Sylvia Plath’s Poem “A Secret” as it corresponds to Lawrence · PDF...

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Sylvia Plath’s Poem “A Secret” as it corresponds to Lawrence Durrell’s The Alexandria Quartet Excerpts from: Fixed Stars Govern a Life— Sylvia Plath’s Qabalah Code by Julia Gordon-Bramer © 2012 Julia Gordon-Bramer

Transcript of Sylvia Plath’s Poem “A Secret” as it corresponds to Lawrence · PDF...

Page 1: Sylvia Plath’s Poem “A Secret” as it corresponds to Lawrence · PDF file · 2014-02-02in his work. Each Plath poem has 6 facets: ... Plath’s line, “I have one eye” ...

Sylvia Plath’s Poem “A Secret”

as it corresponds to Lawrence Durrell’s

The Alexandria Quartet

Excerpts from:

Fixed Stars Govern a Life—

Sylvia Plath’s Qabalah Code

by Julia Gordon-Bramer

© 2012 Julia Gordon-Bramer

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Bio- Julia Gordon-Bramer

BA in Literature and Language from Webster University, St. Louis, Missouri USA

MFA in Creative Writing (poetry and prose) from University of MO-St. Louis

Teaches Arts and Humanities, Philosophy and World Literature at Lindenwood University, St. Louis, Missouri USA

tarot reader for 32+ years

student of mythology, Qabalah, Jungian alchemy and Hermeticism

© 2012 Julia Gordon-Bramer

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“A Secret” by Sylvia Plath © 2012 Julia Gordon-Bramer

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There are six facets to each Ariel poem by Plath:

Qabalah and Tarot

Alchemy

Mythology

History and the World

Astrology and Astronomy

Humanities and the Arts

Durrell had similar themes and sub-themes embedded in his work.

Each Plath poem has 6 facets:

© 2012 Julia Gordon-Bramer

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“A Secret” pays tribute to Durrell’s The Alexandria Quartet, corresponding to Humanities & the Arts facet of the poem.

… with special emphasis on the first book, Justine, as it relates to the Justice Tarot card.

© 2012 Julia Gordon-Bramer

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The other facets mirror and correspond with one another

Briefly,

The Tarot and Qabalah facet: Justice will be done; an impartial weighing of sides or ideas; settling conflict; the law; equilibrium; balance; Karma; cause and effect.

© 2012 Julia Gordon-Bramer

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The Alchemical facet: relates to references of the famous alchemist Paracelsus, studied by The Alexandria Quartet character, Capodistria. There are also many correspondences to the chemistry of practical alchemy and Rosicrucianism throughout the poem.

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The Mythology facet pays tribute to Athene (Minerva to the Romans), the goddess on the Justice card. a.k.a. “Athena” Athene is sometimes called Hippia, meaning “of Horses,” “Hippopotamus” meaning “water horse.”

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The History and the World facet addresses London’s Square Mile, where ruins

of a Roman temple to Minerva have been discovered.

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Collective references to smallpox, illegitimate children, London, and gout point to England’s King Henry VIII--“A Secret” becomes a story of his wives. Another powerful woman, Marie Antoinette, also surfaces in the poem.

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The Astrology and Astronomy facet corresponds with the rare event of Venus in Transit, said to occur at times when women are most powerful in history.

We just had one last week, on the occasion of the Queen’s Diamond Jubilee.

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The Justice tarot card falls on the 11th path of the Qabalah Tree of Life:

© 2012 Julia Gordon-Bramer

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Plath wrote “A Secret” in 1962. The Alexandria Quartet books were published separately at first, 1957-1960.

Justine, 1957 Balthazar, 1958 Mountolive, 1958 Clea, 1960

© 2012 Julia Gordon-Bramer

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“How superior” “You are blue and huge, a traffic policeman” and “holding up one palm.”

The legal authority of Justice is expressed in Plath’s first lines:

© 2012 Julia Gordon-Bramer

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Plath’s line, “I have one eye” corresponds to the character Nessim’s blinded eye, Pursewarden’s sister Liza’s blindness, and also to Justine, whose stroke leaves her with one drooping eye.

© 2012 Julia Gordon-Bramer

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“The secret is stamped on you, / Faint, undulant watermark” refers to Leila’s smallpox.

“Wavery” : smallpox come in waves, both on the body, and as epidemics.

© 2012 Julia Gordon-Bramer

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Plath’s third stanza, “Will it show in the black detector?” refers to the character of Mountolive approaching Alexandria by sea during a wartime blackout.

© 2012 Julia Gordon-Bramer

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There are associations to Alexandria and Durrell’s real-life lover, Eve, in the lines: “Through the African giraffe and its Edeny greenery, The Moroccan hippopotamus” and “jungle gutterals”

© 2012 Julia Gordon-Bramer

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“An illegitimate baby” is Melissa’s baby by Nessim.

© 2012 Julia Gordon-Bramer

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It is interesting to note that Plath’s husband, Ted Hughes, left Plath for his Jewish lover, Assia Wevill, similar to Durrell leaving his wife Nancy for (also Jewish) Eve Cohen.

Assia Wevill Eve Cohen

© 2012 Julia Gordon-Bramer

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Justice vs. Strength

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Justice vs. Strength

Planet Earth vs. Planet Venus (for the Sun/Apollo)

Athena vs. Aphrodite

Minerva vs. Venus

Lawrence Durrell’s character Justine as Aphrodite

Lawrence Durrell’s real-life wife Nancy vs. Eve Cohen

Sylvia Plath vs. Assia Wevill

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In Mountolive, narrator Darley mocks both himself and the character of Pursewarden, brought in for comic relief, suiting the fools in the fourth stanza of “A Secret”.

© 2012 Julia Gordon-Bramer

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The line “Behind two eyes in which nothing is reflected but monkeys” touches on Nessim’s and Liza’s blindnesses again.

The monkeys also fit the Quartet’s characters, being slaves to their primitive natures---most especially the character of Justine.

© 2012 Julia Gordon-Bramer

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A well-known moment: Justine spills perfume all over herself

(“My god, there goes the stopper!”).

In a parallel scene, Leila, now an old woman who’s had smallpox, runs into her former lover. She is drenched in a sickening perfume.

© 2012 Julia Gordon-Bramer

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Two babies, both in a drawer, cannot be coincidence!

“An illegitimate baby--- That big blue head! How it breathes in the bureau drawer” --Sylvia Plath “A Secret” In The Alexandria Quartet, the character Melissa has an illegitimate baby that dies. The baby is featured in this unforgettable scene: “Clea’s account of the horrible party; driving with Justine they had seen a brown cardboard box by the road. They were late so they put it in the back and did not open it until they reached the garage. Inside was dead baby wrapped in newspaper. What to do with this wizened homunculus? Perfectly formed organs. Guests were due to arrive, they had to rush. Justine slipped it into drawer of the hall desk. Party a great success.” (Durrell, 211)

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“An exploded bottle of stout, / Slack foam in the lap,” and “Dwarf baby” refer to the alchemist Capodistria, who studies Paracelsus’ De natura and claims that he has seen homunculi himself:

“this Baron had…actually produced ten homunculi which he called his ‘prophesying spirits’. They were preserved in huge glass canisters. […] They dangled lazily in those stout glass jars.” (Durrell, 809)

© 2012 Julia Gordon-Bramer

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As lovers reconnect and re-injure each other throughout the Quartet books, “The knife in your back” line fits well too.

© 2012 Julia Gordon-Bramer

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The precept on the Hermetic Emerald Tablet that correlates with the Justice card explains that there is life in everything, and all life should be honored and treated with equal respect and justice.

© 2012 Julia Gordon-Bramer

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Sylvia Plath used “A Secret” to reveal the wonder of The Alexandria Quartet, and also the secret of women’s power, good and evil, to be used for justice and revenge—the meaning of the tarot card Justice.

© 2012 Julia Gordon-Bramer

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Thank you.

Please see me, or write me at [email protected] for the complete paper on “A Secret.”

For more of my interpretations of Plath’s work, please see Indiana University’s online publication, Plath Profiles, volumes 3, 4 & 5.

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Works Cited:

Andewski, Gene and Mitchell, Julian. Interview with Lawrence Durrell “Lawrence Durrell: The Art of Fiction No. 23” 23 April 1959, The Paris Review. Web. Last accessed 23 September, 2010

Diboll, Mike. “Lawrence Durrell’s Alexandria Quartet in its Egyptian Contexts” www.mellenpress.com/mellenpress.cfm?bookid=6100&pc=9 Web. Last accessed June 21, 2010

Durrell, Lawrence. The Alexandria Quartet. Faber & Faber (U.K.). 1962. The first of The Alexandria Quartet novels, Justine, was published in 1957. It was followed by Balthazar (1958), Mountolive (1958) and Clea (1960). All books published individually and collectively with Faber & Faber, UK. Print.

Enotes on The Alexandria Quartet by Lawrence Durrell. www.enotes.com/alexandria-quartet-qn/ Web. Last accessed June 22, 2010

Frye, Northrop. “Anatomy of Criticism,” referred to in G.S. Fraser’s biography, Lawrence Durrell “6. Tunc And Nunquam” www.ourcivilisation.com/smartboard/shop/frasergs/durrell/chap6.htm. Web. Last accessed June 21, 2010

Lillios, Anna. “A Brief Analysis of Lawrence Durrell’s Fiction.” Reproduced with permission for the International Lawrence Durrell Society from Magill's Survey of World Literature, volume 7, pages 2334-2342. Salem Press, Inc. 1995. www.lawrencedurrell.org/analysis.htm Web. Last accessed June 21, 2010

Liukkonen, Petri and Ari Pesonen. Biography and Works of Lawrence Durrell. 2008 www.kirjasto.sci.fi/durrell.htm Web. Last accessed June 21, 2010

© 2012 Julia Gordon-Bramer