Suzanne Hudson ASSOCIATE PROFESSOR OF ART HISTORY AND FINE ARTS

FACULTY FELLOW, USC SOCIETY OF FELLOWS ADVISORY COMMITTEE, V ISUAL STUDIES RESEARCH INSTITUTE

UNIVERSITY OF SOUTHERN CALIFORNIA DORNSIFE COLLEGE OF LETTERS, ARTS & SCIENCES, DEPARTMENT OF ART HISTORY • THH 355

3501 TROUSDALE PARKWAY • LOS ANGELES, CALIFORNIA 90089-0351 SPHUDSON@USC.EDU

CURRICULUM VITAE October 2019

EMPLOYMENT

Dornsife College University of Southern California, Associate Professor of Art History and Fine Arts, 2015-present

Dornsife College University of Southern California, Assistant Professor of Art History and Fine Arts, 2014-2015

Dornsife College, University of Southern California, Assistant Professor of Art History, 2012-2013 (hired 2011; deferred to complete fellowship)

University of Illinois, Urbana-Champaign, Assistant Professor of Art History, Modern and Contemporary Art, 2007-2011

University of Illinois, Urbana-Champaign, Visiting Assistant Professor of Modern and Contemporary Art, 2006-2007

OTHER INVITED TEACHING EXPERIENCE

Center for Curatorial Studies at Bard College (CCS Bard), regular Guest Faculty for courses between 2008-2011

Museum of Modern Art, New York, Course Instructor, 2006-2008

The New School University, Parsons School of Design, Course Instructor, Art and Design Studies Department Faculty, 2005-2006

Whitney Museum of American Art, New York, Teaching Fellow, 2003-2006

EDUCATION

Princeton University, Art and Archaeology Department Ph.D., 2006 M.A., 2003

University of California, Berkeley B.A. summa cum laude in History of Art; Departmental Honors in History of Art, 1999

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HONORS, AWARDS, AND FELLOWSHIPS

USC Society of Fellows, Faculty Fellow, 2019-2021 Terra Foundation for American Art, Award for Expanding Outliers in American Art, Co-

Organized Conference, Winter 2019 Artspace, Sydney, Australia, Residency, Summer 2017 Andrew W. Mellon Foundation New Directions Fellowship for Better for the Making, 2017-

2020 Creative Capital | Warhol Foundation Arts Writers Grant, 2015-2016 Dedalus Foundation Senior Fellowship, 2015-2016 Center for Advanced Study in the Visual Arts (CASVA), National Gallery of Art, Visiting

Senior Fellowship Award, Summer 2015 USC VSRI Summer Travel Award for Junior Faculty, 2014 USC Collaboration Fund Grant for The Contemporary Working Group, 2013 USC ASHSS Grant Writing Grant, 2013 Whitney Museum of American Art, Research Fellow, 2010-2012 University of Illinois Research Board, Award for Contemporary Art: 1989-Present, 2010 University of Illinois Research Board, Humanities Released Time Grant, Award for Spring

2010 University of Illinois Research Board, Award for Robert Ryman: Used Paint, 2008 University of Illinois Research Board, Award for Robert Ryman: Used Paint, 2007 University of Illinois Scholars’ Travel Fund, 2007, 2008, 2009 Princeton University, Department of Art and Archaeology Publication Grant for

Robert Ryman: Used Paint, 2007

STUDENT HONORS AND FUNDING Princeton University, Spears Fund Travel Grant, 2003-2005 Princeton University, Department of Art and Archaeology Fellowship, 2003-2004 Leo and Karen Gutmann Foundation Grant, 2002 Princeton University Graduate School Summer Stipend Award, 2001, 2002, 2003, 2004,

2005 Princeton University Academic Fellowship, Frank J. Mather Memorial Fund, 2000-2005 University of California, Berkeley, Phi Beta Kappa Honor Society, Elected 1999 University of California, Berkeley, Departmental Citation in History of Art for Outstanding

Honors Thesis, 1999 University of California, Berkeley, Golden Key National Honor Society, Elected 1998 University of California, Berkeley, Maybelle Toombs Academic Scholarship in History of

Art, 1998

PUBLICATIONS

SCHOLARLY WORK

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FORTHCOMING PUBLICATIONS BOOKS

Better for the Making: Art, Therapy, Process (book manuscript in research/writing stage)

Contemporary Painting (Thames & Hudson, World of Art Series, forthcoming 2020)

ESSAYS (PEER REVIEW) “Painting as the IP” (in writing stage; submit for review in Fall 2019)

“Ruth Faison Shaw and the Art for the Elemental Mark” (in writing stage; submit for review in Winter 2020)

BOOKS Mary Weatherford (Lund Humphries, 2019)

Agnes Martin: Night Sea (Afterall Books/The MIT Press, 2017; reprint confirmed for 2020)

Reviewed by Sarah Montross, Art Journal (Winter 2018) Reviewed by Laura Lisbon, caa.reviews (April 2017) Reviewed by Stephanie Guyet, Brooklyn Rail (June 2017)

Painting Now (New York and London: Thames & Hudson, 2015; paperback edition forthcoming 2018; World of Art Revised Edition proposed for 2021)

Contemporary Art: 1989 to the Present, co-edited with Alexander Dumbadze (Wiley-Blackwell, 2013; Korean edition distributed by Yekyong Publishing Co, 2016)

Reviewed by Robert Summers, caa.reviews (June 2017)

Robert Ryman: Used Paint (The MIT Press, 2009); second hardback printing, 2011

Reviewed by Dustin London, caa.reviews (February 2017) Selection for Hol Art Books, Museum Reading Groups: http://www.holartbooks.com/bookclub-ryman Reviewed by Godfre Leung, In Visible Culture (Spring 2011) Reviewed by Matthew Bowman, The Art Book (February 2010) Selected by Brian Sholis as one of the top books of the year, Frieze (February 2010) Reviewed by Jonathan T.D. Neil, Art Review (Summer 2009) Reviewed by Arthur Danto, Bookforum (June/July/August 2009)

JOURNAL PUBLICATIONS (PEER REVIEW) “I’ll Be Your Mirror, or Why and How do We Work on Living Artists,” Art Journal, vol. 67,

no. 4 (Winter 2008) pp. 8-11

“Robert Ryman’s Pragmatism,” October, vol. 119 (Winter 2007) pp. 121-138

“Robert Ryman, Retrospective,” Art Journal, vol. 64, no. 3 (Fall 2005) pp. 62-69; reprinted in Robert Ryman: Critical Texts Since 1967, ed. Vittorio Colaizzi and Karsten Schubert, (Ridinghouse, 2009) pp. 373-381

“Feedback: Vito Acconci and the Space of His Public,” Critical Matrix: The Princeton Journal of Women, Gender, and Culture, vol. 14 (2003) pp. 8-35

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“Beauty and the Status of Contemporary Criticism,” October, vol. 104 (Spring 2003) pp. 115-130; reprinted in Beauty, ed. Dave Beech (The MIT Press, 2009) pp. 50-58

JOURNAL PUBLICATION (INVITED IN PEER REVIEW) “Response to Contemporary Questionnaire,” October, vol. 130 (Fall 2009) pp. 3, 117-118

BOOK CHAPTERS (PEER REVIEW) “‘Toward a Happier and More Successful Life,’ or When Veterans Made Art in the Modern

Museum,” Sandra Zalman and Austin Porter, Modern in the Making: MoMA and the Modern Experiment 1929-1949 (Bloomsbury, in press, forthcoming 2020)

“After Endgame: American Painting in the 1990s,” Come As You Are: Art in the 1990s, (Montclair, NJ: Montclair Art Museum and the University of California Press, 2014) pp. 45-54

“Introduction,” Contemporary Art: 1989 to the Present, co-author Alexander Dumbadze (Wiley-Blackwell, 2013) pp. 1-4

“Naked Pictures: Ansel Adams and Esalen,” West of Center: Art and the Counterculture Experiment in America, 1965–1977, ed. Elissa Auther and Adam Lerner (Minneapolis: University of Minnesota Press, 2011) pp. 287-305

Review with essay highlighted in Art Journal, Jennifer Doyle, “City of Angels” (Spring 2012) pp. 151-155

“Ghosts of Ghosts: Contemporary Art and the Photograph,” Shared Intelligence: American Painting and the Photograph, ed. Barbara Buhler Lynes and Jonathan Weinberg (Berkeley and Los Angeles: University of California Press, 2011) pp. 140-153

“Robert Indiana: ‘A People’s Painter,’” Pop Art: Contemporary Perspectives (London and New Haven: Yale University Press, 2007) pp. 14-35

MUSEUM AND GALLERY ESSAYS/CATALOGS AND MONOGRAPHS “To My Future Readers,” Sharon Lockhart: Rudzienko (Vilnius: Contemporary Art Centre

(CAC), 2019) pp. 12-19

“Present Conditional,” Lee Krasner: Living Color (London: Barbican/Thames & Hudson) pp. 42-47

“Moving Out,” Vija Celmins: To Fix the Image in Memory (San Francisco: San Francisco Museum of Modern Art/Yale University Press, 2018) pp. 130-137

“The Opposite of Irony,” Harvey Quaytman: Against the Static (Berkeley: BAM/PFA, 2018) pp. 119-127

“Nauman’s Resistance,” Bruce Nauman: Disappearing Acts (New York: Museum of Modern Art, 2018) pp. 136-143

“Personal Voyages,” Outliers and American Vanguard Art (Chicago, London, Washington D.C.: National Gallery of Art/University of Chicago Press, 2018) pp. 116-127

“Painting with Light,” Mary Corse (New York and Los Angles: Inventory Press, 2017) pp. 145-149

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“Robert Ryman, Circa 1972,” Robert Ryman, ed. Stephen Hoban and Courtney Martin (New Haven and London: Yale University Press with Dia Art Foundation, New York, 2017) pp. 249-259

“Abstracts,” Cameron Martin: Abstracts (Albany, NY: University Art Museum, 2017) pp. 5-9

“The Truth About Painting,” Michael Williams (Pittsburgh, PA: Carnegie Museum of Art, 2017) pp. 47-55

“Chance, By Design,” Sarah Crowner (New York: Prestel Publishing with Mass MOCA, North Adams, Massachusetts, 2017) pp. 8-19

“Hard Copy, Soft Copy,” Kelley Walker (St. Louis, MO: Contemporary Art Museum and JRP|Ringier, 2016) pp. 14-17

“Making, Using,” Betty Woodman: Theatre of the Domestic (Milan: Mousse Publishing with Museo Marino Marini, Florence and the Institute of Contemporary Arts (ICA), London, 2016) pp. 10-18

“The Painting that Ate its Own Tale,” Laura Owens (London and New York: Rizzoli, 2015) pp. 15-19

“Revenant,” Things Beyond Resemblance: James Welling Photographs, ed. Philipp Kaiser (Chadds Ford, PA: Brandywine River Museum of Art, 2015) pp. 74-79

“With Friends Like These,” Lisa Yuskavage, The Brood: Paintings 1991-2015 (Boston: Rose Art Museum/Brandeis, 2015) pp. 22-37

“A Comma in the Place Where a Period Might Have Gone,” “The heroine Paint: After Frankenthaler, ed. Katy Siegel (New York: Gagosian Gallery, 2015) pp. 224-235

Bernard Frize (New York, Paris, and Hong Kong: Galerie Perrotin, 2014) pp. 4-7; 140-143

“Charline von Heyl: Can’t Stop Looking,” The Hugo Boss Prize 2014 (New York: Guggenheim Museum, 2014) pp. 68-70

“Would, Could,” Dana Schutz: Demo (Hanover, Germany: Kestnergesellschaft, 2014) pp. 25-35

“Interview with Frank Stella,” The Shaped Canvas, Revisited (New York: Luxembourg & Dayan, 2014) pp. 11-22

“Vital Fields,” Terry Winters: Patterns in a Chromatic Field (New York: Matthew Marks, 2014) pp. 5-21

“Lost Horizon,” Zoe Leonard: Available Light, eds. Karen Kelly and Barbara Schröder (London: Ridinghouse Press; Brooklyn, NY: Dancing Foxes Press, 2014) pp. 122-127

“Jacqueline Humphries, Inside, Out,” Jacqueline Humphries, (London: Koenig Books, 2014) pp. 49-67

“Fuck ’Em If They Can’t Take A Joke,” Christopher Wool, ed. Katherine Brinson (New York: Guggenheim Museum, 2013) pp. 52-54

“Elective Affinities,” Drawn To Language (Los Angeles: USC Fisher Museum, 2013) pp. 10-13

“Living With Abstractions,” Paul Sietsema (Columbus, OH: Wexner Center for the Arts, 2013) pp. 38-47

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“As if a Correct Line Could Solve the Future,” Adam Pendleton (London: Pace London, 2012) 1400 words

“Rosemarie Trockel,” Rosemarie Trockel: A Cosmos, ed. Lynne Cooke (Madrid: Museo Nacional Centro de Arte Reina Sofia, 2012) pp. 13-19

“Lesley Vance: ‘The Surface of Circumstance,’” Lesley Vance and Ricky Swallow at the Huntington (San Marino, CA: Huntington Library, 2012) pp. 16-21

“Pas de Deux,” Julia Dault (London: White Cube, 2012) pp. 17-20

“Amerikan Painting,” Tim Rollins + KOS, ed. Alessandro Rabottini (Zürich: JRP|Ringier, 2012) pp. 194-201

“Leaden Balloons,” Greg Bogin: Greetings Earthlings (New York: Leo Koenig Inc, 2011) pp. 2-5

“Agnes Martin, On a Clear Day,” Agnes Martin, ed. Lynne Cooke (New York: Dia Art Foundation; New Haven and London: Yale University Press, 2011) pp. 118-131

Review with essay highlighted in Art Journal, Karen Schiff, “Agnes Martin, Under New Auspices” (Fall 2012) pp. 121-125

“James Castle, ‘American Primitive,’” James Castle: Mostrar y Almacenar (Madrid: Museo Nacional Centro de Arte Reina Sofia, 2011) pp. 145-151

“Wade Guyton,” That’s The Way We Do It, ed. Yilmaz Dziewior (Bregenz, Austria: Kunsthaus Bregenz, 2011) pp. 126-135

“Walead Beshty: From Photography,” Walead Beshty: Natural Histories (Zürich: JRP|Ringier, 2011) pp. 9-14

“‘Mathematics for Catastrophe’: Blinky Palermo in America,” Blinky Palermo: Retrospective 1964-1977, ed. Lynne Cooke, Karen Kelly and Barbara Schröder (New York: Dia Art Foundation; New Haven and London: Yale University Press, 2010) pp. 45-59

“Like Perfume in the Hallway: What Katharina Fritsch Leaves Behind,” Katharina Fritsch (Zürich: Kunsthaus Zürich, 2009) pp. 37-46

“‘Style is a fraud’: de Kooning after de Kooning,” (New York: Andrea Rosen Gallery, 2008) 1400 words

“Mungo Thomson” (Los Angeles: Hammer Museum, 2008) 1100 words; reprinted in Hammer Projects, ed. Ann Philbin (Los Angeles: Hammer Museum, 2009) pp. 362-365

“Unweaving the Rainbow, or Spencer Finch’s Optics,” Spencer Finch: What Time is it on the Sun? (North Adams, MA: MASS MoCA, 2007) pp. 167-175

“Imperium Perpetuum,” Uwe Henneken: Imperium Schlemihlium (Rotterdam: Veenman Publishers, 2007) pp. 12-15, 21

“Katja Strunz: A Second Present of the Past,” Katja Strunz (London: König Books, 2007) pp. 11-15

“Spencer Finch,” Spencer Finch (San Antonio: ArtPace, 2006), np

GUEST EDITOR FOR SPECIAL ISSUE Brooklyn Rail, Guest Editor, “Ours Is a City of Writers,” February 2016

(http://www.brooklynrail.org/2016/02/editorsmessage/ours-is-a-city-of-writers)

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ROUNDTABLE PARTICIPATION Contribution to Pamela Lee, New Games: Postmodernism After Contemporary Art (Routledge,

2013) pp. 217-244

INTERVIEW “Painting Now and Eternally, Suzanne Hudson with Paula Burleigh,” The Brooklyn Rail

(September 2015) pp. 72-73

ARTIST ENTRIES Artist Entries for Legacy: The Emily Fisher Landau Collection, ed. Dana Miller (New York:

Whitney Museum of American Art, 2011) pp. 28-43, 154-155, 258-263

Artist Entries for Art Now, Volume 3, ed. Hans Werner Holzwarth (Cologne: Taschen, 2008) pp. 12-15, 72-75, 136-139, 184-187, 208-211, 216-219, 276-279, 348-351, 372-379, 476-479, 496-499

Artist Entries for 2008 Biennial Exhibition, ed. Henriette Huldisch and Shamim M. Momin (New York: Whitney Museum of American Art, 2008) pp. 90-91, 96-97, 100-101, 116-117, 144-145, 152-155, 160-161, 176-177, 184-185, 198-199, 204-205, 240-243, 248-251

Artist Entries for Whitney Biennial 2006: Day for Night, ed. Chrissie Iles and Philippe Vergne (New York: Whitney Museum of American Art, 2006) pp. 180-181, 282-287, 304-305, 344-345

BOOK REVIEWS “Pragmatist Judd. Book Review: David Raskin, Donald Judd,” Art Journal, vol. 71, no. 1

(Spring 2012) pp. 158-161

“Contingency Plans: Alexander Dumbadze and Suzanne Hudson on Terry Smith’s, What is Contemporary Art?,” co-author Alexander Dumbadze, Artforum, vol. 48, no. 9 (May 2010) pp. 73-74

DIGITAL SCHOLARSHIP “June Edmonds,” artforum.com, Posted May 23, 2019

(https://www.artforum.com/picks/june-edmonds-79862)

“Robert Ryman (1930-2019), An Obituary,” Texte Zur Kunst, Posted April 24, 2019 (https://www.textezurkunst.de/articles/robert-ryman-1930-2019/)

“On the Ground: Pittsburgh,” artforum.com, Posted Oct. 31, 2018 (https://www.artforum.com/slant/suzanne-hudson-on-the-57th-carnegie-international-77449)

“Previews: Ellen Gallagher: Nu-Nile,” artforum.com, Posted May 2018 (https://www.artforum.com/print/previews/201805/ellen-gallagher-nu-nile-75182)

“Previews: Mary Corse,” artforum.com, Posted May 2018 (https://www.artforum.com/print/previews/201805/mary-corse-75209)

“Previews: Kiki Smith: Procession,” artforum.com, Posted February 2018 (https://www.artforum.com/print/previews/201801/kiki-smith-procession-73283)

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“News: Betty Woodman (1930-2018),” artforum.com, Posted January 3, 2018 (https://www.artforum.com/news/betty-woodman-1930-2018-73351)

“On the Ground: Saskatoon,” artforum.com, Posted December 14, 2017 (https://www.artforum.com/slant/suzanne-hudson-at-the-remai-modern-73045)

Ours is a City of Writers web project: http://www.oursisacityofwriters.net/

“Picks: A New Horizon for New Horizons,” artforum.com, Posted June 16, 2016 (https://www.artforum.com/picks/a-new-horizon-for-new-horizons-60750)

“Report on the Society of Contemporary Art Historians,” Posted December 2015 (http://artjournal.collegeart.org/?p=6807)

“Back to the Future,” The Enemy Reader, Posted January 2015 (http://theenemyreader.org/back-future/)

“Picks: Wols and Charline von Heyl,” artforum.com, Posted June 2014 (http://artforum.com/?pn=picks&section=us#picks47031)

“Last Call,” artforum.com, Posted December 2013 (http://artforum.com/diary/id=44440)

“Pacific Standard Time: Art in L.A. 1945-1980,” caa.reviews, Posted September 2012 (http://www.caareviews.org/reviews/1875)

“A Baker’s Dozen From the Archives,” invited scholars’ article picks for inaugural website, Art Journal online, Posted February 2011 (http://artjournal.collegeart.org/?p=61)

“Josef Albers: Innovation and Inspiration at the Hirshhorn,” caa.reviews, Posted September 2010 (http://www.caareviews.org/reviews/1518)

CRITICISM FEATURES “Robert Ryman,” Artforum, vol. 57, no. 8 (April 2019) pp. 44

“Openings: Kelly Akashi,” Artforum, vol. 55, no. 7 (March 2017) pp. 252-255

“Adrian Ghenie: Painting Gags,” Parkett 99 (January 2017) pp. 158-171

“Openings: Alex Olson,” Artforum, vol. 53, no. 2 (October 2014) pp. 268-269

“The Symbolic Landscape: Pictures Beyond the Picturesque at UC Irvine,” Texte zur Kunst 93 (Spring 2014) pp. 255-259

“Openings: Elise Adibi,” Artforum, vol. 52, no. 5 (January 2014) pp. 198-199

“Openings: David Ostrowski, Artforum, vol. 51, no. 7 (March 2013) pp. 260-261

“1000 Words: Mika Tajima and Charles Atlas,” Artforum, vol. 49, no. 9 (May 2011) pp. 258-261

“Openings: Alex Hubbard,” Artforum, vol. 48, no. 7 (March 2010) pp. 232-235

“The Best Laid Plans: On Accidentally Not Reading Tomma Abts,” Parkett 84 (2009) pp. 18-23

“Focus: Tara Donovan,” Artforum, vol. 47, no. 5 (January 2009) pp. 204

“Robert Ryman,” Flash Art, November-December 2008, pp. 52-54

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“Still Seeking: Esalen and the New, New Age,” Parkett 82 (2008) pp. 16-19

“Focus: Martin Puryear” Artforum, vol. 46, no. 9 (May 2008) pp. 374

“Openings: Gedi Sibony,” Artforum, vol. 45, no. 3 (November 2006) pp. 284-285

“Openings: Katja Strunz,” Artforum, vol. 44, no. 8 (April 2006) pp. 234-235

“1000 Words: Ellen Gallagher,” Artforum, vol. 42, no. 8 (April 2004) pp. 128-131

SHORT FORM (ARTFORUM STAFF WRITER SINCE 2004) “Allison Miller at The Pit,” Artforum, vol. 58, no. 2 (forthcoming November 2019)

“Barbara Stauffacher Solomon at LAXART,” Artforum, vol. 58, no. 2 (forthcoming October 2019)

“Sam Gilliam at David Kordansky Gallery,” Artforum, vol. 57, no. 10 (Summer 2019) pp. 294-295

“Nancy Shaver and Emi Winter at Parker Gallery,” Artforum, vol. 57, no. 9 (May 2019) pp. 290

“Gary Hume at Matthew Marks,” Artforum, vol. 57, no. 8 (April 2019) pp. 200-201

“Vanessa Maltese at Night Gallery,” Artforum, vol. 57, no. 7 (March 2019) pp. 231-232

“Sara Gernsbacher at Parrasch Heijnen Gallery,” Artforum, vol. 57, no. 6 (February 2019) pp. 183

“3-D at the Los Angeles County Museum of Art,” Artforum vol. 57, no. 4 (December 2018) pp. 218-219

“Jay De Feo at Marc Selwyn,” Artforum, vol. 57, no. 3 (November 2018) pp. 247

“James Turrell at Kayne Griffin Corcoran,” Artforum, vol. 57, no. 2 (October 2018) pp. 238

“Susan Cianciolo at Overduin & Co.,” Artforum, vol. 57, no. 1 (September 2018) pp. 298-299

“Alison Saar at LA Louver,” Artforum, vol. 56, no. 10 (Summer 2018) pp. 316

“The Conscientious Objector at MAK Center for Art and Architecture, Schindler House," Artforum, vol. 56, no. 9 (May 2018) pp. 243-244

“Vija Celmins at Matthew Marks,” Artforum, vol. 56, no. 8 (April 2018) pp. 189

“Frederick Hammersley at the Huntington,” Artforum, vol. 56, no. 7 (March 2018) pp. 237

“Shana Lutker at Susanne Vielmetter,” Artforum, vol. 56, no. 6 (February 2018) pp. 195-196

“Ruth Root at 356 Mission,” Artforum, vol. 56, no. 5 (January 2018) pp. 221-222

“George Egerton-Warburton at Artist Curated Projects,” Artforum, vol. 56, no. 4 (December 2017) pp. 205

“Transient at Totah,” Artforum, vol. 56, no. 2 (October 2017) pp. 248

“Kim Schoen at Mostowitz Bayse,” Artforum, vol. 55, no. 10 (Summer 2017) pp. 368-369

“Nancy Lupo at Kristina Kite,” Artforum, vol. 55, no. 9 (May 2017) pp. 341

“Theaster Gates at Regen Projects,” Artforum, vol. 55, no. 8 (April 2017) pp. 216-217

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“Kathryn Andrews at David Kordansky,” Artforum, vol. 55, no. 6 (February 2017) pp. 221-222

“Barbara T. Smith at The Box,” Artforum, vol. 55, no. 5 (January 2017) pp. 224-225

“Billy Al Bengston at Samuel Freeman,” Artforum, vol. 55, no. 4 (December 2016) pp. 266-267

“Betty Tompkins at Gavlak,” Artforum, vol. 55, no. 3 (November 2016) pp. 287

“Benjamin Carlson at Park View,” Artforum, vol.55, no. 2 (October 2016) pp. 277-278

“Orr Herz and Roni Shneior at Chin’s Push,” Artforum, vol. 55, no. 1 (September 2016) pp. 369-370

“The Ocular Bowl at Kayne Griffin Corcoran,” Artforum, vol. 54, no. 10 (Summer 2016) pp. 402-403

“Ken Price at Parrasch Heijnen Gallery,” Artforum, vol. 54, no 9 (May 2016) pp. 340-341

“David Muenzer at Reserve Ames,” Artforum, vol. 54, no. 8 (April 2016) pp. 243-244

“Atmospheric Abstraction at Quint Gallery, La Jolla,” Artforum, vol. 54, no. 7 (March 2016) pp. 281-282

“David Benjamin Sherry at Moran Bondaroff,” Artforum, vol. 54, no. 6 (February 2016) pp. 245

“Alex Hubbard at Maccarone Los Angeles,” Artforum, vol. 54, no. 4 (December 2015) pp. 265-266

“Robert Janitz at Team,” Artforum, vol. 54, no. 4 (December 2015) pp. 259-260

“Michaela Eichwald at Overduin & Co.,” Artforum, vol. 54, no. 3 (November 2015) pp. 312-313

“Martin Basher at Anat Egbi,” Artforum, vol. 54, no. 2 (October 2015) pp. 330

“Anne Truitt at Matthew Marks,” Artforum, vol. 54, no. 1 (September 2015) pp. 392-393

“Robert Overby at Marc Selwyn,” Artforum, vol. 53, no. 9 (May 2015) pp. 382-383

“Betty Woodman at David Kordansky,” Artforum, vol. 53, no. 8 (April 2015) pp. 256-257

“Rachelle Sawatsky at Harmony Murphy,” Artforum, vol. 53, no. 7 (March 2015) pp. 288-289

“Dwyer Kilcollin at M+B,” Artforum, vol. 53, no. 6 (February 2015) pp. 241-242

“Steven Baldi at Thomas Duncan Gallery,” Artforum, vol. 53, no. 4 (December 2014) pp. 315

“John Altoon at LACMA,” Artfroum, vol. 53, no. 3 (November 2014) pp. 286

“Lucas Ajemian at Marlborough Broome Street,” Artforum, vol. 53, no. 2 (October 2014) pp. 282 “Julia Dault at China Art Objects Galleries,” Artforum, vol. 53, no. 1 (September 2014) pp.

384-385 “Math Bass at Overduin & Co.,” Artforum, vol. 52, no. 10 (Summer 2014) pp. 374

“Sarah Crowner at Nicelle Beauchene,” Artforum, vol. 52, no. 8 (April 2014) pp. 261

“Clare Grill at Reserve Ames,” Artforum, vol. 52, no. 7 (March 2014) pp. 295

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“Lesley Vance at David Korndansky,” Artforum, vol. 52, no. 5 (January 2014) pp. 219

“Robert Ryman at Pace Gallery,” Artforum, vol. 52, no. 4 (December 2013) pp. 260-261

“Sean Kennedy at Thomas Duncan,” Artforum, vol. 52, no. 4 (December 2013) pp. 271

“Sergej Jensen at Regen Projects,” Artforum, vol. 52, no. 3 (November 2013) pp. 294-295

“Brion Nuda Rosch show at ACME,” Artforum, vol. 52, no. 2 (October 2013) pp. 304-305

“Juan Uslé at LA Louver,” Artforum, vol. 52, no. 1 (September 2013) pp. 419-420

“Louise Nevelson at L&M,” Artforum, vol. 51, no. 10 (Summer 2013) pp. 367-368

“Painting at The Box,” Artforum, vol. 51, no. 8 (April 2013) pp. 267-268

“Nikolas Gambaroff at Overduin and Kite,” Artforum, vol. 51, no. 7 (March 2013) pp. 284

“Sarah Cain at Honor Fraser,” Artforum, vol. 51, no. 5 (January 2013) pp. 216

“Mickalene Thomas at the Santa Monica Museum,”Artforum, vol. 51, no. 3 (November 2012) pp. 282-283

“Albert Oehlen at Gagosian,” Artforum, vol. 50, no. 10 (Summer 2012) pp. 314-315

“Zak Prekop at Harris Lieberman,” Artforum, vol. 50, no. 9 (May 2012) pp. 308-309

“Jason Fox at Peter Blum,” Artforum, vol. 50, no. 8 (April 2012) pp. 210-211

“Günther Förg at Greene Naftali,” Artforum, vol. 50, no. 7 (March 2012) pp. 276-277

“Byron Kim at James Cohan,” Artforum, vol. 50, no. 6 (February 2012) pp. 227

“Josephine Halvorson at Sikkema Jenkins & Co.,” Artforum, vol. 50, no. 5 (January 2012) pp. 219

“Alex Katz at Gavin Brown’s Enterprise,” Artforum, vol. 50, no. 4 (December 2011) pp. 250-251

“Merlin James at Sikkema Jenkins & Co.,” Artforum, vol. 50, no. 3 (November 2011) pp. 269

“Kimber Smith at James Graham & Sons,” Artforum, vol. 50, no. 2 (October 2011) pp. 315

“Mark Grotjahn at Anton Kern,” Artforum, vol. 50, no. 1 (September 2011) pp. 344

“‘Unpainted Paintings’ at Luxembourg & Dayan,” Artforum, vol. 49, no. 10 (Summer 2011) pp. 400-401

“Pat Steir at Cheim and Read,” Artforum, vol. 49, no. 9 (May 2011) pp. 280

“Ellen Gallagher at Gagosian,” Artforum, vol. 49, no. 8 (April 2011) pp. 215-216

“Martin Barré at Andrew Kreps,” Artforum, vol. 49, no. 7 (March 2011) pp. 265

“Elise Adibi at SouthFirst,” Artforum, vol. 49, no. 6 (February 2011) pp. 226

“Matt Connors at Canada,” Artforum, vol. 49, no. 5 (January 2011) pp. 221-222

“Guillermo Kuitca at Sperone Westwater,” Artforum, vol. 49, no. 4 (December 2010) pp. 252-253

“Ben Gocker at PPOW,” Artforum, vol. 49, no. 2 (October 2010) pp. 278

“Molly Smith at Kate Werble,” Artforum, vol. 49, no. 1 (September 2010) pp. 332

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“‘The Storyteller’ at Parsons The New School for Design,” Artforum, vol. 48, no. 10 (Summer 2010) pp. 356-357

“Robert Ryman at PaceWildenstein,” Artforum, vol. 48, no. 9 (May 2010) pp. 246

“‘A very, very long cat’ at Wallspace,” Artforum, vol. 48, no. 8 (April 2010) pp. 199

“1969 at PS1,” Artforum, vol. 48, no. 7 (March 2010) pp. 250-251

“‘Besides, With, Against, And Yet: Abstraction and the Ready-Made Gesture’ at the Kitchen,” Artforum, vol. 48, no. 6 (February 2010) pp. 201

“Jack Pierson at Cheim and Read,” Artforum, vol. 48, no. 5 (January 2010) pp. 196-197

“Carter at Salon 94 Freemans,” Artforum, vol. 48, no. 4 (December 2009) pp. 230-231

“‘6 Works, 6 Rooms’ at David Zwirner,” Artforum, vol. 48, no. 3 (November 2009), pp. 232

“Hilary Harnischfeger at Rachel Uffner,” Artforum, vol. 48, no. 1 (September 2009), pp. 293-294

“Mungo Thomson at John Connelly,” Artforum, vol. 47, no. 10 (Summer 2009) pp. 340-341

“Florian Maier-Aichen at 303,” Artforum, vol. 47, no. 9 (May 2009) pp. 234

“Erik Schmidt at Elizabeth Dee,” Artforum, vol. 47, no. 7 (March 2009) pp. 245-246

“Jacob Feige at Lombard-Fried Projects,” Artforum, vol. 47, no. 6 (February 2009) pp. 193

“Olav Westphalen at Maccarone,” Artforum, vol. 47, no. 4 (December 2008) pp. 304

“Roe Ethridge at Andrew Kreps,” Artforum, vol. 47, no. 3 (November 2008) pp. 349-350

“Wendy White at Leo Koenig,” Artforum, vol. 47, no. 2 (October 2008) pp. 383

"‘Who's Afraid of Jasper Johns?’ at Tony Shafrazi,” Artforum, vol. 47, no. 1 (September 2008) pp. 459-460

“Katy Moran at Andrea Rosen,” Artforum, vol. 46, no. 10 (Summer 2008) pp. 435-436

“Rosy Keyser at Peter Blum,” Artforum, vol. 46, no. 9 (May 2008) pp. 377

“Dirk Bell at Gavin Brown’s Enterprise,” Artforum, vol. 46, no. 8 (April 2008) pp. 366-367

“Diana Thater at David Zwirner,” Artforum, vol. 46, no. 7 (March 2008) pp. 359-360

“Jose Alvarez at The Kitchen,” Artforum, vol. 46, no. 6 (February 2008) pp. 294

“Karin Sander at D'Amelio Terras,” Artforum, vol. 46, no. 5 (January 2008) pp. 281

“Aleksandra Mir at Mary Boone and Printed Matter,” Artforum, vol. 46, no. 4 (December 2007) pp. 350-351

“‘Stubborn Materials’ at Peter Blum,” Artforum, vol. 46, no. 3 (November 2007) pp. 370-371

“Yuri Masnyj at Metro Pictures,” Artforum, vol. 46, no. 2 (October 2007) pp. 370-371

“Zoe Strauss at Silverstein Photography,” Artforum, vol. 46, no. 1 (September 2007) pp. 473-474

“Josh Smith at Luhring Augustine,” Artforum, vol. 45, no. 10 (Summer 2007) pp. 495

“Ian Davis at Leslie Tonkonow,” Artforum, vol. 45, no. 9 (May 2007) pp. 372-373

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“Tommy White at Harris Lieberman,” Artforum, vol. 45, no. 8 (April 2007) pp. 276-277

“Nina Katchadourian for the Public Art Fund,” Artforum, vol. 45, no. 7 (March 2007) pp. 322

“Adam Bartos at Yossi Milo,” Artforum, vol. 45, no. 6 (February 2007) pp. 296-297

“Jennifer Steinkamp at Lehmann Maupin,” Artforum, vol. 45, no. 5 (January 2007) pp. 248

“Rivane Neuenschwander at Tanya Bonakdar,” Artforum, vol. 45, no. 4 (December 2006) pp. 304

“Annette Messager at Marian Goodman,” Artforum, vol. 45, no. 3 (November 2006) pp. 294-295

“Uwe Henneken at Andrew Kreps,” Artforum, vol. 45, no. 1 (September 2006) pp. 376

“Felix Gonzalez-Torres at El Museo del Barrio,” Artforum, vol. 4, no. 9 (May 2006) pp. 293

“Bertien van Manen at Yancey Richardson,” Artforum, vol. 44, no. 8 (April 2006) pp. 249-250

“Nicola Tyson at Friedrich Petzel,” Artforum, vol. 44, no. 7 (March 2006) pp. 292

“Mark Dion at Tanya Bonakdar,” Artforum, vol. 44, no. 6 (February 2006) pp. 209-210

“Tam van Tran at Cohan and Leslie,” Artforum, vol. 44, no. 5 (January 2006) pp. 224

“Sue Williams at 303,” Artforum, vol. 44, no. 4 (December 2005) pp. 276

“Sol LeWitt at the Metropolitan Museum of Art,” Artforum, vol. 44, no. 3 (November 2005) pp. 250-251

“Liu Zheng at Yossi Milo,” Artforum, vol. 44, no. 2 (October 2005) pp. 276-277

“Sophie von Hellerman at Greene Naftali,” Artforum, vol. 44, no. 1 (September 2005) pp. 305-306

“Eleanor Antin at Ronald Feldman,” Artforum, vol. 43, no. 9 (May 2005) pp. 248-249

“Richard Tuttle at The Drawing Center,” Artforum, vol. 43, no. 8 (April 2005) pp. 190

“Susan Rothenberg at Sperone Westwater,” Artforum, vol. 43, no. 7 (March 2005) pp. 236

“Kim Fisher at John Connelly Presents,” Artforum, vol. 43, no. 6 (February 2005) pp. 171

“Jackson Pollock at Deutsche Guggenheim Berlin,” Artforum, vol. 43, no. 5 (January 2005) pp. 94

“Spencer Finch at Postmasters,” Artforum, vol. 43, no. 5 (January 2005) pp. 182-183

“Chris Burden at Zwirner & Wirth,” Artforum, vol. 43, no. 4 (December 2004) pp. 193

“Fred Wilson at the Studio Museum in Harlem,” Artforum, vol. 43, no. 3 (November 2004) pp. 223-224

“Establishing Shot at Artists Space,” Artforum, vol. 43, no. 1 (September 2004) pp. 273

“The Art of Science at the ICP,” Artforum, vol. 43, no. 1 (September 2004) pp. 273-274

“Yang Fudong,” Artforum, vol. 43, no. 1 (September 2004) pp. 87

“Byron Kim,” Artforum, vol. 43, no. 1 (September 2004) pp. 110

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“Faces in the Crowd,” Artforum, vol. 43, no. 1 (September 2004) pp. 113

“Roni Horn,” Artforum, vol. 42, no. 9 (May 2004) pp. 85

“Africa Remix,” Artforum, vol. 42, no. 9 (May 2004) pp. 112

SELECTED INVITED LECTURES, PAPERS, PANELS, INSTRUCTION & VISITS

International Summer School, Institut für Kunstgeschichte, Heinrich-Heine-Universität Düsseldorf, International Partner for “Materiality, Collectivity, Diversity—Artists of the Coenties Slip,” invited for July 2020

The Courtauld Institute of Art, London, talk on Jay De Feo, invited for June 2020

Columbia University, seminar, invited for October 2019

University of Nebraska, Lincoln, Art History, keynote lecture, October 2019

Glenstone Museum, “Cy Twombly: Thicket,” September 2019

Barbican Art Gallery, London, “Lee Krasner: Painting Now,” August 2019

University of Auckland, Auckland, New Zealand, Studio Visits, July 2019

University of California, Irvine, “Art in the Reparative Mode,” lecture and studio visits, May 2019

Frieze Talks, Los Angeles, Conversation with Mary Weatherford, February 2019

Kungl. Konsthögskolan/Royal Institute of Art, Stockhom, Sweden, Lectures on Painting and Graduate Instruction, November 2018

Los Angeles County Museum of Art, Panel on Bridget Riley, November 2018

Whitney Museum and Dia Art Foundation, lecture on Mary Corse for Symposium on the Artist, October 2018

Berkeley Art Museum, Lecture on Harvey Quaytman for Symposium on the Artist, October 2018

Whitney Museum, Lecture on Zoe Leonard Retrospective, May 2018

Guggenheim Museum, Lecture/Participation in Workshops around Joan Mitchell Exhibition, May 2018

Yale University, MFA Critiques Visiting Critic, April 2018

Notre Dame University, Lecture and Studio Visits, March 2018

University of California, Santa Barbara, Art History Department Annual Lecture Series, February 2018

Art Center College of Design, Interview with Vija Celmns, January 2018

Kungl. Konsthögskolan/Royal Institute of Art, Stockhom, Sweden, Lectures on Postwar Abstraction and Graduate Instruction, November 2017

Whitney Museum, Lecture on Contemporary Painting, November 2017

USC Roski School Graduate Lecture Series, Lecture and Roundtable, October 2017

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Los Angeles County Museum of Art, Public Conversation with Mary Corse, October 2017

University of Auckland, Auckland, New Zealand, Seminar and Studio Visits, August 2017

University of New South Wales, Sydney, Australia, Lecture, Seminar, and Student Workshops, August 2017

Menil Collection, Houston, Lecture on Coenties Slip, May 2017

Palm Springs Art Museum, Two-Part Lecture, March and April, 2017

Helen Frankenthaler Foundation, New York, Respondent for “The Artwork as a Space for Materialization,” March 2017

Newberry Scholl American Art and Visual Culture Series, Newberry Library, Chicago, “Better for the Making, or ‘The Arts in Therapy,’” March 2017

Guggenheim Museum, New York, Agnes Martin Study Day, Presentation, January 2017

University of Florida, “Critical, Clinical, and Curatorial,” Harn Eminent Scholar Chair in Art History (HESCAH) Lecture Series, October 2016

University of Houston, Lecture and Studio Visits, September 2016

University of Vienna (Kunsthistorische Gesellschaft) and Akademie der Bildenden Kunste, Lecture and Seminar, June 2016

Los Angeles County Museum of Art, Agnes Martin Study Day, Presenter, June 2016

University College London, "Agnes Martin after Agnes Martin" Keynote, May 2016

Artis Contemporary Art Foundation, Israel Research Trip, April 2016

Cal State University, Long Beach, “Agnes Martin: Night Sea,” March 2016

Cal State University, Long Beach, Panel for “Frenemies: Art Versus Commodity,” March 2016

Museum of Contemporary Art, Los Angeles, Public Conversation with Laura Owens, January 2016

Or Gallery/Canada Council, Vancouver, “Agnes Martin: Night Sea,” January 2016

Gagosian Gallery, Los Angeles, Public Conversation with Katy Siegel and Mary Weatherford, November, 2015

University of Michigan, Ann Arbor, MI, “The Things You Own End Up Owning You: Art in the 1990s,” October 2015

Art Center College of Design, Pasadena, “Wet Paint, Part 1” and “Wet Paint, Part 2,” June 2015

Whitney Museum of American Art, Lecture on Agnes Martin as part of “99 Objects,” May 2015

LACMA-USC History of Photography Series, Respondent to Lisa Hostetler, “A Matter of Memory: Photography and Objecthood in the Digital Age,” May 2015

University of Texas, Austin, Annual Speaker, April 2015

University of Illinois, Urbana-Champaign, Modern Art Colloquium, March 2015

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Hunter College, Art History Lecture, “Painting Now,” March 2015

Parsons The New School for Design, New York, “Roundtable: New Scholarship on Agnes Martin,” February 2015

Los Angeles Art Book Fair, X-Tra/Project X, One Image One Minute, January 2015

Visiting Critics Program, Norwegian Ministry of Foreign Affairs, Oslo, Norway, May 2014

Getty Research Institute, Los Angeles, Study Days for Jackson Pollock, May 2014

MIT, Invited Lecture/Critiques for the Graduate Program in Art, Culture, and Technology, Department of Architecture, April 2014

Northeastern University, Center for the Arts, Boston, Invited Lecture, April 2014

USC Roski School Graduate Lecture Series, Lecture and Roundtable, January 2014

UC Irvine, MFA Graduate Studio Visits and Public Lecture, January 2014

Guggenheim Museum, New York, “Christopher Wool: Fuck ‘Em If They Can’t Take A Joke,” Keynote, January 2014

Brooklyn Rail, Panel for Ad Reinhardt at 100, December 2013

USC Roski School, “The Limits of Sculpture,” November 2013

Tensta konsthall, AICA Sweden, and Stockholm University, joint invitation for series of lectures and workshops on Art and Therapy projects, May 2013

New Museum, Roundtable Discussion on Contemporary Art: 1989 to the Present, March 2013

University of the Arts, Philadelphia, “Lenore Tawney,” Panelist, January 2013

Connecticut College, “Agnes Martin, On a Clear Day,” November 2012

New Museum, Public Conversation with Lynne Cooke, October 2012

Montclair Art Museum, Scholars Day for “New Order: Art and Politics in the 1990s,” February 2012

Columbia University Curatorial Masters Program, Speaker for the Critical Colloquium, November 2011

Graduate Program in Curatorial Studies, Center for Curatorial Studies, Bard College, Guest Faculty, Fall 2011

Hirshhorn Museum, “Blinky Palermo’s America,” May 2011

Whale and Star Project, Miami, “Becoming Agnes Martin,” March 2011

George Mason University, “Writing the Contemporary,” March 2011

University of Illinois, MFA Studio Critiques, November 2010

Graduate Program in Curatorial Studies, Center for Curatorial Studies, Bard College, Guest Faculty, Fall 2010

University of Nevada, Las Vegas, “Agnes Martin, On a Clear Day,” September 2010

The Phillips Collection, “Robert Ryman, Painter,” September 2010

Austrian Cultural Forum, New York, “Painting, Solace,” February 2010

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Harvard University, “Clement Greenberg at 100: Looking Back to Modern Art,” Moderator for panel, “Avant-Garde,” April 2009

Hirshhorn Museum, “Lawrence Weiner,” December 2008

University of Maryland, Discussant for Benjamin Edwards: Contemporary Landscape Art, April 2008

Princeton University Department of Art and Archaeology 125th Anniversary Lectures, “‘Used Paint’: Robert Ryman and Skeptical Painting,” December 2007

Syracuse University, lecture and MFA Painting Studio Critiques, November 2007, invited 2008

Smithsonian American Art Museum, “Robert Ryman and American Art History,” October 2007

Graduate Program in Curatorial Studies, Center for Curatorial Studies, Bard College, Guest Faculty, Fall 2007

George Washington University, “Robert Ryman’s Pragmatism,” January 2007

Case Western Reserve University, “Frank Stella, Circa 1958,” November 2006

Baltimore Museum of Art, “Robert Ryman’s Pragmatism,” October 2006

Christie’s Education, Regular Guest Lecturer, 2006-present

Whitney Museum of American Art, New York, “Arts and America Lecture Series,” “Anti-Monuments: Process and Performance,” November 2005

Whitney Museum of American Art, New York, “Ellen Gallagher: DeLuxe,” April 2005

Madelyn Jordon Fine Art, New York, “Picasso’s Prints,” November 2004

The Art Seminar Group, Baltimore, Regular Guest Lecturer, 2004-present

CONFERENCE AND SYMPOSIA PAPERS PRESENTED

College Art Association, Chicago, Discussant “C.S. Peirce and Art History,” accepted for February 2020

Princeton University, A Vital Legacy, “Agnes Martin’s Line,” September 2019

University of Auckland, Auckland, New Zealand, “Painting Politics Symposium,” July 2019

Loyola Marymount University, Los Angeles, “One Year In,” Art Therapy Directions Research Symposium, May 2019

Association of Art Historians, Annual Conference, Brighton, UK, “The Art of Art Therapy,” April 2019

College Art Association, New York, “What is Contemporary Art History, Now? 10 Years of SCAH,” February 2019

Kungl. Konsthögskolan/Royal Institute of Art, Stockholm, Sweden, “Vija Celmins: Moving Out,” Material Matters Conference, November 2018

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University of California, Los Angeles, “Personal Voyages,” Los Angeles, Art, Neuroscience, and Psychiatry, November 2018

UC Berkeley Art Museum & Pacific Film Archive, Against the Static: New Perspectives on the Art of Harvey Quaytman, “The Opposite of Irony,” October 2018

Loyola Marymount University, Los Angeles, Art Therapy Directions Research Symposium Keynote, May 2018

Midwest Art History Society, Annual Conference, Indianapolis, “Bruce Nauman’s Resistance,” April 2018

Tate Liverpool, “‘Toward a Happier and More Successful Life,’ or When Veterans Made Art in the Modern Museum,” for “Border Control” Conference (Terra Foundation), May 2017

Dia Art Foundation, New York, “Robert Ryman in the Present Tense,” Robert Ryman Symposium, Keynote, May 2016

Kunstsammlung Nordrhein-Westfalen, Düsseldorf, “Agnes Martin” Conference (Terra Foundation Symposium), February 2016

College Art Association, Washington, DC, “Agnes Martin, In the Midst of Life,” Session: “Everything Disappears,” February 2016

USC Visual Studies Research Institute, Material Evidence: Visual Knowledge conference, Respondent, May 2015

Contemporary Art Museum-Washington University, St. Louis, symposium "Natural Disasters, Free Speech and the Death of Painting," Keynote, April 2015

Rose Art Museum, Brandeis University, “The Painter’s Table,” Keynote, October 2014

Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, “Outside In: The Interface between Self-Taught and Mainstream Art Practices in the United States in the Twentieth Century,” October 2014

College Art Association, Chicago, “John McCracken, In Between,” Session: “Abstraction and Anthropomorphism in Postwar and Contemporary Sculpture,” February 2014

Art Center College of Design, Pasadena, “Biannual Conference: 40 Years of Unexplained Change,” “The Joy of Painting,” November 2013

The Courtauld Institute of Art, London, “American Century Reconsidered” Symposium, May 2013

Harvard University, “Happy Accidents,” “Painting Beyond Itself: The Medium in the Post-Medium Condition” Symposium, April 2013

USC Fisher Museum, “A Complex Weave: Women and Identity in Contemporary Art," Panelist, November 2012

College Art Association, Los Angeles, “Naked Pictures,” Session: “The Aesthetics of the Counterculture,” February 2009

New York University, “Contemporary Art and the Performance of Lifestyle,” Visuality + Performance + Social Critique Symposium, September 2008

HUDSON•PAGE19

Frick Museum, New York, Graduate Student Symposium, “Robert Ryman’s Abstraction: An Open Question,” April 2005

College Art Association, Seattle, “Robert Ryman, Retrospective,” Session: “Ask Somebody Else Something Else: Analyzing the Artist Interview,” February 2004

CONFERENCES AND SYMPOSIA ORGANIZED

Los Angeles County Museum of Art and USC, Expanding Outliers in American Art, Co-Organizer and Presenter, February 2019

College Art Association, Los Angeles, “Art Criticism in Los Angeles,” Special Panel, February 2018

College Art Association, Los Angeles, “Art: Creative Care,” Co-Chair, Panel, February 2018

Clark Colloquium, Clark Art Institute, Williamstown, Mass., “Art: Creative Care,” Co-Organizer and Moderator, April 2017

The Contemporary Seminar Series, USC Organizer and Moderator, 2015-2016; 2016-2017

College Art Association, New York, “The Economy of Contemporary Art History,” Special Session Chair, February 2015

Guggenheim Museum, New York, “PTG: Painting and Abstraction Since 1980,” Co-Organizer, Speaker, and Moderator, January 2014

The Contemporary Seminar Series, USC, Co-Organizer and Moderator for Spring 2013, Spring 2014

Contemporary Art Think Tank (CATT), Washington D.C., “Land Art and Environments,” Co-Organizer and Moderator, March 2013

New Museum, Panel on Contemporary Art: 1989 to the Present, March 2013

Contemporary Art Think Tank (CATT), Washington D.C., “Judgment in Contemporary Art,” Co-Organizer and Moderator, March 2012

College Art Association, Los Angeles, “Digging Where You Stand,” Special Session Co-Chair, February 2012

Contemporary Art Think Tank (CATT), Washington D.C., “Narrative in Contemporary Art,” Co-Organizer and Moderator, April 2011

Contemporary Art Think Tank (CATT), Washington D.C., “Generations,” Co-Organizer and Moderator, April 2010

Contemporary Art Think Tank (CATT), Washington D.C, “Rethinking Formalism,” Co-Organizer and Moderator, April 2009

University of Illinois, “Teaching Painting,” Co-Organizer and Moderator, March 2009

The Phillips Collection and George Washington University, Lecture Series by Anne Wagner, Co-Organizer and Moderator, Spring 2009

College Art Association, Los Angeles, “What is Contemporary Art History?,” Special Session Co-Chair, February 2009

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The Phillips Collection, Washington D.C., Symposium, “Painting in the 21st Century,” Co-Organizer and Moderator, September 2008

Contemporary Art Think Tank (CATT), Washington D.C, “Resistance in Contemporary Art,” Co-Organizer and Moderator, April 2008

College Art Association, Dallas, “I’ll Be Your Mirror, or Why and How Do We Work on Living Artists,” Session Co-Chair, February 2008

Princeton University Graduate Student Conference, “Posing Models: The Question of Beauty and Its Status in the History of Art,” Co-Organizer and Moderator, March 2002

CURATORIAL WORK

“Re:Search: Art As Inquiry,” Loyola Marymount University, Co-Curator, May 2019-April 2020

“Ours is a City of Writers,” LA Municipal Art Gallery, Co-Curator, February-March 2017

MEDIA

BYU Radio, Top of the Mind with Julie Rose, August 20, 2015

Museum of Contemporary Art Los Angeles, 2015, Videos of Mark Rothko and Abstract Expressionism: http://www.moca.org/stream/post/screen-mark-rothko-vibrations

“Is Painting Irrelevant? ‘Not so fast,’ says USC Dornisfe Art Historian,” by Lynell George, 2015: https://news.usc.edu/83846/is-painting-irrelevant-not-so-fast-says-usc-dornsife-historian/

“Suzanne Hudson on Artsy’s Educational Possibilities,” July 18, 2013: https://www.artsy.net/article/theartgenomeproject-art-historian-suzanne-hudson-on-artsys-educational

SERVICE TO THE PROFESSION

Loyola Marymount University, Accreditation Advisory Committee, 2019-2020

Manuscript Reviewer for Konsthistorisk tidskrift/Journal of Art History, 2019

Archives of American Art Journal Graduate Essay Prize Committee, 2019

Reader for Cambridge, Selwyn College, 2018

Manuscript Reviewer for Yale University Press, 2018-present

Manuscript Reviewer for University of Chicago Press, 2018-present

Manuscript Reviewer for the Getty Research Institute, 2018

Manuscript Reviewer for Yale University Press, 2017

Manuscript Reviewer University of Minnesota Press, 2017

Nominator for MacArthur Fellows Program, 2017

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Evaluator for the Creative Capital | Warhol Foundation Arts Writers Grant Program, 2017

UC Riverside External Review, Art History Department, February 2017

Archives of American Art Journal, Advisory Board, 2016-present (nominated to second term:

2019-2019, 2019-2022)

Manuscript Reviewer Archives of American Art Journal, 2016-present

Manuscript Reviewer for Routledge, 2016, 2019

Manuscript Reviewer for Taylor and Francis, 2016, 2018

Manuscript Reviewer for the University of Minnesota Press, 2016

Manuscript Reviewer for Religion and the Arts, 2016

Rema Hort Mann Foundation, Jury for LA Emerging Artist Grants Follow Up/YoYoYo Program, 2015

Rema Hort Mann Foundation, Jury for Artist Grant Awards, 2015

Whitney Museum of American Art, Education Committee, 2014-present

Social Science Research Council, Dissertation Proposal Development Fellowship (DPDF) Program, invited reviewer, 2014

caa.reviews, Editorial Board, 2014-2018

caa.reviews, Field Editor for Exhibitions, West Coast, Modern and Contemporary, 2013-2016 (commissioned and developmentally edited 20+ 1,500 word essays a year)

Reviewer for Austrian Science Fund (Humanities and Social Sciences), 2013

Juror for 100 Painters of Tomorrow (London and New York: Thames & Hudson, 2014), 2013

Modernism/modernity peer reviewer, 2012, 2015

Society of Contemporary Art Historians, President Emerita and Chair of the Executive Committee, 2012-present

Curatorial Consultant for the Montclair Art Museum, 2012

Evaluator for the Art&Education Papers Prize, 2011

Consultant for PBS, Art 21, 2011

Nominator for MacArthur Fellows Program, 2009

Evaluator for the MacArthur Fellows Program, 2009

Evaluator for the Creative Capital | Warhol Foundation Arts Writers Grant Program, 2009

Art Journal, peer reviewer, 2008, 2010

Contemporary Art Think Tank (CATT), www.cattdc.net, Washington D.C., Co-Founder, 2007

Society of Contemporary Art Historians Listserv Moderator, 2007-2012

Society of Contemporary Art Historians, President, 2007-2012

HUDSON•PAGE22

Manuscript Reviewer for the University of California Press, 2007-2010, 2013, 2014

Society of Contemporary Art Historians (SCAH; a College Art Association (CAA) Affiliated Society), Co-Founder, 2007 (https://scahweb.cargocollective.com/)

Program Committee, Center for the Study of Modern Art, Washington D.C., 2006-2010

The Phillips Book Prize Committee, Center for the Study of Modern Art, Washington D.C., 2006-2010

SERVICE TO THE UNIVERSITY

USC Department of Art History Graduate Review (UCAR) Committee, 2019-2020

USC Department of Art History Search Committee, 2019-2020

USC Director Pacific Asia Museum Search Committee, 2018-2019

USC Endowed Fellowship Committee, 2018-present

USC Department of Art History, Director of Graduate Studies, January 2017-August 2018

USC Roski School of Art and Design Dean Search Committee, 2017-2018

USC Faculty Evaluation Committee, Department of Art History, 2014-2015, 2015-2016, 2017-2018

USC Roski School of Art and Design Undergraduate Arts Council, Faculty Advisor, Fall 2014-present

USC Department of Art History, Consultative Committee for new Chair, 2014

USC Contemporary Working Group Panel, Archives and Contemporary Research, March 2014

USC Art History Job Market Workshop, October 2013

USC Art History Publishing Panel, October 2013

PI, USC Contemporary Working Group, 2013-2018

USC Visual Studies Research Institute Advisory Committee and Affiliated Faculty, 2013-present

USC Search Committee, for Modern/Contemporary Positions, 2012-2103, 2013-2014

USC Graduate Admissions Committee, 2012, 2013

USC Non-Tenure Track Faculty Review, 2012

USC Visual Studies Graduate Workshop, October 2012

USC Lunchtime Lecture Series, Then/Now, Co-Organizer, Fall 2012

RECENT TEACHING AT THE UNIVERSITY OF SOUTHERN CALIFORNIA

GRADUATE AHIS 500: Methods of Art History

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AHIS 512: Whither Process?

AHIS 515: The American 1990s

AHIS 515: The Triumph of Contemporary Art

UNDERGRADUATE ARLT 100: Art in the 1960s

AHIS 255: American Art and the Culture Wars

AHIS 370: Art Since 1940

AHIS 470: Contemporary Art and Art Writing in New York:

https://dornsife.usc.edu/news/stories/1445/course-is-work-of-art/

https://dornsife.usc.edu/news/stories/1829/sweet-trip/

AHIS 486: Museum Studies

USC ADVISING AND MENTORING

DISSERTATION ADVISOR USC: Karen Moss (defended 2016; currently Acting Vice Dean of Critical Studies, USC

Roski School of Art and Design.), Grant Johnson (ABD; currently on fellowship at Metropolitan Museum of Art New York), Frances Lazare (ABD), William J. Simmons (coursework), Ashton Cooper (coursework), Maddy Henkin (coursework)

USC DISSERTATION COMMITTEE MEMBER Danielle Charlap, Dina Murokh, Isabel Wade, Karen Huang (defended 2016), Megan

Mastroianni (defended 2016), Samuel Adams (defended 2016), Bess Murphy, Jaclyn Simon, Jennifer Reynolds-Kaye (defended 2014), Virginia Solomon (defended 2013), Yael Lipschutz (defended 2013)

OUTSIDE DISSERTATION COMMITTEE MEMBER Amanda Cachia, UCSD (defended Spring 2017)

USC VSGC CERTIFICATE EXAM COMMITTEE MEMBER Lida Sunderland

USC MFA THESIS COMMITTEE

Jake Freilich, Fleurette West (2015), Veli-Matti Hoikka (2015), David Sikander Muenzer (2014), Young Joon Kwak (2014), Becket Flannery (2014)

USC MA (ART AND CURATORIAL PRACTICES IN THE PUBLIC SPHERE) THESIS COMMITTEE

Samantha Gregg (2015), Santi Vernetti (2013), Kiley McCarthy (2013), Basak Comert (2014), Julia McCornack (2014)

USC UNDERGRADUATE HONORS THESIS

HUDSON•PAGE24

Brea Patterson-West (2019-2020), Lucas Gelfen (2018-2019) Jordan Bradley (2016), Alicia Dewell (2015), Jelena Lowe (2015), Ani Mnatsakanyan (2014-2015), Carly Rustebakke (2014-2015), Michelle Crisosto (2013-2014)

USC UNDERGRADUATE MENTORSHIP, MCNAIR SCHOLAR

Joshua Ramirez (2014): http://news.usc.edu/80980/usc-seniors-making-a-difference-meet-a-man-on-a-mission/

USC INTERNATIONAL SCHOLAR IN RESIDENCE (SUPERVISOR)

Andrew Ward, University of Sydney

PROFESSIONAL MEMBERSHIPS

Society of Contemporary Art Historians, 2007-present

College Art Association, 2004-present