SUBJECT INDEX 98-115 - Complex Weavers – …€¦ · CWJ Subject Index Issues 98-115 Key to...

CWJ Subject Index Issues 98-115Key to issues98-February 201299-June 2012100-October 2012101-February 2013102-June 2013103-October 2013104-February 2014105-June 2014106-October 2014107-February 2015108-June 2015109-October 2015110-February 2016111-June 2016112-October 2016113-February 2017114-June 2017115-October 2017

ADOBE PHOTOSHOP DESIGN TECHNIQUESAnderson, Mimi. ʻAn All-Seasons Top.ʼ 107:43

Autio, Laurie. ʻThe Lady at the Loom: The Colonial Weaver Meets the Jacquard Weaver.ʼ 99:25–

27Carey, Sharon. ʻCreating an “Extra” Color.ʼ 106:44–45

Chiu, Tien. ʻAutumn Splendor.ʼ 99:28ʻComplex Color Simulations in Photoshop.ʼ 105:30–32ʻDesigning Taqueté on a Two-Tie Threading.ʼ 102:37–38

Coe, Marg. ʻTech Talk.ʼ 100:4ʻWhat’s DDW Called When It Doesn’t Deflect?.ʼ 101:43–44

Coolidge, Virginia. ʻHandwoven Vest.ʼ 107:32

Folz, Chriztine. ʻOld Men: The Designing of a Tapestry for a Hand Jacquard Loom.ʼ 99:33–39

Furness, Suzy. ʻTwo Tips and Some Lampas Variations.ʼ 114:35–37

Harrington, Marilyn. ʻShibori in All Its Glory.ʼ 104:19–21

Madden, Linda. ʻCurves in Double Weave.ʼ 101:30

Peters, Sue. ʻNot Quite Park Weave.ʼ 99:12

Rose, Belinda. ʻLock Up Your Colours - Colour Reduction by Optimisation in Photoshop.ʼ 99:40–44

Rude, Sandra. ʻUsing RepperTM for Jacquard Design.ʼ 101:50–51

Smetko, Lynn. ʻPark by Presets.ʼ 99:13–14

Spangler, Christine. ʻPixilated Forest.ʼ 101:52

Willcock, Lesley. ʻFlame Jacket.ʼ 98:35

ALBERS, ANNIvan Duijnen, Alice. ʻA Journey with Anniʻ. 106:29–33

ALGORITHMS IN DESIGNBenson, Marty. ʻBateman Meets Beethoven..ʼ 109:24

Visman, Miles. ʻThe Space between Randomness and Order.ʼ 108:27–32

Wright, Theo. ʻFrom the Inbox: Truchet Revisited..ʼ 109:2

AMERICAN TEXTILE HISTORY USEUMMacGregor, Ruth. ʻAmerican Textile History Museum: In Memoriam, With Gratitude.ʼ 112:4–5

ANIMATION, WOVENSchlein, Alice. ʻTwo Minutes of Weaverly.ʼ 101:51–52

ARAHWEAVE (WEAVING SOFTWARE)Stewart, Pat. ʻConstructing Compound Weave Structures Using ArahWeave.ʼ 114:30–34

ATWATER BRONSON LACE. see BRONSON LACE

BBAGS AND PURSES

Barker, Donna Jean. ʻCanary Diamonds,.ʼ 101:32

Hurd, Julie. ʻMidnight Wildflower Walk.ʼ 107:35–36

Osten, Fran. ʻDouble Vision: New Insight,.ʼ 101:36

Whitehead, Debra. ʻSummer and Winter Game Bags.ʼ 105:18–19

BANDS. see BRAIDS, TAPES, BANDS, TRIMBASKETS

Walker, Barbara J.. ʻColor Play: Designing Ply-Splitting Cords.ʼ 106:9–12

BATEMAN BLEND WEAVEArafat, Margaret. ʻSearching for the Elusive Key..ʼ 109:22–23

Davis, Linda. ʻPlaying with 10-thread Bateman Blends..ʼ 109:29–30

McCallum, Ila. ʻBateman Blend Weave 130-4.ʼ 107:30–31

Shelp, Wanda. ʻMonograph 36–Blend Weaves..ʼ 109:20–22

Wilson, Meg. ʻSummer Top: Easy and Fun.ʼ 107:44

BATEMAN STUDY GROUP

Arafat, Margaret. ʻPlaying Tag with Dr. Bateman.ʼ 99:7ʻSearching for the Elusive Key..ʼ 109:22–23

Benson, Marty. ʻBateman Meets Beethoven..ʼ 109:24ʻDr. Bateman and the Basket Case.ʼ 99:9

Coatney, Cathy. ʻHot Shot..ʼ 109:27–29

Davis, Linda. ʻPlaying with 10-thread Bateman Blends..ʼ 109:30–33

Davis, Linda L.. ʻPatchwork in Park Threading.ʼ 99:10–11

Greer, Dee Dee. ʻA Walk in the Park.ʼ 99:5

Lucas, Lyn. ʻPark Weave Tag.ʼ 99:6

Maxvill, Ann. ʻSnowpeas in a Park Weave.ʼ 99:11

Nelson, Barbara. ʻKeeping It Simple.ʼ 99:8

Peters, Penny. ʻMultiple Tabby Explorations..ʼ 109:25–26


Shelp, Wanda. ʻMonograph 36–Blend Weaves..ʼ 109:20–22ʻWhat I Learned After Weaving My Park Weave Sample.ʼ 99:15–18


Wilson, Meg. ʻMy Favorite Bateman Weaves..ʼ 109:29–30

BATEMAN WEAVES. see also BATEMAN BLEND WEAVE; BATEMAN STUDY GROUP; EXTENDED DIVIDED TWILLS; EXTENDED MANIFOLD TWILLS; MULTIPLE TABBY WEAVE; PARK WEAVE

BELTS AND SASHESWalker, Barbara J.. ʻA Ply-Split Advancing Twill Belt.ʼ 100:11

BEYOND PLAIN WEAVE GARMENTS GROUPAnderson, Mimi. ʻAn All-Seasons Top.ʼ 107:43

Chiu, Tien. ʻ“Kodachrome” – Designing for the Runway.ʼ 98:36–37


Driscoll, Eileen. ʻEarth and Sky Jacket.ʼ 98:40

Elliott, Carole. ʻRed Heather Wool and Cashmere Jacket.ʼ 107:34

Golden, Marlene. ʻFabric Looking for a Garment.ʼ 98:38ʻZig-Zag Jacket.ʼ 107:42


Levin, Barbara.

ʻSummer Tunic Top.ʼ 107:38McCallum, Ila. ʻBateman Blend Weave 130-4.ʼ 107:30–31

Palme, Diane. ʻExpanding M's and O's to Create Dimensional Fabrics.ʼ 107:39–40

Peck, Nancy. ʻBraided Twill Vest.ʼ 107:41ʻTwo-Tone Twill Jacket.ʼ 98:34

Ryeburn, Jo Anne. ʻTwill Block Scarf.ʼ 98:39

Smith, Mimi. ʻSummer Breeze.ʼ 98:41

Somerstein, Amy. ʻGray Blazer.ʼ 107:33

Staff-Koetter, Sandra. ʻClothes Make the Man.ʼ 107: 36–37

Willcock, Lesley. ʻFlame Jacket,.ʼ 98:35

Wilson, Meg. ʻBeyond Plain Weave Garments Study Group.ʼ 107:30ʻPark Weave 91-7 in Multiple Colors!.ʼ 98:43

BIBLIOGRAPHIESEarl, Josephine. ʻCeltic Knotwork Resources and Weaving.ʼ 101:6–9

Hoskins, Nancy Arthur. ʻFashion Fit for a Pharaoh: The Tunic of Tutankhamun.ʼ 101:44–46ʻMinoan Fabric Patterns Found in Egyptian Tomb Paintings..ʼ 109:10–19

BLANKETS AND THROWS. see also COVERLETSMacMorris, Peg. ʻDesigning a Commissioned Piece.ʼ 103:24–25

BLOCK DESIGNSBachelder, JoAnn. ʻFrom Stripes to Blocks and Back Again.ʼ 98:32

Connell, Brucie. ʻSquares and Lines.ʼ 101:35

Erlebach, Karen. ʻAutumn Duet Double Weave Scarf.ʼ 101:21–22

Gladstone, Carla X.. ʻWarp Permutations on Four Shafts.ʼ 101:41–42

Lewis, Erika L. ʻMac Checks - Patterned Double Weave.ʼ 101: 38

Osten, Fran. ʻDouble Vision: New Insight.ʼ 101:36


Sennott, Jenny. ʻPlaying in the Shadows.ʼ 98:33

Stubenitsky, Marian. ʻMulti-Color Double Weave in a Different Way.ʼ 101:24–25

Walker, Barbara J.. ʻBlack + White: A Profile Design Tool.ʼ 108:9–10

Wilson, Susan. ʻMulti-shaft Classic Crackle with an Unbalanced Tie-up.ʼ 99:19–20

BOOK REVIEWS (DEPT.)

2 be tied or not 2 be tied: e-weaving tutorials, book 1: not tiedby Marg Coe. 102:3

4-8 ... Weave!by Margaret Coe. 103:3

An Exaltation of Blocksby Rosalie Neilson. 115:3

Bateman Weaves, the Missing Monograph: the Basics and Beyondby Linda Tilson Davis. 114:2

The Book of Giving: A History of the Ontario Handweavers and Spinners, 1956–1979

Compiled by J.A. Norris. 104:2Celtic Threads: A Journey in Cape Breton Crafts

by Eveline MacLeod and Daniel W. MacInnes. 107:3Color and Texture in Weaving

by Margo Selby. 99:2Confessions of a Weaver

by Sherrie Amada Miller. 104:2Contemporary International Tapestry

by Carol Russell. 109:9Damask and Opphämta

by Lillemor Johansson. 105:5Designa: Technical Secrets of the Traditional Visual Arts

by Adam Tetlow, Daud Sutton, Lisa DeLong, Phoebe McNaughton, David Wade and Scott Olsen. 110:4

Designing 4 the Future: A Digital Weave Primerby Marg Coe. 101:3

Digital Jacquard Designby Julie Holyoke. 105:4

Exploration of Colour Pattern in Single Four-Tie Unit Weaveby Ingrid Boesel. 105:2

Frances L. Goodrichʼs Brown Book of Weaving Draftsby Barbara Miller with Deb Schillo. 108:2–3

Handloom Weaving Technologyby Allen A Fannin. 98:3

Hex Weave & Mad Weave: An Introduction to Triaxial Weavingby Elizabeth Lang-Harris and Charlene St. John. 106:2–3

Ikat on the Loomby Elda Kohls. 100:3

Interlaced: The Weavers' Guild of Boston Celebrates 90 Years of Friendship and Education

Laurie Knapp Autio, Elaine Steward Palmer, Carol Birtwistle, Florence Feldman-Wood, Carmela M. Ciampa, and Linda Snook, Editors. 101:2

Interlacing: the Elemental Fabricby Jack Lenore Larsen with Betty Freudenheim. 103:4

Interwoven Globe: The Worldwide Textile Trade, 1500–1800edited by Amelia Peck. 106:4

Kongō Gumi A Cacophony of Spots–Coils–Zags–Linesby Rosalie Neilson. 103:3

Manual of Swedish Handweavingby Ulla Cyrus-Zetterström. 106:2

Master Your Craft: Strategies for Designing, Making and Selling Artisan Workby Tien Chiu. 113:2

Maya Threads: A Woven History of Chiapasby Walter F. Morris, Jr. and Carol Karasik. 110:3

Norwegian Pick-Up Bandweavingby Heather Torgenrud. 108:3–4

Ozark Coverlets: the Shiloh Museum of Ozark History Collectionby Martha L. Benson and Laura Lyon Redford. 112:3

Pattern and Loomby John Becker. 103:5

Ply-Splitting from Drawdowns: Interpreting Weave Structures in Ply-Split Braidingby Barbara J. Walker. 104:3

Reconstructing Ancient Linen Body Armor: Unraveling the Linothorax Mysteryby Gregory S. Aldrete, Scott Bartell and Alicia Aldrete. 106:3

Simple Weavesby Birgitta Bengtsson Bjork and Tina Ignell. 101:2

The Spinning Wheel Sleuth Hand Looms Supplements #1 to #10—1998 to 2007Florence Feldman-Wood, Editor. 108:4

Supplementary Warp Patterning: Turned Drafts,Embellishments, & Motifsby Barbara J. Walker. 112:2

Tablet-Woven Accents for Designer Fabrics: Contemporary Uses for Ancient Techniques

by Inge Dam. 103:2Threads That Move: Proceedings of the Second International Conference on

BraidingEdited by Shirley Berlin and Ruth MacGregor. 105:3

Traditional Weavers of Guatemala: Their Stories, Their LivesDeborah Chandler and Teresa Cordón. 110:4–5

The Twenty-Four Interlacements of Edo Yatsu Gumiby Rosalie Nielson. 98:3

Warp and Weft: A Dictionary of Textile Termsby Dorothy K. Burnham. 98:2

Weave Classic Crackle & Moreby Susan Wilson. 99:2

The Weaver's Inkle Pattern Directoryby Anne Dixon. 100:2

Weaving a Chronicleby Judith Poxson Fawkes. 100:2

Weaving Innovations from the Bateman Collectionby Robyn Spady, Nancy A. Tracy and Marjorie Fiddler. 111:2–3

Weaving Lives at 65: Projects from an Anniversary ExhibitionEdited by Mimi Smith and Gretchen Wheelock. 98:2

Weaving on 3 shaftsby Erica de Ruiter. 115:2

Weaving Shaker Rugsby Mary Elva Congelton Erf. 111:2

Weaving with Echo and Irisby Marian Stubenitsky. 105:2

Weft-Faced Pattern Weaves: Tabby to Taqueteby Nancy Arthur Hoskins. 102:2

Woven Textile Designby Jan Shenton. 106:5

BORDERSAnderson, Mary. ʻA Border Technique Revisited.ʼ 100:10

BRAIDED TWILL. see TWILL, BRAIDED

BRAIDS, TAPES, BANDS, TRIMHolcomb, Deborah. ʻExploring Estonian Bandweaving.ʼ 110:12–15

Hoskins, Nancy Arthur. ʻFashion Fit for a Pharaoh: The Tunic of Tutankhamun.ʼ 101:44–46


BRIDGES MATH ART CONFERENCEGladstone, Carla X.. ʻBridges Conference Report.ʼ 103:10

BRONSON LACEAutio, Laurie. ʻThe Lady at the Loom: The Colonial Weaver Meets the Jacquard Weaver.ʼ 99:25–

27Dixon, Anne. ʻDiamond Jubilee.ʼ 100:28–29


BRONZE AGE TEXTILESHoskins, Nancy Arthur. ʻFabric Patterns Found in Minoan Frescoes from Crete [Part 2].ʼ 108:20–24ʻFabric Patterns Found in Minoan Frescoes.ʼ 107:21–29ʻFabric Patterns Found in Royal New Kingdom Tomb Paintings from Egypt: The

Tomb of Amenhotep III.ʼ 112:23–38ʻFabric Patterns Found in Royal New Kingdom Tomb Paintings from Egypt: The

Tomb of Seti I.ʼ 115:23–38ʻFabric Patterns Found in Royal New Kingdom Tomb Paintings from Egypt.ʼ 111:17–

25ʻFabric Patterns Found in Royal Paintings from the Eighteenth and Nineteenth

Dynasties of Egypt.ʼ 114:17–28ʻFashion Fit for a Pharaoh: The Tunic of Tutankhamun.ʼ 101:44–46ʻMinoan Fabric Patterns Found in Egyptian Tomb Paintings..ʼ 109:10–19

CCANADIAN WEAVING

Underwood, Mary. ʻBeriau in the Basket: A New Sampling Group Arrives.ʼ 105:23–24

CARPETS AND RUGSFusey, Isabelle. ʻTapis de Chenille.ʼ 111:40–41

Hart, Peggy. ʻExperiments with Catalogne.ʼ 111:42

von Tresckow, Sara. ʻKnotted Pile—and How Is This Complex?.ʼ 102:34–36

CELL WEAVE. see DEFLECTED DOUBLE WEAVECELTIC KNOTWORK DESIGNS

Earl, Josephine. ʻCeltic Knotwork Resources and Weaving.ʼ 101:6–9

CHENILLEFusey, Isabelle. ʻTapis de Chenille.ʼ 111:40–41

CLASPED WEFT TECHNIQUEAnderson, Mary.

ʻA Border Technique Revisited.ʼ 100:10Schurch, Charlene. ʻIkat in the Square.ʼ 104:24

CLOAKS. see GARMENTSCOATS. see GARMENTSCOLLAPSE WEAVE

Kaplan, Debbie. ʻExperimentation in an Overtwisted Warp.ʼ 102:9–11

Kosmerchock, Marcia. ʻElasticYarns.ʼ 102:26–30

Mansfield, Sue. ʻBateman Top Using Cotton-Covered Spandex.ʼ 98:42

Parks, Beth. ʻDifference in Shrinkage.ʼ 102:12–13

Yale, Louise. ʻSea Foam to Tree Bark.ʼ 102:16–17

COLLAPSE, PLEAT & BUMP STUDY GROUPBobisud, Helen. ʻWaffling Around.ʼ 102:18–21

Harvey-Brown, Stacey. ʻSimple Stitched Double Cloth.ʼ 102:14–15



Morris, Wendy. ʻWeaving Warpwise Pleats.ʼ 102:22–25

Olson, Heather. ʻWriggleRoom.ʼ 102:31

Parks, Beth. ʻDifference in Shrinkage.ʼ 102:12–13


COLOR. see also OPTICAL COLOR BLENDINGCoe, Marg. ʻTech Talk.ʼ 101:4, 102:3–4




COLOR AND WEAVE. see also SHADOW WEAVEFaulkner, Kay. ʻSotis: A Woven Structure from West Timor, Indonesia.ʼ 100:37–38

Mercer, Barbara. ʻZig Zag tea towel.ʼ 110:24

Parks, Beth. ʻDeveloping Single Huck Lace Fabric.ʼ 100:35–36

Tuenge, Teena. ʻLimited Means, Unlimited Results.ʼ 100:42–44

Young. Muffy. ʻMaking a New Design.ʼ 103:36–38

COMPLEX WEAVERS AWARD RIBBONS

Bowman, Susan. ʻComplex Weavers Award Ribbon for 2014.ʼ 107:4

Hubbard, Heather. ʻ2013 CW Award Streamers.ʼ 104:4, 104:5

Norris, Amy and Hutton, Sandra. ʻComplex Weavers Award Ribbons.ʼ 98:14

Spangler, Kathleen. ʻComplex Weavers Award Ribbon 2012.ʼ 101:16Complex Weavers Award Ribbon for 2015. 110:16

Stewart, Dorothy. ‘Complex Weavers Award Ribbon for 2016ʼ. 113:10

COMPLEX WEAVERS AWARDS 2011Berger, Nancy. ʻGillian's Wedding Towels.ʼ 98:5

Boykin, Susan. ʻPentacost.ʼ 98:5

Davis, Linda. ʻA-Mazing Jacket.ʼ 98:6

Davis, Valerie. ʻSilver Belt Series.ʼ 98:6

Gingras, Marguerite. ʻFish Gathering.ʼ 98:6

House, Edith. ʻGuess Where?.ʼ 98:7

Inouye, Bonnie. ʻBlue Spruce.ʼ 98:7

Kosmerchock, Marcia. ʻPillow.ʼ 98:8

Lancaster, Daryl. ʻSandstone Layers Jacket.ʼ 98:8

Lyles, Hedy. ʻFall Feathers.ʼ 98:8

McCown, Dana. ʻIndigo Alchemy.ʼ 98:9

Mueller, Nancy. ʻSummer Snowflake.ʼ 98:9

Robards, Joyce. ʻFaux Ikat Silk Scarf.ʼ 98:10

Roche, Mary. ʻNora's Shamrock.ʼ 98:10

Smetko, Lynn. ʻAu Naturel Scarf.ʼ 98:11ʻCully Chasselas Shawl.ʼ 98:10

Stollnitz, Janet. ʻOde to Cynthia IV.ʼ 98:11

Thompson, Anita. ʻPug Tones.ʼ 98:12

Town, Martha. ʻCongratulations & Thank You Mr. Finkel.ʼ 98:12

Towsley, Jan. ʻNightline.ʼ 98:12

Walsh, Lyn. ʻCopper and Verdigris.ʼ 98:13

Wooten, Carol. ʻA Vision Looming 2.ʼ 98:13

COMPLEX WEAVERS AWARDS 2012Anich-Erickson, Rosemarie. ʻGems.ʼ 101:10

Bergeron, Pauline. ʻOvershot with Brocade.ʼ 101:11

Deeds, Deanna. ʻTrade Winds.ʼ 101:11

Donde, Karen. ʻStarshine Jacket,.ʼ 101:11

Hadley, Georgia R.. ʻTablecloth #4.ʼ 101:12

Harrington, Sara. ʻProcess of Letting Go.ʼ 101:10

Hauptli, Agnes. ʻIRIDOS - Iris, Goddess of the Rainbow.ʼ 101:12

Inouye, Bonnie. ʻOcean Mystery.ʼ 101:12–13

Lyles, Hedy. ʻAugust in the Bridger Mountains.ʼ 101:13

Mulliken, Leslie. ʻSunset Rose.ʼ 101:13–14

Neff, Gwanetha. ʻLee’s Surrender.ʼ 101:14

Smetko, Lynn. ʻ“It’s My Party”— An Etching,.ʼ 101:14

Steiner, Jeanne Schenk. ʻParallel.ʼ 101:14

Totten, Dianne. ʻTransitions.ʼ 101:15

Turner, Deb. ʻSash.ʼ 101:15

Walker, Barbara. ʻDyad.ʼ 101:15

Whipple, Lillian. ʻFeathers.ʼ 101:16

Willson, Ellen. ʻSummer Gold Scarf.ʼ 101:16

COMPLEX WEAVERS AWARDS 2013Alexander, K.C.. ʻNorthern Lights.ʼ 104:6

Anderson, Mimi. ʻSeismographic Vest.ʼ 104:6

Bialek, Wendy. ʻSpirit Vessel.ʼ 104:7

Buchman, Ruth. ʻNight & Day / Day & Night.ʼ 104:7

Fortin, Sarah. ʻCrimson Fire.ʼ 104:7

Gritzmaker, Carolyn. ʻBur Oak.ʼ 104:8

Hauptli, Agnes. ʻRhythm.ʼ 104:8

Hubbard, Heather. ʻ2013 CW Award Streamers.ʼ 104:5

Kitchin, Cindie. ʻGinkgo.ʼ 104:9

Kolb, Charlene. ʻSorbet.ʼ 104:9

Lamay, Linda. ʻCrossing Patterns, Crossing Borders.ʼ 104:10

Lavasseur, Joyce. ʻOoh La Latte.ʼ 104:10

Morse, Barbara. ʻSandy Scallop Purse.ʼ 104:10

Moss, Jennifer. ʻBark.ʼ 104:11

Rockwell, Susan. ʻDouble Weave Picnic Linens.ʼ 104:11

Rude, Sandra. ʻEn Pointe.ʼ 104:12

Sosnowski, Kathy. ʻWedding Blanket.ʼ 104:12

Spain, Myrtelle. ʻTranscendence.ʼ 104:12

Stossel, Eva. ʻEcho Weave Scarf in Pastel Colors.ʼ 104:13

Vandermeiden, Jette. ʻAged in Oak.ʼ 104:12

Walker, Barbara. ʻLodgepole Cycle.ʼ 104:14

Wilson, Maureen. ʻScarf.ʼ 104:14

Wooten, Carol. ʻKudos to Janet.ʼ 104:14

COMPLEX WEAVERS AWARDS 2014Bobbins, Matthew Ian. ʻPrayer to a Vortex.ʼ 107:5

Broad, Sue. ʻBarista-Espresso.ʼ 107:6

Capogrossi, Pat. Through Thick and Thinʼ. 107:6

Dehart, Ivy. Interlaced Ribbons. 107:7

Eyring, Sally. ʻ3D Loom Woven Ruffled Vest.ʼ 107:7

Jacques, Geneviève. ʻRemous (Whirlwind).ʼ 107:8

Lyles, Hedy. ʻSunset over the Sawtooth Mountains.ʼ 107:9

Mcgeary, Gay. ʻNine Stars & Soldiers Coverlet.ʼ 107:10

Moir, Fiona. ʻTwo snowflake twill scarves.ʼ 107:11

Nicolaisen, Adriane. ʻMiyaki Shirt.ʼ 107:12

Roig, Kathie.

ʻMountain Spring.ʼ 107:12Schu, Jenny. ʻIn Progress.ʼ 107:13

Smetko, Lynn. ʻEquinox.ʼ 107:13

Turner, Deb. ʻOccident meets Orient.ʼ 107:14

COMPLEX WEAVERS AWARDS 2015Abbott, Donna. ʻDesert Reflections shawl.ʼ 110:17

Fortin, Sarah. ʻWine Country coat.ʼ 110:18

Gibson, Brenda. ʻWaste Nothing.ʼ 110:19

Gordon. Barbara June. ʻForest Fantasy table linen.ʼ 110:20

Gritzmaker, Carolyn. Bur Oak. 110:21

Hauptli, Agnes. ʻAurora Borealis.ʼ 110:22

Kievit, Sam. ʻEvening Sunset.ʼ 110:23


Moberg, Rachel. ʻBlue Mist.ʼ 110:25ʻIt Takes a Community...or Almost!.ʼ 110:31

Ronan, Ruth. ʻCat Eyes.ʼ 110:26

Rude, Sandra. ʻCompass Rose.ʼ 110:27

Simmons, Mawusi Renée. ʻCrackle Silkphony Scarf III - Rondo.ʼ 110:28

Spain, Myrtelle. ʻVibration.ʼ 110:29

Tardy, Vicki. ʻRipples on the Water.ʼ 110:30

COMPLEX WEAVERS AWARDS 2016Anderson, Mimi.

‘Tibetan Echo long vestʼ. 113:11Boniface, Ann.

‘Jazz It Up scarfʼ. 113:12Buse, Kathy.

‘Autumn Leaves scarfʼ. 113:12Fortin, Sarah.

‘Opalescent Seasʼ. 113:12Gingras, Marguerite.

‘Summer Lighting scarfʼ. 113:14Inouye, Bonnie.

‘Canyon Reflections scarfʼ. 113:14MacMorris, Peg. ʻChalice stoleʼ. 113:16

Moncrief, Liz.

‘Manhattan Twilightʼ. 113:17Shae, Katlin. ʻThe Math That Makes Usʼ. 113:18

Simpson, Janney. ʻLayers scarfʼ. 113:19

Stossel, Eva. ‘Turned Taqueté scarfʼ. 113:20

COMPLEX WEAVERS GATHERINGSKilleen, Leslie. ʻA Complex Weavers Gathering: (You can have one, too).ʼ 115:11–14

COMPLEX WEAVERS HISTORYDavis, Linda. ʻRemembering Wanda Shelp: A Complex Weavers Wonder.ʼ 108:5–8

Thompson, Marjie. ʻWe are 33!! A Brief History of Complex Weavers,.ʼ 100:6

COMPLEX WEAVERS JOURNALMacGregor, Ruth. ʻEditors Carry the Torch, Then Pass It On.ʼ 106:33

Shelp, Wanda. ʻComplex Weaver's Journal - Then and Now.ʼ 100:9

Stewart, Pat. ʻNew Indexes for Complex Weavers Journal.ʼ 103:8–9

COMPLEX WEAVERS MANUSCRIPT RECOVERY FUNDThompson, Marjie. ʻA Little-Known Complex Weavers Fund.ʼ 108:25–26

COMPLEX WEAVERS PUBLICATIONSAutio, Laurie. ʻEight Shafts: Beyond the Beginning: Complex Weavers 40th Anniversary Book.ʼ

112:16–22Autio, Laurie K.. ʻEight Shafts: Beyond the Beginning. Personal Approaches to Design: Complex

Weavers 40th Anniversary Book.ʼ 114:6–7COMPLEX WEAVERS SEMINARS 2016

MacGregor, Ruth. ʻComplex Weavers Seminars 2016: A Few Reflections.ʼ 112:7–9

COMPLEX WEAVERS SEMINARS 2018Kaufman, Marguerite and Kathy Alexander. ʻComplex Weavers Seminars 2018.ʼ 114:10

COMPLEXITY EXHIBITION 2014Hutton, Sandra S.. ʻComplexity: The 2014 Exhibition.ʼ 105: insert

COMPLEXITY EXHIBITION 2016

ʻComplexity the 2016 Exhibition.ʼ 111:29–37Hutton, Sandra. ʻA Special Gift: The Origin of the ʻDiane Fabeck Best in Showʼ Awardʼ. 112:10–12

MacGregor, Ruth. ʻComplex Weavers Seminars 2016: A Few Reflections.ʼ 112:7–9

COMPLEXITY EXHIBITION 2016 PRIZE WINNERS. 112:12–13COMPLEXITY EXHIBITION 2018

Bowman, Susan. ʻCOMPLEXITY 2018: Innovations in Weaving.ʼ 114:8–9

COMPUTER AIDED DESIGN EXCHANGE GROUP

Chiu, Tien. ʻComplex Color Simulations in Photoshop.ʼ 105:30–32

de Souza, Diane. ʻGetting Comfortable With Weaving Software.ʼ 105:33–34

Inouye, Bonnie. ʻTurned Taqueté: an Introduction.ʼ 105:36–40

Karvonen, Pirkko. ʻEight-Shaft Summer and Winter Wall Hanging.ʼ 105:35

COMPUTERIZED LOOM CONTROLBlackburn, Maurice. ʻComputerized Loom Control – A Different Approach.ʼ 100:39–42; errata 101:5

Visman, Miles. ʻThe Space between Randomness and Order.ʼ 108:27–32

COPPER WIREKaplan, Debbie. ʻExperimentation in an Overtwisted Warp.ʼ 102:9–11

CORD WEAVEMorris, Wendy. ʻWeaving Warpwise Pleats.ʼ 102:22–25

CORD, TEXSOLVBroughton, Cynthia. ʻLook Ma, No Knots.ʼ 99:32

CORDUROYDumke, Judy (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:41–42

COUNTERMARCH LOOMSBlackburn, Maurice. ʻComputerized Loom Control – A Different Approach.ʼ 100:39–42

Kallstenius, Susanne. ʻWeaving with Fine Wool Yarn.ʼ 100:30–31

Meek, Kati. ʻFrom-the-Top Tie-up for my Countermarch Loom.ʼ 115:4–5

COVERLETS. see also EARLY AMERICAN COVERLET STUDY GROUPBassett, Sue Parker. ʻDouble Bowknot and Window Sash Table.ʼ 105:9–10

Hardison, Linda. ʻCape Breton Coverlets.ʼ 105:13–15

McGeary, Gay. ʻMy Fascination with Fringe.ʼ 105:19–22ʻMy Master Class with David Bender.ʼ 100:16–19ʻThe Rural Pennsylvania German Weaving Primer.ʼ 98:26–29

Mulloy, Judith. ʻSunrise and Window Sash Table.ʼ 105:10–11

Stovall, Sharon. ʻThe Beauty of a Well-Worn Coverlet.ʼ 105:11–12

Vandermeiden, Jette. ʻSkillbragd, Smålandsväv, Threaded Opphämpta.ʼ 98:16–18

Wakefield, Dannetta “Penny.” ʻDeflected Double Weave.ʼ 101:20–21

CRACKLE STUDY GROUPMacGregor, Ruth. ʻCrackle Sparkle.ʼ 99:24

Smith, Mimi. ʻCrackle Trials.ʼ 99:22–23

Swenson, Barbara. ʻFrom Butterflies to Snowflakes.ʼ 99:21


CRACKLE WEAVE. see also CRACKLE STUDY GROUPMacGregor, Ruth. ʻCrackle Sparkle.ʼ 99:24

Moody, Beryl. ʻDesigning Warps for Interesting Weaving Demonstrationsʼʻ. 105:41–43


Smith, Mimi. ʻCrackle Trials.ʼ 99:22–23

Swenson, Barbara. ʻFrom Butterflies to Snowflakes.ʼ 99:21


CREPE WEAVEBanting, Esperanza (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:38

Nordling, Sara. ʻInspiration Becomes an Obsession.ʼ 100:22–23

Schlein, Alice. ʻMy Favorite Crepe Design Method.ʼ 101:47–48

CREPE YARN. see YARN, OVERTWISTEDCRIMP CLOTH. see SHIBORI, WOVENCROSS DYEING

Chiu, Tien. ʻAutumn Splendor.ʼ 99:28

CRUZARD (COMPOUND WEAVE STRUCTURE)Davis, Linda. ʻ26-Shaft Cruzaad.ʼ 100:20–21

CUFFKaplan, Debbie. ʻAssumptions and Play.ʼ 103:28–29

CURVESMadden, Linda. ʻCurves in Double Weave.ʼ 101:30

DDAMASK

Allison, Charlotte Lindsay. ʻTowels for our Travels.ʼ 98:25

Benson, Marty. ʻSassafras (Sassafras albidum).ʼ 110:43

Faulkner, Kay. ʻDamask Circles with Warp Shibori.ʼ 98:24

Faulkner, Kay, Carolyn Gritzmaker, Marty Benson and Jette Vandermeiden. ʻQuartet: Leaves Waalre Damask Exhibition 2014.ʼ 110:42–44

Gritzmaker, Carolyn. Bur Oak. 110:21

Gritzmaker, Carolyn,. ʻBur Oaks (Quercus macrocarpa).ʼ 110:42

Kay, Faulkner. ʻTallowood (Eucalyptus microcorys).ʼ 110:43

Moberg, Rachel. ʻBlue Mist.ʼ 110:25

Van der Wel, Marjolyn. ʻTejido Huave and Three-Shaft Damask.ʼ 103:42–44

Vandermeiden, Jette. ʻMaple (Acer).ʼ 110:44

Williams, Jean. ʻBorrowing and Learning from Heritage.ʼ 98:31

DEFLECTED DOUBLE WEAVECoe, Marg. ʻWhat’s DDW Called When It Doesn’t Deflect?.ʼ 101:43–44

van Duijnen, Alice. ʻJacket in Deflected Double Weave.ʼ 101:23


Young. Muffy. ʻMaking a New Design.ʼ 103:36–38

DESIGNING FABRICS STUDY GROUPChiu, Tien. ʻDesigning Fabric with Meaning.ʼ 103:32–33

Driscoll, Eileen. ʻDesigning a Fabric Collection for Clothing.ʼ 103:20–21

Gardett, Roxane. ʻDesigning: Form Follows Function.ʼ 103:30–31

Kaplan, Debbie. ʻAssumptions and Play.ʼ 103:28–29

Killeen, Leslie. ʻA Joyful Collaboration.ʼ 103:22–23

MacIntyre, Barb. ʻSimplicity?.ʼ 103:34–35. Errata 104:3

MacMorris, Peg. ʻDesigning a Commissioned Piece.ʼ 103:24–25

Reppen, Grete E.. ʻAn Experiment in Fine Silk.ʼ 103:26–27

DIGITAL TECHNIQUES IN WEAVING. see ADOBE PHOTOSHOP DESIGN TECHNIQUES; ONLINE RESOURCES AND TOOLS

DIMAIMeek, Kati Reeder. ʻExplorations in Dimai.ʼ 100:24

DIMITYMaxvill, Ann. ʻPrincess Dimity Gets a Wake-up Call.ʼ 100:15

Maxvill, Ann (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:42–43


DIVERSIFIED PLAIN WEAVERonan, Ruth. ʻCat Eyes.ʼ 110:26

Viada, Laura. ʻMeditative Weaving: Pick-Up & Other Tedious Joys.ʼ 98:44–45

DOUBLE HARNESS STUDY GROUP

Allison, Charlotte Lindsay. ʻTowels for our Travels.ʼ 98:25

Ammons, Toni. The Recursive Drawloom. 110:32–35

Faulkner, Kay. ʻA Drawloom by Any Other Name.....ʼ 110:36–37ʻDamask Circles with Warp Shibori.ʼ 98:24

Furness, Suzy. ʻThe Luck of the Draw (Loom).ʼ 98:20–21

Meek, Kati Reeder. ʻDrawloom for the De-loomed.ʼ 110:38–41ʻVisions of Mice Danced in Their Heads.ʼ 98:15


von Tresckow, Sara. ʻFabric Structure as Drawloom Pattern.ʼ 98:22–23

Zindel, Janice. ʻDouble Harness Study Group.ʼ 110:32

Zinsmeister, Anna. ʻHow I Became a Drawloom Weaver.ʼ 98:19–20

DOUBLE HARNESS WEAVINGAllison, Charlotte Lindsay. ʻTowels for our Travels,.ʼ 98:25

Ammons, Toni. ʻThe Recursive Drawloom.ʼ 110:32–35

Faulkner, Kay. ʻA Drawloom by Any Other Name.....ʼ 110:36–37ʻDamask Circles with Warp Shibori.ʼ 98:24

Furness, Suzy. ʻThe Luck of the Draw (Loom).ʼ 98:20–21

Meek, Kati Reeder. ʻVisions of Mice Danced in Their Heads.ʼ 98:15


von Tresckow, Sara. ʻFabric Structure as Drawloom Pattern.ʼ 98:22–23


Zinsmeister, Anna. ʻHow I Became a Drawloom Weaver,.ʼ 98:19–20

DOUBLE WEAVE. see also DEFLECTED DOUBLE WEAVE; DOUBLE WEAVE 2,2 ALTERATION; DOUBLE WEAVE ON TIED THREADING; DOUBLE WEAVE PICK-UP; DOUBLE WEAVE STUDY GROUP; DOUBLE WEAVE, 4 COLOR; DOUBLE WEAVE, 4 WARP COLORS; DOUBLE WEAVE, OVERSHOT PATTERNED; DOUBLE WEAVE, TUBULAR; DOUBLE WEAVE, TWILL

Calnan. Liz. ʻDouble Weave—Just Play!.ʼ 102:39–40

Coe, Marg. ʻTech Talk: Paul OʼConnor: Scientist, Weaver, Educatorʼ. 103:6–7

Coe. Marg. ʻDifferent Ratios in Double Weave.ʼ 101:27


Duncan, Beth.

ʻDouble Weaver.ʼ 101:37Erlebach, Karen. ʻOn the Beach.ʼ 102:32–33


Gladstone, Carla. ‘Weaving Inspired by Sashikoʼ. 113:21–22

Harvey-Brown, Stacey. ʻThe Making of Nature in the Making.ʼ 106:23–28ʻUK CW Study Day.ʼ 100:5

Laffler, Linda. ʻDouble Weave or Double Trouble??.ʼ 101:29

Leiniger, Maggie. ʻVisual Strata-sphere.ʼ 101:48–49

Leininger, Maggie. ʻVisual Strata-sphere.ʼ 101:48–49

Madden, Linda. ʻCurves in Double Weave,.ʼ 101:30



Reppen, Grete. ʻDouble Weave with One Layer in Weft Shibori.ʼ 106:16–17

Stewart, Pat. ʻConstructing Compound Weave Structures Using ArahWeave.ʼ 114:30–34

VanderWel, Marjolyn. ʻLines and Stripes.ʼ 99:30–31

Weidert, Bonnie. ʻA Coverlet for Today.ʼ 105:15–17

DOUBLE WEAVE 2,2 ALTERATIONCoe, Marg. ʻWhat’s DDW Called When It Doesn’t Deflect?.ʼ 101:43–44

DOUBLE WEAVE ON TIED THREADINGBriney, Sue. ʻDouble Weave with Differential Shrinkage.ʼ 101:31

DOUBLE WEAVE PICK-UPKilleen, Leslie. ʻA Logo for Warp and Byte Designs.ʼ 101:17


DOUBLE WEAVE STUDY GROUPBooker, Cally. ʻA Structural Challenge.ʼ 101:25–26

Carey, Sheila. ʻOvershot as Double Weave on Eight Shafts.ʼ 101:18–19

Coe, Marg. ʻDifferent Ratios in Double Weave.ʼ 101:27

Erlebach, Karen. ʻOn the Beach,.ʼ 102:32–33

Killeen, Leslie. ʻA Logo for Warp and Byte Designs.ʼ 101:17

Stubenitsky, Marian.

ʻMulti-Color Double Weave in a Different Way.ʼ 101:24–25van Duijnen, Alice. ʻJacket in Deflected Double Weave.ʼ 101:23


DOUBLE WEAVE, 3 WARP COLORSGladstone, Carla X.. ʻWarp Permutations on Four Shafts: Part II.ʼ 103:39–41

DOUBLE WEAVE, 4 COLORBarker, Donna Jean. ʻMy Fascination with Four Colors.ʼ 108:40

Butler, Su. ʻAn Unwitting Inspiration.ʼ 100:12–14

Doherty, Mary G. ʻWaves and Reflections.ʼ 108:44

Gibson, Brenda. ʻʻPoppiesʼ in Four-Colour Double Weaveʼ. 108:35–38


Madden, Linda. ʻFour-Color Double Weave.ʼ 108:39

Osten, Frances. ʻEureka! A Gold Mine of Color Blends.ʼ 108:41–42

Reppen, Grete E.. ʻAn Experiment in Fine Silk.ʼ 103:26–27

Yamamoto, Judith T.. ʻFour-Color Double Weave.ʼ 108:43

DOUBLE WEAVE, 4 WARP COLORSGladstone, Carla X.. ʻWarp Permutations on Four Shafts.ʼ 101:41–42


DOUBLE WEAVE, OVERSHOT PATTERNEDCarey, Sheila. ʻOvershot as Double Weave on Eight Shafts.ʼ 101:18–19

Giddings, Louiseʻ. ʻTable Linens in Double Weave Overshot.ʼ 106:42–43

Yamamoto, Judith T.. ʻTwo Layers, Two Birds.ʼ 101:40

DOUBLE WEAVE, STITCHED. see also MATELASSE; PIQUEAlexander, Eve. ʻRed Cashmere Duster.ʼ 106:36–37

Alvic, Philis. ʻDouble Weave with a Difference.ʼ 101:34


Kelley-Munoz, Kristin. ʻSand and Waves.ʼ 101:33

Schlein, Alice. ‘A Double Twill Sample Blanket for Jacquardʼ. 113:43–44

Stewart, Pat. ʻConstructing Compound Weave Structures Using ArahWeave.ʼ 114:30–34ʻSearching for Hidden Stitchers.ʼ 105:25–29

Williams, Cynthia. ʻTied Double Weave.ʼ 101:39

DOUBLE WEAVE, TUBULARBooker, Cally. ʻA Structural Challenge.ʼ 101:25–26


DOUBLE WEAVE, TWILLAlvic, Philis. ʻDouble Weave with a Difference.ʼ 101:34

Barker, Donna Jean. ʻCanary Diamonds.ʼ 101:32

Dumke, Judy (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:41–42



Lewis, Erika C.. ʻMac Checks — Patterned Block Double Weave.ʼ 101:38

Rose, Belinda. ʻLock Up Your Colours: Colour Reduction by Optimisation in Photoshop.ʼ 99:40–44

Schlein, Alice. ‘A Double Twill Sample Blanket for Jacquardʼ. 113:43–44ʻDouble Twill for Dobby Looms.ʼ 115:17–22


DRAWLOOMS. see also DOUBLE HARNESS WEAVINGAmmons, Toni. ʻThe Recursive Drawloom.ʼ 110:32–35

Caldwell, Anita and Jette Vandermeiden. ʻThe Little Loom that Could: Converting a Table Loom to a Drawloom.ʼ 107:17–20

Furness, Suzy. ʻLEDs Can Light Up the Liftplan.ʼ 105:7–8ʻThe Luck of the Draw (Loom).ʼ 98:20–21

Moberg, Rachel. ʻIt Takes a Community...or Almost!.ʼ 110:31


Zinsmeister, Anna. ʻHow I Became a Drawloom Weaver.ʼ 98:19–20

DUTCH TEXTILESDavis, Linda. ʻ26-Shaft Cruzaad.ʼ 100:20–21

DYES AND DYEING. see also CROSS DYEING; IKAT; INDIGO DYEING; KNITTED BLANKS FOR DYEING; SHIBORI, WOVEN; WARP, PAINTED

Coe, Marg. ʻTech Talk.ʼ 101:4, 102:4

Reppen, Grete. ʻSilk Scarf and Samples with Do’nuts.ʼ 100:27

Van der Wel, Marjolyn. ʻDyeing Sixteen Colors in One Go..ʼ 109:6–9

EEARLY AMERICAN COVERLET STUDY GROUP

Bassett, Sue Parker. ʻDouble Bowknot and Window Sash Table.ʼ 105:9–10


McGeary, Gay. ʻMy Fascination with Fringe.ʼ 105:19–22





EARLY WEAVING BOOKS AND MANUSCRIPTS GROUPAmmons, Toni. ʻBeautiful Everyday Cloth..ʼ 109:36–37

Bachelder, JoAnn. ʻFrom Stripes to Blocks and Back Again.ʼ 98:32ʻTreasures from the Past..ʼ 109:34

Benson, Marty. ʻMistaken for an Expert..ʼ 109:35

Hubbard, Heather. ʻAdapting Zieglerʼs Decorated Heartsʼ. 109:38–39

McGeary, Gay. ʻThe Rural Pennsylvania German Weaving Primer.ʼ 98:26–29

Orgren, Sally. ʻFranz Donat Towels..ʼ 109:40–41


Thompson, Marjie. ʻThe Angels: Or how I became known for variations on a design..ʼ 109:43–44

Thompson, Marjie for Paddy Bakker. ʻA Cushion for Sarah.ʼ 98:30

Wilkinson, Carol. ʻPatterns with a History..ʼ 109:42–43


ECHO WEAVEBooker, Cally. ʻA Structural Challenge.ʼ 101:25–26

Gingras, Marguerite. ʻSamples in Six-Shaft Satin.ʼ 106:17–19

Reppen, Grete. ʻSilk Scarf and Samples with Do'nuts.ʼ 100:27

Robards, Joyce (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:43–44

Stossel, Eva. ʻGebrochene to Echo.ʼ 100:26

Wright, Theo. ‘When Waves Collideʼ. 113:6–9

EGYPTIAN TOMB TEXTILESHoskins, Nancy Arthur. ʻFabric Patterns Found in Royal New Kingdom Tomb Paintings from Egypt: The




Dynasties of Egypt.ʼ 114:17–28ʻFashion Fit for a Pharaoh: The Tunic of Tutankhamunʼ. 101:44–46

ELASTIC YARNKosmerchock, Marcia. ʻElasticYarns.ʼ 102:26–30

ELECTRONICS, EMBEDDEDFolz, Chriztine. ʻOld Men: The Designing of a Tapestry for a Hand Jacquard Loom.ʼ 99:33–39

ESTONIAN WEAVINGHolcomb, Deborah. ʻExploring Estonian Bandweaving.ʼ 110:12–15

EXHIBITIONSHarvey-Brown, Stacey. ʻThe Making of Nature in the Making.ʼ 106:23–28

EXTENDED DIVIDED TWILLSCoatney, Cathy. ʻHot Shot..ʼ 109:27–28

EXTENDED MANIFOLD TWILLSWilson, Meg. ʻMy Favorite Bateman Weaves..ʼ 109:29–30

FFABECK, DIANE

Hutton, Sandra. ʻA Special Gift: The Origin of the ʻDiane Fabeck Best in Showʼ Awardʼ. 112:10–12

FINE THREADS STUDY GROUPBennett, Siiri. ʻWeaving a Cube.ʼ 100:32

Broughton, Cynthia. ʻBlocks and Asymmetric Curve.ʼ 100:25

Devai, Edna. ʻLouis Serrure’s Satin Flowers.ʼ 100:31

Dixon, Anne. ʻDiamond Jubilee.ʼ 100:28–29

Kallstenius, Susanne. ʻWeaving with Fine Wool Yarn.ʼ 100:30–31


Stossel, Eva. ʻGebrochene to Echo.ʼ 100:26

Whipple, Lillian. ʻStar Wars Cloak and Dress.ʼ 100:33–34

FLAXMacGregor, Ruth.

ʻFlax and Linen, an Introduction.ʼ 111:2–3Meek, Kati Reeder. ʻRhapsody in Flax.ʼ 111:12–16

FONDAZIONE LISIO (FLORENCE, ITALY)Jeryan, Richard and Christine Jeryan. ʻArte Della Seta—Weaving in the Italian Tradition.ʼ 102:41–43

FRINGEMcGeary, Gay. ʻMy Fascination with Fringe.ʼ 105:19–22

GGARMENTS

Alexander, Eve. ʻRed Cashmere Duster.ʼ 106:36–37

Anderson, Mimi. ʻAn All-Seasons Top.ʼ 107:43

Carrico, Margriet. ʻCrinkles Up, Down and Sideways.ʼ 104:30–31

Chiu, Tien. ʻ“Kodachrome” – Designing for the Runway.ʼ 98:36–37ʻAutumn Splendor.ʼ 99:28–29


Davis, Linda L.. ʻPatchwork in Park Threading.ʼ 99:10–11

Driscoll, Eileen. ʻDesigning a Fabric Collection for Clothing.ʼ 103:20–21ʻEarth and Sky Jacket,.ʼ 98:40

Elliott, Carole. ʻRed Heather Wool and Cashmere Jacket.ʼ 107:34

Faulkner, Kay. ‘New Robes for the Judges of the High Court of Australiaʼ. 113:3–5


Gardett, Roxane. ʻAll-Natural Clothing Shaped on the Loom.ʼ 110:9–11ʻDesigning: Form Follows Function.ʼ 103:30–31

Golden, Marlene. ʻFabric Looking for a Garment.ʼ 98:38ʻZig-Zag Jacket.ʼ 107:42



Levin, Barbara. ʻSummer Tunic Top.ʼ 107:38

McCallum, Ila. ʻBateman Blend Weave 130-4.ʼ 107:30–31


Peck, Nancy. ʻBraided Twill Vest.ʼ 107:41ʻTwo-Tone Twill Jacket.ʼ 98:34

Ronan, Ruth. ʻCat Eyes.ʼ 110:26


Staff-Koetter, Sandra. ʻClothes Make the Man.ʼ 107:36–37

Totten, Dianne. ʻCrimp Cloth.ʼ 104:28–29

Whipple, Lillian. ʻStar Wars Cloak and Dress,.ʼ 100:33–34


Wilson, Meg. ʻSummer Top: Easy and Fun.ʼ 107:44

GEBROCHENEStossel, Eva. ʻGebrochene to Echo.ʼ 100:26

HHEDDLES, LONG-EYED

Meek, Kati Reeder. ʻDrawloom for the De-loomed.ʼ 110:38–41

HEMPvon Tresckow, Sara. ʻProperties of Hemp and Linen for Handweavers.ʼ 111:5–8

HIN UND WIEDER. see also TWILL, POINTThompson, Marjie for Paddy Bakker. ʻA Cushion for Sarah.ʼ 98:30

HISTORICAL TEXTILESHoskins, Nancy Arthur. ʻFabric Patterns Found in Minoan Frescoes from Crete [Part 2].ʼ 108:20–24ʻFabric Patterns Found in Minoan Frescoes.ʼ 107:21–29ʻFabric Patterns Found in Royal New Kingdom Tomb Paintings from Egypt: The




Dynasties of Egypt.ʼ 114:17–18ʻFashion Fit for a Pharaoh: The Tunic of Tutankhamun.ʼ 101:44–46ʻMinoan Fabric Patterns Found in Egyptian Tomb Paintings..ʼ 109:10–19


McGeary, Gay. ʻMy Master Class with David Bender.ʼ 100:16–19ʻThe Rural Pennsylvania German Weaving Primer.ʼ 98:26–29

Williams, Jean. ʻBorrowing and Learning from Heritage,.ʼ 98:31

HISTORICAL WEAVING MANUSCRIPTSThompson, Marjie. ʻA Little-Known Complex Weavers Fund.ʼ 108:25–26

HONEYCOMB

Kaplan, Debbie. ʻAssumptions and Play.ʼ 103:28–29

HORSEHAIRKaplan, Debbie. ʻExperimentation in an Overtwisted Warp.ʼ 102:9–11

HUCK LACEDonald, Pat (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:40–41

Parks, Beth. ʻDeveloping Single Huck Lace Fabric,.ʼ 100:35–36

IIKAT. see also PSEUDO-IKAT

Coffey, Sherri Woodard. ʻWeft-faced Ikat.ʼ 104:34–36

Faulkner, Kay. ʻWoven Shibori and Sotis: Two Techniques Together.ʼ 104:25–26

Kirchoff, Scharine. ʻKasuri Ikat Handtowels.ʼ 104:31–34

Schurch, Charlene. ʻIkat in the Square.ʼ 104:24

INDIGO DYEINGKirchoff, Scharine. ʻKasuri Ikat Handtowels.ʼ 104:31–34

INDONESIAN TEXTILESFaulkner, Kay. ʻSotis: A Woven Structure from West Timor, Indonesia.ʼ 100:37–38

ITAB: INTERNATIONAL TECHSTYLE ART BIENNIALRude, Sandra. ʻITAB: International TECHstyle Art Biennial.ʼ 101:50

JJACKETS. see GARMENTSJACQUARD

Autio, Laurie. ʻThe Lady at the Loom: The Colonial Weaver Meets the Jacquard Weaver.ʼ 99:25–

27Autio, Laurie Knapp.

‘Jacquard Weaving: A Beginner’s Perspectiveʼ. 113:37–42Chiu, Tien. ʻA Comparison of Jacquard Looms.ʼ 108:13–15


Harvey-Brown, Stacey. ʻThe Making of Nature in the Making.ʼ 106:23–28

Hutton, Sandra. ʻ“Iʼm Just Curious. Iʼd Like to See How it Works. Iʼm Not Going to Buy a Jacquard.”ʼ.

108:16–19Jeryan, Richard and Christine Jeryan. ʻArte Della Seta—Weaving in the Italian Tradition.ʼ 102:41–43


Rude, Sandra.

ʻCompass Rose.ʼ 110:27ʻUsing RepperTM for Jacquard Design.ʼ 101:50–51



JACQUARD STUDY GROUPAutio, Laurie Knapp.

‘Jacquard Weaving: A Beginner’s Perspectiveʼ. 113:37–42Furness, Suzy. ʻTwo Tips and Some Lampas Variations.ʼ 114:35–37

Hutton, Sandra. ʻWhy Do European Jacquard Weavers Use a Reed With 30 Dents per Inch?.ʼ

114:29OʼHara, Sheila. ʻBirds of a Feather and the History of The Flockettes.ʼ 114:38–45


Stewart, Pat. ʻConstructing Compound Weave Structures Using ArahWeave.ʼ 114:30–34

JAPANESE TEXTILESFoster, Pat. ʻHana Ori.ʼ 113:26–28

Gladstone, Clara. ʻWeaving Inspired by Sashiko.ʼ 113:21–22

Heggtveit, Marianne. ‘Reiko Sudo + Nuno: An Exhibition of Textiles from Japanʼ. 113:29–31

Inouye, Bonnie. ‘Images of Interlacement in Japanʼ. 113:23–25‘Seigaiha, The Waveʼ. 113:34–36

Kirchoff, Scharine. ʻKasuri Ikat Handtowels.ʼ 104:31

Shanks, Rebecca. ʻTextiles in Japan: A Travelogue, June 2013.ʼ 104:15–17

Simpson, Janney. ‘Further Experimentation with Sakioriʼ. 113:32

JERYAN, RICHARDMorris, Wendy, Stacey Harvey-Brown, Lynn Smetko, Penny Peters (Contributors). ʻRemembering Richard Jeryan..ʼ 109:3–5

KKASURI. see IKATKNITTED BLANKS FOR DYEING

Chiu, Tien. ʻAutumn Splendor.ʼ 99:28

KNOTSBroughton, Cynthia. ʻLook Ma, No Knots.ʼ 99:32

LLACE WEAVE, OVERSHOT PATTERNED


LACE WEAVES. see also BRONSON LACE; HUCK LACE; LACE WEAVE, OVERSHOT PATTERNED; LACE WEAVES STUDY GROUP; SWEDISH LACE

LACE WEAVES STUDY GROUPOsgood, Marilyn. ʻSwedish Lace Study.ʼ 100:36–37

Parks, Beth. ʻDeveloping Single Huck Lace Fabric.ʼ 100:35–36

LAMP SHADESMeek, Kati Reeder. ʻRhapsody in Flax.ʼ 111:12–16


LAMPASFurness, Suzy. ʻTwo Tips and Some Lampas Variations.ʼ 114:35–37

LINENIrwin, Bobbie. ʻLessons from an Old Linen Towel.ʼ 111:9–11

MacGregor, Ruth. ʻFlax and Linen, an Introduction.ʼ 111:2–3

Meek, Kati Reeder. ʻRhapsody in Flax.ʼ 111:12–16

von Tresckow, Sara. ʻProperties of Hemp and Linen for Handweavers.ʼ 111:5–8

LISIO FOUNDATION STUDY CENTERJeryan, Richard and Christine Jeryan. ʻArte Della Seta—Weaving in the Italian Tradition.ʼ 102:41–43

LITHUANIAN WEAVINGMeek, Kati Reeder. ʻDrawloom for the De-loomed.ʼ 110:38–41ʻRhapsody in Flax.ʼ 111:12–16

LOOMS. see also COUNTERMARCH LOOMS; DRAWLOOMS; JACQUARD; PIN LOOMS; TABLE LOOMS

LOOMS, SOUTHEAST ASIANMcClintock, Deb. ʻStoring Pattern Above the Warp Line.ʼ 102:5–7

MM'S AND O'S DRAFT


Underwood, Mary. ʻMs and Os for Bériau.ʼ 111:43–44

MATELASSEAnderson, Mary. ʻHidden Diamonds in Matelasse.ʼ 101:28

MATHEMATICS IN WEAVINGGladstone, Carla X.. ʻBridges Conference Report.ʼ 103:10

MATS, NAPKINS AND RUNNERSGiddings, Louise. ʻTable Linens in Double Weave Overshot.ʼ 106:42–43

Gordon. Barbara June.

ʻForest Fantasy table linen.ʼ 110:20Yamamoto, Judith T.. ʻTwo Layers, Two Birds.ʼ 101:40

MINOAN TEXTILESHoskins, Nancy Arthur. ʻFabric Patterns Found in Minoan Frescoes from Crete [Part 2].ʼ 108:20–24ʻFabric Patterns Found in Minoan Frescoes.ʼ 107:21–29ʻMinoan Fabric Patterns Found in Egyptian Tomb Paintings..ʼ 109:10–19

MOTIFS WOVEN: ANGELSThompson, Marjie. ʻThe Angels: Or how I became known for variations on a design. 109:43–44

MOTIFS WOVEN: BIRDSVan der Wel, Marjolyn. ʻTejido Huave and Three-Shaft Damask.ʼ 103:42–44

MOTIFS WOVEN: CUBESBennett, Siiri,. ʻWeaving a Cube.ʼ 100:32–33

MOTIFS WOVEN: DEERHubbard, Heather. ʻDeer Folk Motif and Border in Tied Weave.ʼ 106:34–35

MOTIFS WOVEN: HEARTSKallstenius, Susanne. ʻWeaving with Fine Wool Yarn.ʼ 100:30–31

MOTIFS WOVEN: INTERLACEMENTInouye, Bonnie.

‘Images of Interlacement in Japan’. 113:23–25MOTIFS WOVEN: KACHINA FIGURES

Davis, Linda. ʻ26-Shaft Cruzaad.ʼ 100:20–21

MOTIFS WOVEN: LEAVESChiu, Tien. ʻAutumn Splendor.ʼ 99:28

Davis, Linda. ʻ26-Shaft Cruzaad.ʼ 100:20–21


MOTIFS WOVEN: LINKED ARMSFaulkner, Kay. ʻSotis: A Woven Structure from West Timor, Indonesia.ʼ 100:37–38

MOTIFS WOVEN: PHOENIXChiu, Tien. ʻDesigning Fabric with Meaning.ʼ 103:32–33

MOTIFS WOVEN: ROSEDevai, Edna. ʻLouis Serrure’s Satin Flowers.ʼ 100:31


MOTIFS WOVEN: SHEEPOʼHara, Sheila. ʻBirds of a Feather and the History of The Flockettes.ʼ 114:36–45

MULTIPLE TABBY WEAVEMansfield, Sue. ʻBateman Top Using Cotton-Covered Spandex.ʼ 98:42

Peters, Penny. ʻMultiple Tabby Explorations..ʼ 109:25–26

NNAME DRAFT

Benson, Marty. ʻDr. Bateman and the Basket Case.ʼ 99:9

NAPKINSSennott, Jenny. ʻPlaying in the Shadows.ʼ 98:33

NETWORK DRAFTBooker, Cally. ʻA Structural Challenge.ʼ 101:25–26

Duncan, Beth. ʻDouble Weaver.ʼ 101:37

Faulkner, Kay. ‘New Robes for the Judges of the High Court of Australiaʼ. 113:3–5

Stossel, Eva. ʻIkat-Inspired Twill Studies.ʼ 104:36–37


OO'CONNOR, PAUL

Coe, Marg. ʻTech Talk: Paul OʼConnor: Scientist, Weaver, Educatorʼ. 103:6–7

ONDULÉ REEDArafat, Margaret. ʻOn a Slippery Slope: Using an Ondulé Reed.ʼ 103:11–15

ONLINE RESOURCES AND TOOLSCoe, Marg. ʻTech Talk – Letʼs Face Itʼ. 105:5–6ʻTech Talk.ʼ 98:4, 99:3, 100:4, 101:4, 102:3–4, 104:4

de Souza, Diane. ʻGetting Comfortable With Weaving Software.ʼ 105:33–34

MacGregor, Ruth. ʻSources and Resources: The wonders of archive.org.ʼ 110:6–7 errata 111:45

Rude, Sandra. ʻUsing RepperTM for Jacquard Design.ʼ 101:50–51

OPPHÄMTACaldwell, Anita and Jette Vandermeiden. ʻThe Little Loom that Could: Converting a Table Loom to a Drawloom.ʼ 107:17–20

Vandermeiden, Jette. ʻSkillbragd, Smålandsväv, Threaded Opphämpta,.ʼ 98:16–18

OPTICAL COLOR BLENDINGGladstone, Carla X.. ʻWarp Permutations on Four Shafts,.ʼ 101:41–42ʻWarp Permutations on Four Shafts: Part II.ʼ 103:39–41


Tuenge, Teena. ʻLimited Means, Unlimited Results.ʼ 100:42–43

ORIGOMI, WOVEN

Taylor, Susie. ʻWoven Origami.ʼ 106:20–22

OSCAR BÉRIAN STUDY GROUPFusey, Isabelle. ʻTapis de Chenille.ʼ 111:40–41

Hart, Peggy. ʻExperiments with Catalogne.ʼ 111:42

Underwood, Mary. ʻBeriau in the Basket: A New Sampling Group Arrives.ʼ 105:23–24ʻMs and Os for Bériau.ʼ 111:43–44

OVERSHOTBassett, Sue Parker. ʻDouble Bowknot and Window Sash Table.ʼ 105:9–10

Benson, Marty. ʻTrompled.ʼ 110:8–9




OVERSHOT PATTERNED DOUBLE WEAVE. see DOUBLE WEAVE, OVERSHOT PATTERNED

OVERSHOT, TIED. see also STAR AND DIAMOND WORKMcGeary, Gay. ʻMy Master Class with David Bender.ʼ 100:16–19ʻThe Rural Pennsylvania German Weaving Primer.ʼ 98:26–29

OVERSHOT, TURNEDAlvic, Philis. ʻDouble Weave with a Difference.ʼ 101:34

PPARK WEAVE

Arafat, Margaret. ʻPlaying Tag with Dr. Bateman.ʼ 99:7

Benson, Marty. ʻDr. Bateman and the Basket Case.ʼ 99:9

Davis, Linda L.. ʻPatchwork in Park Threading,.ʼ 99:10–11

Greer, Dee Dee. ʻA Walk in the Park.ʼ 99:5

Lucas, Lyn. ʻPark Weave Tag.ʼ 99:6

Maxvill, Ann. ʻSnowpeas in a Park Weave.ʼ 99:11

Nelson, Barbara. ʻKeeping It Simple,.ʼ 99:8

Peters, Penny and Wanda Shelp. ʻBateman Study Group.ʼ 99:4


Shelp, Wanda. ʻWhat I Learned After Weaving My Park Weave Sample.ʼ 99:15–18


Wilson, Meg. ʻPark Weave 91-7 in Multiple Colors!.ʼ 98:43

PASSEMENTERIEWalker, Barbara J.. ʻInterpreting Passementerie Galons in Ply-Split Darning.ʼ 114:13–16

PHOTOGRAPHY OF TEXTILESHart, Peggy. ʻTips and Tricks Textile Photography Under Field Conditions.ʼ 114:3

PHOTOSHOP DESIGN TECHNIQUES. see ADOBE PHOTOSHOP DESIGN TECHNIQUES

PICK-UP. see also DOUBLE WEAVE PICK-UPMeek, Kati Reeder. ʻDrawloom for the De-loomed.ʼ 110:38–41


Viada, Laura. ʻMeditative Weaving: Pick-Up & Other Tedious Joys.ʼ 98:44–45

PILE WEAVEvon Tresckow, Sara. ʻKnotted Pile—and How Is This Complex?.ʼ 102:34–36

PIN LOOMSMacGregor, Ruth. ʻPin Loom Takes Flight.ʼ 108:11–12

PIQUEBarker, Donna Jean. ʻCanary Diamonds.ʼ 101:32

PLAIDSCoe, Marg. ʻTech Talk.ʼ 104:4

PLAIN WEAVEEvans, Elizabeth. ʻFine Yarn and Gossamer Cloth.ʼ 111:38–39

PLAITED TWILL. see TWILL, BRAIDEDPLEATS




PLY-SPLIT BRAIDINGWalker, Barbara J.. ʻA Ply-Split Advancing Twill Belt.ʼ 100:11ʻColor Play: Designing Ply-Splitting Cords.ʼ 106:9–12ʻInterpreting Passementerie Galons in Ply-Split Darning.ʼ 114:13–16

POINTCARRÉ WEAVING SOFTWAREFolz, Chriztine. ʻOld Men: The Designing of a Tapestry for a Hand Jacquard Loomʼ

99:33-39PROFILE DRAFTS

Nelson, Barbara. ʻKeeping It Simple.ʼ 99:8

Walker, Barbara J.. ʻBlack + White: A Profile Design Tool.ʼ 108:9–10

PSEUDO-IKATKirchoff, Scharine. ʻKasuri Ikat Handtowels.ʼ 104:31–34

Stossel, Eva. Ikat-Inspired Twill Studies. 104:36–37

PUZZLE INTERLACEMENTSMacGregor, Ruth. ʻWeaversʼ Puzzlesʼ. 115:10

QQR CODES

Coe, Marg. ʻTech Talk.ʼ 99:3


RRATIOS, DIFFERENT THREADING

Booker, Cally. ʻA Structural Challenge.ʼ 101:25–26

Briney, Sue. ʻDouble Weave with Differential Shrinkage.ʼ 101:31

Coe, Marg. ʻDifferent Ratios in Double Weave.ʼ 101:27




Stewart, Pat. ʻSearching for Hidden Stitchers.ʼ 105:25–29

REP WEAVE. see RIB WEAVERESISTS, WOVEN. see also IKAT; SHIBORI, WOVEN

Smetko, Lynn. ʻFocus on Woven Resist.ʼ 104:18

RIB WEAVEStaff-Koetter, Sandra. ʻClothes Make the Man.ʼ 107: 36–37

Whipple, Lillian. ʻStar Wars Cloak and Dress,.ʼ 100:33–34

Whipple, Lillian A. ʻPersonalized Yoga Mats and Pillows.ʼ 114:11–12

RISK MANAGEMENTChiu, Tien. ʻRisk Management in Creative Projects.ʼ 100:7–8

ROBES. see GARMENTSRUGS. see CARPETS AND RUGS

SSAMPLE EXCHANGE THE OLD-FASHIONED WAY STUDY GROUP

Banting, Esperanza (Contributor). 104:38Bolt, Cyndi (Contributor). 104:39Day, Lyn (Contributor). 104:40Donald, Pat (Contributor). 104:40–41Dumke, Judy. ʻSample Exchange The Old-Fashioned Way.ʼ 104:38–45

Dumke, Judy (Contributor). 104:41–42Maxvill, Ann (Contributor). 104:42–43Parks, Beth-Anna (Contributor). 104:43Robards, Joyce (Contributor). 104:43–44Yale, Louise (Contributor). 104:44–45

SASHIKO PATTERNINGGladstone, Carla. ʻWeaving Inspired by Sashiko.ʼ 113:21–22

SATIN WEAVEDevai, Edna. ʻLouis Serrure’s Satin Flowers.ʼ 100:31

Gingras, Marguerite. ʻSamples in Six-Shaft Satin.ʼ 106:17–19

SCANDINAVIAN TEXTILESVandermeiden, Jette. ʻSkillbragd, Smålandsväv, Threaded Opphämpta.ʼ 98:16–18

SCARVES, SHAWLS, AND WRAPSAbbott, Donna. ʻDesert Reflections shawl.ʼ 110:17

Dixon, Anne. ʻDiamond Jubilee,.ʼ 100:28–29




MacIntyre, Barb. ʻSimplicity?.ʼ 103:34–35. Errata 104:3

Moberg, Rachel. ʻBlue Mist.ʼ 110:25






Tardy, Vicki. ʻRipples on the Water.ʼ 110:30

Underwood, Mary. ʻMs and Os for Bériau.ʼ 111:43–44


SELVEDGES

de Ruiter, Erica with Kati Meek, Drawdowns by Marian Stubenitsky. ʻLoom-Woven Tubular Selvedges.ʼ 111:26–28

SHADOW WEAVEDriscoll, Eileen. ʻEarth and Sky Jacket.ʼ 98:40

Golden, Marlene. ʻZig-Zag Jacket.ʼ 107:42

Levin, Barbara. ʻSummer Tunic Top.ʼ 107:38


SHAFT SWITCHINGButler, Su. ʻSimplified Shaft Switching Using a ʻMini-Switcherʼʼ. 112: 14–15

SHELP, WANDADavis, Linda. ʻRemembering Wanda Shelp: A Complex Weavers Wonder.ʼ 108:5–8

SHIBORI, HAND MANIPULATEDCabrol, Barbara. ʻDiamond and Peacock Textures in Woven Shibori.ʼ 104:22–23


SHIBORI, WOVENCabrol, Barbara. ʻDiamond and Peacock Textures in Woven Shibori.ʼ 104:22–23

Carrico, Margriet. ʻCrinkles Up, Down and Sideways.ʼ 104:30–31

Faulkner, Kay. ʻDamask Circles with Warp Shibori.ʼ 98:24ʻWoven Shibori and Sotis: Two Techniques Together.ʼ 104:25–26


Harvey-Brown, Stacey. ʻWoven Shibori—Tradition With a Twist.ʼ 104:27–28

Maxvill, Ann. ʻSingle Two-Tie Woven Shibori.ʼ 104:18–19


Reppen, Grete. ʻDouble Weave with One Layer in Weft Shibori.ʼ 106:16–17

Totten, Dianne. ʻCrimp Cloth.ʼ 104:28–29

SHRINKAGE, DIFFERENTIALBriney, Sue. ʻDouble Weave with Differential Shrinkage.ʼ 101:31


Olson, Heather. ʻWriggleRoom,.ʼ 102:31

Parks, Beth. ʻDifference in Shrinkage,.ʼ 102:12–13


SIXTEENS STUDY GROUP


Anderson, Mary. ʻHidden Diamonds in Matelasse.ʼ 101:28

Barker, Donna Jean. ʻCanary Diamonds.ʼ 101:32ʻMy Fascination with Four Colors.ʼ 108:40

Briney, Sue. ʻDouble Weave with Differential Shrinkage.ʼ 101:31


Doherty, Mary G. ʻWaves and Reflections.ʼ 108:44


Gibson, Brenda. ʻʻPoppiesʼ in Four-Colour Double Weaveʼ. 108:35–38


Laffler, Linda. ʻDouble Weave or Double Trouble??.ʼ 101:29

Lewis, Erika C.. ʻMac Checks — Patterned Block Double Weave.ʼ 101:38

Madden, Linda. ʻCurves in Double Weave.ʼ 101:30ʻFour-Color Double Weave.ʼ 108:39


Osten, Frances. ʻEureka! A Gold Mine of Color Blends.ʼ 108:41–42

Williams, Cynthia. ʻTied Double Weave.ʼ 101:39

Yamamoto, Judith T.. ʻFour-Color Double Weave.ʼ 108:43ʻTwo Layers, Two Birds.ʼ 101:40

SKILLBRAGD. see OPPHÄMTASMÅLANDSVÄV. see OPPHÄMTASOTIS

Faulkner, Kay. ʻSotis: A Woven Structure from West Timor, Indonesia.ʼ 100:37–38ʻWoven Shibori and Sotis: Two Techniques Together.ʼ 104:25–26

SOUTHEAST ASIAN TEXTILESMcClintock, Deb. ʻStoring Pattern Above the Warp Line.ʼ 102:5–7

SPIDER WEAVES. Dumke, Judy (Contributor)STAR AND DIAMOND WORK


McGeary, Gay. ʻMy Master Class with David Bender.ʼ 100:16–19ʻThe Rural Pennsylvania German Weaving Primer.ʼ 98:26–29

Williams, Jean. ʻBorrowing and Learning from Heritage,.ʼ 98:31

STENCILING, WARP

Chiu, Tien. Stenciling on Warpsʼ. 106:13–15

STRIPESBachelder, JoAnn. ʻFrom Stripes to Blocks and Back Again.ʼ 98:32

Coe, Marg. ʻTech Talk.ʼ 104:4

Evans, Elizabeth. ʻFine Yarn and Gossamer Cloth.ʼ 111:38–39

MacMorris, Peg. ʻDesigning a Commissioned Piece.ʼ 103:24–25


STUDY GROUPSFlanagan, Jayne. ʻStudy Groups: the Start and the Heart.ʼ 112:6

STUDY GROUPS FEATURED. Butler, Su (Compiler). see BATEMAN STUDY GROUP; BEYOND PLAIN WEAVE GARMENTS GROUP; COLLAPSE, PLEAT & BUMP STUDY GROUP; COMPUTER AIDED DESIGN EXCHANGE GROUP; CRACKLE STUDY GROUP; DESIGNING FABRICS STUDY GROUP; DOUBLE HARNESS STUDY GROUP; DOUBLE WEAVE STUDY GROUP; EARLY AMERICAN COVERLET STUDY GROUP; EARLY WEAVING BOOKS AND MANUSCRIPTS GROUP; FINE THREADS STUDY GROUP; JACQUARD STUDY GROUP; LACE WEAVES STUDY GROUP; OSCAR BÉRIAN STUDY GROUP; SAMPLE EXCHANGE THE OLD-FASHIONED WAY STUDY GROUP; SIXTEENS STUDY GROUP; TWENTY-FOUR MORE OR LESS STUDY GROUP

SUMMER AND WINTER WEAVEGordon. Barbara June. ʻForest Fantasy table linen.ʼ 110:20

Karvonen, Pirkko. ʻEight-Shaft Summer and Winter Wall Hanging.ʼ 105:35


SUMMER AND WINTER WEAVE, TURNEDChiu, Tien. ʻPhoenix.ʼ 106:39

Wilson, Catharine. ʻReflections on a 15th Century Textile.ʼ 106:37–38

SUPPLEMENTARY WARP OR WEFT WEAVESDumke, Judy (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:41–42

SURFACE DESIGN. see also STENCILING, WARPDavis, Linda L.. ʻPatchwork in Park Threading.ʼ 99:10–11

SWEDISH LACEOsgood, Marilyn. ʻSwedish Lace Study.ʼ 100:36–37

TTABLE LINENS. see MATS, NAPKINS AND RUNNERSTABLE LOOMS

Caldwell, Anita and Jette Vandermeiden. ʻThe Little Loom that Could: Converting a Table Loom to a Drawloom.ʼ 107:17–20

TAPESTRYCoffey, Sherri Woodard. ʻWeft-faced Ikat.ʼ 104:34–36

TAQUETÉChiu, Tien. ʻDesigning Taqueté on a Two-Tie Threading,.ʼ 102:37–38

TAQUETÉ, TURNEDInouye, Bonnie. ʻTurned Taqueté: an Introduction.ʼ 105:36–40


TARTANMaxvill, Ann (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:42–43

TEJIDO HUAVE TECHNIQUEVan der Wel, Marjolyn. ʻTejido Huave and Three-Shaft Damask.ʼ 103:42–44

TEXTILE RESOURCESAlvic, Philis. ʻWARP – Weave A Real Peace.ʼ 107:15–16

THICK 'N THIN. see DIVERSIFIED PLAIN WEAVETHREADING

Smetko, Lynn. ʻTips and Tricks Treadling the Threading.ʼ 114:5

THREADING, DIFFERENT RATIOS IN. see RATIOS, DIFFERENT THREADINGTHROWS. see BLANKETS AND THROWSTIE-ON METHOD. see WARP, TIE-ON METHODTIED LITHUANIAN

Meek, Kati Reeder. ʻInspiration Becomes an Obsession,.ʼ 100:24

TIED WEAVES. see also DIMAI; DIVERSIFIED PLAIN WEAVE; OVERSHOT, TIED; PARK WEAVE; SUMMER AND WINTER WEAVE; TIED LITHUANIAN; TIED WEAVES STUDY GROUP

Broughton, Cynthia. ʻBlocks and Asymmetric Curve.ʼ 100:25

Golden, Marlene. ʻFabric Looking for a Garment.ʼ 98:38

Hubbard, Heather. ʻAdapting Zieglerʼs Decorated Heartsʼ. 109:38–39ʻDeer Folk Motif and Border in Tied Weave.ʼ 106:34–35

TIED WEAVES STUDY GROUPButler, Su (Compiler). ʻTied Weaves Study Group 2016.ʼ 112:39–44

TIPS & TRICKS (DEPT.)Chronister, Nancy. ʻA Sticky-Note Treadling Guide.ʼ 106:7

Devai, Edna. ʻThe Way I Use My AVL Warping Wheel.ʼ 106:6

Furness, Suzy. ʻTwo Tips and Some Lampas Variations.ʼ 114:35–37

Hart, Peggy. ʻTips and Tricks Textile Photography Under Field Conditions.ʼ 114:3

Killeen, Leslie. ʻBlack-and-White Drawdown as a Color Placement Tool.ʼ 106:8–9

Meek, Kati. ʻBench Adjustments for Short Weavers.ʼ 115:6ʻFrom-the-Top Tie-up for my Countermarch Loom.ʼ 115:4–5

OʼHara, Sheila. ʻTrash or Treasure.ʼ 115:7–9

Smetko, Lynn. ʻTips and Tricks Treadling the Threading.ʼ 114:4–5

Walker, Barbara J.. ʻAn Ancient Computer Has Its Place.ʼ 106:7

TOWELSAllison, Charlotte Lindsay. ʻTowels for our Travels.ʼ 98:25

Arafat, Margaret. ʻPlaying Tag with Dr. Bateman.ʼ 99:7

Bachelder, JoAnn. ʻFrom Stripes to Blocks and Back Again.ʼ 98:32

Irwin, Bobbie. ʻLessons from an Old Linen Towel.ʼ 111:9–11

Kirchoff, Scharine. ʻKasuri Ikat Hand Towels.ʼ 104: 31–34

Maxvill, Ann (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:43


Orgren, Sally. ʻFranz Donat Towels..ʼ 109:40–41

Schlein, Alice. ʻMy Favorite Crepe Design Method.ʼ 101:47–48


TRANSPARENCY WEAVINGViada, Laura. ʻMeditative Weaving: Pick-Up & Other Tedious Joys.ʼ 98:44–45

TRIPLE WEAVEvan Duijnen, Alice. ʻA Journey with Anniʻ. 106:29–32

TRUCHET TILESVisman, Miles. ʻThe Space between Randomness and Order.ʼ 108:27–32

Wright, Theo. ʻFrom the Inbox: Truchet Revisited..ʼ 109:2

TUTANKHAMUN'S TUNICHoskins, Nancy Arthur. ʻFashion Fit for a Pharaoh: The Tunic of Tutankhamun.ʼ 101:44–46

TWENTY-FOUR MORE OR LESS STUDY GROUPAlexander, Eve. ʻRed Cashmere Duster.ʼ 106:36–37

Carey, Sharon. ʻCreating an “Extra” Color.ʼ 106:44–45

Chiu, Tien. ʻPhoenix.ʼ 106:38–39

DeHart, Ivy. ʻ3-D Interlacement Motif Using Back Fill Draft.ʼ 106:40–41

Giddings, Louise.

ʻTable Linens in Double Weave Overshot.ʼ 106:42–43Hubbard, Heather. ʻDeer Folk Motif and Border in Tied Weave.ʼ 106:34–35

Wilson, Catharine. Reflections on a 15th Century Textileʼ. 106:37–38

TWILL. see also EXTENDED DIVIDED TWILLS; EXTENDED MANIFOLD TWILLSKallstenius, Susanne. ʻWeaving with Fine Wool Yarn.ʼ 100:30–31

Peck, Nancy. ʻTwo-Tone Twill Jacket.ʼ 98:34

TWILL DOUBLE WEAVE. see DOUBLE WEAVE, TWILLTWILL, ADVANCING


Walker, Barbara J.. ʻA Ply-Split Advancing Twill Belt.ʼ 100:11


TWILL, BRAIDEDDumke, Judy (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:41–42



Peck, Nancy. ʻBraided Twill Vest.ʼ 107:41


TWILL, POINTChiu, Tien. ʻ“Kodachrome” – Designing for the Runway.ʼ 98:36–37

Day, Lyn (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:40

Driscoll, Eileen. ʻEarth and Sky Jacket.ʼ 98:40

Wilkinson, Carol. ʻPatterns with a History..ʼ 109:42–43

TWILL, TURNED. see also DAMASKRyeburn, Jo Anne. ʻTwill Block Scarf.ʼ 99:30–31


VVELVET WEAVING

Jeryan, Richard and Christine Jeryan. ʻArte Della Seta—Weaving in the Italian Tradition.ʼ 102:41–43

LaVasseur, Joyce. ʻViva la Velvet Structure.ʼ 103:16–19

VESTS. see GARMENTS

WWAFFLE WEAVE

Bobisud, Helen. ʻWaffling Around.ʼ 102:18–21

WALL HANGINGSKarvonen, Pirkko. ʻEight-Shaft Summer and Winter Wall Hanging.ʼ 105:35



WARP (ORGANIZATION)Alvic, Philis. ʻWARP – Weave A Real Peace.ʼ 107:15–16

WARP, PAINTEDChiu, Tien. ʻStenciling on Warps.ʼ 106:13–15“Kodachrome” – Designing for the Runway. 98:36–37

Maxvill, Ann. ʻPrincess Dimity Gets a Wake-up Call.ʼ 100:15


WARP, TIE-ON METHODBroughton, Cynthia. ʻLook Ma, No Knots.ʼ 99:32

OʼHara, Sheila. ʻTrash or Treasure.ʼ 115:7–9

WARPINGBroughton, Cynthia. ʻMy Method of Sectional Warping a Small Two-Color Sample Warp on an AVL Loom

with the AVL Tension Box.ʼ 108:32–34WAVE PATTERNING


WEAVE A REAL PEACE (ORGANIZATION)Alvic, Philis. ʻWARP – Weave A Real Peace.ʼ 107:15–16

WEAVING DEMONSTRATIONSMoody, Beryl. ʻDesigning Warps for Interesting Weaving Demonstrations.ʼ 105:41–43

WRAPS. see SCARVES, SHAWLS, AND WRAPS

YYARN, ELASTIC


YARN, HORSEHAIRKaplan, Debbie. ʻAssumptions and Play.ʼ 103:28–29

YARN, MONOFILAMENTHarvey-Brown, Stacey. ʻSimple Stitched Double Cloth.ʼ 102:14–15

YARN, OVERTWISTED



YOGA MATSWhipple, Lillian A. ʻPersonalized Yoga Mats and Pillows.ʼ 114:11–12

ZZIGZAG WEAVES, LINEAR

Dumke, Judy (Contributor). ʻSample Exchange The Old-Fashioned Way.ʼ 104:41–42

SUBJECT INDEX 98-115 - Complex Weavers – …€¦ · CWJ Subject Index Issues 98-115 Key to...

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