Syllabus for Elementary & Intermediate Classes (2011-12) · Syllabus for Elementary & Intermediate...

�� As at: 1 NOV 2007

Syllabus for Elementary & Intermediate Classes (2011-12)

� �� (2011-12)

Flute ��

Grade Title (Scope) Composer (Publisher) E1 Studies & Technical Exercises (Tutors must teach at least one of the following items)

A Tune A Day for Flute, Book 1 (lessons 1-26) Herfurth (Boston Music)

Elementary Method for Flute (lessons 1-24) Peterson (Rubank)

76 Graded Studies for Flute, Book 1 (pp.4-7) edit. Harris (Faber Music)

Selected Duet for Flute, Vol. 1 (Rubank)

Time Pieces for Flute Vol.1 (Rigaudon, Waltz, Father Time,

Zalotny, Prelude)

(ABRSM Publishing)

Forty Little Pieces (No.1,5,7,8,11,12,13) Arr. Louis Moyse (Schirmer)

Scales and Arpeggios From memory, to be played both slurred and tongued in the following keys:

F, G majors; E minor (one octave)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


A Tune A Day for Flute, Book 1 (lessons 27-30, 32-33) Herfurth (Boston Music)

A Tune A Day for Flute, Book 2 (lessons 1-3, 5-8, 10-15) Herfurth (Boston Music)

Elementary Method for Flute (lessons 25-39) Peterson (Rubank)


Selected Duet for Flute, Vol. 1 (Rubank)

Solo Pieces (Tutors must teach at least one of the following items) Music Through Time, Flute Book 2 (pp.3, 7, 10-12, Ravel:

Menuet)

arr. Harris (Oxford University Press)

Solos for Flute (pp.5, 14-15, 32-34, 48) edit. Peck (Carl Fischer)

Time Pieces for Flute Vol.1 (Brother, come and dance with

me, Heart of Oak

(ABRSM Publishing)

�� As at: 1 NOV 2007

Time Pieces for Flute Vol.2 (Que je chatoulle ta fossette,

The Lass of Richmond Hill, Prelude)

(ABRSM Publishing)

Forty Little Pieces (No.9,15,19,20) arr. Louis Moyse (Schirmer)

A Miscellany for Flute Book 1 (Humoreske) Michael Rose (ABRSM Publishing)


F, G majors; E, A minors (one octave) D major (two octaves)


* * * * * *


Bb major, A minor (a twelfth) D, F, G majors; D, E, G minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on F (one octave)

Grade Title (Scope) Composer (Publisher) I1 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Intermediate Method for Flute (pp.6-23) Skornicka (Rubank)


125 Easy Classical Studies for Flute (pp.4-16) arr. Vester (Universal Edition)

Selected Duet for Flute, Vol. 1 & 2 (Rubank)

Solo Pieces (Tutors must teach at least one of the following items)

Music Through Time, Flute Book 3 (Les Roseaux, Bouree,

Menuetto, Theme and Variation, Larghetto, Menuetto and

Trio, Allegretto)

arr. Harris (Oxford University Press)

Solos for Flute (Traumerei, The Swan, Musical Moment,

June, Minuet)

edit. Peck (Carl Fischer)

Miscellany for Flute Book 1 (Valsette , Chanson Triste ,

Etude)

Michael Rose (ABRSM Publishing)

Time Pieces for Flute Vol.2 (Are they gone now?) (ABRSM Publishing)

Forty Little Pieces (No.30,31,34,36,37,38) arr. Louis Moyse (Schirmer)

�� As at: 1 NOV 2007

* * * * * *

Grade Title (Scope) Composer (Publisher) I2

Studies & Technical Exercises (Tutors must teach at least one of the following items)

Intermediate Method for Flute (pp.25-48) Skornicka (Rubank)

76 Graded Studies for Flute, Book 1 (pp.23-27, 29) edit. Harris (Faber Music)





Time Pieces for Flute, Vol. 3 (Tambourin, Gavotte) edit. Denley (ABRSM Publishing)

Solos for Flute (Arioso, Siciliano, Serenade, Minuet,

Entr’acte, Berceuse, Adagio)


Time Pieces for Flute, Vol. 3 (Ein Kinderscherz, Sicilienne) (ABRSM Publishing)

A Miscellany for Flute Book 2 Michael Rose (ABRSM Publishing)

�� As at: 1 NOV 2007


Bb major, B minor (a twelfth) C, D, Eb, A majors, C, D, F#, G minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on D and F (two octaves) Dominant Seventh: in the key of G (two octaves)

* * * * * *


Advanced Method for Flute, Vol. 1 (units 1-15) Voxman (Rubank)


76 Graded Studies for Flute, Book 2 (pp.7-13, 17-23, 26-29) edit. Harris (Faber Music)

20 Studies (complete) Gariboldi (IMC)



Dance of the Blessed Spirits Gluck (Scott / Novello)

Sonata in C Major Telemann (IMC)

Sonata in G Minor Handel (Barenreiter)

Rondeau, from Suite no.2 Bach (IMC)

Andante in C, K315 Mozart (Scott / Novello/IMC)

Solos for Flute (Allegretto, Reverie, Tambourin, Sonata in F

Major, Vocalise, Romance, Sicilienne)


Time Pieces for Flute, Vol. 3 (Entree des jeunes Nubiennes,

Sinfonia)

(ABRSM Publishing)


Bb major, B minor (a twelfth) C, Eb, E, G, Ab, A majors; C, C#, F, F#, A minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on Eb and E (two octaves) Dominant Sevenths: in the keys of F, Bb and C (two octaves) Diminished Seventh: starting on E (two octaves)

�� As at: 1 NOV 2007

* * * * * *


C, Db, F#, Ab, A, Bb, B majors; C#, Eb, E, G#, Bb, B minors (two octaves) Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on C, C#, D and A (two octaves) Dominant Sevenths: in the keys of Bb, D and E (two octaves) Diminished Sevenths: starting on Eb and F (two octaves)

* * * * * *

Grade Title (Scope) Composer (Publisher) A1 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Con brio: No.6 from Jazz Singles for Flute Russell Stokes (ABRSM)

Hillbilly Holiday: No. 11 from In the Sun Hilary Taggart (ABRSM)

Tempo di marcia: 1st movt from Suite for Fulte Solo, Op. 57 Wellesz (ABRSM)

Album of Flute Duet Louis Moyse (Hal Leonard)


Allegro: 2nd movt from Sonata in B minor, Op. 2 No. 6 Hasse (ABRSM)

Largo and Allegro: 1st and 2nd movts from Sonata No. 3 in F,

Second Suite

Pepusch (ABRSM)

Vivace: 3rd movt from Sonata in Bb, Op. 1 No. 2 Quantz (ABRSM)

Adagio molto, un poco rubato and Allegro con brio: 2nd and

3rd movts from Sonatina

Jardanyi (ABRSM)

Berceuse: No. 2 from Le Tombeau de Poulenc John McLeod (ABRSM)

Paradise Stomp: No. 3 from Aspects of Paradise Giles Swayne (ABRSM)

Sonata in a minor Op.1 no.4, Sonata in G Major Handel (Barenreiter)

Fantasia No.2 Telemann (Barenreiter)

�� As at: 1 NOV 2007


All keys, major and minor (two octaves) Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on any note (two octaves) Dominant Seventh: in the key of F, A, Bb, C, Eb and F# (two octaves) Diminished Sevenths: starting on C, C# and D (two octaves)

* * * * * *

Grade Title (Scope) Composer (Publisher) A2

Studies & Technical Exercises (Tutors must teach at least one of the following items)

Circus Flute: No. 36 from Fifty for Flute, Book 2 Alan Bullard (ABRSM)

Study in Bb: from 15 etudes modernes, elegantes et

progressives

Gariboldi (ABRSM)

Struttit: No. 12 from 20 Commandments Mike Mower (ABRSM)



Andante: 3rd movt from Sonata in E minor, BMW 1034 Bach (ABRSM)

Allegro moderato: 1st movt from Concerto in D Hofmann (formerly attrib. Haydn)

(ABRSM)

Allegro: 3rd movt from Concerto in G, RV 436 Vivaldi (ABRSM)

Sonata in D Wq.83 1 st movt. C.P.E.Bach (Breitkopf & Hartel)

Morceau de Concours Faure (Bourne Co.-Kalmus/ M.D.S.)

Andantina and Andante Taffanel (Pan Educational Music)

Fantasia NO.1,8 Telemann (Barenreiter)

Moderato-Allegro molto vivace: 1st movt from Sonatina Hans Werner Henze (ABRSM)

Allegro (1885) Taffanel (ABRSM)

Canzone Barber (ABRSM)

�� As at: 1 NOV 2007


Corrente and Sarabande: 2nd and 3rd movts from Partita in A

minor for solo flute, BWV 1013

Bach (Barenreiter)

Study in A major or D major or D minor: No. 2 or No. 7 or No.

8 from 12 Studies, Op. 33, Book 2

Kohler (MDS)



Adagio ma non tanto and Allegro: 1st and 2nd movts from

Sonata in E, BWV 1035

Bach (ABRSM/ Barenreiter)

Presto: 3rd movt from Sonata in B minor, BWV 1030. Bach (Barenreiter)

Rondo in D, K. Anh. 184 (with cadenza). Mozart Andante K.

315 and Rondo K. Anh. 184

Mozart (MDS)

Allegro assai or Vivace: 1st or 3rd movt from Concerto in G

minor, QV5:192

Quantz (Peters)

Allegro: 1st movt from Concerto No. 3 in D Stamitz (Breitkopf & Hartel)

Allegro non molto: 1st movt from Concerto in C minor, RV 441 Vivaldi (FM Distribution)

Heiter bewegt: 1st movt from Sonata Hindemith (MDS)

Allegro malinconico: 1st movt from Sonata Poulenc (Music Sales)

Sonata in e minor Handel (Barenreiter)

Sonata in e minor J.S.Bach (Barenreiter)

Fantasia NO.3,7,9,12 Telemann (Barenreiter)

Suite Antique 3rd, 4th movt. John Rutter (O.U.P)


C major, C minor (three octaves) All other keys, major and minor (two octaves)

Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Scales in Thirds: F and G majors (over two octaves) Chromatic Scales: starting on C (three octaves) and any other note (two octaves) Whole-Tone Scales: starting on C and C# (two octaves) Dominant Sevenths: in the keys of F (three octaves) and all other keys (two octaves) Diminished Seventh: starting on C (three octaves) and any other note (two octaves)

�! ��#�� As at: 31 OCT 2011


�"��"��# (2011-12)

Clarinet �!

Grade Title (Scope) Composer (Publisher) E1 A Tune A Day for Clarinet, Book 1 (lessons 1-19) Herfurth (Boston)

A New Tune A Day for Clarinet, Book 1 (Complete) Bennett (Boston)

^Progressive Studies for Clarinet, Book 1 (nos.1 & 9) Chris Allen (ABRSM)

^80 Graded Studies for Clarinet, Book 1 (nos.1-10) edit. Davies and Harris (Faber)

^First Book of Clarinet Solos (nos.2, 4 & 5) Paul Reade; John Davies (Faber)

^Elementary School For Clarinet (pp.3-7) F. Demnitz (Peters)

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^ Optional


F, G majors; A minor (one octave, in the chalumeau register) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


A Tune A Day for Clarinet, Book 1 (lessons 20-37) Herfurth (Boston)

80 Graded Studies for Clarinet, Book 1 (nos.11-20) edit. Davies and Harris (Faber)

Progressive Studies for Clarinet, Book 1 (nos.10-18) Chris Allen (ABRSM)

Elementary School for Clarinet (pp.8-10) F. Demnitz (Peters)

��'"(�! )��" %&��(�+ $ )�(� �*��)


Selected Clarinet Exam Pieces 2008-13, Grade 2: A Foggy Day Gershwin (ABRSM)

Selected Clarinet Exam Pieces 2008-13, Grade 2: Minuet, Hob. IX/8

No.12

Haydn (ABRSM)

Music Through Time, Clarinet Book 1, The Harmonious Blacksmith Handel (O.U.P.)


C major; D minor (one octave) F, G majors; A minor (two octaves)

�! ��#�� As at: 31 OCT 2011


* * * * * * Grade Title (Scope) Composer (Publisher) I1 Studies & Technical Exercises (Tutors must teach at least one of the following items)


80 Graded Studies for Clarinet, Book 1 (nos.21-30) edit. Davies and Harris (Faber Music)

Rubank Intermediate Method Clarinet (lessons 1-15) Skornicka & Miller (Hal Leonard)

Elementary School For Clarinet (pp.11-15) F. Demnitz (Edition Peters)

40 Studies, Book 1 (nos.1-6) C. Rose (Carl Fischer)

��'"(�! )��" %&��(�+ $ )�(� �*��)


Music Through Time, Clarinet Book 2, Old Man’s Tale Granados (O.U.P.)

Selected Clarinet Exam Pieces 2008-13, Grade 3 : Witches’ Dance T. Kullak (ABRSM)

Selected Clarinet Exam Pieces 2008-13, Grade 3 : Carol No. 3 from

‘5 Bagatelles’

Finzi (ABRSM)


A, Bb, D majors (one octave) F, C majors; G, A, D minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on middle C (one octave)

* * * * * *



80 Graded Studies for Clarinet, Book 1 (nos. 31-40) edit. Davies and Harris (Faber)

Elementary School for Clarinet (pp.16-19) F. Demnitz (Peters)



��'"(�! )��" %&��(�+ $ )�(� �*��)


Going Solo – Clarinet (no.16) Paul Harris (Faber)

Time Pieces for Clarinet, Vol.3, no.15 Ballade Op.100 J.F.F. Burgmuller (ABRSM)

Amazing Solos for Clarinet, Seguidilla from Carmen Bizet (Boosey & Hawkes/MDS)

�! ��#�� As at: 31 OCT 2011

Selected Clarinet Exam Pieces 2008-13, Grade 4 :

Allegretto

F. Danzi (ABRSM)


F, G, A, Bb, D majors; E, G, B, C, D minors (two octaves) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on F and C (two octaves) Dominant Seventh: in the key of C (two octaves)

* * * * * *





Elementary School for Clarinet (pp.20-23) F.Demnitz (Peters)


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Fantasiestuck, Op.73 (no.1) Schumann (Bb/A edition: Peter EP2366)

Time Pieces for Clarinet, Vol.3, Fast zu keck Reger (ABRSM)

Sonata in F minor, Op.120 no.1: 3rd movt , Allegretto

grazioso

Brahms (Henle 274 or Henle274/MDS or

Wiener Sales)

Dance Preludes: no.4, Andante Lutoslawski (Chester/ Music Sales)

Concert Repertoire for Clarinet, Gut Reaction arr. Harris and Johnson (Faber)

Selected Clarinet Exam Pieces 2008-13, Grade 5 :

Tarantella

C. Baermann (ABRSM)


E, G, Ab, Bb, C, D, Eb majors; E, F#, B, C, C#, D minors (two octaves) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on F and C (two octaves) Dominant Sevenths: in the key of Bb, C and D (two octaves) Diminished Seventh: starting on G (two octaves)

�! ��#�� As at: 31 OCT 2011

* * * * * * Grade Title (Scope) Composer (Publisher) A1 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Progressive Studies for Clarinet, Book 2 (no. 48) Chris Allen (ABRSM)

Elementary School for Clarinet (No.16 Chord Studies) F.Demnitz (Peters)


��'"(�! )�" %&��(�+ $ )�(� �*��)


Selected Clarinet Exam Pieces 2008-13 (Grade 6): Croon

Song

Hurlstone (ABRSM)

Five Bagatelles: Prelude or Romance Finzi (Boosey & Hawkes)

Selected Clarinet Exam Pieces 2008-13 (Grade 6): Vocalise Rachmaninov (ABRSM)


E Major; E minor (three octaves), Ab, Bb, B, Db, D, Eb majors; G#, A, Bb, B, C# minors (two octaves)

Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on E (three octaves) and F, A and C (two octaves) Dominant Sevenths: in the key of A (three octaves) and Bb and D (two octaves) Diminished Seventh: starting on E (three octaves) and C (two octaves) * * * * * * Grade Title (Scope) Composer (Publisher) A2 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Progressive Studies for Clarinet, Book 2 (nos.58) Chris Allen (ABRSM)


Selected Clarinet Exam Pieces 2008-13 (Grade 7): Study in

C minor

C. Rose after Ferling (ABRSM)

Selected Clarinet Exam Pieces 2008-13 (Grade 7): Brazilian

Walk

Rob Buckland (ABRSM)


�! ��#�� As at: 31 OCT 2011

Selected Clarinet Exam Pieces 2008-13 (Grade 7): The

Quick Brown Fox

Graham Lyon (ABRSM)

Clarinet Sonata: 2nd movement: Romanza Poulenc


E, F majors; E, F minors (three octaves) All other keys, major and minor (two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms) Chromatic Scales: starting on E and F (three octaves) and any other note (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Sevenths: in the keys of A and Bb (three octaves) and Db, Eb, F# and G (two octaves) Diminished Sevenths: starting on E and F (three octaves) and C (two octaves) * * * * * * Grade Title (Scope) Composer (Publisher) A3 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Progressive Studies for Clarinet, Book 2 (nos. 60) Chris Allen (ABRSM)

80 Graded Studies for Clarinet, Book 1 (nos.76, 78) edit. Davies and Harris (Faber)


Allegro amabile: 1st movt from Sonata in Eb, Op. 120 No. 2 Brahms (Henle 274 or Henle 274/MDS

or Wiener Urtext/MDS)

Clarinet Quintet in Bb: 1St movement: Allegro Weber

Fughetta: No. 5 from Five Bagatelles Finzi (Boosey & Hawkes/MDS)

Allegro tristamente: 1st movt from Sonata Poulenc (Chester/Music Sales)


E, F, F#, G majors; E, F, F#, G minors (three octaves) All other keys, major and minor (two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms) Scales in Thirds: C and D majors (over two octaves) Chromatic Scales: starting on any note E–G (three octaves) and any other note (two octaves) Whole-Tone Scales: starting on B and C (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Sevenths: in the keys of A, Bb, B and C (three octaves) and all other keys (two octaves)

�! ��#�� As at: 31 OCT 2011

Diminished Sevenths: starting on any note E–G (three octaves) and any other note (two octaves) * * * * * *

� �� As at: 1 NOV 2011


�� (2011-12)

Oboe � �


A Tune A Day for Oboe, Book 1 (complete) Herfurth (Boston)

Solo Pieces (Tutors must teach at least one of the following items) Learn as You Play Oboe arr. Wastall (Boosey & Hawkes)

First Book of Oboe Solos arr. Craxton (Faber)

Time Pieces for Oboe, Vol.1 arr. Denley (ABRSM)


F, G majors; D minor (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


Elementary Method for Oboe Hinke (Peters)

80 Graded Studies for Oboe, Book 1 edit. Davies and Harris (Faber)

Solo Pieces (Tutors must teach at least one of the following items) Time Pieces for Oboe, Vol. 1 arr. Denley (ABRSM)

Oboe Music to Enjoy edit. Francis and Gray (Boosey & Hawkes)


F, G majors; D, A minors (one octave) C major (two octaves)


* * * * * *

� �� As at: 1 NOV 2011


Elementary Method for Oboe Hinke (Peters)

80 Grade Studies for Oboe, Book 1 edit. Davies and Harris (Faber)

Solo Pieces (Tutors must teach at least one of the following items) Second Book of Oboe Solos: Rondeau by Purcell arr. Craxton (Faber)

Oboe Music to Enjoy: Tranen by Mussorgsky edit. Francis and Gray (Boosey & Hawkes)


Bb (starting an octave above lowest tonic) major; E, G, A minors (one octave) F, G majors; D minor (a twelfth) C major (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on G (one octave)

* * * * * *


24 Melodic Studies for Oboe Hinke (Peters)

80 Graded Studies for Oboe, Book 1 edit. Davies and Harris (ABRSM)

Solo Pieces (Tutors must teach at least one of the following items) Second Book of Oboe Solos arr. Craxton (Faber)

Going Solo – Oboe: Tambourin by Hasse arr. Francis and Grant

9 Short Pieces from 3 Centuries: Siciliano by Handel arr. Thackray (OUP)


A major (one octave) F major; F#, G minors (a twelfth) C, D, Eb majors; B, C, D minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on C and D (two octaves) Dominant Seventh: in the key of F (two octaves)

* * * * * *

� �� As at: 1 NOV 2011


80 Graded Studies for Oboe, Book 2 edit. Davies and Harris (ABRSM)


Second Book of Oboe Solos: Theme & 2 Variations by Mozart arr. Craxton (Faber)

Going Solo – Oboe: Ring Around by Robin Grant arr. Francis and Grant

Sonata No. 3 in E minor, 1 & 4 movts Geminiani (Baerenreiter)

First Repertoire Pieces for Oboe arr. Wastall (Boosey & Hawkes)


G, Ab, A majors; F, F#, A minors (a twelfth) Bb, D Eb, E majors; B, C#, E minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on D and Eb (two octaves) Dominant Sevenths: in the key of Eb, F and G (two octaves) Diminished Seventh: starting on B (two octaves)

* * * * * *


Study in G (Allegro moderato) Granier

Study in D (Allegretto: without da capo) Granier

Elegy and Limerick: Nos 2 and 5 from Seven

Bagatelles for solo oboe

Jacob

Solo Pieces (Tutors must teach at least one of the following items) Concerto No. 1 (No. 8) in Bb, HWV 301: 1st

and 2nd movts, Adagio and Allegro

Handel

Sonata in E minor (from Op. 7): 1st and 2nd

movts, Adagio and Allegro

N. Chédeville

Romanze: No. 1 from Two Fantasy Pieces,

Op. 2

Nielsen

The Busker’s Hat. No. 16 from Going Solo –

Oboe

Robin Grant


� �� As at: 1 NOV 2011 F#, Ab majors; G, G# minors (a twelfth)

Bb, B Db, E, F majors; Bb, B, C#, F minors (two octaves)

Scales: in the above keys (minor in both melodic and harmonic forms) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Bb, C, Eb and E (two octaves)

Dominant Sevenths: in the keys of E, F and A (two octaves)

Diminished Sevenths: starting on Bb and B (two octaves)

* * * * * *


Aria (from Cantata No. 93) or Aria (from St Matthew

Passion)

J. S. Bach

Galop: No. 7 from Seven Bagatelles for solo oboe Jacob

Three Rustical Miniatures, Op. 24: No. 1 or No. 2 Sigtenhorst Meyer

Solo Pieces (Tutors must teach at least one of the following items) Concerto in D, Op. 7 No. 6: 1st and 2nd movts,

Allegro and Adagio

Albinoni

Concerto: 1st and 2nd movts, Introduzione and

Allegro, or 1st and 4th movts, Introduzione and

Allegro giusto

Cimarosa arr. Benjamin

Concertino in F, Op. 110: 2nd movt, Romanze:

Adagio

Kalliwoda

Three Romances, Op. 94: No. 1 or No. 3 Schumann

Italian Dance Madeleine Dring


F#, G, Ab, A majors; F#, G, G#, A minors (a twelfth)

All other keys, major and minor (two octaves)

Scales: in the above keys (minor in both melodic and harmonic forms) Arpeggios: the common chords of the above keys for the range indicated

Chromatic: starting on any note F# – A (a twelfth) and any other note (two octaves)

Dominant Sevenths: in the keys of Eb, E, F, F# and Ab (two octaves)

Diminished Sevenths: starting on Bb, B and C (two octaves)

* * * * * *

� �� As at: 1 NOV 2011


Fantasy Pieces for oboe: No. 2 or No. 4 Derek Bourgeois

Phaeton or Niobe or Arethusa: No. 2 or No. 3 or No. 6

from Six Metamorphoses after Ovid, Op. 49

Britten

48 Studies for the Oboe, Op. 31: No. 36 in F minor or No.

41 in Db

Ferling

Three Rustical Miniatures, Op. 24: No. 3 Sigtenhorst Meyer


Concerto in C, Hob. VIIg/C1: 1st movt, Allegro spiritoso Haydn

Concerto in D minor: 1st and 2nd movts, Andante e

spiccato and Adagio, or 2nd and 3rd movts, Adagio and

Presto

A. Marcello

Concerto in C, K. 314: 2nd movt, Adagio non troppo Mozart

Sonata in Bb, TWV 41:B6: 1st or 4th movts, Adagio or

Vivace

Telemann

Sonata: 1st movt, Munter Hindemith

Sonata: any one movt Poulenc

Sonata, Op. 166: 1st or 3rd movt, Andantino or Molto

allegro

Saint-Saens


G, Ab, A majors; G, G#, A minors (a twelfth)

All other keys, major and minor (two octaves)

Scales: in the above keys (minor in both melodic and harmonic forms) Arpeggios: the common chords of the above keys for the range indicated Scales in Thirds: C and D majors (over two octaves)

Chromatic starting on Bb (two and a half octaves), G, Ab and A (a twelfth), and any other note (two octaves)

Whole-Tone Scales: starting on C and C# (two octaves)

Dominant Sevenths: in the keys of C, Db and D (one octave) and all other keys (two octaves)

Diminished Sevenths: starting on any note Bb – F# (two octaves)

�� As at: 29 Mar 2011


�� (2011-12)

Bassoon ��


A Tune A Day for Bassoon, Book 1 (Lessons 1-22) Herfurth (Boston)


First Book of Basson Solo (nos.3, 7) arr. Hilling and Bergmann (Faber)


F, G majors; E minor (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


A Tune A Day for Bassoon, Book 1 (Lessons 22- 33) Herfurth (Boston)

Bassoon Studies, Op.8, Vol.1 (p.5, no.5; p.7 no.3) Weissenborn (Peters)


Going Solo – Bassoon

In the Hall Of the Mountain King by Grieg

arr. Sheen (Faber)

Learn As You Play Bassoon (nos.25, 31, 40, 41) arr. Wastall (Boosey & Hawkes)

First Book of Bassoon Solo (nos.22, 25) Davies (ABRSM)


C, G (starting an octave above lowest tonic) majors; E, A minors (one octave) F major (two octaves)


* * * * * *

�� As at: 29 Mar 2011


Bassoon Studies, Op.8, Vol.1 (p.9, no.4; p.10, no.4) Weissenborn (Peters)


A Miscellany for Bassoon, Book 1:

Ballad; Intrada; Sea Shanty; Merry Andrew; Cantilena

Michael Rose (ABRSM)

Going Solo – Bassoon (nos.3, 4, 5, 7) arr. Sheen (Faber)

Time Pieces for Bassoon, Vol. 1:

The Birdcatcher’s Song (from “Magic Flute”) by Mozart;

Princess Royal by O’Carolan

arr. Denley (ABRSM)

Learn As You Play Bassoon :

The Cellarman’s Song by L. Fischer;

Study No.1(p.42) and No.4 (p.54), by Gariboldi

arr. Wastall (Boosey & Hawkes)


A major; A minor (one octave) Bb major (a twelfth, starting an octave above lowest tonic) C, D, G majors; D, E minors (two octaves)


* * * * * *

Grade Title (Scope) Composer (Publisher) I2

Studies & Technical Exercises (Tutors must teach at least one of the following items) Bassoon Studies, Op.8, Vol.2 Weissenborn (Peters)

Solo Pieces (Tutors must teach at least one of the following items) Solos for the Bassoon Player,

Bourree I (from Suite No.3) by J.S Bach

edit. Sol Schoenbach

Sonata No. 1 in A minor (2nd and 4th movts) Galliard (Peters)

Times Pieces for Bassoon, Vol. 2:

The Teddy Bears’ Picnic by John W. Bratton;

Dance of the Young Maidens (from “Gayane”) by Khachaturian;

Vocalise (from “Potraits”) by John McCabe

arr. Denley (ABRSM)

Humoreske (from “Arioso and Humoreske”), op.9 Weissenborn (ABRSM)

�� As at: 29 Mar 2011


Bb, C, F, G, A majors; B, C, D, G, A minors (two octaves) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on F and C (two octaves) Dominant Seventh: in the key of C (two octaves)

* * * * * *


Bassoon Studies, Op.8, Vol.1 (p.26, no.20; p.27, no.22) Weissenborn (Peters)

Bassoon Studies, Op.8, Vol.2 (nos.4, 5) Weissenborn (Peters)

Solo Pieces (Tutors must teach at least one of the following items) Sonata in F minor (1st or 4th movt) Telemann (Amadeus)

Concerto in E minor, RV 484, F.VIII no.6 (2nd movt) Vivaldi (IMC 2353/ M.D.S)

Bassoon solos, Vol.1, No.9:

Scherzo - Kolomyjka

Hynek Vojacek

edit. Waterhouse (Chester/ Music Sales)

Suite-Concertino in F, Op.16 (2nd and 3rd movts) Wolf Ferrari (Ricordi/ U.M.P)

A Miscellany for Bassoon, Book 2: Scena Michael Rose (ABRSM)

Six Sonatas, Vol.1:

Sonata No.2 in G (4th movt)

Galliard (IMC 2114/M.D.S)


Bb, Eb, E, F, G, Ab, A majors; Bb, B, C#, F, F#, A minors (two octaves) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on A and C (two octaves) Dominant Sevenths: in the key of Bb, C and D (two octaves) Diminished Seventh: starting on E (two octaves)

* * * * * *

�� As at: 29 Mar 2011


1. Weissenborn op.8, Vol.2 (No.11, 13, 14) Weissenborn (Peters Edition)

2. A Miscellany for Bassoon, Book 2

- Scherzo

Michael Rose (ABRSM Publishing)


1. Sonata in Bb: (1st or 3rd movement) Besozzi (Accolade Musikverlag

1042/Emerson)

2. Sonata No.3 in F (2nd movement: Allegro) Galliard Six Sonatas, Vol.1 (IMC

2114/MDS)

3. Sonata in F : (3rd or 4th movement, Allegretto or

Moderato-Vivace)

Hurlstone (Emerson)

4. Sonatine: Aria (2nd movement) Tansman (Eschig/ UMP)


Bb, B majors; Bb, B minors (three octaves) Db, D, Eb, E, Ab majors; C#, E, G, G# minors (two octaves)

Scales: in the above keys (minor in both melodic and harmonic forms) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on Bb (three octaves) and E, F and A (two octaves) Dominant Sevenths: in the key of Eb (three octaves), Bb and D (two octaves) Diminished Sevenths: starting on Bb (three octaves) and A (two octaves)

* * * * * *


1. Weissenborn op.8, Vol.2 (No.15, 17) Weissenborn (Peters Edition)

2. Concert Studies, op. 26, Vol. 1: No.4 or No. 10 Milde (IMC 467/ MDS)


1. Concerto in Bb, K 191: 3rd movt, Rondo: tempo di

Menuetto (bassoon tacet in tuttis)

Mozart (Universal 18123/ MIDS or

Barenreiter BA 4868a)

2. Sonata in F minor, TWV 41: fl: 2nd movt. Allegro (2nd

movement: Allegro)

Telemann (Amadeus BP 665/ MDS)

3. Concerto in A minor : 1st or 3rd movt, Allegro molto or

Allegro, (RV 497, F.VIII No.7)

Vivaldi (Ricordi/ UMP)

�� As at: 29 Mar 2011


Bb, B, C majors; Bb, B, C minors (three octaves) All other keys, major and minor (two octaves)

Scales: in the above keys (minor in both melodic and harmonic forms) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on Bb, B, C (three octaves) and any other note (two octaves) Dominant Sevenths: in the keys of E and F (three octaves), A, C, Db and D (two octaves) Diminished Sevenths: starting on Bb, B and C (three octaves)

* * * * * * Grade Title (Scope) Composer (Publisher) A3 Studies & Technical Exercises (Tutors must teach at least one of the following items)

1. Weissenborn op.8, Vol.2 (No. 29, 33, 35 ) Weissenborn (Peters Edition)

2. Concert Studies, op. 26, Vol. 1: No.2 or No. 6 or No. 15

or No. 22

Milde (IMC 467/ MDS)


1. Concerto in E minor, (RV 484, F.VIII No.6): 1st or 3rd

mvt, Allegro poco or Allegro

Vivaldi (IMC 2353/ MDS)

2. Romance, Op. 62 Elgar (Novello/ Music Scales)

3. Sonata : complete Hindemith (Schott ED 3686/ MDS)


Bb, B, C, Db, D majors; Bb, B, C, C#, D minors (three octaves) All other keys, major and minor (two octaves)

Scales: in the above keys (minor in both melodic and harmonic forms) Arpeggios: the common chords of the above keys for the range indicated Scales in Thirds: F and G majors (over 2 octaves) Chromatic Scales: starting on Bb-D (three octaves) and any other note (two octaves) Dominant Sevenths: in the keys of Eb, E, F, F# and G (three octaves), and any other keys (two octaves) Diminished Sevenths: starting on any note Bb- D (three octaves), any other keys (two octaves)

�� As at: 12 OCT 2011

Syllabus for Elementary, Intermediate & Advance Classes (2011-12)

�� (2011-12)

Saxophone ��

Grade Title (Scope) Composer (Publisher) E1 Technical Exercises (Tutors must teach at least one of the following items)

Saxophone Basics (Complete) Andy Hampton (Faber)

A New Tune A Day for Alto Saxophone Book 1 (Complete) Ned Bennett (Boston Music)

Studies (Tutors must teach at least one of the following items)

Sixty for Sax (nos.1-11) Alan Bullard (ABRSM Publishing)

80 Graded Studies for Saxophone, Book 1 (nos.1-13) edit. Davies and Harris (Faber)


F major (one octave) G major; A minor (twelfth) C, D majors; D minor (two octaves)


* * * * * *


Rubank Intermediate Method Saxophone (selected) Hovey (Hal Leonard)

Sixty for Sax (nos.12-20) Alan Bullard (ABRSM)

80 Graded Studies for Saxophone, Book 1 (nos.14-21) edit. Davies and Harris (Faber)

Solo Pieces Time Pieces for E flat Saxophone Volume 1 (Complete) arr. Denley (ABRSM)


G, A majors; A minor (twelfth) C, D, F, Bb majors; D, A minors (two octaves)


�� As at: 12 OCT 2011

* * * * * *



80 Graded Studies for Saxophone, Book 1 (nos.22-30) edit. Davies & Harris (Faber)


Concert Repertoire for Alto Saxophone

(Adagio from Sonata in G minor, Sax of one and half a

dozen of the other)

arr. Harris and Calland (Faber)

Twenty-two Unaccompanied Pieces for Saxophone

(Roslin Castle, The Jolly Huntsman)

arr. Lewin (ABRSM Publishing)


G, A, Ab majors; G, A minors (a twelfth) Bb, C, D, Eb, E, F majors; D, E minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on G (a twelfth), starting on E (two octaves)

* * * * * *





Concert Repertoire for Alto Saxophone

(Saxesequential, Spanish Love Song)

arr. Harris and Calland (Faber)

The Light Touch

(Bright Young Things, Wishing you were here)

arr. Lewin (Stainer & Bell)

Twenty-two Unaccompanied Pieces for Saxophone

(Coast Road, Bourree, A Vintage Dace)

arr. Lewin (ABRSM Publishing)


�� As at: 12 OCT 2011 G, A, Ab majors; F#, G, A minors (a twelfth) Bb, C, D, Eb, E, F majors; B, C, D, E minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on C and D (two octaves) Dominant Seventh: in the key of G (two octaves)

* * * * * *





Sonata in C minor Telemann, arr. Londex (Leduce)

Tableaux de Provence for alto saxophone (2nd and 3rd movts) Paule Maurice (Lemoine)

The Light Touch

(More Brothers, Interactive)

arr. Lewin (Stainer & Bell)

Solos for the Alto Saxophone Player

(The Old Castle)

arr. Larry Teal (Schirmer)


G, Ab, A majors; F#, G, A minor (a twelfth) Bb, B, C, Db, D, Eb, E, F majors; B, C, C#, D, E, F minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on Bb (two and a half octaves) Dominant Sevenths: in the key of Eb, F and G (two octaves) Diminished Seventh: starting on D (two octaves)

* * * * * *




12 Modern Etudes for Solo Saxophone (nos.1-6) James Ray (Universal Edition)


�� As at: 12 OCT 2011 Cinq danses exotiques (Complete) Jean Francaix (Schott)

Sonata in G minor (1st movement) J.S.Bach, arr. Harle (Universal Edition)

John Harle’s Sax Album

(Allegro and Adagio)

Vinci, arr. Harle (Boosey & Hawkes)

Witch Hunt Ulrich Schultheiss (Saxtet Publications)

Aria Eugene Bozza (Leduc)

Light of Sothis Amy Quate (Leduc)


F#, G, Ab, A majors; F#, G, G#, A minor (a twelfth) Bb, B, C, Db, D, Eb, E, F majors; Bb, B, C, C#, D, E, F minors (two octaves)

Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales:

Starting on C, Eb and E (two octaves) Starting on Bb (two and a half octaves)

Dominant Sevenths: in the key of Eb, E, F, G and A (two octaves) Diminished Seventh: starting on Bb, B and D (two octaves)

* * * * * *




12 Modern Etudes for Solo Saxophone (nos.7-12) James Ray (Universal Edition)


Sonata in G minor (2nd & 3rd movements) J.S.Bach, arr. Harle (Universal Edition)

Tableaux de Provence for alto saxophone (1st movement) Paule Maurice (Lemoine)

Sonata (2nd movement) Bernhard Heiden (Schott)

Histories (Complete) Jacques Ibert (Leduc)

Suite No. 1 (Prelude, Allemande, Courante) J.S Bach, arr. Londeix (Lemonie)


F#, G, Ab, A majors; F#, G, G#, A minor (a twelfth) All other keys, major and minor (two octaves)

Scales: in the above keys (minor in melodic and harmonic form)

�� As at: 12 OCT 2011 Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: on any note F# - A (a twelfth) and any other note (two octaves) Dominant Sevenths: in the key of Eb, E, F, F#, and Ab (two octaves) Diminished Seventh: starting on Bb, B and C (two octaves)

* * * * * *




New Concert Studies for Saxophone (Complete) Nobuya Sugawa (De Haske)


Tableaux de Provence for alto saxophone (5th movement) Paule Maurice (Lemoine)

Scaramouche (III. Brazileira) Darius Milhaud (Editions Salabert)

Sonata (1st movement) Bernhard Heiden (Schott)

A l’Espagnole: Pièces caractéristiques No. 1 Op. 77 for Alto

Saxophone

Pierre Max Dubois (Leduc)

Sonata No. 4 (Complete) J.S. Bach, arr. Mule (Leduc)

Sonata No. 2 (Allegro Final) J.S. Bach, arr. Ling


F#, G, Ab, A majors; F#, G, G#, A minor (a twelfth) All other keys, major and minor (two octaves)

Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales:

Starting on Bb (two and a half ovtaves) F# - A (a twelfth) Any other note (two octaves)

Dominant Sevenths: in the key of B, C, Db, D (one octaves) and all other keys (two octaves) Diminished Seventh: starting on Bb-F (two octaves)

Syllabus(for(Advance(Classes�� ( (2011712)( Percussion( ��

Grade( Title((Scope)( Composer((Publisher)(A1( Studies(&(Solo(Pieces – tutors must teach at least one of the following items for both snare

drum and tuned percussion 12 Progressive Solos for Snare Drum Goldenberg (Chappell/Hal Leonard)

24 Etudes for Marimba Butov (Studio4Music)

Funny Xylophone Zivkovic (Gretel Verlag)

Graded Music for Snare Drum, Book 3 Hathway (ABRSM)

Graded Music for Tuned Percussion, Book 3 Hathway (ABRSM)

Harry Breuer’s Mallet Solo Collection Breuer (Alfred)

Magic Sticks Sonntag (Zimmermann)

Modern School for Xylophone, Marimba & Vibraphone Goldenberg (Chappell/Hal Leonard)

Ten Etudes for Snare Drum Zivkovic (Studio4Music)

Scales(and(Arpeggios(From memory, to be played in the following keys:

1 octave: F#, C# majors; Eb harmonic minor (scales x 2; arpeggios x 3)

2 octaves: D, Bb majors; B, G harmonic minors (scales x 1)

Chromatic scales: starting on any natural (1 octave x 2)

Dominant sevenths: in the keys of D, A, Bb and Eb (1 octave x 3)

Diminished sevenths: starting on C#, E, G and Bb (1 octave x 3)

Grade( Title((Scope)( Composer((Publisher)(A2( Studies(&(Solo(Pieces – tutors must teach at least one of the following items for both snare

drum and tuned percussion 12 Progressive Solos for Snare Drum Goldenberg (Chappell/Hal Leonard)


Funny Marimba (Book 1) Zivkovic (Gretel Verlag)








2 octaves: all majors and harmonic minors (scales x 1; arpeggios x 3; broken chords x 1)

Chromatic scales: starting on any accidental (1 octave x 2)

Dominant sevenths: in the keys of E, B, Ab and Db (1 octave x 3)

Diminished sevenths: starting on D, F, Ab and B (1 octave x 3)

Syllabus(for(Advance(Classes�� ( (2011712)( Percussion( ��

Grade( Title((Scope)( Composer((Publisher)(A3( Studies(&(Solo(Pieces!– tutors must teach at least one of the following items for both snare

drum and tuned percussion!12 Progressive Solos for Snare Drum Goldenberg (Chappell/Hal Leonard)


Funny Marimba (Book 1) Zivkovic (Gretel Verlag)







Xylophone Rags Hamilton Green (Meredith)


2 octaves: all majors and harmonic minors (scales x 1; arpeggios x 3; broken chords x 1)

Chromatic scales: starting on any note (2 octaves x 1)

Dominant sevenths: in all keys (2 octaves x 2)

Diminished sevenths: starting on any note (2 octaves x 2)

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