Steinway & Sons: Buying a Legend (A)

62

Transcript of Steinway & Sons: Buying a Legend (A)

Page 1: Steinway & Sons: Buying a Legend (A)
Page 2: Steinway & Sons: Buying a Legend (A)

SITUATION

Page 3: Steinway & Sons: Buying a Legend (A)

The New York Times Article, April 19, 1995

Page 4: Steinway & Sons: Buying a Legend (A)

And who purchased

This Legendary Piano Manufacturer?

Owners of this company were…

Page 5: Steinway & Sons: Buying a Legend (A)

Dana Messina & Kyle Kirkland

Two 33 year-old investment bankers

Page 6: Steinway & Sons: Buying a Legend (A)

Wait a minute…!!

Before we puzzle ourselves

into their problems,

Why shouldn’t we look

at the background of

Steinway & Sons

Page 7: Steinway & Sons: Buying a Legend (A)

Rewind

Page 8: Steinway & Sons: Buying a Legend (A)

Established in New York City by Henry Engelhard Steinway

Sold to Birmingham Brothers for $50 m

Bought by Selmer Company for $100 m

Purchased by CBS in $21 m

Page 9: Steinway & Sons: Buying a Legend (A)

The Establishment

1853

Page 10: Steinway & Sons: Buying a Legend (A)

Henry Engelhard Steinway

Established by

Page 11: Steinway & Sons: Buying a Legend (A)

Build the best piano possible and

sell it at the lowest price

consistent with quality

Henry Engelhard Steinway

Page 12: Steinway & Sons: Buying a Legend (A)

The Tradition

1853-1972

Page 13: Steinway & Sons: Buying a Legend (A)

1 Attention to details

assembled by CRAFT METHODS

Page 14: Steinway & Sons: Buying a Legend (A)

2 Value of employees

Many workers represent

2nd

or 3rd

generation

Page 15: Steinway & Sons: Buying a Legend (A)

3 Exclusiveness

no two pianos would sound same

Page 16: Steinway & Sons: Buying a Legend (A)

4 Social Responsibility

Award-winning sustainable forestry program

to establish forests through tree planting

and educational forest management projects

Page 17: Steinway & Sons: Buying a Legend (A)

The CBS Years

1972-1985

Page 18: Steinway & Sons: Buying a Legend (A)

• Financial reasons

• Ownership was spread

among many family

members.

• Some partners were

mostly interested in

income, but not in

investments for

improvements.

Page 19: Steinway & Sons: Buying a Legend (A)

So, the company was sold to CBS

For $21m

Page 20: Steinway & Sons: Buying a Legend (A)

• CBS did heavy

investment in capital

improvements.

• Increased production to

get return on

investments.

• Increased visibility in the

market to increase

sales.

Page 21: Steinway & Sons: Buying a Legend (A)

BUT…!!!

Critics began to question

quality of the

Steinway pianos.

Page 22: Steinway & Sons: Buying a Legend (A)

The Birmingham Years

1985-1995

Page 23: Steinway & Sons: Buying a Legend (A)

In 1985

For $49m

Page 24: Steinway & Sons: Buying a Legend (A)

And they brought

some improvements!

Despite having lack of industry experience

Page 25: Steinway & Sons: Buying a Legend (A)

1 Back to Quality

Unboxed 740 pianos prior to shipment,

and re-tuned & re-voiced

Each One

Page 26: Steinway & Sons: Buying a Legend (A)

2 Technology and Innovation

Upgraded and modernized

the manufacturing facilities

to eliminate any question on quality

Page 27: Steinway & Sons: Buying a Legend (A)

3 Sense of Responsiveness

Visited dealers, heard concerns

and explained future plans

Page 28: Steinway & Sons: Buying a Legend (A)

4 The dealer network

•Reduced dealers to improve sense of

exclusivity

•Developed “partnership program” with

dealers.

Page 29: Steinway & Sons: Buying a Legend (A)

4 The dealer network contd…

within the dealer’s retail space

A separate “Steinway Showroom”

Page 30: Steinway & Sons: Buying a Legend (A)

5 stretching product line

to induce upselling

to target more market

Page 31: Steinway & Sons: Buying a Legend (A)

5 Increased product line contd…

Launched in 1992,

to cover Middle-priced market

Launched in 1993,

to encash the brand name of Steinway

Launched in 1994,

to offer something different

Page 32: Steinway & Sons: Buying a Legend (A)

As a result

• Boston Pianos helped Steinway capture mid-priced market.

• They improved the sales and increased the revenue.

• “Limited Editions” and “Crown Jewel Collection” gave

Steinway

points of difference

to sell, and capture the market and helped it

increase its brand equity.

Page 33: Steinway & Sons: Buying a Legend (A)

Global Appearance

Page 34: Steinway & Sons: Buying a Legend (A)

And… in the US

Steinway’s top ten American Markets in 1994; source: Steinway Company Records

Page 35: Steinway & Sons: Buying a Legend (A)

Purchase by Selmer

1995

Page 36: Steinway & Sons: Buying a Legend (A)

Despite the positive changes

Financial constraints forced

Birmingham brothers

to sell the company

Page 37: Steinway & Sons: Buying a Legend (A)

On April 18,1985

For $100m

Page 38: Steinway & Sons: Buying a Legend (A)

The Piano Industry

Page 39: Steinway & Sons: Buying a Legend (A)

Types of Pianos

Page 40: Steinway & Sons: Buying a Legend (A)

Industry Trends

Piano sales in the US; Source: Piano Manufacturers Association International

Page 41: Steinway & Sons: Buying a Legend (A)

Reasons

• Rise of computer as home entertainment device

• Growing popularity of low-priced electronic keyboards

• Global recession in the early 1990s

Page 42: Steinway & Sons: Buying a Legend (A)

Competition of Steinway

• Baldwin Piano and Organ Company, United States

• Yamaha Corporation, Japan

• Kawai Corporation, Japan

• Bosendorfer, Austria

• Fazioli, Italy

Page 43: Steinway & Sons: Buying a Legend (A)

The Used Piano Market

Long life & fine reputation

of old pianos hit the market of new pianos

Page 44: Steinway & Sons: Buying a Legend (A)

Problems

Page 45: Steinway & Sons: Buying a Legend (A)

Role of

Dana Messina

&

Kyle Kirkland

Page 46: Steinway & Sons: Buying a Legend (A)

#1

Whether Steinway should continue

its niche strategy of being world’s pre-eminent maker of

High quality pianos?

Page 47: Steinway & Sons: Buying a Legend (A)

OR

Should it go with some more aggressive plan?

Page 48: Steinway & Sons: Buying a Legend (A)

Steinway should stick to

its core values, which

have given it a brand

image.

Page 49: Steinway & Sons: Buying a Legend (A)

It should focus on

producing quality

pianos…

Page 50: Steinway & Sons: Buying a Legend (A)

…And serve its target

segment, which is affluent

people, having a great

taste in music…

Page 51: Steinway & Sons: Buying a Legend (A)

… and make them feel that

they deserve something

different and exclusive,

and leverage the Steinway

brand name.

Page 52: Steinway & Sons: Buying a Legend (A)

#2

What to do with Boston pianos?

Page 53: Steinway & Sons: Buying a Legend (A)

Boston brand

proved its worth

And achieved its goal…

Sales of Boston Pianos

Page 54: Steinway & Sons: Buying a Legend (A)

But it diluted the brand

image of the name

“Steinway & Sons”

Page 55: Steinway & Sons: Buying a Legend (A)

So Steinway should drop

Boston to regain its

brand image

And

exclusivity

Page 56: Steinway & Sons: Buying a Legend (A)

#3

What are the alternatives?

Page 57: Steinway & Sons: Buying a Legend (A)

Steinway should continue to

innovate, and serve its elite

customers with new products

by extending its product line

for elite class

Page 58: Steinway & Sons: Buying a Legend (A)

And it should come up with

new products for mid-priced

market to

target new market,

and increase its

Revenue and visibility

Page 59: Steinway & Sons: Buying a Legend (A)

But…!!!

be careful

Steinway should not sell the

new products under the

umbrella of its brand name

Page 60: Steinway & Sons: Buying a Legend (A)

Recap#1

#4#3

#2

Page 61: Steinway & Sons: Buying a Legend (A)

References

steinway.com

Page 62: Steinway & Sons: Buying a Legend (A)

Thanks

This presentation

was created during a marketing internship,

under the guidance of

Professor Sameer Mathur

IIM Lucknow

Ph.D.: Carnegie Mellon University

by

Abhishek Gupta

IIT Guwahati