruments.

Studio 4 Music 1PO Box 3835Granada Hills, CA 91394Phone: 818-360-8535 Fax: 818-360-8535E-mail: 71001.1515@compuserve.comWeb: www.studio4music.com

Studio 4 Music publishes a wide variety ofpercussion music, for all percussion instru-ments. Emphasis on solos and smallensembles, most of our pieces are for ad-vanced high school students, collegestudents and professionals.

Trinidad and Tobago Instruments, LTD 806Corner Eastern Main Road & Dorata StreetLaventille TrinidadPhone: 868-627-0185 Fax: 868-623-1634E-mail: steelpan@tstt.net.ttWeb: www.steelpansttil.com

Musical instrument–steel pan.

Unigrip Drumsticks 8051646 North Lincoln StreetBurbank, CA 91506Phone: 818-840-0280 Fax: 818-841-5088E-mail: info@ungrip2000.comWeb: www.ungrip2000.com

Unique drumstick grips that help drummerswith control and stamina. Specialty sticksand accessories.

U.S. Marine Drum & Bugle Corps 505Marine Barracks 8th & I Streets SEWashington D.C. 20390Phone: 202-433-2927 Fax: 202-433-2949

Come visit our booth for information on ex-citing career opportunities with “TheCommandant’s Own” The United States Ma-rine Drum & Bugle Corps.

U.S. Navy Music Program 675720 Integrity Drive (PERS-64)Millington, TN 38055-6400Phone: 901-874-4313 Fax: 901-874-2614E-mail: p64c@persnet.navy.mil

Provides awareness of Navy Music as anemployment option. Applicants must be eli-gible to enlist in the Navy to become a NavyMusician. Auditions are required to qualify.

Vanderbilt University/ 66Blair School of Music2400 Blakemore AvenueNashville, TN 37212Phone: 615-322-7679 Fax: 615-343-0324

School/University.

Vater Percussion, Inc. 829270 Centre Street Unit DHolbrook, MA 02343Phone: 781-767-1877 Fax: 781-767-0010E-mail: vaterinc@aol.comWeb: www.vater.com

Vater drumsticks, Vater timbale sticks, Vatermulti-tone mallets, Vater timpani mallets,brushes, specialty sticks, and Victory Corpsmarching mallet/sticks, accessories andwearables.

23Exhibitors

Vaughncraft Percussion 8251451 Stafford RoadOttawa, KS 66067Phone: 785-255-4500 Fax: 785-255-4573E-mail: rvaughn@midusa.netWeb: www.vaughncraft.com

Tambourines, mallets, wood blocks, hard-ware mounting systems.

Vic Firth, Inc. 34765 Commerce WayDedham, MA 02026Phone: 781-326-3455 Fax: 781-326-1273E-mail: info@vicfirth.comWeb: www.vicfirth.com

Complete line of drumsticks and mallets forevery percussive need.

Warner Bros. Publications Literature Bin15800 N.W. 48th AvenueMiami, FL 33014Phone: 305-620-1500 Fax: 305-621-1094E-mail: wbpsales@warnerchappell.comWeb: www.warnerbrospublications.com

Your total percussion music publisher. Soloand ensemble music, methods, and instruc-tional music videos and DVDs from WarnerNew Media. Featuring DCI, Interworld andCPP Media.

Winter Guard International 6064010 Youngfield StreetWheat Ridge, CO 80033Phone: 303-424-1927 Fax: 303-431-7267E-mail: wgioffic@ix.netcom.comWeb: www.wgi.org

Indoor percussion for young people.

XL Specialty Percussion, Inc. 80816335-5 Lima RoadHuntertown, IN 46748Phone: 219-637-5684 Fax: 219-637-6354E-mail: xlspec@mixi.netWeb: www.xlspec.com

Protector Cases™, XL-Lite Marching Carri-ers, The Stik Field Stands, concert bassdrum stands.

Yamaha Corporation of America– 529Drumset & Electronic Percussion6600 Orangethorpe AvenueBuena Park, CA 90620Phone: 714-522-9011 Fax: 714-739-2680Web: www.yamahadrums.com

Yamaha Corporation of America 427Band & Orchestral DivisionP.O. Box 899Grand Rapids, MI 49512-0899Phone: 616-940-4900 Fax: 616-949-7721Web: www.yamaha.com/band

Keyboard percussion instruments, sticks,mallets, timpani.

PASIC 2001MARCHING

PERCUSSIONFESTIVAL

PARTICIPANTS

COLLEGEMARCHING

EAST TENNESSEE STATE

UNIVERSITY

OKLAHOMA STATE UNIVERSITY

MIDDLE TENNESSEE STATE

UNIVERSITY

UNIVERSITY OF MEMPHIS

GEORGIA SOUTHERN UNIVERSITY

MIDDLE GEORGIA COLLEGE

HIGH SCHOOLMARCHING

SOUTH GWINNETT HIGH SCHOOL

SCIENCE HILL HIGH SCHOOL

SANDRA DAY O'CONNER HIGH

SCHOOL

MCINTOSH HIGH SCHOOL

MARCUS HIGH SCHOOL

SANDY CREEK HIGH SCHOOL

WHEELER HIGH SCHOOL

CROWLEY HIGH SCHOOL

HIGH SCHOOLSTANDSTILL

GRISSOM HIGH SCHOOL

OAKLAND HIGH SCHOOL

FATHER RYAN HIGH SCHOOL

COPPELL HIGH SCHOOL

24 PASIC 2001 Map

HotelLobby Level

HotelLevel Two

HotelLevel ThreeRYMAN

ROOM

NASHVILLE

ROOM

TENNESSEE

ROOM

DAVIDSON

A B C

GRAND BALLROOM HOTEL LOBBY

CC Level Three

CC Level Two

CC Level One

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209

201202203

PASICSHOW OFFICE

✪

108

EAST EXHIBIT

HALL

104105

✪ PASIC REGISRATION

INTERNATIONAL DRUM

& PERCUSSION EXPO

ENTRANCE EXIT

TERRACE

PASIC Show OfficeRoom #212

204

25

26 PASIC 2001 Area Map

2nd & Goal Sports Cafe $128 2nd Ave. North • 615-244-5340American cuisine4th Avenue Deli $223 4th Ave. North • 615-726-1835Deli6 Degrees $$$$601 12th Ave. South • 615-244-3888American, Seafood, Sushi

Ali BABA Restaurant $225 4th Ave. North • 615-255-9909Middle Eastern cuisineAmerigo $$1920 West End Ave. • 615-320-1740American cuisineAmy’s Restaurant $500 Church St., 1st Fl. • 615-242-2697Deli, Southern, SoulArnold’s Country Kitchen $605 8th Ave. South • 615-256-4455American cuisineArthur’s $$$$1001 Broadway • 615-255-1494French cuisineBasante’s Restaurant $$$1800 West End Ave. • 615-320-0534Italian cuisine

Big River Grille & Brewing Works $111 Broadway • 615-251-4677American cuisineBlackstone Restaurant $$1918 West End Ave. • 615-327-9969American cuisineBound’ry $$$911 20th Avenue South • 615-321-3043Continental cuisineBurger King $218 4th Ave. North • 615-244-2188Fast FoodCafe 123 $$$123 12th Ave. North • 615-255-2233American cuisineCapitol Grill $$$$231 6th Ave. North • 615-345-7116American, Eclectic, International cuisineCarolyn’s Homestyle Kitchen $330 Charlotte Ave. • 615-255-1008American cuisineChina Cafe $208 4th Ave. North • 615-252-4077ChineseChicago Kitchen $112 2nd Ave. North • 615-726-3171American, Deli, Fast FoodCibo $706 Church St., Ste. 106DeliCrab House $$123 2nd Ave. South • 615-242-2722American, SeafoodDaVinci’s Gourmet Pizza $$1812 Hayes St. • 615-329-8098Italian cuisineDemos’ Steak and Spaghetti House $300 Commerce St. • 615-895-3701Steakhouse, ItalianDowntown Deli & Market $711 Union St. • 615-254-6100DeliEddie George’s Sports Grille $$121 4th Ave. South • 615-273-3343American cuisineEverybody’s MOM $404 James Robertson Parkway • 615-259-9269American cuisineFaded Deli & Bar $115 2nd Ave. North • 615-244-9000American cuisineFood Company $510 Church St. • 615-313-8111American cuisineGetaway Bar & Grill $217 4th Ave. North • 615-251-3003American cuisineHappy China $217 2nd Ave. South • 615-726-2233ChineseHard Rock Cafe $100 Broadway • 615-742-9900American cuisineHavana Lounge $$$154 2nd Ave. North • 615-313-7665American, Asian, Cuban, Eclectic, International

21

5 6

3

4

HOTEL ACCOMMODATIONS

VENUES5 NASHVILLE CONVENTION CENTER 601 Commerce St.

6 RYMAN AUDITORIUM 116 5th Ave. N

1 RENAISSANCE NASHVILLE HOTEL 611 Commerce St. (615) 255-8400

2 HILTON SUITES DOWNTOWN 121 4th Ave. S (615) 620-1000

3 RAMADA INN 920 Broadway (615) 244-0150

4 SHERATON NASHVILLE DOWNTOWN 623 Union St. (615) 259-2000

Prices are for an average complete dinnerper person, including appetizer, entree &dessert$ Less than $20$$ $21–$30$$$ $31–$40$$$$ More than $41

27PASIC 2001 Area Map

Hooter’s $184 2nd Ave. North • 615-244-4668American cuisine, SceneryIchiban Japanese Restaurant $109 2nd Ave. North • 615-254-7185Japanese, SushiJay’s Restaurant $416 4th Ave. South • 615-255-1152Southern, SoulJimmy Kelly’s ?217 Louise Ave. • 615-329-4349American cuisineJust Java $112 2nd Ave. North • 615-256-7906Coffee HouseKebab/Gyros $210 4th Ave. North • 615-256-4871Greek, Fast FoodKoto Sushi Bar $137 7th Ave. North • 615-255-8122Japanese, SushiLoaded Spoon $150 4th Ave. North, Ste. G200 • 615-726-8520DeliLonnie’s BBQ Restaurant $207 3rd Ave. North • 615-254-7711BarbecueLunch Box Pub $112 2nd Ave. North • 615-259-3444American cuisineMad Platter Restaurant $$$1239 6th Ave. North • 615-242-2563American cuisineMario’s Restorante $$$2005 Broadway • 615-327-3232Italian cuisineMarket Street Brewery & Pub House $134 2nd Ave. North • 615-259-9611American, BarbecueMcDonald’s $237 5th Ave. North • 615-242-2266Fast FoodMelting Pot $$$166 2nd Ave. North • 615-742-4970FondueMerchants Restaurant $$401 Broadway • 615-254-1892American cuisineMere Bulles $$$152 2nd Ave. North • 615-256-1946French cuisineMidtown Cafe $$$102 19th Ave. South • 615-320-7176American cuisineMorton’s of Chicago $$$$618 Church St. • 615-259-4558Steakhouse, SeafoodMulligan’s Pub and Restaurant $117 2nd Ave. North • 615-242-8010Irish cuisineObo’s $231 7th Ave. North • 615-255-6267DinerOld Heidelberg $423 Union St. • 615-256-9147German cuisine

Old Spaghetti Factory $160 2nd Ave. North • 615-254-9010Italian cuisinePhillip’s Delicatessen $234 5th Ave. North • 615-254-3354DeliPinnacle $$$$623 Union St. • 615-742-6015French cuisinePokey $200 James Robertson Parkway • 615-259-0361American cuisineRae’s Gourmet Sandwich Shoppe $501 Union St. • 615-313-7237DeliRippy’s Smokin Bar & Grill $429 Broadway • 615-244-7477BarbecueRiverwalk Cafe $138 2nd Ave. North • 615-256-0401DeliRoly Poly Rolled Sandwiches $138 2nd Ave. North, Ste. 106 • 615-255-4600DeliRoyal Thai $204 Commerce St. • 615-255-0821ThaiRuth’s Chris Steak House $$$2100 West End Ave. • 615-320-0163SteakhouseSan Antonio Grill $208 Commerce St. • 615-259-4413MexicanSatsuma Tea Room $417 Union St. • 615-256-0760Bakery, Southern, SoulSbarro Italian Eatery $200 Commerce St. • 615-256-7393Italian Fast FoodSchlotzsky’s Deli $220 2nd Ave. North • 615-259-3777DeliSeanachie Irish Pub $$327 Broadway • 615-726-2006Irish cuisine

Southern Cafe $221 6th Ave. North • 615-255-1562Southern, SoulSport Page Restaurant and Bar $419 Union St. • 615-251-9503American, Fast FoodStahlman Restaurant $Stahlman Bldg., 211 Union St. • 615-242-0496Diner, Southern, SoulStarbuck’s $402 21st Ave. South • 615-340-9665Coffee HouseStock-Yard Restaurant $$$$901 2nd Ave. North • 615-255-6464SteakhouseSubway Sandwiches & Salads $530 Church St. • 615-256-6138DeliSunset Grill $$$2001 Belcourt Ave. • 615-386-3663American cuisineThe Palm $$$$140 5th Ave. South • 615-742-7256SteakhouseThe Prime Cut Steakhouse $$170 2nd Ave. North • 615-242-3083SteakhouseValentino’s Restorante $$$1907 West End Ave. • 615-327-0148Italian cuisineVarallo’s Restaurant, Too $239 4th Ave. North • 615-256-1907Italian cuisineWilma Kaye’s Restaurant $205 3rd Ave. North • 615-248-7800Ethnic cuisineWolfy’s $425 Broadway • 615-251-1621American cuisine

29

WednesdayNewMusicresearchDay

WednesdayNewMusicresearchDay

30W

edne

sday

, Nov

embe

r 14

Schedule of Events

7:30 A.M.• Registration Opens [Convention Center Level One]

New Music/Research Day“Wired for Percussion”

Peggy Benkeser, Coordinatorpresented by the PAS New Music/Research Committee

Welcome by George Barrett, PASIC 2001 Host

Session I9:00–9:50 A.M. [Room 206, Convention Center, Level Two]

Keynote Address: Norman Weinberg

• Ensemble SiriusStuart Gerber percussionMichael Fowler piano

“Kontakte” (1958–60) .............................. Karlheinz Stockhausen (1928)

piano, percussion and tape

Session II10:00–10:50 A.M. [Room 206, Convention Center, Level Two]

• Tomm Roland percussion “North Star Boogaloo” (1996) ....................................... George Lewis

multipercussion and computer generated tape

• Percussion Group Cincinnati Allen Otte James Culley Russell Burge “More Dust” (1977) ............................................... Herbert Brun (1918)

percussion trio with stereo, computer generated tape

• Brandon Pool lead steel drum “Residual Impact” (2000) ...................................... Paul Oehlers (1971)

lead steel drum and tape

• Coastal Carolina UniversityGary Stegall Director“Beach Music” (2001) ....................................... Robert J. Frank (1961)

percussion ensemble, piano, real time computerWorld Premiere Performance

Session III11:00–11:50 A.M. [Room 206, Convention Center, Level Two]

• Luigi Morleo multi-percussion(sponsors: Alfonce Productions, HoneyRock Publishing)“Le Rughe Del Deserto” (2000) ............................. Luigi Morleo (1970)

solo multi-percussion and tape

• Greg Secor vibraphone“Points of Departure” (1996) ............................ Chin-Chin Chen (1964)

vibraphone and tape

• Kuniko Kato percussion and voice(sponsor: Pearl Corporation and Adams Musical Instruments)“San Moku Sen Gan” (1997) ............................... Maurizio Pisati (1959)

tom tom, wood, voice and audio-video track

Ensemble Sirius

Tomm Roland

Percussion Group Cincinnati

Tim Peterman

Gary Stegall

Steve Kirkman

31Schedule of Events

• Steve Hearn vibraphone“Linde for Vibraphone and Tape” (1994) ............ Daniel Almada (1973)

vibraphone and tape

• Michael Bump multi-percussion“Between Memory and Reality” (1998) .. Joyce Wai-chung Tang (1971)

solo multi-percussion and tape

Session IV12:00–12:50 P.M. [Room 206, Convention Center, Level Two]

• Joel Bluestone percussionJoseph Waters electronics“Flame Head” (2001) ...................................................... Joseph Waters (1952)

solo percussion and interactive electronicsWorld Premiere Performance

• Brian Johnson vibraphone and voice“For Very, Very AmplifiedVibes and Voice” (1987) ................................................ Brian Johnson (1953)

solo vibraphone and voice with amplification

• Christopher Lee percussion and electronics“Sorsornet” (2000) .................................................. Christopher D. Lee (1966)

electronic and West African Mande acoustic percussion,MAX programming environment and video

• Gustavo Aguilar shakere and electronics“Shakere” (2001) .............................................................. Javier Alvarez (1956)

shakere and live processingU.S. Premiere

Session V2:00–2:50 P.M. [Grand Ballroom, Renaissance Hotel, Lobby Level]

• ThamyrisPeggy Benkeser percussionMichael Cebulski percussionSteven Everett electronics“Lithium” (2001) ................................................................. Steven Everett (1953)

two percussion, motion and light sensors, real time computerWorld Premiere

• David Collier: Composing for the Digital Performer

• Joel Davel marimba lumina, lightening IIDon Buchla Instrument creator“Rhapsody in Revolution” (2001) ............................... Joel Davel (1966)

Marimba Lumina, Lightening IIWorld Premiere

Session VI3:00–3:50 P.M. [Grand Ballroom, Renaissance Hotel, Lobby Level]

• Christoph Brunner (1967) percussionGary Beyer live electronics“Langsam” (1999) ................................................................ Gary Berger (1967)

percussion and live electronics

“activities” (1997) .................................................... Rico Gubler (1972)

percussion and live electronics

Michael Bump Joel Bluestone

Luigi Morleo Greg Secor

Steve HearnKuniko Kato

Joseph Waters

Wednesday, Novem

ber 14

Gustavo Aguilar

Peggy Benkeser Steven Everett

32

“ Wassermusik” (1994/96) ..................................... Wolfgang Heiniger (1964)

performer and live electronics

• Blake Tyson hi-hatCort Lippe electronics“Music for Hi-hat and Computer” (1998) ................... Cort Lippe (1953)

hi-hat and real-time computer

• D’Arcy Philip Gray (1968) percussion“Chaotika” (2001) ................................................. James Harley (1959)

percussion and live processingU.S. Premiere

Session VII4:00–4:50 P.M. [Grand Ballroom, Renaissance Hotel, Lobby Level]

• Ronnie Engel ghatam and electronics(sponsors: Performance Tectonic Laboratory, Udu Drum)“plutos’ absence” (b. 1988, revision 1998) ................................. Ronnie Engel

prototype ghatam with electronic processing

• Scott Deal electronic percussion and processingMiho Aoki digital artistThom Depace Wylie Gruenig digital artist“Virtual Improvisations” (2001) ........................................... Scott Deal (1957)

electronic percussion, video, danceWorld Premiere

Session VIII8:00 P.M. [Grand Ballroom, Renaissance Hotel, Lobby Level]

• Silent OrchestraRich O’Meara electronic and acoustic percussionCarlos Garza keyboards and electronics“Musical Score” (2000) ............................................. Silent Orchestra“Nosferatu (1922) A Symphony of Horror” .................... F. W. Murnau

Session IX9:30 P.M. [Grand Ballroom, Renaissance Hotel, Lobby Level]

• The Tony Verderosa/VFX DuoTony Verderosa electronic drums, acoustic drums, samplers,synthesizers, vocoder, live remixinDavid Mann saxophone and digital effects(Verderosa sponsors: Evans Drumheads, Hal LeonardCorporation, Pro-Mark Corporation, Sabian, Ltd., YamahaCorporation of America–Drumset Division)

Tony Verderosa

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David Collier

Joel Davel and Don Buchla

Christoph Brunner Gary Beyer

Cort LippeBlake Tyson

LEN

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AKIS

D’Arcy Philip Gray Scott Deal Silent Orchestra

Schedule of Events

• Renata Lopes Ferreira (Brazil)Avedis Zildjian Co.

• Angelica Maria Mendoza(Denton, TX)James A. Sewrey

• Sarah Marie Van Doel (Avon, IN)Ludwig Industries

• Zach Knight (Richmond, VA)Maurie and Jan Lishon/Franks Drum Shop

• Brenda Lauffenberger(Eugene, OR)McMahon Foundation

• Mario Luna (Corpus Christi, TX)Remo, Inc.

• Travis Knapp (Amarillo, TX)Thomas Siwe

• Aaron Williams (Quincy, IL)Thomas Siwe

• Jennifer Miller (Coral Gables, FL)Val and Venus Eddy

• Michael Compitello (Tucson, AZ)William F. Ludwig, Jr.

• Mike Newland (Elle River, MN)Yamaha Corporation ofAmerica

REGIONAL SCHOLARSHIPS

CANADIAN PASIC SCHOLARSHIP

FUNDED BY SABIAN, LTD.• Andrew Dunsmore

(New Foundland, Canada)

CALIFORNIA PASIC SCHOLARSHIP

FUNDED BY THE CALIFORNIA CHAPTER OF

PAS• Robert Bousquet (Truckee, CA)

NEW YORK PASIC SCHOLARSHIPS

FUNDED BY THE NEW YORK CHAPTER OF

PAS AND REGAL TIP/J.D. CALATO

• Andrew Beall (New York City, NY)• John Mansager (Astoria, NY)

TEXAS PASIC SCHOLARSHIPS FUNDED

BY THE TEXAS CHAPTER OF PAS AND

MIKE BALTER MALLETS, EVANS,PRO-MARK, VIC FIRTH AND

PERCUSSION CONSTRUCTION

• Jordan Jacks (New Braunfels, TX)Texas PAS/Mike Balter PASICScholarship

• Diana Garcia (Lewisville, TX)Texas PAS/Evans PASICScholarship

• Adam Brown (Denton, TX)Texas PAS PASIC CollegeScholarship

• Michael Caterisano (Allen, TX)Texas PAS PASIC HighSchool Scholarship

• Steven Eldridge (Commerce, TX)Texas PAS/PercussionConstruction PASICScholarship

• Joshua Tate (San Antonio, TX)Texas PAS/PercussionConstruction PASICScholarship

• Travis Gould (New Braunfels, TX)Texas PAS/Pro-Mark PASICScholarship

• Kimberly Negoescu (Austin, TX)Texas PAS/Vic Firth PASICScholarship

CONGRATULATIONS TO THE PASIC 2001 SCHOLARSHIP WINNERSINTERNATIONAL/NATIONAL PASIC 2001 SCHOLARSHIPS FUNDED THROUGH THE PAS ENDOWMENT FUNDS

Keiko Abe

Thursday

Keiko Abe

Thursday

35Schedule of Events

Key:q Drumsety Marching percussion

Keyboardt Percussione World percussionl Concert

7:30 A.M.• Registration Opens [Convention Center, Level One]

8:00 A.M.• Keyboard Committee Meeting Rebecca Kite, chair. [Ryman Room,

Renaissance Hotel, Level Three]• Marching Committee Meeting Julie Davila, chair. [Davidson A,

Renaissance Hotel, Level Three]• Health and Wellness Committee Meeting Darin Workman, chair.

[Davidson B, Renaissance Hotel, Level Three]• Contest and Auditions Procedures Committee Meeting George

Frock, chair. [Davidson C, Renaissance Hotel, Level Three]

9:00 A.M.q • Johnny Rabb Drumset Clinic “Johnny Rabb’s Jungle Jam;”

Presider: Ed Sargent; Sponsors: Drum Paradise Nashville, Inc.,Drum Workshop, Inc., Evans Drumheads, johnnyraBB DrumstickCompany, Meinl USA L.C. [East Exhibit Hall, Convention Center,Level One]

t • Symphonic Percussion Emeritus Timpani/Orchestral Clinic/Performance; Alan Abel, Tony Cirone, Arnie Lang, Stanley Leonard,Gordon Peters and Sal Rabbio; Presiders: Michael Balter andRandall Eyles [Room 206, Convention Center, Level Two]

e • Duo Ello Guiro Clinic; Presider: Sal Ferreras [Tennessee Room,Renaissance Hotel, Level Two]

t • John Will Parks IV Paper Presentation “Wagner’s ‘Associative’Percussion Orchestration in ‘Der Ring Des Nibelungen;’” Presider:Lisa Rogers [Room 201, Convention Center, Level Two]

• PAS Museum/Library Listening Lab Sponsors: New Music/Research Day Committee, Music Technology Committee, KeyboardCommittee [Room 105, Convention Center, Level One]

• Health and Wellness Lab and Video Techniques AnalysisSponsor: PAS Health and Wellness Committee [Room 202,Convention Center, Level Two]

• Free Hearing Tests Sponsor: PAS Health and Wellness CommitteeWalk-in appointments available until 4:00 P.M. [Room 203,Convention Center, Level Two]

• Exhibits Open [Center Exhibit Hall, Level One]

10:00 A.M.l • University of Oklahoma Percussion Orchestra Showcase

Concert; Presider: Erik Johnson; Sponsor: University of Oklahoma[Grand Ballroom, Renaissance Hotel Lobby]

• Ray Dillard assisted by Anders Astrand and Dan MooreRecording Techniques Clinic “Recording Techniques for MalletPercussion Instruments;” Presider: David Eyler; Sponsors: Dillard:Innovative Percussion, Pearl Corporation and Adams MusicalInstruments; Astrand: Avedis Zildjian Cymbal Company, InnovativePercussion, Yamaha Corporation of America Band & OrchestralDivision; Moore: Innovative Percussion, Latin Percussion, Inc.,Sabian, Ltd., Yamaha Corporation of America Band & OrchestralDivision [Room 209, Convention Center, Level Two]

q • Matt Wilson Drumset Master class; Presider: Mike Farriss;

Thursday, November 15

Johnny Rabb

Tony Cirone

John Will Parks IV

Arnie Lang

Stanley Leonard

Sal Rabbio

Gordon Peters

Alan Abel

Duo Ello

36 Schedule of Events

Sponsors: Avedis Zildjian Cymbal Company, Avedis ZildjianDrumsticks, Pearl Corporation and Adams Musical Instruments[Room 108, Convention Center, Level One]

t • Solo Competition Percussion/Sax Presider: George Frock [Room104, Convention Center, Level One]

11:00 A.M.q • Clayton Cameron Drumset Clinic; Presider: Jim Catalano;

Sponsors: Avedis Zildjian Cymbal Company, Latin Percussion, Inc.,Ludwig Drum Company, Regal Tip/Calato, Remo, Inc. [East ExhibitHall, Convention Center, Level One]

• Victor Mendoza Keyboard Clinic “Rhythmic and MelodicConsiderations in Latin Jazz Improvisation;” Presider: SteveAnzivino; Sponsors: Avedis Zildjian Cymbal Company, Vic Firth,Inc., Yamaha Corporation of America Band & Orchestral Division[Room 206, Convention Center, Level Two]

e • Christine Stevens Health & Wellness Lecture/Demonstration“Health Rhythms: Are Drum Circles a Viable Health Strategy?”Sponsor: Remo, Inc. [Tennessee Room, Renaissance Hotel, LevelTwo]

l • Caribbean Sound Steel Band World Terrace Concert; Sponsor:Coyle Steel Drums [Terrace, Convention Center, Level Three]

• Board of Directors Meeting Presider: PAS President, JamesCampbell [Ryman Room, Renaissance Hotel, Level Three]

12:00 P.M.l • Lalo Davila & Orkesta Eme Pe Children’s Concert; Presider: Glen

Caruba; Sponsors: Avedis Zildjian Cymbal Company, InnovativePercussion, Pearl Corporation and Adams Musical Instruments[Grand Ballroom, Renaissance Hotel, Lobby Level]

y • Bret Kuhn & Thom Hannum Marching Clinic “ArrangingPhilosophies and Techniques: Indoor vs. Outdoor;” Presider: AlMoffatt; Sponsors: Kuhn: Avedis Zildjian Cymbal Company,Innovative Percussion, Yamaha Corporation of America Band &Orchestral Division, Hannum: Avedis Zildjian Cymbal Company,Evans Drumheads, Pearl Corporation and Adams MusicalInstruments, Vic Firth, Inc. [Room 209, Convention Center, LevelTwo]

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Lalo Davila & Orkesta Eme Pe

Christine Stevens

University of Oklahoma Percussion Orchestra

Bret Kuhn Thom Hannum

Caribbean Sound Steel Band

Norbert Goldberg

Clayton Cameron Victor Mendoza

Dan Moore Matt Wilson

Anders AstrandRay Dillard

38 Schedule of Events

q • Norbert Goldberg Drumset/World Master class “Brazilian Drumsete Techniques–‘Getting the Right Feel’;” Presider: Jerry Andreas;

Sponsors: Avedis Zildjian Cymbal Company, Latin Percussion, Inc.,Remo, Inc., Vic Firth, Inc., Yamaha Corporation of America Drumset& Electronic Percussion [Room 108, Convention Center, Level One]

t • Alan Abel Orchestral Lab “Have Your Snare Drum Roll Checked!”[Room 201, Convention Center, Level Two]

• Scholarly Papers Committee Meeting Kathleen Kastner, chair[Davidson A, Renaissance Hotel, Level Three]

1:00 P.M.e • Richie Flores with Robby Ameen and Robert Vilera World Clinic;

Presider: Glen Caruba; Sponsors: Flores: Avedis Zildjian CymbalCompany, Pearl Corporation and Adams Musical Instruments,Remo, Inc.; Ameen: Pearl Corporation and Adams MusicalInstruments, Remo, Inc.; Vilera: Pearl Corporation and AdamsMusical Instruments, Remo, Inc. [Room 206, Convention Center,Level Two]

l • Island Wave Steel Band World Terrace Concert [Terrace,Convention Center, Level Three]

• Chapter Presidents Meeting Mark Ford, chair [Ryman Room,Renaissance Hotel, Level Three]

• New Music/Research Committee Meeting Larry Snider, chair[Davidson B, Renaissance Hotel, Level Three]

• PASIC 2002 Host Committee Meeting Susan Powell, chair[Davidson C, Renaissance Hotel, Level Three]

2:00 P.M.l • Michael Burritt and the Tempus Fugit Percussion Ensemble

Showcase Concert; Presider: Leigh Howard Stevens; Sponsors:Burritt: KP3, Malletech Instruments; Tempus Fugit: Avedis ZildjianCymbal Company, Yamaha Corporation of America Band &Orchestral Division [Grand Ballroom, Renaissance Hotel, LobbyLevel]

e • John Bergamo, Bill Cahn, Ruth Cahn, Ray Dillard and RussHartenberger, World Clinic “World Percussion in Orchestra;”Presider: Sal Ferreras; Sponsors: Bergamo: Remo, Inc.; B. Cahn:Avedis Zildjian Cymbal Company, Pearl Corporation and AdamsMusical Instruments, Sabian, Ltd.; Dillard: Innovative Percussion,Pearl Corporation and Adams Musical Instruments; Hartenberger:Pearl Corporation and Adams Musical Instruments, Avedis ZildjianCymbal Company [Tennessee Room, Renaissance Hotel, LevelTwo]

• Bill Molenhof with Werner Treiber, (drums) and Tobias Kalisch(bass) Keyboard Clinic “Vibes in a Small Group;” Presider: JimCatalano; Sponsors: Hochschule fur Musik – Nurnberg Germany,Kendor, Ludwig Drum Company, Ministry & Agency for Culture andInternational Relations Nurnberg, Pro-Mark Corporation, WarnerBros. Publications [Room 108, Convention Center, Level One]

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Alan Abel Richie Flores

Bill Cahn Ruth Cahn Ray Dillard

Island Wave Steel Band

Robby Ameen Robert Vilera

Michael Burritt

Tempus Fugit

John Bergamo

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t • Orchestral Mock Audition Six Participants (winners of preliminaryvideotape round) Judges: Alan Abel, Raynor Carroll, Arnie Lang,Gordon Peters and Michael Rosen [Room 104, Convention Center,Level One]

• Drumset Committee Meeting Jim Rupp, chair [Davidson A,Renaissance Hotel, Level Three]

3:00 P.M.q • Lewis Nash Jazz Drumset Clinic; Presider: Andy Zildjian;

Sponsors: Hohner HSS, Inc./Sonor Drums, Regal Tip/Calato, Remo,Inc., Sabian, Ltd. [East Exhibit Hall, Convention Center, Level One]

y • John Pratt, Marty Hurley and Mitch Markovich Marching Masterclass “Three Rudimental Greats and Their Different Styles;”Presider: John Wooton; Sponsors: Hurley: Pearl Corporation andAdams Musical Instruments, Remo, Inc., Sabian, Ltd.; Markovichand Pratt: Pearl Corporation and Adams Musical Instruments[Room 206, Convention Center, Level Two]

• Jean Geoffroy Keyboard Clinic “Bach for Marimba;” Presider:Steve Anzivino; Sponsor: Yamaha Corporation of America Band &Orchestral Division [Room 209, Convention Center, Level Two]

l • University of Memphis Percussion Ensemble Terrace Concert;Sponsor: University of Memphis [Terrace, Convention Center, LevelThree]

• College Pedagogy Committee Meeting Gary Cook, chair“Research on a Four Year Undergraduate Curriculum” [RymanRoom, Renaissance Hotel, Level Three]

4:00 P.M.t • Tony McCutchen Percussion Ensemble Literature

Presider: David Eyler; Sponsor: Avedis Zildjian Cymbal Company[Grand Ballroom, Renaissance Hotel, Lobby Level]

e • Ebenezer da Silva Brazilian World Clinic; Presider: Chris Hart;Sponsor: Remo, Inc. [Tennessee Room, Renaissance Hotel, LevelTwo]

t • Theresa Dimond Orchestral Clinic “Cymbalum Techniques;”Sponsors: Grover Pro Percussion, Pro-Mark Corporation, Sabian,Ltd. [Room 201, Convention Center, Level Two]

5:00 P.M.q • Chad Wackerman and Terry Bozzio Drumset Clinic; Presider:

David Via; Sponsors: Wackerman: Drum Workshop, Paiste America,Inc.; Bozzio: Attack Drumheads, Drum Workshop, Inc., LatinPercussion, Inc., Sabian, Ltd. [East Exhibit Hall, Convention Center,Level One]

y • College Marching Individuals Snares [Room 206, ConventionCenter, Level Two]

y • High School Marching Individual Snares [Room 209, ConventionCenter, Level Two]

y • College Marching Individuals Keyboard and Timpani [Room 108,Convention Center, Level One]

Ebenezer da Silva Theresa Dimond Chad WackermanJean Geoffroy Tony McCutchen

Russ Hartenberger Bill Molenhof

Werner Treiber Lewis Nash

Marty Hurley Mitch Markovich

University of Memphis Percussion Ensemble

41Schedule of EventsThursday, Novem

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y • High School Marching Individuals Keyboard [Room 104,Convention Center, Level One]

y • High School Marching Individual Tenors and Timpani [Room 201,Convention Center, Level Two]

y • College Marching Individuals Tenors [Room 204, ConventionCenter, Level Two]

• Registration Closes [Convention Center, Level One]• Exhibits Close [Center Exhibit Hall, Level One]

8:00 P.M.l • Keiko Abe Evening Concert; Presiders: Robert Breithaupt and John

Wittmann; Sponsors: Abe: Yamaha Corporation of America Band &Orchestral Division; Rosauro: Yamaha Corporation of America Band& Orchestral Division [Ryman Auditorium]

PROGRAM

THE WORLD OF KEIKO ABE

“Conversation in the Forest III”* ...................................... Keiko Abewith Anthony DiSazna, Christopher Froh, Joseph Gramley andMichael Udow

“Itsuki Fantasy for Six Mallets” ........................................ Keiko Abe“Voice of Matsuri Drums” ................................................ Keiko Abe“Marimba d’Amore”* ....................................................... Keiko Abe“Wind Sketch III” ............................................................. Keiko Abe

with Christopher Froh, Percussion: Anthony DiSazna andMichael Udow

Intermission“Memories of the Seashore”* .......................................... Keiko Abe

with John H. Beck, Anthony DiSazna, Christopher Froh, JosephGramley, Ney Rosauro, Michael Udow and James Wyatt

“Tambourin Paraphrase for Two Marimbas”* ................... Keiko Abewith Ney Rosauro

“Ancient Letter” ............................................................... Keiko AbeMarimba Concertino “The Wave”* ................................... Keiko Abe

Percussion accompaniment by Kaoru Wadawith Anthony DiSazna, Joseph Gramley, Michael Udow andJames Wyatt

* US premiere

10:00 P.M.l • Tommy Wells with Jimmy Hall and the Prisoners of Love Jazz

Showcase; Presider: Mike Farriss; Sponsors: Attack Drumheads,Paiste America, Inc., Pearl Corporation and Adams MusicalInstruments, Pro-Mark Corporation [Tennessee Room, RenaissanceHotel, Level Two]

e • Matt Savage Drum Circle; Sponsor: Remo, Inc. [Room 104,Convention Center, Level One]

Terry Bozzio

Anthony DiSanza

Keiko Abe

Joseph Gramley

Christopher Froh

Michael Udow

John H. Beck James Wyatt

Matt SavageNey RosauroTommy Wells with Jimmy Hall and the Prisoners of Love

friday

caribbean jazz project featuringdave samuels, dave Valentin &steve kahn

caribbean jazz project featuringdave samuels, dave Valentin &steve kahn

44 Schedule of Events

Key:q Drumsety Marching percussion

Keyboardt Percussione World percussionl Concert

7:30 A.M.• Registration Opens [Convention Center, Level One]

8:00 A.M.• Education Committee Meeting Ruth Cahn, chair. [Ryman Room,

Renaissance Hotel, Level Three]• World Percussion Committee Meeting Sal Ferreras, chair.

[Davidson Room A, Renaissance Hotel, Level Three]• International Committee Meeting John Beck, chair. [Davidson

Room B, Renaissance Hotel, Level Three]

9:00 A.M.y • Drumline Festival: Opening Ceremony, College Marching and

High School Standstill Competition and Awards [East ExhibitHall, Convention Center, Level One]

q • John Blackwell Drumset Clinic; “Creativity and Showmanship;”Presider: Bill Zildjian; Sponsors: Audix Corporation, EvansDrumheads, Sabian, Ltd., Tama, Vater, Inc. [Room 206, ConventionCenter, Level Two]

e • Trichy Sankaran World Clinic “South Indian Drumming;” Presider:Sal Ferreras [Tennessee Room, Renaissance Hotel, Level Two]

t • Patrick Roulet Paper Presentation “Improvisational Techniques ofMilt Jackson;” Presider: Laura Franklin [Room 201, ConventionCenter, Level Two]

• PAS Museum/Library Listening Lab Sponsors: New Music/Research Day Committee, Music Technology Committee, KeyboardCommittee [Room 105, Convention Center, Level One]

• Health and Wellness Lab and Video Techniques AnalysisSponsor: PAS Health and Wellness Committee [Room 202,Convention Center, Level Two]

• Free Hearing Tests Sponsor: PAS Health and Wellness CommitteeWalk-in appointments available until 4:00 P.M. [Room 203,Convention Center, Level Two]

• Exhibits Open [Center Exhibit Hall, Level One]

10:00 A.M.l • University of Kentucky Percussion Ensemble, James Campbell,

director Showcase Concert; Presider: Dan Moore; Sponsors:Avedis Zildjian Cymbal Company, University of Kentucky [GrandBallroom, Renaissance Hotel, Lobby Level]

• Gordon Stout Keyboard Master class; Presider: Leigh HowardStevens; Sponsors: Avedis Zildjian Cymbal Company, MalletechInstruments [Room 209, Convention Center, Level Two]

t • James Metcalfe and Michael Mizma Electronic Clinic “NewDirections in Percussion Technology;” Presider: Kurt Gartner;Sponsor: San Jacinto College Central [Room 108, ConventionCenter, Level One]

t • David Herbert Timpani Clinic; Presider: Marshall Light; Sponsors:American Drum Manufacturing Company, California Percussion,Evans Drumheads [Room 104, Convention Center, Level One]

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John Blackwell

Brian Blade

Patrick Roulet

University of Kentucky Percussion Ensemble

David Herbert

Gordon Stout

James Metcalfe Michael Mizma

Trichy Sankaran

46 Schedule of Events

11:00 A.M.q • Brian and Brady Blade Drumset Clinic; Presider: Dick Markus;

Sponsors: Brian Blade: Avedis Zildjian Cymbal Company, AvedisZildjian Drumsticks, Mapex USA, Inc., Remo, Inc., Brady Blade:Avedis Zildjian Cymbal Company, johnnyraBB Drumsticks, MapexUSA, Inc., Remo, Inc. [Room 206, Convention Center, Level Two]

e • John Bergamo & Hands On’Semble World Clinic/PerformancePresider: Chris Hart; Sponsor: Remo, Inc. [Tennessee Room,Renaissance Hotel, Level Two]

t • Neil Grover Orchestral Lab “Tambourine Techniques;” Sponsor:Grover Pro Percussion [Room 201, Convention Center, Level Two]

l • University of TN–Knoxville Percussion Ensemble, F. MichaelCombs director; Terrace Concert; Sponsor: University ofTennessee–Knoxville [Terrace, Convention Center, Level Three]

• Board of Directors Meeting Presider: PAS President, JamesCampbell [Ryman Room, Renaissance Hotel, Level Three]

12:00 P.M.l • Miguel Gonzalez Zaragoza & Juan Martinez Cortes (XOC), Duo

Winners International Marimba Competition 2001, Belgium andHidemi Murase Solo Winner International Marimba Competition2001, Belgium; Showcase Concert; Presider: Kristen ShinerMcGuire; Murase Sponsor: Berklee College of Music [GrandBallroom, Renaissance Hotel,Lobby Level]

e • Chalo Eduardo World Clinic; Presider: Chris Hart; Sponsor: Remo,Inc. [Nashville Room, Convention Center, Level Two]

t • Robert Friedman Health & Wellness Clinic “The Healing Power ofthe Drum;” Presider: Darin Workman [Room 209, ConventionCenter, Level Two]

q • Yoron Israel Drumset Master class “Brushes;” Presider: BobbyBoos; Sponsors: Aquarian Accessories, Berklee College of Music,Hohner HSS, Inc./Sonor Drums, Regal Tip/Calato, Sabian, Ltd., VicFirth, Inc. [Room 108, Convention Center, Level One]

t • Raynor Carroll, Jim Dallas, Gordon Peters, John ShawOrchestral Panel Discussion “Principal Percussion Duties;”Presider: Theresa Dimond; Sponsors: Dallas: Sabian, Ltd. [Room104, Convention Center, Level One]

Robert FriedmanChalo Eduardo

Juan Martinez Cortes and Miguel Gonzalez

Yoron Israel

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Brady Blade

Hands On’Semble

University of TN–Knoxville Percussion Ensemble

Neil Grover

Hidemi Murase

Raynor Carroll Jim Dallas

48 Schedule of EventsFr

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1:00 P.M.• Keiko Abe Keyboard Q&A Session “A Conversation with Keiko

Abe;” Presider: Rebecca Kite; Sponsor: Yamaha Corporation ofAmerica Band & Orchestral Division [Room 206, ConventionCenter, Level Two]

t • Arnie Lang Orchestral Lab “Cymbal Crashes: pp–ff;” Sponsor:Lang Percussion, Sabian, Ltd. [Room 201, Convention Center,Level Two]

l • Street Beats Terrace Concert; Sponsor: Pro-Mark Corporation[Terrace, Convention Center, Level Three]

• Chapter Presidents Meeting, Mark Ford, chair. [Ryman Room,Renaissance Hotel, Level Three]

• Drumset Committee Meeting, Jim Rupp, chair. [Davidson A,Renaissance Hotel, Level Three]

• Percussion Ensemble Committee Meeting, Dan Moore, chair.[Davidson B, Renaissance Hotel, Level Three]

2:00 P.M.y • Drumline Festival: High School Marching Competition and

Awards [East Exhibit Hall, Convention Center, Level One]l • Katarzyna Mycka with Vanderbilt University Orchestra

Showcase Concert; Presider: Ron Samuels; Sponsor: Marimba One[Grand Ballroom, Renaissance Hotel, Lobby Level]

e • Randy Crafton World Clinic “Middle Eastern Rhythms;” Presider:SalFerreras [Tennessee Room, Renaissance Hotel, Level Two]

q • Paul Leim Drumset Master class; Presider: Jerry Andreas;Sponsors: Paiste America, Inc., Regal Tip/Calato, Remo, Inc.,Shure Brothers, Yamaha Corporation of America Drumset &Electronic Percussion [Room 108, Convention Center, Level One]

3:00 P.M.q • Mike Mangini Drumset Clinic; Presider: Mike Farriss; Sponsors:

Avedis Zildjian Cymbal Company, Avedis Zildjian Drumsticks, PearlCorporation and Adams Musical Instruments, Remo, Inc. [Room206, Convention Center, Level Two]

e • Tony Vacca World Clinic “Circle of Gongs;” Presider: RichMangicaro; Sponsor: Paiste America, Inc. [Nashville Room,Convention Center, Level Two]

• PAS Marimba Committee Keyboard Panel Discussion “APedagogical Approach to Keyboard Musicianship: Looking for newideas for your teaching? Learn from these master teachers of PianoPedagogy, beginning mallet students and college students. PanelMembers: Dr. Jessica Johnson (Piano Pedagogy, UW-Madison),Ginger Zyskowski, and William Moersch;” Presider: Rebecca Kite[Room 209, Convention Center, Level Two]

• Thomas Burritt Keyboard Clinic/Performance “Intertwining theAesthetics of Performing With the Academics of Analysis;”Presider: Erik Johnson; Sponsors: Innovative Percussion, Pearl

Keiko Abe

Arnie Lang

Street Beats

Thomas Burritt

Paul LeimRandy Crafton

Katarzyna Mycka

Gordon Peters

Mike Mangini Tim AdamsTony Vacca

49Friday, Novem

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Corporation and Adams Musical Instruments [Room 104,Convention Center, Level One]

t • Tim Adams Orchestral Lab “Timpani Techniques: Rhythm &Articulation;” Sponsor: Evans Drumheads, Pearl Corporation andAdams Musical Instruments, Pro-Mark Corporation [Room 201,Convention Center, Level Two]

l • University of TN–Chattanooga Percussion Ensemble with soloistAndy Paragon Terrace Concert; Sponsor: University of Tennessee–Chattanooga [Terrace, Convention Center, Level Three]

4:00 P.M.• Christopher Norton with the Nashville Chamber Orchestra &

NEXUS Keyboard Clinic/Performance; Presider: Leigh HowardStevens; Sponsors: Norton: KP3, Malletech Instruments; Nexus:Avedis Zildjian Cymbal Company, Pearl Corporation and AdamsMusical Instruments [Grand Ballroom, Renaissance Hotel, LobbyLevel]

e • Dr. Paschal Younge and West Virginia University AfricanEnsemble World Clinic “Traditional African Rhythms using Non-Traditional African Musical Instruments;” Sponsor: West VirginiaUniversity; Presider: Christopher Tanner [Tennessee Room,Renaissance Hotel, Level Two]

q • Stanton Moore Drumset Master class; Presider: Brian Kaye;Sponsors: Audix Microphones, Bosphorus Cymbals, Carl Fischer,Inc., Fred Gretsch Enterprises, Latin Percussion, Inc., Remo, Inc.,Vic Firth, Inc. [Room 108, Convention Center, Level One]

5:00 P.M.q • Kenny Aronoff Drumset Clinic; Presider: John DeChristopher;

Sponsors: Avedis Zildjian Cymbal Company, Remo, Inc., ShureBrothers, Inc., Tama, Vic Firth, Inc. [Room 206, Convention Center,Level Two]

t • College Pedagogy Panel Discussion Jeff Moore, Moderator“Organizing a Four Year Undergraduate Curriculum” [Room 104,Convention Center, Level One]

• Registration Closes [Convention Center, Level One]• Exhibits Close [Center Exhibit Hall, Level One]

University of TN–Chattanooga Percussion Ensemble

Christopher Norton and Nashville Chamber Orchestra

Stanton Moore Kenny Aronoff

NEXUS

West Virginia University African EnsembleDr. Paschal Younge

PAS RESEARCH PUBLICATIONS 1963–1987NOW AVAILABLE ON CD

WITH SEARCH-FORMAT

VISIT PERCUSSIVE ARTS SOCIETY BOOTH 729

®

www.pas.org

50

Caribbean Jazz Project

6:00 P.M.• Cocktails [Grand Ballroom, Renaissance Hotel, Lobby Level]

7:00 P.M.• Hall of Fame Banquet honoring Joe Calato, Mel Lewis,

Babatunde Olatunji, Al Payson and Tito Puente [Grand BallroomRenaissance Hotel, Lobby Level]

8:00 P.M.• Nashville Symphony Orchestra “Concerto Art Nouveau”

featuring timpanist William Wiggins [Tennessee Performing ArtsCenter (TPAC), Jackson Hall] See Page 75 for ticket information.

9:30 P.M.l • Caribbean Jazz Project featuring Dave Samuels, Dave Valentin

and Steve Kahn Evening Concert; Presiders: Rich Holly and JohnWittmann; Sponsor: Samuels: Yamaha Corporation of AmericaBand & Orchestral Division; Caribbean Jazz: Latin Percussion,Inc., Yamaha Corporation of America Band & Orchestral Division[Grand Ballroom, Renaissance Hotel, Lobby Level]

10:00 P.M.e • Kalani World Drum Circle; Sponsors: Evans Drumheads,

Gibralter Hardware, Paiste America, Inc., Toca Percussion, VicFirth, Inc. [Room 104, Convention Center, Level One]

11:00 P.M.l • Lewis Nash Trio Jazz Showcase; Presider: Andy Zildjian;

Sponsors: Hohner HSS, Inc./Sonor Drums, Regal Tip/Calato,Remo, Inc., Sabian, Ltd. [Tennessee Room, Renaissance Hotel,Level Two]

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Joe Calato Mel Lewis

Babatunde Olatunji Al Payson

Tito Puente

Schedule of Events

PERCUSSIVE ARTS SOCIETYMULTIPLE PERCUSSION CONTEST 2002

The purpose of the contest is to demonstrate the highest level of artis-tic performance of multiple percussion literature. Each entry mustsubmit 5 compact discs (one original and 4 copies) which will beused for judging purposes.

All entries will include the following: “Rebonds A” by Xenakis

A second work may be included selected from the pieces listed be-low: All entries will be limited to 20 minutes. Four finalists will be in-vited to PASIC 2002 to compete in a recital program. The registrationfee for the convention will be waived, but all additional costs are theresponsibility of the participants (transportation, lodging, etc.). All en-trants must be between the ages of 16–25.

Literature: “Rebonds A” ...................................... Xenakis (required) “Anvil Chorus” ................................... Lang “Love of L’Histoire” ............................ Delancey “Inspirations Diobolique” ..................... Tagawa “Cold Pressed” .................................. Hollinden

For Application, contact:Percussive Arts Society

701 NW Ferris Avenue, Lawton, OK 73507(580) 353-1455 • fax: (580) 353-1456

E-mail: percarts@pas.org • Web: www.pas.org

& Terry Gibbs

saturday

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53Schedule of Events

Key:q Drumsety Marching percussion

Keyboardt Percussione World percussionl Concertw FUNdamental session

7:30 A.M.• Registration Opens [Convention Center, Level One]

8:00 A.M.w • David Steinquest and Frank Oddis Snare FUNdamentals;

Presider: James Lambert [Room 104, Convention Center, LevelOne]

• Music Technology Committee Meeting, Kurt Gartner, chair.[Room 203, Convention Center, Level Two]

• Composition Contest Committee Meeting, Lynn Glassock, chair.[Davidson A, Renaissance Hotel, Level Three]

• Health and Wellness Committee Meeting, Darin Workman, chair.[Davidson B, Renaissance Hotel, Level Three]

• Symphonic Committee Meeting, Alan Abel, chair. [Davidson C,Renaissance Hotel, Level Three]

9:00 A.M.q • Billy Ashbaugh Drumset Clinic; Presider: Don Lombardi;

Sponsors: DrumFrame, Ltd., Drum Workshop, Inc., EvansDrumheads, Latin Percussion, Inc., Paiste America, Inc.,PureSound Percussion, Remo, Inc., Vic Firth, Inc., Warner Bros.Publications [East Exhibit Hall, Convention Center, Level One]

• Joe Locke with Henry Hay, pianist; Vibraphone Clinic/Performance; Presider: Daryl McCain; Sponsors: Pro-MarkCorporation, Ross Mallet Instruments [Room 206, ConventionCenter, Level Two]

e • Gideon Foli Alorwoyie World Clinic “Linguistic Meaning in AfricanDrum Patterns;” Presider: Sal Ferreras; Sponsor: University of NorthTexas [Tennessee Room, Renaissance Hotel, Level Two]

t • Greg Beyer Paper Presentation “The Berimbau Today: AnHistorical Perspective and New Direction;” Presider: KathleenKastner; [Room 201, Convention Center, Level Two]

• PAS Museum/Library Listening Lab Sponsors: New Music/Research Day Committee, Music Technology Committee, KeyboardCommittee [Room 105, Convention Center, Level One]

• Exhibits Open [Center Exhibit Hall, Level One]

10:00 A.M.l • Westfield High School Percussion Ensemble, Jason Hall,

director Showcase Concert; Presider: Dan Moore; Sponsors: H&HMusic Company, Pro-Mark Corporation, Rhythm Fusion, WestfieldHigh School, Yamaha Corporation of American Band & OrchestralDivision [Grand Ballroom, Renaissance Hotel, Lobby Level]

e • Babtunde Olatunji Q&A Session; Presider: Chris Hart; Sponsors:Pro-Mark Corporation, Remo, Inc. [Nashville Room, RenaissanceHotel, Level Two]

y • Paul Rennick with Carolina Crown Cymbals & Jeff Moore withMadison Scouts Bass Drum Ensemble Marching Master class“Beginning to Intermediate Techniques for the Bass Drum andCymbal Ensembles;” Presider: Julie Davila; Sponsors: Moore:

Saturday, November 17

David Steinquest Frank Oddis

Billy Ashbaugh

Gideon Foli Alorwoyie Greg Beyer

Joe Locke

Westfield High School Percussion Ensemble

Babtunde Olatunji Paul Rennick

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Pro-Mark Corporation, Yamaha Corporation of American Band &Orchestral Division; Rennick: Avedis Zildjian Cymbal Company,Innovative Percussion; Pearl Corporation and Adams MusicalInstruments [Room 209, Convention Center, Level Two]

q • Tommy Wells and Jerry Kroon Drumset Master class “CountryDrumming;” Presider: Mike Farriss; Sponsors: Attack Drumheads,Paiste America, Inc., Pearl Corporation and Adams MusicalInstruments, Pro-Mark Corporation [Room 108, Convention Center,Level One]

w • Frank Shaffer and Chris Treloar Keyboard FUNdamentals;Presider: Ruth Cahn; Treloar sponsor: Pro-Mark Corporation [Room104, Convention Center, Level One]

• Hands on Music Technology Lab [Room 203, Convention Center,Level Two]

11:00 A.M.q • Rick Marotta with Will Lee and Ross Bolton Drumset Clinic;

Presider: Jerry Andreas; Sponsors: Avedis Zildjian CymbalCompany, Regal Tip/Calato, Remo, Inc., Yamaha Corporation ofAmerica Drumset & Electronic Percussion [East Exhibit Hall,Convention Center, Level One]

t • Tom Sherwood Orchestral Clinic/Performance “Glockenspiel andVibraphone;” Presider: Jim Dallas; Sponsor: Sabian, Ltd. [Room206, Convention Center, Level Two]

e • Ruben Alvarez World Clinic; Presider: Ray Tregellas; Sponsors:Avedis Zildjian Cymbal Company, Latin Percussion, Inc., MapexUSA, Inc., Vic Firth, Inc. [Tennessee Room, Renaissance Hotel,Level Two]

l • Project 166: WKU Alumni Percussion Quintet Terrace Concert;Sponsor: Western Kentucky University [Terrace, Convention Center,Level Three]

• Board of Directors Meeting Presider: PAS President, JamesCampbell [Ryman Room, Renaissance Hotel, Level Three]

12:00 P.M.l • Britain/Moore Duo Showcase Concert; Presider: George Barrett;

Sponsors: Britain: Avedis Zildjian Cymbal Company; InnovativePercussion, Panyard, Inc., Pearl Corporation and Adams MusicalInstruments; Moore: Innovative Percussion, Latin Percussion, Inc.,Sabian, Ltd., Yamaha Corporation of America Band & OrchestralDivison [Grand Ballroom, Renaissance Hotel, Lobby Level]

y • Pat Petrillo Marching/Drumset Clinic “Complete Drum Workout:Rudimental Exercises, Fills and Grooves;” Presider: JohnDeChristopher; Sponsors: Attack Drumheads, Avedis ZildjianCymbal Company, Avedis Zildjian Drumsticks, Maryland DrumCompany [Room 209, Convention Center, Level Two]

• Musician Injury Health and Wellness Panel; Presider: DarinWorkman [Room 108, Convention Center, Level One]Will Lee Ross Bolton

Rick Marotta

Project 166: WKU Alumni Percussion Quintet Mat Britain

Tommy WellsJeff Moore

Frank Shaffer

Chris Treloar

Ruben AlvarezTom Sherwood

Jerry Kroon

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Liberty DeVitto

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t • Alan Abel Bass Drum Lab “Strokes and Rolls;” Sponsor: ThePhiladelphia Orchestra [Room 201, Convention Center, Level Two]

1:00 P.M.q • Glen Caruba and Chester Thompson Drumset/World Clinic

“Drumset and Percussion in the ‘Pop’ Music Genre;” Presider: CarolCalato; Sponsors: Caruba: Avedis Zildjian Cymbal Company, PearlCorporation and Adams Musical Instruments, Regal Tip/Calato,Remo, Inc.; Thompson: Drum Workshop, Inc., Regal Tip/Calato,Remo, Inc., Sabian, Ltd. [East Exhibit Hall, Convention Center,Level One]

t • Stanley Leonard and Sal Rabbio Timpani Performance Forum;Presider: Bill Wiggins; Sponsors: Leonard: Ludwig MusicPublishing, Stanley Leonard Percussion Music, YamahaCorporation of America Band & Orchestral Division [Room 206,Convention Center, Level Two]

l • ABUSUA: West African Drumming and Dance Ensemble TerraceConcert; Sponsor: Tennessee Tech University; [Terrace, ConventionCenter, Level Three]

• Chapter Presidents Training Session with David Eyler [RymanRoom, Renaissance Hotel, Level Three]

• Marching Percussion Committee Meeting, Julie Davila, chair.[Davidson B, Renaissance Hotel, Level Three]

2:00 P.M.y • Erik Johnson and the Cavaliers Front Ensemble Marching Clinic

“Contemporary Approach to Front Ensemble Applications;”Presider: Mark Ford; Sponsors: Avedis Zildjian Cymbal Company,Innovative Percussion; Yamaha Corporation of America Band &Orchestral Division; [Grand Ballroom, Renaissance Hotel, LobbyLevel]

e • Rolando Morales Matos World Clinic; Presider: Sal Ferreras;Sponsor: Sabian, Ltd. [Tennessee Room, Convention Center, LevelTwo]

• Filippo Lattanzi Keyboard Clinic/Performance “New Italian Musicfor Marimba;” Presider: Michael Rosen; Sponsors: DAD Records,

Erik Johnson

Pat PetrilloDan Moore

Glen Caruba

Chester Thompson Stanley Leonard

Sal Rabbio ABUSUA: West African Drumming and Dance Ensemble David Eyler

Alan Abel

Rolando Morales Matos John R. BeckRich HollyFilippo Lattanzi

57Schedule of EventsSaturday, Novem

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Malletech Instruments, Millenia Media, Steve Weiss Music [Room108, Convention Center, Level One]

w • Rich Holly and John R. Beck Accessories FUNdamentals;Presider: Cherissa Legendre; Beck Sponsors: Avedis ZildjianCymbal Company, Yamaha Corporation of America Band &Orchestral Division [Room 104, Convention Center, Level One]

3:00 P.M.q • Liberty DeVitto Drumset Clinic “Rock Drumming;” Presider: Bill

Zildjian; Sponsors: Evans Drumheads, Pro-Mark Corporation,Sabian, Ltd., Tama [East Exhibit Hall, Convention Center, LevelOne]

e • Kalani World Clinic “Djembe Drumming;” Presider: KenFredenberg; Sponsors: Evans Drumheads, Gibralter Hardware,Paiste America, Inc.,Toca Percussion, Vic Firth, Inc. [NashvilleRoom, Convention Center, Level Two]

t • Keith Aleo Orchestral Clinic “Orchestral Percussion Accessories;”Presider: Neil Grover; Sponsors: Avedis Zildjian Cymbal Company,Grover Pro Percussion [Room 209, Convention Center, Level Two]

l • Flat Baroque (mostly) Marimba Quartet Terrace Concert;Sponsors: Mike Balter Mallets, Marshall University, PearlCorporation and Adams Musical Instruments, Pro-MarkCorporation, Sabian, Ltd. [Terrace, Convention Center, Level Three]

4:00 P.M.• Mark Ford Keyboard Showcase Concert; Presider: Erik Johnson;

Sponsors: Avedis Zildjian Cymbal Company, InnovativePercussion, Pearl Corporation and Adams Musical Instruments[Room 206, Convention Center, Level Two]

e • Salvador Ferreras with Ray Dillard, Trichy Sankaran, John WyreWorld Clinic “Strategies for Improvisation;” Presider: Bill Cahn;Sponsors: Dillard: Innovative Percussion, Pearl Corporation andAdams Musical Instruments; Wyre: Avedis Zildjian CymbalCompany, Pearl Corporation and Adams Musical Instruments[Tennessee Room, Renaissance Hotel, Level Two]

q • Brian Fullen Drumset Master class “Studio Drumming Techniquesand Essentials;” Presider: Jerry Andreas; Sponsors: Avedis ZildjianCymbal Company, Pro-Mark Corporation, Remo, Inc., YamahaCorporation of America Drumset & Electronic Percussion [Room108, Convention Center, Level One]

w • Dave Black and Mark Dorr Drumset FUNdamentals; Presider:Nick Petrella; Sponsors: Black: Sabian, Ltd. [Room 104,Convention Center, Level One]

t • Michael Rosen Orchestral Lab “Calf Skin Drum Head Tucking;”Sponsor: Oberlin Conservatory of Music [Room 201, ConventionCenter, Level Two]

• Committee Chairs Meeting [Ryman Room, Renaissance Hotel,Level Three]

Kalani Keith Aleo

Mark Ford

Flat Baroque Marimba Quartet

Salvador Ferreras

John Wyre Brian FullenRay Dillard Trichy Sankaran Dave Black

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5:00 P.M.q • Akira Jimbo Drumset Clinic; Presider: Jerry Andreas; Sponsors:

Avedis Zildjian Cymbal Company, Latin Percussion, Inc., Remo,Inc., Vic Firth, Inc., Yamaha Corporation of America Drumset &Electronic Percussion [Grand Ballroom, Renaissance Hotel, LobbyLevel]

• Registration Closes [Convention Center, Level One]• Exhibits Close [Center Exhibit Hall, Level One]

8:00 P.M.l • NEXUS Evening Concert “NEXUS in Concert–Celebrating its 30th

Season!;” Presiders: James Campbell and Ray Dillard; Sponsors:Nexus: Avedis Zildjian Cymbal Company, Pearl Corporation andAdams Musical Instruments; Erskine: Avedis Zildjian CymbalCompany, Evans Drumheads, Shure Brothers, Vic Firth, Inc.,Yamaha Corporation of America Band & Orchestral Division;Norton: Malletech Instruments; Mizma: San Jacinto College Central[Grand Ballroom, Renaissance Hotel, Lobby Level]

PROGRAM

“Palta” .......................................................................... Bob Beckerwith guest soloist Rolando Morales MatosEric Stevens, electric bassChris Norton, pianoMichael Mizma, steel pan

“Fra-Fra” ................................................................. trad./arr. Nexus“African Funeral Song” ............................. trad. (Ghana)/arr. Nexus“Tongues” ........................................... trad. (Zimbabwe)/arr. Nexus“Kichari” ................................................................................ Nexus

with special guest Peter Erskine“Novelty Ragtime Selections” ............. arr. Bob Becker & Bill Cahn

with special guest Peter Erskine

8:00 P.M.• Nashville Symphony Orchestra “Concerto Art Nouveau”

featuring timpanist William Wiggins [Tennessee PerformingArts Center (TPAC), Jackson Hall] See Page 75 for ticketinformation.

10:00 P.M.l • Lalo Davila & Orkesta Eme Pe Salsa Showcase; Presider: Glen

Caruba; Sponsors: Avedis Zildjian Cymbal Company, InnovativePercussion, Pearl Corporation and Adams Musical Instruments[Tennessee Room, Renaissance Hotel, Level Two]

Orkesta Eme PePeter Erksine

NEXUS

Akira Jimbo

Mark Dorr Michael Rosen

Rolando Morales Matos

Eric Stevens Chris Norton

Michael Mizma

Schedule of Events

60 ARTISTS AND CLINICIANS

KEIKO ABE THURSDAY 8:00 P.M., FRIDAY 1:00 P.M.In addition to her work as Professor of Marimba atToho Gakuen School of Music in Tokyo, Keiko Aberegularly performs solo concertos, chamber musicand improvisations throughout the world. Abe is alsoin demand as a guest lecturer and has given masterclasses in North America, Central and SouthAmerica, Europe and Asia. She has recorded over 20CDs, mostly for the Denon label, and many of her30+ compositions have become standards of ma-rimba literature. Abe has commissioned more than 70compositions and performed at over 40 music festi-vals worldwide. A 1993 inductee into the PAS Hall ofFame, she served as the Artistic Director for theWorld Marimba Festival in Osaka, Japan (1998) andthe Percussion Festival in Japan Week in Seoul, Ko-rea (1999). Abe is scheduled to be on the jury at the3rd World Marimba Competition in Stuttgart, Germanyin 2002.

ALAN ABEL THURSDAY 9:00 A.M., 12:00 P.M., , SATURDAY 12:00 P.M.Former Associate Principal Percussionist of the Phila-delphia Orchestra Alan Abel retired in September of1997 after 38 years of service. He currently workswith graduate students at Temple University. Abel hascompiled two books on orchestral studies for timpaniand percussion for G. Schirmer, Inc. and has de-signed and produced symphonic triangles and bassdrum stands that are used throughout the world. Abelhas served on the PAS Board of Directors, was in-ducted into the PAS Hall of Fame in 1998 and is pres-ently Chair of the PAS Symphonic Committee. He hasbeen a faculty member of the University of Oklahoma,Oklahoma City University, Glassboro State Collegeand the Philadelphia Settlement Music School. Abelwas a part-time member of the Rochester Philhar-monic Orchestra and, after two years in a U.S. AirForce Band, played in the Oklahoma City Symphony(1953–59).

ABUSUA SATURDAY 1:00 P.M.Tennessee Tech University’s West African Drummingand Dance Ensemble Abusua complements the WestAfrican drumming and dance classes taught by Jo-seph Rasmussen, Professor of Music at Tennes-see Tech University in Cookeville. Established in1991, the student ensemble learns traditional drum-ming patterns, dances and songs of Ghana, West Af-rica, as well as other elements of Ghanaian culture.Abusua, which means “family” in Twi (a major lan-guage in Ghana), is a university club open to stu-dents who have taken classes in West Africandrumming or dance. They perform on all hand-crafted instruments and in handmade costumes fromAfrica. Abusua has performed extensively in thePutnam County Schools and at schools and festivalsin Middle and East Tennessee. The group has beeninvited to perform at conferences of the TennesseeMusic Educators’ Association in Nashville and the

Music Educators’ National Conference in Cincinnati,Ohio.

TIMOTHY ADAMS FRIDAY 3:00 P.M.Named Principal Timpanist with the Pittsburgh Sym-phony in 1995, Timothy Adams also serves on thefaculty of Carnegie Mellon University in Pittsburgh asAssociate Professor of Music. In addition, he teachespercussion at the Brevard Music Center in NorthCarolina and gives master classes and recitals bothin the U.S. and abroad. Adams is a regular guest lec-turer at the University of Chile and will conduct aSouth American percussion master class inPatagonia, Argentina next year. He has played soloperformances with the Atlanta Symphony, the India-napolis Symphony and the Florida Philharmonic, andhas recorded with the Cleveland Orchestra, AtlantaSymphony and Indianapolis Symphony, where heserved as Principal Timpanist (1991–95). Adams hasbeen featured on the television show Mister Rogers’Neighborhood and also played in the rock band Ex-otic Birds, which recorded two albums and a musicvideo for MTV.

GUSTAVO AGUILAR WEDNESDAY 12:00 P.M.A percussionist, composer and improviser dedicatedto contemporary creative music, Gustavo Aguilar hasperformed his own improvisational compositions andworks written exclusively for him in Australia, Austria,Macedonia, Yugoslavia, South Korea and the UnitedStates. He is Composer-in-Residence with the Cleve-land-based Groundworks Dance/Theater. Aguilar isalso active with his own improvisational percussionduo Zendin with South Korean percussionist Je ChunPark. He has performed and/or recorded with suchartists as John Bergamo, Roy Campbell, Nels Cline,Vinnie Golia, Kang Tae Hwan and Wadada Leo Smith.His solo CD Dreaming with Serpents was released onthe Acoustic Levitation label. Aguilar has served onthe faculty at Del Mar College/Texas A&M–CorpusChristi, Korea National University of Arts and the Uni-versity of Akron, and he has given master classes atuniversities across the country.

KEITH A. ALEO SATURDAY 3:00 P.M.Since 1989, Keith A. Aleo has been a member of thepercussion section of the Florida Philharmonic Or-chestra. He is also director of Percussion Studies atFlorida International University and spends his sum-mers on the faculty at the Interlochen Arts Camp inInterlochen, Michigan. Aleo authored the solo snaredrum book Advanced Snare Drum Etudes and is acontributing composer for the snare drum duet bookPerformance Studies for Two, both published byHoneyRock, Inc. He is also contributing editor for theEncyclopedia of Percussion Instruments (GarlandPublishing). Aleo has recorded for the HarmoniaMundi, Spectrum and Word Records, and his cham-ber percussion duo Atlantis is currently performing

61ARTISTS AND CLINICIANS

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and commissioning new works. Aleo received thePAS Outstanding Chapter President Award in 1994for his five years as President of the Florida PASChapter, for which he continues to serve as Secre-tary.

GIDEON FOLI ALORWOYIE SATURDAY 9:00 A.M.High priest of the Yewe Cult, Gideon Foli Alorwoyie isregarded as one of Ghana’s foremost virtuosos of tra-ditional music and dance, having toured the world asa member of the Ghana National Dance Ensemble.He is Assistant Professor of Music at the University ofNorth Texas where he holds the position of masterdrummer and artistic director of the UNT African Per-cussion Ensemble. Alorwoyie is also founder and ar-tistic director of the Chicago-based African-AmericanUnity Ensemble. His recent projects have includedperformances at the Ghana Fest in Chicago as wellas master classes at the New England Conservatoryin Boston. Alorwoyie held positions at the AmericanConservatory of Music and at the Old Town School ofFolk Music in Chicago, and from 1967–84 he workedin the Department of African Studies at the Universityof Ghana as chief master drummer of the Ghana Na-tional Dance Ensemble.

RUBEN P. ALVAREZ SATURDAY 11:00 A.M.Chicago-based Latin percussionist, drumset artist,composer and producer Ruben P. Alvarez has over aquarter-of-a-century of professional touring and re-cording experience. He is on the faculty of North-western and Roosevelt universities and also giveseducational music presentations under the auspicesof Urban Gateways the Center for Arts in Education,the Ravinia Festival’s “Jazz Mentors” program, Bandsof America, the International Association of Jazz Edu-cators (IAJE) Artist Outreach and Teacher Training In-stitute programs, and the Chicago Symphony’sArmonia community outreach program. Alvarez is theMusical Director of the Raices Latin Percussion En-semble and El Trio Tropical Latin music ensemble.His performance credits include movie soundtracks,jingles, recordings and live appearances with a vari-ety of artists including Eddie Palmieri, ChuchitoValdez, Dave Valentin, Arturo Sandoval, Anita Baker,the Commodores, Junior Wells, Dennis DeYoung andPatricia Barber, as well as the Chicago Sinfonietta,the Seattle Philharmonic Orchestra and the IcarusString Quartet.

ROBBY AMEEN THURSDAY 1:00 P.M.Drummer Robby Ameen has recorded albums with

62 ARTISTS AND CLINICIANS

Ruben Blades, Dave Valentin, Paul Simon, DizzyGillespie, Eddie Palmiere, Steve Swallow, KipHanrahan, David Byrne, Mongo Santamaria, HiltonRuiz, Earl Klugh and many others. He has also re-corded numerous film scores, television themes andjingles. Ameen was co-leader with Seis del Solar ofthe albums Alternate Roots and Decisions (on theMessidor label). Together with Lincoln Goines, he co-authored the book and video Funkifying the Clave:Afro-Cuban Grooves for Bass and Drums, publishedby Warner Bros.

KENNY ARONOFF FRIDAY 5:00 P.M.Widely recognized as one of the greatest drummers inrock ’n’ roll, Kenny Aronoff is an Associate Professorat Indiana University as well as one of the most in-de-mand musicians in the world. He has worked withsome of the biggest names in the music industry, in-cluding John Mellencamp, Bob Seger, Elton John,Bob Dylan, Bonnie Raitt, the Smashing Pumpkins andmany others. Aronoff has recently been recording withJoe Cocker, Melissa Etheridge, Ricky Martin, AndyGriggs, Josh Joplin, Billy Dean and a new bandcalled PETE. With his style of playing that combinespower with finesse, he has been named the #1 Pop/Rock Drummer numerous times by the readers ofModern Drummer magazine. Aronoff was also part ofan exhibit at the Children’s Museum of Indianapolis,which ran through June 2001.

BILLY ASHBAUGH SATURDAY 9:00 A.M.Since 1997, Billy Ashbaugh has been touring and re-cording with ’NSync. He has also backed such artistsas Britney Spears and Jordan Knight and recordedtracks for Aaron Carter. Ashbaugh recently collabo-rated with Bob Gatzen on the next video in Gatzen’sInspiring Drumming series (released by WarnerBros.). As a follow-up to the video, Warner Bros. willalso release an “In Session” play-along CD for drums,featuring some of ’NSync’s songs from their HBO LiveConcert Special. In addition to promoting his videoand play-along CD, Ashbaugh is involved with adrum-loop CD project and recording tracks for PatBenatar. He has toured with recording artist Snap(1992–95) and recorded two funk-rock demo albumsfor Turbo B.

ANDERS ÅSTRAND THURSDAY 10:00 A.M.Percussionist and composer Anders Åstrand hastoured and performed extensively throughout theUSA, Europe, and Australia. He also performs as apercussion soloist with numerous Swedish choirs. To-gether with American saxophonists Susan Fancherand Mark Engebretson, he formed the trioEngebretson/Fancher/Åstrand, which plays both com-posed music and free improvisations. In his composi-tions, Åstrand focuses on improvisation with both thesoloist and the percussion ensemble. In 1999, theSpanish percussion ensemble Amores commissioned

“Rauk” for solo vibraphone and three percussionistsand another piece, “Purge” for percussion ensembleand vibraphone, was broadcast by the Swedish Ra-dio. Åstrand, together with Björn Meyer (bass) andMartin Löfgren (drums), formed the Like One trio in1996. In 1999, the trio toured in Sweden with DoubleImage percussionists Dave Samuels and David Fried-man. For the past three years, Åstrand has served asPresident of the PAS Swedish Chapter.

GEORGE BARRETTCurrently the CEO of Innovative Percussion and Hostof PASIC 2001, George Barrett is also a member ofthe PAS Marching Percussion Committee and servesas the Tennessee PAS Chapter President. He was theDirector of Marketing, Educational Percussion Prod-ucts for the Pearl Corporation from 1994–99, and heldthe dual roles as Marketing Manager, Marching Per-cussion and Artist Relations at Remo, Inc. from 1989–94. Barrett also served as an Adjunct Professor ofPercussion at Pasadena City College of Music. Histeaching experience includes the Democratic Con-vention High School Band (1988), the 1988 SuperBowl Super Band, the Statue of Liberty All AmericanCollege Marching Band (1986), the BayonneBridgemen Drum and Bugle Corps (1985) and theUniversity of Southern California Trojan MarchingBand. He has performed on television soundtracks forThe Captain EO Special, the mini-series Amerika, the1987 Special Olympics Opening Ceremonies and theWalt Disney 20th Anniversary Special. Barrett haswritten several articles for Percussive Notes, and hissnare drum solo “Rudimental Heights” is published byPer-mus Publications.

JOHN H. BECK THURSDAY 8:00 P.M.Past President of PAS as well as New York State PASChapter President and Vice-President, John H. Beckis Professor of Percussion at the Eastman School ofMusic, his alma mater. He is also the Timpanist withthe Rochester Philharmonic Orchestra, where he hasmade many solo appearances. Beck has also ap-peared as soloist with the Eastman Wind Ensembleand has performed with and conducted many percus-sion ensembles. As a composer, his works have beenpublished by leading publishing companies and re-corded for CRI, Turnabout, Mark Records and Heri-tage Records. Beck has written many articles onpercussion for leading music journals, is the editor ofEncyclopedia of Percussion and has written severalinstruction books for snare drum, drumset and tim-pani. He has also taught numerous percussion clinicsaround the world. Beck was inducted into the PASHall of Fame in 1999.

JOHN R. BECK SATURDAY 2:00 P.M.Currently serving as president of the North CarolinaPAS Chapter, John R. Beck is on the faculty of theNorth Carolina School of the Arts and a percussionist

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with the Greensboro Symphony Orchestra, BrassBand of Battle Creek and the Philidor PercussionGroup. A former percussionist with the United StatesMarine Band, he also performed regularly with theNational and Baltimore Symphonies, Washington andBaltimore Operas and the Theater Chamber Playersof the Kennedy Center. Beck has toured the UnitedStates as a xylophone soloist with the Marine Band,Jack Daniels’ Silver Cornet Band and the New SousaBand. He has served on the faculties of the Universi-ties of Utah, Colorado and Nevada and has presentedclinics throughout the U.S. and abroad. Beck’s com-positions and arrangements are published byHoneyRock.

PEGGY BENKESER WEDNESDAY 2:00 P.M.Peggy Benkeser is co-founder and artistic co-directorof Thamyris, New Music Group which has commis-sioned and premiered over 80 new compositions formixed chamber ensemble since its inception in 1987.Her current solo project, “Kitchen Chaos,” is a newmusic theater work featuring recently commissionedpercussion solos by Steven Mackey, Pauline Oliveros,Janice Giteck, Alvin Singleton, Steve Everett andFrank Hannaway. Musical styles featured include in-teractive electronics, jazz improvisation and worldmusic. The premiere will be in Atlanta on February 16,2002 with a national tour to follow. As a dedicated mu-sic educator, Benkeser conducts residencies, work-shops, master classes and performances at publicand private schools throughout the U.S. She is an Art-ist in Education for the Georgia Council for the Artsand Young Audiences of Atlanta as well as an artist-affiliate at Emory University in Atlanta.

JOHN BERGAMO THURSDAY 2:00 P.M., FRIDAY 11 A.M.Percussionist, composer and conductor JohnBergamo has been coordinator of the percussion pro-gram at California Institute of the Arts since 1970. Hisdiverse musical involvements include concerts withJohn McLaughlin’s Shakti, performing in FrankZappa’s Abnuceals Emukka Orchestra, recording withAli Akbar Khan and a tour to the Soviet Union withRobert Shaw, to name only a few. Bergamo continuesto be involved in contemporary music performance,studio work and non-EuroAmerican music perfor-mance. Incorporating many of the styles that have in-fluenced him, he has co-founded two all-percussiongroups: The Repercussion Unit in 1976 with LarryStein, Ed Mann, James Hildebrandt, Greg Johnson,Paul Anceau and Steven “Lucky” Mosko, and TheHands On’Semble in 1997 with Andrew Grueschow,Randy Gloss and Austin Wrinkle.

GREG BEYER SATURDAY 9:00 A.M.Currently pursuing his DMA at the Manhattan Schoolof Music, Greg Beyer is a specialist in contemporaryclassical music performance and also maintains anactive performance schedule in a variety of endeav-

ors. As a soloist, he collaborates with composers onnew works for percussion. As a chamber musician, hehas performed with Speculum Musicae, the OrpheusChamber Orchestra, NewBand, Absolute Ensembleand the S.E.M. Ensemble. Beyer regularly performspop and jazz music, combining world percussion in-fluences into his drumset playing. Due to his interestin Brazilian music, he has been to Salvador, Bahia, tostudy capoeira and the berimbau. Beyer leads andcomposes for The Art Department jazz quartet, whichrecently recorded its first CD. In 1998, Beyer won aStipendpreis at the Darmstadt International Festival ofContemporary Music and was invited back to partici-pate in the Course of 2000.

DAVE BLACK SATURDAY 4:00 P.M.Percussionist/composer Dave Black serves as the Di-rector of Instrumental Music for Alfred PublishingCompany. A prolific composer and arranger, morethan 50 of his compositions and arrangements havebeen published by Alfred Publishing, Barnhouse,CPP/Belwin and Warner Bros. Black has written forthe bands of Louie Bellson, Sammy Nestico, EdShaughnessy and the California State University–Northridge Jazz Ensemble. He is the co-author of sev-eral books including Alfred’s Drum Method, Books 1 &2, Alfred’s Beginning Drumset Method, ContemporaryBrush Techniques, Cymbals: A Crash Course and TheEssential Dictionary of Orchestration. Black has alsowritten articles and reviews for Down Beat, The Instru-mentalist, Modern Drummer, Modern Percussionist,Drums and Drumming and Drum Tracks. He servedon the PAS Board of Directors for six years, was amember of the Sustaining Members Advisory Council,and hosted PASIC ’91 in Anaheim, California.

JOHN BLACKWELL, JR. FRIDAY 9:00 A.M.The son of a professional drummer, John Blackwell,Jr. is currently performing with Prince and The NewPower Generation, and he appears on Prince’s newlyreleased album, The Rainbow Children. He spentthree months as the drummer for teen pop star UtadaHikaru on her Bohemian Summer 2000 NationwideTour of Japan and can also be heard on the song“Parody” from her recent album Distance. Blackwellhas played with the funk group Cameo as well as withPatti Labelle, including her Grammy-winning CD, VHSand DVD Patti Labelle Live: One Night Only. Duringhis years at Berklee College of Music (1992–95), heplayed every week with jazz saxophonist HermanJohnson at Ryles Cafe in Cambridge, Mass. Blackwellwas featured in the cover story of the October 2001issue of Modern Drummer magazine.

BRADY BLADE AND BRIAN BLADE FRIDAY 11:00 A.M.Growing up in a musical household in Shreveport,Louisiana, brothers Brady and Brian Blade becametwo very different drummers. Older brother Brady hasperformed with Emmylou Harris, Jewel and Indigo

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Girls, and has been the “guy-to-get” for cutting-edgeartists who go beyond the labels of alternative, rock,country or world music. His understated approach todrumming uses silence as part of his artistic pallet.Younger brother Brian has applied his musical disci-pline and balance with such diverse artists as JoniMitchell, Kenny Garrett and Wayne Shorter in additionto his own ground-breaking ensemble, Brian BladeFellowship. Since moving to New York City, Brian hassuccessfully utilized his jazz style to become one ofthe “first-call” studio and live players in the city.

JOEL BLUESTONE WEDNESDAY 12:00 P.M.Dr. Joel Bluestone is a Professor of Music at PortlandState University where he has been the head of thepercussion department for the past 12 years. He isentering his tenth year as Co-Founder/Percussionistwith the Northwest premiere contemporary new musicensemble Fear No Music. Bluestone is also the Princi-pal Timpanist with Sinfonia Concertante Orchestraand has been the Principal Timpanist with the Mis-souri Symphony. He received his B.A. from the Univer-sity of California at San Diego and his M.M. andD.M.A. from the State University of New York atStonybrook. His principal teachers have been thecontemporary percussionists Raymond Des Roches,Jean-Charles Francios and Richard Horowitz, Princi-pal Timpanist of the Metropolitan Opera Orchestra.

ROSS BOLTON SATURDAY 11:00 A.M.In addition to being Al Jarreau’s guitar player, RossBolton has recorded or performed with Rick Braun,David Benoit, The Beach Boys, Sheena Easton, NellCarter and Donny Osmond, to name just a few. His TVand movie credits include The Larry Sanders Show,Fridays, The Jeff Foxworthy Show and Two Guys, aGirl & a Pizza Place. Bolton has been on the staff of

The Musicians Institute in Los Angeles for many yearsand presents seminars and clinics around the world.

TERRY BOZZIO THURSDAY 5:00 P.M.Best known for his playing with Missing Persons andFrank Zappa, Terry Bozzio has also played with theMarin and Napa (California) Symphonies as well asjazz musicians Pete Escovedo, Art Lande, EddieHenderson, Julian Priester and Woody Shaw, and hehas done recording projects and/or tours with theBrecker Brothers, UK, the Lonely Bears, Mick Jagger,Deborah Harry and Jeff Beck. He has released sev-eral solo drumming videos and CDs, including the re-cent Solos & Duets video and Alternate Duets CDs,which feature Bozzio with Chad Wackerman. Bozziofrequently performs solo drumset concerts and clinicsaround the world, and recently played several of hissolo drumset compositions in performance with theLouisville Ballet.

BRITAIN/MOORE DUO SATURDAY 12:00 P.M.Formed in 1985 at Wichita State University, the Britain/Moore Duo—Mat Britain and Dan Moore—combinesteel pans, marimba and percussion to create jazz,Calypso, Latin and African music in their trademarkmix of acoustic and electronic percussion. CricketCity, the BMD’s first CD, showcases their writing, ar-ranging and performing skills.

Mat Britain has performed with the Amoco Ren-egades Steel Band at the Panorama Festival. Basedin Nashville, he leads his popular steel band DeepGrooves and is also active in the recording industry.From 1996 to 1999, Britain was percussionist withGrammy Award-winning country/pop artist Lee Green-wood, and he was the first percussionist to grace thefamous Grand Ole Opry stage.

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University of Iowa, where he focuses on the MIDI-ma-rimba, a setup that augments the acoustic sounds ofthe marimba with electronically-triggered sounds. Hisdiverse artistic outlets are showcased on his CDJungle Fever: Dan Moore plays the music of DickSchory, a collection of updated arrangements fromSchory’s popular 1960s-vintage Percussion Pops Or-chestra.

DON BUCHLA WEDNESDAY 2:00 P.M.Educated in physics, physiology, and music, DonBuchla’s multi-faceted creativity has been applied tofields as diverse as space biophysics research, musi-cal instrument design and multi-media composition.Much of his work has centered on the refinement ofcommunication channels between man and machine,notably the design of interactive electronic musical in-struments and high level music languages. Buchlafounded the alternative band Fried Suck, was afounding member of the 15-piece Arch Ensemble,and co-founded the Electric Weasel Ensemble andthe Muse and the Fuse. He has collaborated withsuch luminaries as Ami Radunskaya, DavidRosenboom, Anthony Braxton, David Wessel, SusanRawcliff, Mark Goldstein, Morton Subotnick, WendyReid, George Lewis, David Keane, Joel Davel, andhis son, Ezra Buchla. Buchla is currently developingexotic controllers that provide expressive alternativesto traditional musical input devices and some of hisrecent inventions include Thunder, Lightning II, theMarimba Lumina and the Piano Bar.

MICHAEL R. BUMP WEDNESDAY 11:00 A.M.Michael R. Bump is Director of Percussion Studiesand Assistant Professor at Truman State University. Hehas held the position of Principal Timpanist with theArs Nova Chamber Orchestra, Asheville SymphonyOrchestra and the Cullowhee Music Festival, andserved as Percussionist/Assistant Timpanist with theMemphis Symphony and Opera Orchestras, ChicagoCity Ballet and Columbus Symphony Orchestra.Bump served as Percussion Coordinator/Arranger forthe Memphis Blues Drum and Bugle Corps andtaught the University of Illinois Indoor Drumline. Hewas a founding member of the I-Pan Steel Ensemble,arranging and co-producing the group’s debut CD in1994. Bump’s music is published by Arrangers Pub-lishing, Studio 4 Productions and Music for Percus-sion, and he has written articles for Percussive Notesand The Instrumentalist. Bump has served as PASChapter President in both South Carolina and Missis-sippi, and is a member of the PAS New Music/Re-search and College Pedagogy Committees.

MICHAEL BURRITT THURSDAY 2:00 P.M.Associate Professor and Director of Percussion Stud-ies in the School of Music at Northwestern Universityin Evanston, Illinois, Michael Burritt is a permanentguest professor at the Musikhogskolan in Pitea, Swe-

den, as well as a member of the faculty for theChautauqua Summer Music School. Specializing inmarimba, he has given concerts and lecturesthroughout the U.S., Canada, Europe, Australia andAsia. Burritt has released two solo recordings, Per-petual and Shadow Chasers, and is working on histhird, Azure, with Resonator Records. He is also ac-tive as a composer, having written two books ofetudes as well as numerous solo and chamber worksfor solo marimba, solo percussion and percussion en-semble (published with C. Alan Publications, Key-board Percussion Publications, Ludwig MusicPublishing and Innovative Percussion). Burritt is amember of the PAS Board of Directors and a contrib-uting editor for Percussive Notes.

THOMAS BURRITT FRIDAY 3:00 P.M.Originally from Buffalo, New York, Dr. Thomas Burritt iscurrently Assistant Professor of Percussion at the Uni-versity of Texas. Prior to his move to Austin, he wasAssistant Professor of Percussion at the University ofCentral Arkansas and President of the Arkansas PASChapter. Burritt also served as Principal Percussionist/Timpanist with the Conway (Arkansas) Symphony Or-chestra and was a member of the Arkansas Sym-phony Orchestra. He was a finalist in the first LeighHoward Stevens International Marimba Competition(1995) and the PAS Solo Marimba Contest (PASIC’92). Burritt has presented recitals, master classesand clinics throughout the U.S. and can be heard asguest soloist on two CD recordings: Hasenproject andClarinet Unlimited: Kelly Johnson, Clarinet. He per-formed Eugene O’Brien’s “Rhyme and Reason” duringNew Music/Research Day at PASIC 2000 in Dallas.

BILL CAHN THURSDAY 2:00 P.M.A native of Philadelphia, Bill Cahn is a founding mem-ber of Nexus, performing on concerts, films, record-ings, and broadcasts worldwide. He was also thePrincipal Percussionist in the Rochester PhilharmonicOrchestra from 1968–95 and has appeared as soloistwith orchestras and at music festivals around theglobe. Cahn’s compositions for solo and ensemblepercussion are published by HoneyRock Publishingand Marimba Productions, Inc. His works for Nexusand orchestra have been performed by symphoniesin Atlanta, Cleveland, Detroit, Dallas, the National ArtsCentre/Ottawa, Rochester, Toronto and Taipei. Cahnhas produced six compact discs, including two withNexus and Orchestra—Bill Moyers Narrates the Storyof Percussion In the Orchestra (1992) and VOICES(1994)—and one, The Solo Percussionist (1996), con-taining his own compositions. He was an artist-in-resi-dence (1998–99) at Showa University in Atsugi,Japan. With Nexus, he was inducted into the PAS Hallof Fame in 1999.

RUTH CAHN THURSDAY 2:00 P.M.Ruth Cahn served as a percussionist with the Roches-

67ARTISTS AND CLINICIANS

ter Philharmonic Orchestra for 33 years. She is cur-rently Director of the Summer Session for the EastmanSchool of Music, where she is also the Jack Frank In-structor of Percussion in the Community Education Di-vision and Director of the Music Horizon Program forgifted youth. Cahn has performed with theChautauqua Symphony, the New Hampshire MusicFestival and the Grand Teton Music Festival, and hasrecorded with the Rochester Philharmonic Orchestra,the Canadian Brass and the Society for Chamber Mu-sic in Rochester. In 1993, she and her husband Billwere named Musicians of the Year by the RochesterChapter of Mu Phi Epsilon. Cahn also chairs the PASEducation Committee.

CLAYTON CAMERON THURSDAY 11:00 A.M.Known as the “Brush Master,” Clayton Cameron iscurrently playing drums with Tony Bennett, appearingon six of Bennett’s five Grammy-award-winning al-bums, including Steppin’ Out and Tony Bennett Un-plugged. He also performed on Bennett’sEmmy-award-winning television show Live by Re-quest. They have performed for presidents and roy-alty as well as recent collaborations with Billy Joel,Sting, Mariah Carey, Brandy, the Backstreet Boys,James Taylor, K.D. Lang, Elvis Costello and RickyMartin. Cameron has also worked with Sammy Davis,Jr., Frank Sinatra, Dean Martin, George Shearing, JoePass and Joe Williams. Cameron released an instruc-tional video The Living Art of Brushes (1990) and de-signed his own signature brushes for Calato. His newbook, Brush Works, will be published by Warner/Chappell, and he can be heard on Tony Bennett’s lat-est CD, Tony Bennett Sings the Blues.

CARIBBEAN JAZZ PROJECT FRIDAY 9:30 P.M.A new version of the Caribbean Jazz Project was bornin 1999 with Dave Samuels on vibes and marimba,Dave Valentin on flutes and Steve Khan on elec-tric guitar. They will be joined at PASIC 2001 by bassplayer Ruben Rodriguez, conga player RichieFlores, and Dafnis Prieto on a combinationdrumkit/timbale setup. Their two most recent CDs—Paraiso (2001) and New Horizons (2000)—were re-leased on Concord Records. The originalCJP—featuring Samuels, Paquito D’Rivera on sopranoand alto saxophones and clarinet, and Andy Narell onsteel pan, along with a rhythm section of piano, bassand drums—was formed in 1993 and toured aroundthe world. Their two earlier albums are on the HeadsUp label: Island Stories (1997) and The CaribbeanJazz Project (1996). The ensemble performs a meltingpot of rhythms from Latin America, Brazil, the Carib-bean and Cuba, combining island sounds with thelanguage of jazz in a unique Latin jazz band.

CARIBBEAN SOUND STEEL BAND THURSDAY 11:00 A.M.Blending the music of calypso, soca, reggae, samba,mambo and jazz, Caribbean Sound—Barry

Olsavsky, Mike Wilson, Sean Tarleton andDanny Stimpson—was founded in 1986 byOlsavsky, Wilson and Charlotte Mabrey, Professor ofPercussion at the University of North Florida and Prin-cipal Percussionist with the Jacksonville SymphonyOrchestra. This unique quartet performs on vintage“Pan Around the Neck” steel drums crafted by EllieMannette and the University Tuning Project at WestVirginia University. Using a single lead, single secondand bass boom with added percussion, these drumsrecreate the days when panmen marched through thestreets of Port of Spain, Trinidad. Caribbean Soundhas performed with the Jacksonville Symphony Or-chestra and presented concerts at numerous schoolsas part of their third year with the Florida State TouringProgram. Their two recordings, 1994’s Panic Attackand last year’s J’Ouvert Comin’, are available throughtheir Web site: www.CaribbeanSound.net

RAYNOR CARROLL FRIDAY 12:00 P.M.Since 1983, Raynor Carroll has been playing timpaniand percussion for the Los Angeles Philharmonic,where he has performed under such conductors asCarlo-Maria Giulini, André Previn, Esa-Pekka Salonen,Leonard Bernstein, Pierre Boulez, Sir Simon Rattleand Zubin Mehta. Carroll performs regularly on thePhilharmonic’s New Music Group and Chamber Music

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series and has been a featured soloist with varioussouthern California orchestras. He also records mo-tion-picture soundtracks for Hollywood studio com-posers such as Maurice Jarre, David Newman andArthur Rubinstein. He teaches at California State Uni-versity at Los Angeles, California State University atLong Beach and the Los Angeles Music Academy.Carroll is the founder and owner of Batterie Music, apublishing company specializing in music for sym-phonic percussionist, including his timpani method,Exercises, Etudes and Solos for the Timpani.

GLEN CARUBA SATURDAY 1:00 P.M.A popular percussionist on the Nashville scene, GlenCaruba has performed and recorded with such artistsas Jimmy Buffett, The Mavericks, Glenn Frey, MaxCarl, K.T. Oslin, Beth Nielsen Chapman, Leon Russell,Lari White and Trisha Yearwood. He is currentlyfronting his own “Progressive House Music” bandcalled The Caruba Dance Machine and can be heardon themes for HBO, Pepsi Cola and Coors Light Beeras well as several TV and movie soundtracks includ-

ing King of the Hill, Cape Fear, Contact and HopeFloats. Caruba recently performed with Jimmy Buffettin his Broadway-bound musical Don’t Stop the Carni-val. Hal Leonard is the exclusive distributor forCaruba’s instructional video, The Contemporary Per-cussionist, and his two books (with CDs), Afro CubanDrumming and Modern Percussion Grooves, whichwere runner-ups in Drum magazine’s 1999“Drummies” Readers’ Poll.

CHIN-CHIN CHEN WEDNESDAY 10:00 A.M.Since 1999, composer Chin-Chin Chen has been theDirector of the Grand Valley State University (Michi-gan) Music Technology Center. Prior to coming toGVSU, she taught at Millikin University in Decatur, Illi-nois. Chen’s electro-acoustic works “Points of No Re-turn” (1997, for two-channel tape) and “Points ofArrival” (1998, for violin and tape) won First Prize andHonorable Mention, respectively, in the ConcorsoInternazionale Luigi Russolo in Varese, Italy. Herworks have received international performances andbroadcasts throughout the world. A native of Taiwan,Ms. Chen is published by Media Press.

COASTAL CAROLINA UNIVERSITY WEDNESDAY 10:00 A.M.Under the direction of Gary Miles Stegall (piano),the ensemble from Coastal Carolina University(Conway, SC) also includes Steve Kirkman, TimPeterman (marimba) and Stephen Forrer (tim-pani). Stegall, Assistant Professor of piano and musictheory at Coastal Carolina University, has performedthroughout the U.S., Europe, Mexico and Egypt asboth a solo and chamber pianist. He has also ap-peared as piano soloist with such orchestras as theLos Angeles Solo Repertory Orchestra, the Washing-ton (D.C.) Metropolitan Orchestra, the CharlestonSymphony and the Greenville Symphony, among oth-ers. During summers, Stegall is a member of the fac-ulty of the Font-Neuve School of Music in the south ofFrance.

Kirkman is the percussion instructor at CoastalCarolina University, orchestral director at North MyrtleBeach Middle and High Schools (Myrtle Beach, SC)and Principal Timpanist with the Long Bay Symphony.His professional experience during the past 20 yearsincludes performances with symphony orchestras,chamber groups, Broadway show tours, and concertsbacking popular entertainers. Peterman has taught atWest Virginia University, Indiana State University andSouthwest Texas State University, and his groupshave performed at PASIC as well as MENC conven-tions. He is currently teaching in South Carolina andhis arrangements are published by Panyard anddrop6 media, Inc. Forrer is a sophomore instrumentalmajor in percussion at CCU.

DAVID L. COLLIER WEDNESDAY 2:00 P.M.David L. Collier is Director of Percussion Studies at Il-linois State University and Principal Timpanist with the

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Illinois Symphony Orchestra, the Illinois Chamber Or-chestra and the Sinfonia da Camera. In addition, heperforms with DAC (Digital Arts Consort), a faculty en-semble at Illinois State that performs live with MIDItechnology, and he is a member of the ContemporaryChamber Players of the University of Illinois. Collier isalso active as a freelance percussionist and has per-formed with Mitzi Gaynor, Henry Mancini, JohnnyMathis, Tony Bennett, Petula Clark, Aretha Franklin,Tommy Tune, Roger Williams, Shirley Jones and in thetouring productions of several Broadway musicals. Heis the Percussion Caption Consultant for Drum CorpsMidwest as well as an adjudicator for Drum Corps In-ternational and Bands of America.

RANDY CRAFTON FRIDAY 2:00 P.M.Frame drummer Randy Crafton specializes in percus-sion from around the world, including the Middle East,North and South India, Brazil, Cuba, Zimbabwe andGhana. Some of his recordings include Hal-An-Tow’sSongs of the Six Celtic Nations (Lyrichord Discs), In-ner Rhythms (The Relaxation company) and Bridges(Interworld Music). In addition to his work as a com-poser, performer and collaborator, Crafton is very in-volved as an educator and proponent of thetherapeutic effects of rhythm-based music. He has re-corded for the Classical Music Inc., Newport Clas-sics, The Relaxation Company, Interworld Music,Earwig Music, Alfamusic, CMP and Lyrichord Discslabels.

JAMES J. DALLAS FRIDAY 12:00 P.M.Presently serving in his 19th season, James J. Dallasis Principal Percussionist with the Naples Philhar-monic Orchestra, with whom he has appeared on sev-eral occasions as a featured soloist. He served as anextra percussionist with the Philadelphia Orchestra forfive seasons. Dallas was a featured clinician at PASIC’98 in Orlando and is also the newsletter editor for theFlorida PAS Chapter. He received a Bachelor of Musicdegree in percussion from the University of Miami anda Master of Music from the University of the Arts inPhiladelphia, where he was a student of MichaelBookspan.

JOEL DAVEL WEDNESDAY 2:00 P.M.An active percussionist, Joel Davel performs contem-porary music with the Paul Dresher Ensemble, JackWest and Curvature, and in solo appearances. Healso works with Don Buchla, building new electronicinstruments such as Lightning and Marimba Lumina—instruments that he uses in his own musical perfor-mances. Davel has also been involved in live danceand theater, including a collaboration with choreogra-pher Allyson Green at Symphony Space. On record-ings, he is most often featured as a marimbist inacoustic groups. Davel’s primary teachers have in-cluded Tele Lesbines, Rich Holly, Robert Chappell,Cliff Alexis and William Winant, and he holds a B.M. in

percussion from Northern Illinois University and anM.F.A. in electronic music from Mills College.

EBENEZER DA SILVA THURSDAY 4:00 P.M.Hailing from Rio de Janeiro, Brazil, Ebenezer da Silvais currently involved with Shakiro’s Group, includingthe MTV Latino TV Show and a 2000 tour of the U.S.,Central America and South America. He recentlyplayed a session with Alex Acuña and Abe Laborieland has appeared at some of the most prestigiousvenues worldwide. Da Silva has also performed withLand Richard, Victor Mendoza, Carlos Rios, DelmarBrown, Otello Montreux and Garry Brown. He touredwith Brandy on her 1999 “Never Say Never” tour inEurope, Japan and the U.S. Da Silva can also beheard on the acoustic album New Daniela Mercuri. Heis a member of the Afro Brazilian faculty at Florida In-ternational University and has taught at the BerkleeCollege of Music, including a clinic with JameyHaddad on Middle Eastern and Brazilian Music.

LALO DAVILA THURSDAY 12:00 P.M., SATURDAY 10:00 P.M.Lalo Davila is the Director of Percussion Studies atMiddle Tennessee State University. In 1998, he re-ceived Nashville’s Top Five Percussionist of the YearAward. Davila has toured with the Take 6 tour of Ja-pan (1996), the Corpus Christi Symphony Orchestra,the Nashville Symphony, Six Pence and None TheRicher, Clay Walker, Vickie Carr, Sherry Lewis and ThePanhandlers Steel Band. He performed percussionand lead vocals for the American Bible Society CDproject and can also be heard on Kirk Whalum’s mostrecent CD. Davila spent three years performing andinstructing with University of North Texas Drumline(1984–86) and has served as an instructor for thePhantom Regiment and Star of Indiana Drum andBugle Corps. He has conducted clinics throughoutthe U.S., Mexico and Japan and is the author of Con-temporary Rudimental Studies and Solos. Davila iscurrently performing with several Latin groups includ-ing Orkesta Eme Pe.

SCOTT DEAL WEDNESDAY 4:00 P.M.Active as a composer/performer of works in elec-tronic, electro-acoustic and acoustic mediums, ScottDeal is an Associate Professor of Music at the Univer-sity of Alaska Fairbanks and Principal Percussionist ofthe Fairbanks Symphony. He has performed as a so-loist at Sub Tropics New Music Festival, May in Miami,Alabama and Florida Days of Percussion, SEAMUSInternational Music Conference and Northwest Per-cussion Festival and as Artist-in-Residence for theTampa Bay Composers Forum and the Cameron NewMusic Festival. Recent appearances include JohnLuther Adams’s “Earth and the Great Weather” atLondon’s Almeida Theatre and the Washington D.C.production of Adams’s “Coyote Builds North America”at the Arena Stage. In December, Deal will be a fea-tured artist for the American Contemporary Music

71ARTISTS AND CLINICIANS

Festival at the Moscow Conservatory. He has alsopremiered works by Robin Cox, Emma Lou Diemer,David Heuser, Dorothy Hindman, Charles Mason,Carlos Surinach and John Van der Slice.

LIBERTY DeVITTO SATURDAY 3:00 P.M.A native of Brooklyn, New York, Liberty DeVitto is bestknown as the drummer for Billy Joel, a position he hasheld for over a quarter of a century. DeVitto alsoplayed with Richie Supa, who opened for groups likethe James Gang and Grand Funk Railroad. DeVitto’sfirst recording experience was Supa’s Jamboree(Paramount Records) and he also played with MitchRyder.

RAY DILLARD THURSDAY 10:00 A.M., 2:00 P.M., SATURDAY 4:00 P.M.Residing in Toronto, Canada, Ray Dillard works full-time with the percussion ensemble Nexus and per-forms in Disney’s The Lion King. Recording creditsinclude Grammy and Juno nominated projects withartists and ensembles from the United States, SouthAmerica, Europe, Japan and Canada. In 1990, Dillardco-founded BUKA, a multi-ethnic percussion en-semble that has performed in Hannover, Germany forEXPO 2000; in Lisbon, Portugal for EXPO ’98; and atthe Taipei International Music Festival in Taipei, Tai-wan in 1996. He also founded Convergence, a per-cussion trio based in Houston, Texas, whichcombines acoustic and electronic instruments. Dillardserved as the head of Percussion and MIDI Technol-ogy at San Jacinto College near Houston (1985–98),

Guest Lecturer and Instructor of Percussion at TexasTech University in Lubbock (1984–85), Director of Per-cussion Studies at West Texas State University in Can-yon (1983–84) and performed with the AmarilloSymphony Orchestra for eight years.

THERESA DIMOND THURSDAY 4:00 P.M.Originally from Phoenix, Arizona, Dr. Theresa Dimondis on the faculties of the University of Southern Califor-nia, Cerritos College, Pomona College as well as UC–Irvine. As a freelance musician, she has performedwith most Los Angeles area orchestras (including theLos Angeles Philharmonic, Los Angeles Opera andLos Angeles Chamber Orchestra), touring companiessuch as the American Ballet Theater, Joffrey Balletand Bolshoi Ballet, and in many musicals. Dimondhas been a frequent member of the Hollywood BowlOrchestra since its 1991 inaugural season, includingseven recordings and a tour to Japan. As acymbalum player, she has worked with Lalo Schifrinand the Glendale Symphony, the Los Angeles Philhar-monic, The Aspen Music Festival, N.Y. Virtuosi, com-poser Chris Beck and the California Philharmonic.Dimond hosted PASIC ’97 in Anaheim and served asPresident of the California PAS Chapter from 1995–99.

ANTHONY DI SANZA THURSDAY 8:00 P.M.Prior to his appointment as Assistant Professor of Per-cussion at the University of Wisconsin-Madison, An-thony Di Sanza was the Director of Percussion Studiesat Kansas State University in Manhattan. He can be

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heard on numerous CDs, including recordings withKeiko Abe and the Michigan Chamber Players, theBrass Band of Battle Creek and the American WindSymphony Orchestra. Di Sanza is currently complet-ing his first solo recording project featuring works byPer Nørgård and an original work for electronic andacoustic percussion. He is Principal Percussionistwith the Madison Symphony Orchestra and has per-formed with several orchestras as timpanist or per-cussionist. In addition to his orchestral, solo andchamber performances, Di Sanza regularly performsin a piano and percussion duo with Jessica Johnson.They recently completed two commissioning projectswith composers Dave Hollinden and Joel Naumannand will be touring with this new repertoire during thewinter of 2002.

MARK DORR SATURDAY 4:00 P.M.Mark Dorr is Director of Percussion Studies at GrinnellCollege and conducts the Grinnell College Sym-phonic Band, Percussion and Marimba Ensemble,and World Hand Drumming Groups. He is PrincipalPercussionist with the Des Moines Metro Opera Com-pany and performs with the Cedar Rapids Symphony.Additional credentials include performances withDave Brubeck, Doc Severinsen, the Fifth Dimensionand Mannheim Steamroller in addition to the Ameri-can and Joffrey Ballet Companies. Dorr is a memberof the PAS Education and Composition Committeesand served as the Iowa PAS Chapter President fornine years (1992–2001). He has hosted five Day ofPercussion festivals, created several Iowa PAS edu-cational programs designed for younger students,contributed materials for PAS chapter handbooks,and co-presented the Timpani FUNdamentals ClinicPASIC ’98 in Orlando. Dorr was awarded the Out-standing Chapter President Award in 1995.

CHALO EDUARDO FRIDAY 12:00 P.M.Multi-Percussionist Chalo Eduardo is a bandleader,recording artist and entertainer in a variety of styles,including Brazilian. His ten-year association withSergio Mendes as a featured performer gained himinternational acclaim for his showmanship, center-stage solos, tambourine juggling and dancing perfor-mances. Eduardo has also been associated withsuch artists as Carlos Santana, Gloria Estefan,Mickey Hart, Bruce Hornsby, Gato Barbieri and manyothers. He has recorded two albums under his ownleadership, I Miss Rio and Samba Nova, both onCarnaval Records. In addition, Eduardo has contrib-uted to several projects for artists including vocalistsKevin Letteu and Mark Murphy, as well assoundtracks for Sega video games and radio and TVcommercials. He performed with and choreographeddrummers and dancers for the 1999 and 2000Grammy Awards, including a performance with RickyMartin.

RONNIE ENGEL WEDNESDAY 4:00 P.M.constructionist/performer whose primary work is inthe realm of drumming/percussion (performance per-cussion works). in a pluralistic manner, he has en-deavored to develop a pan-global method of playingreferred to as polydrum. (cd) phalse color and…. isgroup of works in which polydrum is applied to instru-ment/objects animated with explorations in electronicprocessing (post-modern — biomorphic work for per-cussion). plutos’ absence, from this group, utilizes aprototype ghatam. refer www.ronnieengel.com

ENSEMBLE SIRIUS WEDNESDAY 9:00 A.M.Founded in 1999, the contemporary duo EnsembleSirius—pianist Michael Fowler and percussionistStuart Gerber—is dedicated to the works ofKarlheinz Stockhausen and other leading interna-tional composers as well as the development of thepiano/percussion repertoire. Current projects includecommissioning Australian composer Colin Spiers fora new work and performing Stockhausen’s “Kontakte”with a film by Jennifer Auler in a multi-media presen-tation.

Hailed as “Instrumentalist of the Year, Percussion”by the Wisconsin Area Music Industry, Stuart Gerberis the Timpanist and Principal Percussionist with theNorthern Kentucky Symphony Orchestra and is work-ing towards the Doctor of Musical Arts degree at theCincinnati College-Conservatory and anErgänzungstudiengang für Neue Musik at theHoschule für Musik and Theatre in Hannover, Ger-many. His credits include the European premiere inJuly 2000 of John Luther Adams’ “Earth and theGreat Weather” at the Almeida Theatre in London, aswell as a number of performances and recordingswith the Percussion Group Cincinnati. In addition tohis collaborations with Stockhausen, Gerber hasworked with composers Steve Reich, George Crumb,Frederic Rzewski, Paul Lansky, Gerhard Samuel andMara Helmuth.

Australian Michael Fowler is pursuing the degree ofDoctor of Musical Arts at the University of Cincinnati.Fowler has performed premieres of Colin Spiers’“Flecks and Mutations” and Daniel House’s “Inserts”as well as the Australian premieres of Elliott Carter’s“Two Diversions” and Wolfgang Rhim’s“Zweisphrache.”

PETER ERSKINE SATURDAY 8:00 P.M.Peter Erskine started his career as the drummer forthe Stan Kenton Orchestra, and has since workedwith Maynard Ferguson, Weather Report, StepsAhead, Jaco Pastorius and the Yellowjackets. He hastoured and recorded (350+ albums) with such artistsas Steely Dan, Chick Corea, Joe Henderson, FreddieHubbard, Joni Mitchell, Michael Brecker, JohnScofield, John Abercrombie, Gary Burton and PatMetheny, as well as his own groups. He has also ap-peared in concert as soloist with the City of Birming-

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ham and BBC Symphony Orchestras, EnsembleModern, and the L.A. Philharmonic New Music Group.Erskine has recorded a dozen solo albums, includingLive at Rocco with his piano trio on his own label,Fuzzy Music. He has produced several videos anddrum instruction books, including The Drum Perspec-tive (Hal Leonard), and a new drumset method seriesfor Alfred Music (to be published in January). Erskineconducts clinics, classes and seminars worldwide,teaches at the University of Southern California, andwas awarded an honorary Doctor of Music degreefrom the Berklee College of Music. He has also wonthe Modern Drummer magazine Readers’ Poll in theMainstream Jazz Drummer category six times, and isthe recipient of a Drum! magazine “Drummie” award,as well as a Grammy. Erskine also serves on the PASBoard of Directors.

STEVEN EVERETT WEDNESDAY 4:00 P.M.A former visiting professor of composition at PrincetonUniversity, Steven Everett teaches composition, elec-tronic and computer music and music of Asia, and hedirects the Computer Music Studios and JavaneseGamelan Ensemble at Emory University in Atlanta.Many of his compositions involve interactive com-puter-controlled electronics with performers. Recentpremieres include “Quiet Silence” for marimba andlive spatialization at the University of Illinois and“Quiver Songs” for shakuhachi and guitar performedby Yoshio Kurahashi in Kyoto, Japan. Everett’s record-ings can be heard on SCI, Crystal, Mark and ACADigital Records. Active as a conductor of new music,he is co-artistic director and conductor of ThamyrisNew Music Ensemble in Atlanta. Everett has alsoguest conducted the San Francisco ContemporaryMusic Players and the Contemporary Chamber Play-ers of Illinois.

DAVID P. EYLER SATURDAY 1:00 P.M.Since the fall of 1987, Dr. David P. Eyler has been Di-rector of Percussion Studies at Concordia Collegeand Minnesota State University Moorhead. He is theDirector of the Tri-College Percussion Ensemble andMarimba Choir. Eyler is Principal Timpanist of theFargo-Moorhead Symphony Orchestra and has beenPrincipal Percussionist of the Baton Rouge Symphonyand the Baton Rouge Opera and has performed withthe Columbus (Ohio), Lake Charles, Rapides andPotomac Symphony Orchestras. Eyler’s original com-positions and arrangements are published by LudwigMusic, Music For Percussion, Per-Mus, Pioneer Per-cussion and Musser. His articles have appeared inThe Instrumentalist, Percussive Notes and Percus-sionist. Eyler is a member of the PAS Board of Direc-tors and serves as First Vice President of theMinnesota PAS Chapter, as well as being a member ofthe PAS Percussion Ensemble and College PedagogyCommittees.

SALVADOR FERRERAS SATURDAY 4:00 P.M.Percussionist, producer and teacher Sal Ferreras isPrincipal Percussionist of the CBC Vancouver Orches-tra, performs with his Southern Cross Quintet andtours with World Drums. He holds positions in percus-sion and world music instruction at the University ofBritish Columbia, Vancouver Community College andSimon Fraser University. Ferreras has performed on avariety of recordings ranging from rock to classicalwith artists such as K.D. Lang, Robbie Robertson,Raffi, Chicago and the CBC Vancouver Orchestra,and he has also released three solo recordings, ToDrive in L.A., Invisible Minority and Woodcuts. He isfrequently featured on national radio as a performer,radio host and commentator. For the past 11 years,Ferreras has served as Musical Director of the Writer’sCabaret at the Vancouver International Writer’s Festi-val and was the Artistic Director of International Talentand Commonwealth Drum Festival at the XV Com-monwealth Games Arts and Cultural Festival inVictoria.

FLAT BAROQUE MARIMBA QUARTET SATURDAY 3:00 P.M.The Flat Baroque Marimba Quartet was founded in1980 by Dr. Ben F. Miller, Director of PercussionStudies at Marshall University in Huntington, West Vir-ginia. The quartet (which at times is a duo, trio orquintet) has performed on the M.U. campus for con-certs, receptions and special events as well as off-campus at the Paramount Arts Center (KY), Ironton(OH) Community Concert Series, and in Charleston,WV. In addition to Miller, the quartet members includeJ. Steven Hall, Greg Radcliff and R. DavidWilson. Hall is an Associate Professor at M.U. wherehe is in charge of the marching band’s percussionsection; Radcliff is an adjunct faculty member in per-cussion at M.U.; and Wilson is a graduate teachingassistant in percussion at M.U. The group is availablefor receptions, concerts, weddings and any occa-sions where they can make money so they won’t beFlat Baroque!

MARK FORD SATURDAY 4:00 P.M.A marimba specialist, Mark Ford is the Coordinator ofPercussion Activities at the University of North Texasin Denton and has premiered a variety of new worksfor solo marimba, performing concerts and clinicsaround the country. His first compact disc, Polaris,was released in 1996 and his latest CD, Athletic Con-veyances: Music for Tuba and Percussion with JeffJarvis, was released in 1999 by Arizona University Re-cordings. As a composer, Ford has written works forsolo marimba and percussion ensembles including“Head Talk,” “Polaris,” “Motion Beyond,” “Stubernic,”“Afta-Stuba!,” “One-Eyed Jacks” and “StandupShadow.” He served ten years as associate editor forPercussive Notes and has also chaired the PAS Edu-cation Committee. Ford has written over 40 articlesand reviewed over 200 new works. He currently

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serves on the PAS Executive Committee as President-elect.

ROBERT FRIEDMAN FRIDAY 12:00 P.M.Author of the book The Healing Power of the Drum —A Psychotherapist Explores the Healing Power ofRhythm, Robert Friedman is a practicing psycho-therapist and is affiliated with the ComplementaryTherapy Department of St. Mary’s Hospital in New Jer-sey, providing innovative stress-management pro-grams for doctors, nurses, patients and thecommunity. He has appeared on national radio andtelevision programs, including serving as the stress-management expert for the Discovery Health Channelprogram “Class of ’75.” Friedman has also discussedhis philosophy and beliefs regarding stress manage-ment on The Morning Show (NBC), Fox News, andThe Alive and Wellness Show (America’s Talking Net-work).

CHRIS FROH THURSDAY 8:00 P.M.Since 1999, Chris Froh has resided in San Franciscowhere he has performed with the contemporarychamber music groups Earplay and Big Bang andhas recorded at Skywalker Ranch and the Ex’PressionCenter for New Media. This past spring he performedcomposer Larry Delinger’s solo percussion score forthe Berkeley Repertory Theater’s production ofAeschylus’ “The Oresteia.” Froh currently freelancesin the Bay Area and performs with the new music en-semble SFSound Group. He has appeared at two pre-vious PASICs: in 1993, Froh performed with thepercussion ensemble Rhythmaxis, and in 1998 he ap-peared in the role of Grandfather East in MichaelUdow’s percussion opera “The Shattered Mirror.” Frohtoured to Japan in 1999 to perform solo marimba con-certs as an outreach function of the Second WorldMarimba Competition, Okaya and in 2000 and 2001 toperform with marimbist Mayumi Hama.

BRIAN FULLEN SATURDAY 4:00 P.M.Brian Fullen has been a veteran drummer in the Nash-ville music scene for several years, including worldtours with Shania Twain, Bob Carlisle, Allies, The Im-perials and Peter Frampton. He has also performedextensively with artists such as Vince Gill, Lorrie Mor-gan, Tracy Nelson and Identical Strangers, amongothers. As a session musician, Fullen keeps a busyrecording schedule, playing on approximately 1,600tracks each year including recording dates with topartists such as Bob Carlisle and Kathy Mattea. He canalso be heard on the Jack Frost movie soundtrack aswell as commercials for the Fox Network, Chevrolet,The Wild Horse Saloon and UPN. Fullen is the authorof Contemporary Country Styles for the Drummer andBassist and co-author (with Dave Black) of BassDrum Essentials for the Drumset. He teaches part-time at Belmont University in Nashville and performsclinics across the country.

JEAN GEOFFROY THURSDAY 3:00 P.M.A soloist with contemporary music ensemble Court-Circuits since 1984, Jean Geoffroy also performed assolo timpanist for the Ensemble Orchestral de Parisfrom 1985–2000. He teaches at the ConservatoireSupérieur de Musique de Genève and is a Professorat the Conservatoire National Supérieur de Musiquede Lyon. Geoffroy is the author of several music edu-cation works—Sablier, Timbales and Audition—andhas transcribed J.S. Bach’s “Chaconne.” He has re-leased 20 recordings, including the Bach cello suitesand Marim’Bach, on the Skarbo label, and the re-cently released Guy Reibel and Suzanne Giraud onthe M.F.A. Radio France label. Geoffroy also pre-miered pieces for solo percussion by Malec,Campana and Tanguy, he has been the guest artist atthe International Academy for Percussion in Auvergne(France) and the Bach Seminar in Grozjnan (Croatia),and he has presented recitals across Europe, Japanand the U.S.

NORBERT GOLDBERG THURSDAY 12:00 P.M.Born in Argentina, Norbert Goldberg has toured theU.S. with “West Side Story,” Europe with “A ChorusLine” and Japan with Chita Rivera. Broadway creditsinclude “Dancin’,” “A Chorus Line,” “Mail,” “StarlightExpress” and “Kiss of the Spider Woman.” Goldbergcreated and performed the percussion part for the hitshow “Once On This Island” and was the drummer forthe recent revival of “Grease.” He has also accompa-nied such artists as Grover Washington, Jr., GerryMulligan, Dewey Redman, Slide Hampton, Cleo Laine,Tommy Tune and Sandy Duncan. Goldberg has writ-ten extensively on Latin and Brazilian percussion anddrumset techniques, including editing LP’s instruc-tional manual Understanding Latin Rhythms. His ar-ticles have appeared in Modern Drummer, PercussionInternational and Percussive Notes. As an educator,Goldberg has conducted clinics throughout the coun-try as well as at four previous PASICs.

JOSEPH GRAMLEY THURSDAY 8:00 P.M.Since embarking on a solo career following threeyears as a member of the Ethos Percussion Group,Joseph Gramley presented his recital debut atCarnegie Hall’s Weill Recital Hall and his concerto de-but with the Houston Symphony. Earlier this year, hetoured throughout Asia and the U.S. with Yo-Yo Maand the Silk Road Ensemble. Gramley has toured withMusicians from Marlboro, Glen Velez, New WorldSymphony and performed with Aretha Franklin. Hehas won numerous solo competitions, including theEast and West Artists International Competition inNew York City (1994). Gramley has commissionedand premiered many new works for solo and chamberpercussion, including four pieces for the JosephGramley Series at Studio 4 Music (Alfred Publishing).His new solo CD American De-Construction is avail-able online at www.josephgramley.com. Gramley has

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recorded for Deutsche Grammaphon, Telarc, Ara-besque, Connossieur Society, Equilibrium, Koch,Boosey & Hawkes and Ethos.

D’ARCY PHILIP GRAY WEDNESDAY 3:00 P.M.A percussion instructor at McGill University since1991, D’Arcy Philip Gray works with a variety of stylesof music from classical performance to electroniccomposition and circuit design. Currently, he is amember of Montreal’s Bradyworks, Fredericton’s Mo-tion and New York’s Composers Inside Electronics.Gray performs solo and chamber music concertsthroughout Canada and performed regularly with theMerce Cunningham Dance Company from 1993–95.He is part of a team documenting the music of DavidTudor, including recent performances in New York,Los Angeles and Toronto. Gray’s collection of key-board percussion studies, 7 Operations for Marimba,is published by Honeyrock. Excerpts from his elec-tronic composition “The Reason” can be found on arecently released CD, The Frog Peak CollaborationsProject. Gray has received study and travel grantsfrom the Getty Research Institute, the Canada Coun-cil, the Conseil des Arts du Quebec and the NovaScotia Talent Trust Fund.

NEIL GROVER FRIDAY 11:00 A.M.Cymbal, tambourine and triangle specialist NeilGrover is the founder and President of Grover Pro Per-cussion. He has played with the Royal Ballet of En-gland, Boston Musica Viva, American Ballet Theatre,Bolshoi Ballet and for over 20 years with the BostonSymphony and the Boston Pops. Grover has been afeatured clinician at four previous PASICs, Texas Mu-sic Educators Association Convention, New JerseyState Percussion Ensemble Festival and variousschools across North America, the U.K. and Japan.He is the author of Four Mallet Primer and co-authorof Triangle, Tambourine and Cymbal Technique(Meredith Music). Grover has written articles for lead-ing music journals and has been the subject of fea-tures in Percussive Notes, Modern Drummer, DrumTracks and Musical Merchandise Review.

HANDS ON’SEMBLE FRIDAY 11:00 A.M.A contemporary percussion quartet devoted to the artof hand drumming, Hands On’Semble is led by per-cussionist/composer John Bergamo. Since thegroup’s inception in 1997, they have developed a rep-ertoire of original compositions blending the rhythmicconcepts and playing techniques of North and SouthIndia, the Middle East, West Africa, Indonesia, SouthAmerica and Western Chamber Music. HandsOn’Semble’s self-titled debut CD features guest per-formances by tabla maestro Pandit SwapanChaudhuri and Grammy-nominated mridangistPoovalur Srinivasan. The ensemble has performed inthe U.S., Brazil and Europe and worked with masterpercussionists Glen Velez, Jamey Haddad, Steve

Shehan and Mark Nauseef.Percussionist, composer and conductor John

Bergamo is the Coordinator of the percussion pro-gram at the California Institute of the Arts. RandyGloss, a teacher at CalArts, has worked extensivelywith South Indian percussionist Poovalur Srinivasanas a member of his group Thanjavur and on projectsfeaturing Chitravina Ravikiran and Glen Velez. Agraduate of CalArts, Andrew Grueschow is also amember of the Zadonu African Music and DanceCompany and a featured member of the CalArts Afri-can Music and Dance Ensemble. Also a graduate ofCalArts, Austin Wrinkle performs with the eclecticcontemporary music ensemble Quercus as well asthe Indian/Bluegrass fusion group Hindugrass and theEast Indian/Native American fusion group Wovoka.

THOM HANNUM THURSDAY 12:00 P.M.Inducted into the Drum Corps International Hall ofFame in August 2001, Thom Hannum is best knownfor his work with the DCI World Champions Cadets ofBergen County and Star of Indiana Drum and BugleCorps. He is a member of the design team for Star’sBroadway production of BLAST! Hannum also servesas the Associate Director of the Minuteman MarchingBand at the University of Massachusetts and presentsseminars and workshops throughout the U.S.,Canada, Europe and Southeast Asia. Through the HalLeonard Corporation, he has published a textbookand corresponding student workbook, ChampionshipConcepts For Marching. His instructional video, Fun-damental Techniques For Marching Percussion, isproduced by Warner Bros./Chappell and his percus-sion arrangements are published by Warner Bros.,Row-loff Productions, and drop6 media, Inc. Hannumalso serves as President of the Massachusetts PASChapter.

RUSSELL HARTENBERGER THURSDAY 2:00 P.M.Russell Hartenberger is Professor of Percussion at theUniversity of Toronto and performs regularly with theSteve Reich Ensemble. He is a founding member ofNexus, which was inducted into the PAS Hall of Famein 1999, and has appeared as featured performer withthe New York Philharmonic, Boston Symphony, Phila-delphia Orchestra, Cleveland Orchestra, LondonSymphony, Israel Philharmonic, Cologne Radio Or-chestra, Toronto Symphony and with other leading or-chestras in North America. As a new-music soloist,Hartenberger has performed in Toronto, Montreal,Vancouver and Tokyo. He has performed with theOklahoma City Symphony, as xylophone soloist withthe U.S. Air Force Band, as percussionist with thePaul Winter Consort, at the Marlboro Music Festival,and as timpanist with the Canadian Opera Company.Hartenberger has toured extensively throughout NorthAmerica, South America, Europe, Australia, China,Korea and Japan, and has attended music festivals inGhana and India.

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STEVE HEARN WEDNESDAY 11:00 A.M.Steve Hearn frequently performs with the AlabamaSymphony Orchestra, Nashville Symphony Orchestraand other area ensembles. As an orchestral musi-cian, he has appeared as Principal Timpanist of theKamerorkest “Continuo” Rotterdam, the Las CrucesSymphony Orchestra and the Santa Fe Symphony Or-chestra as well as Principal Percussionist with theBelgian Youth Philharmonic Orchestra. Hearn hasalso performed with the Orchestra of Santa Fe, theRoyal Concertgebouw Orchestra, Alabama Sym-phony Orchestra, Evansville Philharmonic andOwensboro Symphony Orchestra. He previouslyserved as a percussionist/timpanist in the U.S. ArmyField Band in Washington, D.C. and as the Director ofPercussion Studies at New Mexico State University.Hearn has also played drumset throughout the Chi-cago area with the Ramesdell Jazz Quintet and thepop/rock group The Others. He serves as ConcertPercussion Product/Marketing Specialist at Pearl Cor-poration.

DAVID HERBERT FRIDAY 10:00 A.M.When he was appointed Timpanist with the San Fran-cisco Symphony at age 27 in 1994, David Herbertwas the youngest principal player in the orchestraand one of the youngest principals in the country. Fol-lowing his graduation from Juilliard with his master’sdegree, Herbert freelanced in the New York City areaand then joined the New World Symphony (in Florida)where he performed for a year-and-a-half under thedirection of Michael Tilson Thomas, Music Director forthe San Francisco Symphony. Herbert has also per-formed concertos with the Shanghai Symphony, theNew World Symphony (at Lincoln Center) and the Na-tional Repertory Orchestra, and has appeared as so-loist on subscription concerts with the Saint Louis andSan Francisco Symphonies. He received hisbachelor’s degree from the Saint Louis Conservatoryof Music.

RICH HOLLY SATURDAY 2:00 P.M.Rich Holly has been a Professor of Percussion atNorthern Illinois University since 1983 and currentlyholds the position of Associate Dean of the NIU Col-lege of Visual and Performing Arts. He was the Direc-tor of the NIU Jazz Camp from 1993–2000 andserved as the Assistant Chair of the NIU School ofMusic from 1996–2000. Holly remains active as a soloperformer and clinician and has appeared at schools,conventions and festivals throughout the U.S., Eu-rope, Canada and Asia. He was a founding memberof the Abraxas Percussion Group and has performedwith the Long Island Holiday Festival Orchestra, theLyric Opera of New York and the North Carolina Sym-phony. For 11 seasons Holly was Timpanist of the Illi-nois Chamber Symphony. In addition to serving asVice President of PAS, he has been Associate Editorfor Percussive Notes magazine since 1986.

MARTY HURLEY THURSDAY 3:00 P.M.For the past 28 years, Marty Hurley has been the Di-rector of Bands at Brother Martin High School in NewOrleans, Louisiana. During his tenure as PercussionInstructor and Arranger with the Phantom RegimentDrum and Bugle Corps (Rockford, Illinois), the corpsplaced in the top ten nationally for 14 years at DrumCorps International Championships in Denver, Phila-delphia, Birmingham, Montreal, Miami, Madison, Kan-sas City, Buffalo and Dallas. A former member of NewJersey’s Hawthorne Caballeros and BlessedSacrament’s Golden Knights, Hurley served as per-cussion instructor for the Stardusters (Arabi, Louisi-ana), the Bleu Raiders (Metairie, Louisiana) and theBlack Knights (Belleville, Illinois). He has conductedpercussion clinics for the regional and national meet-ings of the Music Educators’ National Conference(MENC), the Catholic Music Educators’ Conference,the Louisiana Music Educators’ Association, theTexas Music Educators’ Association, PASIC and sev-eral PAS Chapter Days of Percussion. Hurley’s musicis published by Row-Loff Productions.

ISLAND WAVE STEEL BAND THURSDAY 1:00 P.M.A seven-member steel drum and vocal ensemblefrom Nashville, Tennessee, the Island Wave SteelBand performs a variety of styles including soca, ca-lypso, reggae and salsa, which creates a unique mu-sical experience. The band also performscrowd-pleasers by such artists as Jimmy Buffet, VanMorrison and Bob Marley, and has played at clubs,weddings, parties and other occasions that call forthe sounds of the islands. Island Wave has per-formed for numerous special events in and aroundthe Nashville area, including shows at Rainbow Key,Exit/In and Mere Bulles. The band also performed inthe opening ceremonies of the 1998 National Asso-ciation of Music Merchants (NAMM) convention inNashville and opened for Jimmy Buffet in 1993.

YORON ISRAEL FRIDAY 12:00 P.M.Formerly on the faculty at Rutgers University, WilliamPaterson University and Mannes New School, YoronIsrael is currently the Assistant Chair of Percussion atBerklee College of Music. His debut CD as a leader,A Gift for You (Freelance), features his quintet Con-nection with guests James Williams, Donald Harrisonand Phillip Harper. Other recent recordings are Chi-cago (Double-Time), which features his trio Organicwith guest Joe Lovano, and Live from the Blue Note(Half Note), featuring Connection and special guestSteve Turre. In addition to leading his ensembles, Is-rael performs regularly with Vanessa Rubin, ChicoFreeman and Pharoah Sanders. He also conductsclinics, workshops, residencies and music campsthroughout the world including programs for PAS,Young Audiences Inc., The Vermont Jazz Camp andThe Litchfield Music School.

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AKIRA JIMBO SATURDAY 5:00 P.M.A leading figure in the Japanese music scene formore than 15 years, Akira Jimbo began playingdrums at Keio University in Tokyo. In 1980 he becamethe full-time drummer in the internationally renownedgroup Casiopea. During his ten years with the band,Jimbo recorded over a dozen albums, toured theworld three times and quickly established himself assomething of a musical phenomenon in Japan. AfterCasiopea, he formed Jimsaku in 1989 to explore newand different musical possibilities. Jimbo has re-leased several solo recordings including Cotton(1986), Palette (1991), Gathering (1991), Slow Boat(1992) and Lime Pie (1994). He has also releasedseveral instructional videos through DCI Music Video/Warner Bros. Publications: Metamorphosis (1992),Pulse (1995), Independence (1998) and Evolution(1999).

BRIAN JOHNSON WEDNESDAY 12:00 P.M.Past President of Vermont PAS Chapter, BrianJohnson is the Manager and Technical Support Per-son for FlynnSpace, the Flynn Center for the Perform-ing Arts’ new multi-use performance space inBurlington, Vermont. He has performed with the Ver-mont Symphony Orchestra, the Vermont Contempo-

rary Music Ensemble, Opera North, the VermontMozart Festival and other New England orchestras,and appeared throughout the U.S. as soloist and en-semble musician in premieres of works by leadingAmerican experimental composers including JohnCage, Alvin Lucier, Joseph Celli, Stuart S. Smith andOrnette Coleman. Johnson was the drummer for theband Billy and the Buttons and has performed as per-cussionist/drummer/vibist for groups as diverse asthe William Hooker Quintet, the Vernon Frazer Experi-ence and Loren Mazzacane’s haiku-blues trio.

ERIK JOHNSON SATURDAY 2:00 P.M.Since 1995, Erik Johnson has been a member of theinstructional staff for the Cavaliers Drum & BugleCorps from Rosemont, Illinois, where he has servedas the front ensemble coordinator/arranger for thepast four seasons. Johnson has been a percussioneducator in the central Tennessee area for the pastdecade and served as adjunct percussion faculty atMiddle Tennessee State University in Murfreesborofrom 1991–93. He was also the percussion director atMcGavock High School in Nashville from 1991–95.Johnson received a Masters in Percussion Perfor-mance degree from the University of North Texas anda Bachelor of Music degree from Middle Tennessee

PASIC 2001 SOUNDPOLICY

PLEASE BE CONSIDERATE OFOTHERS!

Please limit testing of instruments tonot louder than a moderate dynamiclevel (up to mf) and for a brief period

only (up to 30 seconds).

Failure to adhere to this policy willresult in the following:

1st Offense:Warning (Badge will be punched)

2nd Offense:Expulsion from Exhibit Hall (24 hours)

3rd Offense:Permanent expulsion from

Exhibit Hall,

No refunds will be given,and decisions of the security

guards are final.

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State University. Johnson is the president andfounder of Innovative Percussion, Inc.

KALANI FRIDAY 10:00 P.M., SATURDAY 3:00 P.M.Recently voted Best Percussion Clinician by thereaders of DRUM! magazine, Kalani is known as aperformer, educator and drum circle facilitator. Hetravels extensively throughout the U.S. and abroadand has performed hundreds of percussion clinicsfor students of all ages. Kalani has produced overten best-selling instructional videos for congas, bon-gos, djembe and drumset and released three CDs oforiginal music. He is the host of Drum Camp Califor-nia and the Director of Drumlesson.com, an educa-tional Web site providing a variety of online lessons,member forums and artist interviews to studentsworldwide. Kalani has performed and/or recordedwith such artists Kenny Loggins, David Sanborn,Max Roach, Barry Manilow, Vic Damone, Dr. John,Jeff Porcaro, Melissa Manchester and Yanni. He canbe heard on motion picture and TV soundtracks forstudios such as Tri-Star, Warner Bros., Universal,Paramount, Jim Hensen Records and Disney.

KUNIKO KATO WEDNESDAY 11:00 A.M.Specializing in marimba and percussion, KunikoKato has been an active member of Saito Kinen Or-chestra, Paulownia Percussion Group, EnsembleNOMAD (Tokyo) and Ensemble ICTUS (Belgium).She has performed at various musical events suchas Yatsugatake Kogen Festival (directed by ToruTakemitsu), Saito Kinen Festival (directed by SeijiOzawa) which included a U.S. Tour in 2000, ARSMUSICA Festival (Belgium), Oxford Festival (U.K.)and PASIC 2000 in Dallas. In 1997, Kato took part inthe recording of James Wood’s marimba concerto inLondon on the NMC label. Her first solo CD, To theEarth, was released in Japan in 1999 throughAlacarte Companie’s label. Kato’s awards include theKranichstein Musikpreis in the Darmstadt (1996), 2ndprize in Leigh Howard Stevens International MarimbaCompetition (1995) and 2nd prize in the 7th JapanWind and Percussion Competition (1990).

BRET KUHN THURSDAY 12:00 P.M.In addition to teaching percussion at Prospect HighSchool in Illinois, Bret Kuhn serves as a PercussionArranger and Caption Head for the Cavaliers Drumand Bugle Corps from Rosemont, Illinois—the 2001DCI World Champions—and has been a member ofthe Cavaliers staff since 1984. He is active in themetropolitan Chicago area as a teacher, clinicianand performer and played with such artists as BobbyShew, Rich Madison, Nexus and Gloria Estefan.Kuhn graduated with a Bachelor’s degree fromNortheast Missouri State University where he studiedpercussion with Dan Petersen. He was also a mem-ber of the Disney World All-American Band as wellas the Cavaliers Drum and Bugle Corps.

MORRIS “ARNIE” LANG THURSDAY 9:00 A.M., FRIDAY 1:00 P.M.Inducted into the PAS Hall of Fame in 2000, Morris“Arnie” Lang retired from the New York Philharmonicin 1995 after a 40-year career in the percussion sec-tion. As an educator, he has taught at the OberlinPercussion Institute, the New York College of Music,the Manhattan School of Music, Kingsborough Com-munity College and has served as chairperson of thepercussion department in the Conservatory of Musicat Brooklyn College where he has taught since 1971.A former student of Saul Goodman, MorrisGoldenberg and Billy Gladstone, Lang began hisprofessional playing experience with performancesfor the New York City Ballet in 1951. He is also thefounder of the Lang Percussion Company, whichmanufactures mallets, Goodman timpani andGladstone snare drums. Lang has published eightbooks, including his popular Dictionary of PercussionTerms (written with Larry Spivack), along with over 30contemporary compositions.

FILIPPO LATTANZI SATURDAY 2:00 P.M.A teacher at the Conservatorio di Musica in Cosenza,Italy, Filippo Lattanzi is also the official keyboard andpercussion player of Orchestra della Radio eTelevisione Svizzera Italiana. He has presented Ital-ian and world premiere performances of works by Ri-chard Rodney Bennett, Luciano Berio, CarloBoccadoro, Eric Ewazen, Evan Hause, RaymondHelble, Peter Klatzow, Steve Reich, JosephSchwantner, Flavio Emilio Scogna, Toru Takemitsu,Andrew Thomas and James Wood. Lattanzi performsas a concert soloist throughout Italy, France, Greece,Germany, Poland and the United States and has pre-sented master classes for the AssociazionePercussionisti Italiani, International Music TeacherAssociation, Oberlin Percussion Institute and for theAccademia Musicale in Parma, Italy. He has re-corded for Koch-Schwann-Aulos, DAD Records, RAI(Italian Radio and Television) and for Euroradio con-certs. Lattanzi collaborated with Luigi Morleo on themethod book 120 Progressive Four-Mallet Studies forMarimba published by HoneyRock.

CHRISTOPHER LEE WEDNESDAY 12:00 P.M.Having traveled to West Africa, Trinidad and PuertoRico to study world music, Christopher D. Lee isserving as Lecturer in Percussion and Director ofPercussion Studies at the University of South Caro-lina and is the founder of the USC West AfricanDrumming & Dance Ensemble, Afro-Cuban En-semble and Escola De Samba. He is Principal Per-cussionist with the South Carolina PhilharmonicOrchestra, co-founder of the Island Close By SteelBand and founder of the Boo-Bam Stew PercussionEnsemble. Lee has performed with Roger Williams,Roger Pemberton, Dick Goodwin, Bert Ligon and theGarfield Cadets Drum and Bugle Corps. He alsoconducts summer workshops, master classes and

SESSIONDEFINITIONS

CLINIC: PERFORMER(S) INSTRUCTS/SPEAKS ABOUT AND DEMONSTRATES

TECHNIQUES/IDEAS.

CLINIC/PERFORMANCE: SAME AS THE

CLINIC, BUT CONTAINING A GREATER

AMOUNT OF STRUCTURED

PERFORMANCE (I.E., PERFORMANCE

WITH GROUP, TAPE, ETC.).

CONCERT: FEATURES ARTIST(S) IN AFORMAL/SEMIFORMAL CONCERT PER-FORMANCE.

LAB: HANDS-ON, INTERACTIVE, IN-STRUCTIONAL SESSION.

LECTURE/PAPER PRESENTATION: AFORMAL, ACADEMIC PRESENTATION OF

A RESEARCH PAPER OR TOPIC.

MASTER CLASS: ATTENDEES ARE

CALLED TO THE STAGE TO RECEIVE

PERSONAL INSTRUCTION IN FRONT OF

THE AUDIENCE

NEW MUSIC/RESEARCH DAY: CON-CERT, CLINICS/PERFORMANCES, AND

PRESENTATIONS ON WEDNESDAY.

PANEL DISCUSSION: A PANEL OF EX-PERTS ON ANY GIVEN SUBJECT. DOES

NOT CONSTITUTE FEATURING ANY PAR-TICULAR ARTIST IN A CLINIC OR FEA-TURE SETTING.

PRESENTATION: ACADEMIC PRESENTA-TION OF A SPECIFIC TOPIC, I.E., INDUS-TRY SEMINAR, POSTERS.

TERRACE CONCERT: AN INFORMAL

CONCERT.

WORKSHOP: ALL ATTENDEES ARE IN-VITED TO BRING INSTRUMENTS AND

PARTICIPATE IN THIS INSTRUCTIONAL

SESSION.

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school residencies throughout the southeasternUnited States.

WILL LEE SATURDAY 11:00 A.M.Bass player Will Lee can be seen every weeknightplaying with Paul Shaffer and the CBS Orchestra onThe Late Show with David Letterman. As a bassistand singer, he has recorded with an extensive arrayof performers including David Sanborn, Diane Schuur,Neil Sedaka, Carly Simon, Frank Sinatra, The Spin-ners, Spyro Gyra, Ringo Starr, Steely Dan, CatStevens and Barbra Streisand. He has also touredwith B.J. Thomas, Horace Silver, Bette Midler, BarryManilow, The Brecker Brothers and Herbie Mann. Leeplayed in the New York 24th Street Band, which hadgreat success in Japan, and his recent solo CD OH!reached number one on Japan’s Jazz Beyond chart.

PAUL LEIM FRIDAY 2:00 P.M.Over the past 20 years, Paul Leim has compiled anenviable “track record” in records, motion pictures,live performances and television. He has performedon tours or special engagements with The Berlin Or-chestra, Tom Jones, Tanya Tucker, Randy Travis andNeil Diamond. Leim has recorded albums with LionelRichie, Dolly Parton, Tanya Tucker, Randy Travis,Michael W. Smith, Reba McEntire, Kenny Rogers,Lorrie Morgan, Lyle Lovett, Sandi Patti, Amy Grant,Lone Star, Brian White, Manhattan Transfer, ShaniaTwain and many others. His motion picturesoundtracks include Star Wars: Return of the Jedi,Dirty Dancing and Honeymoon in Las Vegas, alongwith television series Fall Guy, Spenser for Hire andGrowing Pains. Of the thousands of records,soundtracks and albums that Leim has played on,over 150 have been certified Gold or Platinum andover 90 of those are Dove, Grammy, CMA, ACM orAcademy Award Recipients.

STANLEY LEONARD THURSDAY 9:00 A.M., SATURDAY 1:00 P.M.Stanley Leonard was Principal Timpanist of the Pitts-burgh Symphony Orchestra from 1956 through his re-tirement in 1994, performing internationally with thesymphony in concerts, television performances andrecordings for Sony, Phillips, Angel, Capitol, Colum-bia, and Command records. As a soloist, he pre-miered major new works for solo timpani andorchestra. Leonard is also a teacher, clinician and lec-turer who has presented master classes at major con-servatories and universities in the United States andabroad. He currently serves as Adjunct Professor ofPercussion at Duquesne University as well as Percus-sion Editor for the Ludwig Music Publishing Company.Leonard is the author of the method book Pedal Tech-nique for Timpani. His compositions for solo timpani,percussion ensemble and handbells are published inthe United States and England and he can be heardperforming and conducting his own compositions onthe CD Canticle, distributed by Ludwig Music.

CORT LIPPE WEDNESDAY 3:00 P.M.Active in the field of interactive computer music formore than 20 years, Cort Lippe is an Associate Pro-fessor of composition and Director of the Hiller Com-puter Music Studios of the University at Buffalo in NewYork. His works have received numerous internationalcomposition prizes, including the Irino Prize (Japan),first prizes at Bourges (France), the El Callejon DelRuido Competition (Mexico), the Leonie RothschildCompetition (USA), as well as prizes and honorablementions in the Music Today Competition (Japan), thePrix Ars Electronica 1993 and 1995 (Austria), theNewcomp Competition (USA) and the Kennedy Cen-ter Friedheim Awards (USA). Lippe’s music has beenpremiered at major festivals worldwide and is re-corded by ADDA, ALM, Apollon, CBS-Sony, Centaur,EMF, Harmonia Mundi, Hungaroton Classic, ICMC,MIT Press, Neuma and SEAMUS.

JOE LOCKE SATURDAY 9:00 A.M.A member of the jazz faculty at the Manhattan Schoolof Music and the New School, both in New York City,vibraphonist Joe Locke is known for his electricismand virtuoso playing. He has participated in projectsled by such diverse artists as Eddie Henderson, RonCarter, Cecil Taylor, Grover Washington, Jr., DianneReeves, Hiram Bullock, Randy Brecker, RobinEubanks, Ray Vega, The Beastie Boys, WaltWeiskoph, Freddy Cole and Barbara Denneriein,among others. Locke also performs and records withthe high-energy group Wirewalkers. He is consistentlyranked in the Down Beat Critic’s Poll and Readers’Poll and was voted “#1 vibraphonist” in Brazil’s Inter-national Jazz Poll. Locke’s most recent album,Storytelling, is available on the Sirocco Jazz Limitedlabel.

MIKE MANGINI FRIDAY 3:00 P.M.Successfully applying rhythm knowledge to all stylesof music, from classical to speed metal, Mike Manginidevotes time to drums, percussion, keyboards, pro-gramming and writing. He teaches at Berklee Collegeof Music as well as privately in the Boston area.Mangini has worked with numerous artists in the pop,country-rock, jazz and classical fields and toured withSteve Vai, Extreme, Dale Bozzio/Missing Persons andAnnihilator, among others. His recording credits in-clude Vai’s Fire Garden and G3 Live, Extreme’s Wait-ing for the Punchline and Annihilator’s Set the Worldon Fire. The principles of Mangini’s style can be foundin his publications Rhythm Knowledge (Volumes I andII) and he is currently finishing the final touches on hisfirst instructional video. His numerous awards includebeing voted Boston’s “Best Drummer/Rhythm Sec-tion.”

MITCH MARKOVICH THURSDAY 3:00 P.M.A former president of the National Association of Ru-dimental Drummers (NARD), Mitch Markovich is best

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known for being three-time (consecutive) National andfive-time (consecutive) Illinois State Snare DrumChampion. He also won 12 National and 23 State In-dividual and Group Percussion Championships in thedrum and bugle corps activity. He is currently a per-cussion consultant for three marching bands in Ari-zona, including the award-winning Mountain RidgeHigh School, and does custom arranging and oper-ates his own percussion school in the Phoenix area.Markovich is the author of snare drum classics suchas “Stamina,” “Tornado” and “The Winner.” He is theformer head of the percussion department at FortHays (Kansas) State University and has performedand taught at major universities throughout the U.S.and Canada including Indiana, Ohio State and North-western Universities.

RICK MAROTTA SATURDAY 11:00 A.M.In addition to spending most of his time playing withfriends on pet projects, Rick Marotta is busy writingmusic for movies and television shows such as Every-body Loves Raymond and Yes Dear. His most recentlive performances have been with Carly Simon andBette Midler. For the past two years, Marotta hasserved as the musical director for Project ALS in NewYork and Los Angeles. He was also involved in

Yamaha’s Second Annual Legendary Groove Night atthe 2001 NAMM show in California. Marotta has con-tributed to the hits of James Taylor, Jackson Browne,Steely Dan, Paul Simon, Linda Ronstadt, ArethaFranklin and Larry Carlton and has toured with manyof these artists and others including Tony Childs,Stevie Nicks and Joan Osborne. During his earlyyears on the New York musical scene, he also playedwith John Tropea, Deodoto, The Brecker Brothers andDave Sanborn.

ROLANDO MORALES-MATOS SATURDAY 2:00 P.M., 8:00 P.M.Born and raised in San Juan, Puerto Rico, RolandoMorales-Matos is currently one of the solo percussion-ists with Disney’s Broadway production of The LionKing in New York. He regularly performs and recordswith various Latin jazz groups, including WilliamCepeda and the Afro-Rican Jazz Ensemble. Morales-Matos has performed with the Pittsburgh SymphonyOrchestra and the Puerto Rico Symphony Orchestraas well as various jazz and Latin groups. He alsotoured with many popular and salsa bands such asEddie Santiago, Jerry Rivera, Willie Colon, HectorTricoche, Tito Rojas, Tito Gomez, Sophie Hernandez,Lucesita Benitez and Angela Carrasco. Morales-Matos—who received his BFA in music from Carnegie

86 ARTISTS AND CLINICIANS

Mellon University, his M.A. from Duquesne Universityand his Certificate of Professional Studies fromTemple University—teaches drumset, classical andLatin percussion.

TONY McCUTCHEN THURSDAY 4:00 P.M.Since 1979, Dr. Thomas W. (Tony) McCutchen hasserved as Percussion Coordinator at the University ofGeorgia School of Music in Athens. He plays drumsetwith the Board of Directors Jazz Orchestra, the JimMcKillip Trio and his own jazz/ pop group, Men inBlack. McCutchen also performs on vibes and steelpan in his Latin/jazz group Guadalajara and is direc-tor of the Tropical Breeze Steel Band and Salsa Geor-gia, which are based at UGA.

His professional experience includes performanceswith the Fort Worth Symphony, Savannah Symphonyand Augusta Opera as well as appearances at na-tional music conventions and PAS Days of Percus-sion. A Fulbright Scholar, McCutchen is on the facultyof the International Music Festival at the Federal Uni-versity of Santa Maria (Brazil) and has presented clin-ics in South America and Italy. He has arrangementspublished by Hal Leonard and MalletWorks Musicand hosted PASIC ’94 in Atlanta.

VICTOR MENDOZA THURSDAY 11:00 A.M.Since 1983, Victor Mendoza has been a faculty mem-ber at Berklee College of Music, teaching vibraphoneand leading Latin-jazz ensembles. His career has in-cluded performances with his own group at theMontreal, Quebec and Boston Globe jazz festivals. Asguest soloist, Mendoza has performed throughout theU.S., England, Israel, Poland, Brazil, Europe and Cen-tral America. He has been featured on radio and tele-vision broadcasts, including two PBS specials, VictorMendoza in Concert and All American Jazz, as wellas on the BBC’s Kaleidoskope. He recently performedas guest soloist with the Carlos Chavez Symphony Or-chestra in Mexico City as part of the FestivalInternacional de Percusiones. He has recorded threealbums: Victor Mendoza, If Only You Knew and This isWhy. Latin Beat magazine named Mendoza one of theoutstanding Latin Jazz Artists of 1996. He is fre-quently invited to conduct master classes in the U.S.,South America and Europe.

JAMES METCALFE FRIDAY 10:00 A.M.In addition to an active playing and recording sched-ule, James Metcalfe works at San Jacinto Collegeteaching percussion, MIDI and recording technology.His creative musical outlets include pop-dance bandKristopher, high-energy fusion group Stratus, PICO(Paul English Improvising Chamber Orchestra) andthe electronic percussion duo Mizmet. Metcalfe is afirst-call percussionist for musical theater and haspremiered several new works at both the Alley andLone Star Theaters including Jekyll & Hyde, Svengaliand American Vaudeville. His recording credits en-

compass television commercials for GTE, numerouslocal demos and a variety of album projects, includingfusion group the Testostertones, blues artists JerryLightfoot and Travis Doyle, folk singer MarienneKreitlow and jazz pianist Paul English. Metcalfe hasrecently recorded new CDs featuring Ed Calle andDavid Liebman. He has also performed as a sectionpercussionist for the El Paso and Amarillo Sympho-nies and instructed the drum line at Rice University.

MICHAEL MIZMA FRIDAY 10:00 A.M., SATURDAY 8:00 P.M.In 1990, Michael Mizma began teaching percussion,MIDI and electronic music, audio engineering, musictheory, introductory music history, music fundamen-tals, and multimedia technology at San Jacinto Col-lege Central in Pasadena, Texas, where he alsoestablished an Afro-Cuban ensemble and a steelband. In addition, Mizma founded two Caribbean jazzgroups, Tropic Envoy and Tropical Beat, in which heperforms regularly on steel pan, drumset, MalletKATand percussion. He also performs frequently ondrumset and percussion with The Gypsies, an impro-visatory world-music ensemble, and plays vibraphonein the jazz quartet Project Blue. He co-foundedMizmet Digital Percussion, a technology-centric per-formance duo with James Metcalfe. Mizma is a formermember of Ian Hobson’s Sinfonia Da Camera, theChampaign-Urbana Symphony and touring memberof the Summit Brass.

BILL MOLENHOF THURSDAY 2:00 P.M.Currently on the faculty at the MeistersingerKonservatorium (Hochscule) in Nürnberg, Germany,vibraphonist Bill Molenhof has also taught at theBerklee College of Music, Manhattan School of Music,Ithaca College and Temple University. Since his 1983European debut at the Tuebingen Germany Interna-tional Festival with drummer Ed Thigpen, he has beenfeatured in Germany, France, Austria, Holland, En-gland, Norway, Denmark, Poland, the Czech Repub-lic, Ukraine, Brazil, Uruguay and Australia as well asthroughout North America. During his career,Molenhof has performed with guitarist WayneJohnson, singer Oleta Adams, pianist James Williams,guitarist Pat Metheny, singers Jackie Cain and RoyKral, cornetist Ruby Braff, cellists David Darling andHank Roberts, saxophonists Tim Berne and ZbigniewNamyslowski and drummers Alan Dawson, DannyGottlieb and Keith Copeland. His collection of solopieces for the vibraphone, Music of the Day, is pub-lished by Kendor Music.

DAN MOORE THURSDAY 10:00 A.M.Dan Moore is Percussion Area Head at the Universityof Iowa. His performance energies focus on theMIDImarimba, a setup that augments the acousticsounds of the marimba with electronically-triggeredsounds. Moore’s diverse artistic outlets include a per-cussion/banjo duo playing 1970s pop music and an

87ARTISTS AND CLINICIANS

all-percussion jazz quartet. He is also involved withthe space-age bachelor-pad music of PercussionPops 2000, which is showcased on his CD Jungle Fe-ver: Dan Moore plays the music of Dick Schory, a col-lection of updated arrangements from Schory’spopular 1960s-vintage Percussion Pops Orchestra.Moore’s music is published by Panyard Inc., Innova-tive Percussion and Creative Music.

JEFFREY MOORE SATURDAY 10:00 A.M.Jeffrey Moore is an Associate Professor of Music andthe Director of Percussion Studies at the University ofCentral Florida in Orlando where he conducts thelarge “Pop” Percussion Ensemble, the Chamber Per-cussion Ensemble, the Marimba Band and the UCFSteel Drum Band. He also instructs and arranges forthe Marching Knights drum line as well as playsdrumset for the UCF Faculty Jazz Trio. In addition tohis busy teaching, conducting and performing sched-ule, Moore serves as the Percussion Director of the in-ternationally acclaimed Madison Scouts Drum andBugle corps from Madison, Wisconsin. He also servedas Program Consultant/Percussion Arranger with theJubal Drum and Bugle Corps from Dordrecht, Hollandand the 1999 DCA World Champion Syracuse Briga-diers. Moore has performed with several symphonyorchestras in Dallas, Madison and Orlando as well aswith the Dallas Wind Symphony.

STANTON MOORE FRIDAY 4:00 P.M.Drummer Stanton Moore performs approximately 200days a year with the popular New Orleans funk bandGalactic. The band’s fourth album, We Love ’em To-night – Live at Tipitina’s, was released in July andMoore’s second solo effort, Flyin’ the Coop (followinghis first release All Kooked Out), will be distributed bythe Verve Music Group this fall. He was featured atModern Drummer’s Festival Weekend last May and atthe Montreal Drum Festival. Moore also plays regu-larly with his solo project “Moore and More.” Other art-ists he has appeared with on record or on stageinclude Garage-a-Trois (featuring Charlie Hunter,Skerik and Mike Dillon), the New Orleans Klezmer All-Stars, George Porter, Jr., John Vidacovich, the Forgot-ten Souls Brass Band and Anders Osborne. For thepast two years, Moore has also been a contributingcolumnist for Drum magazine.

LUIGI MORLEO WEDNESDAY 11:00 A.M.Since 1995, percussionist and composer Luigi Morleohas taught percussion at the Conservatory N. Piccinniin Bari, Italy. He served as the timpanist and percus-sionist with the Symphonic Orchestra from Bari from1992–94 and as a percussionist with the OrchestraAutonomous Petruzzelli Theater from Bari from 1987–91. Morleo has also collaborated with RAI SinphonicOrchestra in Milano under conductor L. Berio. As aguest soloist or conductor, he has performed at nu-merous international festivals in Europe and the U.S.

Morleo has composed and conducted music for vari-ous films and has three CD recordings for ClassicalCM from Bari and Raimbow of Treviso. His music ispublished by Editions Musical Cavalieri and SorrisoMusical Editions in Bari, Agenda Musical Editions inBologna, Alfonce Production in Clermont-Ferrand,Chiola Music Press in Spoltore and HoneyRock Pub-lishing in the U.S. and he has collaborated with themagazines The Monocordo, Liber Art, NC News andDon Chisciotte.

HIDEMI MURASE FRIDAY 12:00 P.M.A graduate of the Tokyo College of Music, HidemiMurase studied percussion and marimba with AtsushiSugahara. He is an active member of The PercussionMuseum and has performed as marimba soloist withthe Symphonic Wind Ensemble and Professional Or-chestra, which have held joint concerts and recitals inJapan and abroad as well as participated in both na-tional and international tours. Murase gave the worldpremiere of a special composition written by highlyacclaimed Japanese composer Toshi Ichiyanagi. Hehas recorded for the Japan Broadcasting Corporation(NHK), performed for FM radio broadcasts and hasplayed on several CDs. Murase won First Prize at the13th All Japan Wind and Percussion championshipcompetition and was awarded three special prizes:Best Performer Prize, Minister of Education Prize andGovernor of Tokyo Prize.

KATARZYNA MYCKA FRIDAY 2:00 P.M.Marimbist Katarzyna Mycka has performed exten-sively throughout Europe and has taught numerousclinics and master classes in Germany, Switzerland,Poland, Luxembourg and the U.S. She has been a so-loist with the Luxembourg Radio Orchestra, theStuttgart, Gdansk and Opole Philharmonic Orches-tras, and the Stuttgart Percussion Ensemble. Myckaserved as a jury member for the National PercussionCompetition in Ostrava, Tschech Republic (2001) andthe first Polish Marimba Competition in Warsaw (2000)as well as for the Percussion Duo Competition in Lux-embourg (1999). That same year she was named Am-bassador of Polish Percussive Arts by the Polish PASChapter. Mycka also performed at the first World Ma-rimba Festival in Osaka, Japan (1998) and at PASIC’97 in Anaheim, California. Her latest CD of marimbaconcertos with the Radio Orchestra of Saarbruecken,Germany will be released this fall and will join her twoearlier recordings—Marimba Dance (1999) and Ma-rimba Spiritual (1997).

LEWIS NASH THURSDAY 3:00 P.M., FRIDAY 11:00 P.M.Drummer Lewis Nash rapidly joined the ranks of first-call players after his move to New York City in 1981from college life in Arizona. He got his start with BettyCarter and has continued touring and recording sincethat time with a wide range of jazz players, includingJimmy Heath, J.J. Johnson, Tommy Flanagan, Clark

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Terry, Sonny Rollins, Wynton and Branford Marsalis,Ron Carter, Don Pullen, Cyrus Chestnut, Don Fried-man, Kenny Drew, Jr., Roland Hanna, Steve Turre,Kenny Burrell, Russell Malone, Oscar Peterson, BudShank, Scott Hamilton, McCoy Tyner, Jackie McLean,Horace Silver and Bette Midler. Nash has appearedon nearly 200 albums including Rhythm Is My Busi-ness, the only recording under his name. He alsoleads his own working sextet.

NEXUS FRIDAY 4:00 P.M., SATURDAY 8:00 P.M.Celebrating their 30th anniversary season in 2001, thefive members of Nexus—Bob Becker, Bill Cahn,Robin Engelman, Russell Hartenberger andJohn Wyre—continue to delight audiences with arepertoire that includes contemporary percussionmasterworks, ragtime, world music, group improvisa-tions and compositions by the group’s members.Nexus has garnered international acclaim for perfor-mances of their signature piece, Takemitsu’s “Fromme flows what you call Time.” A recording of this workfeaturing Nexus and the Pacific Symphony has beenreleased on the Sony label. Last February, the grouppremiered “Shadowman” by Canadian composer R.Murray Schafer, and this season the group is premier-ing a new work by Conni Ellisor being written forNexus and the Nashville Chamber Orchestra. Nexus

was inducted into the PAS Hall of Fame in 1999 andwas the recipient of the Toronto Arts Award in 1989and 1999. Nexus has recorded several compactdiscs, including the soon-to-be-released Lullaby withworks by Cahn, Engelman and Steve Reich.

CHRISTOPHER NORTON FRIDAY 4:00 P.M., SATURDAY 8:00 P.M.Christopher Norton is Professor of Music and Directorof Percussion Studies at Belmont University in Nash-ville, Tennessee. Prior to his appointment to theBelmont faculty in 2001, he taught at Western Ken-tucky University for fourteen years. He holds a Doctorof Musical Arts degree in Percussion Performancefrom Louisiana State University, as well as thePerformer’s Certificate, Master of Arts, and Bachelorof Music degrees from the Eastman School of Music.He performs regularly with the Nashville Symphony,the Nashville Chamber Orchestra, the Bob BeckerEnsemble, the Jack Daniel’s Original Silver CornetBand, and with the orchestras of the Eastern MusicFestival and the Peninsula Music Festival. His ma-rimba CD is entitled “Christopher Norton: CrestonConcertino for Marimba” and features the first com-plete orchestral recording of the Creston. He is cur-rently on the PAS Contest and Auditions ProceduresCommittee and has served as President of the Ken-tucky Chapter of PAS from 1999-2001.

FRANK ODDIS SATURDAY 8:00 A.M.Associate Professor of Music Frank Oddis has servedas coordinator of the percussion program atMorehead State University in Morehead, Kentuckysince 1977. He performs regularly with the MSU Fac-ulty Jazz Quintet, the West Virginia Symphony Or-chestra and as a show percussionist and drummer.Oddis has served as an adjudicator for DCI, PAS andBands of America and has presented educationalworkshops at conferences, schools and universities inthe United States and China. The marching percus-sion ensembles at Morehead State University havebeen awarded three championships at the PASMarching Percussion Festival, and the MSU concertpercussion ensemble recently completed a success-ful tour of Beijing, China.

PAUL A. OEHLERS WEDNESDAY 4:00 P.M.After being the youngest master’s graduate fromPhiladelphia’s University of the Arts, Paul A. Oehlers iscurrently attending the University of Illinois at Urbana-Champaign in pursuit of his doctorate. His works havebeen performed throughout the U.S., Latin America,South America, Europe and Asia, including at a com-mand performance for former President RonaldReagan. Oehlers’ compositions have also been heardat Walt Disney World, the Berlin International Film Fes-tival, the Society for Electro-Acoustic Music in theUnited States National Conference, the Gamper NewMusic Festival, the College Music Society NationalConference, the Kansas City Festival of Electronic

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Music, Studio PANorama (Sao Paolo, Brazil), theSeoul International Electroacoustic Music Festival, theVII Annual Brazilian Electronic Music Festival, theShortTV.com Film Festival and the WHYY-TV (PBS) In-dependent Images Film Festival.

BABATUNDE OLATUNJI SATURDAY 10:00 A.M.Born and raised in Nigeria, Babutunde Olatunji per-forms with Drums of Passion, an ensemble he createdconsisting of singers, dancers and percussionists. In1991, he formed the percussion ensemble PlanetDrum with Mickey Hart, which produced a GrammyAward-winning CD. Olatunji’s first album, Drums ofPassion (1959) has never gone out of print, and he isthe co-author of the book African Musical Instruments,Their Origins and Use. Olatunji has been a facultymember at both the Esalen Institute in California andthe Omega Institute in New York. One of his greatestachievements is the establishment of the OlatunjiCenter of African Culture, which provides a widerange of cultural subjects for adults and children.Olatunji’s honors include being named Impresario ofthe Ghana Dance Ensemble, the presentation of anhonorary doctoral degree from Medgar Evers College,and being inducted into the PAS Hall of Fame (2001).

JOHN W. PARKS, IV THURSDAY 9:00 A.M.Professor of Percussion at the University of Kansas,John W. Parks, IV earned his Doctor of Musical Arts inPercussion Performance and Literature degree fromthe Eastman School of Music. He performed as Princi-pal Percussionist with the Eastman Wind Ensemble ontheir 2000 tour of Japan and Taiwan and has alsoserved as Principal Timpanist of the SchlossfestspieleOrchestra in Heidelberg, Germany. Parks has playedwith the Alabama Symphony Orchestra as an extrapercussionist and has recorded two CDs with the mu-sic group Proclaim. He holds two master’s degreesfrom Northwestern University (one each in percussionperformance and jazz pedagogy) and a bachelor’sdegree in music education from Furman University.

PERCUSSION GROUP CINCINNATI WEDNESDAY 10:00 A.M.Founded in 1979, Percussion Group Cincinnati con-sists of Allen Otte, James Culley and RussellBurge, all of whom are faculty members and en-semble-in-residence at the College-Conservatory ofMusic of the University of Cincinnati. The group hasappeared at major festivals, concert halls and schoolsacross America, Europe and Asia, with recent perfor-mances at the 2001 Shanghai International SpringMusic Festival and a tour of Japan. Over the past 20years, many young composers from the U.S., LatinAmerica, Europe, Africa and Asia have created alarge body of new and often experimental music forPercussion Group Cincinnati. Their work appears onvarious CDs, including their own Ars Moderno label,and they are currently completing a CD of the percus-sion music of Qu Xiao-song as well as contributing to

the Mode Records’ series of the complete music ofJohn Cage.

GORDON PETERS THURSDAY 9:00 A.M., FRIDAY 12:00 P.M.Appointed to the Chicago Symphony by Fritz Reinerin 1959, Gordon Peters retired as Principal Percus-sionist and Assistant Principal Timpanist in January2001. He also taught at Northwestern University(1963–68), served as Conductor and Administrator ofthe Civic Orchestra of Chicago (training orchestra ofthe CSO) from 1965–87, was the Music Director of theElmhurst Symphony (1968–73) and was an AssistantConductor of the Chicago Youth Symphony Orchestrafor 20 years. Peters composed the popular “Swords ofModa-Ling” for percussion ensemble, as well as sev-eral works for marimba ensemble. He authored andpublished a 368-page treatise on percussion, TheDrummer: Man. While attending the Eastman Schoolof Music, Peters founded the Marimba Masters andthe septet performed on radio and TV programs withArthur Godfrey and Ed Sullivan. A former member ofthe U.S. Military Academy Band at West Point, heserved as the first President of PAS (1962–66).

PAT PETRILLO SATURDAY 12:00 P.M.As the drummer for jazz guitarist Ed Hamilton, PatPetrillo can be heard on Hamilton’s latest release,Hear in the Now (Fahrenheit) and has appeared liveat numerous jazz festivals as well as on the BET onJazz TV show. He also performs and records with popsinger Glen Burtnik, including on the recently re-leased Palookaville (Decco). Petrillo has backed PattiLaBelle as well as Patty Smyth and Phoebe Snow. Aveteran show drummer, he has played in Broadwayproductions of “Footloose,” “Grease” and “A ChorusLine” as well as the national tour of “Dreamgirls.” Asan educator and clinician, Petrillo is known for his in-structional video Snare Drum Rudiments (WarnerBros.) along with his new release, Complete DrumWorkout. He has also taught at Drummers Collectivein New York City and has his own Web site,www.patpetrillo.com

JOHN S. PRATT THURSDAY 3:00 P.M.A 1990 inductee into the World Drum Corps Hall ofFame, John S. Pratt recently released his latest bookRudimental Solos for Accomplished Drummersthrough Meredith Music. He was a member of theUnited States Military Academy Band where heserved as the Rudimental Drum Instructor/Arrangerfor the Field Music section of the band until his retire-ment from the Army in 1969. Pratt’s first three drum-ming publications—14 Modern Contest Solos, AncientRudimental Snare & Bass Drum Solos and 128 Rudi-mental Street Beats—were published by Belwin in1959, followed by his 26 Standard American DrumRudiments and The New Pratt Book. In addition towriting, he was a member of the New York Chapter ofthe All-American Associate of Contest Judges as well

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92 ARTISTS AND CLINICIANS

as the National Association of Rudimental Drummers.Pratt was part of the Hawthorne Caballeros’ instruc-tional staff from 1971–81, winning three American Le-gion National and four DCA World Championships.

PROJECT 166: SATURDAY 11:00 A.M.WKU ALUMNI PERCUSSION QUINTET

Project 166: The WKU Alumni Percussion Quintetcomprises students who spent a significant portion oftheir lives in Western Kentucky University’s PercussionStudio, Room 166. Marty Sharer (WKU BM ’96) iscompleting his DMA in Percussion Performance atNorthwestern University. He is Director of Bands atWarren East High School and Percussion Instructor atCampbellsville University in Kentucky. LarryFerguson (WKU BM ’99) recently completed hisM.M. degree at The University of Michigan and nowresides in Nashville where he freelances and is per-sonnel manager for the Nashville Chamber Orchestra.Kris Keeton (WKU BM ’01) is a Master’s Perfor-mance major at Northwestern University. JasonGottfried is a senior performance major at WKU.Aaron Hunt spent his first two years at WKU as aperformance major before transferring to Ohio StateUniversity this fall to complete his undergraduate cur-riculum. All members of Project 166 studied with Dr.Christopher Norton during his tenure at WKU (1987–2001).

JOHNNY RABB THURSDAY 9:00 A.M.Clinician Johnny Rabb earned the distinction of“World’s Fastest Drummer,” as recognized by theGuinness World Records, by playing 1,071 singlestrokes in 60 seconds on a live broadcast of VH1’sRock and Roll Record Breakers. Rabb has playedwith Tanya Tucker and Hank Williams III as well asperformed at the recent KOSA festival with SteveSmith, Gordon Gottlieb, Horacio Hernandez andGiovanni Hidalgo. He is also writing and developingchildren’s books, videos and educational workshops.During his years at Berklee College of Music, Rabbinvented The RhythmSaw and shares, along with co-owner Gerald Hooper, in the design and manufactur-ing of drumsticks and percussion accessories underthe company name johnnyraBB Drumsticks.

SALVATORE RABBIO THURSDAY 9:00 A.M., SATURDAY 1:00 P.M.From 1958 until his retirement in 1998, SalvatoreRabbio held the position of Principal Timpanist withthe Detroit Symphony Orchestra. During that time healso served as Adjunct Professor of Timpani at theUniversity of Michigan (1987–98) and as the head ofthe Percussion Department and director of the per-cussion ensemble at Wayne State University in Detroit(1962–86). Rabbio performed world premieres of sev-eral concertos for timpani and orchestra, and as amember of the DSO, toured extensively and recordedon the Mercury, Columbia, RCA London and Chandoslabels. He was formerly a member of the Boston Per-

cussion Ensemble and was soloist with the BostonPops and toured with Arthur Fiedler. As an active clini-cian, Rabbio has been featured at three previousPASICs and has been guest lecturer at many of theworld’s leading universities and conservatories.

PAUL RENNICK SATURDAY 10:00 A.M.A member of the percussion faculty at the Universityof North Texas since 1990, Paul Rennick has becomea leading figure in indoor marching percussionthrough teaching, writing and arranging for thecountry’s most successful percussion ensembles. AsDirector of the UNT Indoor Drumline, he has writtenand designed six PAS National Championship showssince 1989. Rennick is currently the Percussion Cap-tion Head and Arranger with the Carolina Crown Drumand Bugle Corps and served as the Director of Per-cussion and Percussion Manager for the recentBroadway production of BLAST! He is an active ar-ranger and instructor for schools across the U.S. andCanada, including four-time PAS National ChampionsMarcus High School, three time PAS runner-ups PlanoHigh School and 1996 WGI National Champion JohnOverton High School. Rennick is a member of the PASMarching Committee.

TOMM ROLAND WEDNESDAY 10:00 A.M.Percussionist Tomm Roland is an Assistant Professorof Percussion/Multicultural Music at the University ofNebraska, Omaha where he is Coordinator of Percus-sion Studies and teaches courses in musics of theworld. He has given solo performances throughoutCalifornia, New Jersey, Nebraska, New York and atthe American Consulate in Chennai, India. In 1998, hewas awarded a Fulbright grant to study the classicaldrumming of Southern India. Roland has also partici-pated in a variety of music festivals including MusicFrom Bear Valley, The Festival of New American Mu-sic and Percussion Currents. In addition to local ses-sions for various Sacramento area rock bands, he hasrecorded for Summit and Capstone records, with hismost recent recordings being two CRI releases, So-nata de Camera by Charles Jones and Paramo byRicardo Muldoon.

NEY GABRIEL ROSAURO THURSDAY 8:00 P.M.A native of Brazil, Ney Gabriel Rosauro taught at theUniversidade Federal de Santa Maria in South Brazilbefore becoming the Director of Percussion Studies atthe University of Miami in Coral Gables, Florida in2000. His compositions have received worldwide rec-ognition and are recorded and played by acclaimedartists such as Evelyn Glennie and the London Sym-phony Orchestra. As soloist, Rosauro has traveled tomore than 25 different countries presenting masterclasses, solo concerts and concertos with orchestras.He premiered his “Concerto for Vibraphone and Per-cussion Ensemble” with the Oklahoma State Univer-sity Percussion Ensemble at PASIC ’96 in Nashville

and has also performed at PASIC ’94 in Atlanta andPASIC ’99 in Columbus. Rosauro has three solo re-cordings, Marimba Brasileira (1989), Rapsódia (1993)and Ney Rosauro in Concert: Brazilian Music for Mal-lets (1998).

MICHAEL ROSEN SATURDAY 4:00 P.M.Michael Rosen is Professor of Percussion at OberlinConservatory of Music where he teaches, conductsthe Oberlin Percussion Group and is director of theOberlin Percussion Institute. He has concertized andtaught extensively in Europe and Asia. Rosen has pre-sented clinics for PAS, BMA, OMEA, TMEA, MENC,MBDC MusicFest Canada and NYSMA. He is an as-sociate editor of Percussive Notes, maintaining a con-tinuing column on percussion terms in foreignlanguages, and he served on the PAS Board of Direc-tors for many years. Rosen was the Principal Percus-sionist with the Milwaukee Symphony (1966–72) andhas performed with the Cleveland Orchestra, theConcertgebouw Orchestra and the Grand Teton Mu-sic Festival. He has served as panelist for the NationalEndowment for the Arts and has recorded for theBayerische Rundfunk, Opus One, Furious Artisans,Albany, Lumina and CRI labels.

94 ARTISTS AND CLINICIANS

Grand Rapids Junior College in Michigan, where hedirects the Percussion Ensemble and the Grand Val-ley State University Steelband. He is a member of theKalamazoo Symphony Orchestra and performs fre-quently with the Grand Rapids Symphony Orchestra.Recent chamber music performances include theFontana Chamber Music Series, the SaugatuckChamber Music Festival and performances at the Ur-ban Institute of Contemporary Arts in Grand Rapids,Michigan.

FRANK SHAFFER SATURDAY 10:00 A.M.In addition to being the Principal Timpanist with theMemphis Symphony, Frank Shaffer is Associate Pro-fessor of Percussion at the University of Memphis. Hehas also performed with the Pittsburgh Symphony Or-chestra as well as the Bridgeport and New HavenSymphonies. Dr. Shaffer served on the PASIC plan-ning committees in 1989, 1996 and 2001 and hasbeen the orchestra sub-chair for the PAS Health andWellness Committee since 1999. He was also percus-sion consultant and English translation editor forChilpachole de Arpa, a bilingual harp method basedon the traditional music of Veracruz, Mexico. Shafferplayed with the Festival Marimba Orchestra at theWest Point Percussion Festival (1998). Since 1979, hehas performed and taught at the Sewanee SummerMusic Festival and was Associate Director of the Fes-tival for the 2001 season.

TOM SHERWOOD SATURDAY 11:00 A.M.Originally from Fairfax, Virginia, Tom Sherwood is Prin-cipal Percussionist with the Atlanta Symphony Or-chestra. Before coming to Atlanta, he was a memberof the New World Symphony and performed regularlywith the Naples Philharmonic Orchestra. Sherwood re-ceived his bachelor’s degree in performance from theUniversity of Illinois (Urbana-Champaign) and a mas-ters degree from Temple University. His principalteachers have included Alan Abel, Tom Siwe, DougHoward and Jonathan Haas.

SILENT ORCHESTRA WEDNESDAY 8:00 P.M.Drawing from a collective experience in rock, jazz,world and classical idioms, Carlos Garza and RichO’Meara formed Silent Orchestra in 1999 to trans-port early cinema to a modern audience. Theyseamlessly combine acoustic and electronic soundswith contemporary and traditional styles to developand perform new scores for classic silent films.

Rich O’Meara has performed with the Contempo-rary Music Forum, the Lenox Ensemble, and the NewYork-based ensemble Sky Music, and has taken partin multi-media performances as a member of OneEarth Percussion Theatre. He was featured as ma-rimba soloist with the Women Composers Orchestraand was guest artist at the 1998 Latin-Caribbean Fes-tival at the Kennedy Center. With the new-music en-semble Amaranth, he premiered “Puzzle Piece” for

PATRICK ROULET FRIDAY 9:00 A.M.Since 1994, Patrick Roulet has served as the Directorof Percussion Studies at Western Washington Univer-sity. His concert credits include performances withthe Seattle Symphony, the Pacific Northwest Ballet Or-chestra, the American Sinfonietta and the CascadeFestival Orchestra (Bend, Oregon) as well as orches-tras in Massachusetts and Michigan. Roulet, currentlya candidate for the Doctor of Musical Arts degree atthe University of Washington, holds degrees in per-cussion performance from the University of Michiganand Boston University. He has also served as Presi-dent of the Washington State PAS Chapter.

TRICHY SANKARAN FRIDAY 9:00 A.M., SATURDAY 4:00 P.M.Professor Trichy Sankaran is a world-renowned per-cussion virtuoso on mrdangam, Indian music scholarand composer who has performed on four continents.Sankaran is the Founding Director of Indian MusicStudies and Professor of Music at York University inToronto where he has taught since 1971. He is alsothe founder and artistic director of Kalalayam, an insti-tution he created in Toronto for the promotion of thescience and techniques of percussive arts. Sankaranis the author of the textbook The Rhythmic Principlesand Practice of South Indian Drumming (Lalith Pub-lishers/Toronto, 1994). As a composer, Sankaran haswritten many pieces for contemporary (Indonesian)Gamelan and percussion ensembles, several of whichhave been broadcast by the CBC (Canadian Broad-casting Corporation). His many recordings includeGreat Masters Series: Ramnad Krishnan (Vocal), T.Viswanathan Tribute and Innovative Music Meeting.

MATT SAVAGE THURSDAY 10:00 P.M.With 25 years of playing and teaching experience inthe marching percussion field, Matt Savage is the Di-rector of Marching Percussion at the University ofNorth Carolina in Chapel Hill. He is involved with theindoor percussion activity as an adjudicator for WGI(Winter Guard International). As a drum circle facilita-tor, Savage leads drumming events for schools, cor-porations and community events. His most recentpublication is Savage Rudimental Workshop (WarnerBros.) and he has a signature series of sticks andmallets by johnnyraBB. Savage has served as Percus-sion Instructor for the University of Southern California(USC) Trojan Marching Band and was the PercussionDirector and Arranger for such drum and bugle corpsas the Anaheim Velvet Knights, the Dutchboy ofKitchener, Ontario and the Canton Bluecoats. Savagealso played snare drum with the Bayonne Bridgemendrum and bugle corps.

GREGREY SECOR WEDNESDAY 11:00 A.M.A graduate of Western Michigan University (B.M.) andthe University of Cincinnati’s College-Conservatory ofMusic (M.M.), Gregrey Secor is on the adjunct facultyat Grand Valley State University, Hope College and

95ARTISTS AND CLINICIANS

GORDON STOUT FRIDAY 10:00 A.M.A composer and percussionist who specializes onmarimba, Gordon Stout is Professor of Percussionand Chair of the Performance Studies Department atthe School of Music at Ithaca College in Ithaca, NewYork. As a composer-recitalist, he has premiered anumber of his original compositions as well as worksby other contemporary composers, many of whichcan be heard on his six recordings. His latest solomarimba project, Astral Projections, will be releasedon Resonator Records this fall. Stout’s associationwith Robert Levy led to the creation of The Wilder Duofor trumpet and marimba, which has presented con-certs at Carnegie Recital Hall and throughout the U.S.He was on the jury of the first and second LeighHoward Stevens International Marimba Competitionsin 1995 and 1998. Stout participated in the World Ma-rimba Festival in Osaka, Japan (1998) and the Sec-ond World Marimba Competition in Okaya, Japan(1999).

STREET BEATS FRIDAY 1:00 P.M.Begun in 1996 as a fundraiser for Nashville’s MusicCity Mystique, an Independent World Class WGIDrumline, Street Beats was based on the concept ofplaying on buckets and other “trash accessories” thatwas popularized by the New York show Bring in daNoise, Bring in da Funk. Following four summers play-ing on Nashville’s Second Avenue, the fivesome tooktheir act on the road—to radio and television and tocorporate meetings and parties. Street Beats has per-formed at the Kentucky Derby, Memphis’ Beale StreetFestival, Clearwater’s Sunset Festivals, Atlanta’s Sum-mer Music Conference, Key West’s July 4th Celebra-tion and Bourbon Street’s Mardi Gras. The ensemblehas also been featured in two issues of Modern Drum-mer magazine. They may be contacted through theirWeb site www.streetbeatshome.com.

TEMPUS FUGIT THURSDAY 2:00 P.M.Tempus Fugit, a quintet featuring Brett Dietz, P.J.Gatch, Shawn Galvin, R.J. Heid and DennisHoffmann, is the Percussion Ensemble-in-Resi-dence at the Duquesne University Mary PappertSchool of Music in Pittsburgh, Pennsylvania. Theensemble’s mission is to expand the range of expo-sure to percussion music and to demonstrate the vi-ability of the percussion ensemble as true chambermusic. The group presents educational concerts andmaster classes to students in the Pittsburgh area. Per-formance highlights include the 1999 MENC EasternDivision Conference, the 1997 Leigh Howard StevensMarimba Seminar, the 1997 Marktoberdorf ChamberChoir Festival (Germany) and PASIC ’96. Over thepast five years, Tempus Fugit has concertizedthroughout the United States, collaborating with suchartists as Michael Burritt, Stanley Leonard, She-e Wuand Steve Houghton. Tempus Fugit released theirself-titled compact disc in February 1998 and collabo-

three marimbas. O’Meara has composed many worksfor percussion and small ensemble, some of whichare published by Music for Percussion and MarimbaProductions. His piece “looking at ‘r’” for two marim-bas took second place in the 1999 PAS PercussionComposition Contest.

Award-winning composer/ keyboardist CarlosGarza is a co-author of the score for the feature filmThirteen. He has played contemporary jazz with theBruce Middle Group, along with O’Meara, and hasperformed original compositions and improvisationsat weekly shows by the comedy troupe Gross Na-tional Product, which air on PBS. As owner and opera-tor of Pepperland Recording, Garza has engineeredmany releases for CD, vinyl and cassette, and as aproducer, he has crafted many song demos for aspir-ing pop, folk, and country songwriters.

DAVID STEINQUEST SATURDAY 8:00 A.M.Since 1985, David Steinquest has served as Professorof Percussion at Austin Peay State University inClarksville, Tennessee, where he teaches percussionlessons, conducts the Percussion Ensemble and JazzCombo and is coordinator of the Mid-South Jazz Fes-tival. He is an active freelance percussionist in theNashville area, performing frequently with the Nash-ville Symphony Orchestra (including their recentCarnegie Hall debut) and the Tennessee RepertoryTheatre, and recording for Row-Loff Productions andthe Nashville String Machine. Steinquest has compo-sitions and arrangements published by Row-Loff Pro-ductions, Studio 4 Music and Pioneer Percussion. Hepreviously served as a faculty member at the Univer-sity of Arkansas and the National Music Camp atInterlochen and was a member of the United StatesMilitary Academy Band at West Point.

CHRISTINE STEVENS THURSDAY 11:00 A.M.A recognized pioneer in the music and wellnessmovement, Christine Stevens is an internationalspeaker, music therapist, author, workshop facilitatorand musician. She has authored numerous articles onlife enhancement through musical expression in publi-cations such as The Christian Science Monitor, Firstfor Women magazine and Natural Health and Beauty.As Director of Music Therapy and Wellness Programsat Remo, Inc., Stevens co-authored Health Rhythms, acurriculum-based program built around scientific re-search demonstrating immune system improvementthrough group drumming, which is currently taught tohealth-care professionals in the U.S., China and Ja-pan. Through her company, UpBeat Drum Circles(www.ubdrumcircles.com), Stevens offers communitydrum circles for corporate team building, diversitytraining, personal growth as well as health-and-wellness seminars. Her televised media credits in-clude CBS This Morning, KABC/Los Angeles, LondonTonight and the Hong Kong News. She also serves onthe PAS Health & Wellness Committee.

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panist for the Bach Society, the Masterworks Choraleand the Cathedral Basilica-St. Louis.

BLAKE TYSON WEDNESDAY 3:00 P.M.A percussionist and composer specializing in ma-rimba performance, Blake Tyson serves on the facultyof the University of Central Arkansas. Active in com-missioning and composing new music, his most re-cent compositions are “Fabric of Time” for solo oboe,viola and percussion; “Anubis” for solo marimba andpercussion ensemble; and “Vertical River” for ma-rimba and percussion duo. Tyson is an active concertartist and clinician throughout the U.S., both as a solo-ist and with the flute and percussion duo Imbaté. Hehas performed with numerous orchestras and cham-ber ensembles and is Principal Timpanist/Percussion-ist with the Conway (Arkansas) Symphony Orchestra.

MICHAEL UDOW THURSDAY 8:00 P.M.Composer, inventor, poet and CD producer MichaelUdow is Professor of Percussion at the University ofMichigan, a position he has held since 1982. Servingas Principal Percussionist with the Santa Fe Operasince 1968, he is also a member of Summit Brass,Equilibrium Dance & Percussion Theatre and per-forms with Keiko Abe. Udow has also been a memberof the New Orleans Philharmonic, Blackearth Percus-sion Group, Tone Road Ramblers, Santa Fe ChamberMusic Festival and has performed with the DetroitChamber Winds and the Detroit Symphony as an ex-tra percussionist. Other significant performance expe-riences include the stage role character Drummer/Madman in Hans Werner Henze’s “We Come to theRiver” at the 1984 American premiere at the Santa FeOpera (Dennis Russell Davies, conductor) and as theconcerto soloist in the world premiere of DavidFelder’s “Between” for solo percussion and orchestrawith the Buffalo Philharmonic.

UNIVERSITY OF KENTUCKY FRIDAY 10:00 A.M. PERCUSSION ENSEMBLEThe Percussion Studies Program at the University ofKentucky, under the direction of Professor of MusicJames Campbell, is designed with a comprehensiveapproach to the study and performance of literature inall styles and idioms of music. The UK Percussion En-semble has performed at the Lotus World Music andArts Festival, Bands of America Percussion EnsembleFestival and PASIC, as well as alongside internationalguest artists such as Steve Houghton, John Bergamo,Michael Burritt, Bob Becker, Chalo Eduardo, NeyRosauro, Liam Teague, Dick Schory, Anders Åstrand,Richie Garcia, Dave Samuels, Danny Gottlieb, GlennVelez, Emil Richards, Joe Porcaro, Jerry Steinholtz,and many others.

James Campbell has received world-wide rec-ognition as a performer, teacher, composer and au-thor. In addition to his teaching duties at UK, he alsoholds the position of Principal Percussionist with the

rated with the Duquesne University Chamber Singerson three recordings during the past two years. TheTempus Fugit Percussion Camp at Duquesne Univer-sity was founded by the group in 1999, providing anopportunity for middle and high school students to en-hance their knowledge of the percussion world.

CHESTER THOMPSON SATURDAY 1:00 P.M.Currently teaching drumset and Jazz Group I atBelmont University in Nashville, Tennessee, drummerChester Thompson began playing professionally atage 13. Widely known for almost two decades as atouring band member with Genesis and Phil Collins,he was also a member of Weather Report and ofFrank Zappa’s band. Thompson’s performing and re-cording credits also include John Fogerty, CarlosSantana, Michael McDonald, Ahmad Jamal, SteveWinwood, Denny Jiosa, Neil Diamond, FreddieHubbard, Ron Kenoly, Rebecca St. James, KathyTroccoli, Larnelle Harris, Donna Summer, Anointed,Crystal Lewis, Brian Duncan, George Duke, the BeeGees, Koinonia, Ben E. King, Jack McDuff and a TVspecial with Martina McBride. His solo album, A JoyfulNoise, was released in 1991, and Thompson receivedthe International Rock Award (MVP Drums) that sameyear and a Billboard Music Award in 1992.

WERNER TREIBER THURSDAY 2:00 P.M.Currently working as a freelance drummer and per-cussionist, Werner Treiber teaches drums, percussion,mallets and combo at the Citizen Music School inNürnberg, Germany. Last year his student percussionquartet won first prize at the Jugend Musiziert contestin Berlin. Treiber has toured Europe with the Big Bandof the Conservatorium and an Afro/Rock Band calledArgile. In 1999, he traveled to the U.S. with vibraphon-ist Bill Molenhof. Treiber also performs as a studiodrummer at the radio broadcasting station inNürnberg. As a jazz drummer, he has accompaniedDavid Friedman, John Tschickai, Johannes Faber andothers and has played at several festivals, includingJazz Ost West, Gostenhofener Jazztage and JazzfestBurghausen. He has recorded with Bill Molenhof,Change of Mind, Trillergirls, Argile and Thomas Fink,and plays in his own percussion duo with Jose Cortijo.

CHRIS W. TRELOAR SATURDAY 10:00 A.M.Percussionist Chris W. Treloar maintains a large teach-ing studio in Missouri and his students have playedfor the All-State Band, Jazz Band and Orchestra aswell as being selected as National Winners of the Mu-sic Teachers National Association High School andJunior High School Percussion Competitions. Hisfreelancing has ranged from performing, recordingand touring with the St. Louis Symphony Orchestra,the Illinois Symphony Orchestra, Opera Theatre of St.Louis and several national touring acts at the Fox andMuny, to backing Mary Wilson of the Supremes, BenE. King and the Moody Blues. Treloar is also the tim-

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Lexington Philharmonic and serves as President ofPAS. Known for his long association with the interna-tionally renowned Rosemont Cavaliers Drum andBugle Corps, Campbell has served as their principalinstructor, arranger and Program Coordinator. He wasPercussion Director for the McDonald’s All-AmericanHigh School Band and has performed at the Interna-tional Society of Music Education World Conference,MENC National In-Service Conference, Midwest Band& Orchestra Clinic, Texas Bandmasters Association,Bands of America World Percussion Symposium, andseveral PASICs.

UNIVERSITY OF MEMPHIS THURSDAY 3:00 P.M. PERCUSSION ENSEMBLENow in its twenty-sixth year under the direction of Dr.Frank Shaffer, the University of Memphis Percus-sion Ensemble performs concerts each fall and springfor the Memphis community. The ensemble’s reper-toire includes traditional, contemporary, jazz andpopular compositions from the U.S. and around theworld. They have presented concerts at PASIC, theTennessee Music Educators Association Convention,the Music Teachers National Association Conventionand the Calvary and Arts series in Memphis. The en-semble, comprising both music majors and non-ma-

jors, has also performed with vibraphonist ArthurLipner, Brazilian percussionist/composer Ney Rosauroand the Britain/Moore Duo.

THE UNIVERSITY OF OKLAHOMA THURSDAY 10:00 A.M. PERCUSSION ORCHESTRAUnder the direction of Dr. Richard C. Gipson, the Uni-versity of Oklahoma Percussion Orchestra (OUPO) isrecognized nationally as a leader in the performance,publication and recording of music for percussion en-semble. Nashville is the ensemble’s fourth appear-ance at PASIC. Last February, the OUPO presented itsNew York City concert debut at Merkin Concert Hall,performing a program that included three world pre-mieres. Its three commercially-released CD record-ings—Twilight Offering Music (1996), Christmas Bells,Mallets and Drums (1990) and Laser Woodcuts(1986)—have enjoyed critical and popular acclaim.Many of the selections from these recordings featureworks from the ensemble’s Commissioning Series,which was established in 1977. To date, 19 new worksfor percussion ensemble have been commissionedand premiered by the OUPO.

Richard C. Gipson, Chair of Percussion and Pro-fessor of Music at the University of Oklahoma, cameto OU in 1976 and has served the School and the Uni-

99ARTISTS AND CLINICIANS

versity in several administrative capacities in additionto his teaching and creative roles. He also performedfor ten years with the Oklahoma City Philharmonic Or-chestra as Principal Timpanist. His compositions andspecial arrangements for marimba and percussionensemble are published by Southern Music Com-pany, Studio 4 Productions, Columbia Pictures Publi-cations and the OU Percussion Press.

TONY VACCA FRIDAY 3:00 P.M.Musician, composer and educator Tony Vacca has aunique approach to playing the balafon and an in-depth knowledge of the common ground between Af-rican and American traditions. He has recorded and/or performed with a wide range of musicians includ-ing pop icon Sting, Senegalese Afro-pop superstarBaaba Maal, jazz and world music innovator DonCherry, Italian folk drummer Alessandra Belloni,Gambian 20th-century griot Foday Musa Suso andSenegalese master drummer Massamba Diop. Work-ing with Diop for the past five years through theSenegal-America project, Vacca has brought their di-verse programs to colleges as well as secondary andelementary schools. He has two new CDs—RhythmMission and Rhythm Griots—and a production com-pany, World Rhythms, that offers a wide range of pro-grams from concert performances to educationalworkshops and master classes.

TONY VERDEROSA WEDNESDAY 9:30 P.M.Tony Verderosa aka VFX is a New York City-basedcomposer and producer who specializes in Technomusic. He frequently tours in Europe, and he is alsoactive as a composer and producer of music for TVcommercials (writing for JSM), supplying music forsuch companies and products as Miller beer, DocOtis, Sony and Twix. He has released three videosthrough Hal Leonard Corporation, and is about to re-lease three book/CD packages dealing with Technomusic and drumming through Hal Leonard as well.He has also just released a new solo CD titled VFXVol. 2, and his VFX sample CDs are available atPocketfuel.com. He is also featured with Moby andother Techno artists at www.Mixman.com. For moreinformation on Verderosa, visit his Web site:www.vfxtv.net

CHAD WACKERMAN THURSDAY 5:00 P.M.Known for his seven-year association with FrankZappa, Chad Wackerman toured the U.S. and Europeand recorded 26 albums, including the London Sym-phony recordings. He has also recorded and touredwith guitarist Allan Holdsworth, played on the OneVoice album and video with Barbra Streisand, and re-corded albums and toured with artists as diverse asSteve Vai, Andy Summers, Men At Work, Ed Mann,Albert Lee, Colin Hay, Dweezil Zappa and Tom Grant.Wackerman has also toured with James Taylor, JohnPatitucci, Joe Sample, Banned From Utopia, the

World Drummers Ensemble (with Bill Bruford, LuisConte and Dou Dou Ndiaye Rose) and most recentlywith another ex-Zappa drummer, Terry Bozzio. As aband leader and composer, he has three CDs: FortyReasons, The View and his latest release, Scream.

JOSEPH WATERS WEDNESDAY 12:00 P.M.Drawing inspiration from many sources includingclassical, rock, jazz, Asia, Latin America and Africa,Joseph Waters is a member of the first generation ofAmerican composers who came to classical musicthrough rock ’n’ roll. He is equally comfortable in theworlds of traditional acoustic as well as contemporaryelectronic composition. Waters’ works are regularlyperformed throughout the world. During the past twoyears performances have taken him to Russia, China,Argentina, Hong Kong, Spain, Mexico and Hungary.His recent composition “Flamehead” (for percussionsolo and electronics) is a humble offering to Changó,the god of lightning and thunder. Waters studied com-position at Yale University, the University of Minnesotaand the University of Oregon.

TOMMY WELLS THURSDAY 10:00 P.M., SATURDAY 10 A.M.Session drummer Tommy Wells has been a full-timestudio musician since 1979. He has worked in studiosin L.A., Detroit, Minneapolis, New York, Miami, Or-lando, London and Holland. Wells has recorded al-bums with Ricky Van Shelton, Michael MartinMurphey, Ray Stevens, Kathy Mattea, Don McLeanand Gene Cotton. He has done over 150 instrumentaltracks for release in Japan with Ventures guitaristNokie Edwards. In the Christian-music arena, Wellshas recorded with The Cathedrals, Singing Ameri-cans, Kenny Marks and scores of others. He has alsodone film soundtracks as well as hundreds of jinglesfor everything from Hot Wheels to Folger’s Coffee.Wells has played on numerous television shows, in-cluding Midnight Special, Nashville Now, Music CityTonight and Prime Time Country. He has played withJimmy Hall for 21 years, including 16 years with thePrisoners of Love.

WESTFIELD HIGH SCHOOL SATURDAY 10 A.M.PERCUSSION ENSEMBLEThe Westfield High School Percussion Ensemble, un-der the direction of Jason Hall, consists of approxi-mately 30 students in grades nine through 12. Theensemble performed at PASIC ’94 in Atlanta andPASIC ’89 in Nashville. This spring, the Westfield Per-cussion Ensemble will perform the world premiere ofMark Higginbotham’s “Beyond the Rainbow for LargePercussion Ensemble and Electronics.” Repertoireduring the last 15 years includes “Omphalo CentricLecture” by Westlake, Cage’s “Third Construction,”“Montana Music” by Maslanka, “Rendezvous” bySamuels, Becker’s “Mudra,” and many others.

Jason Hall is in his second year as PercussionSpecialist for Westfield High, Bammel Middle and

PAS announces the 2002 PAS/Remo, Inc. Fred Hoey Memorial Scholarship award. Applicant must be a PASmember to apply and must send PAS an application form (listed below), a three-minute standard 1/2" VHSvideotape of the applicant’s performance with applicant’s name printed on the spine, (OPTIONAL: a simultaneouslyrecorded high quality audio cassette tape of your performance may be included in addition to but not instead of thevideotape). Application materials must be in the Lawton, Oklahoma PAS office no later than March 15, 2002.Winners will be notified in May, 2002.

PAS/Remo, Inc. Fred Hoey Memorial Scholarship: One $1000 scholarship will be awarded. Student must be anincoming college freshman during the 2002–2003 academic year enrolled in the School of Music at an accreditedcollege or university. Video should not exceed three minutes in length and should demonstrate the player’s ability toplay at least two different percussion instruments.

PERCUSSIVE ARTS SOCIETY2002 SCHOLARSHIP NOW AVAILABLE!

Send form with materials to PAS 701 NW Ferris, Lawton, OK 73507-5442(580) 353-1455

Name _______________________________________________________________________Address ______________________________________________________________________City _________________________________________________________________________State/Country _________________________ Zip Code _____________________________Phone ________________________________________________________________________School _______________________________________________________________________PAS Member Number __________________

Fred Hoey (1920-1994)Fred Hoey’s start in the music industry came at an early ageupon winning the 1936 National Rudimental Drummer Com-petition. His illustrious career in the field of music as an author,clinician, and authority in the world of percussion affordedhim many opportunities. In the mid 70s, Fred Hoey launchedthe CB 700 line of drums and percussion. This unique line wasdesigned by Hoey to service the educational percussion marketin a comprehensive way. As Vice President of Sales for C.Bruno in the early 1980s, Hoey created the Gibraltar brandname of drum hardware and initiated its first designs. The mid80s brought Hoey to oversee the Remo, Inc. San AntonioDistribution Center where he participated in product design,development, and sales direction. Throughout his career, FredHoey remained active as a prominent Southwestern perform-ing percussionist. He also wrote several drum methods still indistribution by Mel Bay Publications. He was a charter memberof the Percussive Arts Society and an educator whose influenceon percussionists continues with the PAS Fred Hoey MemorialScholarship.

101

102 ARTISTS AND CLINICIANS

Wells Middle Schools in Houston, Texas. From 1997–2000, he served as Associate Band Director/Percus-sion Specialist for Langham Creek High School inCypress-Fairbanks. Hall has also taught percussionfor other recognized programs such as Klein andSpring High School. He is a former member of the Ca-dets of Bergen County and Phantom Regiment Drumand Bugle Corps and has taught the Blue KnightsDrum and Bugle Corps.

WEST VIRGINIA UNIVERSITY FRIDAY 4:00 P.M.AFRICAN ENSEMBLE

Founded in 1993, the WVU African Ensemble has anaverage of 20 drummers and 35 dancers under thedirection of founder Dr. Paschal Yao Younge. One ofthe many diverse performing ensembles of theUniversity’s World Music Center, the group strives toeducate and create opportunities for students andstaff to experience the diverse cultural heritage ofEast, West, Central and Southern African countries.The ensemble has been featured at various interna-tional and national festivals and conferences, includ-ing a 10-day concert tour of Taiwan, PASIC ’99, andLotus World Music and Arts Festival in Bloomington,Indiana.

Paschal Yao Younge is an Assistant Professor ofMusic, Director of the World Music Center, AfricanMusic Studies and African Ensemble, and Project Di-rector of the Annual Summer Course in African andCaribbean Music and Dance at West Virginia Univer-sity. He is a specialist in African brass band music,clinician in sub-Saharan African music and dance,and advocate of multicultural and intercultural musiceducation.

MATT WILSON THURSDAY 10:00 A.M.Knoxville, IL native and current New York residentMatt Wilson is known for his work as a drummer, com-poser, recording artist, bandleader, educator, pro-ducer and humorist. He currently leads the MattWilson Quartet, Arts and Crafts and SongBag. As aleader, Wilson has released four critically acclaimedrecordings for Palmetto Records. He also performswith Dewey Redman, Lee Konitz, Ray Anderson, CecilMcBee, Randy Brecker, Jane Ira Bloom and Bill Mays,among others, and has appeared on over 90 albumsas a sideman. He played with some Boston areabands in the late 1980s, including Either/Orchestra,the Charlie Kohlhase Quintet and the Bevan MansonTrio.

JAMES LEE WYATT III THURSDAY 8:00 P.M.Currently playing Section Percussion with the SanFrancisco Symphony for the 2001–2002 season,James Lee “Trey” Wyatt III is on leave as PrincipalPercussionist of the Honolulu Symphony. He will beperforming Joseph Schwantner’s “Concerto for Per-cussion” with the Honolulu Symphony on March 10and 12, 2002. Wyatt has participated in the

Tanglewood Music Festival, National Repertory Or-chestra, National Orchestral Institute, Spoleto FestivalU.S.A and Italy, Britt Festival, Pacific Music Festival,Ojai Festival (with the Los Angeles Philharmonic) andThe Santa Fe Opera for the past two summers. Agraduate of The University of Michigan and TempleUniversity, his primary teachers were Michael W.Udow, Salvatore Rabbio and Alan Abel.

JOHN WYRE SATURDAY 4:00 P.M.John Wyre is a founding member of Nexus, which wasinducted into the PAS Hall of Fame in 1999, and as aperformer he has been part of the Marlboro MusicFestival, the Toronto Symphony and the Boston Sym-phony Orchestra. His compositions have been per-formed by the New York Philharmonic, the ClevelandOrchestra, the Toronto Symphony, the Japan Philhar-monic, Nexus and other major orchestras in NorthAmerica. Wyre is Artistic Director of World Drums andhas organized and directed international drum festi-vals since 1984, including Expo ’86 in Vancouver, the1987 Calgary Winter Olympics and Expo ’88 inBrisbane. His ensemble, Buka, has evolved fromWorld Drums. Wyre recently created the music for anIMAX film on the mountain gorillas of Rwanda.

XOC FRIDAY 12:00 P.M.The Xoc duo was formed in July of 1999 by JuanMartinez and Miguel Gonzalez in Xalapa, Mexico. InAugust, 2001, Martinez and Gonzalez won first prizefor a duo at the International Marimba Competition inBelgium, and part of the prize was the opportunity toperform PASIC 2001 in Nashville. Xoc has also per-formed in many music festivals during 1999 and 2000,including Percusiones de Latinoamerica andPercusiones del Mundo, organized by the ConsejoNacional para la Cultura y las Artes (CONACULTA) inthe Centro Nacional de las Artes in Mexico City, theJunio Musical Festival organized by the University ofVeracruz in Xalapa, and in the First International Ma-rimba Festival in Tuxtla Gutiirrez, Chiapas.

Miguel Gonzalez, co-founder and director ofXoc, has been a member of Xalapa Symphony Or-chestra since 1998 and a professor at the Universityof Veracruz, Xalapa since 1993. He was a foundingmember of the Xalapa Percussion Ensemble in 1989and performed with them until 1995. Gonzalez hasalso performed with other groups including the per-cussion ensemble Tambuco, La Camerata, the DuoMexico, Le Trio D’Argent and others.

Juan Martinez, a graduate of the University ofVeracruz, Xalapa, where he studied with Gonzalez, re-ceived his diploma in advanced percussion studiesfrom the Centro Nacional de las Artes and the InstitutoNacional de Bellas Artes in 2000. He won first prize inthe First Nacional Marimba Competition in TuxtlaGutiirrez, Chiapas, Mexico in 1999, and he is also amember of the percussion ensemble of the Secretaryof Education and Culture of the State of Veracruz.

2002 PERCUSSIVE ARTS SOCIETY29TH ANNUAL PERCUSSION COMPOSITION CONTEST

PURPOSE: The Percussive Arts Society sponsors an annual competition to encourage and reward those who create musicfor percussion instruments and to increase the number of quality compositions written for percussion.

2002 CATEGORIES: Category I: Multiple Percussion Solo (small to medium setup)First Place: $1000.00 plus publication by Southern Music CompanySecond Place: $ 300.00Third Place: $ 200.00

Category II: Timpani Soloist with Percussion Ensemble (3–8 players)First Place: $1000.00 plus publication by C. Alan PublicationsSecond Place: $ 300.00Third Place: $ 200.00

Efforts will be made to encourage performances of the winning compositions at a future Percussive Arts Society Interna-tional Convention or other PAS sponsored events.

ELIGIBILITY AND PROCEDURES: • Previously commissioned or published (printed, audio or video) works may not beentered.• Time limit for “Multiple Percussion Solo” is 6–12 minutes. Time limit for “Timpani Soloistwith Percussion Ensemble” is 6–12 minutes. Total duration of piece should be stated onmanuscript. Compositions must be original (no transcriptions or arrangements).• Composer should send four (4) complete copies of the score. If not computer generated,neat manuscript is required. Composer’s name cannot appear on any of the score pages.Four (4) cassette tapes or CDs may be submitted in addition to scores but are not requiredAll entry materials become property of PAS.• The difficulty of the composition is left to the discretion of the composer, however, highartistic goals should be coupled with realistic demands to allow for performance at theuniversity level. Instrument demands should also be limited to those commonly found at theuniversity level.

APPLICATION FEE: $25 per composition (non-refundable) should be enclosed with each entry. Make checks payable to thePercussive Arts Society.

DEADLINE: All materials (application fee, application form and manuscripts) must be received in the Lawton,Oklahoma PAS office no later than April 12, 2002.

For further information and details, contact PAS, 701 NW Ferris Avenue,Lawton, OK 73507-5442, (580) 353-1455; E-mail: percarts@pas.org

2002 PERCUSSIVE ARTS SOCIETY 29TH ANNUAL PERCUSSION COMPOSITION CONTEST

Name of Composition ___________________________________________________________________________________

Composer’s Name ______________________________________________________________________________________

Address _______________________________________________________________________________________________

City __________________________________________ State _________________ Zip _____________________________

Telephone Number (include area code) ____________________________________________________________________

Fax Number ______________________________________ E-mail Address _______________________________________

Signature of Composer __________________________________________________________________________________

(form may be photocopied or file may be downloaded from www.pas.org/News/composition.html)

I hereby certify that the enclosed composition is original and it has not been previously commissioned or published in any format.

104 PERCUSSIVE ARTS SOCIETY HISTORY

During the late 1950s, it became the custom for asmall group of percussionists and interested music

directors to gather informally and discuss percussionproblems during the Mid-West Band Clinic held eachDecember at Chicago’s Sherman House. During the1960 Clinic, Remo Belli, a member of the group and anexhibitor at the convention, invited the others to dinner atthe hotel’s restaurant, and during discussion, theydeveloped the idea of forming a percussion organization.

Pictured above are several of the fourteen founding members of the Society. (leftto right, near side of table) Remo Belli, Jack McKenzie, Don Canedy, MervinBritton, (left to right, far side of table) Hugh Soebbing, Vern Reamer and Sid Lutz,and Kenneth Leisen.

When Mr. Belli returned home to California, heenlisted the services of Robert Winslow, a profes-

sional percussionist and a North Hollywood high schoolband director, to carry out the details of forming anorganization. In early 1961, Mr. Winslow sent a series ofletters concerning membership to interested parties.Among the stated goals of the organization were: “tostimulate a greater interest in percussion performanceand teaching,” and “to promote better teaching ofpercussion instruments.”

In May of 1961, Mr. Winslow sent a letter proclaiming:“We are underway. The Percussive Arts Society is openfor business,” and in September, the Society sent its firstpublication, Percussive Arts Society Bulletin, printed on amimeograph machine donated by Mr. Belli, to themembership.

After three Bulletins, adetermination was made

to transfer the administrativeand publication duties of theSociety to Professor DonaldCanedy, who was the percus-sion instructor and banddirector at Southern IllinoisUniversity. In April of 1963, Mr.Canedy, with the advice of adistinguished editorial boardand an able group of contrib-uting editors, published thenew PAS journal, Percussionist(in later years called Percus-sive Notes Research Edition)

in its familiar booklet form. Mr. Canedy served as defacto president through 1964, when, at the DecemberPercussive Arts Society meeting in Chicago, a constitu-tion was adopted and regular officers were elected.Gordon Peters became the first President of PAS; JackMcKenzie took the position of First Vice-President andMr. Canedy continued as Executive Secretary. Alsoelected were a Board of Directors and an EditorialBoard. With this solid structure, the Society becameincreasingly influential, expanding its committee activi-ties to address important percussion issues and makingpolicy decisions that would result in important contribu-tions to all areas of percussion.

An important expansionoccurred in 1967 when

James L. Moore’s alreadysuccessful PercussiveNotes became an officialPAS publication. Anothermilestone was achieved in1969 when the Society wasincorporated in Indiana asthe Percussive Arts Society,Incorporated, a status itmaintained until 1985 whenit was reincorporated underthe laws of Illinois.

Beginning in 1971,performances and clinicscalled “Days of Percussion” were held in conjunctionwith the yearly business meetings. In 1974, the firstPercussive Arts Society National Conference (PASNC)was held in Anaheim and at California State University atNorthridge. It was hosted by then-California StateChapter President Lloyd McCausland and Joel Leach ofCSU/Northridge. The PASNC evolved into the PercussiveArts Society International Convention that we know todayas PASIC. The first PASIC was held in 1976 at theEastman School of Music in Rochester, NY, and washosted by John Beck, the Eastman School and the NewYork State Chapter.

1963 PAS Logo

1965 PAS Logo

The first Hall of Fame awards were presented December 16, 1972. Three of thefive recipients are pictured here. Roy Knapp, Haskell Harr, William F. Ludwig, Sr.

105PERCUSSIVE ARTS SOCIETY HISTORY

I t is important to note several significant awardspresented annually by the Society. First, since 1972,

PAS has inducted some of the most important people inpercussion into its Hall of Fame. Secondly, since 1974,the PAS Composition Contest has encouraged theproduction of hundreds of new works, many of whichhave become part of the standard percussion repertoire.During the 1990s four additional annual awards wereimplemented to recognize PAS volunteers and theirimportance to the society: PAS Outstanding ChapterPresident Award; Outstanding PAS Supporter Award;PAS President’s Industry Award; and Outstanding PASService Award.

Thus, the Percussive Arts Society, which began in1961 as a group of fourteen concerned percussionists,

Percussive Arts Society Percussion Day1971 Chicago, Illinois Bob Tilles DePaul University

Percussive Arts Society Day of Percussion1972 Chicago, Illinois National PAS, Inc. and College Inn and Sherman House Hotel

Illinois State ChapterPercussive Arts Society National Conference (PASNC)

1974 Anaheim, California/ Lloyd McCausland/ Royal Inn Hotel/Northridge, California Joel Leach CSU/Northridge

1975 Chicago, Illinois Thomas Siwe Roosevelt UniversityPercussive Arts Society International Convention (PASIC)

1976 Rochester, New York John Beck Eastman School of Music1977 Knoxville, Tennessee Michael Combs University of Tennessee1978 Tempe, Arizona Merv Britton Arizona State University1979 New York, New York Morris Lang Taft Hotel1980 San Jose, California Tony Cirone Convention Center1981 Indianapolis, Indiana Paul Berns Convention Center1982 Dallas, Texas Robert Schietroma Loews Anatole Hotel1983 Knoxville, Tennessee Michael Combs Convention Center1984 Ann Arbor, Michigan Michael Udow University of Michigan1985 Los Angeles, California Jay Wanamaker Sheraton Hotel1986 Washington, D.C. Randall Eyles Convention Center and Kennedy Center1987 St. Louis, Missouri Norm Goldberg/Thomas Siwe Adam’s Mark Hotel1988 San Antonio, Texas Genaro Gonzalez Henry Gonzalez Convention Center1989 Nashville, Tennessee Bill Wiggins Stouffer Hotel/Convention Center1990 Philadelphia, Pennsylvania Dean Witten Adams Hotel1991 Anaheim, California Dave Black Disneyland Hotel1992 New Orleans, Louisiana Jim Atwood Hyatt Regency Hotel1993 Columbus, Ohio Robert Breithaupt Greater Columbus Convention Center1994 Atlanta, Georgia Tony McCutchen Peachtree Plaza Hotel1995 Phoenix, Arizona J.B. Smith Phoenix Civic Plaza1996 Nashville, Tennessee Bill Wiggins Renaissance Hotel/Convention Center1997 Anaheim, California Theresa Dimond Disneyland Hotel1998 Orlando, Florida Beth Radock Gottlieb Orange County Convention Center1999 Columbus, Ohio Jim Rupp Greater Columbus Convention Center2000 Dallas, Texas Michael Varner Hyatt Regency Dallas2001 Nashville, Tennessee George Barrett Nashville Convention Center &

Renaissance Nashville Hotel

Year City Host Location

has grown to more than 6,000 members worldwide, withsignificant influence on percussion performance, educa-tion, composition, publication and manufacturing. Today,the Percussive Arts Society is headquartered in Lawton,Oklahoma, where the administrative offices and itsmuseum of rare and unusual percussion instruments arelocated in the Society’s new building in Elmer ThomasPark. Construction of the building was funded by PASmembers and by the McMahon Foundation in Lawton.The grand opening was in August 1992. Phase II of thebuilding project involved the expansion of the museumand was completed in 1995. Phase III of the buildingproject was completed earlier this year, finishing 13,000square feet of beautiful museum, library and officespace.

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Keiko Abe, 1993Alan Abel, 1998Henry Adler, 1988Frank Arsenault, 1975Elden C. “Buster” Bailey, 1996John Beck, 1999Bob Becker/NEXUS, 1999Remo Belli, 1986Louis Bellson, 1978James Blades, 1975Carroll Bratman, 1984Harry Breuer, 1980Gary Burton, 1988John Cage, 1982William Cahn/NEXUS, 1999Joe Calato, 2001*Jim Chapin, 1995Vida Chenoweth, 1994Bobby Christian, 1989Michael Colgrass, 1987Alan Dawson, 1996John Calhoun

(J.C.) Deagan, 1999Cloyd Duff, 1977Robin Engelman/NEXUS, 1999Vic Firth, 1995Alfred Friese, 1978George Gaber, 1995Terry Gibbs, 2000Billy Gladstone, 1978Morris Goldenberg, 1974Saul Goodman, 1972George Hamilton Green, 1983Lionel Hampton, 1984Haskell Harr, 1972Lou Harrison, 1985Russell Hartenberger/NEXUS, 1999Roy Haynes, 1998Sammy Herman, 1994Fred D. Hinger, 1986Richard Hochrainer, 1979

Milt Jackson, 1996Elvin Jones, 1991Jo Jones, 1990Roy Knapp, 1972William Kraft, 1990Gene Krupa, 1975Morris “Arnie” Lang, 2000Alexander Lepak, 1997Mel Lewis, 2001*Maurice Lishon, 1989William F. Ludwig II, 1993William F. Ludwig, Sr., 1972Shelly Manne, 1997Joe Morello, 1993Clair Musser, 1975John Noonan, 1972Red Norvo, 1992Babatunde Olatunji, 2001*Charles Owen, 1981Harry Partch, 1974Al Payson, 2001*Paul Price, 1975Tito Puente, 2001*Buddy Rich, 1986Emil Richards, 1994Max Roach, 1982James Salmon, 1974Fred Sanford, 2000Murray Spivack, 1991George L. Stone, 1997William Street, 1976Edgar Varèse, 1980William “Chick” Webb, 1985Charley Wilcoxon, 1981Tony Williams, 1997John Wyre/NEXUS, 1999Armand Zildjian, 1994Avedis Zildjian, 1979Robert Zildjian, 2000

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* WILL BE INDUCTED AT THE

FRIDAY EVENING HALL OF FAME BANQUET

PAS Hall of Fame (year specifies date of induction)

1991 Ian Turnbull(Ontario)

1992 Lauren Vogel Weiss(Texas)

1993 Kristen Shiner McGuire(New York)

1994 Keith Aleo(Florida)

1995 Mark Dorr(Iowa)

1996 Nigel Shipway(United Kingdom)

1997 Marshall Maley(Virginia)

1998 Peter O’Gorman(Minnesota)

1999 Eric Hollenbeck(Alabama)

2000 Jim Royle(Connecticut)

PAS OutstandingChapter PresidentAward

1994 Sandy Feldstein1995 Lloyd McCausland1996 Robert Zildjian1997 Lennie DiMuzio1998 Jim Catalano1999 Jim Coffin2000 Steve Ettleson

PAS President’sIndustry Award 1993 Ed Soph

1994 Norman WeinbergBarry Zimmerman

1995 Jerry Steinhotlz1996 James Lambert1997 Steve Houghton1998 Ed Shaughnessy1999 Tzong-Ching Ju2000 Gregg Bissonette

Outstanding PASSupporter Award

1996 Steve Beck1997 Karen Hunt1998 Doug Wolf1999 Rebecca Kite2000 Larry Snider

Outstanding PASService Award

107PERCUSSION ENSEMBLE—CALL FOR TAPES (NEW FORMAT)

PURPOSE: The purpose of the Percussive Arts Society Percussion Ensemble—Call for Tapes is to encourage, promote and rewardmusical excellence in percussion ensemble performance and compositions by selecting the most qualified high school and college/university percussion ensembles to appear at PASIC.

AWARDS: Four high school and three college/university percussion ensembles will be invited to perform at PASIC 2002 (November13–16) in Columbus, OH. High school ensembles will be featured in a Festival Concert (Wednesday). 30 minute program (perensemble) maximum. College/university ensembles will be featured in Showcase Concerts (Thursday, Friday, Saturday). 50 minuteprogram (per ensemble) maximum.

ELIGIBILITY: Ensemble Directors and/or Professional Soloists are not allowed to participate as players on the tape. All ensemblemembers (excluding non-percussionists, e.g. pianists) must be members of PAS and currently enrolled in school. This will be verifiedwhen application materials are received. Ensembles which have been chosen to perform at PASIC may not apply again for threeyears (resting out 2 PASICS).

PROCEDURES: 1. Send three (3) identical non-edited tapes (cassette/CDs only) to PAS, 701 NW Ferris Ave., Lawton, OK 73507-5442.Tapes should demonstrate literature that you feel is appropriate and not exceed 30 minutes in length. Tapes should include onlyworks that have been performed by the ensemble since January 2001. Include program copy for verification. All compositions and/or movements of music must be performed in their entirety. Tapes/CDs become the property of PAS and will not be returned. Scores(3 identical copies) may be included (optional) to assist the evaluation process. It is the director’s responsibility to obtain permissionfrom the publisher(s) for all photocopies of scores. Original scores can be returned only if a prepaid mailer is included. 2. The tapes/CDs will be numbered to ensure anonymity and will then be evaluated by a panel of judges. 3. Invited groups are expected toassume all financial commitments (room, board, travel), organizational responsibilities and to furnish their own equipment. Onepiano will be provided (if needed) as well as an adequate number of music stands and chairs. PAS will provide an announcementmicrophone. Additional audio requirements must be provided by the performing ensemble. 4. Ensembles will be notified of theresults in June.

PERCUSSION ENSEMBLE—CALL FOR TAPES (NEW FORMAT)

CATEGORY: ❑ High school ❑ College/University

ENSEMBLE’S NAME ________________________________________________________________________________________

SCHOOL NAME __________________________________________________________________________________________

ENSEMBLE DIRECTOR’S NAME_________________________________________________________________________________

ADDRESS _______________________________________________________________________________________________

CITY _____________________________________________ COUNTRY __________________________________________

STATE/PROVINCE _____________________________________ ZIP/POSTAL CODE ____________________________________

TELEPHONE NUMBER (include area code) ______________________________________

ENSEMBLE DIRECTOR’S PAS MEMBERSHIP CODE NUMBER: ___________________

ON A SEPARATE PAGE LIST ENSEMBLE MEMBERS AND THEIR PAS MEMBERSHIP NUMBERS

(PLEASE NOTE: WITHOUT ENSEMBLE MEMBERSHIP NUMBERS AND NAMES YOUR APPLICATION CANNOT BE PROCESSED.)

TO ENSURE THE SAME QUALITY AS THE PERFORMANCE TAPE, PLEASE INDICATE THE NUMBER OF RETURNING ENSEMBLE MEMBERS: _____________

PLEASE INCLUDE A $25 U.S. CONTEST APPLICATION FEE; MAKE CHECKS PAYABLE TO PERCUSSIVE ARTS SOCIETY.

I HEREBY CERTIFY THAT I HAVE READ THE REQUIREMENTS AND REGULATIONS STATED ABOVE AND UNDERSTAND THAT FAILURE TO ABIDE BY THESE REGULATIONS

WILL RESULT IN THE DISQUALIFICATION OF OUR ENSEMBLE.

SIGNATURE OF ENSEMBLE DIRECTOR ____________________________________________________________________________

Deadline is April 15, 2002. All materials (application fee, application form, student membership numbers, 3 cassette tapes/CDs,programs for verification, optional pre-paid return mailler, and optional scores) must be received by April 15, 2002.

(form may be photocopied)

108

PAS Composition Contest

1974: LARGE PERCUSSION ENSEMBLE

1ST Walter Mays “Six Invocations to the SvaraMandala”

2ND William Steinhort “Two Movements forMallets”3RD Marta Ptaszynska “Siderals”1975: KEYBOARD PERCUSSION SOLO

1ST Luis Jorge Gonzalez “Mutables”2ND Andrew Frank “Maneries of Garlandia”3RD Gordon Stout “Two Mexican Dances”

Reed Holmes “DreamQuest”1976: TIMPANI SOLO

1ST Murray Houllif “Four Verses for Timpani”2ND John Floyd “Theme and Variations for Four

Timpani”Marta Ptaszynska “Classical Variations in SeveralStyles for Four Timpani”

1977: PERCUSSION DUO

1ST John B. Austin “Designs with Refrain”2ND Edward M. Barnes “Three Dances for Percussion”

Robert Lombardo “Variations for TwoPercussionists”

1978: PERCUSSION SOLOIST WITH PERCUSSION

ENSEMBLE ACCOMPANIMENT

1ST Michael W. Udow “Bog Music”2ND Daniel Levitan “Concerto for Marimba”3RD Murray Houllif “Three Movements for

Multi-Percussionist and Percussion Quartet”William J. Schinstine “Sonata No. 4 for Timpaniand Percussion Ensemble”

1979: KEYBOARD PERCUSSION ENSEMBLE

(3 OR MORE PLAYERS)1ST Luis Jorge Gonzalez “Invocations for Three

Percussionists”2ND Carla Scaletti “Waves: A Concerto for Harp and

Percussion Ensemble”3RD Lawrence Hoffman “Music for Six Percussionists”1980: SNARE DRUM SOLO

1ST Eric White “False Images”2ND William Schinstine “Recital Suite for Snare Drum”

Chris McDermott “A solo for Two Hands and aSnare Drum”

1980: VIBRAPHONE SOLO

1ST Takayoshi Yoshioka “Meditation”2ND Larry Spivack “Soliloquy”1980: DRUMSET SOLO

1ST Eric White “Two Sketches for Drum Set”2ND Thomas Nehls “Warm Up Drums”3RD Ron Fink “Set Solos III” [now titled “Drum Suite”]1981: KEYBOARD MALLET ENSEMBLE

(3 OR MORE PLAYERS)1ST Daniel V. Oppenheim “4 Percussion”2ND Jonathan B. McNair “Intervals”3RD Moses Howden “Hollow Madona”

David Morris “Octet”1982: UNACCOMPANIED SOLO MARIMBA

1ST Christopher Deane “Etude for a Quiet Hall”2ND Donald Skoog “Water and Fire”3RD Bob Margolis “Three Technical Sketches for

Marimba”

1983: DUET FOR ONE PERCUSSIONIST AND ONE WIND

INSTRUMENTALIST

1ST Raymond Luedeke “Fancies and Interludes IV forBass Clarinet and Percussion”

2ND Raymond Luedeke “Fancies and Interludes III forHorn and Percussion”

3RD David J. Colson List 1: “Hotdogs for Oboe andPercussion”

1984: MARCHING PERCUSSION

(FEATURE CORPS STYLE)1ST Jefferey P. Funnell “Time Warp”2ND Barry D. Bridwell “Evolution”3RD Glenn C. Fugett “An Etude for Field”

Willis M. Rapp “Arrangement of Thomas Gauger’sGainsborough”Richard McLendon “Medicated Goo II”

1985: SOLO PERCUSSION WITH BAND/WIND

1ST Robert Myers “Enigma Virginia”2ND William Susman “Exchanges”3RD Michael Udow “Rememberance”

John Serry “Concerto for Percussion, Brass andPercussion”

1986: SOLO PERCUSSION WITH PERCUSSION

ENSEMBLE (6 OR MORE PLAYERS)1ST Yiu-kwong Chung “Three Movements for Solo

Marimba and Seven Percussionists” [now titled“Chariots”]

2ND Lynn Glassock “Four Interiors”3RD Willie Anku- GAHU “An African Model”1987: SOLO PERCUSSION WITH TRADITIONAL

WOODWIND OR BRASS QUINTET

1ST Tomoyuki Hisatome “The Hopping Moon forPercussion and Woodwinds”

2ND Ramon Dana “Sonata for Brass Quintet andPercussion”

3RD Daniel Moore “Fantasy on Two American FolkTunes”

1988: LARGE PERCUSSION ENSEMBLE

(8 OR MORE PLAYERS)1ST Steve Riley “Declarative Stances”2ND Blake Wilkins “Twilight Offering”3RD Dr. David Gillingham “Paschal Dances”1989: SUITE FOR SOLO SNARE DRUM

1ST Guy Gauthreaux “American Suite forUnaccompanied Snare Drum”

2ND Dr. Jack Jenny “At Odds, Suite for Solo SnareDrum”

3RD Daniel Adams “Variation Sans Theme”1990: UNACCOMPANIED VIBRAPHONE SOLO

1ST Robert Stright “Six Poems”2ND Thomas Briggs “Reminiscence for Solo

Vibraphone”3RD Lynn Glassock “Reflections”

Brad Stirtz “Tribute”

109

PAS Composition Contest

1991: UNACCOMPANIED 5-PIECE DRUMSET SOLO

1ST Robert Stright “Melodies for Drumset”2ND Glen A. Bush “Moose and Squirrel are Friends”3RD Gerald M. Heslip “Whose Kit is This?”1992: I. SOLO MARIMBA (LOW A)1ST Gary Smart “The Seasons”2ND Christopher Deane “Three Shells”1992: II. LARGE PERCUSSION ENSEMBLE

(8–10 PLAYERS)1ST Christopher Coleman “Cat Spanking: A Fantasy

for Percussion”2ND Duane Heller “Scena”

Anthony Scott Watson “Dark Chase”1993: I. PERCUSSION DUO (SINGLE INSTRUMENT OR

SMALL-TO-MEDIUM MULTIPLE SET-UP FOR EACH

PERFORMER)1ST Dan Knipple “Recital Duo” (For Rudimental

Snare Drum with Pedal Bass Drum and ConcertSnare Drum with Hi-Hat)

2ND Dave Roth “Harmony–Three Episodes forPercussion”

3RD Paul Swenson “An Index of Gasses”1993: II. KEYBOARD PERCUSSION ENSEMBLE

(5–8 PLAYERS)1ST Cynthia C. Barlow “Nomen Solers”2ND Dan Heslink “Fantasia for Bar Percussion

Instruments”3RD Thomas E. Suta “Ice Princess”1994: I. MARIMBA AND VOICE (LOW A OR LOW FACCEPTABLE FOR MARIMBA)1ST Lynn Glassock “Five Songs For Voice and

Marimba”2ND Bruce Roberts “Dona Eis Requiem”3RD Douglas Ovens “She Sings….”1994: II. Small Percussion Ensemble(3–5 players)1ST David Minnick “Telemikro”2ND Edward Smaldone “Episodes for Percussion

Quart”3RD David McIntyre “Chronomosaic”

Kevin Kaspar “Bergamo Suite”1995: I. VIBRAPHONE SOLOIST WITH PERCUSSION

ENSEMBLE (5–8 PLAYERS)1ST David Johnson “Quartz City”2ND Stephen Lima “Alma Sagrada”3RD Robert Cossom “Bunyip”1995: II. SOLO PERCUSSIONIST (SMALL TO MEDIUM

SET-UP WITH TAPE {CASSETTE})1ST Thom Hasenpflug “South of Jupiter”2ND Jeffrey Peyton “The Final Precipice”3RD Bruce Hamilton “Edge”1996: I. SOLO MARIMBA (LOW A ) WITH PIANO

ACCOMPANIMENT

1ST Thomas Briggs “Duet for Marimba and Piano”2ND Mari Era “San Sui Sui”3RD Alexis Bacon “Duet for Marimba and Piano”

1996: II. STEEL DRUM ENSEMBLE (CONCERT STYLE,NO TRANSCRIPTIONS OR ARRANGEMENTS)1ST Paul G. Ross “For the Day”2ND Khris Dodge “The Truth Out There”3RD Paul G. Ross “Realization for Steel Band”1997: I. SOLO MARIMBA (ANY STANDARD RANGE FROM

4 1/3 TO 5 OCTAVES ACCEPTABLE)1ST Leander Kaiser “Black Sphinx”2ND Geir Rafnsson “Hekla”3RD Tom Deastlov “Creation and Metamorphosis”1997: II. LARGE PERCUSSION ENSEMBLE

(8–10 PLAYERS)1ST Lynn Glassock “No Exit”2ND William Hill “Brazilian Dances”3RD Kevin Purrone “Wadsworth Falls”1998: I. SOLO TIMPANI (FOUR DRUMS)1ST William Hill “Sonata in C for Solo Timpani”2ND Kevin Erikson “In the Valley of Kings”3RD Guy Gauthreaux “Capriccio for SoloTimpani”

Frederic Macarez “Feet and Hands”1998: II. SMALL PERCUSSION ENSEMBLE (3–5)1ST Lynn Glassock “Between the Lines”2ND Brian Prechtl “Passing Through the Waters”3RD William Hill “Stonehenge Rites of the Solstice”

Michael Zak “Starburst”John Christian Orfe “Dragon”

1999: I. KEYBOARD DUET (ANY COMBINATION OF

MARIMBAS AND/OR VIBRAPHONES)1ST Roland Stolk “Light as a Feather”2ND Richard O’Meara “looking at ‘r’ ”3RD Adi Morag “Octabones”1999: II. MEDIUM SIZE PERCUSSION ENSEMBLE

(6–8 PLAYERS)1ST Elyzabeth Meade “TAPAS”2ND Angel Morales “Butai No Tameno Ongaku”3RD Steve Riley “Eye Irascible”2000: I. PERCUSSION SOLOIST WITH BAND

(WIND ENSEMBLE TO SYMPHONIC BAND)1ST Lynn Glassock “Concerto for Percussion and

Wind Ensemble”2ND Joey Sellers “Odd Children”3RD Daniel Adams “Isorhythmic Concerto”2000: II. MALLET ENSEMBLE (4–6 PLAYERS)1ST Scott Comanzo “Machine Duck”2ND Elyzabeth Meade “Curious for Mallet Sextet”3RD Matthew Briggs “Marimba Quartet”2001: I. LARGE PERCUSSION ENSEMBLE

(8–12 PLAYERS)1ST Joe Hansen “The Tempest”2ND Jonathan Kolm “The Primitive Cosmos”3RD Luigi Morleo “Mucha Concert”2001: II. DUET, PERCUSSION AND ALTO SAXOPHONE

1ST Shawn Crouch “Suspended Contact”2ND Chris Roze “Jitterbug And Ballad”3RD Luca Vanneschi “Deep Blue”

111SPECIAL THANKS

Alan AbelOrganization of Orchestral Percussion Sessions

Dick AtchesonLogistics

Terry TanneryNashville Convention Center Event Coordinator

Michael BorneAll Star Audio–Nashville, TN

Ruth CahnOrganization of FUNdamentals Sessions

Sallie CarlockExhibit Hall Sound Security

Sal FerrerasOrganization of World Percussion Sessions

Julie DavilaOrganization of Marching Percussion Festival

Neil SpringbornSecurity

George FrockOrganization of Percussion/Sax Solo Competition

Karen HuntOrganization of PASIC Logistics

Kathleen KastnerOrganization of Paper Presentations

Joe LizaroLogistics

Eddye MoiniAdventure Travel/Registration, Housing and Travel

Hossein MoiniAdventure Travel/Registration, Housing and Travel

Louise KeamsNashville Renaissance Event Coordinator

Jim RuppOrganization of Drumset Sessions

Ryan SmithShure Brothers, Inc.

Jeff StandridgeSirius Systems Group, Inc.

Bryan StonePhotography

Peggy BenkeserOrganization of New Music/Research Day Events

George Barrett and PASIC 2001 Host CommitteeOrganization of PASIC 2001Terry Walburn

Geo E. Fern CompanyLissa Wales

Lissa Wales PhotographySusan Hunt Wallace

www.pas.orgDan Moore

Organization of College and High School PercussionEnsemble “Call for Tapes” Programs

Alfred Publishing Co., Inc. ................................................... Cover IIAquarian Accessories .................................................................. 45Auralex Acoustics ........................................................................ 93Avedis Zildjian Company .................................................... Cover IVMike Balter Mallets ....................................................................... 3Bergerault USA–Professional Division of Peripole–Bergerault, Inc. ............................................................................ 63Berklee College of Music ............................................................ 39Clearsonic Mfg, Inc. ..................................................................... 81Doc’s Proplugs, Inc. ....................................................................... 6Drummers Collective ................................................................... 75Drum Workshop, Inc. ................................................................... 89Drums in the Wind (Woodwind & Brasswind) ............................. 18Evans Drumheads ......................................................................... 77Fall Creek Marimbas .................................................................... 51Guitar Center ................................................................................ 25Hal Leonard Corporation .............................................................. 91Hohner HSS, Inc./Sonor Drums .................................................... 33HoneyRock Publishing ................................................................. 51johnnyraBB Drumstick Company ........................................... 73, 85Journees de la Percussion .......................................................... 68LeFima Percussion ......................................................................... 6LP Music Group/Latin Percussion, Inc. ........................................ 37Mannes College of Music ............................................................ 83Mapex USA, Inc. ........................................................................... 79Marimba One ................................................................................ 61Nashville Symphony .................................................................... 75Nearfield Multimedia ................................................................... 88Paiste America, Inc. ............................................................ 15, 112PAS 2002 Call for Tapes ............................................................. 107PAS 2002 Composition Contest ................................................. 103PAS/Remo, Inc. Fred Hoey Memorial Scholarship .................... 100PAS/Sabian, Ltd. Larrie Londin Memorial Scholarship ............. 110Peace Musical Company ............................................................. 51Pearl Corporation and Adams Musical Instruments .................. 21Pro-Mark Corporation ............................................................ 55, 59Regal Tip/Calato .......................................................................... 69Remo, Inc. ...................................................................................... 7Rhythm Fusion, Inc. ...................................................................... 83Rhythm Magazine ....................................................................... 71Roland Corporation–US ................................................................ 28Ross Mallet Instruments .............................................................. 17Sabian, Ltd. .................................................................................. 47Schlagwerk Percussion ............................................................... 23SKB Corporation ........................................................................... 42Slug Percussion Products ........................................................... 20Studio 4 Music ............................................................................ 83Touch the Earth ............................................................................ 67Vandberbilt University/Blair School of Music ............................. 98Vaughncraft Percussion ............................................................... 27Vic Firth, Inc. .............................................................................. 101Vienna International Percussion Festival .................................... 93Warner Bros. Publications ........................................... 96, Cover IIIwww.drumschool.com ................................................................. 65Yamaha Corporation of America .................................................. 11

PASIC 2001 program printed by Johnson Press of America, Pontiac, Illinois

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