Student Use of Multimedia: What You Need to Know
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Transcript of Student Use of Multimedia: What You Need to Know
What You Need to KnowStudent Use of Online Multimedia
CM210 MULTIMEDIA STORYTELLING
Bruce Clary, McPherson College, McPherson, Kansas
The first and most important principle
CM210 MULTIMEDIA STORYTELLING
The first and most important principle
Every new creative production (except those created by government employees) is copyrighted.
CM210 MULTIMEDIA STORYTELLING
The first and most important principle
Every new creative production (except those created by government employees) is copyrighted.
Assume that everything you find on the Web is copyrighted.
CM210 MULTIMEDIA STORYTELLING
What media can everyone use in multimedia projects?
CM210 MULTIMEDIA STORYTELLING
What media can everyone use in multimedia projects?• Original media that they have created
CM210 MULTIMEDIA STORYTELLING
What media can everyone use in multimedia projects?• Original media that they have created• Media that is in the public domain
CM210 MULTIMEDIA STORYTELLING
What media can everyone use in multimedia projects?• Original media that they have created• Media that is in the public domain• Media that copyright holders have given
permission for use
CM210 MULTIMEDIA STORYTELLING
What media can everyone use in multimedia projects?• Original media that they have created• Media that is in the public domain• Media that copyright holders have given
permission for use• Media licensed by the creators for reuse by
others
CM210 MULTIMEDIA STORYTELLING
What media can students use in multimedia projects?
CM210 MULTIMEDIA STORYTELLING
What media can students use in multimedia projects?• All the media everybody else can legally use,
plus
CM210 MULTIMEDIA STORYTELLING
What media can students use in multimedia projects?• All the media everybody else can legally use,
plus• Copyrighted media used in accordance with
the principle of Fair Use
CM210 MULTIMEDIA STORYTELLING
Media in the public domain
CM210 MULTIMEDIA STORYTELLING
Media in the public domainMedia in the public domain are media for which the copyright has expired. In the United States, creative works are under copyright for the following terms:
CM210 MULTIMEDIA STORYTELLING
Media in the public domainMedia in the public domain are media for which the copyright has expired. In the United States, creative works are under copyright for the following terms:• Life of artist + 70 years (including unpublished
works); or
CM210 MULTIMEDIA STORYTELLING
Media in the public domainMedia in the public domain are media for which the copyright has expired. In the United States, creative works are under copyright for the following terms:• Life of artist + 70 years (including unpublished
works); or• 95 years from publication
CM210 MULTIMEDIA STORYTELLING
So what works are in the public domain?
CM210 MULTIMEDIA STORYTELLING
So what works are in the public domain?
• Works created by government employees
CM210 MULTIMEDIA STORYTELLING
So what works are in the public domain?
• Works created by government employees• Works published prior to 1923
CM210 MULTIMEDIA STORYTELLING
Media Used with Permission
CM210 MULTIMEDIA STORYTELLING
Media Used with PermissionOutside the educational setting, creatives who want to reuse copyrighted work have only two, sometimes very expensive alternatives:
CM210 MULTIMEDIA STORYTELLING
Media Used with PermissionOutside the educational setting, creatives who want to reuse copyrighted work have only two, sometimes very expensive alternatives:• Acquiring the right to use the work from the
copyright holder
CM210 MULTIMEDIA STORYTELLING
Media Used with PermissionOutside the educational setting, creatives who want to reuse copyrighted work have only two, sometimes very expensive alternatives:• Acquiring the right to use the work from the
copyright holder• Using the work without the right to do so and
risking the possibility of a copyright infringement lawsuit
CM210 MULTIMEDIA STORYTELLING
Media Used with PermissionOutside the educational setting, creatives who want to reuse copyrighted work have only two, sometimes very expensive alternatives:• Acquiring the right to use the work from the
copyright holder• Using the work without the right to do so and
risking the possibility of a copyright infringement lawsuit
This is the world comm majors will work in after graduation.
CM210 MULTIMEDIA STORYTELLING
Media Licensed for Reuse
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Creative Commons licenses
CM210 MULTIMEDIA STORYTELLING
Creative Commons licenses
• Are used by creatives who want to give others the ability to use what they have created
CM210 MULTIMEDIA STORYTELLING
Creative Commons licenses
• Are used by creatives who want to give others the ability to use what they have created
• Do not surrender all the creator’s rights
CM210 MULTIMEDIA STORYTELLING
Creative Commons licenses
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for studentsFair use is a legal principle that provides certain limitations on the exclusive rights of copyright holders when the use is educational in nature.
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for studentsFair use is a legal principle that provides certain limitations on the exclusive rights of copyright holders when the use is educational in nature. The principle of fair use allows students to incorporate portions of lawfully acquired copyrighted works when producing their own educational multimedia projects for a specific course.
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
The principle of fair use allows students to incorporate portions of lawfully acquired copyrighted works when producing their own educational multimedia projects for a specific course.
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
The principle of fair use allows students to incorporate portions of lawfully acquired copyrighted works when producing their own educational multimedia projects for a specific course.
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
CM210 MULTIMEDIA STORYTELLING
Fair use privileges for students
The principle of fair use allows students to incorporate portions of lawfully acquired copyrighted works when producing their own educational multimedia projects for a specific course.
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: video
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: videoUp to 10 percent or 3 minutes, whichever is less, in the aggregate of a copyrighted motion media work
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: text
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: text
• Up to 10 percent or 1,000 words, whichever is less, in the aggregate.
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: text
• Up to 10 percent or 1,000 words, whichever is less, in the aggregate.
• An entire poem of less than 250 words may be used, but no more than three poems by one poet, or five poems from any one anthology.
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: text
• Up to 10 percent or 1,000 words, whichever is less, in the aggregate.
• An entire poem of less than 250 words may be used, but no more than three poems by one poet, or five poems from any one anthology.
• For poems of greater length, 250 words may be used but no more than three excerpts by a poet, or five excerpts from different poets from a single anthology.
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: music & lyrics
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: music & lyrics
• Not more than 30 seconds in the aggregate from an individual musical work
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: music & lyrics
• Not more than 30 seconds in the aggregate from an individual musical work
• No use may alter the basic melody or the fundamental character of the work (whatever than means).
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: illustrations & photos
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: illustrations & photos
• Not more than five images by an artist or photographer
CM210 MULTIMEDIA STORYTELLING
Fair use limitations: illustrations & photos
• Not more than five images by an artist or photographer
• When drawing upon a published collective work, not more than 10 percent or 15 images, whichever is less
CM210 MULTIMEDIA STORYTELLING
Recent fair use decisions
CM210 MULTIMEDIA STORYTELLING
Recent fair use decisions
• A judge has decided in Georgia State University’s favor in a lawsuit over the use of electronic reserves
CM210 MULTIMEDIA STORYTELLING
Recent fair use decisions
• A judge has decided in Georgia State University’s favor in a lawsuit over the use of electronic reserves
• A California court has ruled in UCLA’s favor in a lawsuit brought for streaming a legally-acquired video of a Shakespeare performance to students
CM210 MULTIMEDIA STORYTELLING
CM210 MULTIMEDIA STORYTELLING
Educational institutions may be winning the war against ridiculous fair use restrictions.
CM210 MULTIMEDIA STORYTELLING
Educational institutions may be winning the war against ridiculous fair use restrictions.
But Kirby Ferguson of “Everything Is a Remix” needs our help in winning the war against the uncritical acceptance of our society’s belief in “I built that” and the discreteness of intellectual property.
CM210 MULTIMEDIA STORYTELLING
CM210 MULTIMEDIA STORYTELLING
We learned to share in pre-school. You love it when others share with you.
CM210 MULTIMEDIA STORYTELLING
We learned to share in pre-school. You love it when others share with you.
Please consider joining the Creative Commons movement when you upload creative materials to the Web.
CM210 MULTIMEDIA STORYTELLING
Credits
CM210 MULTIMEDIA STORYTELLING
CreditsSlide 5. “Duration of Copyright.” Copyright Law of the United States of America.
CM210 MULTIMEDIA STORYTELLING
CreditsSlide 5. “Duration of Copyright.” Copyright Law of the United States of America.Slide 6. Lolly Gassaway. “When U.S. Works Pass into the Public Domain.” University of North Carolina.
CM210 MULTIMEDIA STORYTELLING
CreditsSlide 5. “Duration of Copyright.” Copyright Law of the United States of America.Slide 6. Lolly Gassaway. “When U.S. Works Pass into the Public Domain.” University of North Carolina. Slide 8. Image. Blogoosfero.
CM210 MULTIMEDIA STORYTELLING
CreditsSlide 5. “Duration of Copyright.” Copyright Law of the United States of America.Slide 6. Lolly Gassaway. “When U.S. Works Pass into the Public Domain.” University of North Carolina. Slide 8. Image. Blogoosfero.Slide 10. Image. On the Line.
CM210 MULTIMEDIA STORYTELLING
CreditsSlide 5. “Duration of Copyright.” Copyright Law of the United States of America.Slide 6. Lolly Gassaway. “When U.S. Works Pass into the Public Domain.” University of North Carolina. Slide 8. Image. Blogoosfero.Slide 10. Image. On the Line.Slides 11-18. UWCopyrightConnection. University of Washington.
CM210 MULTIMEDIA STORYTELLING