Superior Type Vegan Sans Specimen · Superior Type Copyright © Superior Type 2019 ˘˝ ˆ ˆ ˜,...

Superior Type

Vegan Sans

Copyright © Superior Type 2019 www.superiortype.com

typeface

vegan sans — specimen 1 / 25

description

• Designer: Vojtěch Říha

• 12 styles in Font family

• 428 glyphs in Basic Font package

• 843 glyphs in Premium Font package

• 17 Features in Premium Font family

• Release year: 2016

details

This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s.

Vojtěch Říha redesigned the font in 2014 with aim for more contemporary feel.

The new styles include energetic italics and many alternative characters,

for example the lowercase ‘a’, ‘j’ and ‘g’.

The font combines drawn details with calligraphic contrasts. Not exactly geometric

or humanist, but always blending any boundaries with bold aitude. It also works

in almost any size thanks to a neutral medium weight.

Vegan is a workhorse with light, surprising details. It is crystal clear in large

headlines, functional in text and tiny footnotes.

• OTF (Open Type)

• TTF (True Type)

• WOFF (Web Open Font Format)

• WOFF 2 (Web Open Font Format)

fonts formats

Superior Type


12 styles


Vegan Sans LightVegan Sans Light ItalicVegan Sans RegularVegan Sans ItalicVegan Sans MediumVegan Sans Medium ItalicVegan Sans SemiboldVegan Sans Semibold ItalicVegan Sans BoldVegan Sans Bold ItalicVegan Sans BlackVegan Sans Black Italic

Superior Type


vegan sans light — 100/90 pt


Ham&Burgers!316vegan sans light — 40/42 pt

This modernist gro-tesque was originally drawn by Stanislav Maršo in the 1960s.Vojtěch Říharedesigned the font in

Superior Type


vegan sans light italic — 100/90 pt


Ham&Burgers!316vegan sans light italic — 40/42 pt


Superior Type


vegan sans light, vegan sans light italic — 18/22 pt


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha rede-signed the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts.Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also


This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alterna-tive characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font in

2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative characters,

for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly

geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size

thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large


Superior Type


vegan sans regular — 100/90 pt


Ham&Burgers!316vegan sans regular — 40/42 pt


Superior Type


vegan sans italic — 100/90 pt


Ham&Burgers!316vegan sans italic — 40/42 pt


Superior Type


vegan sans regular, vegan sans italic — 18/22 pt


This modernist grotesque was originally drawnby Stanislav Maršo in the 1960s. Vojtěch Říha rede-signed the font in 2014 with aim for morecontemporary feel. The new styles include energet-ic italics and many alternative characters,for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude.


This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alterna-tive characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also worksin almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functionalin text and tiny footnotes.


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font in

2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative characters,

for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly

geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size

thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large


Superior Type


vegan sans medium — 100/90 pt


Ham&Burgers!316vegan sans medium — 40/42 pt


Superior Type


vegan sans medium italic — 100/90 pt


Ham&Burgers!316vegan sans medium italic — 40/42 pt


Superior Type


vegan sans medium, vegan sans medium italic — 18/22 pt


This modernist grotesque was originally drawnby Stanislav Maršo in the 1960s. Vojtěch Říha rede-signed the font in 2014 with aim for morecontemporary feel. The new styles includeenergetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphiccontrasts. Not exactly geometric or humanist,but always blending any boundaries with bold


This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and manyalternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan isa workhorse with light, surprising details. It is crystal clear in largeheadlines, functional in text and tiny footnotes.


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font

in 2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative

characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts.

Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost

any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in

large headlines, functional in text and tiny footnotes.

Superior Type


vegan sans semibold — 100/90 pt


Ham&Burgers!316vegan sans semibold — 40/42 pt


Superior Type


vegan sans semibold italic — 100/90 pt


Ham&Burgers!316vegan sans semibold italic — 40/42 pt


Superior Type


vegan sans semibold, vegan sans semibold italic — 18/22 pt


This modernist grotesque was originally drawnby Stanislav Maršo in the 1960s. Vojtěch Říharedesigned the font in 2014 with aim for morecontemporary feel. The new styles includeenergetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist,but always blending any boundaries with bold


This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and manyalternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometricor humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan isa workhorse with light, surprising details. It is crystal clear in large head-lines, functional in text and tiny footnotes.


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font

in 2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative

characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts.

Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost

any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear

in large headlines, functional in text and tiny footnotes.

Superior Type


vegan sans bold — 100/90 pt


Ham&Burgers!316vegan sans bold — 40/42 pt


Superior Type


vegan sans bold italic — 100/90 pt


Ham&Burgers!316vegan sans bold italic — 40/42 pt


Superior Type


vegan sans bold, vegan sans bold italic — 18/22 pt


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říharedesigned the font in 2014 with aim for more contemporary feel. The new styles includeenergetic italics and many alternative charac-ters, for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold


This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude.It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned

the font in 2014 with aim for more contemporary feel. The new styles include energetic italics and many

alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with

calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold

aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light,

surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.

Superior Type


vegan sans black — 100/90 pt


Ham&Burgers!316vegan sans black — 40/42 pt

This modernist gro-tesque was originally drawn by Stanislav Maršo in the 1960s.Vojtěch Říharedesigned the font

Superior Type


vegan sans black italic — 100/90 pt


Ham&Burgers!316vegan sans black italic — 40/42 pt


Superior Type


vegan sans black, vegan sans black italic — 18/22 pt


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font in 2014 with aim for more contemporary feel. The new styles includeenergetic italics and many alternativecharacters, for example the lowercase ‘a’, ‘j’and ‘g’. The font combines drawn details with cal-ligraphic contrasts. Not exactly geometric or hu-manist, but always blending any boundaries with


This modernist grotesque was originally drawn by Stanislav Maršoin the 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.


This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned

the font in 2014 with aim for more contemporary feel. The new styles include energetic italics and many

alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with

calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold

aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light,

surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.

small caps

Superior Type


off

Emotionsall small caps Ham & Dogs (123)?case sensitiveforms

Ham & Dogs (123)?

¡¿A–B?! E@Nstandardligatures

¡¿A–B?! E@N

ff fi fl ffi ffllining figures

0123456oldstyle figures

0123456

0123456tabular figures

0123456

0123456tabular oldstylefigures

0123456

0123456fractions

0123456

1/2 3/4scientificinferiors

1⁄2 3⁄4

H2Osuperscript

H2O

Menu123stylistic set 1

Menu123

Madamestylistic set 2

Madame

Gogolstylistic set 3

Gogol

jamstylistic set 4

jam

J. Nautstylistic set 5

J. Naut

EQUINOXstylistic set 10

EQUINOX

120 × 350 120 × 350

Emotions

on


17 features in premium

Superior Type


uppercase

premium package


A B C D E F G H I J K L M N O P Q Q R S T U V W X Y Z Æ Ŋ ẞ Ð Ĳ Œ Ø Þ Á Ă Â

Ä À Ā Ą Ã Ć Č Ç Ĉ Ċ Ď Đ É Ĕ Ě Ë Ė È Ē Ę Ğ Ĝ Ģ Ġ Ħ Ĥ Í Ĭ Î Ï İ Ì Ī Į Ĩ Ĵ Ķ Ĺ Ľ Ļ Ŀ Ń Ň Ņ

Ñ Ó Ŏ Ö Ő Ō Õ Ŕ Ř Ŗ Ś Š Ş Ŝ Ș Ŧ Ť Ţ Ț Ú Ŭ Û Ü Ù Ű Ū Ų Ů Ũ Ẃ Ŵ Ẅ Ẁ Ý Ŷ Ÿ

Ỳ Ż Ǽ

a a b c d e f g g h i j j k l m n o p q r s t t u v w x y z æ ŋ ß ð ſ ĳ ĳ ĸ œ ø þ á ă â

ä à ā ą å ã á ă â ä à ā ą å ć č ç ĉ ċ ď đ é ĕ ě ê ë ė è ē ę ğ ĝ ģ ġ ğ ĝ ģ ġ ħ ĥ í ĭ î ï ı

ì ī į ĩ ĵ ĵ ķ ĺ ľ ļ ŀ ł ń ň ņ ñ ó ŏ ô ö ò ő ō õ ŕ ř ŗ ś š ş ŝ ș ŧ ť ţ ț ŧ ť ţ ț ú ŭ û ü ù ű ū ų ů

ũ ẃ ŵ ẅ ẁ ý ŷ ÿ ỳ ź ž ż ǽ

a b c d e f g h i j k l m n o p q q r s t u v w x y z æ ŋ ø ð ĳ ø þ á ă â ä à ā ą å ã

ć č ç ĉ ċ ď đ é ĕ ě ê ë ė è ē ę ğ ĝ ģ ġ ħ ĥ í ĭ î ï İ ì ī į ĩ ĵ ķ ĺ ľ ļ ŀ ł ń ň ņ ñ ó ŏ ô ö

ò ő ō õ ŕ ř ŗ ś š ş ŝ ș ŧ ť ţ ț ú ŭ û ü ű ū ų ů ũ ẃ ŵ ẅ ẁ ý ŷ ÿ ỳ ź ž ż ǽ

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a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z

$ ¢ £ ¥ ƒ € ₪ ₡ ₥ ₦ ₨ ₩ ₫ ₭ ₮ ₱ ₴ ₵ ฿ ¤ # $ ¢ £ ¥ ƒ € # $ ¢ £ ¥ ƒ € ₪ ₡ ₥ ₦ ₨ ₩

₫ ₭ ₮ ₱ ₴ ₵ ฿ ¤ #

0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8

9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 6 7 8 9 0 1 2 3 4 5 6 7 8 9 + − = , . ( ) 0 1 2 3 4 5 6 7

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« » ‚ „ ’ ” ‘ “ , . : ; … ? ¿ ! ¡ ( ) [ ] 〚〛 / \ * • § † ‡ ¶ © ® ™ @ & — – - ‹ › « » ¿

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← → ↑ ↓ ⟵ ⟶ ← → ↑ ↓ ⟵ ⟶

lowercase

small caps

ligatures

superscriptsubscript

currency

mathematicalpunctuation

numeralsfractions

arrows

Superior Type


basic package


uppercase

lowercase

ligatures

currency

numeralsfractions

mathematicalpunctuation

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Æ Ŋ ẞ Ð Ĳ Œ Ø Þ Á Ă Â Ä À

Ā Ą Ã Ć Č Ç Ĉ Ċ Ď Đ É Ĕ Ě Ë Ė È Ē Ę Ğ Ĝ Ģ Ġ Ħ Ĥ Í Ĭ Î Ï İ Ì Ī Į Ĩ Ĵ Ķ Ĺ Ľ Ļ Ŀ Ń Ň Ņ Ñ

Ó Ŏ Ö Ő Ō Õ Ŕ Ř Ŗ Ś Š Ş Ŝ Ș Ŧ Ť Ţ Ț Ú Ŭ Û Ü Ù Ű Ū Ų Ů Ũ Ẃ Ŵ Ẅ Ẁ Ý Ŷ Ÿ Ỳ Ż Ǽ

a b c d e f g h i j k l m n o p q r s t u v w x y z æ ŋ ß ð ſ ĳ ĸ œ ø þ á ă â ä à ā ą å

ã ć č ç ĉ ċ ď đ é ĕ ě ê ë ė è ē ę ğ ĝ ģ ġ ħ ĥ í ĭ î ï ı ì ī į ĩ ĵ ĵ ķ ĺ ľ ļ ŀ ł ń ň ņ ñ ó ŏ ô ö

ò ő ō õ ŕ ř ŗ ś š ş ŝ ș ŧ ť ţ ț ŧ ť ţ ț ú ŭ û ü ù ű ū ų ů ũ ẃ ŵ ẅ ẁ ý ŷ ÿ ỳ ź ž ż ǽ

~ | ] ? ;

$ ¢ £ ¥ ƒ € ¤ #

0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7

8 9 ¼ ½ ¾ % ‰

^ ~ · + − ± × × ÷ < > ≤ ≥ = ≠ ≈ ¬ | ¦ ∞ ◊ ∂ µ π ∆ ∏ ∑ Ω √ ∫ ℓ ∅ ° ª º ' " _ — – - ‹ ›

« » ‚ „ ’ ” ‘ “ , . : ; … ? ¿ ! ¡ ( ) [ ] 〚〛 / \ * • § † ‡ ¶ © ® ™ @ & — – - ‹ › « » ¿

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Superior Type

Copyright © Superior Type 2019 www.superiortype.com vegan sans — specimen 25 / 25

about superior type

Superior Type is inspired by calligraphy and sculpture. We bring honest and modern

fonts to organisations, products and publishing. We’re a ]exible team of type

designers and art directors available for custom type design and other projects.

Follow us on Instagram @superior_type

Check our art-design project of rotated leers

www.superiorobjects.com

about superior type

Founder & Type Designer: Vojtěch Říha

Type Designer: Matyáš Machat

Creative Partner: Filip Dědic

Project Manager: Tereza Voříšková

contact

Superior Type

Heřmanova 718/23,

170 00 Praha 7

Phone: +420 724 158 383

Mail: [email protected]

www.superiortype.com

Superior Type Vegan Sans Specimen · Superior Type Copyright © Superior Type 2019 ˘˝ ˆ ˆ ˜,...

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Transcript of Superior Type Vegan Sans Specimen · Superior Type Copyright © Superior Type 2019 ˘˝ ˆ ˆ ˜,...