Table matière anglaise 30 01 09 97-2003
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Transcript of Table matière anglaise 30 01 09 97-2003
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INTRODUCTION
- Literary theory and literary studies
- Rapid change and fragmentation
- Pathways into the discipline
- Acknowledgments
ARCHETYPAL CRITICISM, MYTH CRITICISMUnconscious
Collective unconscious
Literary theory (Freud Jung)
Archetypal criticism
Rooted in folk culture
AUTHOR (Lat. Auctor < augere = increase, promote, originate)
- Biographically oriented forms of criticismMuch criticism has an outspoken biographical orientation
Respectable literary genre
Psychological and psychoanalytical studies of literature
Legal notions (copyright, plagiarism)
Non-technical sphere of common-sense understanding
- Limitations of the conceptSource-effect relationship
Psychologically speaking (text are rarely the direct expression of personality)
Historically speaking (authors authority)18th c (Romantic), Middle Ages, today (publishing houses, production, copy-editing, co-authorship)
- Exorcising the author from literary studies
New Criticism (Internal fallacy)Narratology
Poststructuralism
BAKHTIN CIRCLE
- DialoguePrinciple
Saussurean structuralism
Monolinguism
- The polyphonic novel and carnival
- Impact
CATHARSISPlato (mimesis)
Aristotle (catharsis)
Modern psychotherapeutic methods
COGNITIVE POETICS
COMPARATIVE LITERATURE
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- Method and scope of applicationGenetic relationship
Typological relationship
- Comparative literature today
CRITICISMTerm (broadest narrower sense)
Selection process
- Common characteristics of the three of criticismEntire process of literary communication
Same function
A priori norm-governed conception
- In which way are the three types different (and complementary)?Different positions on the timeline of literary evolution and canonisation processes
The scope of the literary repertory that the various critics are meant to cover
Several related differences
- Historical evolutions
CULTURAL STUDIESEncompass the study of literature
In terms of object it investigates
In terms of methods and approaches
Sources: structuralism and marxism
DECONSTRUCTION and POSTRUCTURALISM
- Deconstruction : difference
DifferenceExample (pig swine)
Signifier
- The metaphysics of presenceThe metaphysics of presence
Presence >< absence
Speech > writing
- Deconstruction as reading texts against the grainDeconstruction = body of subversive readings of philosophical and literary texts
Aporias
Double dimension of violence (binary oppositions, hierarchy of the term)
Massive repression of other potential relationships
Free play of language n their own texts
- PoststructuralismYale School
Stylistic obscurity/ intellectual elitism irritation
Radical scepticism and relativism
Poststructuralist attitudes with deconstruction
Influences
DISCOURSE
ECOCRITICISMCentral issue
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Political and literary agenda
The term ecocriticism
Ecolinguistics
EMPATHY
EPIC THEATREBrecht
Verfremdungseffekt
Combination of different technical devices
Brechts general aim
Defamiliarisation
FEMINIST CRITICISM and GENDER STUDIES
- A basic distinction, leading to gender studiesDifference between sex and gender
Typical effect of ideology
Gender studies (queer studies)
- Feminism (and gender studies) in literary criticismRewriting literary history to undo the effects of womans systematic exclusion
Studying representations of women in male-authored works
Studying the role of the reader in the creation of gender stereotypes
Criticising patriarchal language and inventing more woman-friendly discorses
- Impact
GENRE (Fr. < Lat. genus / generis = birth, origin, kind)- A typology of the three basic genres
- A flexible concept of genre
Material form
Use of media
Style
Structure
Representational mode
Audience
Function effect
- Functions of genres- From genre to genre-system
HERMENEUTICS (Gr. hermeneuein = to explain, to interpret)Definition
- Biblical interpretationHistorically
From the early Christianity onwards
From Church Fathers and in the Middle Ages
From the twelfth century onwards (schema)
The humanistic movement, the Reformation and the Enlightenment
- Friedrich Schleiermacher (1768 1834)Subjective and historical dimension
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The hermeneutical circle
- Wilhelm Dilthey (1833 1911)
- Later developments
HISTORY OF LITERARY STUDIESVagueness of the notion of literary theoryDifficulty of limiting the object in space
Temporal axis
Narrative sequences
Influenced by theory and ideology
- The history of literature and the history of literary studiesAnalogy between historiographical project at the object- and meta-levels
Overlap between the history of literature and the history of literary studies
- The options of this coursebookIn order of space
In terms of literary theory
Chronologically speaking
IDEOLOGY CRITIQUE (Fr. idologie = science of ideas [coined 1796])
- Mainstream Marxism
- Later interpretations (Althusser)
- Ideology and literature
IMPLIED AUTHORDistinction from the real author as a historical person
Distinction from the narrator
Awareness of some individual presence standing
IMPLIED READER
INSPIRATION (Lat. in-spirare = breathe, inhale, blow into)Definition
Origin of the writers inspiration
Inspiration as an external force (muses, Holy Spirit)
Inspiration as an inner force (eighteenth century, genius)
- Inspiration and perspirationGenetic studies
Permanent interplay between (un)conscious energies and activities
Typology of writers: poeta vates, poeta faber, poeta doctus
INTERTEXTUALITYGeneric intertextuality
Specific intertextuality
- Forms of specific intertextuality- positive vs polemical
- intralingual vs interlingual vs intersemiotic
- repetitio vs adiectio vs detractio vs transmutatio vs immutatioEvolution of Western literary history has displayed general patterns in its use of intertextuality:- throughout the Middle Ages, the Renaissance and the Neoclassical period
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- from the Romantic age onwards
- in modernism and postmodernism
- Theoretical implications in a poststructuralist perspective
LANGUAGE OF SCIENCEVariety of language (technical terms; formalisation, elevated and impersonal register)Opposition between science and literature language
The science communication is seriously hampered by
- the absence of a recognised universally applied terminology;
- the presence of scientific rhetoric
- The terminology of literary studiesTerminological problem
Literary terms are general vocabulary of the language
LIBERAL HUMANISM
LITERARY HISTORY
- The selection of data (corpus definition)Vagueness
Space
Time
- The combination of data (narratives, meaningful sequences) (narrativity)
- Pragmatism, theory and ideology as major constraints
MARXIST APPROACHES TO LITERATUREMarx and achievements
- General characteristicsPolitical, materialist, teleological
Base/ superstructure
In the field of cultural study
- Two famous exponents: Lucas and BrechtReflection theory
Realist novel type
Opposed to Modernist experimental writing (formal experiment)
Brecht
- The Frankfurt SchoolCritical theory of culture and society
Critical theorists- Marxist literary and cultural theory today
Changes
Legacy
MEDIA (Lat. plural of medium = middle)Physical or material existence
Three basic types of media: oral communication, written communication (printing), electronic communication,
new digital technologies
- Power relationships and questions of representationsImpact on the communicative act as such
Relevant criteria to describe and compare media (time frame, space, extent, quantitative proportions,individualisation, interactivity, gate controls, multimedia recording)
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The role of mass media
Writers and readers do not share the same immediate context and may even belong to very different cultures
METATEXT, METADISCOURSE (Gr. meta = after, following, with)
- Literature and writing about literature (shifting borderlines)- Functions and requirements of metaliterary discourses
MIMESISMimesis imitation
Central issue in literary theory form its beginning
Plato sRepublic
Aristotle (+ paradox)
Theories of mimesis have profoundly influenced literary theories until today (before the nineteenth century, the
romantics, Realism and Naturalism in the nineteenth century and Marxism)
MODEL OF COMMUNICATION (Roman Jakobsons)Roman Jakobson
Diagram of the model
Different functions are copresent in literature
Limitations (idealised view, ideological bias, static definition)
NATION, NATIONALISM AND LITERATURESocial identity
Historical constructs
Institutions
Media- Origin, identity, language
Common origin
Common identity (conformity, autonomous territory, self-determination)
Common language
- Nationalism and literatureCanon
Criticism and education system
National philologies
Anthology and patrimony (teaching system)
NEW CRITICISMAmerican critical movement (+ Wellek and Warren)
Forerunner and influence (GB + practical criticism)
In Germany and France
- General characteristicsUniqueness and autonomy of the individual literary work
Abstracting the individual work from context and influences (intentional fallacy, affective fallacy, heresy
of paraphrase)
Unity
Anti-theoretical stance
- ImpactObjective
Selective (lyrical poetry)
Role of the reader
Greater ideological involvement
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Standard methodology
NEW HISTORICISM
NORMS and MODELS
- Norms and literature
PHILOLOGY (Gr. love of language)Late 18th c (Western imperialism)
19th c
// study of written texts from the past
2nd half of 19th c
Early 20th c
20th c
POSITIVISM (Eng. < Fr.: positive = definite, certain, real)Origins
- General characteristics
- Impact
POSTCOLONIAL THEORY, POSTCOLONIAL STUDIESEmpire building
Third World
- A radically broader scopeRevaluation of literary work written in the former colonies (settler and invaded)Migration
Greater openness to new genres
- Ideology critique, political actionPolitical agenda
Negritude
Experiment with hybrid cultural forms
At the level of genre
At the linguistic level
Theoretical eclecticism
- ImpactCommonwealth Literature
Sudden rise into prominence of postcolonial theory
PRAGUE SCHOOL (or PRAGUE LINGUISTIC CIRCLE)
- Backgrounds: structuralism, formalism, philosophyDiachrony synchrony (>< Saussure) influence
Russian formalism
- A functional approachMain difference between Russian formalism and Prague structuralism (function > form)
Model of communication (Jakobson)
Functional principle applied in the field of literary studies (artefact aesthetic object) (Mukarovsky)
Functions set a norms and expectations
Applied to individual text
- Impact
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Broader semiotic theory
Greater attention to the reader who concretises the text
Linguistic theory noted internationally (Jakobson)
PRODUCTION and DISTRIBUTION
- Aspect of the book industry: publishingTasks of the publishing house in the literary process
Most publishing houses are commercial enterprises
- Aspect of the book industry: three zones of literary activityLiterature is a complex and stratified system
Imprints
Important part of literary activity which exists outside the continuum
Modern computer technology and the Internet
PSYCHOANALYTICAL APPROACHESTheory for psychic disorders
- Sigmund Freud (1856 1939)Scheme: the basic terms of the body vs society conflict
Libido and sexuality
Importance of childhood (desire >< conflict repression/ sublimation)
Oedipus complex
Feminists
Adulthood (compromise formation, slips, mental disorder) dynamic process
Dream; dream-work mechanisms of the dream work: condensation, displacement, symbolism,
secondary revision
Literary work
Low opinion of writers
The study of the joke
- Jacques Lacan (1901 1981)Construction of the individual subject with society
Child as a speaking subject/ language creates the subjects alienation
Language creates unconscious desire
PUBLIC INTERLOCUTEUR, PUBLIC MILIEU, GRAND PUBLICPublic interlocuteur
Public milieu
Grand public
READER
READER-ORIENTED THEORIES
- The return of the reader in the 1960s
- Wolfgang Isers Wirkungssthetik (theory of aesthetic response)Leerstellen
Reading is a temporal process
The dynamics of reading involves the permanent formation, assessment and revision of retrospective and
propective hypotheses
Implied evaluative side to Isers theory / literary value
- Hans-Robert Jausss Rezeptionssthetik (reception theory)Iser experimental >< conventionalHorizon of expectation
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Deviation
Redefine literary history
- Norbert Groebens empirical reader researchReader
Literary studies
- Stanley Fishs affective stylistics1st model (// Iser)2nd model (>< Iser relativistic and subjectivist position
3rd model (reader = member of an interpretive community)
RHETORIC (Gk techne rhetorike = art of speech)Definition
Initially
Later
Characteristics, rules and conventions (invention, disposition, elocution, memoria, action)
- Historical sketchIn the Middle Ages
During the Renaissance and the Neoclassical periodThe nineteenth century (decline)
The twentieth century (revival + media)
- Rhetoric and manipulation: ethical concerns
RUSSIAN FORMALISM
- Two centres, twin ambitionsMoscow Linguistic centre
The Society for the study of Poetic Language
- Early formalist positions: ShklovskyMaterial vs devise >< content vs form
In narrative fiction: fibula vs siuzhetIn poetry
Defamiliarisation (// Brecht)
- Late Russian formalism: Tynyanov
- ImpactSimilarities between Russian formalism and New Criticism (literary studies, autonomy and specificity,
Modernist literature)
Difference between New Critics and Russian formalism
Todorov
SCIENCE
- Basic concepts and the views of Karl PopperRegularity, causality, deterministic, probabilistic, model of reality, explanations, predictions, complexity
Prove, verify, falsify, disprove
Induction, deduction
Hypothetical or provisional character
Testing hypothesis: logical consistency, observation and experiments
- Thomas Kuhns concept of the scientific paradigmObservation is likely to be selective
Understanding of the phenomena involves an act of interpretation
The scientific paradigm (competing paradigms may also coexist at the same time)
Serious damages to the mechanism of falsification
SCIENCE AND LITERARY STUDIES
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Dilthey
Against a rigid distinction between human sciences and nature sciences
- A science of literature?Epistemological obstacles:
Mental reality
Historical angle
Multitude of complexly related variablesIn literary studies the researcher is more problematically entangled in the object of study
Abandon the scientific model for the hermeneutical one
SEMIOTICS, SEMIOLOGY (Gr. sema = sign)
- Ferdinand de Saussure
- Charles Sanders Peirce
- Impact
STRUCTURALISMBased on two principles (network of structural relationships; objective and scientific)
- Central conceptsCours de linguistique gnrale
Sign
Sign extralinguistic referent
Exception: onomatopoeia
Relative motivation
Language = complex self-regulating structure
Syntagmatic relations
Paradigmatic relationships
Language >< parole
Diachronic synchronic
- SemioticsCultural behaviour
Levi Strauss
- Structuralism and literary studiesEffects on literary studies (linguistics, textual structure, literary and textual codes, theory rather than
theory, anti-humanism (erosion of the human subject), anti-elitist and inclusive conception of culture)
STYLE and STYLISTICS (Lat. stylus = sharp-pointed instrument for incising letters on a wax
tablet)Dualistic understanding of style
Semanticisation of form
Analysis of text in terms of their linguistic features
- Stylistic variation
- Conflicting perspectivesHigh scientific ambitions
TEXT (Fr. < Lat. texere = to weave)Possible use of the term:
- for text edition
- for semiotics
- for text linguistics and stylistics
- for narratologyGenre-neutrality
Text as an individually defined or definable unit of discourse
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- linearity
- autonomy
- intentionality
- Challenging the traditional text conceptErosion of the text concept
Hypertext and related digital text technologies
UTILE DULCIDefinition and Horace
From Horace onwards until the end of the Neoclassical period (expansion)
In the Middle Ages (didactic orientation)
From the middle of the nineteenth century onwards (attacked)
REFERENCES AND SOURCES
INDEX OF CRITICS AND SCHOLARS
INDEX OF TERMS AND CONCEPTS
DIAGRAM: POSSIBLE PATHWAYS THROUGH THESE NOTES
DIAGRAM: MIND MAP OF MAJOR CRITICAL SCHOOL AND PARADIGMS
DIAGRAM: SURVEY OF INTERTEXTUAL AND METATEXTUAL RELATIONSHIPS