Spuren

Manuel Rodríguez Valenzuela

Spuren (2012) (for 7 instruments)

Instruments

Prepared Trumpet in C

+kazoo, plastic mouth siren, piece of aluminium foil and a heavy bag filled with stones/metal objects.

Tenor Trombone (with F attachment)

+ a heavy bag filled with stones/metal objects.

Electric Guitar

+ spring drum connected to the lowest 2 strings, amplifier (with overdrive), jack cable, volume pedal, pick, bottle neck, metal stick and bow (preferably a cello one) and a heavy bag filled with stones/metal objects.

Violoncello

+ spring drum connected to the IV string, bottle neck, metal stick and a heavy bag filled with stones/metal objects.

Percussion 1

Marimba, big timpani (32”), 2 toms (high-‐medium + low), 2 bongos (high + low), 2 not suspended cymbals (little + big), 2 super-‐ball sticks, slide whistle, megaphone (with hand-‐microphone and alarm incorporated)

and a heavy bag filled with stones/metal objects.

Percussion 2

Vibraphone, big timpani2 (32”) , 2 toms (high + medium-‐low), 1 not suspended cymbal (medium), bike bell, wine glass, ceramic plate, box/bin, megaphone (with hand-‐microphone and alarm incorporated) and 2 heavy

bags filled with stones/metal objects.

Piano

+ ~3 plastic/metal rulers, a piece of duct adhesive tape, inflated balloon, bike horn, megaphone (with hand-‐microphone and alarm incorporated) and a heavy bag filled with stones/metal objects.

General

Quarter tone notation: (-‐1/4, +1/4, +1/4, +3/4)

Approximated pitch

Normal dynamic/ dynamic of the action/ approximated dynamic

Highest/lowest possible pitch

Let fall from a high of ~1 meter high the different specified objects

Trumpet in C -‐ Preparation of the trumpet:

Remove the 1st, 2nd and 3rd slide tubes out of the trumpet, and place the next objects on the extreme of the opened tubes (as in the picture):

1st valve tube: A Kazoo

2nd valve tube: A mouth siren (toy plastic one)

3rd valve tube: A piece of aluminium foil around the tube

-‐ Always with a pixie and a plunger mute.

Valves: Any valve depressed/depress valve 1/ valve 1 half-‐depressed/depress valve 2/depress valve 3

Plunger mute symbols: open/close

Air sounds: normal/breathing in

Slap

Harmonics gliss.

Trombone -‐ Always with a pixie and a plunger mute.

-‐ Transposer tube (F attachment) always opened. When the F valve trigger is activated the sound comes out from the opened tube and not from the trombone bell. Pitches when F trigger is activated are expected to be approximate, and the exact tuning is not important.

Depress F valve trigger.

Plunger mute symbols: opened/ half-‐opened/ closed.

Air sounds with consonants. The two different positions mean two different air colours (two different consonants, for instance a high [s] and a low [f]) The gliss. line only means a transition between both sounds, the trombone slide doesn´t have to be moved in this moment.

Breath in inside the trombone. Slap

Harmonics gliss.

Electric Guitar -‐The electric guitar is NOT connected to the amplifier (just at the very end of the piece), but an amplifier (with overdrive), a jack cable and a volume pedal (both connected to the amplifier) are needed for the piece. The amplifier should be configured in order to have the maximum possible noise out of it. A jack plug should be connected to the amplifier and the other plug should be free to produce electric buzzing noise when touching to it. The volume of both noises (amplifier itself and jack electric noise) should be controlled by a volume pedal. Another option is to have two different amplifiers, one just connected to the volume pedal and the other connected to the jack cable (and to the volume pedal), and control both noises independently.

-‐A spring-‐drum should be partially connected to the e-‐guitar: Connect the extreme of the spring to the 5th and 6th string beside the bridge (see picture), in order to get a natural amplification of these two strings. The spring should not touch anything else than the e-‐guitar strings to avoid the distortion of the sound. The body of the spring-‐drum should be securely mounted and placed beside the guitarist before the concert starts.

Connection of the spring Spring drum to the 5th/6th e-‐guitar strings

Clef and noteheads for the jack noise (up) and amplifier noise (down)

Bottle neck notehead. The pitch always shows the placement of the bottle neck on the 6th string.

Stop the resonance of the instrument.

Exaggerated pressure of the bow with almost not recognizable pitch. (The example on the right: decreasing the pressure)

Jété technique. Number of beats according to the duration of the note.

Nail pizz. /Bartok pizz.

Detune the indicted string between ( ) as much as you can during the duration of the line.

Violoncello IV string detuned always ~1 octave down. Notation on the IV string is always written an octave up.

A spring -‐drum should be connected to the IV string. Connect the extreme of the spring to the IV string beside the bridge, in order to get a natural amplification of this string (see e-‐guitar picture). The body of the spring-‐drum should be securely mounted and placed beside the cellist before the concert starts.

ST ORD SP– Sul tasto, Ordinario, Sul ponticello

Exaggerated pressure of the bow with almost not recognizable pitch. (The example on the right: decreasing the pressure)

Without tone, no specific pitch intended/ Bowing on the body of the instrument (preferably on a bout) producing a quasi breathing sound.

“Seagull gliss.” (same as a artifical harmonic glissando but keeping the same distance between the 2 playing fingers throughout the glissando)

pizzicatto/ Bartok pizz./ Nail pizz./ Pizzicatto tremolo (similar as the guitar rasgueado technique)

Jété technique. Number of beats according to the duration of the note.

Rattling sound 1: Bend the lowest string outside the fingerboard at the indicated position to make a dense percussive rattling sound when bowed, trying always to get the most percussive and noisy sound. This technique works always better and faster bowing up.

Rattling sound 2: To reach this ppp rattling sound, push the III. string to the right until it touches slightly the IV. string, while bowing on this IV. string.

Percussion Hard stick/ soft-‐medium stick/ brush stick/ super-‐ball/ opposite side of the stick.

Gliss. along the marimba or vibraphone bars (diatonic gliss.) / percussive and rattling gliss. along the marimba or vibraphone tubes. The pitches indicating the distance of the gliss. are always approximate, the exact distance from one pitch to another is not important.

Let the stick bounce free after hitting the instrument. Number of beats according to the duration of the note.

Breath in/out (for the ACME mouth siren)

A symbol using super-‐ball sticks means rubbing on the instrument and not a roll. Vibraphone always with the motor on (~3-‐4 beats/second)

Piano Preparation:

~3 big plastic/metal rulers close to the dampers covering the whole piano register, except the highest octave.

A piece of big adhesive tape (duct tape or any strong one) stuck on the highest octave.

White keys gliss./Black keys gliss./White keys rattling percussive gliss./Black keys rattling percussive gliss. The pitches indicating the distance of the gliss. are always approximate, the exact distance from one pitch to another is not important.

Nails/Flesh of the fingers (For the rattling percussive gliss.)

Depress the keys with a fast movement from the beginning of the palm (close to the wrist) to the whole hand.

Megaphones (for percussion and piano players) -‐The megaphones should have a hand-‐microphone with an ON/OFF switch incorporated, an alarm switch and the possibility to turn up-‐down the volume (see picture). If the maximum volume of the megaphone is too loud, a piece of foam (of a pillow, for instance) can be placed inside the megaphone bell and it´ll work as a mute.

Megaphone Clef

Turn the megaphone volume up/down to the minimum/maximum power.

Switch the hand-‐microphone ON/OFF

Switch the Alarm button ON/OFF

Place the hand-‐microphone close to the mouth.

Mouth actions with the hand microphone:

Produce a [SCH] consonant with different pitches (but not singing, just by opening/closing the mouth)

Produce “click” sounds with your tongue. Also with different pitches by opening/closing the mouth.

Blow directly to the hand microphone within a distance of 5 cm between your mouth and the hand microphone.

Rub softly the hand microphone on your clothes, producing a soft noise.

Produce a rattling percussive sound with the nails along the front side of the hand microphone.

Place the hand microphone inside the megaphone bell. As a result, a very high and loud frequency will come out. If this sound is too loud you can turn the volume in this moment to a middle position.

(For the pianist) Make a fast gliss. with the front side of the hand microphone along the white keys of the piano keyboard.

(For the percussion 2 player) Place the hand microphone within a distance of ~3 cm between the hand mic. and the mouth siren.

Feet sounds

Feet sounds clef.

Stamp a foot roughly on the floor.

Hit softly the floor with the feet, but without lifting them. The white symbol: with the toe/the black one: with the heel.

Left foot/Right foot.

Lighting The three first movements of the piece should be preferably played with spot lights on each musician, or in any case the stage lighting (beside the musicians) should be set as darkest as possible.

When the 4th movement starts, all lights should preferably be switched off suddenly (exactly when the trombone player lets fall a bag to the floor), remaining in total darkness until the end of the piece. For this movement the musicians should play then preferably by heart, or at least with the less possible amount of light on the whole stage (for instance just with soft stand lights for the musicians, enough to read the score).

Approximated duration: 8’ 30”

Doubts, questions: [email protected]

&

?

TAB

V

?

:

:

&

?

81

81

81

81

81

81

81

81

81

81

81

81

44

44

44

44

44

44

44

44

44

44

44

44

PreparedTrumpet

Trombone

Electric Guitar

Cello

Percussion 1

Percussion 2

Piano

harm. gliss.

b.k.

…

…

w.k.

ÓPIXIE + PLUNGER MUTE ALWAYS

ÓPIXIE + PLUNGER MUTE ALWAYS

TRANSPOSER TUBE ALWAYS OPENED

ÓSPRING DRUM PLUGGED TO 5 AND 6 STRINGSNOT CONNECTED TO THE AMPLIFIER

ÓBOTTLE NECK

Ó

(*) IV strings sounds always an octave lower than written!

SPRING-‐DRUM PLUGED TO IV STRINGIV STRING DETUNED AN OCTAVE LOWER

≈ÊU

Ó

Ó

≈MVOL: MAX

^(**) Hand microphone ON/OFF switch

(ON)

(**)

Ó(**) black keys gliss.

Ó &

Ó

q = 60

SLIDE WHISTLE

f sub.

œ

3

>}ÊW ‰. Ó

œ#æâ œ

æ.

‰. Ó

1234

>U 1234

>Xfi‰

Œ Ó

PICK

Ê

L

Ô

L Ô

(

Ô

)JLr

Ó

œ>jœ.Œ Ó

3

(*)

ÊX ‰. Œ Ó

‰ ÔAMVOL: MIN

Ô Ô Ô(ALARM SWITCH ON)

≠HM: mouth

≠ ‰ ÓBLOW ~5 CM (*)(*) Blow directly to the hand microphone with an approximated distance of 5 cm between your mouth and the hand microphone

Ô v^v ‰ Ó(OFF) (etc.)

œœ‰ Œ Ó

(*) white keys gliss.

(*)

≈

MVOL: MAX

œ#œ#˘≈ Œ Ó(**)

Ó

F sub.

f sub. P

pizz.

STOPSUB.

π

ff sub.

ƒ

ƒ sub. STOPSUB.

f sub.

(frull.)

P

~ØØ(almost inaudible)

Ô Ô Ô Ô

Manuel Rodríguez Valenzuela 2012

SpurenI. Springend

Ô Ô Ô Ô

V 42

42

43

43

44

44

44

44

44

44

44

44

44

44

44

√

^^^^^^^^^^R

≠≠≠≠≠w.k.≠≠≠≠≠≠

…

ÕÕÕÕÕÕÕÕÕÕÕÕÕÕ

tubesbars ÔÔÔÔÔ

molto rit.

ÔÔÔÔ√

°

b.k.

Lr ıE.Gtr.

Ô ÔPerc.1

Tpt. ?

Tbn.?

TAB

L} Ò L}

?

(*)

(*) Rub softly the hand microphone on your clothes :

Ô Ô Ô

&

&

?

"P"

VIBRAPHONE

œæ}

3

â œæ}

1

œæ}

2

.‰ Ó

3

&

¿nfl‰¿fl¿# .‰. Ó

3

12345

>U 1

2345

>X fi‰

Œ Ó

PICK

Ê

L

Ô

L Ô

(

Ô

)JLr

Ó

¿}â

≤¿.}‰. ÓVc.

(*)

(*) Bend the lowest string outside the `ingerboard at the indicated position to make a dense percussive rattling sound when bowed, trying always to get the most percussive and noisy sound.

Œ ûHM: clothes

- ≈ û- ≈ û- ≈ û- ≈ û- ≈û- ≈

v ‰.MVOL: MAX

^ Ô Ô(ALARM SWITCH OFF)

(HAND MIC. ON)

œ>

Jœ ¿>Á

j¿

Ó(*)

(*) With the opposite side of the sticks

Perc.2

(MOTOR ALWAYS ON)

‰.¿#2Ò

J¿#‰ Ó

(*)(*) with the `lesh of the `ingers

Pno.

(**) Black keys (guero percussive gliss.)

(**) ?

&

¿

HM: w.keys J¿

Œ Ó(*)

(***) White keys (guero percussive gliss.)

&

^ v ‰. Ó(ON) (OFF)

(**)

(**) Hand microphone ON/OFF switch

ƒ sub.

STOPSUB.

(frull.)

ƒ sub.

fff sub. πm o l t o

(slap)

STOPSUB.Ï

"fff "

ƒ

ƒ

ff sub. ∏m o l t o

ØØ (almost inaudible)

û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈

Ô Ô Ô Ô

2

&

:

43

43

43

43

42

42

42

42

42

42

42

42

42

42

Tpt.

Perc. 1

9

Ó ≠1

û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈

Ô Ô Ô Ô

&

(h) (h)≠ ≠

1

≠0≠3≠1

≠2

5

?

TAB

V

&

û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈

Ô Ô Ô

Œ Œ ‰œ

Perc.2

:

s u b i t oπ

≠æ˘0 ≠

æ˘1 ≠

æ˘ ≠

æ˘3 ≠

æ˘2 ≠

0

≠.1

≈ ≠3

≠.2

55

¿#fl ¿#

fl ¿#fl

¿n . ¿r . ¿# . ¿y . ¿. ¿r .3 6

Tbn.

1234

>≥1234

>≤1234

>≥1234

>1234

.1234

.1234

.1234

.ARCO

E. Gtr.

Ê

L

Ê

Ê

Ê

Ê

Ê

Lr

Ê

Ê

Ê

Ê

Ê

Ê

Ê

L3

5

BOTTLE NECK

≠≠>

æ≠≠ä ≠≠

ä≠ä ≈ ≠- ≠

-

6

Vc.

¿HM: mouth

ä¿

flÔ. Ô.

Ô. Ô. ¿.6

Ô Ô

œœœœ##

>‰

œœœœ##

#

. œœœœn. œ. ‰

3

ûHM: clothes

- ≈ û- ≈ û- ≈ û- ≈(*) Rub softly the hand microphone on your clothes

^ Ô(HAND MIC. ON)

Pno.

(*)

f

F sub.

(slap)

III

F sub.

s u b i t o

s u b i t o

(q)

s u b i t o

etc.

f sub. πm o l t o

[SCH]

F sub. π

p ∏

ØØ (almost inaudible)

3

&

?

&

:

43

43

43

43

43

43

42

42

42

42

43

43

43

43

43

Tpt.

Tbn.

Vc.

Pno.

ÕÕÕÕtubesÕÕ.

√

12

≠.0≠.1≈ ≠.

3≈ ≠.

0‰ ‰ Œ

5 5

¿# . ¿# . ¿# . ¿n . ¿r .≈ ¿y .≈ ¿r . ¿# .

‰¿# .

36 3

≈ ≠- ≈ ≠-≈ ≠- ‰ ≠-

‰ ≠- ‰ ≈≠-‰

6 6 6

v ‰. ŒMVOL: MIN

ŒPerc.1

û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈

Ô Ô Ô

ØØ(almost inaudible)



¿. ¿r .≈ ¿y .‰ ¿# .

‰ ‰6 3

TAB

V

≠- ‰ ‰ ≈ Œ6

&

û- ≈ û- ≈ Œ

Ô v ≈ Œ(OFF)

¿n .‰ ‰. Œ Œ6

1234

≤1234

123456

press.ARCO

E. Gtr.

Ê

L

Ê

L

Ê

LBOTTLE NECK

Œ Œ ·œ J·œrr?

Œ Œ ‰¿>

J¿Perc.1?

s u b i t o

III.SP

(h)

p subito

MARIMBA

f sub.

4

&

?

TAB

V

?

?

:

?

?

44

44

44

44

44

44

44

44

44

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

√

bars

bars

harm. gliss. harm. gliss.

° *release slowly

15

≠>0≠>1≈ ≠

>2≈ ≠

>0‰ ≠

3

≠.1 ≠. ‰ Œ5 3

œ}> ÊU>Jœ} jœ. œr .

‰ œy .Œ

3

3

123456

≥press. molto.

ä123456

≤press. molto.

äÓ

fiE.Gtr.

Ê

L

Ê

LÓ

œr>≥ œr ≤> œy≥> œn> œr œn> œ#> j

œr ‰ ‰ Œ5 3

3

œ>œ>

Jœ‰ Ó&?

œ>SB

œæ œæ ‰Ó

Œœ>

(*)(*) let the superball/stick bounce free after hitting the tom

(*)LH

œœ

œ

#n

>

œ

œœ

n

>

œœœ#n#œœœœœœnn œœœ##

œœœ## œœœ

##n

.‰. Œ

5 3

&

J

œœ

œ

#

πm o l t o

etc.

STOPSUB.

πf sub.

fff sub.

m o l t o

Parlato

Ï STOPSUB.

f sub.πm o l t o

(slap)

m o l t o

TOM 1

TOM 3

IV.(SP)

f sub. ∏m o l t o

f sub.STOPSUB.F

ÓGP Ó &GP ·œ

≤·œ}} ?

p s u b i t o

III. SP

"falling"

5

?

?

TAB

V

?

:

:

&

?

43

43

43

43

43

43

42

42

42

42

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

√

√

≠≠≠≠≠≠

white k

eys≠≠≠≠≠≠≠≠≠

…

ÔÔÔÔÔÔÔpoco rit.

w.k. black keys

19

œæ

â

1

} .œæ2

}œ>

3 JÊU5

&

œræ> œ#

æœn>Jœ œy> œr Jœy œn

>

3 5

456

>> 3456

> 123456

>123

>1>

fi

METAL STICK

E.Gtr.

Ô

L

Ô

Ô

Ô

Ô

Ô

Ô

Ô

Ô

3

BOTTLE NECK

œr

≥press.

jœœ}>

≤

œœ>}}

œœ>}}

3

œ ‰ &

.œâæ

SB SB

œœäæ

œ>œ>

5

(*) let the superball bounce free after hitting the tom

(*)

jÔBfl>

JÔt>

SB SB

ÔX>( )

JÔt(LET FALLTO THE FLOORFROM ~1m HIGH)

?

œœ≈¿#2>Ê

j¿#

? &

¿

HM: w.keys J¿

Œ&?

^ v ‰. MVOL: MIN

ƒ sub.

πm o l t o

Parlato

ƒ sub. m o l t o

(non frull.)

ƒ sub. m o l t o

II.ST

(arco) col legno

ƒ sub. πm o l t o

ƒ sub. πm o l t o

ƒ sub.

(frull.)

TOM 2

TOM 4ƒ sub. m o l t o

~ ff sub.

BAG 1TIMPANI

f

‰ ‰ ≠.0 ‰ ≠.1 ‰ ≠.2 ‰ ≠.3

3 3 3

œrjœr ‰ Œ Œ

2

≈1≈

2

≈1 1≈

2

≈5 5 5

L Ê Lr

œœ#}}

> jœœ}}‰ ‰ Ó3

œ> œ> ‰ Œ Œ3

(slap)


∏

∏

(almost inaudible)ØØ sub.

BONGOS

∏

‰ ≠.0 ‰ ≠.1 ‰ ≠.2

3 3

1≈

2

≈1≈

2

5 5

Ê L#

Ó

‰ ≠.3 ‰ ≠.0 ‰ ≠.1 ‰ ≠.2 ‰3 3 3

2

≈1≈

2

≈1≈

2

≈1

5 5 5

Ê Ly Ê JÕn

·œ ·œrr }} ·œnn }}III. SP

6

&

B

TAB

V

&

:

?

&

?

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

mmmmmm

black keys

black keys

°*

release slowly

ÔÔÔÔÔaccel.

white keys

white keys

23

≠.3 ‰ ‰ Œ3

œ#Jœ œ# j

œ œ# jœr

?

1

‰ ‰ Œ

5ARCO

E.Gtr.

ÓBOTTLE NECK

Oœ## }} jOœ}

œ}?

Ó ?

‰ ÔA

MVOL: MIN

Ô(ALARM SWITCH ON)

Œ Òtæ

Ó

Ó &

P s u b i t o

P s u b i t o

Parlato

p s u b i t o

TIMPANI


ÿU>1

œ>}

2

œ#}3

>œ}

1

>œ#}2

>?&

?&

?

œrâ

œ

T

â} .œ œ

T

â}æ œ>

Jœ œ#>5

3

(Wide vibrato)

123456

>≥123456

≤123456

≥123456

≤123456

123456

123456

Ê

Lr

Ê

Lr

Ê

Lr

Ê

Lr

Ê

Lr

Ê

Ly

Ê

Ln3 5

œœrâ

≥œr>≤œr>

≥œn>≤œr œy>

œn>3 5

ÊXæâ

SB SB

ÊXæâ

.ÊXæâ

Áæ

ä JÁt ‰5

Ô Ô Ô

ÔXæ>

Ôtæ>ÔX

>

Ôt>ÔX Ô

>3

œœ#>

‰œ#

œœ##˘

œ

œœ#.

œœœ##

fl>

œ# œœn

flœ# .

?&

?&

?

etc.STIV. alwaysParlato

Î sub. m o l t o

Î sub.

m o l t o

"clumsy"

Î sub. m o l t o

etc.

"ST"

Î sub. m o l t o

Î sub. m o l t o

Î sub.m o l t o

Î sub. πm o l t o

œ}> œ}

1

œ} œr} œr} œn} œy}jœ#}

3

&

œr> œr œn œ# œy œy œ# œ œr œr œn

123456

123456

123456

123456

Ê

L#

Ê

Lr

Ê

Lr

Ê

Lr JLn

5

œ#>œr œr œr>

jœn

5

Œ ‰.Ô

fl>C(LET FALL

TO THE FLOORFROM ~1m HIGH)

Ô Ô

ÒÒÒ

>Ò Ò

>Ò Ò Ò

>Ò Ò j

œ

6

œœœ#n

.

œœœ##n

.

œœœ#.

œœœ##.

œœœ#n#.

œœœnn .

œœœnn .

3

:

(jeté)SP

∏STOPSUB.

∏STOPSUB.

∏STOPSUB.

(H)

(jeté)

"SP"

∏

STOPSUB.

∏

∏

~ ff sub.

CYMBAL 1

7

?

:

44

44

44

44

44

43

43

43

43

43

43

43

42

42

42

42

42

42

42

Perc. 1

Pno.

Ó :

Ô Ô Ô Ô v≈(ALARM SWITCH OFF)

Œ ‰. ÔAMVOL: MIN

Ô Ô(ALARM SWITCH ON)

Perc.2

Ó

‰ ÔA

MVOL: MIN

Ô Ô Ô(ALARM SWITCH ON)



(AMP. WHITE NOISE)

E. Gtr.

(VOLUME PEDAL)

ŒHM: clothesû- ≈ û- ≈ û- ≈ û- ≈ ≈ û- ≈ û-

‰.

MVOL: MAX

^ Ô Ô Ô(H.M. ON)

:

Ô Ô Ô Ô

Ó Œ ‰ ûHM: clothes-

3

Ô Ô v ≈ ŒMVOL: MAX

^(ALARM SWITCH OFF)

(H.M ON)

Ø

Ø

Ó.≠

(JACK ELECTR. NOISE)

≈ û- ≈ û- ‰ û- ≈ û- ≈ û- ≈

Ô Ô Ô

Œ Œ ûHM: clothes

(*) Rub the hand microphone in circles on your clothes

(*)

Ô v ≈ŒMVOL: MAX

^(H.M ON)(ALARM SWITCH OFF)

û- Jû- û û- û- û Jû-3 3 3

Ô Ô Ô

P

Ø

Ó≠

û- ‰ û- ≈ û- ‰

Ô Ô

û û

Ô Ô

Jû û- û- ‰3

Ô Ô

8

&

?

&

:

:

:

43

43

43

43

43

43

43

43

43

43

83

83 42 43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

30

≠ä1

≠1

≠0

≠3

≠.2

≠.1

≠.3

≠.2

≠.1

≠.0

‰ ≠.3

3 6

¿fl>

‰Êfl>

Êfl‰

Ê.‰ ‰ ¿# .

3 3

ô˘.ô

äô˘≈ ô

˘ô

˘≈ ô

äô ô

˘‰ ô

˘5 5 5

.≠E.Gtr.

‰Or>

‰ ≈On˘ Oy˘

≈O# . On .

‰3 3

(*) (harmonics: no speci`ic pitch intended)

(*)

¿HM: mouth

ä¿

flÔ. Ô.

Ô. Ô. ¿.¿. ‰ ¿.

6

Ô Ô Ô v ^ v

≠äHM: mouth

≠(*)

(*) Blow directly to the hand microphone within a distance of more or less 5 cm between your mouth and the hand micr.

v .^ v ^ v ^ v ^ Ô v ^ v5 5 5

¿HM: mouth

˘‰ ¿ ¿

fl‰ ¿

fl ¿-j¿.

3

3

Ô v ^ Ô Ô v ^ Ô Ô Jv3 3

(slap)

STOPSUB.

πƒ sub. m o l t o

ƒ sub. πm o l t o

STOPSUB.

(nail pizz.)

I.

ƒ sub. πm o l t o

[SCH]

πƒ sub.

(Tongue Clicks) [SCH] (T. Click)

ƒ sub. πm o l t o

ƒ sub.

(Tongue Clicks)

m o l t o STOPSUB.

STOPSUB.

ƒ

(Blow 5 cm)(q)

(h)

πSTOPSUB.

m o l t o

Ó.≠

Ó

Ó≠ ≠ ≠

‰ ‰ÔBfl>

(LET FALLTO THE FLOORFROM ~1m HIGH)

sub.

~ Ï sub.

BAG 2

ÓGP

ÓGP

9

&

:

:

&

:

42

42

42

42

42

83

83

83

83

83

43

43

43

43

43

43

43

43

43

Tpt.

Perc. 1

Perc. 2

Pno. …

…

√

35

Œ ‰ ≠

2

X(mouth siren gliss.)

≈ÊX Ê Ô5

¿æU˘ ¿

æX ˘ ‰. Œ

5

Ó

¿U ˘ ¿X ˘ ‰. Œ

5

P

SLIDE WHISTLE

P

BIKE BELL

~ f sub.

BIKE HORN

~ f sub.

.≠

E. Gtr.

TAB

V

Vc.

&

LH: BOTTLE NECK

&

.Á

.ÊX

Ó

Ó &

ƒ

ACME MOUTH SIREN

P

≠> ≠>>jÁX ‰. Œ Œ

5

(Breathe IN subito inside trumpet )

1>

2> 1

>2> 1

>2> 1

>2> 1

>METAL STICK Ê

L

Ê

Ly

Ê

L

Ê

Lr Ê

Ê

L#

Ê

Lr

Ê

Lr

Ê

Ly

Ê

Ln

5 5

BOTTLE NECK

RH: METAL STICK

L

œ

L

> Jœœ

LL

>Jœy

L

œ

Ly

y

y

> Jœ#œ

LL#

#

#

> Ê

Á

Jœr

L

œ

Lr

r

r

> Jœrœ

LLr

r

r

>Jœr

LL

œ

r

r

r

> Jœn

L

œ

Ln

n

n

>Jœy

L

œ

Ly

y

y

>

5 5

ÊU>

ÊU> ÊU>

ÊU>æ JÊU≈ÊU

˘

æ JÊU ≈ÊU˘

æJÊU ≈

ÊUæ˘

JÊU ≈ÊU˘æ JÊU ≈

ÊU˘

æ JÊU

5 5

ÈU ÈT>>

jÈX‰. Œ Œ

5

(Breathe IN subito inside the mouth siren)

œœœ.

œœœ## .

œœœ# .

œœœ# .U≈

œœœ#n .X

≈œœœnn .U≈

œœœ##.X

≈œœœ#n .U≈

œœœn .X

5 5

ƒ

II.I.

II.I. II.

I. etc.(jeté)

f P sub.

P π sub.

f P sub.

P sub. π sub.

(frull.)

ƒ Ï sub.

10

TAB

V

&

&

:

&

&

42

42

42

42

42

42

42

81

81

81

81

81

81

81

81

81

81

Vc.

Perc. 1

Pno. (…)

(…)

(√)

ÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕtubes

bars

°

2> 1

>2> 1

>2> 1

>2> 1

>

E.Gtr.

Ê

Ê

Lr

Ê

L#

Ê

Ly Ê

Ê

Ln

Ê

Lr

Ê

L#

Ê

Ly

Ê

Ln

5 3

Ê

Ê

Jœ#œ

LL#

#

#

>Jœr

L

œ

Lr

r

r

> Jœ

L

œ

L

> Ê

Ê

Jœ#

L

œ

Ly

y

y

> Jœ#

L

œ

L#

#

#

>Jœr

L

œ

Lr

r

r

> Jœ

L

œ

L

>Jœy

L

œ

Ly

y

y

> Jœr

5 3

≈ÊU> ÊU

>ÊU> JÊ

U≈ÊU

˘

æ JÊU≈ÊU˘

æJÊU ≈ÊU>

ÊU> ÊU>

53

≈œœœn#n .

œœœ# .

œœœ#n .U≈

œœœ#n .X

≈œœœn# .U ≈

œœœ##.

œœœ## .

œœœ##.

53

(jeté)(non jeté)

P sub. π sub. P sub.

f sub. P sub. f sub.

P sub. π sub. P sub.

(non frull.)(frull.) (non frull.)

f sub. f sub.P sub.

?

?

2> 1

>2> 1

>2> 1

>Ê

Lr

Ê

Lr

Ê

Lr Ê

Ê

L#

Ê

Ly

Ê

Ln

5

œ

LLr

r

r

>Jœr

L

œ

Lr

r

r

> Jœ#œ

LL#

#

#

> Ê

Ê

Jœr

L

œ

Lr

r

r

> Jœn

L

œ

Ln

n

n

>Jœy

LL

œ

y

y

y

> j

JÕÕ

œn

5

ÊU˘æ JÊU ≈ÊU

˘

æ JÊU ≈ÊU˘æ JÊU ≈

ÊU> ÊU>ÊU>

5

&

œœœn#n .U≈

œœœ#n .X

≈œœœ## .U≈

œœœ# .

œœœn .

œœœn .

5

π sub. P sub.

P sub. f sub.

P sub.π sub.

(frull.) (non frull.)

VIBRAPHONE

f sub.P sub.

jœ}-

0

Tpt.

jœ# -

Tbn.

123456

>>

J

Ê

Ln fi

JÕr

Jœœrr

?

J

œ

L

œ

L#

#

#

#>>

æ Jœœrr

?

JÊU>>

jÊX

jœ

jœ

J¿>>

J¿

Perc. 2

(TUBES) (BARS)

J¿#2>>

j¿#

?

Ó

∏ sub. (as possible)

∏ sub. (as possible)

III.

IV.

Ï sub. STOPSUB.

pizz. tremolo

Ï sub.

Ï sub.

STOPSUB.

ƒ sub. STOPSUB.

ƒ sub. STOPSUB.

11

?

?

:

43

43

43

42

42

42

42

43

43

43

43

43

43

Tpt.

Tbn.

Perc. 1

^^^^^^^^^^^^R ^^^^R ^^^^^R ^ ^ ^R ^^^^^^^^R

41

œ} œy}-

1

œ}-

3

.œr}æ-

2

œ}æ-

33 5

œ} œ#- œy -.œn æ

- œræ

-

3 5

?

Œ Œ ‰.SB SB

œ}æ

-s

5

?

(frull.)

(frull.)

TIMPANI

∏ (as possible)

œ}æ.œr}

æ-

2

œr}æ-

0

œ}æ

œæ

.œyæ- œr

æ- œ

æ

TAB

V

Œ ¿œ-(*) To reach this ppp rattling sound, push the III. string to the right until it touches slightly the IV. string, while bowing on this IV. string.

(*)

Vc.

œ}æœ}æ

-r œ}æœ}

æ-y œ}

æ

∏ (as possible)

III.IV.

ORD

œyæ

} œn æ}

1

Êæ œr æ}

3

œ# æ}

2

Êæ jœy}

‰3

.œ#-æ

œy-æÊ

æœn-æ

œr- Êjœ#-

5 3

Œ ‰.56

ä≥

56

ä≤ARCO

E. Gtr.

Œ ‰.

Ê

Ly Ê J

Ê

L3

BN

..¿œ-¿œ-¿œ ¿œ-

¿œ-¿œ

‰5 3

.œ-æ

r} œ-æ

} Êæ œ-æy} œ-s}

æÊæ j

œ-r}æ

53

p

(non frull.)

p o c o

π

Parlato

p o c o

12

?

?

TAB

V

?

?

&

&

&

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

…

≠≠√

ÔÔÔÔÔÔ

poco rit.

ÕÕÕÕÕÕÕÕÕÕÕÕ

tubesbars

°

ÕÕÕÕÕÕÕÕÕÕÕ

tubes

bars

°

≠≠≠≠≠≠≠≠≠≠

44

Ó &

œy>œn> œr> œ#> œy>

.œy> œr

3 5

56

ä≥

56

ä≤

56

ä≥

56

ä≤

E.Gtr.

Ê

Lr

Ê

L#

Ê

Ly L Lr

.

.

Ê

Lr Lr3 5

‰ œrâ

≤œ#â

≥œy œn œrâ

≤œr

3

œ>}æœ>y}æ œ>}

æœ>r}æ œ>}

æ .œ>y}æ œs}æ

3 5

Œ Œ ‰œ

‰¿>>

Œ Œ ‰¿#2>

j¿#

?

Ó ?

Ó

π

Parlato

Parlato

IV.

SP

∏

Ï sub.

ƒ sub.

π

Parlato

œ}>æ3

JÊU ‰ Œ3

œn> œr œ#> œy œ#

3

t r a n s i t i o n t o o n l y a i r

56

ä≥

56

ä≤

t r a n s i t i o n t o " w i t h o u t t o n e "

Ê

L# Ly

Ê

Ln Lr Ln3

œrâ

≥œ# œyâ

≤œn œnâ

3

t r a n s i t i o n t o " w i t h o u t t o n e "

œ>r}æ œ}æ

œ>r}æ ¿}- ¿y}-

3(with the nails)

œ

jœ

‰ Œ

3

¿

>>J¿

:

Ó

¿

HM: w.keys J¿

‰ Œ3

& :

^ Ô

ƒ sub.

(π)

Ï

‰. ≠-1 J≠ ≠-1 ≠ä3

J≠ä0

5 3 3

≠ ≠ ≠ j≠-≠- ≠- J≠-

53 3

(Only air, two different "pitches" and consonants)

123456

ä≥123456

ä≤123456

-123456

-123456

-123456

-(WITHOUT TONE)

Ê

Ê

≠n

Ê

≠r J

Ê

≠#

Ê

≠y

Ê

≠J

Ê

≠

5 3

3

(WITH THE PALM OF THE HAND)

Ê ≠yâ

≥≠n-≤j≠r- ≠#-

≠n- j≠-

5 3

3

(WITHOUT TONE)

Ò ¿s}- ¿r}-j¿-} ¿-n}

Œ5

3

:

Œ Œ ¿-HM: mouth

j¿-

3

Œ Œ ^(H.M. ON)

Ó

Œ ‰ ûHM: clothes- û- Jû-

3 3

Ô Ô Ô

π

(pp)

etc.

(π) IV. always

(non parlato)

etc.

(π)

(non parlato)

π

[SCH]

π

ST

13

&

?

TAB

V

?

:

:

?

:

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.h. gliss.

^^^^^^^^^R

√

≠≠≠

ÕÕÕÕÕÕÕÕÕ

tubesbars

°

…

≠≠≠≠

47

≠ ≠- ≠ .≠-1

J≠ Œ5 3

Á ≠- ≠ ‰. Œ

5

123456

-123456

-123456

-123456

123456

-

E.Gtr.

Ê

≠

Ê

≠ Ê

.

.

Ê

≠ J

Ò

≠

ÊÈ

≠5

3

≠≠Ê j

≠ ‰. Œ5

Œ ‰ .¿

HM: mouth

- JÁ ¿-5

3

Œ ‰ .^ Ô5

(H.M. ON)

Ò ¿Ò. Ò. Ò. ¿. .¿- ¿¿flÒ.Ò.Ò.

3 5

3

Ô Ô Ô

Ó

û ¿-HM: mouth

Á ¿flÁ.Á.Á. ¿.

¿-5 6

Ô Ô Ô

(jeté)

[SCH]

(π)

[SCH]

π

Œ ‰ œæ}>

1

3

Ó

123456

È

≠ ‰. Œ

Ó

¿¿

flÊ. Ê. Ê. ¿.

‰ ‰3

6

Ô Ô

¿. ‰. Œ &

v ‰. Œ

Ó &

È .¿-‰¿>

HM: w.keysJ¿3

?&

Ô Ô

(frull.)

ƒ sub.

Ï sub.

VIBRAPHONE

ÊU>>2

jœ}

‰ ‰? &

œ> jœ# œr> œr> j

œy œ#> œn> jœr

5

Ó

œ>≥ jœ# œr>≤ œr>≥ j

œy œ#>≤ œn>≥ jœr

5

¿æU

HM: nails

ä ‰ ‰

(*)

(*) With the nails along the hand mic. front side

.Ô

jœ

jœ

‰ ‰J¿>>

J¿

¿#2>

j¿#‰ ‰?

Œ ‰ :

.Ô

(non frull.)

ƒ

Parlato

ƒ

Parlato

IV.SP

Ï sub.

ƒ

ƒ sub. STOPSUB.

≠1> ≠

2

≠3

≠0

≠>1

‰ ≠2

3

≠>>≠>> ¿fl>

‰¿fl}

3

‰ ô ‰3

J≠ ≠

ä

J≠3

V

‰¿}â

≤‰

3

&

‰ ≠HM: mouth

ä ‰3

JÔ Ô Jv3

Ó

Ó &

¿

HM: mouth

¿. ¿. ¿. ¿ä

J¿?

.Ô

Ï

(slap)

Ï

Ï

ƒ

[SCH]

(Blow 5 cm)

Ï

Ï

ORD

14

&

?

TAB

V

&

:

&

&

?

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

44

44

44

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

√

°

51

≠3

‰ ≠.0

≈ ‰ ≠.1 ‰ ≠.2 ‰ ≠.3

5 5 3

¿#fl‰ Ê.

≈ ‰ Ê.‰

Ê.‰

Ê.

5 5 3

Ó1234

>1234

>METAL STICK

E.Gtr.

œfl>

‰.fi Œ

Á

L J

Á

Ly3

BOTTLE NECK

O>

‰Or˘≈O# . Or . On .

‰ Œ jœn>

5 5

3

?

¿ ‰ ¿. ≈ ¿. ¿. ¿.‰ Œ

5

5

^ Ô v ‰ Œ5

œœœœ##

˘‰

œœœœ##

#

. ≈ œœœœn. œ. œ. ‰ Œ

55

œœœ#

˘‰

œœœ## .≈ œœœ

. œ. œ. ‰ Œ5 5

Ó

v ‰ ^ v ^ v ‰ Œ5 5

π

π

(nail pizz.)

I.

III.

STOPSUB.(Ï ) πm o l t o π

ƒ π STOPSUB.m o l t o

Ï

π

(Tongue Clicks)

π STOPSUB.m o l t o

ƒ π STOPSUB.m o l t o

‰ ≠.0

≈ ‰ ≠. ‰3

‰ Ê.≈ ‰

Ê.‰

3

1234

>1234

>

Ê

Ê

L# JÊ

Ê

Lr3

Ê œy>jÁ œn>3

Ó

Ó

Ó

Ó

Ó

Ó

∏

Ó

¿.‰. Œ Ó

1234

>1234

>1>Ê

Lr

Ê

Ly

Ê

Ln

œr> Jœ# Œ Ó

Ó &

Ó

Óííí

Ó

Ó

Ó

∏

∏

nail pizz.

∏

(h)

P

15

&

?

TAB

?

&

&

&

?

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

44

44

Tpt.Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

harm

. glis

s.

h. gliss.h. gliss.

harm. gliss.

^^^^R

…

√≠≠≠≠ ≠≠≠

≠≠≠≠


tubes

ÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕ

° °

bars

√ √

°≠≠≠≠

54 ÊUæ>1

jœ}æ>

0

JÊU>>2

jœ}

Œ ≠>1

≠32

≠ ≠0

≠>1

≠>2

≠>3

33

3

II. Spiralförmiges Fortschreiten

?&

ÊUæ>T

jœ}‰œ> Jœ# œr> œr> j

œy

≠>≠ ≠ ≠>> ≠>>3 5

3

Ó

E.Gtr.

Œ Œ ≠

Œœ>≥ jœ# œr>≤ œr>≥ j

œy Œ5

œ> jœ>Jœ>

jœŒ Œ

3 3

?&

? :

Ó

¿>

j¿>

J¿>

j¿

Œ Œ

3 3

Œ J¿#>2

j¿#Œ Œ

3

? &

¿>

HM: w.keys J¿

‰J¿>>

j¿

Œ ¿äHM: mouth

¿ ¿ ¿

33

3

&? :

^ Ô Ô


ƒ sub. F sub. Ï Î

(frull.)

Parlato

ƒ (ƒ) Ï

ƒ

Parlato

IV.SP

[SCH]

ƒ

F sub.

Ï ƒ

ƒ sub. F sub. Ï

ƒ sub. F sub. Ï

MARIMBA

≠>1‰ ≠

2

≠3

≠0

≠.1

≠.2

3

¿fl>

‰¿fl¿#flÈ

flÈ. È.

3

Ó

ô ‰

œfl>

‰.

fi

3

≠

ä

J≠3

V

¿}â

≤‰ Œ

3

&

≠äHM: mouth

‰ ¿ ¿ ¿. ¿.3

^ Jv ^3

Ó

Ó

Ó &

v ‰. Œ

m o l t o

m o l t o

Ï(IV.)

ÏÏ

Ï m o l t o

(Blow 5 cm)(Tongue Clicks)

ORD

≠.3

‰. Œ Ó

¿n .‰. Œ Ó

1234

1234

1234

>1234

1234

56

56

56

>56

56

Ó

fi

PICKÊ

L

Ê

L#

Ê

L#

Ê

Ln

Ê

L

Ê

L#

Ê

Ln

Ê

L

Ê

L

Ê

L Ó

3 5

BN

œ

press.

≤ œ#>≥Jœ

œpress.≤

.œ#>≥Jœ

Ó5

?

¿.‰. Œ Œ ‰

HM: M.Bell

ÈOUT

(*) (Place the hand mic. inside the Megaphone Bell. As a result, a very high and loud frequency will come out)

(*)

v ‰. Œ ^ Ô

œœœ##œœœ###œœœ# >œœœ#nn œœœn# Œ

ííí

3

Ó? &œœ

œ#

#

œœ

œ#

##œœ

œ

# >œœ

œ#

nn œœ

œ

n#

œœ

œ

#

œœ

œ#

#nœœ

œ#

n

>œœ

œ

nœœ

œ

#

Ó

35

?

π

π

I.

IV.

STOPSUB.p ƒ p ƒ pmolto molto moltom

STOPSUB.

p ƒ p ƒ pmolto moltomolto molto

π F π ƒ p STOPSUB.

m o l t o molto

Pp ƒ pmolto moltoSTOPSUB.

π subito

16

:

&

&

?

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

85

85

85

85

85

85

85

85

85

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss

.

h. gliss.

harm. gliss.

h. gliss.

… √

√√

…

≠≠≠

≠≠≠≠≠≠

≠≠≠≠≠

bars

√ √

ÕÕÕÕÕÕÕÕÕ

tubes

°

ÕÕÕÕÕ

tubes

ÕÕ ÕÕÕ

bars

ÕÕÕÕÕÕÕÕÕÕÕÕ

≠≠≠≠≠≠≠

57

ÊXfl>

‰. Œ

(*) Stamp the foot roughly on the `loor.

(*)

&

ÊXfl>

‰. Œ(*)


?

Œ ‰ ‡. ≈(RIGHT FOOT)(LEFT FOOT)

(HEEL)

E.Gtr.

‡. ≈ ±. ≈ ‡. ≈ ±. ≈(LEFT FOOT) (RIGHT FOOT)

(HEEL) (TOE)

Á IN ‰. Œ

^ ‰. Œ

Ó

‰œ.≈ ‰ œ# .

≈

Ó

Ó

ƒ sub.

ƒ sub.

π

L R L R

L

π

π

~ Ï

Ó

Ó

±. ≈ ±. ≈ ±. ‰. ‡. ≈ ±. ≈(TOE)

‰ ±. ≈ ‡. ≈ ‡. ≈ ±. ‰.?

Ó ?

Ó

Œœ.‰. Œ

Ó

Ó

L R RL

R L R L R

MARIMBA

jœ>}æ

1

ÊU>0

æjœ}

jœæ3 ÊU>

>2

jœ}

‰.3

?&

? &

Œ.œ> Jœ# œr> œr>

Jœy

5

ÓŒ. ≠

Œ.œ>≥ j

œ# œr>≤ œr>≥ jœy

5

jœ>

œ>Jœj¿

¿>>j¿≈ Œ

3

&?

&? :

j¿>

¿>

J¿

jœ

œ>>

jœ

≈ ‰3

‰¿#>2

j¿#j¿>

J¿

Œ3

?&

j¿

HM: w.keys J¿

Œ ‰¿>>

j¿

‰ .

3

&? :

^ JÔ Ô

ƒ sub. F sub. Ï

ƒ

Parlato

ƒ

Parlato

IV.SP

F sub. Ï

ƒ sub.

ƒ sub. F sub. Ï

ƒ sub.

F sub.

Ï

17

&

?

TAB

?

:

&

&

:

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

85

85

85

85

85

85

85

85

85

85

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

^^^^^^^R ^^R ^^R ^^R

° °

°

60

≠>1

≠2

≠3

≠0

≠>1

≠>1

≠2

≠3

≠0

≠>1

≠>2

≠>3

3

≠>≠ ≠ ¿fl>

≠>≠ ≠ ≠>> ≠>>

3 3

Ó

E.Gtr.

‰ ôä

Œ≠ ≠ ≠

‰¿â}

≤Œ

‰ ≠äHM: mouth

Œ

‰ ^ v ‰.

Ó

Ó

¿

HM: mouth

¿ ¿ ¿>‰ ¿ä

¿ Ê ¿3

Ô v ≈ ^

Ï

Ï

m o l t o

IV.

Ï

[SCH]

ƒ

Ï

Ï

(Blow 5 cm)

ORD

≠>1‰ ≠

2

≠3

≠.0

3

¿fl>

‰¿fl¿#fl Ê.

3

Ó

ôäô˘ô˘

œfl>

≈

fi

3

≠ J≠3

V

¿â}≤¿}fl

≤

¿}fl

≤‰

3

&

≠ä ‰ ‰ ¿ ¿3

^ Jv J3

Ó

Ó

Ó &

v ‰. ‰

m o l t o

ÏÏ

(Tongue Clicks)

P

≠. ‰. Œ ‰

¿r .‰. Œ ‰

Œ56

56

56

>56

56

‰

fi

PICK

Œ

Ê

L

Ê

L

Ê

Lr

Ê

L

Ê

L# ‰

3

BN

œ

press.

≤.œ>≥

Jœœ#

press.

≤œn>≥ Jœ

‰5

?

¿. ‰. Œ ≈

HM: M.Bell

ÈOUT

v ‰. Œ J

œœœ#œœœ#œœœ

>œœœ œœœ##

ŒJ

œœœnn

n

5

‰? &œœ

œ#

œœ

œ

#

œœ

œ

>œœ

œ

œœ

œ#

#

œœ

œ#

œœ

œ#

œœ

œ

> œœ

œ#

#n

œœ

œ#

#

‰

53

?

π

π

I.

IV.

p ƒ p ƒmolto m o l t o m o l t omolto p STOPSUB.

STOPSUB.

p ƒ pm o l t om o l t o

π F π ƒ π STOPSUB.

m o l t o m o l t o

π πƒ

subito

molto molto P STOPSUB.

18

:

&

&

?

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

Tpt.Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

harm. gliss.

^^^^R

… √

≠≠≠

≠≠≠≠

…

◊

≠≠≠≠≠≠

≠≠≠≠ ≠≠

√

ÕÕÕ

ÕÕ bars

ÕÕÕÕÕ

bars

bars

ÕÕÕÕÕÕÕÕÕtubes

° °

63

ÊXfl>

‰. Œ ‰ œ}æ0

&

ÊXfl>

‰. Œ Œ ?

Œ ±. ≈ ‡. ≈ ‡. ‰.E.Gtr.

‡. ≈ ±. ≈ ‡ ‰.. ‡. ≈±. ≈ ?

Á IN ‰. Œ ‰ ¿? &

v ‰. Œ Œ

Œ Œ ‰œ>

‰œ.≈ ‰ œ# .

≈ ‰¿

J¿?

&

Ó &

Œ ‰ ^ Ô

ƒ sub.

P

ƒ sub.

π

L R L R L

π

R L R

π F

~ Ï F

F

MARIMBA

JÊU>>

jœ}

Œ ‰ œ}æ>

0

JÊU

3

?&

œ> Jœ# œr> œr>Jœy œ#> œn>

Jœr ‰5

Ó

œ>≥ jœ# œr>≤ œr>≥ j

œy œ#> œn> jœr ‰

5

j¿ Jœ>

>

JœŒ ‰ ¿

j¿

3

?&

Ó

jœJ¿>>

J¿

Œ ‰œ>

jœ3

Œ ‰ ¿>J¿

? &

J¿>>

HM: w.keys

j¿

Œ Œ3

?

Ô Ô

ÏP

Parlato

ƒ

(frull.)

ƒ

Parlato

SP etc.IV. always

Ï sub. F

Ï sub. F

Ï sub. F

Œ Œ ‰ ≠>1

œræ> œ#

æœn>Jœ œy> œr Jœy œ> œr Jœr

¿>

3 5

Œ Œ ‰ ôä

≠ ≠ ≠ ≠

œr>≥ œ# œn>≤Jœ œy>≥ œr Jœy ‰ ‰

¿â}

≤

35

Œ Œ ‰ ≠äHM: mouth

: &

Œ Œ ‰ ^

Ó :

Œ Œ ‰ ^

œ.‰. œ# .

‰.œ.‰.

Ó :

Ô Ô Ô v ≈

Ï

(non frull.)

Ï sub.

p Ï sub.

(IV.)

π sub.

Ï sub.

(Blow 5 cm)

Ï

ORD

19

&

?

?

&

:

:

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

^^R ^^R ^^^^^R ^^R ^^R ^^R

66

≠>1 ≠2 ≠3 ≠0

≠>1 ≠>2 ≠>3 ≠>1 ≠2 ≠3 ≠0≠>1

3

≠>≠ ≠ ≠>> ≠>>

≠> ≠ ≠ ¿fl>

3 3

Œ ‰ ô˘≈

≠ ≠E.Gtr.

Œ ‰¿}fl

≤≈

Œ ‰ ≠ä

v ‰. ‰ ^ v

¿â

HM: mouth

¿flÁfl¿fl¿ä

j¿‰

3

Ô Ô v ≈

¿

HM: mouth

¿ ¿ ¿ ‰ ¿ ¿ ¿¿ ‰

^ Ô v ≈

m o l t o

m o l t o

(Ï )

[SCH]

ƒ

[SCH]

ƒ

≠.2 ≠.3 ≠>1≠>2≈ ≠

>1≠>2≈ ≠

>1

5

¿# . ¿r . ¿fl>¿fl>≈¿fl>¿fl>≈¿fl>

5

‰ ô˘ôäô ô

˘ô˘ô˘ô˘5

≠ ≠

‰¿fl

≤

¿â

≤

¿ ¿fl

≤

¿fl

≤≈¿fl

≤5

¿ ¿ ≠ä ≠

.^ v ≈ ^ v ≈ ^5

Ó

Ó

π Ï sub.

π Ï sub.

(T. Clicks)

P Ï sub.

(Blow 5 cm)

≠>1

≠2

≠3

≠0

≠1

≠2

≠.3

≠.0

≠>≠ ≠ ¿#fl

Ê. Ê. Ê.

3

‰

œfl>fi

‰.J≠ V

Ó

‰ ¿ ¿ ¿. ¿.

v ≈ ^

Ó &

Ó ?

m o l t o

m o l t o

Ï

m o l t o

(Tongue Clicks)

20

&

?

TAB

V

?

&

&

?

?

42

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

°

…

° °

69

≠. ≈ ‰ ‰

¿n . ≈ ‰ ‰ &

56

56

56

>56

1234

1234

PICK

E.Gtr.

Ê

L

Ê

L#

Ê

L#

Ê

L#

Ê

Ln

Ê

Ln

fi

5

BN

œ press.≤.œ#>

≥Jœ#≤

Jœ}

5

&

¿.≈ ‰ ‰

v ‰. ‰

Œ œœœ##œœœ#n

&

œœ

œ

## œœ

œ#

nœœ

œ#

n> œœ

œ#

n#

œœ

œ#

n#

œœ

œ#

n

5

&

π

π

III.

π ƒ π fSTOPSUB.

molto m o l t om o l t o

p ƒ p fmolto m o l t o molto

p ƒ p f STOPSUB.

molto molto

π

VIBRAPHONE

p

STOPSUB.

Ó

.œ(try to imitate the same vibrato pulse as the vibraphone)

Ó

Ó

Ó

‰ ‰

HM: M.Bell

JÈOUT

.^

J

œœœ

fi> œ

œ

Ó

Ó

ƒm o l t o

s u b i t o

fSTOPSUB.

‰ ±. ≈ ‡. ‰.

(TOE)(HEEL)

(RIGHT FOOT) (LEFT FOOT)

Ó

(RIGHT FOOT) (LEFT FOOT)

(TOE)(HEEL)

Ó

ÊXfl>

‰. ±. ≈ ‡. ≈

(*) Stamp the foot roughly on the `loor

(*)

ÊX ‰.fl>

‰ ±. ≈(*)

(*) Stamp the foot roughly on the `loor

Á IN ‰. Œ

v ‰. Œ

Ó

Œ œ# .‰.

Ó

STOPSUB.

π

R L

ƒ sub.

R

ƒ sub.

π

R L

π

~ Ï

‡. ≈±. ≈ ‡. ‰

.

±. ≈ ‡. ≈ ‰ ±. ≈

Ó

‰ ‡. ≈±. ≈ ‡. ≈

‡. ‰. ‡. ≈ ±. ≈

Ó

‰ ^ Ô Jv3 3

Ó

œ.‰. ‰ œ# .

≈

Ó

R L R

π

R L R

L R L

R L R

21

TAB

&

&

&

&

85

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.Tbn.

Vc.Vc.

Perc. 1

Perc. 2

Pno.

harm

. glis

s.

harm. gliss.

ÔÔÔÔÔÔÔÔÔÔÔÔÔÔÔmolto rit.

harm. gliss.

^^^R

(…)≠≠≠≠≠≠≠≠

≠≠≠≠≠≠

≠≠≠≠≠≠≠

≠≠≠≠≠≠

… …

◊ÔÔÔÔÔÔÔÔÔÔÔÔÔÔ

ÔÔÔÔÔÔÔÔÔÔ

molto rit.

√ √

ÕÕÕÕÕ

ÕÕÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕÕ

ÕÕÕÕÕ

bars bars


ÕÕÕÕÕÕÕÕÕtubesÔÔÔÔÔÔmolto

rit.

ÔÔÔÔÔÔmolto rit.

° °

≠≠≠≠≠≠

≠≠≠≠≠≠≠≠≠≠≠≠≠≠

≠≠≠≠≠≠≠

73

‰ ‡. ≈±. ‰. ‰ &

‡. ≈ ±. ≈ Œœ> Jœ# œr>

Jœr?

Ó

E.Gtr.

Œ ‡. ≈±. ≈ ‰

‡. ‰. Œœ>≥ Jœ# œr>≤

Jœr?

Ó ?

Ó

Ó

œ.‰. œ# .

‰. Œ ?

Ó

Ó

L R

L R

ƒ sub.

Parlato

R SPIV.

Parlato

ƒ sub.STOPSUB.

L R

MARIMBA

œ}æ>

0

ÊU>æ

1

œæ}>

0

Êæ

Ê

æÊU>>2

jœ}

≈

3

? &

Œ Œ ‰œ> Jœ# œr>

Jœr

ÓŒ Œ ‰ *

Ó V

Ó

¿>J¿œ>

Jœ¿> Ô Ô J¿œ>jœ≈

3

&?

&? :

Ó

œ>

Jœ¿>

J¿œ> Ô

ÔJœ¿>

j¿

≈

3

¿>J¿

‰¿> Ê

Ê J¿

‰

3

&?

&

‰¿>HM: w.keys

j¿

‰ Œ ‰¿>>

j¿

≈

3

?&

? :

‰ ^ Ô Ô3

P sub. ƒ sub. P sub. Ï sub.

STOPSUB.

F sub. F sub.

ƒ sub. Ï sub.

F sub. ƒ sub. F sub. ƒ sub.

F sub. ƒ sub. F sub.ƒ sub.

Ïm o l t o molto molto

J≠>1

≠ ≠2

≠.3

≠.0

j¿fl>

¿#flÊ

fl Ê.¿n .

jÑ

ŒJ*

ä

* *

‰œfl>

fi‰.

j¿}â

≤Œ &

‰ ¿HM: mouth

¿ ¿. ¿.

‰ ^

Ó

Ó

(*)

J≠äHM: mouth

Œ

(*) Blow directly to the hand microphone within a distance of more or less 5 cm between your mouth and the hand micr.

JÔ v ‰.

Ï πm o l t o

Ï sub. π

IV.Ï

molto

Ï

(Blow 5 cm)

m o l t o

(T. Clicks)

ƒ

Ï

ORD

22

&

?

V

&

:

&

&

:

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

°

√

ÕÕÕÕ ÕÕ

Õ

bars


° °

76

≠>1≠2≠3≠0

≠.2≠.3≠>1 ≠2 ≠3 ≠

0≠>1≠>2≠>3

3

&

≠>≠ ≠ ¿# . ¿r .

≠> ≠ ≠ ≠>>≠>>

3 3

Ó* * * *

‰œfl>

fi≈ Œ

E.Gtr.

‰O. Or .

Œ ?

¿. ≈ ¿ ¿ Œ ?

v ≈ ^ v ‰.

Ó

Ó

¿ ¿ ¿¿ ‰ ¿ä

¿ Ê ¿3

^ Ô

Ï sub. π sub. Ï sub.

Ï sub. Ï sub.π sub.

p

(nail pizz.)I.

[SCH]

ƒ

π

f

Ï Ïmolto m o l t o m o l t o

jœæ}>

0

ÊU>>2

jœ}

‰.?

‰œ> Jœ# œr> œr>

Jœr

5

Ó TAB

Ó

‰œ>≥ j

œ# œr>≤ œr>≥Jœr

5

J¿>J¿œ>

Jœ‰ .&?

Ó

jœ>

Jœ¿>

j¿

‰ .

Ó

Ó &

v ≈ Œ

P sub. Ï sub.

Parlato

STOPSUB.

ƒ sub.

ParlatoSPIV.

ƒ sub. STOPSUB.

F Ï sub.

Ï sub.

MARIMBA

F

Œ œ}

1

.œ#}>

jœ}

5?

Ó

1234

1234

1234

>1234

1234Œ

fi

PICKÊ

L

Ê

L

Ê

L#

Ê

L

Ê

LrŒ

3

BN

Œœ

press.≤

.œ#>≥ Jœ

5

&

Ó

Ó

œœœ#œœœ#œœœ#>œœœ#nœœœn#Œ

3

?&œœ

œ#

œœ

œ

#

œœ

œ

#>œœ

œ#

nœœ

œ

n#

œœ

œ

# œœ

œ#

œœ

œ#

#

#> œœ

œ#

#n

œœ

œ

n

3

5

?&

STOPSUB.p ƒ pm o l t o m o l t o

IV.

π ƒ πmolto molto

p ƒ pmolto moltoSTOPSUB.

π F π ƒm o l t o m o l t o

p ƒ pm o l t o molto

23

?

?

TAB

V

&

?

&

&

&

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

~~~~~~~~~~~~~~~~~~~~~~~~~

…

° °

79

Ó

Œ Jœ&

56

56

56

>56

Ê

L

Ê

L#

Ê

L#

Ê

L ‰

fiE.Gtr.

œn

press.

≤ œ>≥Jœ ≈ ‰

Ó

Ó

œœœ#œœœœœœ#n >œœœ#‰

‰œœ

œ

n#œœ

œ#

nnœœ

œ#

n>œœ

œ‰

subito

I.

P pSTOPSUB.

(I.)

STOPSUB.

π P p

π P p STOPSUB.

π P pSTOPSUB.

Ó

.œ( ) (try to imitte the same vibrato pulse as the vibraphone)

Ó

Ó

.œ≤press.

vibr. wide vibr.

‰ ‰ JÈOUT

HM: M.Bell

.^

J

œ

œfi>

œ

Ó

Ó

ƒ πm o l t o STOPSUB.

ƒ STOPSUB.

ƒ sub.STOPSUB.

s u b i t o

ÊXfl>

‰. ±. ≈ ‡. ≈

‰ ±. ≈ ‡. ≈ ±. ≈

ÊXfl>

‰. ‰ ±. ≈

Œ ‰ ±. ±. ‡. ‡.

Á IN ‰. Œ

v ‰. ‰ ^

Ó

‰ œ# .‰ Œ

Jœ.

33

Ó

R L

ƒ sub.

π

R L R

π

π

L R L R

ƒ sub.

π

R

π

~ Ï

R

±. ≈ ‰ ‡. ≈&

‰ ‰ ±. ±. ‡. ‡.

‡. ≈ ±. ≈ ‰

‰ ±. ≈ ‡. ≈?

Ó :

JÔ JÔ v ≈

Ó

Ó

Ó ?

L

L R L R

R L

L R

24

&

?

:

&

&

?

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

Tpt.Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

harm. gliss.

~~~~~~~~~~~~~~~~~

^^^^^^R

≠≠≠≠≠≠≠≠

…

ÕÕÕÕÕÕÕÕÕÕ

tubesbars

°

ÕÕÕÕÕ

° °ÕÕÕÕÕÕÕÕÕ

tubes

√ √

83 jœæ}>

1 ÊU>>2

jœ}

≈ ≠>1≈ Œ?

&

‰œ> Jœ# œr>

Jœr

¿fl>

≈ Œ?

‰ ‰ jô Œ

J≠ J≠ J≠

ä

ŒE.Gtr.

‰œ>≥ Jœ# œr>≤

Jœrj¿}â

≤Œ

J¿æUHM: nails

> J¿æX >> Œ JÈOUT

HM: M.Bell

J JÔ v ≈ ^

jœ

œ

jœ

≈ ‰œœœ

>

J¿>>

I¿>>

J¿

J¿>2

j¿#‰ ‰ Œ? &

‰HM: w.keys

j¿>>

J¿

‰ Œ&?

‰ J v ≈ Œ

( Ï )ƒ sub. Ï

Parlato

ƒ sub.

Ï

SPIV.

ƒ sub.

Parlato

ÏSTOPSUB.

ƒ sub.

Ï

ƒ sub. Ï s u b i t o

ƒ sub.F

Ï molto

ORD

ÊXfl>

‰. ‰ ±. ±. ‡. ‡. Œ &

ÊX ‰.fl>

‰ ±. ≈ ‡. ≈ ±. ≈

‰ ±. ≈ ‡. ≈ ±. ≈ ‰ ±. ±. ‡. ‡.

Œ ±. ≈ ‡. ≈±. ‰.

Á IN ‰. Œ Œ

v ‰. ‰ ^ Ô

Ó

Œ ‰œ.≈ Œ

Ó

Ó

RL

ƒ sub.

π

L R

R L R

ƒ sub.

π

π

R L R

π

R L R L R L R

π

~ Ï

jœ}æ1

>JÊU Œ

‰ œ( ) (imit. vibraphone pulse)

&

Ó

Ó

J¿æUHM: nails

> ‰ JÈOUT

HM: M.Bell

JÔ Ô

j¿>

J¿œ

œ

>

J¿#>2

j¿#Œ? &

Ó

Ó

ƒ sub. STOPSUB.

ƒm o l t o

ƒ sub. STOPSUB.

ƒ sub. s u b i t o

ƒ sub.F sub.

STOPSUB.

25

:

&

&

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

^^^^^^^R

…

86

‰ ±. ≈ ‡. ≈ ±. ≈

Œ ±. ≈ ‡. ≈

Ó

E.Gtr.

ÊXfl‰. ‰ ±. ≈

ÈXfl‰. ‰ ±. ±. ‡. ‡.

Á IN ‰. Œ

v ‰. Œ J3

Ó

Œ œ# .‰.

Ó

π

R L R

STOPSUB.

π

R L

L R L R

πF

Fπ

R

π

~ Ï

‰ ‡. ≈ ±. ≈&

±. ≈ ‰ ±. ±. ‡. ‡.?

Ó‰ ‰ *

‡. ≈ ±. ≈ ‰ V

‡. ≈ ±. ≈ ‰ ?

Ó

JÔ Ô v ‰

Ó

‰ ‰œ.≈

Ó

L R

R L R L R

L R

L R

s u b i t o

≠>1≈ ≠

1

≠1

≠.3

≠.0

¿fl≈ ¿#

flÊ

flÊ. Ê.

jÑ

äŒ

J* * ‰

‰œfl>

fi≈ ‰

j¿}â

≤Œ

J≠äHM: mouth

¿ ¿ ¿. ¿.

^ v ^

Ó :

Ó

J v ‰.

Ï sub. πm o l t o

Ï sub. m o l t o

Ï sub.

Ï sub.

(Blow 5 cm)

m o l t o

(T. Clicks)

ƒ

Ï m o l t o

Ï

ÊX.≈ Œ

¿n .≈ ‰ ±. ≈?

Ó‰ ‰ *

‰ ‡. ≈ ‰

‡ ≈. ±. ≈ ‡. ≈?

¿.≈ ‰ ‰

v ≈ ‰ ‰

‰ ‰ ≈ ¿æ

U >

‰ œ# .≈ ‰

Ó

P

π π

R

L R L

π

π

BIKE BELL

~ f

s u b i t o

π

L

26

&

?

?

:

:

:

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

^^^^^^^R ^^^R ^^^^R ^^^R ^^R ^^^^^^R ^^R ^^^^^^R

90

≠>1

≠2

≠3

≠0

≠>1

≠>1 ≠2≠3≠0

≠>1 ≠>2 ≠>3≠>1

‰ ≠2

3 3

≠>≠ ≠ ¿fl>

≠>≠ ≠ ≠>> ≠>>

¿fl>

‰¿fl

3 3 3

‰Ñ

äŒ

Ñ

äÑ

˘Ñ

˘3

* * * * J*3

E.Gtr.

Ó V

‰¿}â

≤Œ

¿}â

≤¿}fl

≤

¿}fl

≤3

‰ ≠ä Œ ≠ä ‰ ‰3

‰ ^ v ‰. ^ Jv3

¿æX > ‰. Œ Œ

¿

HM: mouth

¿ ¿ ¿ ‰ ¿ä¿ Ê ¿ Œ

3

^ v ≈ ^ v ‰.

Ï sub. m o l t o

Ï sub. m o l t o

[SCH]

ƒ

Ï

(Blow 5 cm)

Ï Ïm o l t o m o l t o

≠3

≠.0

≠>1‰ ≠

>2

3

¿#flÊ. ¿r .

‰¿fl>

3

‰Ñ

˘Ñ

äÑ

˘3

J* * J*3

œfl>fi≈ ‰ ‰

‰ j¿}fl

≤¿}â

≤3

¿ ¿. ≠ä

^ v ^ v ^3

Ó

‰ ¿ä ¿>

‰ ^

π Ï sub.

π Ï

p

(T. Clicks)

P Ï sub.

(Blow 5 cm)

Ï

Ï

m o l t o molto

≠>1

≠2

≠3

≠0

≠.2

≠.3

≠>1≈

≠>≠ ≠ ≠>> ≠>> ¿fl>

¿fl>

3

‰Ñ

˘≈ j

Ñ

ä

J* *

Ó

¿}fl

≤≈ j¿}â

≤‰

¿ ¿ ¿. ¿. J≠ä

.Ô v ^ v

Ó

¿ ¿ ¿¿ J¿ä

¿flÊfl¿fl

3

JÔ JÔ JÔ

π Ï

ƒ

m o l t o

(T. Clicks)

ƒ Ï

(Blow 5 cm)

π

Ïm o l t o

27

&

?

V

?

:

:

&

:

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

h. gli

ss.

h. gliss.

^^R ^^^R ^^R ^^^^^R

°

° °

93

≠.0

≠>1

≠2

≠>1≈ ≠>

1

≠2

≠3

≠0

≠>1

≠>2

≠>3

3

≠>≠ ≠ ≠>> ≠>> ¿fl>

Êfl>Êfl>¿#fl>

3

≈Ñ

˘Ñ

ä

Ñ

˘®

Ñ

˘Ñ

˘Ñ

ä≈

5

* * *

Ó

E.Gtr.

¿}fl

≤¿}â

≤

¿}fl

≤≈¿}â

≤≈

3

¿ ¿ ¿. ¿. ≠ä

^ v ^ v ^5

Ó

Œ ‰. ¿U ˘:

‰ ¿ä¿ Ê Ê Ê Ê

¿

6

v ^ v ^ Ô3

π Ï STOPSUB.

STOPSUB.

STOPSUB.

Ï

(T. Clicks)

( Ï )

(Blow 5 cm)

BIKE HORN

~ f

‰. œæ}1

>ÊU>

>2

jœ}

‰.? &

Œœ> Jœ# œr> œr>

Jœr

5

TAB

Ó

Œœ>≥ j

œ# œr>≤Jœr≈

5

&

‰. ¿æU

HM: nails

> ¿æX >> ‰.

v ‰ ^ v ‰.

Ó &

¿X˘ ‰. Œ &

Ó &

v ‰. Œ

ƒ sub. Ï

Parlato

STOPSUB.

ƒ

Parlato

IV.

ƒ

ƒ sub. Ï

VIBRAPHONE

SP

Œ œæ}0

> JÊU ‰ ≠1

≠32

≠. ≠.0

Œ Œ ¿#flÊ

flÊ. Ê.

1234

1234

1234

>1234

1234

fi

Œ ŒPICKÊ

L

Ê

L#

Ê

L#

Ê

Ln

Ê

LŒ

œfl>

‰.fi

3

œn

press.

≤ œ#>≥

Jœ ŒO Or˘ O# . Or .

Œ ¿æU > ‰ ¿ ¿ ¿. ¿.

Œ ^ v ≈ ^

œœœ##œœœ##œœœ#

>

>œœœ#nn œœœn# ‰

œœœnn

n>Œ

3

:

Œ Œœœ

œ#

#

œœ

œ

##œœ

œ

#>œœ

œ#

nn œœ

œ

n#

Œ Œ

3

?

F ƒ m o l t o

ƒ m o l t o

p ƒmolto molto p

Ï

I.

p ƒ pmolto molto ƒ m o l t o

π F π

ƒ sub. m o l t o

(T. Clicks)

ƒ

p ƒ pm o l t o molto F STOPSUB.

ORD

28

&

?

&

:

:

&

?

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

~~~~~

^^^^^R

…

°

96

≠. ≈ ≠>1≈ Œ

¿n .≈¿fl>

≈ ‰ œ( )&

‰ ôä

Œ≠ ≠ ≠ ‰E.Gtr.

On .≈¿}ä≤

‰œ≤

? &

¿.≈ ≠

â‰ ÈOUT

HM: M.Bell

v ≈ ^ v ≈ ^

¿æU˘ ¿

æX ˘ ‰. ‰

œ>5

&

Ó

Œ ¿U ¿X ‰: ?

π Ï sub.

πÏ sub.

F

π F STOPSUB.ƒmolto

(I)

Ï

(Blow 5 cm)

s u b i t oπ

BIKE HORN

~ f

BIKE BELL

~ f sub. F

VIBRAPHONE

Ï

ÊXfl>

‰. ±. ≈ ‡. ≈ ±. ‰.

‰ ±. ≈ ‡. ≈±. ≈ Œ

ÊXfl>

‰. ±. ±. ±. ‰ ±. ≈ ‡. ≈3

Œ ‰ ±. ≈ ‡. ≈ ±. ≈

Á IN ‰. Œ Œ

v ‰. ‰ ^ Ô

Ó ?

ŒJœ.Œ ‰ Jœ#

œ.‰

33

Ó

ƒ sub.

π

R L R

STOPSUB.

R L R

π

ƒ sub.

π

R L R R L

π

R L R

π

~ Ï

TIMPANI

‰ ±. ±. ±. ‡. ≈ ±. ≈3

±. ±. ‡. ‡. ‰ ‰ ‡. ≈

±. ‰. Œ

‰ ‡. ≈ ±. ‰.

Ó

Ô v ‰

í#}æ

Œ Œ Jœ# .

3

Ó

R L RL R

R

LL R L R

L R

29

:

?

&

?

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

(…)

h. gli

ss.

h. gliss.

°

ÕÕÕÕÕÕÕÕÕ

tubes

°

√ …

^^^^^^R

≠≠≠≠≠

99

Œ ±. ≈ ‡. ≈±. ‰. &

±. ‰. Œ ±. ≈ ‡. ≈?

Ó

E.Gtr.

‡. ≈ ±. ≈ Œ ±. ±. ‡. ‡. ‰ V

‰ ±. ±. ±. ‰ ±. ≈ ‡. ≈ ±. ≈3

?

Ó

Œ ^ Ô v ≈

œr}æ Ôæ œy}æJœr}

ŒJœ œ# .

‰ ‰ Œ3

Ó :

Ó

L RL R L R

L R L

R L R

F π

L R LL R L

≠>1≈ ≠>

1≠2≠3

≠0

≠>1 ≠>2 ≠>3‰

3

¿fl>

≈ ≠> ≠

≠ ‰œ> Jœ# œr>

Jœr3

Ó* * * ‰

œfl>

‰.fi

Œ

¿}â

≤‰ Œ &

≠äHM: mouth

‰ ≠ä ‰

^ v ‰ ^ v ^ v ≈3

Ó &

Ó ?

‰ ¿

HM: mouth

¿ ¿ ¿ ¿ Ê ¿ ‰3

‰ ^ Ô v ≈

Ï sub.

Parlato

ƒÏ sub.

STOPSUB.

Ï sub.

(Blow 5 cm)

VIBRAPHONE

Ï sub.

ƒ

[SCH]

Ï

Ï sub.

œ}æ

0JÊU ‰. ‰ ≠

>1‰

3

Œ œ}>æ

TJÊU ‰ ‰

3

Œ ‰Ñ

˘‰

3

Œ * * *

3

Ó

‰œä≥ press.

‰ ‰œ≥ press.

3

≈ ¿æU

HM: nails

> ‰ ¿æX > ≠ä

HM: mouth

‰

3

^ Ô Jv3

¿>

J¿

≈ œœ> ‰ ‰ œ

œ>

3

¿>J¿

‰ .¿#>2

j¿#‰ ‰3

&?

Ó

Ó

F Ï

f

Ï

(Blow 5 cm)

f

F f ƒ

F f

Ï

f ƒ

I.

30

&

?

V

&

:

&

?

:

43

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1Perc. 1

Perc. 2

Pno.

h. g.

≠≠≠≠≠≠≠≠

…

w.k.

102

≠1

≠2

≠.3

≠.0

≠1 ≠2 ≠3 ≠0

‰

‰ ¿r . ¿.≠> ≠ ≠ ‰

3

Œ ‰Ñ

ä

Œ * *

E.Gtr.

œfl>

‰.fi

Œ

Ó

¿ ¿ ‰ ≠äHM: mouth

‰

^ v ≈ ^ v ^ Ô3

Œ ‰ ¿æ

U > Ô(hold):

Œ ‰ ¿>U Á(hold):

Ó

Ó

ƒ π Ï sub.m o l t o

p Ï sub.

Ï sub.

(Blow 5 cm)(T. Clicks)

ƒ

BIKE BELL

~ f

Ï

BIKE HORN

~ f

Ï

≠1 ≠2 ‰ ≠>1≈ ‰

ÊU>>2

jœ}6

?

≠äT

‰ ‰œ#>T} œn}

Jœr} ‰3

Ñ‰

Ñ

˘Œ

3

* J* Œ3

Ó

Œœ#>≥ œn

Jœr ‰?

≠ä ‰ ‰ ‰ ¿æU

HM: nails

>3

v ^ Ô v ≈ ‰ ^6

È ¿æ

X ˘ ‰ ‰ ‰

3

(release)

Á ¿X ‰ Œ3

(release)

&

Œ ‰¿>

HM: w.keys J¿?

&

Œ ‰ ^

ƒ

Parlato

( Ï )

Ï

Ï

ƒ

Parlato

IV.ST

‰ ±. ≈ ‡. ≈±. ≈ ‰ ±. ±. ‡. ‡.

ÊXfl>‰. Œ ±. ±. ±. ‡. ≈

3

Ó

Œ ±. ≈ ‡. ≈ ÊXfl>‰.

ÊXfl>‰. ‰ ±. ≈ ‡. ≈

±. ≈

Ó

v ‰. Œ J Ô3

Œœr}æ Ôæ

?

Œ ‰ œ# .≈ œ

Jœ

‰ .

Ó ?

Ôv ‰. Œ Œ

R L R L R L R

π

ƒ sub.

π

RL

R L

TIMPANI

R L R

π

ƒ sub.

π ƒ sub.

ƒ sub.

R L R

π

31

:

?

&

?

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

ÕÕÕÕÕÕÕtubes

bars

°

√

(…)

≠≠≠≠≠≠

105

‰ ÊXfl>

≈ ‰ ‡. ≈

±. ‰. ‡. ≈ ±. ≈?

Ó

E.Gtr.

Œ ±. ±. ±. ‰3

‰ ‡. ≈ ±. ‰. ?

‰ ¿æU > Œ

Ô Ô v ‰3

œ}æ Ôæ jœy}

ŒJœ œ# .

‰.

Ó

Ó

ƒ sub.

π

R L

R L R

f

p

RL

R

π

π

L R

Œ ±. ≈ ‡. ≈ ±. ≈ ‡. ≈

œ> Jœ# œr> œr>Jœy Œ Œ

5

ÓARCO

TAB

Ó V

œ>≥ jœ# œr>≤ œr>≥

Jœr Œ Œ5

Œ ¿æU > ‰ ‰ Œ

3

Œ ^ v ‰ Œ3

Œ

jœ

jœ

Œ Œ

3

J¿>

J¿

&

Ó

Œ j¿>

HM: w.keys J¿

Œ Œ3

&

Œ ^ v ‰ Œ3

L R R L

Parlato

ƒ sub. STOPSUB.

ƒ sub.

STOPSUB.

ƒ sub.

VIBRAPHONE

ƒ sub.

SPIV.

ƒ sub. STOPSUB.

Parlato

±. ≈ ‡. ≈ ±. ≈

Ó

123456

>≥123456

>≤123456

>≥123456

>123456

>

fi

Ê

L JL#

Ê

Lr

Ê

Lr JLr

Ê

L#

Ê

LnJLr

5

BN

œ>≥ jœ# œr>≤ œr>≥

Jœr œ#> œn>Jœr

5

Ó

Ó

Ó :

Ó

Ó :

Ó

L R R

etc.Parlato

STOPSUB.ƒ sub.

ƒ STOPSUB.

etc.

32

?

TAB

V

?

:

:

:

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

√

108

‡. ≈ ±. ≈ ‡. ≈ ±. ≈ ‡. ≈

Ó

Ó

E.Gtr.

Ó

Ó

Ó

Ó

¿æU> .Ô .È(hold)

¿>U .Ê .Ê(hold)

L L R R L

BIKE BELL

~ f

~ f

BIKE HORN

±. ≈ ‡. ≈ ±. ≈ ‡. ≈

œr>æ

œ#æ

œn>Jœ#Œ

3

Ó

ARCO(sim.)

Œ ôä

‰Œ ≠ ‰ V

Ó

Œ Á INHM: M.Bell

‰.

Œ ^ v ‰

Ô È

Ê Ê

L R R L

ƒ sub. STOPSUB.


~ Ï sub.

Ï sub. STOPSUB.

±. ≈ ‡. ≈ ±. ≈

œn> Jœ# œr>Jœy‰ ‰

123456

>≤123456

>≥‰

fi

123456

>≤123456

>≥.

fi

Ê

Ln JL#

Ê

Lr JLy ‰

Ê

L#

Ê

LJLr

‰ ‰œ#>≤ œ>≥

Jœr

Ó

Ó

JÈ ¿æX ˘ ≈ ‰(release)

JÊ ¿X ≈ ‰(release)

L R R

ƒ STOPSUB.

~ f

STOPSUB.

STOPSUB.

ƒ Ï

~ f

IV.

Ï STOPSUB.

SP

33

TAB

V

?

:

:

&

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

Tpt.

Tbn.Tbn.

Vc.

Perc. 1

Perc. 2

Pno.



√ √

… …

111

ÊXfl>

‰. Œ Œ

ÊXfl>

‰.œr>

æœ#

æœn>Jœ# œr> œr Jœ œn>

Jœy

3 5

B

Ó

E.Gtr.

Ó

Œœr>≥ œ# œn>≤

Jœ# œr>≥ œr Jœ œn>≤Jœy

3 5

B

Ó

Ó &

œJœ

‰. Œ Œ

L

ƒ sub.


Ï sub. STOPSUB.

ƒ sub.

Ï sub. STOPSUB.

(sim.)

‡. ≈ ±. ≈ ‡. ≈&

Ó

Œ123456

>≥

Œ J

Ê

L# JLy

Ó

œfl‰. ‰

¿>

J¿

‰ . ‰

Ó

π

L L R

ƒ sub.

TOM 4

ƒ sub.

VIBRAPHONE

Ï sub.

Ó

Œ Œ ‰ ‰œ#> Jœr

3

Œ Œ123456

>≥

Œ

fi

Œ ‰ ‰

Ê

L#

fiJLr

3

Œ Œ ‰ ‰œ#>≥ Jœr

3

œfl>‰. Œ Œ

¿>

J¿

‰ . Œ Œ

œJœ

‰ . Œ Œ

Î sub. STOPSUB.

Ï sub.

Ï sub.

STOPSUB.

STOPSUB.

Î sub.

Ï sub.

Î sub.

STOPSUB.

(sim.)

34

&

B

:

&

42

42

42

42

42

42

83

83

83

83

83

83

Tpt.

Tbn.

Perc. 1

Perc. 2

Pno.

ÔÔÔÔÔÔÔÔÔÔÔÔÔÔ

ÔÔÔÔÔÔÔÔ

accel.harm. gliss.

harm. gliss.


tubesbars

°



ÕÕÕÕÕÕÕÕ

ÔÔÔÔÔÔÔÔÔÔÔÔaccel.

°

114 ÊU>2

œ}æ

0

ÊæJÊU?

&

Ó

œfl>‰. Œ

ÊXfl>

‰. Œ(*)


œ

œı

jœ¿>

¿Ô

J¿

ÊXfl>

‰. Œ

Ï sub. π Ïm o l t o m o l t o

Î sub.

Î sub.

Ï sub. π Ïmolto m o l t o

Î sub.

Ó

±. ≈ ‡. ≈ ±. ≈ ‡. ≈

Ó

Ó

Ó

Ó

STOPSUB.

π

R L L R R L L

STOPSUB.

Ó

±. ≈ ‡. ≈ ±. ≈?

Ó &

Ó

Ó

Ó ?

35

&

?

V

B

&

&

&

?

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

harm. gliss.

harm. gliss.

harm. gliss.

harm. gliss.

ÔÔÔÔÔÔÔÔÔÔÔÔÔÔÔÔ

ÔÔÔÔÔÔÔÔÔÔÔÔÔÔÔÔ

ÔÔÔÔÔaccel.


tubesbars

°

ÕÕÕÕtubes

bars

ÔÔÔÔÔÔÔÔÔÔÔÔÔÔÔaccel.

ÕÕ ÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕÕ

ÕÕÕÕÕÕÕÕ ÕÕ ÕÕÕ

√ √

≠≠≠≠

≠≠≠≠≠ ≠≠≠≠

≠≠≠≠≠≠

ÔÔÔÔÔaccel.

…

117 ÊU>2

jœ}

‰ Œ

‰ÊU>T

œ# æ

LH: VALVERH: PLUNGER MUTE(SLIDE FIXED)

ÓE.Gtr.

Ó

‰œ

œ‰¿>

¿?

œ

jœ

‰ Œ¿>

J¿

‰

Œ¿#2

‰¿>

HM: w.keys J¿

Œ&

‰ ^ Ô

Ï

Ï sub. πmolto

Ï

Ï sub. πmolto

MARIMBA

Ï π

π

molto

Ó

Êæ

JÊU>

jœ#

Ó

Ó

ıjœ

Ô J¿>&

?

Ó

Ê j¿#‰

ŒJ¿>

j¿

?

Ô JÔ

Ï πmoltom o l t o

Ïm o l t o πmolto

Ï

Ï πmolto

m o l t o

Ó ?

Ó

±. ≈ ‡. ≈ ±. ≈ ‡. ≈V

‡. ≈ ±. ≈ ‡. ≈ ±. ≈

jœ ÓJ¿ Ó

Ó

Ó

Ó

v ‰. Œ

STOPSUB.

π

R L L R

L RR L

π

36

?

?

?

&

&

?

44

44

44

44

44

44

44

42

42

42

42

42

42

42

Tpt.

Tbn.

Perc. 1

Perc. 2

Pno.

h. g.

h. g.

h. g.ÔÔÔÔÔÔÔÔ

accel.

ÔÔÔÔÔÔ

accel.

h. g.

h. g.

h. g. harm. gliss.

harm. gliss.

h. g.

harm

. glis

s.

ÔÔÔÔÔÔÔÔÔ

accel.

harm

. gliss

.

h. g. h. g. h. g.

h. g. h. g.

ÔÔÔÔÔÔÔÔÔaccel.


tubesbars

°

ÕÕÕÕÕÕÕÕÕÕÕÕÕ

ÔÔÔÔÔÔaccel.

°

ÕÕÕÕÕÕÕÕ

ÔÔÔÔ

accel.

ÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕ

ÔÔÔÔÔÔÔÔaccel.

°

ÕÕÕÕÕÕÕÕÕ

ÔÔÔÔ

accel.

ÕÕÕÕÕÕÕÕÕ



° °

ÕÕÕÕÕÕ√

ÔÔÔaccel.

ÕÕÕÕÕÕÔÔÔÔaccel.√

ÕÕÕÕÕ ÕÕÕ

ÕÕÔÔÔÔÔaccel.√

…ÔÔÔÔÔÔÔÔaccel.

ÔÔÔaccel.… …

ÔÔÔÔÔaccel.

≠≠≠≠≠≠

≠≠≠≠≠≠

≠≠≠≠≠≠≠

√ √

120

œ}æ

0

ÊU>2

œ}æ

0

Êæ JÊU Œ&?

&?

Ó Œœ#æ

JÊU

Ó Œ œ

jœ

¿J¿>

&

œ

œ

œı

jœ

Œ¿

¿>

¿Ô

J¿

Ó Œ¿#2

j¿#

?

Ó

Ó

π ƒ π Ïmolto m o l t om

π Ïmolto

Ï π Ïmolto m o l t oπ m o l t o

π Ïmolto

π Ïmolto

œ}æ

0

JÊU ‰ œ}>æ

1 JÊU ‰ œ}>æ

2 JÊU ≈ .œ}>æ

3

&

Œœ#æ

JÊU ≈œ}T

æ>

JÊU ≈ œ#æ> JÊU

œæ>

Œ œ

jœ

Œ jœflœflœflœfl

3 3

¿J¿>

?& :

œ

jœ

‰œ>

jœ

¿>

j¿

œ>

jœ

¿>

3

¿

J¿>

Œ¿#2

j¿#‰

¿#2>

j¿#‰

¿#>2

j¿#

&?

&?

&?

Ó¿>

HM: w.keys J¿

‰¿>

J¿

‰&?

&?

Ó ^ Ô

π Ï fmolto m o l t o

π Ïmoltof m o l t o

Ïπ m o l t o f m o l t o

π Ïm o l t o ƒ

TOM 4

π Ïmolto f Îm o l t o

ÊU>2

jœ}

‰ ‰ œ}æ>

0

?&

ÊU>

œ#æ

ÊæJÊU

œfl‰. œ

jœ

¿J¿>

?& :

œ

œı

jœ¿>

¿Ô

J¿

‰¿#2

Êj¿#

&?

¿>J¿

‰ Œ&?

Ô v ≈ Œ

Ïp molto

Î π Ï STOPSUB.

molto m o l t o

Î πmolto m o l t o Ï STOPSUB.

Îπ m o l t o Ï STOP

SUB.

MARIMBA

πm o l t o STOPSUB.Ïm o l t o

37

&

?

?

:

&

?

?

43

43

43

43

43

43

43

83

83

83

83

83

83

83

85

85

85

85

85

85

85

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

h. gliss. ~~~~~~~~~~~~~~


harm. gliss.harm. gliss

.

~~~~~ ~~~~~~~ ~ ~ ~~~~~~~


°

ÕÕÕÕÕÕÕÕÕ

°°

ÔÔÔÔÔm o l t o

^^^^^^^^^^^^R

√ √

123 ÊU ÊU1 .ÊU

2

ÊU ÊU3

≈5

(unstable)

Œ Œ ‰ÊU

Ó

Ó

Œ Œ ‰œ

‰¿>

Œ Œ ‰œ#

&?

Ó

STOPSUB.

ƒ

p m o l t o

p

Ï

p m o l t o

Œ jœ}æ0

œ#fl

‰. jœ}æT

¿}â

≤‰

Ó

œ

˘‰. ‰

¿‰.

œ#fl‰. ‰

Œ jœ

&

p m o l t o

ÏSTOPSUB.

p m o l t o

Ï STOPSUB.

Ï p m o l t o

Ï sub.

STOPSUB.

ORD

ÊU˘‰. Œ JÊU

3

ÊU˘‰. Œ ‰

Ó

ÊU> JÊU ÊU> JÊ

U≈ÊU> JÊ

U≈ÊU> JÊ

U ÊU> JÊU ÊU. ≈

5

Œ ŒJ¿>

Œ Œ J¿#2

&?

œ‰. Œ ‰ ?

Ï p molto

Ï

F sub. STOPSUB.

SLIDE WHISTLE

p m o l t o

Ï p m o l t o

38

&

?

V

:

&

?

?

43

43

43

43

43

43

43

83

83

83

83

83

83

83

Tpt.

Tbn.

Perc. 1

Perc. 2

Pno.

harm. gliss.

harm. gliss.


ÕÕÕ

√ÕÕÕÕÕÕÕ ÕÕ

√

…

◊°

126

œ}fl

1

‰. Œ ‰ œ}æ2

.œ# œr jœ#

‰œn .œ# j

œr

≈5 3

LH: PLUNGER MUTERH: SLIDE

ÓE.Gtr.

Œ Œ ‰ œ?&

¿fl

‰. Œ ‰ ¿æU >:

¿#fl‰. Œ Œ &

Ó

Ïp m o l t o

p sub. F p STOPSUB.

p o c o

Ï ~ f

BIKE BELL

π m o l t o

MARIMBA

Ï

ÊU˘0

‰. ‰

Œ JÊU

Ó

œ‰.

J¿ ?

¿æX˘ ‰. ‰

‰œ≈ ‰

Ó

Ï

p m o l t o

Ï p m o l t o

Î sub.

Œ jœ}æ1

>

œ#fl

‰. jœ}æ

‰œfl>

≈fi

‰

¿fl‰. ‰

Ó &

Ó

Œ jœ

&

p m o l t o

Ïp m o l t o

Ï

Î sub.

p m o l t o

39

&

?

V

&

?

&

&

&

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

~~~~~~~~~~~~~~~~~~~

…

≠≠≠≠

129 ÊU˘2

‰. Œ ‰

ÊU˘‰. œ Jœ

(imit. vibraphone pulse)

&

ÓE.Gtr.

œpress.

œ Jœ

Œ Œ JÈOUT

HM: M.Bell

:

Œ ‰ J JÔ

œœœ

>œœ

fi

Jœfi

Ó

œ‰. Œ ‰ ?

Ï

Ï Ï STOPSUB.

m o l t o

s u b i t o

Ï sub.

VIBRAPHONE

Ï

I.

Ï STOPSUB.

m o l t o

ÊXfl>

‰. Œ

‰ ±. ≈ ‡. ≈ ±. ≈

ÊXfl>

‰. ‰ ±. ≈

Œ ±. ≈ ‡. ≈

Á IN ‰. Œ

v ‰. ‰ ^

Ó ?

Œ Œ Jœ# Jœ.

3

Ó

ƒ sub.

π

RL

R L R L R

πƒ sub.

π

R L R L R L RR L

~ Ï

TIMPANI

ƒ sub.

π

R L R L R

π

π

R L

π

±. ±. ±. ‡. ≈ ±. ‰. ‡. ≈ ±. ≈3

&

‰ ±. ±. ‡. ‡. ‰ ÁXfl>≈ ‰ ‡. ≈

?

‡. ≈ ±. ≈ ‰ ‡. ≈ ±. ‰. V

ÊXfl>

‰. Œ ±. ±. ±. ‰3

?

¿æU

HM: nails

> ‰. Œ Œ &

Ô Ô v ‰.

œy}æ Ôæ œ#}æ jœr}

‰ œJœ

≈ Œ ‰ œ# .‰

3

Ó

ƒ sub.

F P STOPSUB.

ƒ sub. π

RL

R

ƒ sub.

40

&

?

V

?

&

?

&

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

ÕÕÕÕÕ

°

≠≠≠≠≠≠ ≠≠≠√ …

^^^^^^^R ^^^^^^^R

√

132

Œ J≠-1J≠1 Œ

3 3

Œ J≠- j≠-Œ

3

3

ÑŒ Œ3

*

-‰ Œ

3

Ó

E.Gtr.

¿œ-} ‰ Œ

3

Œ ‰œ

jœ

3

¿J¿>

?

Ó

Ó

Œ ‰ ¿>J¿3

?&

π

π

π

MARIMBA

π

π

π

III.

IV.

±. ≈ ‡. ≈±. ‰. ‡. ≈

±. ≈

Œ ±. ≈ ‡. ≈±. ≈ ±. ±. ±.

3

Ó

‰ ±. ±. ±. ‡. ‰. Œ3

‰ ±. ≈ ‡. ≈±. ≈ ±. ±. ‡. ‡. ‰

?

Œ Œ ‰ ¿æU

HM: nails

> ‰3

:

Œ Œ ^

œr}æ œ}æ Ôæ jœy}

‰œ.≈ Œ œ# .

‰.

π

R L R L R

π

R L R RL

R L

(π)π

Parlato

ƒ sub.

FP P

(Blow 5 cm)

π

RL

R L

π

π

R L R L R L R

—. ‰. Œ J≠-1 J≠1 Œ

3 3

&

‡. ‰. Œ j≠-≠-œ> Jœ# œr>

Jœr3

3

?

‰Ñ

Œ Œ3

‰ *

-Œ Œ

3

Ó

‰ ¿œ}-Œ ‰

œ> Jœ# œr>Jœr3

3

‰ ≠HM: mouth

- Œ Œ3

Ô v ‰. Œ

Œœœ-

‰ Œ3

& ?

œJœ

‰. Œ Œ

L

π

π

STOPSUB.

π

VIBRAPHONE

ƒ sub.

π

π πSTOPSUB.

Parlato

SPIV.

41

:

?

&

?

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

°

…

◊ °

135

ÊXfl>‰. ±. ≈ ‡. ≈

‰ ±. ≈ ‡. ≈ ÊXfl>≈

Ó

E.Gtr.

ÊXfl>

‰. ‰ ±. ≈

±. ≈ ‡. ≈±. ≈ ÊX

fl>

≈

Ó

œy}æ œ#}æ

Œ Jœ#œ.‰.

Ó(*)

ƒ sub.

π

R L

π

ƒ sub.

R L R

fP

TIMPANI

ƒ sub.

π

R

π

π

R L R

ƒ sub.

‡. ‰. Œ Œ

Ó

Ó TAB

‡. ‰. Œ Œ V

Ó ?

‰ ÊXfl>≈ Œ Œ(*) Stamp the foot roughly on the `loor

(*)

?

œr}æ œ}æ Ôæ œ>>JU

Ó ?

‰ ÊXfl>≈ Œ Œ(*) Stamp the foot roughly on the `loor

?

R

Î sub.F m o l t o

ƒ

R

ƒ

IV.

L

ORD

Ó

Ó

Œ1234

1234

1234

>1234

1234Œ

PICK

Œ

Ê

L#

Ê

L

Ê

L

Ê

L#

Ê

LŒ

fi

5

BN

œpress.≤

œ#>≥

jœ

Œœ press.≤

œ>≥ Jœ

œœss œœs œn œœsn> œœ Œ

œœ œœs œœn

> œœss

3

Œ œœ#œœ

œœ>œœ# œœ

Œ

5

&

&?

&œœ

œ

## œœ

œ

# œœ

œ#

#

n> œœ

œn

n#œœ

œn

œœ

œ

##

œœ

œ

#

œœ

œn

>

œœ

œ#

#n œœ

œn

n

œœ

œn

n œœ

œn

#œœ

œ

n> œœ

œn

##

35

&?

&

π Ï π π f pmolto molto

MARIMBA

π ƒ πm o l t o molto

VIBRAPHONE

π ƒ πmolto molto

π Ï π ƒ π fmolto m o l t o molto molto

π Ï π π f πmolto molto

molto molto

(IV.)

42

TAB

V

?

?

&

&

&

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

Ÿmmmm~~~~~

° ° ° ° °

Ó

1234

1234

>1234

56

E.Gtr.

Ê

L#

Ê

L#

Ê

LŒ

fiJ

Ê

L

3

3

Œœ

œ>Jœ‰

3

Œœ œœs

> œ

3

œœ#œœ> œœ

Œ jœ

3

3

?&œœ

œ

##

œœ

œ#

#>œœ

œn

n

œ

Ê

n œœ

œn

n#

> œ

Ê3

3

?

π P π

π F π π

π F π

π

π F π P π

III.

π P π

Ó ?

56

>56

56

>56

56

>

JL

Ê

#

JLŒ

Ê

L

Ê

L#JL‰

Ê

L

Ê

LJL‰

3

‰œœ> Jœ‰

œ œ> Jœ‰

œ œr>

3

‰œ œœs

>s œ

≈œ œœn > œ

‰.3

œœ#> œ

‰œ œœ#> œ

≈œ œœ> œ

≈3

œ œœœnn >œ≈œœœ

##

>

œ œœœ#n#>

œœœœ## >

œ œœœnn >Œ

3

π ∏

p π

p π

p π ∏

π

œ œr> œ œy> œ œn œ œr œ( )œ#}

5 3

56

56

56

ŒÊ

L Lr

Ê

L Ly

Ê

L Ln ‰.fi

5

œ œr> œ œy œ œn œ œr œ œ# œn

5 6

Ó

œ œœ#> œn‰ Œ

5

Ó

Ó

π

∏

Ø

ØSTOPSUB.

43

&

?

V

?

?

&

&

?

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

mmmmmmmmmmmmmmm~~~~~~~~~~~~~~

ÕÕÕÕÕÕÕÕ

tubesbars

° °

≠≠≠≠≠≠≠≠√

°

^^^^^^^^R

141

Œ Œœ.

0

‰.

III. Fliehend

œ œ#} œ œr}Œ

ÓE.Gtr.

Ó

Ó

Œ Œ ‰œ

jœ

3

¿

J¿

Œ Œ ‰ ¿>J¿3

?&

Ó

π

∏ STOPSUB.

π

π

Œ J≠-1

J≠1 Œ

3 3

œ> Jœ# œr>Jœr ≠- j

≠-Œ

3

3

Œ ‰ ô3

Œ ‰ ≠-3

œ> Jœ# œr>Jœr ‰ ‰ ¿œ}-3

3

Ó

Ó

Ó ?

Ó

π (π)

π (π)

π

ParlatoSPIV.

π(π)

III.IV.

ORD

≠.0

≠. ‰ Œ

¿# . ¿n .‰ Œ

Ó

Ó

‰ œœ>ss

œœsœœ œs

‰

Œ ‰œœœ

-

‰ ‰

‰

œœ

œn

##> œœ

œ#

# œœ

œ#

# œ# .

‰

p

P π

P π

44

&

?

TAB

?

&

?

?

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.


tubes

°

√≠≠≠ ≠≠

°

^^^^^^^R^^^^^^^^^R

144

Ó

Ó

56

>≤

56

≥>

ARCO

E.Gtr.

±. ‡. ‰ ‰

Ê

L JL#

Ê

Lr JLr

3

3

BN

V

‡. ±. ‰ Œ3

?

Ó

Œ j¿

JÒJ¿

Œ3

3

Œ j¿

J¿

Œ3

&

Ó

π

π

L R

p

Parlato

π

RL

π

≠>1

≠2

≠3

≠0

‰ ≠1 ≠2 ≠3

3

≠>≠ ≠ ‰ ≠> ≠

3

Ó

‰ ≠ ‰

‰ ¿œ}-‰

Ó

Ó

Ó

Ó

P π

Pπ

p

pIII.IV.

Œ J≠0

J≠. Œ3 3

Œ j¿#fl

j¿n .

Œ3 3

Ó

ô Œ Œ3

≠- Œ Œ3

¿-}

≤‰ ‰ œ

≤3 3

&

ÊXæ>

SB SB

jÒæ> Ò

æÒ

æ> Ò

æ>

3 3

Œ ‰ œœœ#œœœ#

3

Œ ‰

Œ ‰

œœ

œ#

œœ

œ

#

3

&

F p

F p

π

∏

TIMPANI

L RL etc.

π

F

FπIV.

I.

45

&

?

&

?

&

&

&

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.Vc.

Perc. 1

Perc. 2

Pno.

h. g.

~~~~~~

…

°

^^^R

147

Œ Œ jœæ}

0

JÊU

Œ œ( )‰ ‰&

?

Œ ‰ ÊXfl

‰E.Gtr.

œ>}≥

jœ‰ ‰ ÊX

fl>‰ ?

Ôæ> Ôæ>Ôæ> Ôæ>

jÔæ>

œœœ

>œœœn

œœœ##‰ Œ ‰

3

Œ J¿#2

j¿#

?&

?

œœ

œ

n>œœ

œ

nœœ

œ#

#

œœ

œ#

œœ

œ#Œ ‰

3

?

π

F

P π

F

P ∏ πm o l t o

P π F

Œ J≠1

‰ ≠0

≠.3 3

œ> Jœ#‰ ≠ ‰ ¿#fl ¿n .3

3

‰ ô ‰ jô Œ

3 3

‰ ≠

˘

‰ J≠

˘

Œ3 3

Jœ> Jœ#Œ j

¿fl}

≤Œ

3

3

Òæ> Òæ> Òæ>jÒæ> Òæ>

3 3

Ó

Ó

Ó

F f P p f P

p F f P

P F

p F

SPIV. ORD

≠-1 ≠0

≠. ‰

≠- ¿#fl

¿n .‰

jô ‰ ‰J≠

-

‰ ‰ V

‰ ‰ jœr

≤

Ôæ> Ô

æ> Ô>

>U j

ÊX

Ó

‰

‰

œœ

œ

# œœ

œ#

œœ

œ#

#

#> œœ

œ#

#n

p f P

ƒ

p f P

p

∏

46

&

TAB

V

?

?

&

?

?

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

ÕÕÕÕ

ÕÕÕÕÕÕÕ

≠≠≠≠≠

°

…

150

‰ ÊXfl‰ Œ ‰ ≠ä

13

&

‰ ÊXfl‰ ‰

œ> Jœ#‰ ‰ ¿#

fl≈

3

3

?

56

˘≥ARCO

E.Gtr.

Œ

J

Ê

L JL#

Œ jô- ô ‰

3

3

Œ J≠ ≠ ‰3

BN

V

Ê>

≥

Ê>

≤

Ê> Ê> Ê> Ê> Ê Ê>3 3

Œ Œ J≠HM: mouth

- ≠ ‰3

:

Œ Œ J Ô v ≈3

œœ˘‰ ‰

¿j¿‰ ‰ Œ

3 3

:

Œ j¿fl

J¿

Œ Œ3

&

Ó

F f

F F f

F p

p

(Blow 5 cm)

F

p

p

etc.

≠ä1

‰ Œ ‰ ÊXfl‰

3

&

¿n˘ ≈œrä Ê Jœr ‰ ‰ Jœ Œ

5 3

&?

1234

1234

1234

>1234

PICK

Œ ≈

Ê

L

Ê

L

Ê

L#

Ê

L

fiŒ

5

BN

Ê> Ê> Ê Ê> Ê> Ê> Ê> Ê>press.

53

‰ ‰ ¿æU

HM: nails

ä ¿ ‰ ‰ ‰ ‰ ¿æU˘

35

3

^ Ô v ‰ ^3

‰ œâæ

SB

Œ Œ JœæSB

3

Œ ≈ Œ

Œ ≈

œœ

œ#

nn

œœ

œ

#

œœ

œ

#>œœ

œ#

n

Œ5

&

p f

p f

TOM 3BONGOS

ƒ F

ƒ F P

π f pmolto

π f pmolto

‰ ‰œ>0

œ‰ ‰

5 5

œr>Jœr ‰. ‰

ÊXfl

‰5

5

6>

(PICK)

‰ ô ‰ ‰.Lr

5

5

‰ ≠

˘

‰5

(BN)

V

Ê> Ê> Ê> Ê Ê> Ê>U>

jœr5 5

‰ .≠HM: mouth

ä Œ5

Ô Ô v Œ5

Œ ‰.¿>

j¿

5

&

Ó

Œ ‰.¿#>2

j¿#

5

?

F

(Blow 5 cm)

ƒ

VIBRAPHONE

f

fƒ

p

ƒ

F

Ï sub.

47

&

?

TAB

V

?

:

&

&

?

85

85

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

√

…

≠≠≠≠≠

153

Œ ‰ ÊXfl≠0

fl

3

&

Œ j¿#fl

Œ3

6>

6> 5

6

>56

>56

> 456

>

E.Gtr.

Ê Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

33

‰ ÊXfl‰ Œ

3

?

‰ ÈOUT

HM: M.Bell

Á IN Œ JÈOUT

3 3

^ Jv Œ J3 3

JœŒ Œ

3

(*) (Place the hand mic. inside the Megaphone Bell. As a result, a very high and loud frequency will come out)

(*)

:

Ó

JœŒ Œ

3

Ó(*) (Place the hand mic. inside the Megaphone Bell. As a result, a very high and loud frequency will come out)(*)

:

Ó

subito~ Ï s u b i t o

f

f

f

f

F

≠1

≈ ≠ ≈ ≠ ≈ ≠ ≈ ≠>1

≠2

≠3

≠0

¿nfl≈ ¿fl

≈ ¿fl≈ ¿fl

≈ ≠> ≠ ≠3

456

>456

> 3456

>3456

>3456

> 23456

>23456

>Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê J

Ê

Ê3 3

œfl≈œfl≈œfl≈œfl≈ ‰

Á IN ‰ ÈOUT Á IN ‰ ÈOUT Á IN ≈3 3

v ‰ ^ v ‰ ^ v ≈3 3

‰ ÈOUT

HM: M.Bell

Á IN ‰ ÈOUT Á IN ‰3 3

‰ ^ v ‰ ^ v ‰3 3

Ó

ÈOUT

HM: M.Bell

Á IN ‰ ÈOUT Á IN ‰ ‰3 3

?

^ v ‰ ^ v ‰ ‰3 3

subito~ Ï subito~ Ï ~ Ï

subito~ Ï subito ~ Ï

ƒ Ï

ƒ Ï

subito~ Ï subito~ Ï

ƒ

≠>1≠>2

≠>3‰ Œ ‰. ≠

>1≈

3 5

≠>> ≠>>‰

œræ>

Jœ#‰ ‰.

œ#>

5

23456

> 123456

>123456

>123456

>123456

123456

>123456

>Ê

Ê

Ê

Ê

Ê

Ê

Ê

Ê

ı

Ê

Ê

Ê

Á

L

JLr5

Œ Œ ≈œäpress.

‰5

&

‰ ¿æU

HM: nails

˘ Œ Œ

‰ ^ Ô Ô v ‰.5

Ó

Ó

Ó

Œ ‰¿fl

HM: w.keys

J¿Œ&

Œ ‰ ^ Ô v ‰.5

F

Ï

ƒp

Î

ƒ

Ï

48

&

?

V

&

:

:

&

&

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.Vc.

Perc. 1

Perc. 2

Pno.

°

h. g.

… … …

≠≠≠≠≠

^^R ^^R ^^^R

156

Œ ‰. ≠1

Ê> Ê> Ê> Ê> Ê> Ê> Ê>

3

Œ ‰œfl>

≈E.Gtr.

Œœ˘

ÊXfl‰ ?

‰ ≠HM: mouth

> ‰ Œ3

^ Ô

¿æU > J¿æX ˘ Œ

3

&

Œœ‰.

Ó

Ó

F

(Blow 5 cm)

~ f

BIKE BELL

Î

Ï

Ï

Ï ƒ

(nail pizz.)

Œ Œ ‰ ‰ÊU>0

5

Ê> Ê> Ê> Ê> Ê> Ê> Ê jœ#œ}>> JÊU ≈

3 3

5

‰ ô

˘‰ ‰ ô

˘‰ ô

ä‰.

3 3 5

≠ ≠ ≠ ‰.5

V

‰¿}fl

≤‰ ‰

¿}.

≤‰¿}â

≤‰.

3 3 5

Œ Œ ‰ ‰ ÊXfl>

5

Ô Jv ^ Jv Œ3 3

Œ Jœœ˘Œ Jœœ Œ

3 3

J¿#˘2

J¿#Œ J¿

2

J¿Œ Œ

3 3

Œ Œ ‰¿

HM: w.keysJ¿≈

5

?&

Œ Œ ‰ ^ v5

ƒ

ƒ

VIBRAPHONE

p

Ï Î sub.

ƒ

Ï

Ï

ƒ

ÊU ÊU> ÊU>1

ÊU>2

ÊU>3

ÊU>0

ÊU>1

ÊU>2

ÊU>3

ÊU>0

ÊU>

5

Œœ Jœ#‰.

œr˘Jœr ‰.

Œ ≈œfl>

‰fi

≈œfl>

‰fi

Œ ‰œ≥

Jœ#≈ ‰

œr≤

Jœr ≈

Ó :

Ó

≈œœœ œœœ œœœ## > œœœ Œ Œ

5

Œ ‰. ¿>U .Ê ¿X˘: &

Ó

Ó

p ƒ F

Ï

Ï

~ f

BIKE HORN

IV.

Ï

SP

49

&

?

TAB

V

?

:

&

&

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

h. g.

…… …

^R

159 ÊU ÊU> ÊU>1

ÊU>2

ÊU>3

ÊU>1

3 3

Jœr˘Jœr Œ Jœ Jœ#

Œ3 3

Ó

E.Gtr.

‰œfl>

‰fi

‰œfl>

‰fi

3 3

Jœ≥

Jœ#Œ

Jœr≥

Jœr Œ3 3

œ œœ

œ œ œ3 3

Ó ?

Ó :

Œ JœJœ

Œ Jœ#Jœ# ˘

3 3

ƒ

BONGO 1 BONGO 2

TOM 4TOM 2

Ï

ÊU>2

ÊU>3

ÊU>1

JÊU>>2

jœ}3

? &

Jœr˘Jœr Œ ‰

3

Ó

‰ œfl>

‰fi

‰3

Jœr≥

Jœr Œ ‰3

&

œfl œ

fl

ÊX>

œ>

Ê>

3

Œ jÈX

(Take Cymbal 2)

Œ JœnJœ

‰3

pTIMPANI

ACME MOUTH SIREN

p

Î

‰. ≠>1‰. ≠

>0

Œ

≈ ≠>‰ ‰

œ}>

JÊU≈ ŒB

Œ123456

˘≥press.

ARCO

Œ

Ê

Lr

JÕ‰ . ‰. ô

˘

≠BN

V

œ>

‰. ≈¿}fl>

≤‰ ‰

œ>≥ press.

≈?&

?

œ>

Ê>

œ>

Ê>

œ>

Ê>

œ>

Ê>

œ>

Ê>

œ>

Ê>

ÔÔ Ô

‰¿#>2

j¿#≈ Œ ≈

œœ#>

‰ ?

m o l t o

Î always

Î always

Î always

Î always

Ï

I.

Î always

I.ORD

50

&

B

TAB

V

?

:

?

:

?

?

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

h. g.

◊

≠≠≠≠≠≠≠

mmmm mmm

h. g.

√

°

…

…

…

^^^^^^^^^^^^R

162 œ}æ

>JÊU ‰. Œ

≈¿fl>

‰ œ>>

‰&?

Ó

E.Gtr.

Œ ≈œfl>

‰

‰.œfl>

Œfi

œ>

Ê>

œ>

Ê>

œ>

Ê>

œ>

Ê>

Ô Ô

‰ œœ

œ#

#

n

fl>

≈ ‰¿>

J¿

&

Œ &

m o l t o

≠Tä>2

JÒU ‰ ≈œ}>>1

œ}2

œ}3

‰ÔU>>

jœ#‰.

œ#>>(Wide vibrato)

Œ123456

>>PICK

Œ

ı

LJL

‰BN

≈œ>> Jœ#

≈ ‰ œ>

press.

≤ JÊU&

œ>‰ œ ‰ œ ‰3

3

≈ ıU>≈ ı> ≈ ı> ≈ ı.

ı ı JıU ıT>>

jıX

(Breathe IN Subitoinside the mouth siren)

‰.

œœ

œ

>> œœ

œ ‰

Ï

Ï

s u b i t o

I.IV.SP

ORD

Œ ŒÒBfl>

‰.(LET FALLTO THE FLOORFROM ~1m HIGH)

œ

‰ ‰ ≠- ≠-‰

≈123456

>

≈

.

.

Ò

L

JLr

Œ‰ ô

.≈

≠

‰. ¿œ}-..¿œ}

≈ Œ?

≈ œ.‰ œ. ‰. œ. ≈ ‰. œ.5

5

‰ ı. ‰ ı.‰ ı. ‰ ı

.‰

3 3 5

ıC>>

Œ Œ(LET FALLTO THE FLOORFROM ~1m HIGH)

œJœ

‰ .¿#>2

j¿#Œ?

œ# Jœ# ˘‰. Œ Œ

F m o l t o

CYMBAL 2

~ Ï sub.

~ Ï

BAG 3

ppF

F sub. F

F sub. (F)

III.IV.

pF sub.

51

&

?

TAB

?

:

?

:

?

&

44

44

44

44

44

44

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

≠≠≠≠≠≠≠≠≠ ≠≠≠≠

≠≠≠≠

ÔÔÔÔÔ

molto ri

t.

165

Ó IV. Von weit oben

Ó(TAKE BAG SLOWLY)

(LET FALLTO THE FLOORFROM ~1m HIGH)

Ó

E.Gtr.

‰ ô.≈ Œ Œ

≠ Œ Œ

CONNECT SILENTLY THE JACK TO THE E-‐GUITAR

Ó

Ó

Œ ÔX.‰. Œ

Ó

MVOL: MIN

Ó

¿>Ò

J¿

‰ Œ

MVOL: MIN

&

Ó

Ó

Ø

π

ÒBfl>

‰. Œ Ó

Ó ŒÒBfl>

‰.(LET FALLTO THE FLOORFROM ~1m HIGH)

Ó

Ó

Ó Œ ÔA(ALARM ON)

Ó

~ Ï sub.

BAG 4

~ Ï sub.

BAG 5


LIGHTS OFF SUBITO

ŒMVOL: MIN

ıC>>

Ó(LET FALL)

Ó Œı

>>G(BREAK)

(*)(*) Break roughly inside a box/bin

Ô Ô Ô Ô

Ó Œ ÔA(ALARM ON)

CYMBAL 3

~ Ï sub.


WINE GLASS

~ Ï sub.

52

V

:

&

Perc. 2

Pno.

Ó ÒBfl>

‰. Œ(LET FALLTO THE FLOORFROM ~1m HIGH)

E.Gtr.

Ó Œ ÔA(ALARM ON)

Perc.1

Ó Œı

>>P(BREAK)

(*)(*) Break roughly inside a box/bin

Ô Ô Ô Ô

Ó

Ô Ô Ô Ô

PLATE

~ Ï sub.


~ Ï sub.

BAG 6

Ó

Ô Ô Ô Ô

Ô Ô Ô Ô

Œ JÔBLŒ Ó

3

(POP)

Ô Ô Ô Ô

BALLOON

~ f sub.

Ó

Ô Ô Ô Ô

Ô Ô Ô Ô

Ó

Ô Ô Ô Ô

ŒLr Ô L}

BN

Ô Ô Ô Ô

Ô Ô Ô Ô

Ó

Ô Ô Ô Ô

"P"

53

&

?

TAB

V

?

:

&

Tpt.

Tbn.Tbn.

Vc.Vc.

Perc. 1

Pno.

√√

…ÔÔÔÔrit.

≠≠≠≠≠≠≠

≠≠≠≠≠≠≠≠≠≠≠

ÔÔÔÔ

√

^^^^^^^R

ÔÔÔÔÔÔÔÔÔ

molto rit.

("seagull" gliss.

)

ÔÔÔÔ

accel.

172

≠1> ≠

2

≠3

≠0

≠1

≠ ≠1

Œ ‰ ±. ≈

≠â

Ò j≠ ‰ ±. ≈ ‡. ≈ ±. ≈

123456

>1234

>1234

12

>Ó

3

METAL STICK

E.Gtr.

Ô

L

Ô

ÔJ

ı

Ô

Ô

Ô

fi

JLr

Œ ±. ≈ ‡. ≈

3

¿í}-±. ≈ ‡. ≈ ±. ‰.

(*) same as a arti`ical harmonic glissando but keeping the same distance between the 2 playing `inger throughout the glissando

œ>SB SB

œ> ‰ œ> Ó3

Ô Ô Ô Ô

v ‰. ŒMVOL: MAX

Ó(ALARM OFF)

Perc.2

¿#>2È

j¿#Œ Ó?

Ô Ô Ô Ô

P p π

"f "

π

RL

π

L

F

π

L R L

F

P p π

P

III.IV.

P

π

RL L

‡. ≈ ±. ≈ ‰ ±. ≈ ‡. ‰. Œ &

‰ ±. ≈ ‡. ‰. Ó ?

±. ‰. ±. ≈ ‡. ≈ Ó V

±. ≈ ‡. ≈ Oœr}> È È JÈUO}

?

Ô Ô Ô Ô

:

Ó

Ó

Ô Ô Ô Ô

L R L

R L R L

R L

R L

F

III.SP

≠0

≠1

Ó1

(Breathe IN inside the trumpet)

≠- Ò j≠Œ ‰ ∆. ‰

3(Breathe IN inside the trombone)

LrL}

JLÓfi

BN

Ó ±. ≈ ‡. ≈ ±. ≈ ‡. ≈(*)

Ô Ô v ‰. Œ(ALARM OFF)

ÔXHM: mouth siren

Ô jÔXÓ

(Breathe IN softly inside the mouth siren)

^ Ô v ‰. Œ

¿>Ò

J¿

Ó&

Ô Ô Ô Ô

"F "STOPSUB.

F

F

p STOPSUB.

p o c o

ACME MOUTH SIREN

P STOPSUB.

RL RL

∏

L

∏

54

&

TAB

:

:

&

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

("seagull" gliss.)ÔÔÔÔÔÔ

ÕÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕÕÕÔÔÔÔÔÔÔÔmolto rit.

√

…

≠≠≠≠≠≠≠≠≠≠≠≠

≠≠≠≠≠≠≠≠≠

≠≠≠≠≠

ÔÔÔÔ

√

ÔÔÔÔÔÔaccel.ÔÔÔÔÔÔmolto rit.

◊

175

Œ ‰ ±. ‰ ≈‡. ‰.5 5

‡. ‰ ±. ‰ ‡. ‰ ±. ‰ ‡.

3 3 3

Ó

E.Gtr.

±. ≈ ‡. ≈ ±. ≈ ‡. ≈ ±. ≈ ‡. ≈

±. ≈ ‡. ≈ Œ Œ &

Ó

Ó

Ó

Ó

Ô Ô Ô

RL

RL R L

∏

RL

RR

L RL

RL

∏±. ‰. ‡. ‰. ±. ≈ ‰ ‡. ‰

5 5 5

&

‰ ±. ‰ Œ Œ3

?

Ó

±. ≈ ‡. ≈ ±. ≈ ‡. ≈ Œ

ÔUO}

ÈÈ

JœrO}

Ó &

Ó

Ó

Ó

Ô Ô Ô

RL RL

SPI.

F

L

L L RR

MARIMBA

≠1> ≠

2

≠3

≠0

≠1

≠ ≠1

≠â

Ò Ò

Ó

ÓLH: TUNING PEGS

V

Ó (BOWING ON A CELLO BOUT OR ON ANY CELLO BODY PART):

¿> Ê Á j¿

?

Ó

^ Ô Ô

¿#>2È ı j

¿#?

Ô Ô Ô

F

F

F

P

"breathing"

"breathing"

≠0

≠1

≠1

(Breathe IN)

&

≠ä Ò Ò(Breathe IN)

......

123456

≤ARCO Bowing always on all 6 open strings (while detuning them with the LH)

¿} Ò ÒDetune string 1 as much as you can during the duration of the line.

.≠≤

Ó &

ÔX Ô Ô(Breathe IN )

Ô Ô Ô

¿>Ò ı

J¿

&

Ô Ô Ô

p o c o

(h.)

(h.)"breathing"

55

&

?

TAB

V

:

&

:

&

44

44

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

83

83

83

83

83

83

83

83

83

83

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

ÕÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕ

ÔÔÔÔÔÔÔÔmolto rit.

√

°

…ÔÔÔÔÔÔmolto rit.

≠≠≠≠≠≠≠≠≠≠≠≠≠≠≠≠

≠≠≠≠≠≠≠≠

ÔÔÔÔÔÔÔaccel.≠≠≠≠≠≠≠≠

≠≠≠≠≠≠≠≠≠≠≠√

◊

179

≠1> ≠

2

≠3

≠0

≠1

≠ ≠1

(Breathe OUT)

≠â

Ò Ò Ò(Breathe OUT)

123456

≥ä

E.Gtr.

Ò Ò Ô Ô jÒX

≠≥ä

¿> Ê Á Ô j¿

?

ÔX Ô Ô Ô jÒX

(Breathe OUT)

Ô Ô Ô Ô

¿#>2È ı ı j

¿#?

Ô Ô Ô Ô

f

(q) (h)

f

f

P

(w)

P

F

(w)

"f "

≠0

≠1

(Breathe IN)

≠ Ò(Breathe IN)

123456

≤

¿} ÒDetune string 2 as much as you can during the duration of the line.

≠≤

Ó

Ó(KEEP THE MOUTH SIREN IN THE MOUTH)

&

Ô Ô

¿>Ò

Ô Ô

P

P

(h)

p

P

(h)

"P"

Ó

Ó

Ó

Ó

Ó

Ó

œœ> œ

œ Jœœ :

v ‰. Œ ‰

Ó &

Ô Ô JÔ

STOPSUB.

STOPSUB.

VIBRAPHONE

P STOPSUB.

STOPSUB.

STOPSUB.

STOPSUB.

.≠1(Breathe IN)

.Ò

(Breathe IN)

......

123456

≤

.Ò

.≠≤

Ó &

.ÔXHM: mouth siren(Breathe IN )

.^

.ıJ¿

.Ô

P sub.

P sub.

ACME MOUTH SIREN

p o c o

(q . )

p sub.

P sub.

(q . )

"P" sub.

56

&

?

TAB

V

:

&

:

&

?

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

ÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕÕÔÔÔÔÔÔÔÔmolto rit.

√ÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÔÔÔÔÔÔÔÔmolto rit.

√

ÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕ

…

ÔÔÔÔÔÔmolto rit.

≠≠≠≠≠≠≠≠≠≠≠≠≠≠

≠≠≠ ≠≠≠≠≠≠≠≠≠≠≠≠≠

ÔÔÔÔ

√

ÔÔÔÔÔÔaccel.

…ÔÔÔÔÔÔmolto rit.

◊ ◊

183

≠1> ≠

2

≠3

≠0

≠1

≠ ≠1

(Breathe OUT)

≠âÒ Ò

j≠

(Breathe OUT)

......

123456

≥ä

E.Gtr.

Ò Ô Ô jÒX

.≠≥ä ?

¿> Ê Á j¿

?

ÔX Ô Ô(Breathe OUT)

Ô Ô Ô

¿#>2È ı j

¿#?

Ó

Ô Ô Ô

F

F

F

p

(h.)

P

F

(h.)

"F "

STII.

.≠

0(AIR)

≠Ò Ò

(AIR)

......

123456

≤

¿}Ò Ò

Detune string 3 as much as you can during the duration of the line.

≠≤Ò Ò

(WITHOUT TONE)

Ó &


Ô Ô Ô

¿>Ò ı

J¿

&

Ó

Ô Ô Ô

p o c o

(h.)

í ≠≠1> ≠

2

≠3

≠0

(TONE) (AIR)

œrä œ ı J≠

≠> ≠>≠>

3

(AIR)(TONE)

123456

≥ä123456

‰

Ò Ò Ô ‰

œrä≥ œ ı J≠‰

(WITHOUT TONE)(TONE)

¿>

sn

Ê Á ‰íí œœ ‰

?

ÔX Ô Ô jıX‰

(Breathe OUT)

Ô Ô Ô v ≈

¿#>2È ı ‰ ?

íí ííí##n œœœœœ~ ‰

Ô Ô Ô

f sub.p

f sub.p

F

p

STOPSUB.

p

p STOPSUB.

(h)

P π STOPSUB.

F pSTOPSUB.

p

p STOPSUB.

Œ ‰ ≠>1

≠>2

≠>3

3

Œ ‰ ≠> ≠>

123456

≥123456

‰

Ô Ô jÒX‰

Ó

Á Á j¿ ‰

Ó

Œ ‰ ^

ı ˆ j¿#‰

Ó

Ô Ô

p

(q)

π

p

57

&

?

TAB

V

?

?

:

?

?

43

43

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

43

43

43

Tpt.

Tbn.

Vc.

Perc. 1

Perc. 2

Pno.

ÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕ

ÔÔÔÔÔÔÔÔÔmolto rit.

√ √ÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕ ÕÕÕÕÕÕÕÕÕÕÕÕÔÔÔÔÔÔÔÔÔmolto rit.

√

°

≠≠≠≠≠≠≠≠√

ÔÔÔÔÔÔÔ

accel.

…

≠≠≠≠≠≠≠≠

≠≠≠≠≠≠≠≠≠≠√

ÔÔÔÔÔÔÔÔaccel.

…

ÔÔÔÔÔÔÔmolto rit.

° °

ÔÔÔÔÔmolto rit.

◊ ◊

187

≠

0

íâ

(AIR) (TONE) (AIR)

≠ írä(AIR) (TONE) (AIR)

123456

≤123456

≥ä

E.Gtr.

¿}Ò Ò


≠≤

írä≥(TONE)(WITHOUT TONE)

Œ¿>

sn

Êj¿

íí& ?

ÔX ÔX Ô(Breathe IN ) (Breathe OUT)

Ô Ô Ô

¿

J¿ ¿#>2ı j

¿#&

?

Œíí ííí##n

Ô Ô Ô

p

p

F

p

pp o c o

P

(q) (h)

p

p

F

(q)II.ST

≠ œâŒ

(TONE)

≠ œäŒ

(TONE)

123456

≤123456

≥äŒ

Ò Ò Ô Œ

œ≥

≠ œä

Œ

(TONE)(WITHOUT TONE)

Ó Œœ>

jœ&

?&

ÔX Ô ÔjÔXœ>

jœ

(Breathe IN )

& :

Ô Ô Ô Ô

¿Ô

J¿ ¿#>2Œ&

Ó œ.œ

Œ

Ô Ô Ô Ô

F STOPSUB.

(h)

F STOPSUB.

(h)

F sub. STOPSUB.

p o c o P

VIBRAPHONE

F sub. STOPSUB.

F

(h) (q)

P STOPSUB.

F STOPSUB.

(h)

f P STOPSUB.

F

I.

.í j≠

(TONE) (AIR)

.í j≠

(TONE) (AIR)

......

123456

≥

Ò Ô Ô jÒX

œ≥.í

j≠

(TONE) (WITHOUT TONE)

:

¿> Ê Á j¿

?

ÔXHM: mouth siren

Ô Ô(Breathe OUT)

Ô Ô Ô

ı È ı j¿#

?

œ.œ

ííííííí

Ô Ô Ô

F sub.

F sub.

P sub.

p

ACME MOUTH SIREN

(h.)

P

F sub.

F

P

58

&

?

TAB

V

:

:

?

Tpt.

Tbn.Tbn.Tbn.

Vc.

Perc. 2

Pno.

≠≠≠≠≠≠≠≠≠≠≠≠≠≠

≠ ≠≠≠≠≠≠ ≠≠≠√

ÔÔÔÔÔÔÔaccel.

…

◊ ◊

ÔÔÔÔÔmolto rit.

190

≠10

±. ‡. ±. ‡. ≠1˘ ≠

2. ≠3. ≠

0

.(Breathe IN)

&

≠ ±. ±. ‡. ‡. ±. ±. ±. ¿#flÒ. Ò. ¿n .

3(Breathe IN)

?

123456

≤Œ Œ

E.Gtr.

¿}±. ‡. ±. ‡. ±. Œ

5


V

≠≤ ±. ‡. ±. Œ3

(BOUT/BODY) :


Ô Ô Ô

¿Œ Œ ?

Ô Ô Ô

pSTOPSUB.

L L RR

π sub.P sub. π

pSTOPSUB.

L R

π sub.

L LRR L

P sub. π

p o c o

(q)

pSTOPSUB.

L RL

R L

π sub.

p STOPSUB.

(q) LR

L

π sub."p"STOPSUB.

Œ ≠1> ≠

2

≠3

≠0

≠1

≠

Œ ≠â

Ò

123456

≤123456

≥ä

Ò Ò Ô(continue detuning string 5)

Œ ≠≥ä(BOUT/BODY)

Ô ÔX Ô(Breathe OUT)

Ô Ô Ô

ıJ¿ ¿#>2

ı j¿#

&?

Ô Ô Ô

F

F

P

(q) (h)

Fp

fp

"F "

(h)

≠1 0

≠1

≠>1

≠2

≠3

≠0

≠1

≠(Breathe IN) (Breathe OUT)

≠ä ≠â

Ò(Breathe OUT)(Breathe IN)

123456

≤123456

≥ä

Ò Ô Ô jÒX

≠≤ ≠≥ä

ÔX ÔX Ô jX

(Breathe IN ) (Breathe OUT)

Ô Ô Ô

Ó

Ô Ô Ô

f

f

F

(q)(h)

f

(q)

"f "

(h)

59

&

?

TAB

V

:

83

83

83

83

83

83

83

85

85

85

85

85

85

85

42

42

42

42

42

42

44

44

44

44

44

Tpt.

Tbn.

Vc.

Pno.

193

≠0

≠1

2:3

(Breathe IN)

.≠ä(Breathe IN)

......

123456

≤

E.Gtr.

.¿}Detune string 6 as much as you can during the duration of the line.

.≠≤

.ÔPerc.2

.Ô

(q . )

(q . )

≠>1

≠2

≠3

≠0

≠1

≠ J≠1

(Breathe OUT)

≠â

ÒjÒ j

≠

(Breathe OUT)

123456

≥ä123456 J

123456

Ò ÒjÔ

≠ä≥

≠ J≠

Ô Ô JÔ

Ô Ô JÔ

ƒ

ƒ

ƒ

"ff "

(q)(q)

≠0

≠>1

≠2

≠3

≠0

≠1

‰1

(Breathe IN) (Breathe OUT)

123456

≤123456

≥ä123456

Ô Ô jÒZ

≠≤ ≠≥ä> ≠

Ô Ô

Ô Ô

Ï

Ï

"fff "

(q)

123456

≤press.

123456

≥>>

123456

≤123456

≥>>press. molto.

123456

≤>>123456

≥>>

123456

≤......

123456

>>

(VOLUME PEDAL)

≠≤≠≥>> ≠

≤‰ Ó

Ô Ô Ô Ô Jv

Ô Ô Ô Ô Jv

ALARM OFF

Î Î extreme

STOPSUB.

Ï STOPSUB.

STOPSUB.

STOPSUB.

"ffff " "ffff "

60

Spuren

Documents

Transcript of Spuren