SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg...

21
he Sound of Marantz

Transcript of SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg...

Page 1: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

he Sound of Marantz

Page 2: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

Tile Sound of Mara/liz

is the compel/illg warmth of II Stradivarius.

It is II dl/I1cil1S fiule, II haughty bassoon

and the plain/ive call of 11 IOlle French hom.

The sound of Maral1lz is ti,e sOllnd of bel/Illy,

lind Marantz equipmnlt IS desig>Jed to brillg yo"

ti,e 5libl/e joy of its ddight.

Wonderful adventures ill SOllnd await you

when yOIl discover 111M tlw sOl/lid of Marantz

is Ihl? sOlmd of mUSle 1/1 ils very best.

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The Sound of Marantz Is the Sound of Music at Its Very Best. The phonograph record, the reel of pre-recorded tape, and the stereo components thatbring you the thrilling sound of music-these are objects simple in shape,familiar. You see them, touch them, and perhaps hear them every day. Yetwhat a world of noble achievement in art and technology lies behind thesefamiliar objects! Consider first the phonograph record or the tape reel. Whocan conceive of the struggles, the ruthless dedication to attain ideals-requiredby musician and scientist alike to bring the strains of the mightiest Beethovensymphony or the simplest Schubert song into your home! Consider the geniuscomposer-Beethoven. How many years of unrelenting discipline at keyboardand writing desk went to produce the controlled violence that is his music?Or think of the orchestra-the conductor and musicians. One hundred men­one hundred lifetimes dedicated to art and beauty, assembling and perfonning- so that you might hear the music of the great composer. Think of thescientists-those supremely logical men of the mind who seize upon inertreality and mold it into the wires, transistors and dials of the recording equip­ment-of the recording engineers who operate that equipment during a stereorecording session. How many careers are here devoted to harnessing the forcesof nature so that the passionate sound of music might forever be preservedand enjoyed in your home? The marketplace puts a specific dollar value onthe cumulative result of this effort-the price of the record or the tape. Butthe truly intrinsic value-created from the struggles and triumphs of individualmen - is in the pleasure it affords the listener, and this can never be measured.

A stereo recording is indeed priceless. As such, it demands and deservesto be played only on the finest stereo reproduction equipment available.And by what standards does one judge the finest? Consider the folloWing:scattered throughout the world are a handful of business firms that view their,

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wor , not so e y as usiness, but more closely akin to artistic self-expression.They are not concerned primarily with satisfying public demand, but, like theartist, with self-fulfillment, with translating a personal vision into concreteform. These firms are usually small; they produce few products and in limitedquantity. Their wares are hand-crafted by master artisans who take pride inthe degree of perfection that they can attain with each piece. Yet it is theproducts of these scant few businesses that set the world's standards for excel­lence. When people mention their names they look up, in spirit if not in fact.

You know these names-these trademarks that are badges of honor in suchindustries as automobiles, jewelry, cameras, clothing, furniture. In the highfidelity industry that badge of honor trademark is- Marantz. From its veryfirst instrument manufactured 14 years ago to the present, Marantz has set the

standard in the audio world-in performance quality, in deSign integrity andin scope of innovation. For Marantz customers this has meant unsurpassedsound, a wise investment with years- perhaps t'vt'n decades -of faithful service,instruments that are state-of-the-art now and will continue to be well into thefuture. On the following pages is the entire Marantz audio line. There areonly a handful of products, yet each individual instrument represents a uniquetriumph of engineering and invention, and the ultimate adventure in thrillinglistening. Marantz is more than a product line; it is an ideal in the worldof sound reproduction. If you are satisfied only with the finest, if you demandthe same unremitting standards for the reproduction of music as you demandin the music itself, then you will want only-Marantz. 3-year GoldenWarranty. Marantz guarantees its electronic instruments to remain free fromoperating defects for 3 years'" from date of purchase. Tubes are guaranteed forninety days. Full details and conditions are available on the warranty documentissued with each instrument purchased.

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The Model 7T Solid·Stato Ster,.., Prumpl ifie<. Vcrs~tiI1 ty is nol the only ,lOnda"l loc ,,,dSing romponents, but if It we",. IheMarantz 7T Ster1.'O SoHd-St~te Preamplifier would .till be the Ic~der. There is. however. an cven mo", imporlant S1~ndat<J:

""und quality. When you hear the ra";shingly brilli.nt stereophonic sound 'hat this instrumont .an produ.... then you wiltknow why it st.nds in a class by it...lf. Here i. the preamplifier that posses""". unsurpl5!oed sp«lfications for low nolS(' andlow diston,on. The wid...t dynamic el<Curs,On' On your favorite record or t.~ cannot overload the ,nput stage. The usualtransistor problem in 'iOIid-slate preamphfiel'$ - that of inad<,,<!uate .ign~1 h.ndling cap.clty and dynamic range - h., nowbeen overcome b)' M...nt. engmeenng. aut to appreciate truly this marvel of audio eng,nl:'t!nng. you mus' see it. lind he.. ilYou mu.t fe<rl and lum Ihe smooth pRrision·machined knobs, savoc Ihe lu,",urlou. look of the classic front p.nd d""lIn.rumme dos.ely the w.,.r~ecd...,p photo-etd.(Od front p.nel lettermg. .pprccu'le Mor.ntz· tradlllonal scrupulous '''enllon10 the monutesl del.tl;llS evidenc(Od by lhe desIgn of the bol.nce conlrol which s,muluneously 'OCre.ses the volume of thes~alcr 01 One chlnnel whiW d"",re;llStng lhe OIher 10 mainl.in ronSI.nt acoustic output, .nd by the use of Teflon·in.ulatedsolder 'ermlnals. In thIS preamplifier. sound and Kience merge••nd lhe resuh IS.S £1«lro"," I\'orl" m",&"zine pUI It," we!wve nev'" found. unil which embod,(Od all the perform.nce choraclfl'j."... of the Model 7T:' He........ some of lhe m.ny'Wlld'ung .nd ,nput focihtJeS availabl.. WIth t.... 7f Two fronl p.anel j;ocks let you record, pt.y bad. or ropy wilh ..n e~tem.1

tape record.... n.er...•• ~k for Slereo headphone (600 ohms and abo"") l!wl auIQmatla!ly cuts off the .peak.... when theheadphonE'S a... pluged in. Eadt stereo c....nnel!w. Its own separate bass.nd treble tone knobs. lloett IS'" ,nput sel«lO<knob for mtcrophone, up 10 two phonoguph$. l.pe held. luner. TV. ~nd two AUX tnpulS, You c... opec.t.. t....o .addltion..1amphfiers for rernot.. monophonic spealer'S through the !oe'J>"ute cenler channel oulput wh,,;h has 'IS own level rontrol, andwhich provides a tOlal blending of lhe lwo stereo c!wnnels Small wonder th..t the Model n is h.iled as the supremdy v..rsa­Ii.... all-purpose stereo p........ phfier SJ2S00

,--------------------

1-\1. Diolo<tion-I..ft.o 'h.>n0.115'1 ., 3 Volt RMS tqu..~lonlpe.ok ou'put. l.ft5 "'~n 0.05' 01III Vol. RMS «joivollm, peok""'pul ........ th.n 0.15'••, 10Voll R~S oq"inl.n' ou'p'"tt~"""nk Oi'10"ion-2O II. 102(J t:H•. Le;. than O,~')j .1IV RMS outp~t

1J)'n.mk R.ng.-(l'honoInp".)_IOO db ob<we 1 "V<quiv~lenl noi... inp'"Opti""ol A«"50ri.,.-O,~d,,",.Inut cobin". $!4.';(l;Rock /doun. P• ....,. ~.OO

UL LioJed • ';(l to IJO H.o.,....~"on .. IOS-I.J(J Vol!>En.ily Convertibl, • Ftom 1mVol' to no Vol' o.,....~ion

1_ w,,1e 1m ton......"'"

.outruetiooN.

Marantz Model 7-T

Ad]u>!.....nl. b AC Outlet>, T.p.R«oftI<ofOulpulJKk., T.P<'l'IoybKk Input ).d•.o.c,lloocop<' 0u'pul1For u...w"h M.,.n!> 'un.....)SrECIFlCATIO"iSC.in-PIIoM '0 m>on Oulp"'6J.S db; Plio"" 10 ....."n:llng"utpul 42 db; llign 10voil0m.in oulput: 21.~ db,lnpu' S<n,i'iuity .7 rov forphono kI, IV ",.in O"'put 10",,h.n .IV kI, high Iovel lUI' IVm.;n ""'pu'F...qu,ncy R.."",,~ - 20 liz to20 KH""O.5 dbT_I Noioe_(lhgh Lf'vol) 20Hz to 2ll t:t1z. 100 db belowI m.icn>volt ,nl"". (Low .........l2ll1l. to 2ll t:lb. I mv«jolv.......t tptoonol

of"'pro wuh _, plMI_....... _: 'KO"hnS output.They .... c.~b'" of dnv,ns",I>...- low 01 h,&" Imptdoncercc<>nle<o w"h low d ..IOIt'on.St<!,eo prog,;un .....'.n.1 c.n bem,,«t .nd , ...onlC.'dmonopll<>no<~l1~ ,f d.,,,,'dO,her f ••l",.,_l'ron, 3-w.ys<loclQ' 5\o,,,.h-1<1II II. plu" Iwoof ,h, """... ",,,,mOft older"'lu.h••"on rurv." Mod.SWItch; PIK",on h.o<kln,Volume Conlrol; \\'Id.',.n"Il.o:"nce Con'roI. Sel....bl, curv,l'<edbKk Tone Conlrol.;3-poo'l><>n High (1I<T'l<hlI'ilt.... 3._,t_ Low (I\Imblo)1'11,er. Pow.. Sw"d. Re...Ou'pu' t.r.r.. Sw"ch for til&".nd Low 1'Ji,......"~T~U....dEq.......

FEAn..REST..·o F"",t r~...,1 Slnft> I~du, ~ Forf«O'f<I1ng. toPr,ng '" p~)'bo<:~

w,th ~~ hl l lapp ff'tord....F...nl r.n'" Sle He~dph.one

J<><:k ~ 1I~,It·'" cimoi, kI. d";",~~600 ohm or h'II"'" imped."""phon••. Sound .,,'om.'ic.llycvt. off lrom .puke.. whonh~.<Ipho"e..... plu~ged inC,nt.. Ch.nn.l OUlput~Sep A.B m"lnS <lmo,lwith 1«>nlrollo dn...., on, o.two ~'''on.ol .mphh~ fo,"eenle'" <,,"nnd 01 remote_nophon'" .pe.k,.... Low'mped...... ou'pu'T.pe l'1.yfT""" Cop)' Switch­New .,rcu,' and .....1<h'nSperm,.. "'po -"'ll M-b<><~Of' ....... 'IOn..... pa... du..."'.......

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--~~- ~

-! )- -•= -• • •.- ~

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Th~ Mod~l 15 120-watl Solid-Slate 51~1'tO I'ow~r Amplifier. Criliu, lab IMIS, dulers and cullomers as...... : Ih~ Maranlz ,Model 15 120-wau Solid-SI~le SleT«! Power Amplifle. is an inslrumenl withoul pre<:edenl in performance and rugged .eli_~bilily. As renowned audio aUlhority Julian Hirsch e.c~;med."If any amplinercan be I..nned 'indeslructible: lhis illhe one"Two independenl and idenllcal monophonic "mplmers. e...:h wllh ilsown pow.... supply. are br...:keted togelhe. and mountedto a handsome Ioid anodized front p.onel Ih"l matches both Ihe Model IT Prumphfiff "nd Moor! lOll TuM1', 8«ause thechannr!s are oomplett'ly lJOlaled. you suffer no pow"r 10M, "cross-I..lk:· or other inle'''':liolU Ih,u oftenhmes occur fromslmult.a_s operation of both chM1nels wllh only one pown supply The ..mpllfien are dlrec1·ooupled, providing inslanla­neouS 11rCOV""y from o',e~ ..nd IM/! uled power Ihroughout Ihe fuD frequency rans" AI ..ny udlo frequency••nd on anyoutpul imped.nce from 4 to 16 oluns, the Model IS .., luar.nletd to ha"" no more than 0.1" to""l Iuonnonic d,storbon "I o.below r..ted poWft Distort,on on the Model 15 is low.... lluon on any other currently "vall.ble poWft .mpllfier. You can usethe Model 15 wllh "ny Ioudspe.k.... on !he lAMket, hom a 4-oftm MOUstK SUSprlUK>n system to the 16-ol'Im eI«tro5t"ti<:, And,a b."lt·in k>o!.proof prot«tion cin:uit ",ves inst.nt.neous ...et unobln.&live prot«t,on w,lhoul caUS'"I"nnoy.ng progr.m'nt....... ptlOnl AD 0( these le"lures combme to bn", you com~ym,a~<>pft'Ilion-~&r,n "nd ~... out. The performanceof the M.ononb. Model IS ftl.ablishes whoDy ........ ltandllrds 0( technICal e:xcdIence for amplifIerS 01 aU types. SJ95.DO~ Model 14 Sinsle Cha",",1 Amplifier. If you netd " h'Sh.qu"lIty "mpllner for monophonic or anter-dunM ope...bon,tnn.. lhe Model 14 'I lhe uk..! chola.. AvaibbW in utohty form. II hu I.... w,"" pr,f'llmtance speafICShon" .nd cirnlitry 0(

e...:h cluonnel 01 the Model IS S2OO.00.

fUTUI.ES T_ Dfta, CWuil EkdIoaio< T.- Dfta, Oraoil T_H~~

U>u<6opooa- '- po_ltd Tlus .u_ ,Iw "v-o!lO llw L.- _ <> I..... -.I borIuwSokt)o Cl_il ." _. (\Ifl'ftll· ,,&,,'ns1 d--.~ f.- tuno...... Iuud~ "'" ~bou' f, .... nkd powrr, 20 k> lll..OOO HL11ln'bA& """,I <I.. IOf" by ~_~~:wl....... ~_'Iw"n"'sMoroni.. f"'OI«M botll 0<11....1 Sq>aute Pu_ S.ppl'" l....-l on, ,b• ..b""I\.01',,& IIw Typlulll_i< rn.lor1iooo;.... dn_ tr_,OlIOOS I""'" a..m_..., compleltoly ,oolalf'd '~"POPP'''3'' _ ... o OJ.. ",,111 8-0"'" or hlp...O"'pulll>orl cimutI, opm No PO"-'- IoH or otIw< normally pmdllM:! ~I _ b..... Iuad _ 01 f"n .01«1 0<I'p"', an, •ci""'II, ".pa<il1ve 1<*, or any

intel'aCl>Oftt '''''''' ,Imlll'...-.. by h'loh~ ... rt>I, ',,",,"<ft<J &om 2010 201100 Hz"pot of rompln Cfa<li.... opoo..""" of I>o<h <""nnet•. '.on",'on,«I un",. l)'tIO<\IOft d«...._ .. ""!P'"Io<od.pot~"""lo-.lln. ""'Idrnlal

C........... I<.oIeh . TlInr 1t....1i. ~.r<lopoon -or thon·.imoilln5- ""rn..."h I.. II_po"""', 201100 liz ""'p"I tharp ....,tchl"l dl"""u"uill" SPECIfiCATIONSi. romplet~y..Ie Short .i"",l,. hay. bftn virt ..olly .11",1"",«1

PU...... OUlp..1 E.och Ch.",,~I,Totol Nol.~: !l(,Ur, Ih." \lO db

d..nnl Q""roUon K1IV"' ...~.I in III< M.,.n'z On:ul', ~"~" at belo... /Ill w.n. Inlo 8 oh""2'01100 Hz. Thl. ,"..h. I" 7IJ w~t1•• 4oh""" /Ill woll.

Ind,,,,..,... Thi, .. nl"..~ Hf<lynotice.bly d ..."... potrlo"""'n«'. • 8 oh",,, 010 wo'll • 16 ohm., Opllo".1 A<<<..sori.._o.~<i"",,, &i- 1...1...1.........."" W,ll Qp....,~ "'."""OU, a' ,./1..nob"".' .... ptolKiior. ..,,/00., ...potdo.lly opparen' a' norm.1 w~I .... , .,.b",~I. $29.50:listeni"l! 1eYfto. ,.It~ p""tDn /rt>", 10 '" lOj)OO II:

Rac~ 104"""1 P_. $.15.00, ......, ......y"'1 ,...,...."'I~ COOI,-" ufdy'I.'......p'_' F.....' P.....,I-hl~...... lhuoor of

MMan'" ModcI TfSolld·St~te FI'ftl_roq- R..p......Ul UsIf'd _ for 5G-6O H..

5o<ftO ""'-ploll... CoNolt and 1OS-tJOV AC.0....... ......., Modr/1IIlB s.- FM Tu..... In \"'"..n 1 db, JO 10 110.000 lit-

I_....-.. Oun b<>th sUr -.I typo 01 h...... Easil, C_vmilol~_F""'" 110 mit~a'hlp""", c..t....... or "",k -m.na D-p;-. F_ Gral... 10220 ..........._ n.-..~ ...... _""'~ al ....... I'1lIl. .-lO ".;!tI .......... r....l ...n"" ... con.......... _

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\'01,,_ SenSitivity 10 dbmax,m"m f....arhed 081'Y)

lI.m,onie l)i"ortioo_ Le•• 110."0.2"@ 'S 1',1••ft",J.·emph..I••.nd Ie-os ,h.n I"" d",oc""'.

~••tion _Appro>.,m.,e'y 4S dt..c..gc ''''''''goo", to, ••ng•Bell.... ,h.n 30 db ai'S 1'112.

Buiil_in M.. ItI....ttVT"ni"lllodic.to<_)" ~Bt.copc '''MT..oi.. Go..- \Wi...,. 'YP".oiIwr-pIaled. /our ......nrodKCtoon., ="moc 'r-<'.P""''',on c.hbra,ed at 10 po;n ...

Dimen,;on. Front ponel.1S'lo·. '»;', eh,..i. 14 ...•",ide. 15- doH-p • '<.-h>&,,­(.ndod"'lIffttl· P_d...........,....... idmhal to Model TT.1' 1 Finish Gold .no<\,ud,10 m h Mod•• TT.Shipping W,i8ht-3Il lbo.Oplion.l A«.....,;.... O,Ied.......", cat"""" S37.00;R.ad. Mount p_, SIlO,OOUlLiMed_ ..... _H.IO'>-IJO\ AC _at_[aoily CO'IV.n;b1" ~ from 110 v<>l''0220 ,,01, o~..lion. l'Ie.",",,,tc for ron....ion in'lruc,ions

AM Rejo<tiooo _ AI ...... 70 dblIO'Il 1Itod.....,oon WlIlo .............

mulh?O'h b« .....~ v... ble,m.~,"8 ;, 'lnlle _y to ..,odi""lhe 'ntenn. for bn' ""''''t•. Apo-ne',wlt<h I""rrnilO lest di.pl.y01 Ih.tcfl.,.,d rillhl fM channel,.or ""1<'moJ "8"'''' lrom t.~,_de, ..... pI'oonosr3pfto.

sncltlCAnOJl.s1.I1.F. Sen,iti\'i,y_ 2 /,V or bett.....

Q"ie'i", 5'01'<0-" I~... 'i(I dl>• 3"v; 60 db 181-1"; 70 db 1 25,,".s •• If St'8"'-"-h ... i,h 3-f'<'1fpha>e--'inea. band_paso fit....IF band....th. 2tlOKH~ Cn",,"$lopft. 108 db/octo.... ..-.....~l«ti,·i'yC.n... - Adtacmtcame.-42db; .1l~lc<.rrier_lSOdb.Nine Dyn.mkSymooetrlc.l_Aport..... lim;_~F"B Itm"'",,"'_Ult••_li Oioai..i_~Foo- low 0.1, "'"",p."b..rn.nnel r.niP'B•••n«d_bridge Diode M;,...

A"lomat;< St"..., S... II<hio8­l'hol""lectronic.... i,h indie• ..".lop' and th""""*! ad,,,.,,,,,,,,,In _ Mooli.._

1'1' _'oc, w>lh <l<W-ol.~ ,trn and th""""ld od,,,.-.,IT.....I Spurio... Rejecllon~11<-11" ,h." 100 db, 'ndudes,m.~<$. em" modu'"i"n, ek'

"SJWo .. close to the theo<-fllcal' ......hoId....,th "'III,.."e q",et,ng,ne~ 0170 db, TheoJi"",imin.'o. cir<ull t. e"'.",elyl,ne.<, ...,.uring low dis">rtiorl'hmup the sub-channtl rangeMlIltipl... _ The hishlyoop!>;..""oed Mao-ann ci"""lperm,,. the .........10<1 oj pN'"~ion to m',nlO,n propco.ph..e"",p'i'ud. ",I.tion,hi!>".This all"w. 'he "",, ol.ne"",meIy eH""ti"" SCA ''';«1_fit"'. WI,houtlhe "."a11oH ofoeparatoon at IuaJ'l l.-..q__Separ.t..... ;. _ 1/. of

)0 db 10 IS I<.H.. Tho' tput fi''""....,;, provid"" v.-ry rp...en"."on oI.-.:-sidu.1."b·eh.nne' rom!"'ncn .. abo,.the .ud;" ••nge, e1imin.'in8no.....nd ;nl....-1e-...""" from SCA.~.""~ lcmteCUp--<'l3fft .... precio.oon Iun>od.oIcoiIo ..... "oed for: IIlI fi,,",­A"l<>a\a'OC ._....,!Ch;"8 andin'n-dulnne' m"tong .... boIh....,omph.hed by m,."" 01,ng.",o"•• il"Ct",n ie.Uyt"W"'d photo ,If"'ric circu, ..M..Uip.Ilo-T".....8 '»<II<""'_lnl.I.Irch 1'<0-2 'da<aftU nlrod_

u... """"'" OIl ....n'""','Iosc0l'" ",be ... mult,~'h

and 'un,nK ,ndie.'." ,n 'hee.llyptotolype< of 'he Mode. 10. A.e.>eh 'Wion i.l"ned. ,l<

"'"""Hen'",, po"""n on 'hor~, .iP...-tyd"pUye<!

e.eo une', e ave never ""en a luner to compu.. with 11 ,.., "",standing that i, ,s li'e...Uy in a class byits<:lf." Thus did HiF,ISlrrro R."ino pr"isc th.. Mod..l108 Stereo FM Tuner.~ we.... nol"Ion". In f.oct, no olher single a"diocomponen' has ....."" ..ed $Dch unqualified """lI'm. H ...... is th.. luner tlul many radio s,,"lIons instollto monitor their ownb......tc;asts for quality, frequency a«ur""Y, ..nd dI..nnellloepM"lIon H...... is the only FM tuner avail.bl.. which provides stereo.."..••hon in excess of 30 db Kross the r"'ire aud,o frequency spectnJm ., specified by th.. Feder.1 Communi""",ons Com·mission, Posseision of • Model lOB i. 'he hallma.k "f 'he ,rue ."di" oonn"isseur. You can receive FM "eJ1.'Cl broadcast' wilhth.. sam.. clarity and fidelity with which Ihcy ore trall6milled. Th.. Model 1011 meelS your ..very requirement f"r true highfidelity FM stereo l'CCl1ption, rerfonn,,"ce char....tt'ri.ti., "f the Modd lOB in ""S..rd '" 'lui..ting, .t.."", separation and di.tortion"re ,,,t..lly wllhout pre«d"nt. C"mbinill8 high sensitivity, ultra_sharp selectivity, f..st quiehng ....l1on ..nd ~u<:ed suscepli­bility to mullLp..th eff«1., .nSu.... unsurpassed I't'Cepho.. - .....en in fnnge a",..s, The ""dusi....., built-in oso:illoscope {CRl).gu.r..nll't'S "bsolute tumng accuracy. Tht' oscilloscope ..I", shows corr«t ..nlen.... dll'"ction fOf" bes' re«phon ..nd lunIng oul"f mulllpa.h inl ..rf......n..... as well as the ....I.. liv.. Slgrtil[ streng.h of Neh st.. tion. The CRT also lets you test for optimum "ere<)separation, and for "ere<) phasing. The Model lOB never requires cos,ly realignmenl in .he IF sta/l.. -.he unilS are faclory­seal..d. and un nevcr go OU' of adjuSlment The adv,,"ced features and performanc.. specifica'ions of the Moo,,1 lOB willsalisfy .he mO$t 'l"Chninlly orient<'d h,.fi buff_and its simpllci'y of opera'ion is designed '0 ...tr,oct the listener who IS

simply .. lovfl" of good music ..nd d ....,,·o,s 10 own only .he very finest eq",pment .v..ilable $750.00

FEAllJRESRf S«1 ..... ~Tho' preci._'''ning <opaci,o. h... "10 .......f""'l"""oy" rn••acle.isti' &0 'h.1th, ...lion c.libwio"" .pp«revenly.nd acru ••ldys~.aIoon$ • fu111IIT "''''''& dulJ.f ...... are I>alanccd-l\ln<'dtltn><op.oo.. An ''''portonlle'h'''' IS !he nd'<-ly~.balanc-ed_bridge d,ode mi.er.'f SECT'ON_'h. u"'qu,1.1.,.,,1, IF ci....,it is baoed on,he development of .n "ll!-poI<'''rh-'''""ar fiJ,... Tho' idNIchar"",Oftt>ba vi ,he Iif"'"r-Nnd penrut perlonn.o""",ml""O"ft"""lO ...hl<h ...."nob,.i ...btc w,lh ron ",,"'1'001'Uycoup'ed oi"",,;!;. 1'h...,·lin"••ity,n tl>e 200 KH. l"""bMldehm'n...... m.,..,. ""'''''' ofhip Iraq........". 0.1,..__ """­..... of..,......_ 108 db'_cu"," ...."... ....w the Model IllII,he....,.., ...vet,,..., N tu..... ,n""i.",,,,,,, 'The .'n>nge-ol "I\nabh.v, no de"no"l,n~ dfl"C1 onits ,du' pa..b.>nd ch••arlen,to"'F m5l'",...,t" ~nnanen'. be-,ng"nalfe<Ud b:>' "'be- cNn~"0< .-.naI.,_li....I d Ihocri..;...'o<"fher<o hm'~ 'n "'"Model lIllI n.,n, m.llch.-d 1"''''oIsih",n p,.n.. d,,"' ..... [ ....h If,Ia,. ,. ..·'f·Jjm>l'n~. p",.'cnllng"""""'>o>d on <t,,,n, .''''''' ndtI,mll'"'' 'hor " ....., .-.J ..., .

Page 11: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the
Page 12: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

ni, Mod.T'r'ro"W:li1t A:mpliflrr-I'l.ny" ,iildii> i:i>"n'i'iIO'eu.... prder .implif'~" wllh v.'c"um I"b~ d~,ign II you .m' "mo"l1Ih~m.• nd if you a..., .100 .ecking mas.ive power outp"l. Ihe" Ihe r~ma'k3bl~Mar"nl~Mood 9 70 W.ltt Ampl ifier is Ihe ide.,1instrumenl for you The MOOel 9 provides 70 wan. oj power_140 walls pe.k. It. Iremendoo. powe, 'eserves are available 10p,ovide nawle•• amplificali,m of Ih.. mosl demanding ,ignal The Model 9 performance IS aloo cha,acleriu·d by e~ceplional

stabilil)· and low dislortion. e'·en under Ihe Slringent requ"em~nts of Ihe most rompl..~ speake' sysl.'m. Th~ 'esuU i, aIhrilhng new '''I",,,..nc<' in sumptuous oound Scl'\lpulously pr.... is'on-crahl"d Ihroughout. thi. ,nslrumentle"I",..,;" completebUIIl·;n lesl .....uon for tMung and balancing of O"lpul .nd driver lubes and for .>dlu.tlng the bal"nc.. 01 the driving signalTO'SI ronl",l. ,nclude. seven·poSltion test sWllch .nd an "h,a· ......ur.tcly calibr"ll"d d·Arsonv,,1 meter, and five screwdriveradluslnwrot •. All Ihew .,mpl.. adjuslmenl' ellm,,,ar.. Ih.. nttd for malched oulpul lubes and as;;ure ophmum performanced ....pUe normal tube ag,ng The Mar.ntz Modl'l9 70 W..U Amplifier-rna..,;,v.. power for magnificenl sound S384.00_

SP'ECIrtCATtO'lS!'ow.. ·70 w..... ronhn-.­1-10 ......1$ ro-U Switch lo.-,jO ......,,rio<k opn-........Il."'pa_ A' hill r 1'd po..-...--..·;oh.n 0 I dl>. XIII XI KIlL...·"h.n I db. I! II. 10 4Ill KilLA'') w." w.,h." 1 db.J Hz 10 10 KillI ..-,ni< Oi.lo<I - A' full", I"'wo-r 0 ,'" .,""d-lreqvet"OCln. Int 'kon 0.J,J't-:201t..."dXlKlI.

I.M. 0i"0<11O" u.'ko" 03'1... full ,.,<'<1 """,N.

Itum • ..d Nol.. lk-1re, 'kon'!O db bo>low 70 w ..,,,

D."'pi"g 1'.0<'0' _C....I..' ,h.,,!O.

0ut",,1 1",p<'d.aflCft-4. 8 ..nd 16ohmo. r1- I ol'Im tap lo.-an'..-"!""....... ronntCt"'"C_RKtion_I.......-..1 'Yf'O.prw""'" ......-,-' .......~LCi....." ...."lbloodonn~ hN.,..d~'y-..I,,..)l>o.ord w,'" -'>otWd.••1_~ ,..,.",. , W>n"1...........,.._ Ily bled Sol""""d.o.J", 8- .. ..d b Uppll....""r~ Zen...- """"Lo',,,,, 'or [,,,,"ase n..... Srl"l\~e rl·pe lro'<Iq>""",",'g,...:Ie M,t<>IV'1<"c"pKIt.... Ovff>..t<dI ..".fmme.. fo,.....-y «><>I"1'""'''0''. H<.r~ fro,,' 1'-'",,1...;,~ Po"ff;.;o,,·m"'~I ..<d ~""b',

p",..;.;on d·A ....."'·.1 m,"~'

C_toIs_ AU ,mh...t...........I$ ..nd _I_.w,lh 'he......,.._ '" dw'roodot• wdod•. _ ....,....,l>I< ,..,.,he "-,e."•• Cooau-ol-lsolatflIbyeotJo\ode.~........... .-........... ',I""'... S..·iI<1o . Fa.- O«\In"lCl><l\rtph.ow""u'_CA Bf'"pl\anlOm .....' ......ko".-..I"f'<.~... 1ed br '- ."'phf.....Low FiIIN-SuboonlC tu",f,filte,...... 'ko" h dl> .., 20 11.­20 db.1 J ilL

T.-I Swil<lo - For 10,.. (pl.,,,curre,,11 ..oJ"'g' fo, """~ 'ubegUill-in ,.-, .ig".llo, Jy".mie

l>.oLoft<e ...:11....-.0' F 10.....vwl1>Man<e ...:II w<ll... all ,"!"" _ ""'.............ntCt_......Ioc_~...............-T~l>e C_plemenl_~ -loOfS. ECOil. I -l£C7.4_loCA1,EUI. I Zerw< dood<'.5-..r.mn ......,fi.,..0-·...11 Oi......wn._IS........<Ie • 810' hlS~ • 10'>· <leorf'r.n<I-'s"· w,de. n,· high

Shippl"S Wei,ht_60 It.>

Optlo....1 ACCtiOOIY-IU<k Moo"r P."el. 536.00.

UI. 1.;".d-5(I '0 60 lizope.."o" .1 I05-DO Voi"

"

,...Marantz Model "'t

Page 13: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

-I

.............. -., ..-..

:.~:: \ ...~ .. -

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The Mudel SLT-UU Siraighl Un.. Trocking Turnlable. Il.eprod u,ing Ih" lolal .ignal and achieving maximu m 'hanl'd .epara- Ilion has always been a problem wilh ronvenlional Ir;tCking lone anns s;nce Ihe inlroduction of stereo diK1i. Mannlz hassolved Ihis problem wilh Ihe new SLT·12U Universal Cartridge Siraighl Line Trackmg Turnlable. Afler the original recordingis tape<!, II Is necessary 10 c:n:ale from .1 a ma.t"r dis<:, which is used to mass manufacture Ihe dis<:s you purchaH. Thi.stereomuter disc 's CUi with a sp«ial I"thot'. which LS controUed by signals from thot' origJlu.llap" re<:ordin8- l'l>e CUlhng head ofIhis lathe travels across the masler disc ,n" siraightli ..... and the ~movesare cui propm1ion..tely to the volum.. of Ihe soundFed 10 'I From lhot' ....p"; "S Ih .. KH.lnd ebbs. thot' pooves nalTQW_". lhot' """nd sw..lls. tMy becom.. w,d"r Thus, both Ihew,dth of Ih.. grooves (shown t"ghly-magrufied below) and th..ir deplh (plclured below) vary proport'Onalely wllh Iheamount of sound fed by the tape, and also with thee h'gher and lower frequ~ies of the sound Exh lO,de of th.. poo'-ec......... a ~rale .,gnal-one fo.- .......h ch"nnel. II,. the two .,des of each poove together lhal romp";"" the lotal.I....... s,gnalbe"'g reo:onIed.~ grooves of Ih.. ~Ier 1'tproduet,on d,,,,,_ud lhose of all d,SQI subsequently pressed from the maSler­any Ih.. ',,'al SlJuNd "ng",.II, TrCtmkd In order to reproduce lhe 1111./ ""',,,,, =g",ally rtf'''rdnl. lhe playback lone-ann andcartridg.. must duplical" 'lo.er/lIth.. stra,ght line p;'1th of th.. rolhng head and th.....ngle of Ihe rolling .tylu•. ThLS is ..~tlywh"l the MaranlZ Sl.T-UU tone-...nn~ /I I,,"cb arTlJlO:S lit' d~ "''' stnrighr /"'c. following lhe palh ong,nally la~en by Ihema.ter d,sc cuthng head-all you C"n eaSIly ..... in lhe mull,ple-e.posure photo below 1\ ronventionaltone'Mm C!l'ales an..n: in ,t. trav..l Kross Ihe d,sc; be,,,uH there is no "n: c...ated. the c..rtridg.. stylus mounled ,n the SlT-12U ann c..nnot twistm the gl"OO> lIS angl.. ..".clly duplicat.... Ihe angle of Ill. .. CUlling stylus....maining always langent 10. and precisely seatedin. lhe groo,· To our knowledge, il is lhe only disc playback sY'lem which r~n a"d do,. t"arl!y reproduce the total dynamicsand Full stereo separMion of lhe lolal SlJu"d thaI W.S "ris",ally rtrOTdtd. Th......... cerlain deficiencies which are inherent inconv..ntionallo"..-.rm tracking. Many manufacturers have devls..d ingenious methods to combal some of lh ..se defici"ncies.butlhey are compromises at besl. These deficiencies do nol exist in the Maranlz Straighl line Tracking Turntable. MaranlZhas pt'rfected a trouble-free trac~ing and to""'ann assembly. With lhe magnific..nt Marantz SlT-12U dilO(' plJyback syslemther.. is: nO tracking error; nO inn..r-groov.. distor1ion; no .....ling impulse; no det..rioration of Ihe ell1ptiul stylus shapt';a~ulely uniform stereo Hpara"on and frequency responH, from outermost 10 inn..rmost grooves. Th.. Marantz 5l.T-12will ;tttOmmodat.. virtuall)' all uist;ng. cu,.,..."t Or future cartndge we'ghing up 10 10 gram. (mosl culTt'nl cartridges weigfiv.. gr..m. or less) .&rid up to ''- he'ghl from the rop of the canridge ro the stylus t,p (mosl CUlTt'nt cartndges are only 5()1l,

of Ihis he,ght), Inslallallon it non·technical. .&rid c..n be perfonned e.ls,ly. To male universal cartridg.. ..,Iechon poN,ble, theSl.T-12U ron..-..rm ,s equ,pped w'lh a un'que pos,t, .... balanc"'g d..... ice that penn,l. SImple babOOng for ..ny of th.. popul...c..rtndg....~ M .....&rIt:r. Sl.T-IlU i. not just .. theory in praclKl'- ,t,s a proven product and ,t <neates a truly greal upenencein mUlOic~ ..njoyment. S2%OO.

FEATUltESZfto TrM;~j",Er.-­Itevuluhonary tlr••"'II"",trad,nll arm hold< lIlyIu.I...,; t 10 '" po<n'" ., aDh~ 11m" innn ""on"..,~Inl "ITU< dl''''''ion li"l1fo"",.nd u""....,,, ..ylu< "' r-.It ;"~..,,,n' ," cun""'''ho",,1.rm de"'lInRumbl.. Free I! 1b ~eavy.

weill~1 p.......,o"·m..,~"'edtuml.bIoo. It.""",..... co.I>,Je

I""'" bunnl-.and~llround dn.... bel, ..-1>"... to""".•.Ie ."","',,'" isolllt""",trom _>< leedbod

Wi or......;., ltan&<,~

1>I nt1 desllned hghtwell~tlow __ arm prod....... 1i.....1tone qv.h'y ."d.nvnpreced.,,'e<! dyn.mie ""&<'Cueing Co"''''I- No need '0e,..r 10U<~ pi<~'up .rm. Poo;,i'e""",nl ron,roI 'UlOm.lic.Uypl..,....rm In desi<ed

__trod<. _,,.."nlllf;ndenlal "".!<tunl .nd~"&of pn_ <e<onhnpSI'£aFlCATIOSSSpeed<_lJ' • ""d 45 It P.MFluttft .1><1 w...._ Belter lko"O,lU':Io.

T,.<~i"l E",,'~ Non-flfllt.."t(0 d.S",e-oltn<h)Sk.1in8 Fou.. -Non·...;ot."tw~..n tum..bl.. i. prop<,lyI""eltdDrive Pri",,;ple~Hyol""'''

'y"<1",,no... _ ""'(""""""- bell. dnvIIl' tlwplott...... ou_ n,"It ..mble - V"'..alIy _ ·.....tenL

Uvelinl_I'rer:>.1OfI bubble·1oeve'!""'Iust.......l.Dimen.ion••"d W..IS~'-I5"'wId... I~" d...-p. 6 ...." ~IS~

(including ",.In"t b• ..,), 27 lbo.Power lteqvi,.,m.n.._12IIV.IiO '1'<1... (50 <ycl•• .,allabl.).UL List..d.Oplional A«_ry _ DuO! 00_

;77 •

Page 15: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the
Page 16: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

The honored choice 0/ d;'lcriminaHng FM station. and ",her p't.I""io"ol indu.trial uM'rs who r~ui", the fines' ''',,,ro reprod.tion "'1u ipm..., •. Siu: conforms 10 i nduSlry .tandard•. Available f",thes" M.ranl~ instrument., 7T,~. 108. 15. Thi. photo showsMaran'>; '.>ck mount. in IOtl".l In.talb'i"n at • I"odi,,& New Vorl<FM .'ation.

DIMENSIONS AND "RICES:Mod,,] 7_T

fronl J'll'''' ~ight. T; width, sundord I"'; ~oo.Mode/IS

fronl panel he;,'II, 7'; widlh, standard 19"'; 535.00.Moo.,llG-8

front p....1 hri&ht. r; width, .!.;",dord I"'; $60.00.MoMl9

fronl P""'" heisht, 8ll.~; width. -undord '9"'; S36.OO.

Page 17: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

What Makes A Marantz A Marantz?

Why i~ a Marant~ SO .uperior' Be<:ause it is designed that way. Why does a Marant~ cost more? Be<:ausc it gives you more. H is the productof a rorporate commitment to e'<:ellence. At Maranl~. this phil<>'Ophy is translaled into <"ngin""r;ng design .pedf;cations w;thoul p",r,To understand, yuu need only look inside anyone of our produCIS. The workmanship within speaks fOT it~elf. The photographs aboveare TepTe~entative samples of all circuit boaTd•. They are designed to .Iringent military sp""ification•. This mean. that only the hnestcomponenls available to perform a particular lunction are ever used. All oonn""lions are automalically soldered by a Wave Gu ide solder_ing machine-Ihe Iype demanded by the military for its own p,,,,,ision work. The'" arc ,,<"ver any cold solder joint. OT burned <"i<cuitboard. in a Ma,.nt~ componenl. And there is a very good ",ason lor all of Mar.nt~·dose allention 10 detail, choice of costlier components,and exclusive design features. Simply staled, it is tocr-eate a product wilh an unu.ually high degree of immunity fTom ambient field inler_

r-ence, lempeTature f1ucluations, and normal wear and lear. If this is Ihe kind 01 audio exceUen"" Ihat you demand and desire from theuipment you wish 10 install in yOUT Own home. Ihen you wililculy appr""i.te Iha. very sp..'Cial kind of satisfaction reserved e"clus; vely

r th... lorton,lI" owne" of M"ant~ equipment_and their ~ues," 17

Page 18: SoundofMarantzsportsbil.com/marantz/1968-brochure.pdf · Tile Sound of Mara/liz is the compel/illg warmth ofII Stradivarius. It is II dl/I1cil1S fiule, II haughty bassoon and the

The Model IB Solid_Slale Stereophonic FM Receiver. Now-the doquenl "Sound of M.lT,ml[ componenls In. single unilIn the Model IB - Marantz intn::>duces, for Ihe first lime, a solid-Slate FM Sle""" MuU iplex Tuner, Stereo Preamplifier and Stereopower amplifier-ali combined on a single chassis. Slyled in sleek, e1eganlllnf"S. it is an "FM stereo sound cenler"' Ihat willfill yotJr home with stunning experiences in stereophonic liSlening. The Mod,,118 features oUlstanding siereo control OexibilltynOI normally found in a complete """eiver. In addition to S4.'p"."te bass and 'reble controls for each channel, Ihe"" are input.foe two .tereo t"pe recorders (one in Ihe rear for p<'rmanent connection, and on" in front for tape dubbing from an exlemalreeorder). two Input. for .t"..... phonoguph., a Siereo headphon" outpul, a switch for 5O!Ieclion of multiple speaker s)'Slemcombinations, p1u. a multilude of ot"'" ,wltching and conlrol conveniences. W,th the Mod"l 18 you not only enjoy th" tradi­honal un.urpasseci quality .md Oexibilily of Marant:.: romponents, but alSQ inspIred .nnovahon .n citnnlry design_ whIChprovidf"S d ....ner MOUnd Ihan you'"" """. heard before. Weak FM stalions are rect'IVed without being _ ...pelS out by slrongstalions, and powerfuJ SlaltonS are rect'lVoed WIthout d.stonlOn_ It is now easy to "lock In" lightly on on" Italion c~y adJa­cenl ro anolher Wlthoul hoar chal m.. ad~1 stalion will interfere wich Ih" 0""' yotJ wanl The Model 1B attains Ihis sharpselectivity throuz,h lhe use of modifIed Bulteewonh filter'S thai couple the four amphfiers .n the IF stages. Absolute lunmga<nlraq' Ihrough Ihe bullt-II> O5ciIfoscop<' IS an exdus'V<! fealure of Marantz. Iuners. The OIC'illoscope also indicates C'On«I

antenna dll'l!dion foe best ~tiorI and luM'S out rnulilpalh mterferenee, as well as lunmg to the maXllTlurn signal strengthof "ach StallOn. The~ can also be uwd to tesl for opl1mum stereo ""P"eahon and st",..,., phas.ng of all compo.......'"eonneetoed to lhe Model IS. Selecting the proper stalion becomes a delighlfuJ experience WIth the unique silky-smooth "Gyro·Touch" !\Imns control (pat.....1apphed for), through wh,ch you !\In" by """"'I '''e a,tI.al flyurltnJ "wlf Mounled honzontally,the AywhHl tunes In the direction you .'" Oftking. SoJ..d·Slale Ihroughout. lhe amphfier sections a'" rated 411 40 wailS nnsconilnUOUS per channel (80 watts p<'ak) aD lhe way from 20 H:.: 10 20,000 H:r.. Other f~aturesof th~ amphfier section indud~

direct coupled ,","'gn to provid~ inslantaneous o",erioad recovery. There is an exclus.ve .ulomallC prolection circuit incorpo­raled for bolh Ihe amphfi...r componenll and spelk.,.,. f)'Slems. Flawless perfonnance waf th~ ~ngln""..ng objective- Aawlessperfonnane<l! is Ih~ final result. $695.00.

ar..4lntz MotiiP' JR

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FEATURESOuill·ln O.dIlOKOpe-Thl.di.play. Incoming .Ignal. fo<p'''''ise tumng, SlTffigtn of.lgMI, correct antenna orienta·tlon lor minimum multip..ndistonlon .nd stallon modul.·tlon. It may 01", be ~",d fo'observing Ihe deg..... of st,,,,,"'pa,a.lon, .te,."., phasing 01 aUstation. and Olher compon,n",connected .hrough the Mod,1 ISR«e,ve,lIutt''''''''1h FIU.... _h,,,orpcTaled In the IF Slag"",h..., a..Uf< belt.. ..,1ec,lvity.lowe' dl••ortion, and mo", than30 db ste,."., "'I"',ation, evenat 15 KHz. The IF ..ag" never""lui", reallgnm.nt.

Gyro-Touch Tuning (patentapplied fu,)-Selecting .t,tions_ .. a d.llghtful ""p"ri.ncewl.h .hl. umque control inwhich you rotate the actualtun,ng nywhc'<!r. This reoull' 'n• ilky_.m.,."h, ~I"a·low fric'iontuning action01",<1 Coupled_ <>e.lgn andProl«tlon Circul" (I"'tentapplied fo'j_Through th...,.'he ampliliers .....-ove'in"ant>"o<>u,ly from "'"'....Io.d.They .1.., pro.«' ~.h amplifiersand ~'p"ake... 'gain",uSl.ined ov.,l""d dam.ge

c.uoed by ohor< circul" or o'heracddenul mi.use,Fronl r.n.1 T.p. R...."de,Oubbing Conne<llon_ Th<-seprovide ron.'enlent f••eililies fo'm.hng 'ape ropies with aneX'em.1 .-..:o<do<.Front P.nel He.d..,! OUlput_You <on li'len to SIc"'" he.d ....with 0' wllnw. the loud·'peake" plaYIng.Long., Dial-lle<.~seth,lUmng dial 10 long" th.n onmos' """,i~e.... you c.n more""....... toly "zero in'" on • given" .. Ion.I,. Ilui"o... Uoed - The bfl...... I.to....vOlI.ble••hey giv.oupfem"'}' low no,,,,. They.t<"S<'d 'hrougho"l .he "",elve,,n.1l vital cl=i"

",...Ive Hu. SI ..k.-Th"""d,.. lp.t<l he'l from the powe'mn5i.lo, leJrt'U,to, and thatm..no long.er ye.... of use.

EI«.ro.. I, Time Del.y Ci'cull_Thi. mur., the "gn.1 10 .heloud.peaker fo' about five.....,..d••fte, .he u .. i. I, lumed"n••hu. e1lmin.,I"g Ihe i.k..,me'"popping" "0;«: .. ",m.lIyproJuced ...hat "me by blghpower ,upply "a""i"o,l..dunits.

SPECifiCATIONSAUDIO SECTIONSR.ted Conllnuou._(RMS I"""eroU'pu •• pe' ch.nnel. bothchannels ope'ating .imuJ·••neousiy. 20 Hz 10 20.000 Hz).4 .nd 8 ohm. - oW w.m.16 ohm. 20 wall'

I.M. Di".".,ion_(SMl'TE) aI 0'

below ..ted poWeT- O,2~ m••.

Tol.1 rtannoni< DI.lor1lon_20 10 2OJlOO Hz, at 'Jr below,"ed power ~ 0.2" rna•.

I'ow.. Oandwldth-0.2% tul.lh"monic diSionlon _ 10 Hz '03OJlOO lk

hequeney R"'p'IftS<'~"20Hzto 20.000 II. ± II> db (hlgn level)RJAA -0.5 db (phono).

Input Semitlvlly-(F<>, 40 w>t"@80hmo) 100 mv@(hlghlevell. 1 mv@(phonol,

Input Impedance_loo,OOO ohm.(high level), 41,000 ohms(phono).

II"", and No;..~6dow 40watts. 8 ohms: -80db(h;ghlovel), I /-,V "l";v. I..pu. (phonal

D.mplng F..to,-30 mmlmum.t 8 ohm •.Stab II iIy ~ Unrond 'Ii on.l,

S.p...lio" .nd C""".lk­M;nlmum 35 db from 20 tu20,000 Hz.'0" ......,.__ " .. ....., H.

""-._ """" .... ,........_.... "",-FM SECTIONNoise Quleling_ -50 db@51'v; _Mdb@l0l'v; ~1Odb

@50l'v,T.... I Halmoni, Di"onio.. ­0.2',i, rna•. 400 H•• loo~ Mod.Frequency 1l •• pon ... -75 ,.....DE-E.',r ±0.5 db.Muilipl.. Sep....lon-40 db@20 Hz; 45 db@ I Kl-I.; 31 db@g KH" 30 db@15 KH •..J.8 Kllz S"pp ...... I..n_60 db.61 KHz S"pp,..sl.. n_65 db.PIWSICAL MEASUREMENTS:Dlm.n.l..n.-lg\lo· wide. 16"deep. 6" high lincluding f..t).Fronl r.n..1 Dlmon.ion.-16\lo"wide. 5""· highShipping Weigh'_-l6lb.Shipping Weight of Ac«lKOryC.bine._l1 lbo.

Optlon.1 A".....ri .._OII.dwainul cabinet. $J9.50.UL Lisled_fo, 50-60 H., 105·125V ACEo.lly Con.'enibl._From 120Voit '0 2411 Voi. Ol"',atlon.

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