Symbolic Industrial ceramic vessels
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Transcript of Symbolic Industrial ceramic vessels
Universidad Autónoma de San
Luis Potosí
Facultad del Hábitat
Industrial design critics
-Unit 3-
“symbolic industrial ceramicvessels”
Héctor Arturo Torres Ramírez
“The design is the discipline that develops standardized artifacts”
Based on that premise , the objects of industrial design should be able to be mass produced
this means that objects should not be improvised or depend on the techniques of a trained
worker , because that would require a preparation and a secondary effort.
the vessels shown below, share the characteristic of not having improvised features after the
emptied, reflected in lower cost products on time, making them attractive for industrial
production
..
= +No improvisation
After emptying
Represents a
normalized product
More
profitMore
quality
+Mono Materic
Represents less
Material to
transform
One piece
Represents less
molds and less
time to fabric
+
“not allowed” examples
BALANKÉ by Sofia arandillas (2015)
these openings are made by hand ,
this being a rectification
improvised work that could
destroy the vessel by manipulation
errors.
BALAMTE by Miguel Marques (2015)
Made by hand without
mold
NO NAME by Danya Rocha (2015)
No mono materic
&, improvised
cords
Two pieces
more molds
symbolic industrial ceramic vessels
The following are selected examples of work done
by students in the fifth semester of studies of
industrial design, to the subject of " Synthesis
Workshop V " for the third unit dedicated to pre-
Hispanic symbolism (Year 2015).
Ferno is a ceramic jug , ceramic paste made only
in 3-piece mold , no secondary corrections after
leaving the mold.
De fuego is a ceramic cup, ceramic paste
made only in 3-piece mold , no secondary
corrections after leaving the mold.
“No-name” is a ceramic cup, ceramic paste
made only in 3-piece mold , no secondary
corrections after leaving the mold.
“Xibalba” is a ceramic Jar, ceramic paste
made only in 2-piece mold , no secondary
corrections after leaving the mold.
“MILHO” is a ceramic vessel, ceramic paste
made only in 3-piece mold , no secondary
corrections after leaving the mold.
“No name” is a ceramic cup, ceramic paste
made only in 3-piece mold , no secondary
corrections after leaving the mold.
Conclusión:
Es importante recordar, que aunque podemos
rescatar técnicas y procesos artesanales
dentro del repertorio formativo de nuestra
disciplina, nuestro propósito es la producción
en masa, objetos que se encuentran mas allá
de la estandarización caen en la manufactura y
el desarrollo por autoría.
Su calidad mengua con las habilidades del
autor, y decaen con el paso del tiempo.
Esta muestra es importante, por que nos
muestra que aun con una inspiración
tradicional, es posible obtener verdaderos
productos de diseño industrial que no pierdan
el control de los procesos implicados y se
adapten a los sistemas de producción.
Conclusion:
It is important to remember that although we
can rescue craft techniques and training
processes within the repertoire of our
discipline , our purpose is mass production,
objects that are beyond the standardization
fall in manufacturing and development for
authorship.
Their quality diminishes with the skills of the
author, and decay with time.
This exhibition is important because it shows
us that even with traditional inspiration , it is
possible to obtain true industrial design
products that do not lose control of the
processes involved and adapt to production
systems