Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

List of Required Works

G15 = Kleiner, Gardner’s Art through the Ages, 15th ed. G14 = Kleiner, Gardner’s Art through the Ages, 14th ed. S5 = Stokstad and Cothren, Art History, 5th ed. GW = DeWitte, Larmann, and Shields, Gateways to Art A3 = Adams, Art Across Time, 3rd ed. APAP = Art Past Art Present, 6th ed. KA = Khan Academy Pin = Image found on Art History 250 boards, Pinterest (http://www.pinterest.com/marshruss/) Notes: Many thanks to Susan Kaufman, my friend and fellow APAH teacher, for researching the dimensions and locations of the works in our list and allowing me to paste that information into this document! And: Work numbers in bold are ones I’ve created excerpt documents for as PDFs. Contact me for access.

Content Area 1: Global Prehistory 30,000–500 B.C.E. (11 WORKS) 1. Apollo 11 stones. Namibia. c. 25,500–25,300 B.C.E. Charcoal on stone. 4 ½” x 5”. State Museum of Namibia, Windhock. G15, 16 – 17; G14, 16 – 17 KA Pin Image Location Image Map Image Article Article Article 2. Great Hall of the Bulls. Lascaux, France. Paleolithic Europe. 15,000–13,000 B.C.E. Rock painting, length of largest aurock (bull) 18’. G15,14, 15, 20, 22-23; G14,14-15, 22-23 S5, 10-1 A3, 37-39 APAP, 22-24 KA Pin Image Video Video 2 Article Website Fly-through tour 3. Camelid sacrum in the shape of a canine. Tequixquiac, central Mexico. 14,000–7000 B.C.E. Bone. Museo Nacional de Antropologia, Mexico City, Mexico. KA Pin Image Article Article Article 4. Running horned woman. Tassili n’Ajjer, Algeria. 6000–4000 B.C.E. Pigment on rock. G15, 542-543; G14, 522-524 S5, 411-413 Pin Image Article Video Video

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

5. Bushel with ibex motifs. Susa, Iran. 4200–3500 B.C.E. Painted terra cotta, approx. height 11 2/5”, diameter 6 2/5”. Musee du Louvre, Paris, France. G15, 45 (brief) A3, 74 KA Pin Image Image VIDEO Article 6. Anthropomorphic stele. Arabian Peninsula. Fourth millennium B.C.E. Sandstone, approx. height 36” x width 8”. National Museum, Riyadh, Saudi Arabia. KA Pin Image Article Article Article Article Video Video 7. Jade cong. Liangzhu, China. 3300–2200 B.C.E. Carved jade, approx. 1 1/3” high x 5” wide. British Museum, London, England. S5, 332-334 KA Pin Image Context photo Video Video Article Article Article ArticlePDF Article 8. Stonehenge. Wiltshire, UK. Neolithic Europe. c. 2500–1600 B.C.E. Sandstone, tallest lintel 24’, average 13’6” weighing 26 tons, diameter of all lintels 106’. G15, 28 S5, 17-20 A3, 47-50 GW, 456-457 APAP, 27-28 KA Pin Image AND Image Video Video Video Article Article Article Teacher’s Kit Website 9. The Ambum Stone. Ambum Valley, Enga Province, Papua New Guinea. c. 1500 B.C.E. Greywacke, approx. height 7 9/10” x width 3” x depth 5 ½”. National Galley of Australia, Canberra, Australia. G15, 1105; G14, 1045 Pin Image Image Ambum Stone Stamp Article Article Article Article 10. Tlatilco female figurine. Central Mexico, site of Tlatilco. 1200–900 B.C.E. Ceramic with traces of pigment, 3 ¾” x 1 7/8” x 13/16”. Princeton University Art Museum, Princeton, New Jersey. KA Pin Image Article Article Article Article 11. Terra cotta fragment. Lapita. Solomon Islands, Reef Islands. 1000 B.C.E. Terra cotta (incised), height of human face motif approx. 1 ½”. Department of Anthropology, University of Auckland, Auckland, New Zealand. S5, 862 GW, 462 Pin Image Article Article Article Video

Content Area 2: Ancient Mediterranean

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

3500 B.C.E.–300 C.E. (36 WORKS) Smarthistory Intro to Ancient Near East Mesopotamia: Crash Course World History #3 Smarthistory Intro to Ancient Egypt TICE ART 1010 Video Intro to Ancient Near Eastern and Ancient Egyptian Art TICE ART 1010 Video Intro to Greek and Roman Art The Persians and the Greeks: Crash Course World History #5 Rome Reborn 2.2 Smarthistory Tour of Rome in 320 CE (Frischer 3D animation video) Clickable Map of Ancient Egypt 12. White Temple and its ziggurat. Uruk (modern Warka, Iraq). Sumerian. c. 3500–3000 B.C.E. Mud brick. G15, 33-34; G14, 33-34 S5, 28-30 A3, 57 KA Pin Image from list(Is it backwards?) Higher res image I flipped horizontally Reconstruction drawing 13. Palette of King Narmer. Predynastic Egypt. c. 3000–2920 B.C.E. Greywacke, height 25”. Egyptian Museum, Cairo, Egypt. G15, 57-58; G14, 54, 55, 57-58, 66 S5, 51-53 A3, 84-86 GW, 526-527 APAP, 48-49 KA Pin Image Video 14. Statues of votive figures, from the Square Temple at Eshnunna (modern Tell Asmar, Iraq). Sumerian. c. 2700 B.C.E. Gypsum inlaid with shell and black limestone, height of largest figure approx. 30”. The Oriental Institute Museum, University of Chicago. Also: Iraq Museum, Baghdad, Iraq. G15, 35; G14, 35-36 S5, 31, 34, 37, 38 (similar APAP, 40-41) KA Pin Image 15. Seated scribe. Saqqara, Egypt. Old Kingdom, Fourth Dynasty. c. 2620–2500 B.C.E. Painted limestone, height 21”. Musee du Louvre, Paris, France. G15, 65-66; G14, 65-66 S5, 60 KA Pins Frontal view Right side Left side Louvre Louvre text 16. Standard of Ur from the Royal Tombs at Ur (modern Tell el-Muqayyar, Iraq). Sumerian. c. 2600– 2400 B.C.E. Wood inlaid with shell, lapis lazuli, and red limestone, 8” x 1’7”. British Museum, London, England.

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

G15, 36-38; G14, 30-31, 37-38 A3, 59-60 GW, 298-299 KA Pins Image 1 Image 2 Bdgrd Video Bkgrd video 2 Audio 17. Great Pyramids (Menkaura, Khafre, Khufu) and Great Sphinx. Giza, Egypt. Old Kingdom, Fourth Dynasty. c. 2550–2490 B.C.E. Cut limestone, 450’, height of Great Sphinx, 65’. G15, 60-63; G14, 60-63 S5, 55-57 A3, 90-93 GW, 64, 276-277, 301, 460-461, 493 APAP, 50-51 KA Page 1 Page 2 Page 3 Page 4 Pins Image 1 from list Site Plan Distant view Giza3D Video 18. King Menkaura and queen. Old Kingdom, Fourth Dynasty. c. 2490–2472 B.C.E. Greywacke with traces of red and black paint, height 54 ½”. Museum of Fine Arts, Boston, Massachusetts. G15, 64-65; G14, 64-65 S5, 59 A3, 95-96 GW, 556-567 KA Pin Image Article 19. The Code of Hammurabi. Babylon (modern Iran). Susian. c. 1792–1750 B.C.E. Basalt, height of stele approx. 7’4”; height of figural relief 28”. Musee du Louvre, Paris, France. G15, 43-44; G14, 43-44 S5, 34, 37, 39 A3, 67-68 GW, 528 KA Pin Image Detail Louvre 20. Temple of Amun-Re and Hypostyle Hall. Karnak, near Luxor, Egypt. New Kingdom, 18th and 19th Dynasties. Temple: c. 1550 B.C.E.; hall: c. 1250 B.C.E. Cut sandstone and mud brick, complex 247 acres (an acre is 76% of a football field, with end zones), walls 39’ high x 26’ thick; hall 58,000 sq. feet, 12 central columns 75’ high, capitals diameter 22’. G15,71-73; G14,72-73 S5, 66-67, 71, 76 A3, 100-102 GW, 130, 278 KA Pins Image 1 from list Image 2 from list Hypostyle Hall Reconstruction drawing Reconstructiondrawing 2 Plan Video Clerestory animation Article Article 21. Mortuary temple of Hatshepsut. Near Luxor, Egypt. New Kingdom, 18th Dynasty. c. 1473–1458

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

B.C.E. Sandstone, partially carved into a rock cliff, and red granite, height 8’6”. Metropolitan Museum of Art, NYC, NY. G15, 68-71; G14, 69-70 S5, 68-69 A3, 103-104 KA Pins Temple Reconstruction drawing Plan Statue Article Article Article on statue 22. Akhenaton, Nefertiti, and three daughters. New Kingdom (Amarna), 18th Dynasty. c. 1353–1335 B.C.E. Limestone, 12 ¼” x 15 ¼”. Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Agyptischees Museum, Berlin, Germany. G15, 77; G14, 78 S5, 69-73 A3, 106-108 GW, 525 APAP, 312-313 KA Pin Image Berlin Museum discussion 23. Tutankhamun’s tomb, innermost coffin. New Kingdom, 18th Dynasty. c. 1323 B.C.E. Gold with inlay of enamel and semiprecious stones, height 6’7/8”, weight nearly 243 pounds. Egyptian Museum, Cairo, Egypt. G15, 77-78; G14, 78 S5, 73 A3, 108-109 KA Pin Image Image Article/video 24. Last judgment of Hu-Nefer, from his tomb (page from the Book of the Dead). New Kingdom, 19th Dynasty. c. 1275 B.C.E. Painted papyrus scroll, height 15 5/8”. British Museum, London, England. G15, 54-55; G14, 80 S5, 77 GW, 492 KA Pin Image Video Video Article Article Article 25. Lamassu from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad, Iraq). Neo-Assyrian. c. 720–705 B.C.E. Alabaster, 13”10” high. Musee du Louvre, Paris, France. G15, 45-46; G14, 45-46 S5, 41-43 A3, 69-72 (Lamassu from Ashurbanipal II’s palace in Nimrud, GW, 29-300) KA Pin Image Louvre discussion British Museum discussion Article Article 26. Athenian agora. Archaic through Hellenistic Greek. 600 B.C.E.–150 C.E. Plan. S5, 137-138

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

A3, KA Pin Plan from list, no labels (50 kb) Hi res plan NO labels Plan with labels Reconstruction drawing Reconstruction drawing 2 Website PDF Video Video 27. Anavysos Kouros. Archaic Greek. c. 530 B.C.E. Marble with remnants of paint, height 6’4”. National Archaeological Museum, Athens, Greece. G15, 111-112; G14, 113 S5, 115-116 APAP, 78 KA Pin Image Article 28. Peplos Kore from the Acropolis. Archaic Greek. c. 530 B.C.E. Marble, painted details, height 4’. Akropolis Museum, Athens, Greece. G15, 112; G14, 114 S5, 115-116 A3, 152-153 KA Pin Image Article Article Article 29. Sarcophagus of the Spouses. Etruscan. c. 520 B.C.E. Terra cotta, length 6’7”. Museo Nazionale di Villa Guila, Rome, Italy. There is a similar sarcophagus in the Musee du Louvre, Paris, France. G15, 167-168; G14, 169-170 S5, 163-164 A3, 196-197 GW, 266 APAP, 70 KA Pin Image Bkgrd video Etruscans video Video Article 30. Audience Hall (apadana) of Darius and Xerxes. Persepolis, Iran. Persian. c. 520–465 B.C.E. Limestone, area 1195 sq. yards, 72 columns 78’8” tall. G15, 48-51; G14, 50-52 S5, 44-47 A3, 77 KA and KA Pins Image 1 from list – tiny 35 kb Aerial view from opposite side Image 2 Reliefs Persepolis plan Video Video 31. Temple of Minerva (Veii, near Rome, Italy) and sculpture of Apollo. Master sculptor Vulca. c. 510–500 B.C.E. Original temple of wood, mud brick, or tufa (volcanic rock); terra cotta sculpture. - Plan. Based on descriptions by Vitruvius. -Model. University of Rome, Istituto di Etruscologia e Antichita Italiche, Rome, Italy. -Apollo. Master Sculptor Vulca (?). From the temple of Minerva. Portonaccio, Veii. c. 510-500 B.C.E. Painted terra cotta, height 5’10”. Museo Nazionale di Villa Guila, Rome G15, 165-167

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

S5, 158-160 A3, 190 KA Pins Plan and Sketch Model Apollo 32. Tomb of the Triclinium. Tarquinia, Italy. Etruscan. c. 480–470 B.C.E. Tufa and fresco. G15, 170; G14, 172 S5, 162-163 (A3, 198-200 Tomb of the Leopards) KA Intro to Etruscan Art Pins Image from list Tomb of the Leopards Musician Video on Etruscans 1 Video on Etruscans 2 33. Niobides Krater. Anonymous vase painter of Classical Greece known as the Niobid Painter. c. 460–450 B.C.E. Clay, red-figure technique (white highlights) , 21 ¼” x 22”. Musee du Louvre, Paris, France. G15, 141; G14, 143 A3, 147 KA Pins Image 1 Image 2 Metamorphosis text Louvre Theseus detail 34. Doryphoros (Spear Bearer). Polykleitos. Original 450–440 B.C.E. Roman copy (marble) of Greek original (bronze). Height 6’11”, tree trunk and brace strut are Roman additions. National Archaeological Museum, Naples, Italy. Other Roman copies: Basalt torso, Galleria degli Uffizi, Florence, Italy; Copy 120-150 B.C.E., height 6’4”, Pentelic marble, Minneapolis Institute of Art, Minneapolis, Minnesota. G15, 129-130; G14, 132-133 S5, 134, 142 A3, 158 GW, 308 APAP, 38, 81-83 KA Pin Image Article Article Video 35. Acropolis. Athens, Greece. Iktinos and Kallikrates. c. 447–424 B.C.E. Marble. -Parthenon. Akropolis, Athens. 447-432. B.C.E. Pentelic marble. Athens, Greece. -Helios, horses, and Dionysus (Heracles?). East pediment of the Parthenon, c. 447-432 B.C.E. length over 90’; the central space of about 40’ is missing. British Museum, London, England. -Temple of Athena Nike. Akropolis, Athens. Kallikarates. 447-432. B.C.E. Pentelic marble. Athens, Greece. -Victory adjusting her sandal. Fragment of relief decoration from the parapet (now destroyed). Temple of Athena Nike, Akropolis, Athens. Last quarter of the 5th century (perhaps 410-405) B.C.E. Marble, height 3’6”. Akropolis Museum, Athens, Greece. -Plaque of the Ergastines. Detail of the Procession, from the Ionic frieze on the east side of the Parthenon, c. 447-432 B.C.E. Marble, height 3’6”. Musee due Louvre, Paris. G15, 130-139; G14, 104-105, 134-141 S5, 128-137 A3, 169-177 GW, 304-305, 513

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

APAP, 88-91 KA Page 1 Page 2 Page 3 Page 4 Page 5 Pins Image 1 Acropolis Plan from list – 37 kb Another Acropolis Plan Drawing of Acropolis Parthenon Parthenon Parthenon plan with labels Parthenon plan, no labels Helios, horses, and Dionysus (Heracles?) Temple of Athena Nike Victory adjusting her sandal Plaque of the Ergastines Video Video Video Ergastines article 36. Grave stele of Hegeso. Attributed to Kallimachos. c. 410 B.C.E. Marble and paint, 5’2” high. From the Dipylon cemetery, Athens, Greece. National Archaeological Museum, Athens, Greece. G15, 139, 140, 144, 167; G14, 142, 143, 146, 149 A3, 159, 182 KA Pin Image Article on Greek Afterlife 37. Winged Victory of Samothrace. Hellenistic Greek. c. 190 B.C.E. Marble, height 8’1”. Musee du Louvre, Paris, France. G15, 155; G14, 158 S5, 153, 155 A3, 184 APAP, 104-105 KA Pins Image 1 Image 2 Image 3 Louvre Louvre 2 Article Article Article 38. Great Altar of Zeus and Athena at Pergamon. Asia Minor (present-day Turkey). Hellenistic Greek. c. 175 B.C.E. Marble (architecture and sculpture). , height of figure 7’7”. Staatliche Museen, Berlin, Germany. -Athena Attacking the Giants, Detail of the frieze from the east front of the altar from Pergamon, c. 175-150 B.C.E. Marble, frieze height 7’7”. Staatliche Museen, Berlin, Germany. G15, 153-155; G14, 155-157 S5, 149-152 A3, 186-187 KA Pins Image Image Athena Plan Model of city Model 2 Article 39. House of the Vettii. Pompeii, Italy. Imperial Roman. c. second century B.C.E.; rebuilt c. 62–79 C.E. Cut stone and fresco. G15, 188, 189, 192-193; G14, 190-191 S5, 178-181 A3, 248-249 APAP, 116-117 KA Pins Plan Plan without labels Atrium Frescoes Fresco detail Video Video 40. Alexander Mosaic from the House of Faun, Pompeii. Republican Roman. c. 100 B.C.E. Mosaic. Roman copy of a Greek wall painting of c. 310 B.C.E., perhaps by Philoxenos of Eretria or Helen of Egypt. Entire panel 8’10” x 17’. Museo Archeologico Nazionale, Naples, Italy. G15, 147-148; G14, 150-151

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

S5, 145-146 A3,148-149 GW, 535 APAP, 104-106 KA Pins Image Article 41. Seated boxer. Hellenistic Greek. c. 100 B.C.E. Bronze, 4’2” high. Museo Nationale Romano – Palazzo Massimo alle Terme, Rome, Italy. G15, 157; G14, 160 A3,185-186 KA Pins Image Photo of discovery site Video Article Article 42. Head of a Roman patrician. Republican Roman. c. 75–50 B.C.E. Marble, 14”. Museo Torlonia, Rome, Italy. (similar: Head of an old man, from Osimo, Italy G15,184 (similar: Portrait Head of an Elder from Scoppito S5, 167-169) KA on similar work Pins Image Article Website Mencher Roman Sculpture Video 43. Augustus of Prima Porta. Imperial Roman. Early first century C.E. Marble, originally colored, height 6’8”. Musei Vaticani, Braccio Nuovo, Rome, Italy. G15, 195-197 S5, 172-173 A3, 239-40 GW, 527 APAP, 118 KA Pins Image MIT website Video Mencher Roman Sculpture Video 44. Colosseum (Flavian Amphitheater). Rome, Italy. Imperial Roman. 70–80 C.E. Stone and concrete. G15, 202-203; G14, 203-205 S5, 186-188 A3, 223-224 GW, 458 APAP, 130-131 KA Pins Image 1 Image 2 Section Drawing Section of Cavea Plan Video Article 45. Forum of Trajan. Rome, Italy. Apollodorus of Damascus. Forum and markets: 106–112 C.E.; column completed 113 C.E. Brick and concrete (architecture); marble (column). -Forum of Trajan (reconstruction drawing) -Basilica Ulpia (reconstruction drawing) -Trajan markets. Rome, 100-112 C.E. -Column of Trajan. Rome. 113-118 C.E., or after 117 C.E. Marble, overall height with base 125’; column alone 97’8”; length of relief 625’.

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

G15, 206-209; G14, 207-208 S5, 190-193 A3, 217-220 APAP, 119-120, 122-123, 132 KA (column) KA (Forum) Pins Reconstruction drawing Another reconstruction drawing Basilica Ulpia plan Basilica Ulpia plan, no labels Restored exterior view of Basilica Restored cutaway view of Basilica Restored interior view of Basilica Ulpia Plan of entire forum and market Trajan’s Market from list (poor quality image) Trajan’s Market, higher res Market Trajan’s Column from list Trajan’s Column higher res 3D website (download video animations) Article Article 46. Pantheon. Imperial Roman. 118–125 C.E. Concrete with stone facing. -Dome of the Pantheon. c. 110-128 C.E. Brick, concrete, marble veneer, diameter of dome 143’. G15, 211-212; G14, 210-211 S5, 194-197 A3, 227-229 GW, 311-312 APAP, 136-137 KA Pins Exterior Interior Sections Plan Panini Interior Cutaway Aerial View Video Video Video 47. Ludovisi Battle Sarcophagus. Late Imperial Roman. c. 250 C.E. Marble, 5’ high. Museo Nazionale Romano – Palazzo Altemps, Rome, Italy. G15, 222; G14, 222-223 KA Pins Image Article

Content Area 3: Early Europe and Colonial Americas 200–1750 C.E. (51 WORKS) SH Intro to Christianity and Christian Art TICE Art 1010: Video on Medieval and Byzantine Art TICE ART 1010 Renaissance ART TICE ART 1010 Baroque and Rococo Art The Renaissance: Was it a Thing? - Crash Course World History #22 48. Catacomb of Priscilla. Rome, Italy. Late Antique Europe. c. 200–400 C.E. Excavated tufa and fresco. G15, 234-238 (catacombs, but not Priscilla); G14, 237-239 S5, 220-222 A3, 270 GW, 317-318 KA Pins Greek chapel Orant fresco Good Shepherd and Orant fresco Good Shepherd fresco (tiny image from list) Good Shepherd vault Good Shepherd vault detail Good Shepherd fresco from Catacomb of Sts. Peter and Marcellinus Article Article Article 49. Santa Sabina. Rome, Italy. Late Antique Europe. c. 422–432 C.E. Brick and stone, wooden roof.

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

G15, 248, 249, 330, 350; G14, 243 S5, 223-224 KA KA Pins Exterior Interior Plan Video (no narration) Article Article 50. Rebecca and Eliezer at the Well and Jacob Wrestling the Angel, from the Vienna Genesis. Early Byzantine Europe. Early sixth century C.E. Illuminated manuscript (pigments on vellum), Each page 13 ½” x 9 7/8”. Osterreichische Nationalbibliothek, Vienna, Austria. G15, 269-270; G14, 248-250 S5, 245 A3, 294-296 KA Pins Rebecca Jacob 51. San Vitale. Ravenna, Italy. Early Byzantine Europe. c. 526–547 C.E. Brick, marble, and stone veneer; mosaic, 8’8” x 12’. -Theodora panel. South wall of the apse. Church of San Vitale, Ravenna. c. 547. Mosaic, 8’8” x 12’. G14, 254-255, 263-266; S5, 238-242 A3, 280-286 GW, 318-320, 521 APAP, 166-169 KA Pins Plan Exterior Exterior Alternate Exterior Interior Another interior Justinian Theodora Article 52. Hagia Sophia. Constantinople (Istanbul). Anthemius of Tralles and Isidorus of Miletus. 532–537 C.E. Brick and ceramic elements with stone and mosaic veneer. G15, 256-257, 265-267; G14, 258-263 S5, 234-237 A3, 288-292 GW, 282 APAP, 142-143, 164-165 KA Pins Exterior Interior from list Alternate interior Alternate interior Plan Section Video Video 53. Merovingian looped fibula. Early medieval Europe. Mid-sixth century C.E. Silver gilt worked in filigree, with inlays of garnets and other stones, 4” high. From Jouy-le-Comte, France. Musee d’Archeologie Nationale, Saint-Germain-en-Laye, France. G15, 312-313; G14, 309 (Merovingian jewelry, S5, 231-232) KA Pins Image 54. Virgin (Theotokos) and Child between Saints Theodore and George. Early Byzantine Europe. Sixth or early seventh century C.E. Encaustic on wood, 27” x 18 7/8”. Monastery of St. Catherine, Mount Sinai, Egypt. G15, 270-272; G14, 268-270 S5, 246-248

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

A3, 296 GW, 550 APAP, 144-145 KA Pins Image Article 55. Lindisfarne Gospels: St. Matthew, cross-carpet page; St. Luke portrait page; St. Luke incipit page. Early medieval (Hiberno Saxon) Europe. c. 700 C.E. Illuminated manuscript (ink, pigments, and gold on vellum). Each page 1’1 ½” x 9 ¼”. British Library, London. G15, 317-319, 323, 324; G14, 312-315, 318 S5, xxx, 436-437 GW, 320-32 KA and KA Pins Cross-Carpet St. Luke portrait St. Luke incipit Article Video 56. Great Mosque. Córdoba, Spain. Umayyad. c. 785–786 C.E. Stone masonry, 590 x 425 sq. ft. -Great mosque arches. Prayer Hall, Great Mosque, Cordoba, Spain. Begun 785/786. -Detail. The West exterior. G15, 284-284, 292-295; G14, 282-283, 290-291 S5, 272-273, 275 A3, 322-323 GW, 148 APAP, 182-185 KA Pins Aerial vw from list Aerial vw, diff angle Detail from list Ext view from list Ext view alternate Arches 1 Arches 2 Arches 3 Plan Mihrab Dome Dome Video Video Video Article 57. Pyxis of al-Mughira. Umayyad. c. 968 C.E. Ivory, 5 7/8” high. From Medina al-Zahra, near Cordoba, Spain. Musee du Louvre, Paris, France. G15, 296-297; G14, 292-293 KA Pins Image Image (back side) Lions/bulls Article Article Article Article Article Article 58. Church of Sainte-Foy. Conques, France. Romanesque Europe. Church: c. 1050–1130 C.E.; Reliquary of Saint Foy: ninth century C.E., with later additions. Stone (architecture); stone and paint (tympanum); gold, silver, gemstones, and enamel over wood (reliquary). -The Last Judgment. Tympanum of the West gate. Width 22’ x height 11’8”. -Reliquary of Sainte-Foy (St. Faith) Height 33”. Church Treasury, Conques, France. G15, 340-342, 344; G14, 334, 335, 336, 353 S5, 464, 467 A3, 369-374 GW, 280 APAP, 205-206, 208-211 KA Pins Plan Exterior Aerial View Tympanum Tympanum hi res Nave Reliquary Video Video of procession Photo tour Sainte Foy video

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

59. Bayeux Tapestry. Romanesque Europe (English or Norman). c. 1066–1080 C.E. Embroidery on line, 1’8” high, entire length of fabric 229’8”. Centre Guillaume le Conquerant, Bayeux, France. G15, 369-370; G14, 361-362 S5, 487-489 A3, 387-390 GW, 536 APAP, 206-207 KA Pins Cavalry attack First meal First meal detail hi res Animated Video Website Story telling devices graphic 60. Chartres Cathedral. Chartres, France. Gothic Europe. Original construction c. 1145–1155 C.E.; reconstructed c. 1194–1220 C.E. Limestone, stained glass. -West Façade, Chartres Cathedral (Cathedral of Notre-Dame). France. West façade begun c. 1134; cathedral rebuilt after a fire in 1194; building continued to 1260; north spire 1507-1513. -Great Portal of the West Façade, Christ’s Ascension, the Second Coming, and Jesus in the lap of the Virgin Mary. Royal Portal, West Façade, Chartres Cathedral. c. 1145-1155. -Notre Dame de la Belle Verriere window, detail of a window in the choir of Chartres Cathedral, Chartres, France. ca. 1170, with 13th century side panel. Stained glass, 12’9”. G15, 376, 377, 381-387; G14, 364, 365, 369-371, 374-378, 386 S5, 494, 500-508 A3, 398-412 GW, 254, 327 APAP, 224-233 KA on Gothic KA1 KA2 KA3 Pins Image 1 Image 2- West facade Image 3- West Portal Image 4- Nave Nave, sim to list image Image 5 - Window Image 6- Plan Website Website 61. Dedication Page with Blanche of Castile and King Louis IX of France and Scenes from the Apocalypse, from a Bible moralisée. Gothic Europe. c. 1226–1234 C.E. Illuminated manuscript (ink, tempera, and gold leaf on vellum), each page 15” x 10 ½”. The Morgan Library and Museum, New York.. G15, 394, 396; G14, 384-386 S5, 514-515 KA Pins Blanche Apocalypse Video Article 62. Röttgen Pietà. Late medieval Europe. c. 1300–1325 C.E. Painted wood, height 34 ½”. Landesmuseum, Bonn, Germany. G14, 396 S5, 557-558 GW, 65 APAP, 295 KA and KA Pins Image Article 63. Arena (Scrovegni) Chapel, including Lamentation. Padua, Italy. Unknown architect; Giotto di Bondone (artist). Chapel: c. 1303 C.E.; Fresco: c. 1305. Brick (architecture) and fresco.

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

-Lamentation. Giotto di Bondone. North wall of Scrovengni (Arena) Chapel. Padua, Italy. 1305-1306. Fresco, approx. 6’5” x 6’. G15, 418-420; G14, 407-409 S5, 538-542 A3, 454-462 APAP, 240-243 KA1 KA2 KA3 KA4 Pins Image 1 - exterior Image 2 - Interior Image 3 - Lamentation Article Audioguide 64. Golden Haggadah (The Plagues of Egypt, Scenes of Liberation, and Preparation for Passover). Late medieval Spain. c. 1320 C.E. Illuminated manuscript (pigments on vellum). KA Pins Plagues Liberation Preparation Website Turning the Page Article 65. Alhambra Palace. Granada, Spain. Nasrid Dynasty. 1354–1391 C.E. Whitewashed adobe stucco, wood, tile, paint, and gilding. G15, 298-300; G14, 295-297 S5, 280-281 KA Pins Aerial view Image 1 Image 2 – Court of the Lions Image 3 Hall of Two Sisters Hall of Sisters, higher res Hall of Sisters dome Image 4 – Plan Hi Res Plan w Labels Video Video Video Walking Tour Interactive Map 66. Annunciation Triptych (Merode Altarpiece). Workshop of Robert Campin. 1427–1432 C.E. Oil on wood, center 25 ¼” x 24 7/8”; each wing aprox. 25 3/8” x 10 ¾”. The Cloisters Collection, Metropolitan Museum of Art, New York. G15, 558-561; G14, 534-535, 541, 549 S5, 573-575 A3, 528-529 APAP, 264-265, 507 KA Pins Triptych Video Article 67. Pazzi Chapel. Basilica di Santa Croce. Florence, Italy. Filippo Brunelleschi (architect). c. 1429–1461 C.E. Masonry. G15, 605-606, 609; G14, 584-585 KA Pins Façade Interior Article 68. The Arnolfini Portrait. Jan van Eyck. c. 1434 C.E. Oil on wood, 33” x 22 ½”. The National Gallery, London, England. G15, 562-563; G14, 541-542 S5, 575-577 A3, 434-435 GW, 384-385 APAP, 258, 272-275 KA

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Pins Image Mirror Signature Video Video 2 Video 3 Koster article 69. David. Donatello. c. 1440–1460 C.E. Bronze, height 5’2 ¼”. Museo Nazionale del Bargello, Florence, Italy. G15, 589-590; G14, 568, 611, 674, 675 S5, 606-607 A3, 503 GW, 392-393 APAP, 281 KA Pins Image Article Article (p. 99) Article Article Video 70. Palazzo Rucellai. Florence, Italy. Leon Battista Alberti (architect). c. 1450 C.E. Stone, masonry. G15, 608-609; G14, 587-588 KA Pins Image Image Video 71. Madonna and Child with Two Angels. Fra Filippo Lippi. c. 1465 C.E. Tempera on wood, 2’11 ½” x 2’1”. Galleria degli Uffizi, Florence, Italy. G15, 598-599; G14, 577-578, 604 KA Pins Image Uffizi site Article 72. Birth of Venus. Sandro Botticelli. c. 1484–1486 C.E. Tempera on canvas, 5’8 7/8” x 9’ 1 7/8”. Galleria degli Uffizi, Florence, Italy. G15, 580-581; G14, 581, 609 S5, 626-627 A3, 524-525 GW, 558 APAP,288-289 KA Pins Image Video Uffizi article 73. Last Supper. Leonardo da Vinci. c. 1494–1498 C.E. Oil and tempera, 15’2” x 28 10”. Refectory of the monastery of Santa Maria delle Grazie, Milan, Italy. G15, 626-627; G14, 602, 603, 628, 637, 959 S5, 636-638 A3, 549-550 GW, 380-381 APAP, 292-293 KA Pins Image Image like list 74. Adam and Eve. Albrecht Dürer. 1504 C.E. Engraving, 9 7/8” x 7 5/8”. G15,678-680; G14, 650-651, 659 S5, 686-687

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GW, 196 APAP, 312, 314 KA Pins Image Video Video Article Article 75. Sistine Chapel ceiling and altar wall frescoes. Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508–1512 C.E.; altar frescoes: c. 1536–1541 C.E. Fresco. -Interior, Sistine Chapel. Vatican, Rome. Built 1475-1481; ceiling painted 1508-1512; end wall, 1536-1541. Ceiling 45’ x 128’. -The Delphic Sibyl. 11’5” x 12’5” -The Flood. 9’2” x 18’7”. G15, 639-642; G14, 598-599, 605, 614-615, 681, 698 S5, 645-647, 649 A3, 554-562 GW, 183, 264, 381, 383, 264, 506-507 APAP, 318-321 KA Pins Interior and Altar Wall Interior and Altar Wall alternate Interior and Altar Wall again Delphic Sibyl The Flood Exterior, Aerial View Video Virtual Tour Smithsonian article Vertical scheme 76. School of Athens. Raphael. 1509–1511 C.E. Fresco, 19’ x 27’. Stanza della Segnatura, Vatican, Rome, Italy. G15,630-632; G14, 606-607, 624, 628, 651, 760 S5, 640-642 A3, 565-568 GW, 133, 168, 382-383, 509 APAP, 15-17, 268, 322-323 KA Pins Image Video Video Video Video Interactive Article Article Article Audio 77. Isenheim altarpiece. Matthias Grünewald. c. 1512–1516 C.E. Oil on wood. Center panels 9’9 ½” x 10’9” overall, each wing 8’2 ½” x 3 ½”, predella 2’ 5 ½” x 11’2”. From the community of St. Anthony, Isenheim, Alsace, France. Musee d’Unterlinden, Colmar, France. G15, 676-678; G14, 647-648, 874 S5, 683-685 A3, 618-620 GW, 387 APAP, 328-329 KA Pins Closed Open Smithsonian article Video Article Article/audio 78. Entombment of Christ. Jacopo da Pontormo. 1525–1528 C.E. Oil on wood, 10’3” x 6’4”. Altarpiece in Capponi Chapel, church of Santa Felicita, Florence, Italy. G15, 658-659; G14, 632-633 S5, 662-664 A3, 584-585 GW, 390-391

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KA on Mannerism Longer video on Entombment Pins Image Met on Mannerism Article/PDF 79. Allegory of Law and Grace. Lucas Cranach the Elder. c. 1530 C.E. Woodcut, 10 5/8” x 1’ ¾”. British Museum, London, England. Additional copies: National Gallery of Art, Washington, DC. G15, 680-682; G14, 653 KA Pins Image Article Article Article on Cranach and Luther 80. Venus of Urbino. Titian. c. 1538 C.E. Oil on canvas, 3’11” x 5’5”. Galleria degli Uffizi, Florence, Italy. G15, 654-655; G14, 628, 629, 631 S5, 660-661 A3, 580 GW, 560-561 APAP, 324-325 KA Pins Image Met article on Venetian art Uffizi article 81. Frontispiece of the Codex Mendoza. Viceroyalty of New Spain. c. 1541–1542 C.E. Pigment on paper, 12 3/8” x 8 7/16”. Bodleian Library, University of Oxford, England. G15, 1085-1086; G14, 1022, 1023, 1025 S5, 839 KA Pins Image Website Article Article Article 82. Il Gesù, including Triumph of the Name of Jesus ceiling fresco. Rome, Italy. Giacomo da Vignola, plan (architect); Giacomo della Porta, facade (architect); Giovanni Battista Gaulli, ceiling fresco (artist). Church: 16th century C.E.; facade: 1568–1584 C.E.; fresco and stucco figures: 1676–1679 C.E. Brick, marble, fresco, and stucco. -Triumph in the Name of Jesus. Giovanni Battista Gaulli, ceiling fresco with stucco figures on the nave vault of II Gesù. Rome, Italy G15, 671-672; G14, 641-642, 671, 686 S5, 671-672 A3, 600-602 APAP, 352-353 KA Pins Facade Triumph fresco Interior from list Interior Interior Article Plan 83. Hunters in the Snow. Pieter Bruegel the Elder. 1565 C.E. Oil on wood, 3’10 ½” x 5’ 3 ¾”. Kunsthistorishches Museum. Vienna, Austria. G15, 691-692; G14, 662-663 S5, 704-705, 707 GW, 146-147 APAP, 336 KA Pins Image Zoomable image Article Article Article Article 84. Mosque of Selim II. Edirne, Turkey. Sinan (architect). 1568–1575 C.E. Brick and stone.

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

G15, 301-302; G14, 298, 299 S5, 286-287 KA and KA Pins Image 1 – Exterior Image 2 - Interior Interior Image 3 – Plan Labeled drawing Unlabeled plan Video Video Article Virtual Tour Article Article Article 85. Calling of Saint Matthew. Caravaggio. c. 1597–1601 C.E. Oil on canvas, 10’7 ½” x 11’2”. Contarelli Chapel, church of San Luigi dei Francesi, Rome, Italy. G15, 714-715; G14, 702 S5, 722-726 A3, 649-650 GW, 79 KA Pins Image Article on Caravaggio 86. Henri IV Receives the Portrait of Marie de’ Medici, from the Marie de’ Medici Cycle. Peter Paul Rubens. 1621–1625 C.E. Oil on canvas, 12’ 11 1/8” x 9’ 8 1/8”. Musee du Louvre, Paris. (Arrival of Marie de’ Medici at Marseilles, G15, 735; G14, 698-699) S5, 739-740 KA Pins Image Article/PDF Article/PDF 87. Self-Portrait with Saskia. Rembrandt van Rijn. 1636 C.E. Etching, 3’4” x 3’1”. Fitzwilliam Museum, University of Cambridge, Cambridge, England. (similar: Self-Portrait, Leaning on a Stone Sill, 1639, A3, 660) (similar: Self-Portrait with Saskia in the Scene of the Prodigal Son at the Tavern, GW, 580) KA Pin Image RembrandtVideo Video 88. San Carlo alle Quattro Fontane. Rome, Italy. Francesco Borromini (architect). 1638–1646 C.E. Stone and stucco. G15, 708-709, 754; G14, 676-677, 718 S5, 719-720 A3, 631-633 APAP, 372-373 KA Pins Image 1 - Facade Image 2 – Interior Interior Image 3 - plan Dome Plan 89. Ecstasy of Saint Teresa. Cornaro Chapel, Church of Santa Maria della Vittoria. Rome, Italy. Gian Lorenzo Bernini. c. 1647–1652 C.E. Marble (sculpture); stucco and gilt bronze (chapel). - height of the sculptural group 11’6”. G15, 706-707; G14, 674-675, 682 S5, 717-719 A3, 642-643 GW, 475 APAP, 374-375 KA

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Pins Image 1- Exterior Image 2 – Cornaro Chapel Image 3 - Ecstasy Article Video Video 2 Video 3 Video 4 90. Angel with Arquebus, Asiel Timor Dei. Master of Calamarca (La Paz School). c. 17th century C.E. Oil on canvas, 5’2” x 3’6”. National Museum of Art, La Paz, Bolivia. KA Pin Image Article Article 91. Las Meninas. Diego Velázquez. c. 1656 C.E. Oil on canvas, 10’5” x 9’ ½”. Museo del Prado, Madrid, Spain. G15, 724-726, 825; G14, 690-692, 784 S5, 733-735 A3, 671-673 GW, 160-162 APAP, 380-381 KA Pins Image Article 92. Woman Holding a Balance. Johannes Vermeer. c. 1664 C.E. Oil on canvas, 15 5/8” x 14”. National Gallery of Art, Washington, D.C. G15, 7465-747; G14, 711 S5, 750-751 GW, 495 APAP, 363 KA Pins Image Video Video 93. The Palace at Versailles. Versailles, France. Louis Le Vau and Jules Hardouin-Mansart (architects). Begun 1669 C.E. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens. -Hall of Mirrors, Palace of Versaille. Jules Hardouin-Mansart and Charles Le Brun. Begun 1678. Length approx. 240’. G15, 751-754, 764, 787; G14, 715-716, 717-718, 730, 749, 750 S5, 757-761 A3, 635-638 GW, 398-399 APAP,388-389 KA Pins Aerial view Aerial view from garden facade Garden façade Courtyard Hall of Mirrors Gardens detail Video 1 Video 2 Video 3 94. Screen with the Siege of Belgrade and hunting scene. Circle of the González Family. c. 1697–1701 C.E. Tempera and resin on wood, shell inlay, 7’5” x 9’. Half of the screen in the Brooklyn Museum, New York City and the other half in National Museum of the Viceroyalty, Tepotzotlan, Mexico. KA Pins Belgrade Hunting Brooklyn Museum site with details Article Similar screen in Denver More on Denver biombo Article

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95. The Virgin of Guadalupe (Virgen de Guadalupe). Miguel González. c. 1698 C.E. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century C.E. Oil on canvas on wood, inlaid with mother-of-pearl, 39” x 27 ½”. Los Angeles County Museum of Art, Los Angeles, California. KA bkgrd Pin Image AND Image Article Article Article 96. Fruit and Insects. Rachel Ruysch. 1711 C.E. Oil on wood, 1’4” x 1’9”. Galleria degli Uffizi, Florence, Italy. (Flower Still Life G15, 736; G14, 713) (Flower Still Life S5,755-757) (Flower Still Life APAP 386-387) KA Pins Image Detail Video 97. Spaniard and Indian Produce a Mestizo. Attributed to Juan Rodríguez Juárez. c. 1715 C.E. Oil on canvas, 2’6” x 3’4”. Breamore House, Hampshire, UK. KA Pin Image Article/PDF Article Article 98. The Tête à Tête, from Marriage à la Mode. William Hogarth. c. 1743 C.E. Oil on canva, 2’4” x 3’. National Gallery, London, England s. G15, 777-778 Breakfast Scene G14, 740-741 S5, 922-923, 934 A3, 687 GW, 401-403 APAP, 408, 410 KA Pins Image Article Article Audio

Content Area 4: Later Europe and Americas 1750–1980 C.E. (54 WORKS) TICE ART 1010 Video on Baroque and Rococo Art TICE ART 1010 Video on Nineteenth Century Art TICE ART 1010 Twentieth Century Art Print: A Brief History

99. Portrait of Sor Juana Inés de la Cruz. Miguel Cabrera. c. 1750 C.E. Oil on canvas, 9’2” x 7’ 3”. Museo Nacional de Historia, Castillo de Chapultepec, Mexico. KA Pin Image Article Article NEH Lessons on Sor Juana Sor Juana Costume 100. A Philosopher Giving a Lecture at the Orrery. Joseph Wright of Derby. c. 1763–1765 C.E. Oil on canvas, 4’ 10” x 6’8”. Derby Museums and Art Gallery, Derby, England. G15, 772; G14, 744, 726, 727 APAP, 394-395

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(An Experiment on a Bird in the Air Pump, GW, A3, 680) (An Experiment on a Bird in the Air Pump, GW, 498-499) KA Pins Image Article 101. The Swing. Jean-Honoré Fragonard. 1767 C.E. Oil on canvas, 2’8 5/8” x 2’2”. The Wallace Collection, London, England. G15, 769-771; G14, 734-735 S5, 911-912 A3, 683-684 GW, 401 APAP, 408-409 KA Pins Image Video 102. Monticello. Virginia, U.S. Thomas Jefferson (architect). 1768–1809 C.E. Brick, glass, stone, and wood. G15, 788-789; G14, 736, 750, 751 S5, 961 A3, 715-716 GW, 404-405 APAP, 418-419 KA Pins Image Plan Audio Archiplanet Article Video 103. The Oath of the Horatii. Jacques-Louis David. 1784 C.E. Oil on canvas, 10’8 ¼” x 14’. Musee du Louvre, Paris, France. G15, 782, 784-785; G14, 728, 747-748, 755, 757-758, 760 S5,936-937, 943 A3, 705 GW, 403-404 KA Pins Image Article 104. George Washington. Jean-Antoine Houdon. 1788–1792 C.E. Marble, height 6’2”. State Capitol, Richmond, Virginia. G15, 790; G14, 751-752, 782 S5, 939-940 KA Pins Image Image 2 – not list Article Article 105. Self-Portrait. Elisabeth Louise Vigée Le Brun. 1790 C.E. Oil on canvas, 8’4” x 6’9”. Galleria degli Uffizi, Florence, Italy. G15, 776-777; G14, 739-740 KA Pins Image Video Video

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106. Y no hai remedio (And There’s Nothing to Be Done), from Los Desastres de la Guerra (The Disasters of War), plate 15. Francisco de Goya. 1810–1823 C.E. (published 1863). Drypoint etching, 5 11/16” x 5 ½”. Metropolitan Museum of Art, New York. (different print from same series, APAP, 443) KA Pin Image Paragraph on Influence on Hemingway Article/audio/video Exhibition brochure Goya video 107. La Grande Odalisque. Jean-Auguste-Dominique Ingres. 1814 C.E. Oil on canvas, approx. 35” x 64”. Musee du Louvre, Paris, France. G15, 800-801; G14, 761 S5, 952, 1110 A3, 712-713 GW, 157 KA Pins Image Louvre 108. Liberty Leading the People. Eugène Delacroix. 1830 C.E. Oil on canvas, 8’6 1/2"” x 10’8”. Musee du Louvre, Paris, France. G15, 807; G14, 768, 770 S5, 950-951 A3, 732-733 GW, 405 APAP, 426 KA Pins Image Video Video Article Article 109. The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm). Thomas Cole. 1836 C.E. Oil on canvas, 51 ½” x 76”. Metropolitan Museum of Art, New York. G15, 813-814; G14, 773 S5, 957-958 A3, 741-742 GW, 407-408 KA Pins Image Video Article Burke’s Sublime Website 110. Still Life in Studio. Louis-Jacques-Mandé Daguerre. 1837 C.E. Photograph, 6 1.2” x 8 ½”. Societe Francaise de Photographie, Paris, France.. G15, 834-835; G14, 791-793 S5, 969 GW, 218 KA Pins Image 111. Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). Joseph Mallord William Turner. 1840 C.E. Oil on canvas, 2’ 11 ¼” x 4’. Museum of Fine Arts, Boston, Massachusetts. G15, 812-813; G14, 772-773 GW, 544

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APAP, 447 KA Pins Image Burke’s Sublime Article 112. Palace of Westminster (Houses of Parliament). London, England. Charles Barry and Augustus W. N. Pugin (architects). 1840–1870 C.E. Limestone masonry and glass. G15, 829-830; G14, 788 S5, 958-959 A3, 722-723 APAP, 454 KA Pins Exterior Westminster Hall Central Lobby f/ list Central Lobby, different angle Article Video Video Website 113. The Stone Breakers. Gustave Courbet. 1849 C.E. (destroyed in 1945). Oil on canvas, 5’3” x 8’6”. Formerly Gemaldegalerie, Dresden, Germany; destroyed in World War II. G15, 816-817; G14, 775-777 S5, 972-973 A3, 750 GW, 409-410 KA Pins Image Article 114. Nadar Raising Photography to the Height of Art. Honoré Daumier. 1862 C.E. Lithograph, 10 ¼” x 8 ¼”. Museum of Fine Arts, Boston, Massachusetts.. G15, 836; G14, 794 A3, 758 KA Pins Image Nadar article Video Article Article 115. Olympia. Édouard Manet. 1863 C.E. Oil on canvas, 4’3” x 6’ 2 ¼”. Musee d’Orsay, Paris, France.. G15, 822; G14, 781-782 S5, 977-979 A3, 765 GW, 65, 560-561 APAP, 466-467 KA Pins Image Article Article Video Bio article/video 116. The Saint-Lazare Station. Claude Monet. 1877 C.E. Oil on canvas, 2’ 5 ¾” x 3’5”. Musee d’Orsay, Paris, France. G15, 845-846; G14, 803-804 (version from 1877, APAP, 473474) KA Pins Image PDF

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117. The Horse in Motion. Eadweard Muybridge. 1878 C.E. Photograph, 9” x 12”. George Eastman House, Rochester, New York and Library of Congress, Washington, DC.. G15, 824, 838, 869; G14,784, 796, 825 A3, 787 GW, 229 KA and KA Pins Image Bio Getty photography video Video Animation 118. The Valley of Mexico from the Hillside of Santa Isabel (El Valle de México desde el Cerro de Santa Isabel). Jose María Velasco. 1882 C.E. Oil on canvas, 4’5” x 7’4”. Museo Nacional de Arte, INBA, Mexico City, Mexico. KA Pins Image Article/Zoomable image 119. The Burghers of Calais. Auguste Rodin. 1884–1895 C.E. Bronze, 6’10 ½” x 7’11” x 6’6”. Under French law no more than twelve casts of works of Rodin may be made. 1st cast, 1895 Calais, France. G15, 870; G14, 826 S5, 1002-1003 APAP, 480-481 SH Pins Image Met publication Article Video Video 120. The Starry Night. Vincent van Gogh. 1889 C.E. Oil on canvas, 28 ¾” x 36 ¼”. Museum of Modern Art, New York. G15, 697, 857-858; G14, 666, 814-815 S5, 998-999 A3, 812 GW, 416-417 APAP, 487-488 KA Pins Image Video Article Video MoMA site/audio/video MOMA Video 121. The Coiffure. Mary Cassatt. 1890–1891 C.E. Drypoint and aquatint on laid paper, plate: 14 3/8” x 10 ½”, sheet 17” x 12 1/16”. National Gallery of Art, Washington, DC. (Japonisme and Cassatt, G14, 808) KA Pins Image Article Article 122. The Scream. Edvard Munch. 1893 C.E. Tempera and pastels on cardboard, 33” x 26”. Munch Museum, Oslo, Norway. G15, 866, 886, 887, 889, 1013; G14, 822, 823, 840 S5, 1001 A3, 820 GW, 586 APAP, 494-495 KA Pins Image Video Video Video Video Book Excerpt Article Article

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123. Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin. 1897–1898 C.E. Oil on canvas, 4’ 6 ¾” x 12’3”. Museum of Fine Arts, Boston, Massachusetts. G15,858-859; G14, 816-817 APAP, 434-435 KA Pins Image Article Natl Gall brochure Article Video on different Gauguin 124. Carson, Pirie, Scott and Company Building. Chicago, Illinois, U.S. Louis Sullivan (architect). 1899–1903 C.E. Iron, steel, glass, and terra cotta. G15, 877-878; G14, 832 APAP, 493 KA Pins Exterior Pre-updated exterior Ornament at S. State Street Entrance Plan Vintage postcard post-modernization Video Article Article/video 125. Mont Sainte-Victoire. Paul Cézanne. 1902–1904 C.E. Oil on canvas, 2’ 3 ½” x2’ 11 ¼”. Philadelphia Museum of Art, Philadelphia, Pennsylvania. G15, 860-861; G14, 817-818 S5, 1013-1014 A3, 807 (version from 1900) GW, 415-416 APAP, 491 (version from 1904-06) KA Pins Image Article Article Video 126. Les Demoiselles d’Avignon. Pablo Picasso. 1907 C.E. Oil on canvas, 8’ x 7’8”. Museum of Modern Art, New York. G15, 880-881, 891, 892, 928; G14, 845, 847 S5, 1023 A3, 850-852 GW, 424-426 APAP,514-515 KA Pins Image Article Article Article Article African mask Video Audio Multimedia(safe) 127. The Steerage. Alfred Stieglitz. 1907 C.E. Photograph. G15, 915; G14, 869 GW, 223-224 APAP, 512 KA Pins Image Article Video Article 128. The Kiss. Gustav Klimt. 1907–1908 C.E. Oil on canvas, 5’ 10 3/5” x 5’ 10 ¾”. Osterreichische Galerie Belvedere, Vienna, Austria. G15, 867; G14, 823 A3, 824

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GW, 418-419 KA Pins Image Study Article Video Article 129. The Kiss. Constantin Brancusi. 1907–1908 C.E. Limestone, 23” x 13 ¼” x 10”. Philadelphia Museum of Art, Philadelphia, Pennsylvania. APAP, 502-503 KA Pins Image Image Audio and Text Excerpts Article Article Article 130. The Portuguese. Georges Braque. 1911 C.E. Oil on canvas, 3’ 10 1/8” x 2’ 8”. Kunstmuseum Basel, Basel, Switzerland. G15, 892-893; G14, 847-848 KA Pins Image 131. Goldfish. Henri Matisse. 1912 C.E. Oil on canvas, 4’8” x 3’1”. Pushkin Museum of Art, Moscow, Russia. KA Pins Image Article Video 132. Improvisation 28 (second version). Vassily Kandinsky. 1912 C.E. Oil on canvas, 43 7/8” x 63 7/8”. Solomon R. Guggenheim Museum, New York. G15, 887-888; G14, 841-842 S5, 1030, 1031 KA Pins Image Article Article Teacher Resources Article 133. Self-Portrait as a Soldier. Ernst Ludwig Kirchner. 1915 C.E. Oil on canvas, 2’2” x 2’. Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio. KA Pins Image Interactive Article Article Article Video 134. Memorial Sheet for Karl Liebknecht. Käthe Kollwitz. 1919–1920 C.E. Woodcut, 14” x 20”. Art Institute of Chicago, Chicago, Illinois, Dallas Museum of Art, Dallas, Texas, The Museum of Modern Art, New York, The Clark Art Institute, Williamstown, Massachusetts, and Käthe Kollwitz Museum, Berlin, Germany. SH Pins Image Article Article Article 135. Villa Savoye. Poissy-sur-Seine, France. Le Corbusier (architect). 1929 C.E. Steel and reinforced concrete. G15, 934-935; G14, 886-887 S5, 1045-1046 A3, 874-875 GW, 286 KA

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Pins Exterior Alternate view Spiral Staircase Video Video Article Article/Video 136. Composition with Red, Blue and Yellow. Piet Mondrian. 1930 C.E. Oil on canvas, 1’ 6 1/8” x 1’ 6 1/8”. Kunsthaus, Zurich, Switzerland. G15, 928; G14, 880-881 (similar S5, 1052-1053) (similar A3, 891) (similar APAP, 15-17) KA Pins Image Video Video Video Video Video 137. Illustration from The Results of the First Five-Year Plan. Varvara Stepanova. 1932 C.E. Photomontage. State Museum of Contemporary Russian History, Moscow, Russia KA Pins Image Guggenheim publication Article 138. Object (Le Déjeuner en fourrure). Meret Oppenheim. 1936 C.E. Fur-covered cup, saucer, and spoon, length 8”; overall height 2 7/8”. Museum of Modern Art, New York. G15, 926; G14, 879 S5, 1058-1059 A3, 14-15 GW, 73 APAP, 551 KA Pins Image Audio Video Article/Audio 139. Fallingwater. Pennsylvania, U.S. Frank Lloyd Wright (architect). 1936–1939 C.E. Reinforced concrete, sandstone, steel, and glass. G15, 946; G14, 896 S5, 1046-1048 A3, 870 APAP, 8-12 KA Pins Exterior shot f/ list, lo res Exterior vw like list shot Multiple exterior views Interior Plan from list Plan of house Diagram 3D AnimationVideo Article 140. The Two Fridas. Frida Kahlo. 1939 C.E. Oil on canvas, 5’8 ½” x 5’8 ½”. Museo de Arte Moderno, Instituto Nacional de Bellas Artes, Mexico City, Mexico. G15, 942-943; G14, 893 S5, 1069-1070 GW, 579 APAP, 504-505 KA Pins Image Video pt 1 Video pt 2 Video pt 3 Movie clip Video/Article Article

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

141. The Migration of the Negro, Panel no. 49. Jacob Lawrence. 1940–1941 C.E. Casein tempera on hardboard, 1’6” x 1’. Phillips Collection, Washington, DC. All of the 30 odd panels are in the Phillips Collection, Washington, DC. The 30 even panels are in the Museum of Modern Art, New York. G15, 937-938; G14, 889 S5,1065 KA Pins Image Video Video Video Video Article Article Phillips Collection site MoMA site 142. The Jungle. Wifredo Lam. 1943 C.E. Gouache on paper mounted on canvas, 94 ¼” x 90 ½”. Museum of Modern Art, New York. G14, 880 (on Lam’s Zambizia, Zambizia: S5, 1072-1073) KA Pins Image Video Video Article Article/Audios Bio Article Photo of Lam/Article in Spanish 143. Dream of a Sunday Afternoon in the Alameda Park. Diego Rivera. 1947–1948 C.E. Fresco. 48’ 5 ½” x 49’2”. Museo Mural Diego Rivera, Mexico City, Mexico; originally, Hotel del Prado, Mexico, City, Mexico KA Pins Full Image Zoomable full image Bio Video Article/video Video Video 144. Fountain (second version). Marcel Duchamp. 1950 C.E. (original 1917). Readymade glazed sanitary china with black paint, 1’ high. Philadelphia Museum of Art, Philadelphia, Pennsylvania. G14, 16, 857 S5, 1038-1039, 1092, 1099 A3, 879 GW, 270 KA Pins Image Article Article Article Video Video Video 145. Woman, I. Willem de Kooning. 1950–1952 C.E. Oil on canvas, 75 7/8” x 58”. Museum of Modern Art, New York. G15, 927-928; G14, 905 S5, 1076-1077 GW, 555 KA Pins Image Audio Article MoMA site (rich!) Article 146. Seagram Building. New York City, U.S. Ludwig Mies van der Rohe and Philip Johnson (architects). 1954–1958 C.E. Steel frame with glass curtain wall and bronze. G15, 980-981, 982, 983, 1029; G14, 928, 930, 961 S5, 1104 APAP, 562-563 KA Pins Image from list Image Video Article Article 147. Marilyn Diptych. Andy Warhol. 1962 C.E. Oil, acrylic, and silkscreen enamel on canvas, two panels, each 6’10” x 4’9”. Tate, London, England.

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G15, 969, 972; G14,916, 918 S5, 1092-1093 KA Pins Image Video Article Bio Article/video Video 148. Narcissus Garden. Yayoi Kusama. Original installation and performance 1966. Mirror balls. Original installation, Venice Biennale, Venice, Italy. Later installations: Le Consortium, Dijon, France, 2000; Kunstverein Braunschweig, Germany, 2003; Whitney Biennial, Central Park, New York, 2004; Jardin de Tuileries, Paris, France, 2010 KA Pins Image from list Image 2 Image w Kusama Image w Kusama 2 Article Article Video 1 Video 2 Video 3 Video 4 Video 5 Video 6 149. The Bay. Helen Frankenthaler. 1963 C.E. Acrylic on canvas, 6’ 8 7/8” x 6’ 97/8”. Detroit Institute of Arts, Detroit, Michigan. G15, 957, 960; G14, 908 (Mountains and Sea: S5, 1078-1079) A3, 917 KA Pins Image Bio/Quotes Article Interview video Article Article Video Video 150. Lipstick (Ascending) on Caterpillar Tracks. Claes Oldenburg. 1969–1974 C.E. Cor-Ten steel, steel, aluminum, and cast resin; painted with polyurethane enamel, 21’ x 19’ 5 ½” x 10’11”. Yale University Art Gallery, New Haven, Connecticut. G15, 971; G14, 916-917 S5, 1095 KA Pins Image Image Oldenburg w Lipstick Video Video 2 Article 151. Spiral Jetty. Great Salt Lake, Utah, U.S. Robert Smithson. 1970 C.E. Earthwork: mud, precipitated salt crystals, rocks, and water coil, length 1,500’ x width 15’. G15, 985, 1019; G14, 932-933, 964 S5, 1102-1103 A3, 969 GW, 268 APAP, 584-585 KA Pins Image Image Article Article/Audio Article Smithson website 152. House in New Castle County. Delaware, U.S. Robert Venturi, John Rauch, and Denise Scott Brown (architects). 1978–1983 C.E. Wood frame and stucco. (G15, 982; G14, 929, 931-932 Venturi, Vanna Venturi House) (Venturi, Vanna Venturi House and Complexity and Contradiction in Architecture, S5, 1106) KA Pins Exterior from list Interior from list Exterior detail Exterior angle More views Article Article by Venturi’s firm(safe PDF) Videos (2 on this webpage) Sketch/MoMA

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

Content Area 5: Indigenous Americas 1000 B.C.E.–1980 C.E. (14 WORKS) Smarthistory on Incas Smarthistory on Maya Smarthistory on Native North America Field Museum Ancient Americas 153. Chavín de Huántar. Northern highlands, Peru. Chavín. 900–200 B.C.E. Stone (architectural complex); granite (Lanzón and sculpture); hammered gold alloy (jewelry). -Lanzón Stela, Chavín de Huántar, Peru. Chavín culture, c. 900 B.C.E. Granite, height 15’. -Nose ornament. Cut and hammered gold, overall height 1 ¼” x width 3 ¾”. Cleveland Museum of Art, Cleveland, Ohio. G15, 525-526; G14, 508-509 A3,359 GW, 348-350 KA Pins: Plan Relief Sculpture Nose Ornament Lanzón Lanzón Lanzón drawing Scholarly article Architectural complex photo Cactus bearer Video Video Video Video Video 154. Mesa Verde cliff dwellings. Montezuma County, Colorado. Anasazi. 450–1300 C.E. Sandstone. G15, 536, 1092; G14, 518 GW, 359-360 KA Pin Image Image Video Article Article Downloadable guides 155. Yaxchilán. Chiapas, Mexico. Maya. 725 C.E. Limestone (architectural complex). -Lintel 25, Structure 23, Lady Xoc, ca. 725 C.E. Limestone, 3’7” x 2’ 6 ½”. British Museum, London, England G15, 520; G14, 503 S5, 394 GW, 523, 525 KA KA on Maya Pins: Structure 40 Structure 33 Structure 23 Lintel 25 Lintel 25 drawing Audio on Lintel 25 Article Article Article Article 156. Great Serpent Mound. Adams County, southern Ohio. Mississippian (Eastern Woodlands). c. 1070 C.E. Earthwork/effigy mound. Length approx. 1,254’ S5, 402 GW, 267-268 APAP, 20-21 KA Pin Image Article Website w videos Video Video Video Article Article 157. Templo Mayor (Main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375–1520 C.E. Stone (temple); volcanic stone (The Coyolxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone). -The Coyolxauhqui Stone, from the Great Temple of Tenochtitlan, Mexico City, Mexico, Aztec, ca. 1469. Stone, diameter 10’ 10”. Museo del Templo Mayor, Mexico City, Mexico.

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-Calendar Stone, Mexico. Aztec, c. 1500. Diameter 11’ 6 ¾”. Museo Nacional de Antropologia, Mexico City, Mexico. -Olmec-style mask, c. 1470, jadeite, offering 20, hornblende, 4” x 3 1/3” x 1 ¼”. Museo del Templo Mayor, Mexico City, Mexico. G15, 1082-1088; G14, 1022-1028, S5, 838-840 A3, 356-357 GW, 358, 463, 477-478, 491, 497 KA and KA and KA Pins Templo Mayor drawing Another Templo Mayor drawing Plan Coyolxauhqui Stone Calendar Stone Calendar Stone Engraving Olmec-style mask Reconstruction fly-over video Coatlicue Article 158. Ruler’s feather headdress (probably of Motecuhzoma II). Mexica (Aztec). 1428–1520 C.E. Feathers (quetzal and cotinga) and gold, 45 5/8” x 68 7/8”. Museo Nacional de Antropologia, Mexico City, Mexico. S5, 841-842 KA Pin Image AND Image AND Image Article Article Cueva del Rio painting 159. City of Cusco, including Qorikancha (main temple/church and convent of Santo Domingo) and Walls at Saqsa Waman (Sacsayhuaman). Central highlands, Peru. Inka. c. 1440 C.E. Sandstone. G15, 1091-1092; G14, 1031 A3, 363 KA Pins Walls at Saqsa Waman Walls again Qorikancha Qorikancha again Video Museum site 160. Maize cobs. Inka. c. 1400–1533 C.E. Sheet metal/repousée, gold and silver alloys 10 x 2 11/32”. Ethnologisches Museum, Staatliche Museen zu Berlin, Berlin, Germany. KA Pin Image Article Article Article Article 161. City of Machu Picchu. Central highlands, Peru. Inka. c. 1450–1540 C.E. Granite (architectural complex). 7, 970’ above sea level, Constructed area is 530 meters x 200 meters or 26.19 acres. Intihuatana Stone, prism 118’ height G15, 1090-1091; G14, 1030-1031 S5, 844-845 A3, 363 GW, 351, 353 APAP, 278-279 KA Pins City Observatory Intihuatana Stone Intihuatana Stone again Article Video Video Article Article 162. All-T’oqapu tunic. Inka. 1450–1540 C.E. Camelid fiber and cotton, 35 7/8” x 30”. Dumbarton Oaks Research Library and Collections. Pre-Columbian Collection, Washington, DC. S5, 845-846 GW, 352 KA

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Pin Image Zoomable Image Article Article 163. Bandolier bag. Lenape (eastern Delaware) tribe. c. 1850 C.E. Beadwork on leather approx. 22” x 17”; bag without strap, 8 5/8” x 7 ¾”. National Museum of the American Indian, NYC. (similar S5, 849-850) KA Pin Image Article Article 164. Transformation mask. Kwakwaka’wakw, Northwest coast of Canada. Late 19th century C.E. Wood, paint, and string. G15, 1096-1097; G14, 1034,1036 GW, 361-362 KA Pins Closed Open Video DAM mask DAM label Video 165. Hide painting of Sun Dance. Attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone, Wind River Reservation, Wyoming. c. 1890–1900 C.E. Painted elk hide, 81” x 78”. Brooklyn Museum, New York.. KA Pin Image AND Image and Similar one Article Article Article Article Article Audio tour from MIA Photo of Cotsiogo 166. Black-on-black ceramic vessel. Maria Martínez and Julian Martínez, Tewa, Puebloan, San Ildefonso Pueblo, New Mexico. c. mid-20th century C.E. Blackware ceramic, 11 1/8” x 13”. National Museum of Women in the Arts, Washington, DC. G15, 1095 G14, 1034, 1035; (similar S5, 855) KA Pin Image Video 1 Video 2 Video 3 Video 4 DAM teaching materials Article Website Article

Content Area 6: Africa 1100–1980 C.E. (14 WORKS) AIC teacher materials Smarthistory Africa intro

167. Conical tower and circular wall of Great Zimbabwe. Southeastern Zimbabwe. Shona peoples. c. 1000–1400 C.E. Coursed granite blocks, 1,780 acres. (an acre is 76% of a football field, with end zones) -Conical tower. Great Zimbabwe Shona, Zimbabwe. c. 1350-1450 C.E. Stone, height of tower 30’. -Circular wall – up to 36’ tall, 825’ long G15, 548-550, 553; G14, 530-531 S5, 423-424, 885 GW, 369 KA (UNESCO Video) Pins Tower and wall Tower again Walls Walls again Entire complex Video Video Article Article Article/Video

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

168. Great Mosque of Djenné. Mali. Founded c. 1200 C.E.; rebuilt 1906–1907. Adobe, 245’ x 245’, raised 9’ above marketplace, central tower approx. 52’ high. G15, 291, 548; G14, 288, 529 S5, 422-423 GW, 368-369 APAP, 234-235 KA Pins Image AND Image AND Image Video Video 2 Video 3 Video 4 Interior Interior 2 Article Article Article 169. Wall plaque, from Oba’s Palace. Edo peoples, Benin (Nigeria). 16th century C.E. Cast brass, 18 ¾” high. Metropolitan Museum of Art, New York. -Contextual photograph: Oba of Benin, Oba Akenzua II (1933-1978), full regalia includes several carved ivory plaques worn at his waist. Benin, Nigeria, 1964. (Photographer ?) G14, 533, 1061, 1069-71 (similar S5, 420-421) (similar GW, 527) KA and KA and KA and KA Pins Wall Plaque Photo of Oba in regalia Audio Video Video Video (go to Media Resources) Short Video Article PDF excerpt 170. Sika dwa kofi (Golden Stool). Ashanti peoples (south central Ghana). c. 1700 C.E. Gold over wood and cast-gold attachments, curved seat 18” high, platform 2’ wide, 11 ¾” deep. -Contextual photograph: Sika dwa kofi. Otumfuo Opoku Ware II, Asantehene, Asante peoples, Kumase, Ghana, 1995. Photo by Frank Fournier. (http://africa.uima.uiowa.edu/topic-essays/show/8?start=1) KA Pin Image Image Image VIDEO Article Article, pp30-32 171. Ndop (portrait figure) of King Mishe miShyaang maMbul. Kuba peoples (Democratic Republic of the Congo). c. 1760–1780 C.E. Wood, 19 ½” x 7 5/8” x 8 5/8”. Brooklyn Museum, New York. -Contextual photograph: Ndop. Kuba Nyim (ruler) Kot a Mbweeky III in state dress with royal drum in Mushenge, Zaire (now Democratic Republic of the Congo). Photograph by Eliot Elisofon, 1971. EEPA EECL 2139/Eliot Elisofon Photographic Archives/National Museum of African Art/Smithsonian Institution. KA Pins Image AND Detail and Image/Article Image AND Context (?) Article Article Similar ndop BritMus 172. Power figure (Nkisi n’kondi). Kongo peoples (Democratic Republic of the Congo). c. late 19th century C.E. Wood and metal, 3’10 ¼” high. Detroit Institute of Arts, Detroit, Michigan. G15, 1124-1125; G14, 1066-1067 (similar S5, 894) (similar GW 365-366) KA Pin Image X-ray AND Context and Lesson Plan DMA materials DallasMA materials Video AIC materials DAM label Article

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173. Portrait mask (Mblo). Baule peoples (Côte d’Ivoire). Late 19th to early 20th century C.E. Wood and pigment, 14 ¼” high. Private Collection. (similar S5, 891) KA Pin Image AND Image Context photo Context photo 2 Article Bkgrd on Baule peoples Article/audio Video 174. Female (Pwo) mask. Chokwe peoples (Democratic Republic of the Congo). Late 19th to early 20th century C.E. Wood, fiber, pigment, and metal, 15 3/8” 8 3/8” x 9 ¼”. National Museum of African Art, Smithsonian, Washington, DC. KA Pin Image Contextual photo Contextual photo Article Article Article Video Video intro to Makishi masquerade 175. Bundu mask. Sande Society, Mende peoples (West African forests of Sierra Leone and Liberia). 19th to 20th century C.E. Wood, cloth, and fiber. Similar mask 13 ¾” x 8 3/8” x 9 11/16”. Metropolitan Museum of Art. -Contextual photograph: Bundu mask, William Siegmann Estate, Edward DeCarbo, Executor. G15, 1135 (different mask); G14, 1075 S5, 888 KA Pin Image AND context context context Video Video Video Video Video Video Audio Article Article 176. Ikenga (shrine figure). Igbo peoples (Nigeria). c. 19th to 20th century C.E. Wood. Similar figure 19 1/16” x 4” x 4 7/16”. Metropolitan Museum of Art, New York. KA Pin Image Similar one Similar w info Article Article Article Article Article Article Context photo 177. Lukasa (memory board). Mbudye Society, Luba peoples (Democratic Republic of the Congo). c. 19th to 20th century C.E. Wood, beads, and metal. Similar board 10” x 5 ¾” x 1 ¾”. Brooklyn Museum, New York. KA Pins One in set Another Diagram Another Another Context1 Context 2 Context 3 Context 4 Context 5 Video Video 2 Video 3 (3:40 – 5:40) Article PDF, pp9-10 Lukasa in Minn Article 178. Aka elephant mask. Bamileke (Cameroon, western grassfields region). c. 19th to 20th century C.E. Wood, woven raffia, cloth, and beads, 61” x 24 ½”. Metropolitan Museum of Art, New York. KA Pins Mask Context Context 2 Article Article Website Website Photo of elephants in savanna 179. Reliquary figure (nlo bieri). Fang peoples (southern Cameroon). c. 19th to 20th century C.E. Wood, 23” x 5 7/8” x 5”. Brooklyn Museum, New York. (similar G15, 1121; G14, 1064) (similar S5, 899-900) KA Pin Image Work in context Article Video Article

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180. Veranda post of enthroned king and senior wife. Olowe of Ise (Yoruba peoples). c. 1910-1914 C.E. Wood and pigment, 60” x 12 ½” x 16”. Art Institute of Chicago, Chicago, Illinois. G14, 1072-73 (similar S5, 895, 898) KA Pins Image AND Image and Video on Olowe of Ise’s Royal Doors Article Article (diff post) Article (diff post)

Content Area 7: West and Central Asia 500 B.C.E.–1980 C.E. (11 WORKS) Introductions to Islamic Art and Architecture KA and KA Pins Video 1 Video 2 181. Petra, Jordan: Treasury and Great Temple. Nabataean Ptolemaic and Roman. c. 400 B.C.E.–100 C.E. Cut rock. Treasury – façade approx. 131’ tall G15, 212-213, 222, 254 KA and KA2 and KA3 Pins Treasury Treasury plan Treasury interior Temple Temple, aerial view Temple plan Temple plan, no labels Temple and Treasury Natl Geo videos Video Article Raiders excerpt Article Article 182. Buddha. Bamiyan, Afghanistan. Gandharan. c. 400–800 C.E. (destroyed in 2001). Cut rock with plaster and polychrome paint, 175’. S5, 312 GW, 549, 551 APAP, 620-621 KA Pins Close-up Distant (tiny file) Post-destruction Video Video Article Article Article 183. The Kaaba. Mecca, Saudi Arabia. Islamic. Pre-Islamic monument; rededicated by Muhammad in 631–632 C.E.; multiple renovations. Granite masonry, covered with silk curtain and calligraphy in gold and silver-wrapped thread, 43’ high. G14, 285 S5, 266, 271 GW, 324 KA Pins Close-up(tiny file) Kaaba aerial Larger view aerial Video Article Article 184. Jowo Rinpoche, enshrined in the Jokhang Temple. Lhasa, Tibet. Yarlung Dynasty. Believed to have been brought to Tibet in 641 C.E. Gilt metals with semiprecious stones, pearls, and paint; various offerings. KA Pin Image Video Article Article

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185. Dome of the Rock. Jerusalem, Palestine. Islamic, Umayyad. 691–692 C.E., with multiple renovations. Stone masonry and wooden roof decorated with glazed ceramic tile, mosaics, and gilt aluminum and bronze dome. Dome 75’ tall. G15, 287-289; G14,285-287, 294, 299, 300, 346 S5, 269-271 A3, 319, 370 KA Pins Exterior Interior Another interior Yet another interior Walking tour Article Cutaway drawing Plan Article Article 186. Great Mosque (Masjid-e Jameh). Isfahan, Iran. Islamic, Persian: Seljuk, Il-Khanid, Timurid and Safavid Dynasties. c. 700 C.E.; additions and restorations in the 14th, 18th, and 20th centuries C.E. Stone, brick, wood, plaster, and glazed ceramic tile, area 4.94 acres. -Detail – Muqarnas, South or Quibla Iwan, main mihrab reserved for ruler, built by Nizam al-Mulk, dome by Safavid architect Ebrahim B. Esmail. G15, 294-295; G14, 291-292, 299 (Masjid- i Shah, also at Isfahan: S5, 290) KA Pins Model Isfahan 1 Isfahan 2 Isfahan 3 - Courtyard Courtyard again Isfahan 4 - Mihrab Mihrab Video Video Article 187. Folio from a Qur’an. Arab, North Africa, or Near East. Abbasid. c. eighth to ninth century C.E. Ink, color, and gold on parchment. AP image fragment in Arabic, before 911, vellum, MS M. 712, fol 20r, 9” x 6 ¼”, The Morgan Library and Museum, New York (similar G15, 2977) (similar S5, 275-276) KA Pin Image Video Article Article 188. Basin (Baptistère de St. Louis). Muhammad ibn al-Zain. c. 1320–1340 C.E. Brass inlaid with gold and silver, 8 ¾” x 19 ¾”. Musee du Louvre, Pairs, France. G15, 307-308; G14, 303-304 S5, 284 SH Pin Image Image Audio 189. Bahram Gur Fights the Karg, folio from the Great Il-Khanid Shahnama. Islamic; Persian, Il’Khanid. c. 1330–1340 C.E. Ink and opaque watercolor, gold, and silver on paper, 16 5/16” x 11 13/16”. Fogg Museum, Harvard Art Museums, Cambridge, Massachusetts. Pins Whole page Image only Harvard page Met on Shahnama Met on Ilkhanid Pd Book Art 190. The Court of Gayumars, folio from Shah Tahmasp’s Shahnama. Sultan Muhammad. c. 1522–1525 C.E. Ink, opaque watercolor, and gold on paper, page size 18 ½” x 12 ½”. Aga Khan Museum. Toronto, Canada. G15, 306-307; G14, 302-303 S5, 289 Pin Image Article Article Article Article

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

191. The Ardabil Carpet. Maqsud of Kashan. 1539–1540 C.E. Silk and wool, 34’6” x 17’6”. Victoria and Albert Museum, London, England. G15, 304-305 KA Pin Image and Image Image Article Article

Content Area 8: South, East, and Southeast Asia 300 B.C.E.–1980 C.E. (21 WORKS) Hindu Art Video Buddhist Art Video 192. Great Stupa at Sanchi. Madhya Pradesh, India. Buddhist; Maurya, late Sunga Dynasty. c. 300 B.C.E.–100 C.E. Stone masonry, sandstone on dome, approx. 120’ diameter, 54’ high. G15,434-435, 441-443; G14, 429-430 S5, 301-304 A3, 261-262 GW, 332, 333 APAP, 92-93, 110-111 KA Pins Video Video of circumambulation Stupa1 North Gate Ambulatory Plan and Elevation Video on Buddhist Art in India Video on Images of the Buddha 193. Terra cotta warriors from mausoleum of the first Qin emperor of China. Qin Dynasty. c. 221–209 B.C.E. Painted terra cotta, life-size. G15, 460-461; G14, 454-455 S5, 330-331 A3, 3, 16 GW, 462 APAP, 102-103 KA Pins Terra cotta warriors Detail Video 1 Video 2 Video 3 Video 4 Article Animated map/timeline 194. Funeral banner of Lady Dai (Xin Zhui). Han Dynasty, China. c. 180 B.C.E. Painted silk, height 6’8 ½”. From the tomb of the Marquess of Dai, Mawangdui, Changsha, Hunan. Hunan Provincial Museum, Changsha, China. G15, 466-468; G14, 448-449, 455 S5, 338-339 APAP, 108-109 KA Pins Banner Video Video Video Article/photos Article Article Museum site 195. Longmen caves. Luoyang, China. Tang Dynasty. 493–1127 C.E. Limestone. -Detail – Vairocana Buddha, disciples, and bodhisattvas, Fengxian Temple, Longmen Caves, Luoyang, China, Tang dynasty, complete 676. Limestone, Buddha, 44’ high. G15, 474; G14, 460

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A3, 314 KA Pins Distant view Detail Detail 2 Video Video Video Video Article Article Article Article 196. Gold and jade crown. Three Kingdoms Period, Silla Kingdom, Korea. Fifth to sixth century C.E. Metalwork, height 17 ½”. National Museum of Korea, Seoul, Republic of Korea. G15, 486-487; G14, 470-471 S5, 356 KA Pin Image Article Article Article Article Video 197. Todai-ji. Nara, Japan. Various artists, including sculptors Unkei and Keikei, as well as the Kei School. 743 C.E.; rebuilt c. 1700. Bronze and wood (sculpture); wood with ceramic-tile roofing (architecture). -Great Buddha – Vairocana Buddha (Daibutsu), Nara period, bronze, height 49’1”, face 17’6”, eyes 3’4”, nose 1’7”, ears 8’4”, shoulders 91’9” across, 996 curls on head, golden halo 87’ diameter with 16 8’ images, 550 tons. -Nio guardian statue (Two Kings) – sculptors Unkei and Kaikei, 1203 C.E., 27’6” high. Housed in South Gate. G15, 498-499; G14, 482-483, 486 S5, 370 KA Pins Todai-ji Daibutsu/Great Buddha Nio Guardian 1 Nio Guardian 2 Gate Video Video 198. Borobudur Temple. Central Java, Indonesia. Sailendra Dynasty. c. 750–842 C.E. Volcanic-stone masonry. G14, 442-443 S5, 323-325 APAP, 190-191 KA Pins Image Video Pt 1 Video Pt 2 Queen Maya detail Meditating Buddha detail Borobudur museum website 199. Angkor, the temple of Angkor Wat, and the city of Angkor Thom, Cambodia. Hindu, Angkor Dynasty. c. 800–1400 C.E. Stone masonry, sandstone. G15, 456-458; G14, 443-446 S5, 328-329 A3, 444-448 APAP, 214-215 KA Pins Angkor Wat Close-up South Gate of Angkor Thom Churning Jayavarman VII as Buddha Reconstruction Video Video 2 Video 3 on Bayon Temple Video 4 Video 5 Video 6 Video7 Angkor Wat plan Angkor site plan Video from above 200. Lakshmana Temple. Khajuraho, India. Hindu, Chandella Dynasty. c. 930–950 C.E Sandstone. Height of relief sculpture registers approx. 3’3” (Vishvanatha Temple there, G15, 452-454, 457; G14, 438-440, 444) (Kandariya Mahadeva Temple there, S5, 318-319 AND GW, 334-335)

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

KA Pins Temple Temple from entrance Relief detail Lion detail Lion detail Plan in Curriculum Plan with higher res Interactive plan Video on Hindu Beliefs Video on Hindu Temples 201. Travelers among Mountains and Streams. Fan Kuan. c. 1000 C.E. Ink on silk, height 6’9 ½”. National Palace Museum, Taibei, Taiwan, Republic of China. G15, 478, 480; G14, 465, 468 S5, 351-353 GW, 82 KA Pin Image Zoomable High-res Article Article Article Article Article Video 202. Shiva as Lord of Dance (Nataraja). Hindu; India (Tamil Nadu), Chola Dynasty. c. 11th century C.E. Cast bronze, height 26 7/8”, diameter 22 ¼”. Metropolitan Museum of Art, NYC. G15, 454; G14, 440-441 S5, 320-322 GW, 488 (similar, APAP, 196-197 KA Pin Image Video Website Article Article Article 203. Night Attack on the Sanjô Palace. Kamakura Period, Japan. c. 1250–1300 C.E. Handscroll (ink and color on paper) , 16 ¼” x 23’. Museum of Fine Arts, Boston, Massachusetts. G15, 505; G14, 488 S5, 376-378 GW, 537 KA Pins Article with zoomable entire scroll Second zoomable scroll site Detail Detail Interactive viewer (Launch on right side of screen) Article 204. The David Vases. Yuan Dynasty, China. 1351 C.E. White porcelain with cobalt-blue underglaze, 2’ x 8’2”. British Museum, London, England.. G15, 1053-1054; G14, 992, 993 KA Pins Image Video Article Article Article Podcast transcript 205. Portrait of Sin Sukju (1417–1475). Imperial Bureau of Painting. c. 15th century C.E. Hanging scroll (ink and color on silk). 65 ¾” x 43 1/8”. Goryeong Sin Family, Yeongseong-gun Branch, Cheongju, South Korea. KA Pin Image Article Article Audio 206. Forbidden City. Beijing, China. Ming Dynasty. 15th century C.E. and later. Stone masonry, marble, brick, wood, and ceramic tile. G15,1048-1048, 1054, 1062; G14, 993-994 S5, 800-802 APAP, 236-237

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

KA and KA Pins Video Smithsonian article Article Tiny list image Lrgr image Front gate Hall of Supreme Harmony Palace of Tranquility and Longevity Illustrated plan Plan from list Palace Museum website Article 207. Ryoan-ji. Kyoto, Japan. Muromachi Period, Japan. c. 1480 C.E.; current design most likely dates to the 18th century. Rock garden, 2669 sq. ft. G15, 1066-1067; G14, 1008 S5, 818 KA Pins Wet Garden Dry Garden Plan from list Illustrated plan Video Met publication Article Article Article Bowdoin site on Japanese Gardens Article 208. Jahangir Preferring a Sufi Shaikh to Kings. Bichitr. c. 1620 C.E. Watercolor, gold, and ink on paper, 1’ 6 7/8” x 1’1”. Freer Gallery of Art, Washington, DC. G15, 1032, 1033, 1039; G14, 974-975 (similar, compare to S5, 778-779) A3, 666-668 GW, 335 KA Pin Image Zoomable Image Annotated zoomable image Info on Jahangir Mughals Article 209. Taj Mahal. Agra, Uttar Pradesh, India. Masons, marble workers, mosaicists, and decorators working under the supervision of Ustad Ahmad Lahori, architect of the emperor. 1632–1653 C.E. Stone masonry and marble with inlay of precious and semiprecious stones; gardens. Structure 561’ high. G15, 285, 1038-1039; G14, 283, 980 S5, 770-771, 779-780 A3, 666-668 GW, 335, 336 APAP, 370-371 KA Pins Video Video 2 Video 3 Video 4 Smithsonian full episode Photo Photo 2 Interior Article Article Article 210. White and Red Plum Blossoms. Ogata Korin. c. 1710–1716 C.E. Ink, watercolor, and gold leaf on paper. Each screen approx. 5’2” x 5’7”. MOA Museum of Art, Atami, Shizouka, Japan. (different Korin painting, G15, 8-9) KA Pin Left screen Right screen Image Image Article Article Article 211. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji. Katsushika Hokusai. 1830–1833 C.E. Polychrome woodblock print; ink and color on paper, 9 7/8” x 14 5/8”.. G15, 1076; G14, 1005, 1016-17 S5, 828-830 A3, 780 GW, 81, 117, 195, 346 APAP, 448-451 KA

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

Pins Image Video 1 Met Publication Video Video Article/PDF Article Article Article 212. Chairman Mao en Route to Anyuan. Artist unknown; based on an oil painting by Liu Chunhua. c. 1969 C.E. Color lithograph, 29 ½” x 21 3/5”. Victoria and Albert Museum, London, England. KA Pin Image Article/Audio/Video Article Lecture

Content Area 9: The Pacific 700–1980 C.E. (11 WORKS) 213. Nan Madol. Pohnpei, Micronesia. Saudeleur Dynasty. c. 700–1600 C.E. Basalt boulders and prismatic columns, wall height up to 25’. S5, 869-870 Pins Image 1 Image 2 Aerial view Map Article Article 2 Article Article Video 214. Moai on platform (ahu). Rapa Nui (Easter Island). c. 1100–1600 C.E. Volcanic tuff figures on basalt base, average height approx. 36’. G15, 1105, 1113; G14, 1052 S5, 874-875 A3, 816-817 GW, 372-373 APAP, 212-213 KA and KA Pins Image in list Same image with Corbis but higher res. Image 2 Image 3 Image 4 Image 5 Video Video 2 Article 215. ‘Ahu ‘ula (feather cape). Hawaiian. Late 18th century C.E. Feathers and fiber, approx. length 55 ¾”. British Museum, London, England. S5, 874; (Similar G15, 1118; G14, 1058) GW, 372 KA Pin Image Image (not one in list) Model wearing it Article Article Video 216. Staff god. Rarotonga, Cook Islands, central Polynesia. Late 18th to early 19th century C.E. Wood, tapa, fiber, and feathers. [Note: search for Atua rakau when searching.] , 12’11”. British Museum, London, England. G15, 1116; G14, 1054 KA Pins Image 1 Image 2 Article Article Article Article Article 217. Female deity. Nukuoro, Micronesia. c. 18th to 19th century C.E. Wood, 16”. Musee Barbier-Mueller, Geneva, Switzerland. KA Pins Image in list Image 2 Image 3 Image Article Article Article Article Article Article

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

218. Buk (mask). Torres Strait. Mid- to late 19th century C.E. Turtle shell, wood, fiber, feathers, and shell, 21 ½” x 25” x 22 ¾”. Metropolitan Museum of Art, New York. KA Pin Image Image Image Video preview Article Article/Video 219. Hiapo (tapa). Niue. c. 1850–1900 C.E. Tapa or bark cloth, freehand painting, approx. 8’6” x 8’. Auckland War Memorial Museum, Auckland, New Zealand. (Similar G15, 1114; G14, 1053-4 ) KA Pin Image Video Video Article 220. Tamati Waka Nene. Gottfried Lindauer. 1890 C.E. Oil on canvas, 3’4” x 2’8”. Auckland Art Gallery, Auckland, New Zealand. (For discussion of tattoo in Polynesia, see G15, 1115) KA Pin Image 1 Tamati Waka Nene by Samuel Stuart For enrichment: Te Pehi Kupi Self-Portrait and Portrait of Te Pehi Kupi by John Henry Sylvester Article Article Article 221. Navigation chart. Marshall Islands, Micronesia. 19th to early 20th century C.E. Wood and fiber, 2’3” x 3’3” x 1”. British Museum, London, England. (similar example: S5, 869) KA Pin Image in list Video Article Article Video Article Article Article 222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century C.E. Wood, pigment, fiber, and shell. [Note: search for Tatanua when searching for the mask.] -Malagan mask. 16 ½” x 15 ¾” x 7 ½”. University Museum, Philadelphia, Pennsylvania. -Malagan display. Medina village, New Ireland, Papua New Guinea. c. 1930. Height 6’ 10 5/8”, width 11’ 5 ¾”. Museum fur Volkerkunde, Basel, Switzerland. S5, 867-68 (Similar G15, 1109-1110; G14, 1049) APAP, 433 KA and KA Pin Image from list Image in b/w no watermark Display Display Malagan masker Article Article Tatanua article Tatanua article Article Article Article Mini-videos from SLAM Article Bkgrd info More Photos 223. Presentation of Fijian mats and tapa cloths to Queen Elizabeth II. Fiji, Polynesia. 1953 C.E. Multimedia performance (costume; cosmetics, including scent; chant; movement; and pandanus fiber/hibiscus fiber mats), photographic documentation. KA Pin Image AND Image AND Image VIDEO Video on tapa Video of visit Video showing use of tapa Video of Queen’s funeral Article Article Ngatu in museum

Content Area 10: Global Contemporary 1980 C.E. to Present (27 WORKS)

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

TICE ART 1010 Video on Contemporary Art References Cindy Sherman, Bill Viola, Kara Walker, and Yinka Shonibare 224. The Gates. New York City, U.S. Christo and Jeanne-Claude. 1979–2005 C.E. Mixed-media installation. 16’ high. 7,503 gates. S5, 1103 A3, 972-973 GW, 456, 457 KA Pins Image 1 from list Similar aerial view Similar to image 2 Similar to image 2 Gates at night Video 1 Video 2 Video 3 Khan NYC website Christo’s Gates website 225. Vietnam Veterans Memorial. Washington, D.C., U.S. Maya Lin. 1982 C.E. Granite, each arm 247’ long, height at center 10’. G15, 1020-1021; G14, 965-966 S5, 1115-1116 A3, 983 GW, 552 APAP,587-588 KA Pins Image 1 Similar to image 2 Image 3 Lin’s original submission Video Video Art21 Article Article Article 226. Horn Players. Jean-Michel Basquiat. 1983 C.E. Acrylic and oil paintstick on three canvas panels, overall 8’ x 6’5”. Broad Art Foundation, Santa Monica, California. G15, 997; G14, 947, 969 S5, 1108-1109 KA Pins Image Article Video interview Video interview 2 Good website 227. Summer Trees. Song Su-nam. 1983 C.E. Ink on paper, 29 ½” x 44 ¾”. British Museum, London, England. G15, 1012, 1062; G14, 956 Brief! KA Pins Image Article on Su-nam 228. Androgyn III. Magdalena Abakanowicz. 1985 C.E. Burlap, resin, wood, nails, string, 48” x 63 ½” x 22”. Metropolitan Museum of Art, New York. (similar G15,978) KA Pins Image Alternate view Website Video 229. A Book from the Sky. Xu Bing. 1987–1991 C.E. Mixed-media installation. G15, 1009; G14, 953 APAP, 14-15 KA Pins Image 1 Image for scale Video Article

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

230. Pink Panther. Jeff Koons. 1988 C.E. Glazed porcelain, 48” x 63 ½” x 22”. Metropolitan Museum of Art, New York. G15, 1011 S5, 1114 KA Pins Image Image Video Video 2 Article Article Article 231. Untitled (#228), from the History Portraits series. Cindy Sherman. 1990 C.E. Photograph, 6’10 1/16” x 48”. Museum of Modern Art, New York. KA Pins Image Article Audio Video 1 Video 2 232. Dancing at the Louvre, from the series The French Collection, Part I; #1. Faith Ringgold. 1991 C.E. Acrylic on canvas, tie-dyed, pieced fabric border, 73.5” x 80”. Private Collection. KA Pins Image Text from quilt Video Video 2 Video 3 Video 4 Interview 233. Trade (Gifts for Trading Land with White People). Jaune Quick-to-See Smith. 1992 C.E. Oil and mixed media on canvas, 5’ x 14’2”. Chrysler Museum of Art, Norfolk, Virginia. G15, 994-995; G14, 940-941 (for Smith’s The Red Man, S5, 857-858) KA Pins Image Video 1 Video 2 (see 5:14 – 8:39) Article Article 234. Earth’s Creation. Emily Kame Kngwarreye. 1994 C.E. Synthetic polymer paint on canvas. 4 panels, 9’ x 5’ 3”. National Museum Australia, Canberra (brief mention of Kngwarreye: G14, 956, 1046) KA Pins Image Image 2 Image 3 Article 1 Article 2 Video 1 Video 2 Video 3 235. Rebellious Silence, from the Women of Allah series. Shirin Neshat (artist); photo by Cynthia Preston. 1994 C.E. Ink on photograph, 11” x 14”. Barbara Gladstone Gallery, New York. S5, 1124 (Other Shirin Neshat: G15, 1003G14, 952) (Other Shirin Neshat: A3, 990) (Other Shirin Neshat: GW, 447-448) KA Pins Image Article 1 Article 2 Article 3 Article 4 Video 1 Video 2 Video 236. En la Barberia no se Llora (No Crying Allowed in the Barbershop). Pepon Osorio. 1994 C.E. Mixed media installation. Collection of the Museum de Arte de Puerto Rico. KA Pins Image Image 2 Image 3 Image 4 Video (53:40) Video excerpt from first one Article 237. Pisupo Lua Afe (Corned Beef 2000). Michel Tuffery. 1994 C.E. Mixed media, 3’8” x 2’2” x 7’1”. Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand. KA

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

Pins Image Image 2 Image/opposite view Image of can Video Video 2 Article Article Article Article Article 238. Electronic Superhighway. Nam June Paik. 1995 C.E. Mixed-media installation (49-channel closed circuit video installation, neon, steel, and electronic components) ), approx. 15’ x 32’ x 4’. The Smithsonian American Art Museum, Washington, DC. S5, 812, 1128 APAP,596-597 KA Pins Image Video Video Video Article Article Article Article See the USA in Your Chevrolet 239. The Crossing. Bill Viola. 1996 C.E. Video/sound installation, height 16’. G15, 1017-1018; G14, 971 S5, 1128-1129 A3, 989 (Viola quote on video art, GW, 238) KA Pins Image on list Fire still Video Video 2 Footage from The Crossing Article Article Article Multimedia/Article 240. Guggenheim Museum Bilbao. Spain. Frank Gehry (architect). 1997 C.E. Titanium, glass, and limestone. G15, 1026, 1027, 1028; G14,962-963 S5, 1126-1128 A3, 966-968 GW, 74-75, 444 APAP, 602 KA Pins Image 1 Image 2 from list Interior higher res. Site plan Video Website Article 241. Pure Land. Mariko Mori. 1998 C.E. Color photograph on glass, 10’ x 20’ x ¾”. Dietch Gallery, New York. KA Pins Image Video 1 Video 2 Article Article Article Article Article 242. Lying with the Wolf. Kiki Smith. 2001 C.E. Ink and pencil on paper, 88” x 73”. Centre Pompidou, Paris, France. KA Pins Image Art21/Video Article Article 243. Darkytown Rebellion. Kara Walker. 2001 C.E. Cut paper and projection on wall, 14’ x 37’ overall. Collection Musee d’Art Moderne Grand-duc Jean. Mudam Luxembourg. S5, 1136, 1137 (similar GW, 247) (similar APAP, 616-617) KA Pins Image Article Article Article Article Article/Audio Video 1 Video 2 Video 3 Photo of Walker with work

Marsha K. Russell St. Andrew’s Episcopal School, Austin, TX mrussell@sasaustin.org

244. The Swing (after Fragonard). Yinka Shonibare. 2001 C.E. Mixed-media installation. Tate Modern, London, England. (Shonibare’s How to Blow up Two Heads at Once (Ladies), S5, 1134-1135) KA Pins Image Image 2 Video 1 Video 2 Article Article Article Article Article Article Article 245. Old Man’s Cloth. El Anatsui. 2003 C.E. Aluminum and copper wire, 16’ x 17’1”. Harn Museum of Art, Gainesville, Florida.. (Anatsui’s Bleeding Takari II, G15,1016) (Anatsui’s Flag for a New World Power, S5, 901-902) KA Pins Image Video Video 2 Video 3 Video 4 Article Article 2 Article 3 El Anatsui quotes 246. Stadia II. Julie Mehretu. 2004 C.E. Ink and acrylic on canvas, 108” x 144”. Carnegie Museum of Art, Pittsburgh, Pennsylvania.. (Mehretu’s Dispersion, S5, 902-903) (Mehretu’s Empirical Construction, Istanbul, 2003, APAP, 614-615 KA Pins Image Video Video 2 Article Article 2 247. Preying Mantra. Wangechi Mutu. 2006 C.E. Mixed media on Mylar. Brooklyn Museum, New York. KA Pins Image Video 1 Video 2 Video 3 Video 4 Article Article Mutu quote 248. Shibboleth. Doris Salcedo. 2007–2008 C.E. Installation, rupture 548’ long, width and depth vary. Tate Modern, London, England, 2007-08. KA Pins Image1 Image 2 Video Video 2 Article Article 2 Article 3 249. MAXXI National Museum of XXI Century Arts. Rome, Italy. Zaha Hadid (architect). 2009 C.E. Glass, steel, and cement. (Hadid quote on Cincinnati’s Contemporary Arts Center, GW, 238) KA

Pins Image 1 Image 2 from list Video Article 1 Article 2 Article 3 Article 4

250. Kui Hua Zi (Sunflower Seeds). Ai Weiwei. 2010–2011 C.E. Sculpted and painted porcelain.

Installation dimensions variable. Tate Modern, London, England, 2010.

KA and KA

Pins Image from list Image 2 Detail Image 3 Video 1 Video 2 Video 3 Video 4 Article 1 Article 2 Article 3

Article 4 Article 5 Article 6