stylus phantasticus title page and...
Transcript of stylus phantasticus title page and...
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Stylus Phantasticus ((((2012)
KATHRYN SALFELDER
Kon Brio Music (ASCAP)
www.kathrynsalfelder.com
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Program Note:
Stylus Phantasticus is inspired by Buxtehude's Toccata in D minor, BuxWV 155. Composer and organist Dietrich
Buxtehude (1637-1707) is best known today for his toccatas, preludes, and chorale settings. These works are staples
of the organ repertoire, and frequently performed in both sacred church settings and concert recitals.
Toccata in D minor is an example of the North German "stylus phantasticus." Seventeenth-century theorist
Athanasius Kircher describes this style as "the most free and unrestrained method of composing; it is bound to
nothing, neither to words nor to a melodic subject." Toccatas composed in this tradition typically alternate between
fantasy-like free sections, where the performer is expected to take many liberties in tempo and ornamentation, and
stricter fugues and contrapuntal sections. Like its namesake, Stylus Phantasticus alternates between free and strict
forms, allowing for players' individual expression while also incorporating principles of Baroque counterpoint.
Buxtehude's Toccata in D minor can be heard throughout, prominently displayed in direct quotations, lurking in the
shadows, disguised in florid ornamentation -- but always present in spirit.
Stylus Phantasticus was commissioned by the Western Michigan University Symphonic Band, Robert Spradling,
conductor, in celebration of the School of Music Centennial.
Performance Notes:
Accidentals remain in effect for the duration of the measure, at the octave in which they occur. They are sometimes
rewritten within a measure for clarity.
Dotted slurs indicate phrasing.
Performance time: c. 7'30"
To the Conductor:
Stylus Phantasticus is intended to be performed one-on-a-part. Additional woodwind doublings are at the conductor’s
discretion.
The conductor leads the stage ensemble, which performs throughout at either = 120 or = 60.
Regarding the antiphonal players/ensemble:
� A predetermined cue (imperceptible to the audience) should be used to begin the piece.
� Thereafter, the antiphonal players/ensemble are not cued by the conductor. There are extensive cues in the
individual player's parts.
� Trumpet 1 serves as the leader of the rear antiphonal brass ensemble; this brass nonet, or any subdivision
thereof, performs together as a chamber music ensemble.
� In sections with multiple tempi, the vertical alignment in the conductor's score is approximate.
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Instrumentation
Stage Ensemble (conducted):
Piccolo
Flute 1 & 2
Oboe 1 & 2
English Horn
Eb Soprano Clarinet
Bb Clarinet 1, 2 & 3
Bb Bass Clarinet
Bassoon 1 & 2
Contrabassoon
Bb Soprano Saxophone
Eb Alto Saxophone
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet 1, 2 & 3
Horn in F 1, 2, 3 & 4
Trombone 1 & 2
Bass Trombone
Euphonium
Tuba
String Bass
Timpani
Percussion 1: Marimba (5 octave, shared with Perc. 2), Woodblocks (5), Bass Drum
Percussion 2: Marimba (5 octave, shared with Perc. 1), Large Tam-tam, Med. Temple Block
^Antiphonal Trumpet in Bb (Left)
^Antiphonal Trumpet in Bb (Right)
^^Antiphonal Brass Ensemble (Rear Balcony):
^^Bb Trumpet 1, 2 & 3
^^Horn in F 1 & 2
^^Trombone 1 & 2
^^Bass Trombone
^^Tuba
N.b. ^ or ^^ preceding an instrument name or abbreviation in the score denotes an antiphonal player.
Seating Diagram
Audience
Stage Ensemble
Antiphonal Brass Ensemble
(Rear Balcony)
Antiphonal
Tpt. (L)
(Balcony)
Antiphonal
Tpt. (R)
(Balcony)
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Copyright © 2012 Kon Brio Music (ASCAP) International Copyright secured. All Rights Reserved.
Copying or reproducing this publication in whole or in part violates the Federal Copyright Law
^^Trumpet in Bb 1
q = 1204
f
f
f più f
q = ca. 72
f
fq = 1204
Piccolo Flute 1
pp
Flute 2 Oboe 1 Oboe 2
English Horn
Clarinet in Eb pp
Clarinet in Bb 1 pp
Clarinet in Bb 2 pp
Clarinet in Bb 3 pp
Bs. Clarinet in Bb p
Bassoon 1
Bassoon 2
p
Contrabassoon p
Soprano Sax Alto Sax
Tenor Sax Baritone Sax
Trumpet in Bb 1 Trumpet in Bb 2 Trumpet in Bb 3
Horn in F 1 Horn in F 2 Horn in F 3 Horn in F 4 Trombone 1 Trombone 2
Bass Trombone Euphonium
Tuba
Double Bass p
^Trumpet in Bb (Left)
Solo
^Trumpet in Bb (Right)
Solo
Solo
Transposed ScoreCommissioned by the Western Michigan University Symphonic Band, Robert Spradling, conductor,
in celebration of the School of Music Centennial
Kathryn Salfelder (2012)
Stylus Phantasticus
^^Trumpet in Bb 2 Solo
mp più f
^^Trumpet in Bb 3Solo
più f
Timpani
pp
dampen
Perc. 1 (Marimba,5 Wdblks, B.D.)
Marimba pp
soft/med. yarns
Perc. 2 (Marimba,Tam-tam, T. Blk)
Marimba
p
very soft yarns
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^Tpt. (L)
^Tpt. (R)
^^Tpt. 1
^^Tpt. 2
^^Tpt. 3
Timp.
Mar.
Mar.
7
mp p mf p p
mf p p
pp mp
pp mp
pp mp
p ppmp p mf
p p
p ppmp p mf
p p
p ppmp p mf
p p
p ppmp p mf p
p
pp mp
pp mp
f
f
f
mf
mp
p pp mp p mf p p
freely, molto rubato
poco marc.3
freely, molto rubatopoco marc.
3 3
3
freely, molto rubato
poco marc.
3 3
(slowly turn 90 degrees to your left, to face stage)
(slowly turn 90 degrees to your right, to face stage)
dampen dampen
To Tam-tam
Stylus phantasticus
2
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
W.B.
T. Bl.
4039
mf
mpmf poco f
f
mf poco ff
mpmf poco f
f
mp mf poco f f
mp mf poco f f
40
solo
To Marimba
Stylus phantasticus
7
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
W.B.
T. Bl.
mf
Prismatic4645
mf
mf
p
p
p p
p p mp
mf p
p mp mf
p mp mf
p
p
mp
mp
pp mp
ppmp
p mp mf
mf
mf
Prismatic46
pp mp
pizz.
^Tpt. (L)
poco marc.
^Tpt. (R)
poco marc.
Marimbamed. yarns(R)
To Marimba
Stylus phantasticus
8
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^Tpt. (L)
^Tpt. (R)
Timp.
Mar.
Mar.
mf f
Aggressively5351
f
p
p
mf f
mf f
mf f f
f
f
f
f
f
f
f
f
mf f
mf f
mf f
mf f
f
mp p
mp
Aggressively53
f
Stylus phantasticus
9
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
58
p sub
f
f
f
fp sub
fp sub
f f
f f
f
f
straight mute
straight mute
metal mute
metal mute
Stylus phantasticus
10
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
6764
mp sub poco a poco cresc.
f mf
p f
mf
f mp sub poco a poco cresc.
f mp subpoco a poco cresc.
fp sub f mp sub poco a poco cresc.
fp sub f mp sub poco a poco cresc.
f
f
f
f
ff
ff
67
3
3
3
open, leggiero
open, leggiero
leggiero
straight mute
leggiero
straight mute
Stylus phantasticus
11
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
ff
70
f
cresc. f
ff
ff
ff
f ff
mf cresc. f
f
f ff
f
f
f
p mp
p
p
p
f
fmp
mp
3 3
3
3 3 3
3 3
3
3
3 33
3 3
3
3
3 3 3 3 3
3
3 3 3
open
open
open
Stylus phantasticus
12
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
B. Tbn.
Euph.
f f
q = ca. 56- 60
75
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f ff
ff
f
f sempre
On Cue, Intensely (q = 120)76
f sempre
f sempre
f sempre
f sempre
f sempre
f
mf
mf
3 33
3 3
3 3
3 3
3 3 3
3 3 3
3 3 3
3
3
3 3
3
3 3
3
3
3
3 3
3
3 3
3
Euphonium
^^Tpt. 1 sempre marc.
sempre marc.
^^Tpt. 2
^^Tpt. 3 sempre marc.
^^Hn. 1 sempre marc.
^^Hn. 2 sempre marc.
sempre marc.
^^Tbn. 1
marc.
^^Tbn. 2
marc.
^^B. Tbn.
marc.^^Tba.
Stylus phantasticus
13
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Bsn. 1
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Db.
^Tpt. 1
^Tpt. 2
^Tpt. 3
^Hn. 1
^Hn. 2
^Tbn. 1
^Tbn. 2
^B. Tbn.
^Tba.
Timp.
Mar.
Mar.
f
(q = 120)
8380
f
f
f
f
f
f pp
f pp
pp
pp
f
f pp sempre
f pp sempre
f pp sempre
f
(q = 120)
83
3
3
3
3
3
3
3
3
Cl. 2
Cl. 3
3
sotto voce, leggiero
3
sotto voce, leggiero
3
sotto voce, leggiero
3
3
marc.
Stylus phantasticus
14
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
pp mp pp
8786
pp mp pp
pp mp pp
pp mp pp
pp mp pp pp
pp mp pp pp
pp mp pp pp
pp mp pp pp
p
p
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
p
p
87
sotto voce, leggiero
straight mute
straight mute
straight mute
metal mute
pizz.
Stylus phantasticus
15
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
pp mp pp pp mf
9792
pp mp pp pp mf
pp mp pp pp mf
pp mp pp pp mf
mp pp
ppp mp pp
mp pp ppp mp pp
mp pp ppp mp pp
mp pp ppp mp pp
mp
mp
p
97
solo
solo open
open
solo
Stylus phantasticus
16
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
mf p pp
99
mf p pp
mf p pp
mf p pp
mf p pp
mf p pp
mf p
mf p
mf pp
mf
mf mp
mf mp
mf mp
p f p
pf
p
p fp
pp mf
mf mf
mf
(straight mute)
open
(muted)
solo, espr.
Stylus phantasticus
17
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
pp mp p pp mp
pp mp p pp mp
pp mp p pp mp
pp mp p pp mp
pp mp p
pp pp
pp pp
mp
mp
mp
mp
p mp
mp p mp
p p
105
5 5
cantabile
cantabile
cantabile
cantabile
solo, espr.
solo, espr.
arco 5 5
105
Stylus phantasticus
18
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
113
pp
pp
pp
pp
mp f
f
f
mf f mff
mf f mf f
mf f mf f
f mf f
mf
mf
mf
cantabile
open
arco
Stylus phantasticus
19
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
Mar.
Mysteriously120
p
mp p
mp
mp p
mp
mp
p
p
mp p
p
Mysteriously120
p pp
p
solo
solo
solo
pp
soft/med. yarns
p
leggiero
Marimbavery soft yarns to Temple Block
Stylus phantasticus
20
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
T. Bl.
127126
p
p
p
mp p
p
127
mp p pp
solo
To B. D.
Stylus phantasticus
21
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
T. Bl.
133132
mp
p
p
p
mp
p p
p
133
Stylus phantasticus
22
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
T. Bl.
mf
Joyous!140138
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mp
Joyous!140
leggiero
leggiero
leggiero
leggiero
leggiero
leggiero
leggiero
leggiero
leggiero
leggiero
^Tpt. (L) Follow stage conductor
leggiero
^Tpt. (R) Follow stage conductor
leggiero
^^Tpt. 1 Follow stage conductor
straight mute
^^Tpt. 2 Follow stage conductor
^^Tpt. 3 Follow stage conductor
Stylus phantasticus
23
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^Tpt. (L)
^Tpt. (R)
^^Tpt. 1
^^Tpt. 2
^^Tpt. 3
Timp.
Mar.
T. Bl.
148144
f
f
f
f
f
f
f
f
f
f
f
f
f f
f
f
f
f mf
f mf
f
f
f
f f
mp n mp
mp
148
leggiero
leggiero
leggiero
leggiero
leggiero
leggiero
sostenuto leggiero
sostenuto
sostenuto
sostenuto
sostenuto
sostenuto
sostenuto
open, sostenuto
solo
sostenuto leggiero
3
3
3
3 3
straight mute
straight mute
Stylus phantasticus
24
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^^Tpt. 1
^^Tpt. 2
^^Tpt. 3
^^Hn. 1
^^Hn. 2
^^Tbn. 1
^^Tbn. 2
^^B. Tbn.
^^Tba.
Timp.
Mar.
T. Bl.
q = 60molto rit. 153
151
f
f
f
f
f
f
f
f
f
f
f
ff mf f
f
p f
mp p f
f
f
f f
f
f
f
q = 60molto rit. 153
= 60
3
open
f
bell tones
open articulate bell tones
open
Follow stage conductor
Follow stage conductor
Follow stage conductorarticulate
Follow stage conductorbell tones
Follow stage conductor
Follow stage conductor
Stylus phantasticus
25
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^^Tpt. 1
^^Tpt. 2
^^Tpt. 3
^^Hn. 1
^^Hn. 2
^^Tbn. 1
^^Tbn. 2
^^B. Tbn.
^^Tba.
T. Bl.
q = 120161
157
f
f
f
ff f
ff f
f
f
f
f f f f f
f f f
f f f
f f
f f
q = 120161
Trumpet in Bb (L) = ca. 90poco marc.
= ca. 112
Trumpet in Bb (R)
poco marc.
= ca. 90
articulate
( = 60)
(resume independence)
= ca. 120poco marc.
bell tones
(resume independence)poco marc.
= ca. 120
articulate
( = 60)
( = 60)
Stylus phantasticus
26
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^Tpt. (R)
^^Tpt. 2
^^Tpt. 3
^^B. Tbn.
^^Tba.
T. Bl.
f mf
166162
mf f
mff
f mf f
f
f mf f
f
f f
f mf mf f
mf mp mf
f
f
f
f
mf
mp
mp
mp
mp
f
mf
166
3 3 3
3
3
3
3
3
3
3
= ca. 120
Temple Block
Stylus phantasticus
27
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
T. Bl.
mf f
167
f mf f
f mf f
f mf f
f mf f
p f
f f mfmf f
ff p f
p f
f p f
mf
fp mp mf f
p mp mf f ff
p mp
f p mf f
f mp mf
mp mf
p mp
mp p
mp p
mp p
pp
3
3
3
3 3
3
3
3
Stylus phantasticus
28
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Mar.
T.-t.
ff ff
q = 60
172 175
f ffff ff
f ff
f ff
f ff
f
f ff
f ff
fff
f ff
ff
f
ff
ff
f
f
f ff
ff
f ff
f ff
f ff
mf ff
mf ff
mf ff
mfff
f ff
f ff
fff
f ff
ff
ff
mp f
q = 60
172175
p f
sf p f
6 6 6 6 6
legato
6 6 6 6 6
legato
legato
legato
legato
legato
legato
legato
legato
legato
legato
legato
legato
Bass Drum
Large Tam-tam
Stylus phantasticus
29
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
Timp.
B. D.
T.-t.
176
mp pp
n
ff
p mf p
p mf p
p mf p
ff mp
ff
p sub
p sub
p mf p
mf p
mfp
mp
mp
mp
p mf f p mf p
p f
p fp mf p
solo, cantabile
(one player)
6
6
6
solo, cantabile
6
rubato, espr.
= ca. 72
^Tpt. (L)
rubato, espr. = ca. 72
^^Tpt. 1
= ca. 60straight mutepoco marc.
^^Tpt. 2straight mutepoco marc.
^^Tpt. 3straight mutepoco marc.
Marimba very soft yarns
^Tpt. (R)
Stylus phantasticus
30
-
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Sop. Sax.
Alto Sax.
Ten. Sax.
Bari. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tba.
Db.
^^Tpt. 1
^^Tpt. 2
^^Tpt. 3
Timp.
B. D.
Mar.
ff
182180
mp ff
ff
p fff
p fff
p fff
ff p fff
mp ff p fff
ff p fff
ff p fff
p mf pmp f pp fff
p mf p mp fpp fff
p mf p mp f pp fff
mp f pp fff
p fff
p fff
p fff
pp fff
f
f
f
p fff
f
p fff
f
mp f p fff
mp f p fff
mp f pp fff
mp f p fff
mp f pp fff
p mf pmp f pp fff
n
p mf p mp f pp fff
182
pp fff
p mf p
solo
rubato, espr.(spatial notation - freely)
rit. and fade out
sostenuto 3
Stylus phantasticus
31