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Exciting international FASHION EDITORIALS and an INTERVIEW with RAD HOURANI | SUPERIOR is an international MAGAZINE featuring the urban creative scene of fashion, design, art, culture & lifestyle in the most exciting cities around the globe. SUPERIOR MAGAZINE stands for of high-quality fashion photography & film by young vanguard photographers and filmmakers, exclusive interviews with artists, designers and other cutting edge creative people and it is full of stories and insights to enjoy urban culture & lifestyle. SUPERIOR MAGAZINE comes out in English as ONLINE magazine, as a monthly DIGITAL and on-demand PRINT publication as well as an exclusive print edition once a year. | Additionally SUPERIOR has launched its first bi-lingual city magazine SUPERIOR BERLIN [www.superior-berlin.com]
Transcript of SUPERIOR DIGITAL May 2014
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MAY 2014
#MAY2014
Maga
zine
for
you
ng vanguard fashion & art ph
otography • www.superior-mag.com
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DIGITAL
SUPERIOR BERLIN - iPAD-App | Online | Facebook | Twitter | Instagram | Vimeo | Youtube
EXPLORE THE SUPERIOR SIGHT OF BERLIN
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BFW A/W 2014
EXPLORE THE SUPERIOR SIGHT OF BERLIN
www.superior-berlin.com
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ONLINE
T O YOU.C O N N E C T E Dconnected to fashion
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August 2012
T O YOU.C O N N E C T E Dconnected to fashionC O N N E C T E D T O Y O U
DIGITAL
SUPERIOR MAGAZINE Brunnenstrasse 191, 10119 Berlin
Superior Magazine accepts no liability for any
unsolicited material whatsoever. Opinions
contained in the editorial content are those of
the contributors and not necessarily those of
the publisher of Superior Magazine. Despite
careful control Superior Magazine accepts no
liability for the content of external links.
Any reproduction in whole or in part without
written permission is strictly prohibited
# Imprint
PUBLISHER SUPERIOR Publishing UG (haftungsbeschränkt) Lychener Strasse 76, 10437 Berlin
CHIEF EDITOR V.i.S.d.P. Tom Felber / [email protected]
PHOTOGRAPHY DIRECTOR Marc Huth / [email protected] CONSULTANT Simon Heeger / [email protected]
ART DIRECTOR Marc Huth / [email protected] GRAPHIC EDITOR Elena Bachaly / [email protected]
EDITORIAL DEPARTMENT [email protected] [email protected]
PR MANAGEMENT [email protected]
# Editorial
Dear readers,
Every month, when we work on our digital issue, we are discussing one question: Should we have one theme that covers all editorials in the issue? And for our current SUPERIOR DIGITAL May issue again we say: No. We could ask for editorials under a cer-tain theme but then we couldn’t publish a lot of wonderful editorials and that’s not our aim. There-fore the best is you discover the whole issue from the first to the last page and find out which edi-torials are your favorites.
In this issue we also have an interview with the designer RAD HOURANI, the pioneer of unisex fashion.
Enjoy SUPERIOR MAGAZINE May issue,
best
Tom, Marc & the whole SUPERIOR team
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May 2014
# EDITORIAL
Christine Lutz »Fe-Male« -44-
Christoph Köstlin »Cheetah« -28-
Katie Thomson »Star-Daze« -56-
Caren Detje »Jelena Is A White Star« -14-
Winterschildren »The Third Little Pig« -74-
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ewerk Berlin, 8 – 10 July 14
IF YOU DO IT RIGHT, IT WILL LAST FOREVER
green showroom8– 10 July 14
Kronprinzenpalais, Berlin
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Frank Barthold »Charlene« -100-
Kathleen Clipper & Matt Gates »Capitol Couture« -116-
Editorials April -114-
Interview with Rad Hourani -66-
# TALK
F&G »Gem-Stun« -92-
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JELENAIS A
WHITESTAR photography by CAREN DETJE
styling by ROBERT EBERLhair and make-up by SHEILA-MICHELLE RIEKE using MAC & GHD
model JELENA NEBENDAHL @ MODEL MANAGEMENT
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photography by CAREN DETJEstyling by ROBERT EBERL
hair and make-up by SHEILA-MICHELLE RIEKE using MAC & GHDmodel JELENA NEBENDAHL @ MODEL MANAGEMENT
blouson OPENING CEREMONY FOR ADIDASsandals TOSCA BLU
panty H&M
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blazer SANDbody with sequins GLAW
shoes GIUSEPPE ZANOTTI VINTAGE
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overall BLACKY DRESS BERLINshoes GIANVITO ROSSI
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blouson ELISABETTA FRANCHI
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overall BLACKY DRESS BERLINshoes GIANVITO ROSSI
blouson ELISABETTA FRANCHI
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sling pumps GUIDO MARIA KRETSCHMER FOR HÖGLleather biker veste GLAW
chiffondress MALAKRIS
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blouson ELISABETTA FRANCHIskirt IVI COLLECTION
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blazer Y-3 BY YOHJI YAMAMOTOskirt GSUS SINDUSTRIES
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dress GLAWsandals TOSCA BLU
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dress SUPERTRASH
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blouson ELISABETTA FRANCHIskirt IVI COLLECTION
chiffon gown with leather GLAW BERLINsling-pumps GIUSEPPE ZANOTTI VINTAGE
-28-CHEETAH
bikini top AGENT PROVOCATEURshorts & leather belt KENZO
shirt VANESSA MORIN
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CHEETAH
photography by CHRISTOPH KÖSTLIN
fashion direction by RENÉ GLOOR
hair & make ‐up by JEHAN RADWAN
model CHARISSA DU PLESSIS @ ICEMODELS.CO.ZA
production by COOL BANANA
executive production by MARC / COOL BANANA
production management by MYLES THOMPSON
thanks to LIGHT + BYTE AG
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bikini ‐top AGENT PROVOCATEURtanktop MAISON SCOTCH
white leather belt ZANA BAYNEcamouflage print trousers PLEIN SUD
wedges DIESEL
corset‐bra JEAN PAUL GAULTIERt‐shirt DRIES VAN NOTEN
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MAY 2014 corset‐bra JEAN PAUL GAULTIERt ‐shirt DRIES VAN NOTEN
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claw ‐rings AND ‐Itop DRIES VAN NOTENbra YASMINE ESLAMIshorts CLUB MONACOleather belt KENZOankle boots ALICE AND OLIVIA BY STANCEY BENDET
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claw ‐rings AND ‐Itop DRIES VAN NOTENbra YASMINE ESLAMIshorts CLUB MONACOleather belt KENZOankle boots ALICE AND OLIVIA BY STANCEY BENDET
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top JITROISskirt PLEIN SUD
wedges ILJAdenim vest DIESEL
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t- shirt PLEATS PLEASE ISSEY MIYAKE
top JITROISskirt PLEIN SUD
wedges ILJAdenim vest DIESEL
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top DRIES VAN NOTENbra YASMINE ESLAMIshorts CLUB MONACOleather belt KENZO
ankle boots ALICE AND OLIVIA BY STANCEY BENDET
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claw ‐rings AND ‐Itop DRIES VAN NOTENbra YASMINE ESLAMIshorts CLUB MONACOleather belt KENZO
ankle boots ALICE AND OLIVIA BY STANCEY BENDET
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top JITROISskirt PLEIN SUDwedges ILJAdenim vest DIESEL
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top JITROISskirt PLEIN SUDwedges ILJAdenim vest DIESEL
top with hood PLEIN SUDshorts PASCAL MILLETwedges ILYA
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long shirt, corset ‐bra, shorts & leggings JEAN PAUL GAULTIERankle boots ALICE AND OLIVIA BY TANCEY BENDET
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long shirt, corset ‐bra, shorts & leggings JEAN PAUL GAULTIERankle boots ALICE AND OLIVIA BY TANCEY BENDET
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Fashionmagazines?We’ve got amillion free ones.
Issuu.com
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BFW A/W 2014
EXPLORE THE SUPERIOR SIGHT OF BERLIN
www.superior-berlin.com
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men-shirt SO POPULAR panty LA PERLA
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photography by CHRISTINE LUTZ
styling by ROBERT EBERL @ BLOSSOM MANAGEMENT
hair & make-up by SHEILA MICHELLE RIEKE
model CAROLINA @ MODELWERK
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FE-MALE
men-shirt SO POPULAR panty LA PERLA
coat STUDIO LAEND PHUENGKIT boots RED WINGS
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skirt DONNA KARAN VINTAGEmen-shirt ESPRITpumps TOPSHOP
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blazer HELMUT LANG VINTAGEmen-pants ETHEL VAUGHN
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waistcoat HELMUT LANG VINTAGE
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coat for men KILIAN KERNERjumpsuit AMERICAN APPARELboots TOPSHOP
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men-shirt STRELLSONpants ETHEL VAUGHNbra LA PERLA
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men-shirt STRELLSONpants ETHEL VAUGHNbra LA PERLA
pullover in oversize JULIAN ZIGERLI
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men-shirt ESPRIT
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bomberjacket GSUS INDUSTRIESdress AMERICAN APPAREL
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top TOPSHOP
pants TRACEY REE
SE
photog
raphy
by KAT
IE THO
MPSON
model
MATILD
A PRIC
E @ DN
A
hair & make-up by STACY BENEKE
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styling by COURTNEY BUTTON
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dress FRENCH CONNECTIONshoes ALDO
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dress FRENCH CONNECTIONshoes ALDO
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top H&M
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top ZARAskirt AQUA
sandals ALDO
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top TOPSHOP skirt ZARA
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dress FRENCH CONNECTION
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top TOPSHOP skirt ZARA shoes ALDO
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# INTERVIEW
RAD HOURANITIMELESS AND FREE OF
GENDER DIFFERENTIATIONRAD HOURANI is a pioneer in the unisex market. The Jordanian/Canadian designer presented his first unisex collection in Paris in October 2007 at the age of 25. Since then, Hourani has built up two successful lines: RAD BY RAD HOURANI (ready-towear) and RAD HOURANI (haute couture). It has been more than five years since his first start and this designer still believes in his work. He knows precisely wherehe is going through his own fashion path. Hourani is a respectable man, a hard worker and a gifted artist.
Interview by Kevin Meunier
Rad Hourani portrait photos © ZOE for RAD HOURANI
all shown fashion : RAD HOURANI COLLECTION #12 © RAD HOURANI
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Rad, tell us a little bit about your work and design. How did you get into design?
I have been driven by aesthetics in general since I was a kid and not just fashion. I was very aware of how I looked and how I wanted everything to look around me. I did not study after high school because, except for art and math class, I never enjoyed school.
I was lucky enough to be curious about design, video making and photography. I learned it all by observing when I started scouting for a model agency. I ended up working full-time as a stylist at the age of 19 years. That was a bit like a 5-years training program for what I do today.
Later you moved to Paris. Was there a defining point in your career, and if so, how did it shape you as a designer?
At the age of 23 I moved to Paris to continue as a stylist and something happened there. When I shopped, I never really found what I was looking for. At that time, my unisex vision started. I sketched my first collection for my own wardrobe. I believe that looking for the exact thing to wear was the first step toward designing. I was looking for something very spe-cific that did not exist. It was an advantage for me not to be programmed by a school or other conditions as I am my own teacher and I have the freedom to create whatever comes to my mind, fitting in my unisex vision of course.
You were the first person to design a high-end uni-sex collection. Where didthis vision come from?
It comes from my no-background-background. I guess my influences are the gathering of my own personal experiences and observations for so many years, not following something somebody told me to do or think. In that regard, my work became more personal.
More specifically: Why did you start to create unisex fashion?
The idea arose from a series of questions: who decided that a man should dress in one way and a woman in another? Or that different ages should dress differently? Who imposed these codes?
I do not understand who established these codes of dressing by gender. It does not make sense to me that a woman should dress differently than a man or vice versa.I am not trying to dress a man like a woman or the opposite. I am creating a new way of dressing that makes people look mod-ern without any limits. Each piece can be worn by any gender or age. It does not make sense to me to limit things and that is why I took a full year to study male and female bodies, to create a canvas that can fit both.
I think it is about the yin and yang in all of us, the negative and positive, the masculine and feminine, the dark and light, the passive and active; the intuitive and logical, the cold and hot, the soft and hard. Observation is essential to me. There is no reality or understanding without it
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How would you describe your fashion generally?
I am attached to the notion of purity. By choosing simple, stark lines, I strive to blur gender boundaries. I design from a very virgin point of view. I try to elude classical ready-to-wear rules that made us believe that women and men deserve dif-ferent approaches..
On which way is this idea visible on your clothes?My pieces are timeless and free of gender differentiation. I hope to reach people who do not define themselves primarily as men or women, whom go beyond the classic demographic criterion. I want to make clothes that give the wearer a bold presence without looking contrived or overdone. It is about
apparent simplicity, with refinement in the details. I would like them to feel confident and powerful, sort of like a weightless Armour, to feel tall, straight, sharp, new, and slick. I want my geometrical shapes to come alive through the movement of the wearer. I hope to reach people who do not define themselves in strict terms.
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What is the philosophy behind your creative pro-process?
My methodology revolves around the notion of the present existing without a past.A pure present cannot be pure if you are not in the now. You cannot be present and have the past in you at the same time. To be in the present means to be free of the past and future. I think it is the same for clothing, it is about creating a form that can be the present at all times without fitting in any past categories. It is a very challenging thing for me, as it is very easy to design trends or be the cool thing one day and nothing the next day. I want to be true only to my vision and to the people who see themselves in it. It is very uncompromising.
What inspires you when building up a collection?
I sketch a graphic shape that can become a building, a piece of furniture or a sculpture. It is not limited to becoming only a garment. After, I choose my classical fabrics in black to create the first item. And from there I continue an evolution of the same first sketch.
I am also a perfectionist, even if perfection is nowhere. I al-ways make sure that whatever I do, I do it right, or I don't do it at all. I think that is a great way to live. I must say that I think a great deal about myself when designing. Of course, I did not create a brand just for my own sake, but I believe that using what I would like to wear as a starting point for the design process is the most truthful and straightforward ap-proach. It allows me to stay focused on my aesthetic and assess my commitment to wear-ability, functionality and comfort.
Your collections combine a kind of simplicity and craftsmanship behind. Onwhich way do you com-bine these two aspects?
I have always been interested in creating something that looks minimal but complex to make. To me, it is the most challenging part of my work. I also admire the craftsmanship
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of making something extremely luxurious without it being showy. Attending to complexity and simplicity at the same time is a very long process. It is all about “savoir-faire,” which is working with the best of the best in every aspect: fabrics, tailoring, cutting, fitting, proportions, etc.
The start of your label was a very personal. Can we still find your personal approach in your current collections?
I did my first collection for my personal wardrobe and I had no idea that it would go this far. I like to take risks to make a difference in what we do in life. I like to cre-ate my own rules and not to fol-low them, just to be part of an industry or a category. I am inter-ested in the juxtaposition of somber and luminous, classical and modern. It is the deconstruc-tion and reconstruction of visual elements gathered along differ-ent spaces and experiences. I do what makes sense to me and it always works out very well. To-day I am very proud and hon-oured to be an invited member of haute couture and to be the first unisex designer in history.
Do you have any planned projects for your career in the future?
I would like to keep on doing what I enjoy the most. To com-municate my unisex vision to the world, and hopefully participate in building a modern world where I can see more people observing things instead of doing what so-
ciety tells them to do. I want to see more people question-ing everything that has been imposed on them: gender limitations, religion, borders, age, race, nationality, etc. Yes I am a dreamer and it keeps me alive.
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THETHIRDLITTLE
PIG
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photography by WINTERSCHILDREN (ALICIA MAYBIR & JOSIE GELLING) models SOPHIE MUCKART, SAM FREW & JARRAH LYNCH
fashiondesign by BRODERICK MCGARVEY
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skin care CLARINSHYDRAQENCH CREAM WITHSPF 15, CLARINS INSTANTSMOOTH PERFECTING TOUCHfoundation CLARINSEVER-LASTING FOUNDATION IN AMBER (112) & HONEY(110) cheeks JOE BLASCO HITONE INTENSIFIER IN BRONZE eyebrows LAURA MERCIER BROW DEFINER INWARM eyes ELIZABETH ARDEN 8 HOUR CREAMORIGINS EYE BRIGHTENINGCOLOR STICK LAURAMERCIER CAVIAR STICK INSAND GLOW, URBAN DECAYEYESHADOW ( VIRGIN )lashes CLARINS WONDER LENGTH MASCARA IN BLACKlips VAPOUR ORGANIC LIP CONDITIONER , CLARINS INSTANT LIGHT LIPPERFECTOR 02 ( NUDE )
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GEMSTUN
styling by FRANCIS OCON make-up by GENESIS ILADA FAHERTY
photography by F&G model CAITLIN LAWSON @ NEXT MODELS
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skin care CLARINS HYDRAQENCH CREAM WITH SPF 15, CLARINS INSTANT SMOOTH PERFECTING TOUCH foundation TEMPTU AIRPOD IN HONEY AND GOLDEN cheeks TEMPTU AIRPOD BRONZER eyebrows LAURA MERCIERBROWDEFINER IN WARM eyes MAC PIGMENT IN TRUE CHARTRUESE, BEN NYE LUMIERE EYESHADOW COLOR IN CHARTREUSE , URBAN DECAY EYESHADOW IN M.I.A lashes CLARINS WONDER LENGTH MASCARA IN BLACK lipsVAPOUR ORGANIC LIP CONDITIONER , OCCLIP TAR STAINED GLOSS IN META
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MAY 2014 skin care CLARINS HYDRA-QENCH CREAM WITH SPF 15, CLARINS INSTANT SMOOTH PERFECTING TOUCH found-ation CLARINS SKIN ILLU- SION FOUNDATION IN AMBERAND HONEY cheeks TEMPTU AIRPOD BRONZER eyebrowsLAURA MERCIER BROW DE-FINER IN WARM eyes BENNYE LUMIERE EYE SHADOWIN COSMIC BLUE, MAC PIGMENT IN HIDEF CYANURBAN DECAY EYESHADOWIN EVIDENCE lashes CLARINS WONDER VOULUMEMASCARA IN BLACK AND SHU EUMURA IN LUXE BLACKlips VAPOUR ORGANIC LIP CONDITIONER INSIDE ANDOUT LIPSTICK IN FRIDA
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skin care CLARINS HYDRA-QENCH CREAM WITH SPF 15, CLARINS INSTANT SMOOTH PERFECTING TOUCH found-ation VAPOUR ORGANIC SOFT FOCUS ATMOSPHERIC FOUNDATION (S-125 -S130)cheeks VAPOUR ORGANIC BEAUTY SOLAR TRANSLUCENT BRONZER eyes URBAN DECAY EYESHADOW IN TAINTED AND JUNKSHOW lashes CLARINS WONDER LENGTH MASCARA INBLACK lips VAPOURORGANIC LIP CONDITIONER,VIPPY GIRL VEGOCENTRICVEGAN LIPSTICK IN P-BOMB
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skin care CLARINS HYDRA-QENCH CREAM WITH SPF 15,CLARINS INSTANT SMOOTH PERFECTING TOUCH found-ation TEMPTU AIRPOD INHONEY AND GOLDEN cheeksJOE BLASCO HI TONE INTENSIFIER IN BRONZEeyebrows LAURA MERCIERBROW DEFINER IN WARMeyes URBAN DECAY EYE-SHADOWS IN CHASE AND DEEPER, DEEP END, BEN NYE LUMIERE EYESHADOW IN JADE AND CHARTREUSE, ORIGINS EYE BRIGHTENING COLOR STICK lips VAPOURORGANIC LIP CONDITIONERINSIDE AND OUT LIPSTICKIN RUTH AND FLORENCE
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skincare CLARINS HYDRA-QENCH CREAM WITH SPF 15, CLARINS INSTANT SMOOTH PERFECTING TOUCH FOUND-ATION TEMPTU AIRPOD IN HONEY AND GOLDEN cheeksTEMPTU AIRPOD BRONZEReyebrows LAURA MERCIERBROW DEFINER IN WARMeyes MAC PIGMENT INCOPPER SPARKLE, STILASTAY ALL DAY LIQUID EYELINER lashes CLARINS WONDER LENGTH MASCARAIN BLACK lips VAPOURORGANIC LIP CONDITIONER CLARINS JOLIE ROUGE IN SPICY CINNAMON (737) AND PAPAYA (711)
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skin care CLARINS HYDRA-QENCH CREAM WITH SPF 15, CLARINS INSTANT SMOOTH PERFECTING TOUCH found-ation VAPOUR ORGANIC SOFT FOCUS ATMOSPHERIC FOUNDATION (S-125 -S130)cheeks VAPOUR ORGANIC BEAUTY SOLAR TRANSLUCENT BRONZER eyes URBAN DECAY EYESHADOW IN TAINTED AND JUNKSHOW lashes CLARINS WONDER LENGTH MASCARA INBLACK lips VAPOURORGANIC LIP CONDITIONER,VIPPY GIRL VEGOCENTRICVEGAN LIPSTICK IN P-BOMB
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photography by FRANK BARTHOLD
styling by GISELA BENZENBERG
@ LIGAWEST hair & make-up by
JASMIN ZELENKO @ TOP AGENCE
model CHARLENE HÖGGER @ NOTOYS
shirt MANGO PREMIUM
C H A R L E N E
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dress LIU-JO
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dress LIU-JO
Shirt: Mango Premium
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MAY 2014jeans SANDROjacket COSTUME NATIONAL
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jacket COSTUME NATIONAL
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shirt MANGO PREMIUM jeans REPLAY
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MAY 2014jacket PEUTEREY dress LIU-JO
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jacket COSTUME NATIONAL
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jacket COSTUME NATIONAL
Shirt: Mango Premium
shirt SANDRO jeans REPLAY earring STYLIST’S OWN camera KODAK VINTAGE chair VINTAGE BAR STOOL
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Click on the image to view the full Editorial
EDITORIALSFROM APRIL
@ SUPERIOR ONLINE
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photography by KATHLEEN CLIPPER & MATT GATES stylingby DESTANI HOFFMAN hair by CHELLE LANCASTER make-upby JEANETTE STROUPS models JINAPHER HOFFMAN, MONIQUEMCMILLAN, KARA BOLLING, ASHLEE RINGINOLDUS, MATTEAPIERCE & CASSEY GRANADE all clothes by DESTANI HOFFMAN
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SUPERIOR BERLIN - iPAD-App | Online | Facebook | Twitter | Instagram | Vimeo | Youtube
EXPLORE THE SUPERIOR SIGHT OF BERLIN
-3-
BFW A/W 2014
EXPLORE THE SUPERIOR SIGHT OF BERLIN
www.superior-berlin.com
Maga
zine for
you
ng vanguard fashion & art photography • www.superior-mag.com
#JUNE2014
coming out on june 6th 2014
