T I T WORKS BY E L - Bandroom.com Publicationsbandroom.com/BCP/resources/TMEAclinicBooklet.pdf ·...

Page Composer Title1 McGinty ......................... All the Pretty Little Horses2 Beethoven/Curnow ........ Allegretto from Sym. #73 McGinty ......................... Atlantis4 Clark .............................. Bartok Suite5 Wagner ........................... Brother James' Air6 Curnow .......................... Canadian Sketches7 McBeth .......................... Canto8 Bach/Daehn.................... Chorale And Fugue in F Major9 Sweeney ......................... Distant Horizons10 Del Borgo....................... English Folk Suite11 Holst/Bullock ................. In the Bleak Midwinter12 Curnow .......................... Irish Legends13 Hilliard ........................... Japanese Festival14 Grundman ...................... Kentucky 180015 Smith .............................. Liturgical Fanfare16 Erickson ......................... Norwegian Folk Song Suite17 Daehn ............................. Nottingham Castle18 Gliere/Williams .............. Russian Sailor's Dance19 Story ............................... Sakura20 Schumann/Bulla ............. Schumann Suite, The21 Johnson .......................... Shalom Chaverim22 Ployhar ........................... Shenandoah23 Ployhar ........................... Simple Gifts24 Daehn ............................. Song for Friends, A25 Handel/Kinyon............... Suite of Baroque Dances, A26 Jutras .............................. Three Folk Miniatures27 Broege ............................ Train Heading West28 Byrd/Fenske ................... Volta, La

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© 2000 by Brian Harriswww.bandroom.com

“Oldies” (prior to 1994)Atlantis (1986)

Canto (1977)

Chorale and Fugue in F Major (1988)

Kentucky - 1800 (1955, rev. 1987)

Norwegian Folk Song Suite (1953)

Shenandoah (1966)

Simple Gifts (1968)

Three Folk Miniatures (1986)

Folk Song SettingsAll the Pretty Little HorsesCanadian SketchesBrother James’ AirEnglish Folk SuiteIrish LegendsKentucky 1800Norwegian Folk Song SuiteSakuraShalom ChaverimShenandoahSimple GiftsThree Folk Miniatures

“ABA” SettingsCanadian SketchesEnglish Folk SuiteIrish LegendsKentucky 1800

Multi-MovementBartok Suite (4 mov.)Suite of Baroque Dances (3 mov.)Train Heading West (3 mov.)

Slow/Expressive SettingsAll the Pretty Little HorsesIn the Bleak MidwinterSakuraSchumann Suite (Mov. 2)Song for Friends

TranscriptionsAllegretto from Symphony #7Bartok SuiteChorale and Fugue in F MajorRussian Sailor’s DanceSchumann SuiteSuite of Baroque DancesLa Volta

Original CompositionsAtlantisCantoDistant HorizonsJapanese FestivalLiturgical FanfareNottingham CastleSong for FriendsTrain Heading West

CATEGORY

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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_____ Composer Info 1999 - 2002 One

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Upper Voices

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___ Snare Drum___ Bass Drum___ Tenor Drum___ Tom-toms___ Crash Cymbals___ Susp. Cymbal

Number of players needed: ________

___ Finger Cymbals___ Triangle___ Wood Block___ Tambourine___ Chimes___ Bells ___ 2 drums = ___ pitch changes

___ 3 drums = ___ pitch changes

___ Xylophone___ Gong/Tam-tam___ Temple Blocks

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www.bandroom.com © 2000 Brian Harris

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ALL THE PRETTY LITTLE HORSESAnne McGintyQueenwood Publications 2’ 30” (approx.)

$32.00 1998✓

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Slowly (Œ = 63)Faster (Œ = 90 - 96)Slowly (Œ = 72)Much slower (Œ = 66)

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Intro (m.1-4); Melody in flutes and alto saxes (m.5-12); Melody fragmented between upper woodwinds andtrumpets (m.13-21); Melody in 3/4 with block harmonization (m.22-37); Melody variation (m.38-50);Melody in low brass/woodwinds in 4/4 (m.51-58); Ending (m.59-61)

• oboe part is optional•␣ several measures of constant eight-note runs in flutes, 1st clarinet• exposed 1st clarinet line (4 measures) is run crossing break, slurred• a few measures of clarinet 3-part harmony• melody is moved through each instrument/section• several unison obligato lines (to upper registers) for flutes doubled with alto saxes• low brass/low woodwinds have unison melodic line (4 measures)•␣ very little percussion use• measures numbered in score• a quiet, somber piece

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(same part as Trombone)


F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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ALLEGRETTO (FROM SYM. # 7)Beethoven/Douglas CourtCurnow Music Press 2’ 45” (approx.)

$34.00 1997✓

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Allegretto (Œ = 76)

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Intro (m.1-13); Theme in trumpet 2, horn, alto sax (m.14-25); Theme in clarinet 2, alto sax, horn (m.26-37);Theme in flute, bells (m.38-49); Ending (m.50-53)

• oboe, horn, tmpani marked “optional” on score• majority of piece is at “p” dynamic level• matching of note length critical• painfully simple percussion parts (snare has on rhthyms; no rolls)• score has full instrumentation except bass line (combined from bassoon, bass clarinet, tenor sax, bari sax,trombone, euphonium, and tuba)• score has numbered measures

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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ATLANTISAnne McGintyHal Leonard Corporation 2’ 00” (approx.)

$35.00 1986✓

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Allegro (Œ = 120)

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ABA[Intro (m.1-11); Theme A (m.12-28); Theme B (m.29-37); Theme A (m. 37-53); Coda (m.53-62)]

• uses polychordal harmonies in opening and closing sections• uses imitation of melodic fragments• flute soli (8 measures)• use of syncopation for all• oboe, tenor sax, horn marked “optional”• combined part for trombone/euphonium/bassoon• bass line in all low woodwinds and low brass parts• indicates no articulation markings other than slurs• snare drum plays sixteenth-note rhythms, 9-stroke rolls

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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BARTÓK SUITEBéla Bartók/Larry ClarkBelwin-Mills Publishing Corp. 4’ 15” (approx.)

$35.00 1997✓✓

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Mov. 1 - Allegro (Œ = 126)Mov. 2 - Allegro (Œ = 126)Mov. 3 - Molto sostenutoMov. 4 - Poco allegretto (Œ = 120)

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Mov. 1: AAAAA (each repeating getting softer, to ppp); Mov. 2: ABBABA (melody alternating from trum-pets to flute, oboe, bells); Mov. 3: ABBABB (melody alternating between all instruments); Mov. 4: ABA(melody in upper voices)

Mov. 1

• arrangements of pieces from Bartók’s “For Children” piano collection• broad dynamic contrast• uses variety of articulation styles• use of written nuance• flute and oboe parts are virtually identical• trombone part is written divisi for all of Mov. 1 & 2• measures numbered in score and parts• comes with CD recording of work

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Mov. 3 Mov. 4

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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Meters Used:

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PMLGrade:

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SellingPrice:

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Upper Voices


Title:

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BROTHER JAMES AIRJ.L. Bain/Douglas WagnerBelwin Mills Publishing 2’ 00” (approx.)

$30.00 1995✓

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With expression; not too slow (Œ = ca. 80)A bit slower

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Intro (m.1-5); Melody in trumpets (m.6-17); Bridge (m.18-21); Melody in upper voices (m.22-33); Bridge(m.34-37); Melody with ostinato snare (m.38-49); Ending (m.50-52)

• much use of written nuance (crescendo, decrescendo) and rubato• limited instrumentation (useful for small groups)• clarinet remains below break• trumpet soli (8 measures)• articulation demands (slurs in trombones, etc.)• hymn-style piece must be played in a singing, sustained manner• measures numbered in score and parts

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* 5th player needed foronly a single cymbal crash



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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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Upper Voices


Title:

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CANADIAN SKETCHESJames CurnowCurnow Music Press 2’ 50” (approx.)

$39.00 1996✓

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Moderately fast and lively (Œ = 92)Moderately slow and expressive (Œ = 96)a bit faster (Œ = 104)Fast with energy (Œ = 120-132)

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Medley (ABC): Intro (m.1-6); Melody A (m.7-17); modulation and restatement of Melody A (m.18-28); meterchange and Melody B (m.29-44); repeat of Melody B (m.45-57); key change and intro (m.58-65); Melody C(m.66-81)

• subtitled “Folk Song Fantasy”• style, dynamic, and articulation contrasts• simple percussion parts• 4 measure shake (roll) for tambourine• quick, almost abrupt ending• score measures numbered

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

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Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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CANTOFrancis McBethSouthern Music Company 3’ 30” (approx.)

$60.00 1977✓

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Joyfully with Spirit (Œ = 132)molto rallentando (Œ = 92)Tempo 1 (Œ = 132)

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“ABA”Fast (m.1-38); Slow (m.39-61); Fast (m.62-104)

• uses clapping• several occurrences of imitation• has 1st and 2nd oboe and basoon parts• has alto clarinet part (doubled elsewhere)• many syncopated accents (clapping and playing)• very active percussion parts• exposed 8 measure clarinet section soli in lowest register• several short unison trumpet soli sections• has a few divisi spots in euphonium• bass line distributed to low woodwinds and tubas

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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Style/Form:

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PMLGrade:

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Publisher:

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Upper Voices

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Title:

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CHORALE & FUGUE IN F MAJORJS Bach/Larry Daehn (play chorale only)Daehn Publications 0’45” (approx.)

$32.00 1988✓

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Andante moderato (Œ = 66 - 72)

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through-composed; has optional repeat

CHORALE ONLY• has optional repeat• all percussion is marked “optional”• much doubling between all parts• instrumentation adaptable• arranged as 4-part chorale with independent, moving lines• E-flat clarinet part included (doubles flute)• E-flat alto clarinet part included (doubled by other parts)• virtually no use of percussion

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same part as Trom. 1

same part as Trpt. 2

same part as Flute 1

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

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Style/Form:

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PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

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PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

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DISTANT HORIZONSMichael SweeneyHal Leonard Corporation 2’ 30” (approx.)

$35.00 1995✓

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Moderately slow (Œ = 96)With intensity (Œ = 144)

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SLOW: Intro (m.1-8); partial Theme in muted trumpets (m.9-16); Theme in low voices (m.17-22)FAST: Intro (m.23-33); Theme in alto sax/horns (m.33-40) then harmonized (m.41-44); Bridge (m.45-48);Theme fragmented (m.56-72); Ending (m.73-84)

• programmatic composition; modern harmonies• simple rhythms• limited ranges for all instruments• several unaccompanied unison lines• some use of tone clusters• unison bass line in low woodwinds and low brass• has four occurrences of meter change from 4/4 to 2/4 back to 4/4• oboe part is same as flute part (some notes 8ba)• alto sax part has much divisi• oboe, horn, and bells are marked “optional”•␣ trumpets use cup mutes (straight mutes optional)• trombone part has several measures of divisi, marked “optional”• measures numbered in score and parts

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≤


F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


10

ENGLISH FOLK SUITEElliot Del BorgoMusicWorks; distr. Hal Leonard 4’ 10” (approx.)

$40.00 1995✓

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Allegro (Œ = 140)Cantabile (Œ = 72)Allegro (Œ = 140)

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ABAAllegro (m.1-46); Cantabile (m.47-67); Allegro (m.68-136)

• score measures are numbered (but not parts)• active percussion parts• few stylistic articulations• unusual transitions between sections (ABA)• single printed occurence of decrescendo, no use of crescendo•no occurences of ritardando, even in transitions• brief use of canon• exposed trumpet section soli (4 measures); unaccompanied

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


11

IN THE BLEAK MIDWINTERGustav Holst/Jack BullockBelwin-Mills Publishing Corp. 3’ 00” (approx.)

$35.00 1996


✓ ✓ ✓ ✓ ✓ ✓

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Moderately (Œ = 80)A little faster (Œ = 88)Tempo 1

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Intro (m.1-8); Theme (m.9-24); Theme (new key, m.25-40); ending (m.41-46)

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• alto sax and horn parts identical• several clarinet soli sections (8 measures; 2 measures; 2 measures)• very limited use of percussion• piano reduction on score; separate part included• all measures numbered (score and parts)• excellent study for developing musical sensitivity•␣ instrumentation flexible• use of single parts for each instrument• music set comes with compact disc recording of piece

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


12

IRISH LEGENDSJames CurnowHal Leonard Corporation 3’ 10” (approx.)

$35.00 1994✓

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Moderately fast (Œ = 126)Slower and with expression (Œ = 96)Somewhat faster (Œ = 108)Fast and light (Œ = 144)

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Medley of three folk songs from Ireland: Intro (m.1-8); “Westering Home” (m.9-45); “In Dublin’s Fair City”(m.46-64); “I’ll Tell Me Ma” (m.65-88)

• each part has teaching materials which include the melody• horn has demanding range (three high F’s, including one entrance on a high F)• score has numbered measures• snare has important rhythmic ostinato using qrt , qtr , qttt , and q.u• piece is 83 measures long, but uses 5 sets of 1st- and 2nd-endings• begins in 3/4; meter change to 4/4 at m.65 (to end)

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≤≤

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≤ w

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≤w

≤ w

≤

≤ ≤

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


13

JAPANESE FESTIVALQuincy HilliardCarl Fischer 3’ 30” (approx.)

$38.00 1997✓

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&&

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Allegro (Œ = 120 - 132)

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“fast/slow/fast”Allegro (m.1-17); Andante (m.18-41); Tempo 1 (m.42-91)

• alto saxophone part is written divisi for most of the piece• trumpet 1 has ossia for the two high f pitches• score includes a piano reduction• tuba and low woodwinds double the bass line• clarinet soli (8 measures) is accompanied only by percussion• flute soli (10 measures, to high f) is accompanied only by clarinets and percussion• use of two-part canon• low brass (including tuba) and low woodwinds have melodic material• horn part always doubled by another instrument• use of asymmetrical phrase lengths

6

≤w≤

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(see “COMMENTS”)

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(same part as Trombone 2)

(same part as Trombone 2)

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Andante (Œ = 60 - 72)

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


• extensive range demands for all instruments• full instrumentation requirements• alto clarinet part included in set• flutes, clarinets, tenor sax, horn, and euph. play melody simultaneously in 3 octaves (intonation concerns)• straight mutes required for trumpets• trumpet solo (6 measures) goes to high G• nature of work requires attentive ensemble playing skills from all players (balance, phrasing, intonation, etc.)• JWPepper lists this work as a Grade 3

14

KENTUCKY - 1800Clare GrundmanBoosey & Hawkes, Inc. 3’ 15” (approx.)

$90.00 1955(revised 1987)

✓✓

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&&

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✓ 63

no specific tempos indicated;only stylistic markings of:With motion, Flowing, Marcato,Cantabile, Rhythmic, Marcato, Broadly

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medley of 3 folk tunes: The Promised Land, Cindy, and I’m Sad and I’m Lonely

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≤ w

≤ w

≤

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&&

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


15

LITURGICAL FANFARERobert W. SmithBelwin-Mills Publishing 2’ 15” (approx.)

$35.00 1995✓✓

✓ ✓ ✓ ✓ ✓

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Majestic (Œ = 132)

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Fanfare (m.1-13); Bridge (m.14-17); Theme in trumpets (m.18-25) Theme in low voices (m.26-33); Fanfare(m.34-46); Fanfare and Theme combined (m.47-54); Bridge (m.55-64); Ending (m.65-74)

• limited melodic material• limited rhythms; uses higly repetitive rhyhtmic ostinato• limited ranges• use of variety of articulations and dynamics (accents, sfz, staccato, “bell tones”)•␣ several sudden dynamic changes• flute uses trill on long notes (twice)• trumpet has 10 measures of divisi (limiting lower trumpet part to highest note of C)• horn part uses 3 different pitches• tuba part uses 4 different pitches• timpani part marked optional• numbered measures in score and parts

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≤

≤

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≤

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


16

NORWEGIAN FOLK SONG SUITEFrank EricksonBourne Company 3’ 20” (approx.)

$38.50 1953✓✓

(2 lines)✓ ✓ ✓ ✓ ✓

✓ ✓ ✓ ✓ ✓

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3

Mov. I - Moderately (Œ = 112)Mov. II - Slowly (Œ = 76)Mov. III - Quickly (Œ = 126)

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Mov. I - Intro (m.1-4); A (m.5-21); B (m.22-37); A (m.38-54)Mov. 2 - Theme/Stroph (m.1-16); Coda (m.17-24)Mov. 3 - A (m.1-7); B (m.8-12); A (m.13-20); B (m.21-28)

• three untitled movements• full instrumentation scoring (less ASx 2)• includes alto clarinet part• much dynamic contrast• some woodwind choir and brass choir sections•␣ full scoring requires careful balance considerations•␣ movement 3 makes extensive use of legato and staccato articulations• percussion tacet on movement 2

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


17

NOTTINGHAM CASTLELarry DaehnDaehn Publications 2’ 00” (approx.)

$36.00 1997✓

✓✓

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Moderato (Œ = 88)

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ABABA: Intro (m.1-8); Minor theme (m.9-18); Major theme (m.19-27); Minor theme(m.28-43); Major theme (m.44-52); Minor theme (m.53-70); Ending (m.71-81)

• alternates minor (slurred) to major (articulated)• all instrument play some melody• uses three sets of 1st- and 2nd-endings• limited instrument ranges, mostly uses low register• flute and oboe on same part; has divisi for range•␣ bassoon written in divisi octaves•␣ clarinet 1 crosses break once• trombone 1 part is marked “optional”

4

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≥

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same part as trombone 2

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


w≤

18

RUSSIAN SAILOR’S DANCEReinhold Gliere/Mark WilliamsAlfred Publishing Co. 1’ 45” (approx.)

$40.00 1998


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0

Allegro (Œ = 126)Pesante (Œ = 69)Poco piu mosso (Œ = 76)Piu mosso (Œ = 92)Slowly (Œ = 66), molto accelerando poco a pocoPresto (Œ = 138)

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Intro (m.1-5); Theme (m.6-17); Theme (m.18-29); Theme (m.30-41);Theme (m.42-53); ending (m.54-80)

• many tempo changes• much use of eqe syncopations in all parts• several syncopations extended over barlines• low brass/low woodwinds play exposed (no accompaniment) unison theme (m.6-17)• tambourine has vital part; must play many shakes (rolls)• many notes accented• sudden dynamic changes• trumpet section soli (12 measures)

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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


19

SAKURAMike StoryBelwin-Mills Publishing 2’ 15” (approx.)

$35.00 1995✓

✓

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✓ ✓ ✓

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&&

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Moderately (Œ = 96)

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Intro (m.1-2); Melody in clarinets (m.3-12); Melody in flutes with clarinet countermelody (m.13-25); Melodyharmonized in upper voices (m.26-41); Melody in clarinets (m.42-53)

• flexible instrumentation• limited ranges for all instruments•␣ limited rhythms• limited use of dynamics•␣ highly exposed, unaccompanied 10-measure clarinet section soli (repeats at end)• same line for all low woodwinds, low brass, and tuba•␣ measures are numbered in in score and parts

4

≤

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w



≤≤

≤w≤

( Japanese folk song)

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

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PMLYear:

Conductor Score:

___ Full

___ Condensed

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_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

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___ Timpani:

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rangetessitura


20

THE SCHUMANN SUITER. Schumann/Stephen Bulla (play 1 mov’t.)Curnow Music Press 4’ 20” (all mov’ts.)

$39.00 1997✓

✓

✓✓


✓ ✓ ✓ ✓ ✓

✓

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✓

&&

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&&

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✓

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0

I. Quick and bright (Œ = 104 - 120)II. Slow and smooth (Œ = 66 - 72)III. Lively and animated (Œ = 104 - 112)

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Mov. 1 - AABAC A (m.1-8); B (m.9-12); A (m.13-18); C (m.19-27)Mov. 2 - ABA A (m.1-8); B (m.9-12); A (m.13-20) optional repeatMov. 3 - ABA A (m.1-18); B (m.19-26); A (m.27-40)

Mov. 1

Mov. 1 - The Stranger

Mov. 2 - Nordic Song

Mov. 3 - Soldier’s March

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5 or 6

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Mov. 2 Mov. 3

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≥

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≤≤ w

≤w

Mov. 1&2 Mov. 3

(for any single mov’t.)

• about 1’ 40” in length; much dynamic contrast• no exposed sections• important contrapuntal bass line

• about 1’ 45” in length (w/o optional DS repeat); much dynamic contrast written• homophonic lines (chorale-style)• brief, 2-measure passages for brass, woodwind choir (cues provided)• very little percussion playing

• about 1’ 30” in length• repeated use of dotted-eighth/sixteenth note figure in all parts• solos in clarinet (6 measures), flute (2 measures), and bari sax (6 measures, cued in other low Wws and low brass)• horn soli (6 measures), cued in saxophones• trumpets use straight mutes for 2 measures• “A” section uses staccato articulations, “B” section uses legato

The combined part forTrombone, Euphonium andBassoon has several divisioctaves written on it; might beconfusing for students to read.

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

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&

&

&

&

&

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&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


21

SHALOM CHAVERIMTimothy JohnsonCurnow Music 3’ 25” (approx.)

$52.00 1998✓

✓

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Allegro (Œ = 84)

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Theme (melody) with varied settings: Introduction (m.1-4); Theme, a capella (m.5-14); Theme with ostinato(m.15-23); Theme in 2-part canon (m.24-32); Bridge (m.33-40); Theme with countermelody (m.41-48); Themein 4-part canon (m.49-59); Theme with contrapuntal bass line (m.60-67); Ending (m.68-71)

• set includes alto clarinet part• measures in score are numbered (but not in parts)• trumpets use straight mute for 3 notes• much use of imitation and canon• all winds play melodic material•very soft, sustained ending• variety of articulation markings used•␣ alto saxes and horns have opening soli (4 meaures )• alto saxes play 2 meaure soli, unaccompanied• unison soli (in octaves)for flutes, oboes, alto saxes, bells (6 measures)

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(Israeli Folk Song)

≤

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≥

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≤

≤

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

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&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

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&

&

&

&

&

&

&

Rhythms Used:


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PMLGrade:

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Publisher:

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PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

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22

SHENANDOAHJames PloyharCPP/Belwin (Byron-Douglas) 3’ 45” (approx.)

$40.00 1966

✓(3 lines)

✓ ✓ ✓ ✓ ✓ ✓

✓ ✓ ✓ ✓

✓

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✓

&&

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1

Moderato con moto (Œ = 108-112)

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Intro (m.1-8); Theme in clarinet low register (m.9-28); Theme traded between trumpets and upper wood-winds (m29-48); Modulation (m.49-56); Theme with extended harmonizations (m.57-79); Ending (m.80-89)

• very little percussion used• long, sustained lines•␣ half of the Clarinet 1 part is written divisi (two noteheads on one stem)• Alto Clarinet part included• limited number of part copies included in set (1 each of ASx1, ASx2; Hn1, Hn2, etc)• heavily dependent on clarinet section for melody• Trumpet 1 solo for 8 measures (using cup mute; to G, top of staff)• 8 measure soli Trumpet 1 line to G, top of staff (several times)• trombone parts are mostly sustained whole notes•␣ Euphonium has moderately difficult part• use of extended harmonies (major 7th, 9th, etc.)

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✓

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≤

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≤

≥

≥

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≤w≤

≤w≤

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≤w

≤≤

≤

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≤

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≤ w

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≤ ≤

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


w≤

w≤

23

SIMPLE GIFTSJames PloyharBelwin Mills Publishing 3’ 00” (approx.)

$45.00 1968

✓(3 lines; percussion cues)

✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓

✓ ✓ ✓ ✓ ✓ ✓

✓

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&&

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1

Moderato (Œ = 108)MajesticallyBroadly

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Intro (m.1-6); Theme (m.7-22); Theme (m.23-37); modulation (m.38-47);Theme (m.48-63); ending (m.64-74)

• extensive range/endurance demands for all parts• full instrumentation requirements• flutes, oboes, and all clarinets play melody (8 measures, simultaneously) in 3 octaves (intonation concerns)• euphonium soli (8 measures) not doubled elsewhere• many melodies doubled at the octave• many lines move in triadic harmony• all measures in score and parts are numbered

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≤≤

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≤

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w≤

≤ w

w≤

w≤

w≤w≤

w≤

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

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24

A SONG FOR FRIENDSLarry DaehnDaehn Publications 2’ 15” (approx.)

$36.00 1997✓


✓ ✓ ✓ ✓

✓ ✓ ✓ ✓

✓

✓ ✓ ✓

✓

&&

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&&

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Medium Slow (Œ = 102)

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ABA: Melody in clarinets, tenor sax, and horn (m.1-32); Modulation and repeat of melody in flute/oboe/cornet (m.33-48); Ending (m.49-53)

• chorale-like with moving counterpoint and sustain/resolve cadences• flute and oboe are written on same part; oboe plays lower octave notes• bassoon, bari sax, trombone, euphonium, tuba parts consists of mostly constant dotted-whole notes• bassoon part has several divisi measures (mostly octaves)• almost no percussion except for bell part•␣ score is printed very small

2

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≤

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≥w

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≤

≤

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≤

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≤

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

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&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

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25

A SUITE OF BAROQUE DANCESG.F. Handel/John KinyonAlfred Publishing Company 4’ 45” (approx.)

$38.00 1995


✓ ✓ ✓ ✓ ✓

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Mov. 1 - Allegretto (22 measures*)Mov. 2 - Lento (25 measures*)Mov. 3 - Andante Con Moto (22 measures*)

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Mov. 1 - Theme A in trumpets (m.1-9), repeated; Theme B in flute and clarinet 1 (m.10-22), repeatedMov. 2 - Theme A in trumpet 1 (m.1-12), repeated; Theme B in flute and clarinet 1 (m.10-25), repeatedMov. 3 - Theme A in flute and clarinet 1 (m.1-9), repeated; Theme B in flute and clarinet 1 (m.10-22), repeated

• Mov. 1 “Gavotte” (4/4); Mov. 2 “Sarabande” (3/4); Mov. 3 “Minuet” (3/4)• mini-score series has combined bass line for all but flute, oboe, clarinet, alto sax, and trumpets•␣ all movements use repeats• Movement 1 opens with 8 measures of unison trumpet soli (repeated)• Movement 2 has several trumpet 1 entrances on upbeat of 1• very simple percussion parts; bells only on Mov. 2• snare uses a few flams, some sixteenth notes, no rolls• bass line has no melodic material• bass clarinet, tenor sax, and TC baritone play from same part (poor range for bass clarinet and tenor sax)

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same part as bass clarinet

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Mov. 3Mov. 2Mov. 1

* plus repeats

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

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&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


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26

THREE FOLK MINIATURESAndre Jutras (play movement 3)C.L. Barnhouse Company 1’ 30” (approx.)

$60.00 1986✓

✓

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2

Allegro con brio (Œ = 144)

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Intro (m.1-12); Theme (m.13-23); Theme with complex harmonization (m.24-34); Theme in canon (m.35-49); ending (m.50-51)

Mov’t. 3 only:• horn 1 & 2 written divisi on same part; same for horn 3 & 4• trumpet parts are almost unison, only a few times do they harmonize• trumpet 2 has split octaves written at highest notes• requires full instrumentation• demanding ranges for most players, especially brass who have entrances on high notes•␣ many syncopation figures; entrances on upbeats• many displaced accents• numerous dynamic changes• several meter changes, including one instance of 7/8• brief use of canon• three key changes plus many accidentals• use of syncopated ostinato• use of extended harmonies (major 9th chords, etc)• short rhythmic solos for snare and timpaniw

5

Also: one measure of 7/8

✓


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F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

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&

?

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&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

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TRAIN HEADING WESTTimothy BroegeManhatten Beach Music 4’ 30” (approx.)

$45.00 1998✓

✓✓

✓ ✓ ✓ ✓ ✓ ✓

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21

Mov.1 - With seriousness, not fast (Œ= 92)Mov. 2 - Slowly and well sustained (Œ= 72)Mov. 3 - Begin very slowly, gradually accelerating until full speed at 17

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Mov. 1 - Prairie Ritual (22 measures)Mov. 2 - Rain on the Mountains (26 measures)Mov. 3 - Train Heading West (44 measures)

• highly programmatic•␣ sudden dynamic contrasts• much use of dynamic control (crescendo, decrescendo)• use of various articulation styles• several measures of divisi for alto saxes and horns• much use of unison sectional soli• snare uses brushes• optional use of a train whistle• originally written in 1970’s; revised in 1997• score measures numbered•␣ score includes compositional analysis and teaching materials

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AND OTHER

OUTDOOR SCENES

F Horn 1

F Horn 2

F Horn 3-4

Trumpet 1

Trumpet 2

Trumpet 3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Timpani

&

&

&

&

&

&

?

?

?

?

?

?

Piccolo

Flute 1

Flute 2

Oboe

Bassoon

Clarinet 1

Clarinet 2

Clarinet 3

Bass Clarinet

Alto Sax 1

Alto Sax 2

Tenor Sax

Bari Sax

&

&

&

&

?

&

&

&

&

&

&

&

&

Rhythms Used:


Meters Used:

Dynamics Used:

Tempos Used:


Style/Form:

Use of Percussion:


PMLGrade:

Composer/Arranger:

Publisher:

Yearof ©:

SellingPrice:

PMLYear:

Conductor Score:

___ Full

___ Condensed

PerformanceTime:


_____ Program Notes



Upper Voices

Lower Voices



Upper Voices


Title:

C∑√´√®√¥√ †√ ¥≤´≤






___ Timpani:

rangetessitura

rangetessitura


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LA VOLTAWilliam Byrd/Katheryn FenskeDaehn Publications 1’ 45” (approx.)

$50.00 1996✓

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0

Allegro (Œ = 116 - 126)

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Renaissance dance with 8 measure phrases; AABBA’A’B’B’

• Renaissance dance in triple meter (style concerns)* 4 measure oboe solo cued in flutes• euphonium part doubles trombone• sections alternate between woodwind, brass, and (for 4 mesaures) percussion choirs• 4 measure xylophone solo cued in trumpet 1• trumpet 2 and horn parts are the same• no articulation markings; no slurs used• set includes errata sheet for 5 printing errors (score/parts)

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T I T WORKS BY E L - Bandroom.com Publicationsbandroom.com/BCP/resources/TMEAclinicBooklet.pdf ·...

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