Space in Art Landscape Space Architectural Space

Landscape SpaceArchitectural Space

Glenn Hirsch

Andy Slaton

Landscape Space

The sky is timlessA low horizon line = a ‘big sky’

Light = universal emotionScale = the small against the large

Twilight = the boundary between the consciousness and dreams

Aerial perspective = objects further away are lighter (fainter), duller, cooler

The sky is timeless – the clouds look the same way now as they did a thousand years ago

The sky is universal – light is understood by all cultures Joseph Turner

http://www.google.com/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=&cad=rja&docid=5esM5GF-H4GW8M&tbnid=vHYSE9u45BSQyM:&ved=0CAUQjRw&url=http://misslilies.blogspot.com/2009/06/turnerrothko-and-terminator-salvation.html&ei=4UPGUcrJM7iu4APwn4HAAQ&bvm=bv.48293060,d.dmg&psig=AFQjCNGeIOXLqbyPyOOUgwipWvdd3EjC-w&ust=1372034383854642

Scale: the small against the large (Emil Nolde, watercolor)

http://www.google.com/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=&cad=rja&docid=saXW-kixtsWYKM&tbnid=eeAp2W6Oq4KUNM:&ved=0CAUQjRw&url=http://matthewh12.blogspot.com/2012/04/medium-of-albrecht-durers-adam-and-eve.html&ei=DEbGUZzXK9Ws4AO5qYCYBg&bvm=bv.48293060,d.dmg&psig=AFQjCNGKA9MZld1CRfe8Kq1ZNbTRIOmvPg&ust=1372034848738959

A low horizon line emphasizes the freedom of the sky Van Gogh

http://www.google.com/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=&cad=rja&docid=wnUpWOBWamFgGM&tbnid=KMuD1aYmPUwxdM:&ved=0CAUQjRw&url=http://www.theartwolf.com/paris_landscapes.htm&ei=N0DGUeaHCOHA4AOn4oCICA&bvm=bv.48293060,d.dmg&psig=AFQjCNE6gv0NmDIvsPQ13s07X6q2bDcaFw&ust=1372033452494825

Twilight is the boundary between consciousness and dreams Caspar David Friedrich

Twilight is the boundary between consciousness and dreams Daniel Rabier, student

Twilight is the boundary between consciousness and dreams Suzy Barnard

aerial perspective

As objects recede in a landscape space, they appear:

Lighter in valueDuller in intensityCooler in temperature

Aerial perspective – things far away lighter, duller, cooler, compared to the foreground

Gustave Guillaumet


Aerial perspective – things far away lighter, duller, cooler, compared to the foreground Jay Glimme

Hirsch watercolor

Student work

Edward Hopper

Claude Monet

http://www.google.com/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=&cad=rja&docid=P9tqi2HItdGASM&tbnid=mO4ge-2QR9oT3M:&ved=0CAUQjRw&url=http://fineartamerica.com/featured/landscape-with-figures-giverny-claude-monet.html&ei=Gz7GUdfECfOl4APA14HwCA&bvm=bv.48293060,d.dmg&psig=AFQjCNGu1LHHw-IHEQ2jjuEnbRjLD1jF4g&ust=1372032890378122

Jean Francois Millet

http://jorees.files.wordpress.com/2009/12/angelus-millet.jpg

Space Architectural

1. Window Light2. Window View (painting within a painting)3. Complex Spaces

Window light

Vincent Perez

Elmer Bischoff

Constance Marie Charpentier

Berthe Morisot

Window View(a painting within a painting)

Rogier van der Weyden

Edward Hopper

After Edward Hopper by student Brian Labrie

Claude Monet

Balthus

Adam Hirsch

Complex SpacesLinear perspective

Robert Birmelin

Robert Bechtle (watercolor)

Bruce McGaw (pastel)

Hirsch watercolor

Rembrandt

Piero Della Francesca

Edward Hopper

Edward Hoper

Student work Dan Keith

Student work

Student work Jane Willson

Ana Teresa Fernandez

Student work Laura Cook

Student work Jeri Wyrick

Student work Servando Garcia

Space in Art Landscape Space Architectural Space

Education

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