Sopanam E Magazine Vol 2 Issue 1

35
Volume II Issue 1 15th April, 2012 5114 ssN{Xw tkm]m\w tkm]m\w A Family-Magazine from SEVA DARSHAN KUWAIT For more information contact : Seva Darshan, Kuwait - INDEMB/KWT/ASSN/150 [email protected] Sopanam E-Magazine - (For members circulation only)

description

Sopanam E Magazine by Seva Darshan Kuwait

Transcript of Sopanam E Magazine Vol 2 Issue 1

Page 1: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 1

Volume II Issue 1 15th April, 20125114 ssN{Xw

tk m ] m\ wtk m ] m\ wA Family-Magazine from SevA dArShAn KuwAit

For more information contact : Seva Darshan, Kuwait - INDEMB/KWT/ASSN/[email protected]

Sopanam E-Magazine - (For members circulation only)

Page 2: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 20122

Amritha Vachanam AayX hN\w

Subashitamkp`mjnXd

''ØÎÞÈàÕ ¦µáÄà£

ØÎÞÈ ÙãÆÏÞÈß Õ£

ØÎÞÈÎØñá çÕÞ ÎçÈÞ

ÏÅÞ Õ£ ØáØÙÞØÄß""

AÀ°w

ÈNáæ¿ ®ÜïÞ ØCWMB{ᢠ²KÞÏßøßAæG, ÈNáæ¿ ÎÈTáµZ

²çøÕßÇ¢ ºßLßAæG, ØØçLÞ×¢ çÏÞ¼ßMßæÜJÞX ÄAÕH¢

®ÜïÞÕøáç¿ÏᢠÕߺÞøBZ ØÎÞÈÎÞÏßøßAæG.

¥qáÄÎÞÏ ÖáÍÞÉñßÕßÖbÞØçJÞæ¿ ØbL¢ ØßiÞLB{ßW ¥¿ßÏáùºî ¦ÆøÕí

ÉáÜVJßæAÞIí ØKìøÕ¢ ÖµñßÏÞV¼í¼ßAáK ØÎÞ¼JßÈá ÎÞdÄçÎ ©KÄßÏᢠ¥ÍßÎÞÈÕá¢

çÈ¿ÞX µÝßÏá.

ÍÞøÄàÏ ØÎÞ¼JßÈá dÉÄcÞÖÏᢠ©ÄíØÞÙÕᢠÈßùE Ø¢¸¿ßÄ Öµñß Øã×í¿ßAÞX

µÝßÏáæÎCßW ®ÜïÞ ÕßÉJáµç{ÏᢠºßøߺîáæµÞIí ÄGßæJùßMßAÞX µÝßÏá¢. ÈÎáAí

ÕcµñßKÄ ¼àÕßÄJßæÜ ÕÞØȵ{⢠çÎÞÙB{á¢åæÕ¿ßEí, µVAÖ Èß×íÀçÏÞæ¿

µVJÕc ÉÅJßÜâæ¿ ÎáçKùÞ¢. ÎÞVPÎçic Ä¿TB{áIÞÏßæAÞUæG, èÕºÞøßµ

Ø¢¸V×B{áIÞÏßæAÞUæG; ¥Õ µIßGí ÕcÄߺÜßAÞæÄ ÏáµñßÖáiÎÞÏ µÞøcÉøßÉÞ¿ßµZ

ÖøßÏÞ¢ÕH¢ ÎÈTßÜÞAß, ØíÅßøÍÞÕçJÞæ¿ ÎáçKÞGá ºáÕ¿áæÕºîÞWåØÕßçÖ×øàÄßÏßÜáU

çļTáx ²øLøàf¢ Ø¢¼ÞÄÎÞµá¢. ÄWËÜÎÞÏß ÈNáæ¿ dÉÞºàÈ øÞ×íd¿Jßæa

Õß¼ÏÉÄÞµ ÕàIᢠÉÞùßMùAá¢. øÞ×íd¿Jßæa Õß¼ÏÇbÈßÏßW ¦µÞÖ¢ Îá¶øßÄÎÞµá¢.

çÜÞµJßæÜ ØVÕî Ø¢ØíµÞøB{áç¿Ïᢠ¼ÈÈßÏÞÏ ÍÞøÄàÏ Ø¢ØíµÞøÕᢠ¯xÕá¢

dÉÞºàÈÎÞÏ ÈNáæ¿ ØÎÞ¼ÕᢠÕàIᢠ¥ÍßÎÞÈ ÉâøßÄÎÞµâ¢.

Ø¢¸¿ÈÏÞÃá ØÎÞ¼Jßæa ØbÍÞÕൠ¼àÕßÄæÎKí ÎÈTßÜÞAáµÏᢠØbÏ¢ ¦

Ø¢¸¿ÈÏáæ¿ ÍÞKÎÞÏß ¥Äßæa ΢K{µøÎÞÏ ÜfcBZ ÉâVJàµøßAáKÄßÈá çÕIß

ØVÕîÖµñßÏᢠÕßÈßçÏÞKßAáµÏᢠæºçÏîIÄí ØÎÞ¼JßæÜ ³çøÞ ÕcµÄßÏáç¿Ïá¢

µVJÕcÎÞá.

Page 3: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 3

Editorial

email : [email protected]

editorial BoardKrishna Kumar PaliathManoj NairVibheesh TikkodiRedhish ChandranGayatri Raveendran

data ManagementAjaykumar AnjaneyamRajarajan GanesanAnandharaj KonniRani B. BaskerSindhu SanjithReshmy Krishna KumarAneesh Kumar. UAjith Kumar. SSuresh VarickolilRoopesh R. SouparnikaReshmi Sudheer

Creative & designSreenivasan C.P.Vinaya Babu. C.K.Viswajith .M.K.PrejithCover Design: Sunil PookodeIllustration : Sasi Krishnan

For Comments, Submissions & Subscriptions please write to

As you would be reading this anniversary edition, Seva Darshan family members would be celebrating their Vishu Seva Dinam festivals around Kuwait.

A year ago when the Seva Darshan team deliberated the idea of a Social E – Magazine that would help promote the hidden talents of its members, the team didn’t expect the kind of responses we have received so far. From an idea to help promote the artistic talents of our members, our ideas have crossed over to making Sopanam an effective medium of promoting our nations rich culture and heritage here in Kuwait. The literary standards and informative set down by our contributors have won accolades from all its readers. With more than 2000 readers online from Kuwait and abroad, Sopanam is slowly growing into a truly international magazine with eminent writer’s providing us their opinions and articles. This anniversary edition gives you an outlook into the coming editions and the wide variety of articles and

opinions we would be putting before you to ponder over. We invite all of you send in your valuable thoughts and share with everyone your creativity be it stories, poems, drawing, discussions and so forth.

Ram Naavami has just got over and the festival of sharing and giving, Vishu has come. Vishu, the harvest festival of Kerala celebrates the spirit of abundance and Seva Darsham members have made a great effort in being able to make the people of the community to provide their ‘vishu –kaineetam’ to the children of our bala sadans across Kerala. Once the harvest is over the people get a new lease of life and this is the vibrancy that is reflected in Vishu. It would be so appropriate to share this joy with those who are in need and requires a helping hand to help them survive. The spirit of prosperity and sharing is celebrated by one and all with this novel custom.

As the story goes once Swami Vivekanda was handed over a gracious sum of amount on a cheque by a businessman after a speech. The business man waited for some time before asking Swamiji why he had not thanked him for the same. Swamiji handed over the cheque back to him told the businessman he should be thanked instead for giving the businessman an opportunity to do ‘Seva’ to the needy. Who are we to do charity? We need to be doing ‘seva’ by serving the needy mankind who are born and live amoungst ourselves. The Seva Darshan members likewise have the principle of Seva in the heart of their work. Be it the Bala Darshan activities, the Adhiatmic Samithi activities, the volunteers give and help expecting and receiving nothing in return except the mental satisfaction of having served the nation in its wellbeing. Doing Seva should not be an act of patronizing but should be aimed at over all development, progress and upliftment. The philosophy and methodology remains unmatched by any of the many charities we see today.

Wishing you all a very happy Vishu and a prosperous year ahead.

Page 4: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 20124

Kerala is ready to welcome its New Year which they celebrate as Vishu. Even the nature shows its enthusiasm covering itself with yellow blanket of ‘Kanikonna’ all over. The rituals of Vishu are very close to our heart from time immemorial. ‘Vishu-kani’ the first sight of the day with the help of moth-er is so special to us. To begin a new year with a sight of prosperity has its root in our tradition. It is a part of Indian culture to have a good beginning for all the good things in life like agriculture, house warming, education etc with the holy rituals and seeking the blessing of God almighty. It is believed that if starting is good, that will keep on till end.

According to Indian astrology, the good/bad time is calculated on the basis of nine planets. As the nine planets move around the Sun, the changes are reflected on nature too. The good and bad ef-fect of that change is to be borne by its occupants including human. We consider the nine planets as God. The first sight of the day Vishukani is made along with Lord Vishnu, the head of Kaala Purusha, the God of Time.

As per the astrology based of Sun, the day in which Sun enters “Aswini’ is mentioned as Vishu. In malayalam calender this day is marked on Me-dam 1st and Keralites celebrate this day as New Year. The visible blessings of Lord Sun in the form of warm rays enhance the energy and inner strength for the whole living beings.

Vishu is celebrated in different parts of India in different names and traditional rituals. In Kashmir it is ‘Navera’, in Andhra Pradesh it is ‘Yugadi’, In Maharashtra it is ‘Guddipadva’, in Punjab it is ‘Bai-

sakhi’, in Tamilnadu it is ‘Puthaand’, in Bengal it is ‘Poyla Baisakhi’, and in Assam it is ‘Bohagvihu’. With similar concepts, but with different rituals, when we Indians celebrate a festival, it indicates the diversity in our splendid cultural heritage.

In Kerala it is the harvest festival. The richness of the harvest season is totally submitted with prayer to God as an offering. The first thing that comes to our mind on Vishu is the ‘Vishukani’, the prosperous first sight of the day. It is believed that Kani is made in expectation of a prosperous year ahead, in terms of health, wealth and the well being of all living be-ings of mother Earth. On Vishu eve, grandparents or elder ones make the Kani in the pooja room. All the Kani items are to be arranged with the attitude of total submission to almighty. Vegetables, fruits, flowers especially kanikonna, new dress, gold, nine types of grains, coconut etc are kept before the God of time, Krishna with a thankful heart to our mother nature for giving us all these prosperity and to bless us with the same all through the year.

Vishu – Indian Cultural Perspective vibheesh tikkodi

CulturalkmwkvImcnIw

Page 5: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 5

Each item in the Vishukkani has its own impor-tance and representations. Kani should be arranged in an ‘Uruli’ made of ‘Panchaloha’ which represent the Panchabhoota which includes Earth, Water, Fire, Air, and Sky. Mirror, gold, sindooram, san-dalwood, new dress should also be placed in Kani. Lighted coconut on each side represents the light of spiritual enlightenment. The light is expected to remove the darkness of ignorance in our life by which we are able to know the God almighty. The ripened mango, banana, and the Kanivellari which has golden color represent the Sun, the nine types of grain shows the nine planets and the red sindooram indicates the immense strength is us and the holy book represents the knowledge which lead us to a blissful life.

Main attraction of Kani is ‘Kanikonna’. This golden coloured flower decorates the whole pooja room with its gleam. Interesting part is that, the Konna tree gets flowered only during this season. Our mother gets up early morning, lights the lamp, wake up each of us and lead us to the Vishukani with our eyes closed for a divine first sight at the

pooja room. She is our first Guru who introduced us to our splendid heritage. The mirror placed in Vishukani reflects our face which indicates the ul-timate truth that God dwells in our own heart. Kani is made for the physical and spiritual prosperity of human. Our life should be rich with light of inner knowledge, wealth, food, and health. There is a practice of showing the Kani to trees, plants and animals. This shows that the nature and human are so closely related to each other that they can’t be separated.

Another attraction of Vishu is the custom of giv-ing Kaineetam to relatives, neighbors, people who are in difficult situations etc by the elder genera-tion of a family. This represents the blessings and wishes for a wealthy and prosperous as well as the healthy attitude to sacrifice, share and serve the fel-low beings. The celebration finds its extremity with the joy with crackers. The sound of crackers will be in air for long time. All the family members go to temple wearing new dresses, a new start for the New Year with lots of expectations and prayers.

Let us all make a Vishukkani in our mind for the knowledge of self realization. With the blessings of our creator we can successfully lead a prosperous life both spiritual and physical. Let us all welcome Vishu with spirit of oneness.

CulturalkmwkvImcnIw

Page 6: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 20126

SpiritualismA²rmßnId

Maha Vishnu, the creator, sustainer and the de-stroyer of the Universe is a Master of the past, pres-ent and the future. Lord Vishnu has reincarnated Himself in various forms to protect and preserve the world from the increasing evil and to re-establish Dharma. In Bhagvath Gita the Lord Himself has mentioned to Arjuna:

“yada yada hi dharmasya glanir bhavati bharata

abhyutthanam adharmasya tadatmanam srjamy aham”

“Whenever there is decline of Dharma (righ-teousness)..and rise of Adharma (unrighteousness); To protect the virtuous..to destroy the wicked and to re-establish Dharma, I manifest myself, through the ages.”

The ten incarnations or the Dasa Avatara of Maha Vishnu are: Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Balarama, Krishna and Kalki. Every incarnation has its own purpose and importance. In the Matsya avatara, Maha Vish-nu took the form of fish to save earth from a cata-strophic flood and to recover the lost Vedas.

The story of Matsya Avatara as said in Bhagavatam is as follows:

- As one day of Lord Brahma also known as “Kalpa” or “one Cycle of Creation” (i.e. a span fo 4320 years) was coming to an end, Lord Brahma was about to fall asleep. When he does so all creation is dissolved signifying the end of a creation. The Vedas, which are eternal, and outside the Cycle of Creation are beyond destruction. They lodge safely inside Brahma's body while he sleeps and are given back to the universe in the next Cycle of Creation. Unfortunately, as Brahma gave yawned the Vedas flowed out of his lips. He was too sleepy to notice this catastrophe. A cunning asura named Hayagriva, who had been hanging around observed this process of dissolution and determined to become eternal by any means necessary. He used this chance to swal-low the Vedas to become immortal and eternal. Lord Vishnu, who had observed this, was determined to save the Vedas from Hayagriva.

Every Cycle of Creation has Manu and his wife as the cosmic guardians or the first parents. They live for the entire cycle. They re-establish culture and civilization and above all ensure the Vedas are transmitted to the next Cycle. In this cycle Maha Vishnu had chosen Satyavrata to be the next Manu.

Matsya Avatara of Maha Vishnu

Sindhu Sanjith

Page 7: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 7

SpiritualismA²rmßnId

One day as Satyavrata was offering his prayers in traditional manner with cupped handful of water in waist deep flowing water, Lord Vishnu in the shape of a tiny fish swam into Manu’s hand and demand-ed royal protection from other big fishes. Manu, fascinated by the speaking fish, decided to protect the little fish and put it in a small vessel. The fish abnormally outgrew itself and large tank, pond or river could not hold it any longer. Finally it had to be transferred to the ocean. But the fish pleaded Manu not to do so. Astonished by the magical giant fish, Manu pleaded for the disclosure of it actual identity. Lord Vishnu revealed HIS identity and warned Manu of the forthcoming Pralaya or the flood in a week’s period. He ordered Manu to collect all seeds, plants and animals required for the next spell of creation and board spacious boat with his wife. The matsya also asked Manu to use Vasuki, the King of the Serpents to be used as the rope to tie the boat to the horn of the fish. He also said that the Saptarishis or the Seven Sages would

be accompanying Manu in his ordeal.

While Manu was doing the preparations as or-dered, the colossal fish went to hunt for Hayagriva, who had stolen the Vedas. He tore apart the giant serpent to get back the Vedas and protect this Uni-verse.

As the catastrophic flood happened, Manu did as he was told by the matsya. As the cosmos and the rain began and darkness and torrents of water swept the earth, the Matsya emerged with the Vedas. Manu tied the boat to the horn of the Divine Fish using Va-suki as the rope. The Saptarishis, along with Manu and wife and with the flora and the fauna boarded

the boat and sailed though the turbulent water and thus rescued life from ceasing from this Universe.

The perpetual love of Maha Vishnu for HIS cre-ation rescued life from ceasing. At various stages, when life has nearly approached standstill the Lord Himself has reincarnated in various forms and saved from extinguishing.

As we mark the beginning of another new year with this Vishu, lets pray to the supreme powerful Master of the Universe, Lord Maha Vishnu to guide us, save us and protect us and to grant us a year full of happiness and prosperity.

Page 8: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 20128

SpiritualismA²rmßnId

A£b XrXob hkw tZhXIÄ¡pw ]nXr¡Ä¡pw Xne¯À¸Ww

(Idp¯ FÅpw Pehpw) AÀ¸n¡pI. FÅv

km¯znIXbpsSbpw Pew ip² `mh¯nsâbpw

{]XoIamWv.

A£b XrXob Znhkw kpJhpw kar²nbpw

\ÂIp¶ tZhXbv¡v IrXÚXm `mht¯msS

Xne¯À¸Ww sN¿p¶XneqsS B tZhXbpsS

Ir]mISm£w e`n¡p¶p. Cu Ir]mISm£¯n\v

Hcn¡epw £bw hcnÃ.

]nXr¡Ä¡v kZvKXn e`n¡p¶

Xn\pthIn A£b XrXob Znhkw A]nWvUI

(]nWvUanÃm¯) {im²w \S¯pI. C¯c¯nepÅ

{im²w sN¿m³ km[n¡p¶nsænÂ

Xne¯À¸Wsa¦nepw sN¿pI.

A£b XrXob¡v "kXv]mt{X Zm\w' sN¿pI

[\¯nsâ Zm\w sNbvXm ]pWy_ew hÀ[n¡p¶p,

F¶m icocw, a\Êv, [\w ChbneqsS "kXv]

mt{X Zm\w' (AÀlXbpÅ hyàn¡v) sN¿pt¼mÄ

AXnsâ B[ymßnI KpWw e`n¡p¶p.

[\¯nsâ Zm\w : Zm\w "kXv]mt{X' BIp¶Xn\

mbn kXv]pcpj³amÀ, [mÀanI Imcy§Ä sN¿p¶

hyànIÄ, [Àa{]NcWw sN¿p¶ kwLS\IÄ,

[mÀanIamb {]hÀ¯\§Ä F¶nhbv¡v hkvXp

AYhm [\w \ÂIpI !

icocw sImI pÅ Zm\w : [mÀanIamb

{]hÀ¯\§fn ]¦mfnIfmIp¶Xv icocw

sIm IpÅ Zm\amWv. CXn\mbn [Àat{Zmls¯

XSbpI, [Àa{]NcWw sN¿pI, [Àa

kwc£W¯n\mbn {]hÀ¯n¡pI !

a\Êv sImI pÅ Zm\w : IpetZhXbpsS \maw

P]n¡pI, IpetZhXtbmSv {]mÀYn¡pI F¶o

coXnbn IpetZhXbv¡v a\Êv AÀ¸n¡pI !

icocwþa\Êvþ[\w sImI vA£b XrXobbpsS

Znhkw am{XaÃ, F¶pw kXv]mt{X Zm\w sN¿pI

Courtesy : H.H. Dr. Jayant Balaji Athavle

lnµp [Àa¯nse aq¶c ip`aplqÀ¯§fnÂ

H¶mWv "A£b XrXob'. sshimJ amk¯nse

BZys¯ ]£¯nse XrXob¡v sN¿p¶ Zm\w,

lh\w Chbv¡v Hcn¡epw £bw kw`hn¡pIbnÃ;

AXn\memWv Cu XnYnsb "A£b XrXob'

F¶p ]dbp¶Xv. Cu XnYn¡v FÃm kab§fpw

ip`IcamWv.

Cu Znhkw sNt¿I [mÀanI BNmc§Ä

1. [mÀanI Imcy§Ä sN¿p¶XneqsS B[ymßnI

KpWw IqSpXÂ e`n¡p¶p : Cu XnYn¡v {_Òmhn-

sâbpw {iohnjvWphnsâbpw kwtbmPn¨pÅ

]hn{XI§Ä DbÀ¶ Xe¯nepÅ tZhXIfpsS

temI§fn \n¶pw `qanbnte¡v hcp¶p. AXp

ImcWw `qanbnepÅ km¯znIX 10 iXam\w

hÀ[n¡p¶p. P]w, tlmaw, ]hn{X Øm\§fnÂ

Ipfn¡pI, Zm\w sN¿pI apXemb [mÀanI

Imcy§fneqsS \ap¡v B[ymßnI KpWw IqSpXÂ

e`n¡p¶p.

2. tZhXIÄ¡pw ]nXr¡Ä¡pw Xne¯À¸Ww

sN¿pI: Cu XnYn¡v tZhXIsfbpw

]nXr¡sfbpw Dt±in¨v sN¿p¶ IÀa§Ä

Hcn¡epw £bw {]m]n¡p¡bnÃ. AXn\mÂ, Cu Zn-

Ipamcn AZnXn ipIvS³IÀ

Page 9: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 9

ØìÕVH ÈfdÄ ÈÞÃÏ Í¢KßµZæÉÞX Õß×á èµçÈGÎÞµáK Ø¢dµÎ¢

µÄßøáµÞÃÞµÃßMÞ¿JßÈMáù¢

Õß×áÕJí µß{ßµZ Õß{ßAáK Ø¢dµÎ¢

ÉáÄáçοøÞÖßÏßW ÈßKáÎÞÆßÄcX

çÆÖÞ¿È¢ Äá¿Bà¿áK Ø¢dµÎ¢

µâGáµá¿á¢ÌJßW ®GáæµGßW

ÎáÄáÎáJÛæÈ µIí èµæÄÞÝᢠآdµÎ¢

§æaVæÈxßW ÕKá µÃß µÃß æÉÞzᶢ

µÞGßÏáÃVJáæÎX ¥ºí»æa Ø¢dµÎ¢

¥NdÉÍÞÄÕᢠ¥¢ÌÞdÉçÆÞ×Õá¢

ÕÄíØÜcÎÞÏß Äá¿ßæµÞGáK Ø¢dµÎ¢

åååååå

hnjph¯v

èµÄdÉ¢ ÆÞçÎÞÆøX ÈOâÄßøß.

Art & Litrature

IeþkmlnXrw

Page 10: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201210

çÙ, ÎáØÞËßV,®æa dÉÃÏJßX ¥oß¼bÞܵæ{ÈßÈAí ºBÜAß¿ÞÈÞÕáçÎÞ?

¥føØÞKøJßæÜ,ÈàÜ ÄßøÎÞܵZAß¿ÏßW ÈßKí,µæIJßÏÄÞá, ¾ÞX ÈßæK.ØbVHÕVHÎÞVK ÈÆà¼ÜJßW,ÉßæK,ØâøcdɵÞÖJßWÎÜVKá µß¿AáKá ÍâÎßÏßW,ÎáLßøßÕUßµZ KÞÂÞÜߢKÈ¢æºÏñáµß¿AáK ÎøáJáUòµ{ßW®ÜïÞ¢ ¾ÞX ÈßæKµIá.®æa øµíÄÇÎÈßµ{ßWºßÜçMÞçÝÜïÞ¢Èà §¿ßæÕGÞÏß.ÉßæK ®æa ¦vÞÕßæÈ µ¿ÉáÝAáKæµÞ¿á¢CÞxÞÏßÈà.µIßGßÜï ÈßXÎᶢ §çKÕæø ¾ÞX.®KÞW ÄUßÄáùAÞæG ¾ÞX,ÈßKÞvÞÕßX ÕÞÄÞÏÈ¢.©ùBߵ߿AáK ÈßæaæÉÞçzÞÄßøÎßG ÕßøÜáµæ{_-æÏÞKá ºá¢Ìߺîß¿æG.

æµ.Éß. ØáÇàø

s]m³Ikhn³ sXm§epIÄ

Art & Litrature

IeþkmlnXrw

Page 11: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 11

D®nI®³KÞÏdÄß ¥ÈßW.æµ

µHæÈ µÃßµIáÃVKáæÕKÞW..

µHáµZæAæLÞøá ¦Èw¢.

¦Èw¢ æµÞæIæa ÎÈ¢ ÈßùEá..

ÎÈTá ÈßùæÏ ¦ øâÉ¢ æÄ{ßEá.

¦øâÉ¢ ³VçJÞVæJX ÎßÝßÏ¿Eá..

µHáµ{ßW ¦ÈwÌÞ×íÉ¢ ÈßùEá.

µHæÈ µÃßµIáÃVKáæÕKÞW..

µHáµZæµæLÞøá ¦Èw¢.

ÉàÜßÄßøáÎá¿ßÏᢠçºæÜÞJçÎÈßÏá¢

µÃßµIçÈø¢ µHÞ..

Æá¶Bæ{ÜïÞ¢ ÎùKáçÉÞÏß.

³¿µáÝW Õß{ß çµGçÈø¢ µHÞ..

dɵãÄß ¦ÈwÈãJ¢ ¦¿ßÄá¿Bß.

Èßæa Üàµç{ÞçøÞKᢠ³VAáK çÈø¢ µHÞ..

¦ÆßÏᢠÕcÞÇßÏᢠÎùKà¿áKá.

µHæÈ µÃßµIáÃVKáæÕKÞW..

µHáµZæµæLÞøá ¦Èw¢.

æµ.Éß. ØáÇàø

Art & Litrature

IeþkmlnXrw

Page 12: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201212

klbm{XnI...æµ.Éß. ØáÇàø

Art & Litrature

IeþkmlnXrw

klbm{XnI...RÈßæK ®ÈßAáçÕâQ

¥ÏÞ{áæ¿ µHáµZÉùEá. ØbÏ¢

ØÎVMÃJßæa ÄàdÕ ÍÞ×ÏßW ¥Õ{áæ¿ çÈÞG¢

ÎùáÕÞAßçaÄÞÏß.

¾ÞæÈçK ¥BÏáç¿ÄÞÏßAÝßEßøßAáKá.

¥Äí ¥ÕßÖbØÈàÏB{ÞÏ ÕÞAáµ{ÞÏßøáKá.

¥ÉâVÕîÕᢠ¥È¸ÕáÎÞÏ ¦ ²øá ÕÞºµ¢

çµGí ØçLÞ×ÞÇßµcJÞW ¥ÏÞ{áæ¿ ÙãÆÏ¢

ªEÞÜÞ¿áµÏÞÃí.

¥øáÄí ¥ÕZ ÄæaèµMJßæÏ¿áJí ¥ÏÞ{áæ¿

ÙãÆÏÍÞKJáÕºîá.

¥çBAßçMÞZ ¥ÎßÄÞçÕÖBZÉÞ¿ßÜï.

¥BßçMÞZÕßµÞøÍøßÄÈÞÏßAâ¿Þ. ¥BÏáæ¿

ÙãÆÏ¢.....

çÉÞµæG ¥æÄÜïÞ¢! ÈNZ Äà×íÃÎÞÏ

dÉÃÏJßW ¥µæMGáçÉÞµáæÎKáÄæKÏÞÃá

çÄÞKáKÄí. ®ÈßAßÈß ÎæxÞKᢠçÕIÞ. ®æa

¥ÕÇßÏßÜïÞJ Æ᣶BZ, ¥LÎßÜïÞJ ØbJáAZ,

¦V¼í¼ÕÎßÜïïÞJ ÌtáAZ_ çÕI _¥æÄÞKá¢

§ÈßçÕI.

çÕâ ¥çBAßæÄÜïÞ¢ §ÈßÏᢠçÕâ.

§MùEæÄÜïÞ¢ µâ¿ß ¥BÏáæ¿ ÙãÆÏæJ

絿áÕøáJßÏßøßAáµÏÞÃí ¥BæÈÏÞÃí ¥Bà

¦ÖáÉdÄßÎáùßÏßW ®JßæMGÄí §ÈßæÏCßÜá¢

µáùºîí ÕßdÖÎßAâ.

®ÈßAßÈß ÕßdÖÎÎßÜï. ®æa ÙãÆÏJßæa

絿áÉÞ¿áµZ ÄàVAáK ØÎÏJí ¥Äí ÈßKá

çÉÞÏÞçÜÞ? ¥çMÞZ ÉßæK ®ÈßAí ÈßçKÞ¿á

Ø¢ØÞøßAÞÈÞÕßÜïçÜïÞ. Èßæa dÉßÏæMG øâÉ¢

µÞÃÞÈÞÕßÜïçÜïÞ?. Èßæa ØíçÈÙ¢ ɵáJá

µßGáçOÞZå®ÈßAí ÎæxÞKᢠçÕI. Èà

§Õßæ¿ÏßøßAâ ¨ µGßÜßÈ¿áJí....

ØìÎcÕᢠ¯µÞLÕáÎÞÏ ¦ ÄÃáMáÎáùßÏßWå

¥ÕV øIáçÉVåÉøØíÉø¢ µHáµ{ßW

çÈÞAßÏßøáKá. µHáÈàVå¦ÙïÞÆÎÞÏß ¥Õøáæ¿

µHáµ{ßW µÕßEá.

¥ÕZ µGßÜßÈ¿áJßG µçØø µáùºîáµâ¿ß ¥¿áçJAí

ÕÜߺîßGá. ¥ÏÞ{áæ¿ æÈFßWÈßKá èµæÏ¿áAÞæÄ,

µYÄ¿B{ßæÜ µøáÕÞ{ßMßW ©NæÕºîá. æÈxßçÎW

²ÄáAßæÕAÞX Îá¿ßÏßݵZ §ÜïÞÄßøáKßGá¢

¥Õ{Þ æÈxßçÎW ºáIáµ{ÎVJß. ¥Õ{áæ¿

Page 13: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 13

Art & Litrature

IeþkmlnXrw

ÈßÖbÞØJßæa ºâ¿í, ÆLÈßøµ{áæ¿åÄß{A¢

ÎßÈáØÎÞVK ÄÜÎá¿ßÏßݵ{áæ¿ ¥x¢ ¥ÏÞ{áæ¿

æÈFßæÈ ÄçÜÞ¿áçOÞÝáU Øᶢ.

ÙÞÕâ! ¥ÏÞZ æÈ¿áÕàVMßGá.

¨ ¼àÕßÄ¢ ®ÈßAßÄáÕæø ÄKßGßÜïÞJ ØíçÈÙ¢,

¥ÄßçMÞÝÞçÃÞ Èà ®ÈßAá ÄøáKÄí! Õß{AßW

®HÕxßJá¿BáçOÞÝÞçÃÞ dÉßÏæMGÕç{ Èßæa

Øìwøc¢ ®æK dÍÎßMßAáKÄí. §Üï ®ÈßAí

ÏÞæÄÞKᢠµÞÃÞX ÕÏî. ¦ÈwÞdÖáAZ ®æa

µÞÝíºÏßWÈßKí صÜÄßçÈÏá¢åÎùÏíAáKá. ®æa

ÎáOßÜßçMÞæÝÞøá ÎÏßWMàÜßAÞ¿áçÉÞæÜ ®çLÞ

²øá ØìwøcÎÞÃáUÄí. ÈßÜÞÕßW ³{¢ æÕGáK

®çLÞ ²Kí.

ÖøßÏÞá ¥BÏáæ¿ ÆàÉJßæa µ¿AW

®HæÏÞÝßAÞÈÞá ¾ÞX ÕKÄí.

¥ÏÞZ ¼ÞܵJßçzW ÄâAßÏßG

ɺîJßøÛàÜÏßçÜAí çÈÞAß, ¥ÄBæÈ µÞxßW

Éß¿AáµÏÞá.

ÎøßAÞX µÞJáµß¿AáK ²øá çøÞKßÏáæ¿

ÙãÆÏJßæa Éß¿ºîßW çÉÞÜáIí ¥çÜï?

¥ÏÞZ ÉáFßøßçÏÞæ¿ çºÞÆߺîá.

¥Üï! ¥Bí µÞÃáKßçÜïå¨ ÉºîÈßù¢? §Äí

ØíçÈÙJßçaÄÞÃ,¡ dÉÄcÞÖÏáç¿ÄÞá.

¼àÕßÄæJ ÎáçOÞGá ÈÏßAáæKÞøá ÈßùÎæÜï ɺî?

¥ÏÞZ ÉáùæJ çÜÞµçJAí, ¦ÖáÉdÄßAGßÜßW

æºøßEáµß¿Ká §ÎæÕGÞæÄ çÈÞAß. ¼ÞܵJßÈMáù¢

µÞxJáÜÏáKåÙøßÄÕãfBZAßæKLÞÃßdÄ

©zÞÆ¢? ¥ÏÞZ ®ÝáçKWAáÕÞX dÖÎߺîá. ¥ÕZ

¦OWÕUßçÉÞÜáU ÄæaÖàÄ{ ÉÞÃßµ{ÞW

¥ÏÞæ{ Ä¿Eá.

©Õîí ®ÜïÞ¢ ÖøßÏ޵ᢠÉçf çÁÞµí¿VÎÞV ÉùÏáKÄí

¥ÈáØøßAâ. ¥ÈáØøßAßçÜï?

ÄàVºîÏÞÏá¢åÈà ¥¿áJáæICßW ÉßæK ®ÈßAí

ÏÞæÄÞøá ºßLÞçµïÖÕáÎßÜï, çÕÕÜÞÄßÏßÜï,

ÕàVMáÎáGÜßÜï.

¥ÕZ ¦ÖbÞØçJÞæ¿ ÉáFßøßæµÞIá. ¾ÞæÈBá¢

çÉÞÕßÜï ¾ÞÈ¿áJáIÞÕá¢.

çÉÞµøáÄ í ÈàçÉÞÏÞW ÉßæK ¾ÞÈßÜï.

¥Õ{áæ¿ Éºî ØÞøßÏáæ¿ ¥x¢ µÞxßW ÉùKí

¥ÏÞ{áæ¿ Îá¶çJAí ÕàÃá.

¼ÈÞÜÏíAçÜAí ÄÜ ÈàGßÈßWAáK

çÉøÏíAÞÎøJßæa ÄáFJí ÕßøßE æÕ{{

ÉâÕßçzW ºÕßGßÈßKíåµÞxíåÈãJ¢ ºÕßGáµÏÞá.

¥ÏÞZ ¥qáÄçJÞæ¿ ¥ÄáçÈÞAßÈßKá.

§ÄßKÞæÃÞ ÉâJÄí?

²øá çÆÕæÄæÏçMÞæÜ Øìwøc¢ ÄßµE ÈàÏÞø¡?

ÈßæK ¾ÞÈßÄáÕæø dÖiߺîßÜïçÜïÞ. ®dÄçÏÞ

dØñàµæ{ ¾ÞX µIá µÝßEá ¥ÕæøÞKá¢

ÏÅÞVjJßW Øñàµ{ÞÏßøáKßÜï ØìwøcæÎKí ¾ÞX

æÄxßiøߺîæÄÜïÞ¢åæÕùᢠÎYçµÞÜB{ÞÏßøáKá.

ÙÞØáwøß! ²øáÉÞ¿í ÕV×BZ æÕùáæÄçÉÞÏß.

§ÈßæÏLÞá ®KßW ÌÞAß? 絿áÕK ²øá

¸¿ßµÞø¢ çÉÞæÜ ®æaÄÞ{¢ æÄxßÏÙãÆÏçÎÞ?

®ÜïÞ¢ çÈæøÏÞµÞÄßøßAßÜï.

¥ÉâVÕîÎÞÏ Çß×ÃÏᢠ¥ÈßÄøØÞÇÞøpÞÏ

ØìwøcÕᢠæµÞIí ¼bÜßAáK ³¼Øáx ¦ Îᶢ

¥ÕZ èµµ{ßW çµÞøßæÏ¿áJá.

®ÈßAßçMÞZ ÈßæKAáùߺîí ²øá µÕßÄæÏÝáÄâ.

§ÄÞ ®æa ØVPÕÞØÈåæµÞ¿áOßøßæµÞIßø

ßAáµÏÞá. ÈàæÏÈßAá ²øá çÉÈÏᢠµ¿ÜÞØá¢

Äøâ

ÄøÞ¢ Éçf §çMÞZ çÕI §çMÞZ JæK

¥æBÏáæ¿ ÙãÆÏÎáÄßVAáKåçÜÞÜÕßµÞøB{áæ

¿åØ¢KàÄ¢ ®ÈßAí çµZAÞ¢å§çMÞÝßÄá ÎÄß.

¥ÕZåÖ¢¶ßW ¼àÕæa Äá¿ßMí µÞçÄÞVAá¢

çÉÞæÜ ¦ æÈFßçÜAí ÄÜ çºVJá. ®KßGí

²øßAÜᢠÉßøßÏÞÄßøßAáÕÞÈáU ÈßÛÌíÆ-

dÉÞVjÈçÏÞæ¿ µHáµ{¿ºîá.

§ÄáÕæø ¾ÞæÈÝáÄßÏæÄÜïÞ¢ æÕøá¢

ÕÞAáµ{ÞÏßøáKá. ÙÞ! §ÈßÏÞá ¾ÞX ®ÝáJí

Äá¿BáÕÞX çÉÞµáKÄí.

¥Çßµ¢ Ø¢ØÞøßAøáÄí. §Èß ¥BáùBâ.

ÍÏæM¿áÄí. ²øá ÈßÎß×çJAáçÉÞÜᢠ¾ÞX

¥BÏáæ¿ µYæÕGJáÈßKá çÉÞÕßÜï.

ØÄcÞÎÞçÃÞ? ÈàÏßÈß ®çMÞÝáÎáIÞÕáæÎÞ

®æaµâæ¿? çÙÞ! ®ÈßAßÄí ÕßÖbØßAÞX

µÝßÏáKßÜï. §Ká ÈàÕKÄá ÈKÞÏß. ÈÞæ{ÏÞÃá

®æa ÙãÆÏJßæa ÖdØñdµßÏ. ¥ÄáÈ¿AáçOÞZ

ÈàÏᢠ¥¿áJáI޵â. ÈàÕÞÄßÜßÈáÉáùJá

ÈßKÞWçÉÞøÞ, ¾ÞÈáùBáçOÞZ Èà çÕâ

®ÈßAí µÞÕW ÈßWAÞX. ®æa ¼àÕX Èßæa

èµÏßÜÞá ¾ÞX ÄøáKÄí.

¥Õ{âæ¿ µHáÈàV ÕàÃá ¥ÏÞ{áæ¿ æÈFßæÜ

æºOߺîåÎá¿ßÏßݵZ ÈÈEá. ¥ÏÞ\ ¥Õ{áæ¿

§¿ ÄâVK Îá¿ßÏßݵ{ßÜâæ¿ ÕßøÜáµZ ÉÄáæA

ÉÞÏߺîáæµÞIßøáKá. ®KßGí ¦ dÉßÏ¢µøÎÞÏ

Îᶢ ÄÞÝíJß Äæa Îá¶çJAí ¥¿áMߺîá.

¼àÕßÄJßÜÞÆcÎÞÏß ÉøßÖáiÎÞÏ ÙãÆÏçJÞæ¿

¥ÏÞZ ²øá dØñàÏáæ¿ µÕß{ßW ºáIáµ{ÎVJßæAÞIí

Page 14: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201214

Art & Litrature

IeþkmlnXrw

¥Õß¿áæJ µHáÈàVåÄá¿æºî¿áJá. ®ÈßAí

¦çøÞKcÎáIÞÏßøáKáæÕCßW æÕùᢠÎHßW

µÎßÝíKá µß¿Kí Èßæa ÈßVNÜÎÞÏ µÞÜ¿ßµæ{

¾ÞX ºáOßçºîçÈ.

¥ÏÞZAí µH¿AÞçÈ çÄÞKßÏßÜï. ¯µÞL

ÕßÕÖÎÞÏ Äæa ÙãÆÏæJ ®dÄæÉG-

KÞÃá ®Õßæ¿ÈßçKÞ ÕK §ÕZ!. ºßLµZ

çÉVæJ¿áJÄáçÉÞæÜ ¥ÕZ ÉùEá.

¾ÞX ®BáÈßçKÞ ÕKÕ{Üï ¾ÞæÈKá¢

¥BÏáæ¿ µÞÝíºîMáùJáIÞÏßøáKá. ¾ÞÈBÏßW

ÆJdÖiÏÞÏßøáKá. ®KÞÜBí ¥ÄádÖiߺîçÄÏßÜï.

ØÉñÕVHÞ¢KßÄB{ÞÏ ÍâçÜÞµ µÞÝíºîµZAá Éßùæµ

çÉÞÏçMÞZ ¥çBÏíAí ²KßÈᢠçÈø¢ µßGßÏßøáKßÜï

ÄßøßEáçÈÞAÞæÄÏÞÃBá ¼àÕߺîÄí.

¥Õ{áæ¿ ÕßøÜáµZÉ߿ߺîí ¦ÖáÉdÄßAGßÜßWÈßKí

³¿ßÏßùBß, ¼àÕßÄæJ ØíçÈÙJßæa

²øÞç¸Þ×ÎÞAáÕÞX ¥ÏÞZAí æµÞÄßÏáIÞÏß.

Éçf ÉßæxÆßÕØ¢ ¦µÞÖJíåØâøcX

dÉÍÞÄJßæa Îᶢ ÎßÈáAáçOÞZ . ¥ÏÞ{ᢠ²øá

ÏÞdÄAí ²øáBß. ¥xXÁVÎÞV ¥ÏÞ{áæ¿åÕdØñBZ

¥ÝߺîáÎÞxß ÄâæÕUÉáÄMí ÉáÄMߺîá. ÄàÏxùßçÜAáU

ÏÞdÄAí ÕÞÙÈæÎÞøáBß. ²øáÈßÎß×¢ ¥ÏÞZ

¥Õ{áæ¿ µHáµ{ßçÜAí çÈÞAß. ¥Õß¿¢ ÖÞLÕá¢

KâÁÕáÎÞæÏÞøá ÉáFßøßÉxßAß¿KßøáKá.

ØáwøßÏᢠ¼ÞdKÄÏáUÕ{ᢠÌáißÖÞÜßÈßÏáÎÞÏ

§ÕZ ÄæKÕßGáçÉÞÕßÜï. ¥ÏÞZAí ©ùMÞÏß

¦øᢠµÞÃÞæÄ ¥ÕZ ¥ÏÞ{áæ¿ øIá µHáµ{ßÜá¢

ºá¢Ìߺîá. µHáÈàøßæa ©Mí øØ¢. çÉ¿ßAøáÄí

¥ÕZ ÉùEá.

¥ÏÞW dÉØÞÆ ÎÇáøÎÞÏß ºßøߺîá.

¥Õ{ᢠÙãÆÏ¢ ÄáùKí ÎwÙØߺîá

¼ßÕÈáÃVKí ÄKåÄâÎwÙÞØ¢. çÁÞµí¿VÎÞV

¥ÏÞæ{ ©ùAß ¥ÕV æµÞçùÞÃùß ¦VGùßÏáæ¿

Ä¿TBZ ÈàAáÕÞXÄá¿Bß. ¥ÏÞ{áæ¿

µÞÜßWÈßKá øµñAáÝÜáµZæÕGßæÏ¿áJá

¥ÏÞ{áæ¿åÖbÞØØíÉwÈBæ{ ÙÞVG¹í

ÏdLJßçÜAíÎÞxßØíÅÞÉߺîá. ¥ÕøÏÞ{áæ¿

ÙãÆÏJßW ÉáÄßæÏÞøá èÌÉÞTí æÕºîáÉß¿ßMߺîó.

ÎÃßAâùáµ{áæ¿ ÄàdÕÏy¢ µÝßEí çÁÞµí¿VÎÞV

ÄßçÏxùßæÜåµHFáK Õß{AáµZ ¥Ãºîâ.

ÄàdÕÉøߺøÃÎáùßÏßW ÉßKàæ¿çMÞçÝÞ ¥ÏÞZ µ

HáµZåÄáùKçMÞZåÎâ¿WÎEßÜâæ¿æÏKÕH¢

¥Õæ{AIá. ÕàIᢠÎwÙØßAáK Îᶢ.

¥ÏÞ{ᢠºßøßAÞXdÖÎߺîá. µøÏßW µß¿Kí æÉ¿æÉ¿ºîí

ÕàIᢠ¼ÜJßçÜAí ÄßøßæºîJßÏ ÎÄíØcæJçMÞæÜ

¥ÏÞZ ØbØíÅÈÞÏß ÉáFßøߺîá. æºùßÏ ¦

ÉøßdÖÎJßWçMÞÜᢠÕÜßÏ dÉÄcÞ¸ÞÄÎáIÞÏß.

¦Ïßø¢ ØâºßAáJáµç{xçÉÞæÜ ¦ Îᶢ

çÕÆÈÏÞW ºá{ßEá. µHáµZAáÎáOßW

ºáÕK ÄàæMÞøßµZÉÞùáµÏÞÃá. ¥ÏÞ{áæ¿

µ¿AHßWÈßKí µHàæøÞÝáµß.

çµïÖÈßVÍøÎÞÏ ÎÃßAâùáµZ, çÕÆÈÞ ÉâVHÎÞÏ

ÎÃßAâùáµZ, ²øßAÜᢠ¥ÕØÞÈßæAæÜïKá

çÄÞKߺî ÆßÈøÞdÄBZ µ¿KáæÉÞÏß. Éæf, ¥ÏZ

ÈßVKßçÎ×ÎÞÏß ¥Õæ{ çÈÞAßæAÞæI¡ Ä{VKá

µß¿KçMÞZåÉáFßøß ÎÞÏÞJ Îá¶çJÞæ¿ ¥ÕZ

Éøߺøߺîá.

dÉØKÎÞÏ ²øá dÉÍÞÄJßW ¥ÏÞæ{ çÁÞµí¿VÎÞV

ÎæxÞøá ÎáùßÏßçÜAí ÎÞxß. Éøߺøâ ÌtáAZ

¯æx¿áJá.

ØáÙãJáA{ᢠÄÞX ØíçÈÙߺîßøáKÕøá¢

²øßAWÎÞdÄ¢ µIÕøᢠ²øßAÜᢠµIßGßÜïÞJÕøá¢

ØwVÖµøÞÏß ®Jß. ÉáÄá¼àÕßÄJßæa ÉáJX

Îá{µZ çÉÞæÜ ¦ÙïÞÆçJÞæ¿ ¥ÏÞZ ®ÜïÞÕçøÞ¿á¢

§¿æÉGá. dÉØKÄçÏÞæ¿ æÉÞGߺîßøߺîá.

¼àÕßÄ ØìÍÞKcB{áæ¿ çÄXµÃBZ ¥ÏÞZ

²æKÞKÞÏß ¦ØbÆßAÞXÄá¿Bß.

²xAÞÕáçOÞZ, ØbÉíÈ ØÆãÖcÎÞÏ ²øá ©¼bÜ

ØÞKßicJßæa ÎâµÄÞLÎÞÏ ³VN ¥ÏÞ{áæ¿

ÙãÆÏæJ ÎÅߺîá.

Éá×íÉÎãÆáÜB{ÞÏ ¦ èµµ{ÞW ºáxßM߿ߺîí

ÉGáçÉÞÜáUåÄÜÎá¿ß Äæa æÈFßçÜAí

ºßÄùߺîí, ÎãÆáÜÕᢠdÉÖÞLÕáÎÞÏ ¦ ÙãÆÏ¢

ÙãÆÏçJÞ¿ÎVJß ¥Õæ{LÞÏßøáKá ¥ÕÞØÈ¢

ÉùEßøáKÄí.

¥çBæAKᢠ¥BÏáæ¿ÄÞÏßøßAÞX µÝßÏæG.

®LᢠçÈ¿ÞÈáU µøáJßçÈAÞZ, ®LᢠçÈ¿æÎK

¦vÕßÖbÞØ¢ ¥ÇßµÎÞÏßøßAæG.

¥ÏÞZ ¥qáÄ¢ ÈßùE ¦ÙïÞÆçJÞæ¿ ³VJá.

§Üï ¾BZ ÎøÃæJAáùߺîá ºßLߺîßÜï. ¾BZAí

Õß×Ï¢ ¼àÕßÄÎÞÏßøáKá.

¥Õ{áæ¿ Îá¶Jí ¼àÕßÄÞÈwJßæa ÕxÞJ

Øìwøc¢! ÄÜÎá¿ßæAçMÞÝᢠ¼àÕßÄJßX

çµÞÎ{ØìøÍc¢! ÕÞAáµZAí ¼àÕÈ ØíÉwÈ¢

ÉáFßøßAí ¼àÕßÄJßX ÕÖcÄ

çÙÞ! ¥ÕZ ¦øÞÏßøáKá.?

Page 15: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 15

Art & Litrature

IeþkmlnXrw

Jº¡î ºîºîJºîJºî ºîJJJºîJJJJ ºîºîºîººî ºî JJ

Dd§p¶ \cknwl§ÄDd§p¶ \cknwl§Ä

Page 16: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201216

Viewsho£Ww

On 11th May 1998, Bharath shocked the world with Pokharan 2.

The then American president immediately took three important decisions to reinforce the American say and control over nuclear power countries. The American government put an embargo on financial assistance to India, an embargo on technology trans-fer to India and high restrictions on visa issuance of Indians. But within days the Americans had to rein-state their policies one by one because of the real-ization of the immense contribution the Indians we giving to the United States of America.

The US figured only less that 10% of India’s total export and import. So these sanctions did not seem have any major impact on the country. Major soft-ware companies put pressure on the US president to revoke his decision as it would destroy the technol-ogy industry in America not to have Indians work-ing j their projects round the clock. Without visas for professionals companies like IBM and Microsoft stood to lose millions. Within 10 days the visa ban was revoked. Almost 80000 visas were issued to the US that year.

Even with the complete stop on technology trans-fer, the Indians developed the Chandrayan.

The concept of a Superpower has always been shifting. At an early stage it was the English and then the Spanish, the Italians, the Germans, the Russians and the Americans. The American Superpower story is slowly fading. Any country’s worth is measured using the five parameters of Knowledge, Enterprise (money turn over), Military, Influence in the world and the Woman and Children of that country,

Today the world is slowing taking notice of the immense knowledge our professionals are spreading world over. In many countries research would be bad-ly affected without Indian professionals support. Our man power is well known for its discipline and hard work. Dr. Anand heads the MAC 10 project of NASA (needs verification). Notable Indians,Madhavan Nair,

Bharath, The Emerging Superower

Dr.AbdulKalam ,KasturiRangan are considered as top scientists in the world today.

There are so many mesmerizing achievements of Indians world over that are being recognized today. Hippocampus Jayakari also known as Jayakar’s Sea Horse is a species of fish named after its Indian dis-coverer. We have the third largest education system after China and the USA. Our IITs, IIMs and IIPM’s are world famous. A huge amount of our budget is earmarked for infrastructure development each year. Currently we have the 12th largest GDP in the world at around 1.09 trillion USD or more. We have the sec-ond largest army and the fourth largest air force in the world.

In the field of spiritualism India, the Indian culture and Hindu religion is sweeping the world. Swami Chinmayananda popularized the Bhagavad Geeta all over the world and it is today being for management studies in over 300 universities around the world. Mata AmrtitanandaMayi is loved around the world as the Hugging Saint. For her birthday 10 million people came from 110 counties to take her blessing in her village. Baba Ramdev’slectures attracted more than 5000 people every day for a week which was record in the United Kingdom. The Swamy Narayan tem-

ravi Kumar iyyer

Page 17: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 17

Viewsho£Ww

ples are being built in every nook and corner of the world. Even in China they have been allotted land for this. Yogansana is gaining popularity all over the world. It is has now become a eight billion dollar business in the US alone. By covering the whole of India twice, the Sankaracharyarevolutionalised Indian philosophy that is converting people across the world today.

An Indian, AnjuBhargavi has been appointed by the US government to popularize YOGA as a cheaper medical alternative.

In 2011, there were two Indian contenders in the top 10 billionaires list. Smt. IndraNooyi, CEO of Pepsi Cola even today ensures to keep her In-dian traditions alive by wearing saris to corporate meetings! Footwear is not allowed in her office and home. Indianscontinues hold some very important corporate posts around the world. Some of the best start up enterprises in the world were started by In-dians.

After finishing her tour of the space in a capsule, SunithaPandya said her courage and strength in fin-ishing her world record 23 and ½ hour spacewalk was the Ganesha and Gita she took with her.

Most of the top ranks in the spelling bee contests in the US and other countries go to Indians. In the 32 years Ramanujam lives he gave the world around 3500 of our mathematical formulas.

When the former Greek PM went to Germany to learn ancient Greek language they told him there was a language even older called Sanskrit. He greeted Prime Minister Manmohan Singh in San-skrit on arrival to Greece on official visit. Sanskrit is taught in more than 250 universities in the world. Indian universities are now picking up this trend from abroad!

Swami Vivekananda, on his trip to the US n 1893, managed to convince Mr. John. D.Rockefeller, a business magnet, to donate towards education. He sponsored hundreds of libraries and other institu-tions. Thus Swamiji initiated Corporate Social Re-sponsibility first in the US.

India has always been in the forefront of woman empowerment, Often secluded cases of persecution is highlighted to show the nation in a bad light. The

first Indian lady doctor, Kadimbini Gangly enrolled for her classes as early as 1861. Today we have Smt. PrathibaPatil (Indian president ), Smt. Sheela Dixit ( CM of Delhi ), Smt. MamataBannerji ( CM of West Bengal ), Smt. Jayaalalitha ( CM of Tamil Nadu), Smt. SushamaSwaraj ( Leader of the opposition, LokSabha ), Smt. Meira Kumar ( Speaker ), Smt. Sonia Gandhi ( Congress Party chief ) as examples of women holding high posts in India.

The world’s youngest CEO, Suhas Gopinath (at 14 years), was not even allowed to have a bank ac-count at that age in India. He went to the US and built his business empire. At 26 today, he is a world known ‘Young Global Leader’

We are the largest milk producing nation in the world. Even our film industry, once mocked as song and dance extravaganzas, are today being financed and marketed by global firms. We have even started making our mark in the field of sports.

All well said and done, it is the conviction and nationalistic spirit of the citizens of a nation that can only see this dream of our through. And in a far-away land in the Arabian Gulf, as Bharateeyans we work and prove to the people of Kuwait our worthi-ness as the citizens of country on the verge of being a Super Power.

Page 18: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201218

ÍÞøÄJßæa ¦ç·Þ{ÆìÄc¢

Viewsho£Ww

¦ç·Þ{àµøÃJßæa ÖµñÎÞÏ æµÞ¿á¢µÞxßWæMGí

çÆÖàÏÄÏáæ¿ ÍßJßµZ ĵVKí ¥¿ßÏáµÏá¢

çÜÞµ¢ ²øá æµÞºîá ¦ç·Þ{ d·ÞÎÎÞÏß ºáøáBáµÏá¢

æºÏñáµÝßEßøßAáKá ®æKÞæA ÕÞºÞÜÎÞÏß

dÉØ¢·ßAáçOÞÝᢠ¥Èßç×ÇcÎÞÏ ²øá ØÄc¢ ÈÞ¢

µYÎáOÞæµ µÞÃáKÄí ³çøÞ øÞ×íd¿Õᢠ¥Äßæa

ØbÞÄdLcÕᢠÉøÎÞÇßµÞøÕᢠµJáØâfßAáÕÞX

®Lí ÕßÜæµÞ¿âAÞÈᢠÄÏîÞùÞµáKá ®KÄÞÃí.

dÉÅÎÆã×í¿ßÏßW Îùºîí çÄÞKÞæÎCßÜᢠæºùáÄá¢

ÕÜáÄáÎÞÏ ³çøÞ øÞ×íd¿Õᢠ¥Äßæa

¥ØñßÄbæJ µáùߺîí µâ¿áÄW µâ¿áÄW çÌÞÇÕá¢

©ÃVÕᢠ©ZæAÞIí dÉÕVJßAáKá. §æÄÞøá

èÕøáÇcÎÞÏß çÄÞKÞ¢ Éçf, ØbÄdLÕá¢

ÕcÄcØñÕáÎÞÏ çÆÖàÏĵ{áæ¿ ¦æµÄáµÏÞÃá

¨ ÎÞÈÕ Íâ¶m¢. çÆÖàÏÄ ²øá ÏÞÅÞVÄcÎÞÃí.

¥Äßæa ¥¿ßØ¡ÅÞÈJßW µÞÜÞLøB{ßÜâæ¿

øâÉæMGßGáU ¼ÈØÎâÙB{ÞÃá çÆÖàÏøÞ×íd¿BZ.

¨ ÏÞÅÞVÄcæJ ¥¢·àµøߺîáæµÞIí ÎÞdÄæÎ

¯µçÜÞµ¢ ®K Ø¢CWMJßçÜAí ÈÎáAí

ÎáçKùÞÈᢠ¥Äí ØÞfÞÄíµøßAáÕÞÈᢠØÞÇcÎÞµâ.

¥Jø¢ çÆÖàÏøÞ×íd¿B{áæ¿ µâGÞÏíÎ ÎÞdÄÎÞÃá

段cøÞ×íd¿ØÍçÉÞÜáU Ø¢¸¿ÈÞçÕÆßµZ.

èºÈ, ÍÞøÄ¢ Äá¿BßÏ ¥ÄßÕßØíÄãÄB{ÞÏ

øÞ×íd¿B{ᢠæ®ØíÜÞaí, æÈÆVæÜaí Äá¿BßÏ

Õ{æø æºùßÏ øÞ×íd¿B{ᢠÍâÎá¶Jí ÈßÜÈßWAâKá.

¥ÕÏíAí ³çøÞKßÈᢠÄÈÄÞÏ ¦ØñßÄbÕá¢

ÕcµíÄßÄbÕᢠ©Ií. ¥ÕÏíæAÜïÞ¢ ØbÞÄdLçJÞ¿á¢

¥ÍßÎÞÈçJ޿ᢠÈßÜÈßWAÞX ¥VÙÄÏó¢

¥ÕµÞÖÕᢠ©Ií. ÍâÎßÖÞdØñÉøçÎÞ ¼ÈØ¢¶cÞÉøçÎÞ

¦Ï ÕÜáMæºùáMBç{Þ Ø¢ØíAÞøJßæaæÏÞ

ÈÞ·øßµÄÏáæ¿çÏÞ æÕÄcØ¡Å ÈßÜÕÞøBæ{ÞKá¢

¨ ÎìÜßµÎÞÏ ¥ÕµÞÖæJ Èßç×ÇßAÞX

ÉøcÞÉñÎÜï. ®LÞá ²øá øÞ×íd¿æJ ÎæxÞKßWÈßKí

ÕcÄcØñÎÞAáKÄí? ²xÕÞAßW ÉùEÞW

³çøÞKßæaÏᢠÄÈßÎ ÕcÄcØñÎÞá. ®ÜïÞ ÎÈá×cøá¢

ÄáÜcøÞá ®KØÄc¢ ¥¢·àµøßAáçOÞÝᢠ³çøÞ

ÎÈó×cÈᢠÄÈÄÞÏ ÕcµñßÄbÎáIí ®K ÕØñáÄ

¦VAᢠÈßç×ÇßAÞÈÞÕßÜ.ï §Äí øÞ×íd¿BZAó

ÌÞǵÎÞá. ¨ ÄÈßÎ ¥ÅÕÞ ÕcµñßÄb¢ µHßW

®H ²Ýߺîí µÞJí ØáfßAáKÄßW ÕßGíÕàÝíº

æºÏîáµçÏÞ ÉøÞ¼ÏæM¿áµæÏÞ æºÏñÞW ¦

øÞ×íd¿¢ ÈÞÎÞÕçÖ×ÎÞµá¢. ®Lá ÕßÜæµÞ¿áJá¢

¥Äí µJí øfßçAIÄíå¥Äßæa ØbÇVNÎÞá.

Îùߺîí æºÏîáKÄí ¦vÙÄcÏÞá, ¥ÉøÞÇÎÞá.

ØbÞÎß ÕßçÕµÞÈwæa ¼bÜßAáK ÕÞAáµ{ßW

Éß.ÉøçÎÖbøX

ÉùEÞW ³çøÞÎÈá×cÈᢠRÕcµñßÄbÎáUÄáçÉÞæÜ

øÞ×íd¿B\AᢠÕcµñßÄbÎáIí. ²øá ÎÈá×cX

ºßÜ dÉçÄcµ ¸¿µB{ßW ÎæxÞøÞ{ßW ÈßKí

ÕcÄcØñcÈÞµáKÄáçÉÞæÜ, ²øÞZAí ¥ÕæaÄÞÏ

ºßÜ ØÕßçÖ×ĵZ ©UÄáçÉÞæÜ, øÞ×íd¿BZAá¢

ÄNßW ÄNßW ÕcÄcØñĵ\ ©Ií. ³çøÞ ÎÈá×cÈá¢

ØÎâÙJßæa ÎáÄW µâGßçÜAí ÄÈÄÞÏ Ø¢ÍÞÕÈ

ÈWµÞùáUÄáçÉÞæÜ ³çøÞ øÞ×íd¿JßÈá¢

ÄÈÄÞÏ ²øá ÈßÏÄß ÈßÕîÙßAÞÈáIí; ²øá ÆìÄc¢

ÉâVJßÏÞAÞÈáIí; ²øá ØçwÖ¢ dɺøßMßAÞÈáIí.

¦ ÆìÄc¢ dÖiçÏ޿ᢠÕßÖbÞØçJÞ¿á¢

ÈßVÕîÙߺîáæµÞIßøßAáµÏᢠ¥ÄßçÈÞ¿í

¥ºFÜÎÞÏ µâùá ÉáÜVJáµÏᢠæºÏîáKß¿çJÞ{¢

µÞÜ¢ ¦ øÞ×íd¿¢ ®æLÞæA ÕßÉJáµ\

çÈøßGÞÜᢠ¥ÕæÏ ¥Äß¼àÕßAáµ ÄæK æºÏîá¢.Q

²øá ÈâxÞIßÈMáù¢ ØbÞÎß¼ß ©ºîøßºî ¨ÕÞAáµZ

§Kᢠ¥fø¢ dÉÄß ØÄcÎÞÏß ÈßÜÈßWAáKá

¯Äí øÞ×íd¿æJ ©ÆÞÙøÃÎÞÏß ®¿áJÞÜá¢

§ì ØÄc¢ ¥ÈáÍÕæM¿áKá. ¥Äí µæIJÞX

ÉÜçMÞÝᢠèÆÈÆßÈ Ø¢ÍÕB{áç¿ÏᢠÄÞWAÞÜßµ

ÈÏÉøßÉÞ¿ßµ{áç¿Ïᢠ§¿ÏßçÜAí §ùBß æºKí

ØâfíÎÎÞÏß ¥ÕçÜ޵Ȣ È¿çJIßÕøá¢.

ÕÞØíÅÕJßW ³çøÞ øÞ×í¿JßæaÏá¢

ÈßÜÈßWMßÈÞÇÞøÎÞÏ ¥¿ßØñÞÈÎâÜcB{ÞÃá

¥ÕÏáæ¿ Íøø¿ÈÏßæÜ ÈßVHÞϵÄÄbBZ

¦ÏßøßAáKÄá ¦ÏßøßçAIÄá¢. µÞÜÞµÞÜB{ßW

¥Õ ÉáÈVÈßVÕºßAæMGá ®KáÕøÞ¢ ®KßøáKÞÜá¢

¥ÕÏáæ¿ ØÞøÞ¢ÖJßæÜÞøßAÜᢠÎÞx¢ ÕøáKßÜï.

ØÎâÙ¢ ÎÞùßæAÞIßøßAáçOÞÝᢠÎâÜcBZ

ÖbÞÖbÄÎÞÏß ÈßÜÈßWAáKá ®KÄÞÃá ØÄc¢.

¥¿ßØñÞÈÎáÜcBZ ÎÞùßÏÞWåØÎâÙ¢ ÈÖßAá¢

®KÄᢠ¥ÄáçÉÞæÜ ØÄcÎÞá.

ÉÞÖíºÞÄcøÞ¼cB{ßçÜÄßW ÈßKí Õ{æø

ÕcÄcØñÕᢠ¥çÄØÎÏ¢ ÉøØíÉø¢ Õ{æø

ØÎÞÈB{ᢠ¦Ã¡ æÉÞÄáæÕ ÉùEÞW ¯×cX

øÞ¼cB{áæ¿ ¥¿ßØñÞÈÎâÜcBZ. ÍÞøÄJßçÜAí

ÕøáçOÞZ ¦icÞzßµÄÏáæ¿ ¥¿ßØ¡ÅÞÈJßW

ØÙdØÞÌíÇB{ßÜâæ¿ Õ{VKí ÕKßGáU

ÇVNÞÇß×í¿ßÄ ØÞ¢ØíµÞøßµ ÎâÜcB{Þá.

¥ÄßÕßÖÞÜÕᢠÕßÉáÜÕáÎÞÏ ¨ øÞ¼cçJÏá¢

¥Õß¿áæJ èÕÕßÇcÉâVHÎÞÏ ¼ÈÄçÏÏá¢

Ø¢çÏÞ¼ßMߺîí ÈßVJáK ¥¿ßØ¡ÅÞÈæÎKí µÞÃÞX

µÝßÏá¢. ¥ÕæÏ dÖiÞÉâVÕî¢ µÞJáØâfßAáµÏá¢

¥ÕAáçÕIß ÄÜÎáùµZ ÈßøLø¢ ÄcÞç·Þ¼bÜÎÞÏ

ÇàøµãÄcBZ ÈßÕîÙßAáµÏᢠæºÏñÄáæµÞIÞá

Page 19: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 19

Viewsho£Ww

¨ øÞ×íd¿¢ çÜÞµJßæÜ ¯xÕᢠdÉÞºàÈæÎCßÜá¢

¥ÄcÞÇáÈßµÕáÎÞÏ §KᢠÈßÜÈßKí çÉÞµáKÄí.

ØbÞÄdLØÎøµÞÜJí ØbÞÎß ÕßçÕµÞÈwæÈÏá¢

ÎÙÞçÏÞ·ß ¥øÕßwæÈÏá¢, çÜÞµÎÞÈcÄßܵæÈÏá¢

ÎÙÞvÞ·ÞtßçÏÏᢠ²æA dÉçºÞÆÈ¢

æµÞUßºî ¨ ¦vÕßÖbÞØÕᢠÆìÄcçÌÞÇÕá¢

ÎBçÜWAÞæÄ ÈßÜÈßVçJIÄí ¨

øÞ×íd¿Jßæa ¥Äß¼àÕÈJßÈá ¥ÈßÕÞøcÎÞÃ.¡

¥Äá ÈßÜÈßVçJIÄí ØbÞÄdLÞÈLøÄÜÎáùµ{áæ¿

µ¿ÎÏÞÃ.¡ ¥Äá ÈßÕîÙßAáKÄßW ÈÞ¢ çÕIdÄ

Õ߼Ϣ èµÕøßæºîÞ ®Kí ¦vÞÉøßçÖÞÇÈ

È¿JáµÏᢠ§æÜïCßW µãÄcÕßçÜÞÉJßæa

çζܵZ ÄßøߺîùßEíåæÄxáµZ ÄßøáJáµÏá¢

æºçÏîIÄí ÕVJÎÞÈ ÄÜÎáùµ{áæ¿ÏᢠÕøá¢

ÄÜÎáùÏáæ¿ÏᢠºøßdÄÉøÎÞÏ ÆìÄcÎÞá.

¥ÄßçÜAí ÕßøW ºâIáKÄßÈÞÃá ÈNáæ¿

¥¿ßØñÞÈÎâÜcB{áæ¿ dÉÞÇÞÈcæJµáùߺîí §dÄÏá¢

ØâºßMߺîÄí.

ÕXØìÇB{áö çfdÄB{áæÎÜïÞ¢ ÉÃßÏáçOÞZ

¥ÕÏíAá ºáxᢠ¥ÕæÏAÞZ ÕÜáMJßÜáU ÎùµZ

Øã×í¿ßAÞùáIí ÉáùJáÈßKá çÈÞAáKÕVAí

Îù ÎÞdÄçÎ µÞÃÞX µÝßÏá. ¥ÄßÈáUßW ®LÞÃá

È¿AáKæÄKí µãÄcÎÞÏß ÎÈTßÜÞAÞX µÝßÏáµÏßÜï.

ÎùµZAáÉßKßW È¿AáK ÈßVNÞÃdÉdµßÏ Éáù¢

çÜÞµJßÈá ÎÈTßÜÞµáµÏßÜï.ÕVJÎÞÈ ÍÞøÄæJ

ÕàfßAáKÕVAí dÉÅÎ Æã×í¿ßÏßW µÞÃÞX

µÝßÏáKÄí µHFßMßAáK æÉÞÏíÎùµ{ÞÃí. ÕÜßM¢

æµÞIí ¥OøMßAáKÕÏᢠÍÏÕᢠآÖÏÕá¢

¼ÈßMßAáKÕÏáÎÞÃí. ¥ÄßÈMáù¢ ®æLCßÜá¢

È¿AáKáçIÞ, ©æICßW ®LÞæÃKá ÎÈTßÜÞAÞX

ØÄcÞçÈb×ßµ{ÞÏ Øâ×íÎ ÆãAáµZAá ÎÞdÄçÎ

µÞÃÞX µÝßÏá. ¥Õßæ¿ È¿AáKÄí ØÄcJßÜá¢

ØÈÞÄÈÇVJßÜᢠ¥¿ßÏáùºî ÍÞøÄJßæa

ÈÕÈßVNÞà dÉdµßÏÏÞÃí. æÉÞÏíÎá¶BZ dµçÎÃ

¥ÝßEá ÕàÝáµÏᢠØÄcJßæa ÏÅÞVjÕá¢

ØáwøÕáÎÞÏ Îᶢ dÉÄcfÎÞÕáµÏᢠæºÏîá¢.

æµGß¿BZ ÉÃßÏáçOÞZ æµGßÏáÏVJáK

Îùµç{AÞZ ®dÄçÏÞ ¥Éµ¿µøÎÞÃíå§Ká

ÍÞøÄJßÜá¿Èà{¢ ©ÏVJßÏßGáU æÉÞÏíÎùµZ.

¦ÆcçJÄí ÆáøáçgÖÉøÎÜï. Éáù¢ÖÜcBZ æµÞIí

ÈßVNÞÃdÉdµßÏ Ä¿TæM¿ÞÄßøßAâ ®K

ÜfcçÎ ¥ÄßÈáUá. ÉÃßÄàVKÞW ©¿X ÄæK

¥Õ æÉÞ{ߺîá ÈàAæM¿áµÏᢠæºÏîá¢. çÈæøÎùߺîí

æÉÞÏíÎùµZAá ÉßKßW ÕcµñÎÞÏ ÆáøáçgÖB{áIí.

È¿KáæµÞIßøßAáK ÈÕÈßVNÞà dÉdµßϵZ

Ä¿TæM¿áJÞÈᢠÄÞù¿ßºîá µÞÃßAÞÈáÎáU

¦ØâdÄßÄ ÉiÄßµ{ÞÃÕ. ÍÞøÄàÏ çÆÖàÏÄçÏÏá¢

Ø¢ØíµÞøçJÏᢠ¥ÉµàVJßíæM¿áJáµ ¥ÕÏáæ¿

ÜfcÎÞÃí.

ÍÞøÄàÏ ØÞOJßµÆVÖÈ¢ ÕßµØßAáKÄí

ĵVAÞÈÞÃá çØÞ×cÜßØçJÏá¢,

ÎáÄÜÞ{ßJçJÏᢠÄÞBßÈßVJÞX ¥ÕV

dÖÎßAáKÄ.í Ø¢ØíµãÄÕᢠ§Äø çÆÖàÏ

ÍÞ×µ{⢠dɺÞøJßW ÕøáKÄíåÄ¿Eá

ÈßVJÞÈÞÃá ¦ÇáÈßµ_ ¦ç·Þ{_ÍÞ× ®K

ÈßÜÏßW §¢·ïà×ßæa çÎÇÞÕßÄc¢ ©ùMÞAáKÄí.

ØbÄdÄÕᢠ¥¿ßØíÅÞÈÉøÕáÎÞÏ ®ÜïÞ

ÎÞxBç{ÏᢠÕ߸íÈæM¿áJáµ ®KÄÞÃá

§Kí ÕcÞɵÎÞÏß æµGßÏáÏVJæMGßGáU

ÕXæÉÞÏíÎùµ{áæ¿ øÙçØcÞçgcÖ¢. ¦ÇáÈàµøÃ

Jßæa çÉøßÜÞÃßæÄÞæA æºÏîáKæÄCßÜá¢

ÏÅÞVjÜfc¢ ÉÞÖí»ÞÄcÕWAøÃÎÞÃí. ÉIí

æÕUAÞV ¥¿ßçºîWMߺî ÉÞøÄdLcJßæa

ÉáÄßÏ ÉÄßMá ÄæKÏÞÃá §Ká ¥ÕV ØbçÎÇÏÞ

æÕUAÞøßW ÈßKá §øKá ÕÞBáKÄí. ÍÞøÄàÏ

ÎÈTßæÈ ¥¼í¾ÄÏáç¿Ïᢠ¥¿ßÎJÍÞÕJßæaÏá¢

ºBÜÏÞW Ä{ºîßGÞW ÎÞdÄçÎ ̈ Üfc¢ ØÞÇcÎÞµá

®KÕVAùßÏÞ¢. ¥ÕV ÍÏæM¿áKÄí ÏÅÞVj

ÍÞøÄJßæa ©ÏVæJÝáçKWMá¢, ÖµñÎÞÏ Äßøߺîá

ÕøÕáÎÞÃí. ¥ÄßÈáçÕIß dÉÕVJßAáK ®ÜïÞ

Öµñßµæ{Ïá¢å¯Äá ÕßçÇÈÏᢠĵVAáµæÏK

ÕcµíÄÎÞÏ Üfc¢ ©UßW ÕºîáæµÞIí çÏ޼ߺîá¢

Page 20: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201220

Viewsho£Ww

Ø¢¸¿ßºîᢠdÉÕVJߺîáæµÞIßøßAáK奵Já¢

ÉáùJáÎáU çÆÖÕßøái Öµñßµ{áæ¿ µâGÞÏíÎÏÞÃá

¨ æÉÞÏíÎùµZAá ÎáKßW dÉÕVJßAáKÄí.

§Äßæa ·ìøÕ¢ ÄßøߺîùßÏáµÏᢠ®ÄßVMßæÈ

Îá¶ÕßÜAáÄæKåµÃAßæÜ¿áAáµÏᢠÉâVHÎÞÏá¢

ÉøÞ¼ÏæM¿áJáµÏᢠæºÏîáKÄáÕæø øÞ×íd¿ ÈÕ

ÈßVNÞà ÆìÄc¢ ÉâVJßÏÞÏß ®Ká ÉùEáµâ¿Þ.

øIá Ïá·BZAß¿ÏßÜáU ¥tøÞ{¸GJßÜÞá _

Ïá· ØtcÏßÜÞá ÕVJÎÞÈ ÍÞøÄ¢. §øáGᢠæÕ{ߺîÕá¢,

¼ÏÕᢠÉøÞ¼ÏÕá¢,Øá¶Õá¢åÆá¶Õá¢, ÍÏÕá¢

¦ÖCÏᢠ§¿µÜVK ¥ØbØíÅÎÞÏ ¥ÕØíÅÏÞá

Ïá·Øtc. ÉáÄáÏá·MßùÕßÏáæ¿ ØáÕVH çø¶µZ

ºdµÕÞ{JßW æÄ{ßEáÕøáK µÞÝíºµZ §øáZ

É¿VMáµZAß¿ÏßW ÈÎáAí ÕcµñÎÞÏß µÞÃÞX

µÝßÏá¢. ÉÞÖí»ÞÄc ÈÞ·øßµÄÏáæ¿åØbVHÞÍÎÞÏ

æÉÞÏíÎùµZ ¥ÝßEá ÕàÝáKÄᢠ©¿ÏáKÄᢠÍÞøÄàÏ

ÆVÖÈJßæa ¦ÖbÞØdÉÆÕᢠØá¶ØtÞϵÕáÎÞÏ

ÍÕcÆãÖc¢ æÄ{ßEá ÕøáKÄí ¥WÉ¢

¦ÝJßW ºßLßAáKÕVAᢠØκßJÄçÏÞæ¿

Ø¢ÍÕ·ÄßµZåÕßÜÏßøáJáKÕVAᢠÎÈTßÜÞAÞX

çÕIdÄ æÄ{ßÕáµZ §çMÞZ ÄæK ÜÍcÎÞÃí.

ÉÞÖí»ÞÄc ÈÞ·øßµÄ ¥oßÉVÕîÄJßæa

Îáµ{ßÜÞÃá ÈßÜæµÞUáKæÄKᢠÈßÖí»ÏÎÞÏá¢

¥Äá æÉÞGßæJùßAáæÎKáU ØbÞÎß

ÕßçÕµÞÈwæa dÉպȢ dÉÄcfJßWJæK

çÜÞµ¢ ¥ÈáÍÕߺîùßEá. ¦ç¸Þ×ÉâVÕî¢ ¥ÕV

æµÞIÞ¿áK ¥qáĵøÎÞÏåÖÞdØñØÞçCÄßµ

ØßißµZå·áÃB{ᢠ¥ÄßçÜæùåçÆÞ×

ËÜB{áÎÞÃí Ø¢ÍÞÕÈ æºÏñßGáUÄí. ¥ÕV

Õ{VJßæÏ¿áJ ¦Á¢Ìø ÉâVHÎÞÏ ©ÉçÍÞ·

Ø¢ØíµÞø¢ ÎÞÈÕøÞÖßÏáæ¿ Õ¢ÖÈÞÖJßçÜAí

ÈÏßçºîAÞÕáK ÉÞøßØñßÄßµ Íà×ÃßµZAí

ÕÝßæÕºîßøßAáµÏÞÃí. ÉÞÖí»ÞÄcøÞ×íd¿B{ßæÜ

ÕßÕøÕᢠÕßçÕµÕáÎáU ¥çȵ¢ ºøßdĵÞøzÞV

ÕøÞÈßøßAáK ÕßÉJßæa ·ìøÕ¢

ÎXTßÜÞAßµÝßEá. ¥ÕøßW ÉÜøᢠ©xáçÈÞAáKÄí

ÍÞøÄJßçÜAÞá _ÍÞøÄàÏ ÄÄbºßLÏßçÜAÞÃí.

ÖÞdØñæÎdÄÄæK ÉáçøÞ·ÎߺîÞÜᢠ¦icÞvßµÄÏáæ¿

©ZAÞÝíºæµÞIá ÎÞdÄæÎ ¥ÄßæÈ

çÜÞçµÞɵÞødÉÆÎÞAßJàVAÞX µÝßÏá ®K

çÌÞÇÕᢠØÞVÕdÄßµÎÞÏßJæK Õ{VKá

ÕøáKáIí. ÖÞdØñ¼í¾zÞV ¦icÞvßµÄæÏ

ÄUßMùEßøáK µÞÜ¢ µÝßEá. ÍÞøÄJßæa

¦ÇcÞvßµÖÞdØñ¢ ÉÀßAÞÈᢠdÉÞçÏÞ·ßµÎÞAÞÈá¢

ÈßVÕcÞ¼¢ dÖÎߺîáæµÞIßøßAáKáIí. ØÎÈ-

bÏJßæaÏᢠØÙÕVJßÄbJßæaÄáÎÞÏ

ØÎÞÇÞÈÎÞVP¢ ¥ÈÞÆßµÞÜ¢ ÎáÄW Äá¿VKá

çÉÞKßGáU ÍÞøÄJßæaå¦icÞvßµ ÆVÖÈ¢

çÜÞµJßÈá ÎáÝáÕX ¦ÖbÞØdÉÆÎæÃKá ¥ùßÕá¢

ÏÞÅÞVjcçÌÞÇÕáÎáU ÉÞÖí»ÞÄc ºßLµøá¢

ÉøØcÎÞÏß ¥¢·àµøߺîßGáIí.

øÞ×íd¿BZ ÄNßÜᢠآØíµÞøBZ

ÄNßÜᢠÈÞ·øߵĵZAß¿ÏßÜᢠآÕÞÆÎÞÃá

ÈßÜÈßÜÈßWAáK Ø¢¸V×BZAí ÉøßÙÞø¢.

ÈÞ·øßµÄZåÄNßÜßU Ø¢¸V×ÎÜï,

ØÎÈbÏÎÞÃá èµÕøßçAIÄí. ¥ÄßÈáU ¯µ

ÎÞVP¢ ÉøØíÉø Ø¢ÕÞÆJßæaÄÞÃí. ÍÞøÄJßæa

Ø¢ÕÞÆ ÉÞøOøc¢ Ø¢¸V×ÍøßÄÎÞÏ §KæJ

çÜÞµJßÈá ØÎÞÇÞÈJßçÜAáU øÞ¼ÉÞÄÏÞá.

ºáøáAJßW ÍÞøÄJßÈÞÏÞÜᢠçÜÞµJßÈÞÏÜá¢

ÍdÆÕᢠÍÞØáøÕáÎÞÏ ÍÞÕß ©ùMá ÕøáJÃæÎCßW

©ÉÈß×JáA{ßW ¥Çß×í¿ßÄÎÞÏ ØÎd·ÎÞÏ

¼àÕßÄ ÆVÖÈ¢ èµæAÞçI µÝßÏá. §Õ ØÎâÙ

¼àÕßÄJßW ØÞfÞÄíµøßAÈáU dÉçÏÞ·B{ÞÃá

§KæJ ¦ÕÖc¢. ØbÏ¢ dÉçÏÞ·ßAÞÈá¢

çÜÞµJßÈá ÎÞÄãµ Øã×í¿ßAáÕÞÈáU ÌÞicÄ

ÍÞøÄJßÈÞÃí. ¥ÄßÈÞÕÖcÎÞÏ µÞÏßµÕá¢

ÌìißµÕᢠ¦vàÏÕáÎÞÏ ÖµñßØ¢ÍøÃÎÞÃá

ÈæN Ø¢Ìtߺîß¿çJÞ{¢ ¥ÈßÕÞøcÎÞÏ ¦ÕÖc¢.

¥ÄáÄæKÏÞÃá ÍÞøÄæJåØ¢Ìtߺîß¿çJÞ{¢

øÞ×íd¿Jßæa ÈÕÈßVNÞâ, çÆÖàÏÄÏáæ¿

ÈçÕÞjÞÈ¢. ¦ dÉdµßÏÏÞÃá §Ká ÉáùæÎ µÞÃáK

¦µV×µÕᢠdÉçÜÞÍÈàÏáÎÞÏ æÉÞÏíÎùµZAá

ÉßKßW ÈßøLøÎÞÏᢠÈßÖÌíÆÎÞÏᢠ®KÞW

ØáÈßÖí»ßÄÎÞÏᢠÕcµñÎÞÏ ÆßÖÞçÌÞÇçJÞ¿áµâ¿ßÏá¢

È¿KáæµÞIßøßAáKÄí

Page 21: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 21

Viewsho£Ww

Far from our homeland it is natural to feel isolated and memories of the time we spent with our relatives and friends back at home, haunt one’s mind. This nostalgic feel becomes strong, especially during the festive seasons. Thanks to the fast growing number of expat associations which are formed on the basis of language, religion, nativity, school and college, pro-fession, common interests like art, architecture, lit-erature etc. and the list goes on. They act as a strong support system when we are in need and give chances to let loose the diverse socializing opportunities.

Kuwait also witnesses a number of cultural as well as social clusters which caters to the upliftment of the expat community here. Advantage of all these associ-ations is that it can bring like minded folks under one roof with a feel of oneness, here on our breadwinning land. The office bearers make it a point that, a portion of their income is shared for the benefit of needy ones within Kuwait or back in our homeland. It includes medical assistance, financial assistance for provid-ing the basic needs to those who are deprived of it, education etc. They see to it that our shares reach the right person at right time.

Similarly efforts are made to recreate each of the festivals with the traditional flavor which are usually missed during our expatriate life. Recent trend of having someone special from our homeland make the occasion so memorable. Our children get a chance to understand the value of our culture and heritage. For this cause each group has a healthy competitive spirit too, the beneficiary being the whole community and our new generation. Those days have gone when the kids who stay with parents away from homeland don’t know our language, valuable Epics, or our pre-cious cultural heritage. They provide chances for our kids to learn to read our mother tongue which are not

taught at school. Another chance for celebration is at our doorsteps,

Vishu, the festival of harvest. As per the astrological calendar Vishu marks the beginning of another year. Starting the New Year with ‘Vishu Kani’ is with an expectation to bring luck and prosperity for the whole year. In this context our associations also are coming up with lot many programs which add to the festive vibes. In line with our traditional way of celebrating Vishu, cultural programs are being arranged at differ-ent venues with lot many chances for us to enjoy and showcase our talents.

It is a pleasure to mention Sevadarshan, a socio-cultural organization among Indian expatriates, which moved a step ahead in this matter. Apart from the strong support they provide continuously, they have introduced the concept of ‘Vishukaineetam’ for the inmates of various Bala/ Balika Sadanams back in Kerala on the occasion of ‘Vishu’. To those who don’t have anyone of their own to bless them with all the wishes in their life and share joy and sorrow, this amount that reach as the ‘Kaineetam’ would be so special. Above and beyond, being an amount for their needs, it reaches them as the love and blessings from our part that gives a feel of attachment.

Besides the celebrations, let all the associations contribute constructively for the betterment of the ex-patriate society in Kuwait. They should stand togeth-er for the common cause including the safety of our lives. The associations should work hand in hand with the higher officials, and be a mirror placed against the whole expatriate community living here.

Always ahead, Safeguarding our Values reshmy Krishna Kumar

Page 22: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201222

Viewsho£Ww

]ptcm-K-Xnsb¡pdn-̈ pÅ Nn´bv¡v F´n-\m-sWmcp

`mc-Xob hnti-j-Ww. C¶s¯ kml-N-cy¯n A¯cw

{]tbm-K-̄ n-s\-́ m-WÀ°w? ]p¯³ temI-{I-a-̄ nÂ

hnI-k-\-̄ n-\p-Å-sXmcp sshizn-I-am-\-atÃ? AXns\

tZio-b-X-bpsS AXnÀ¯n-IÄ¡p-Ån-te-bvs¡m-Xp-¡p-¶Xv

k¦p-NnXw F¶-Xp-t]mse _men-i-amb Hcp {Inb-btÃ?

C§-s\-bpÅ kwi-b-§Ä kzm`m-hn-I-amWv. ]s£ AXv

`mc-Xo-b-X-sb-¡p-dn-̈ pÅ IrXy-amb ImgvN¸mSnsâA`mhw

sIm I p-Im-Ip¶ Bi-¦-IÄ am{X-am-Wv. AXp-sImIv

""`mc-Xo-bXzw'' F´m-sW¶v BZyw-Xs¶ IrXy-ambn a\-Ên-

em-¡-Ww. {io Zt¯m-]´v tTwKvUnPn ]dªn-«p-Å-Xp-

t]mse, ""kwkv¡m-cw, tZio-b {]Ir-Xw, ]mc-¼cyw F¶o

\ne-I-fn-seÃmw `mc-Xo-bÀ ]e ]mÝm-Xy-\m-Sp-I-fn-tebpw

tZio-b-hm-Zn-I-fn \n s¶Ãmw KpW-]-c-ambn hyXy-kvX-cm-

Wv. \½psS tZiobX KpW-̄ n-tâbpw kz`m-h-̄ n-tâbpw

Imcy¯n thdn-«p-\n¡p-¶p''. ]mÝm-Xy-kn²m-́ -§-fm {]tNm-Zn-X-cmb Nn -́I-·m-

cpsS k¦Â]-̄ n tZio-b-Xbpw A´ÀtZ-io-b-Xbpw

X½nÂtNcm¯ Bi-b-{]-am-W-§-fm-Wv. CXn\p ImcWw,

Ahn-S-§-fn-epÅ {]mam-Wn-I-cmb tZio-b-Nn-́ -I-·mÀ

A´ÀtZ-io-b-Xbv¡pw A´ÀtZ-io-b-hm-Zn-IÄ tZio-b-

Xbv¡pw FXn-cm-Wv. FSp¯p ImWn-¡p-hm³ km[n-¡p¶

H«-\-h[n DZm-l-c-W-§Ä DIp-Xm-\pw. a\p-jy-Po-hn-Xhpw

t_m[-hn-Im-k-]-cn-Wm-a-§fpw {]]-©-LS-\bpw krjvSnb-

pw kaq-lhpw krjvSn-IÀ¯mhpw Hs¡ hnj-b-§-fm-Ip¶

\½psS ""ZÀi\w'' hf-sctbsd khn-ti-j-amWv.

`mc-XobZÀi\w am\-h-t_m-[-k-̄ -bpsS hnIm-k-̄ nÂ

Dd¨p hniz-kn-¡p-¶p. tTwKvUnPn Cu hnj-b-s¯¡p-dn¨v

]d-bp-¶-Xn-§-s\-bmWv:þ ""Hcp Ipªv P\n-¡p-t¼mÄ-

AXv Xs¶ X¶n am{Xw ImWp¶p. F¶m t_m[w

hf-cp-¶-tXmsS AXv IpSpw-_-am-bpw, ]nt¶bpw ]ptcm-

K-an¨v hwi-hp-am-bpw, k¼qÀ®-k-am-P-hp-ambpw ]ns¶

cmjv{S-hp-ambpw XmZm-ßy-s¸Sp¶p. F¶m \½psS

kwkvIm-cw {]Xo-£n-¡p-¶Xv k¼qÀW-am-\-hn-I-X-bp-

ambpw ""hkp-ss[h IpSpw-_Iw'' kzbw XmZm-ßy-s -̧Sm³

Ign-bp-amdv Cu t_m[w hoIpw hnI-kn-¡Ww F¶m-

Wv. ]ns¶bpw apt¶m-«p-t]mbn kÀÆ-N-cm-N-c-§fp-ambpw

BXy-́ n-I-ambn kÀÆ-{]-]-©-hp-ambpw XmZmßyw {]m]

n- ¡p-hm³ ""kztZtim `ph-\-{Xbw' F¶ Cu t_m[-hn-Im-

k-̄ n\v km[n¡Wsa¶v \mw {]Xo-£n¡p¶p''. C§s\

t\m¡p-t¼mÄ kztI-{µn-X-amb Nn -́bnÂ\n¶v hniz-

{]-Ir-Xnsb BsI DÄs¡m-Åp-hm³ Ign-bp¶ Xc-̄ n-

tebv¡v am\-h-t_m-[-k-̄ bpsS \nc-́ chnImk¯nsâ

Hcp tcJmNn{Xw \ap¡v ap¼n sXfn-bpw. CXnse

Hmtcm L«hpw asä-Ãm-än-s\bpw DÄs¡m-Åp-¶-Xm-

Wv, Xnc-kv¡-cn-¡p-¶-X-Ã. \s½ kw_-Ôn-̈ n-S-t¯mfw

tZiobXbpw A´ÀtZ-io-b-Xbpw X½n Hcp s]mcp-̄ -

t¡Spw CÃ. Ah t_m[-hn-Im-k-̄ nsâ Hmtcm L«-am-

sW¶p am{Xw. AXp-sImIv ""`mc-XobX''F¶ \½psS

{]tbm-K-̄ nsâ AÀ°w tZiobw F¶-Xp-t]m-se-Xs¶

A´ÀtZ-io-b-hp-am-Wv. \½psS tZio-b-ZÀi-\-̄ nsâ Cu

khn-tij-hyànXzs -̄¡p-dn-̈ pÅ AÚ-X-sIm-ImWv

]ecpw ""`mc-Xob'' F¶ hnti-jWw tIÄ¡p-t¼mÄ

s\än Npfn-¡p-¶-Xv. t\m¡q, thtZm-]-\n-jZv ZÀi-\-§-

sfms¡bpw kmÀÆ-Im-en-Ihpw kmÀÆ-eu-In-I-hp-am-Wv.

\msam-cp-Im-e¯pw Adn-hn-t\bpw AXnsâ {]Xy-£m-hn-

jv¡m-c-§-fmb {KÙ-§-tfbpw IIp-]n-Sp-̄ -§-tfbpw

kzIm-cy-kz-̄ m-¡m³ B{K-ln-̈ n-«n-Ã. \mahsb k¼qÀ®-

am-\-hn-I-X-bv¡mbn ]¦p-sh-̈ nt« DÅq. kzmÀ°-]q-c-W-

¯n\pw kzkm{am-Py-Øm-]-\-̄ n\pw D]-I-cn-¡-̄ ¡

hn[-̄ n Adn-hns\ t]säâv sNbvXv cl-ky-am-¡n-

sh¨ ]mc¼cyw ]mÝm-Xy-tâ-XmWv. AXn-Po-hn\w Icp-

¯pÅhsâ Ah-Im-i-am-sW¶v Nn´n-¡p¶ ]mÝm-Xy³

imco-cn-I-hpw _u²n-I-hp-amb iànsb X§-fpsS Ip -̄

I-bm-¡p--hm³ temI¯v shdp¸nsâbpw hntZz-j-̄ n-

tâbpw hnj-_o-P-§Ä ]c-̄ n-b-t¸mÄ ""kÀtÆ `h´p

kpJn\x'' F¶ B]vX-hm-Iys¯ Pohn-X-e-£y-am¡n

kzoI-cn¨ `mc-Xo-b³ ""]tcm-]-Im-cmÀ°-anZw icocw''

F¶ XXzs¯ kzPo-hn-X-̄ n-eqsS {]mtbm-Kn-I-am-¡n.

Btcbpw shdp-¡msX (""am hnZzn-jm-hssl''') aäp-Å-h-

cn Xs¶-̄ s¶ IIv apt¶m-«p- t]mIm-\mWv `mc-

Xo-bmNmcy-·mÀ \s½ ]Tn-̧ n-̈ -Xv. AXn-hn-in-jvS-amb B

`mc-XobZÀi-\-̄ nsâ B[m-c-̄ n \mw kXys¯

tXSp-I-bm-Wv. am\-h-Po-hnXw C¶-̀ n-ap-Jo-I-cn-¡p¶

hnhn[ ka-ky-IÄ¡pÅ bpàn-k-l-amb D -̄c-amWv

sP. \µ-Ip-amÀ

hnI-k\w-þ Hcp `mc-Xob ]cn-t{]-£w

Page 23: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 23

Viewsho£Ww

\ap¡v thI-Xv. AXn\v Bg-̄ n-epÅ At\z-jWw Bh-

iy-am-Wv. `mc-Xo-b-X-bpsS ASn-bp-d¨ B[m-c-̄ nte AXv

km[n¡q F¶v A\p-̀ -h-§-fpsS B[m-c-̄ n \mw

Dd-̈ p-hn-iz-kn¡p¶p.

temI-̄ nsâ s]mXp-Øn-Xnbpw Ata-cn-¡-bpsS hnti-

j-]-cn-X-Øn-Xnbpw hne-bn-cp¯n-s¡mIv temI-{]-kn-² -

]m-cn-Øn-XnI {]hÀ -̄I-\mb AÂ tKmÀ (A-ta-cn-¡-

bpsS ap³ D]-cm-jv{S-]-Xn) ""Ignª ap¶qdp hÀj§fmbn

\mw sXämb ]mX-bn-eq-sS-bmWv apt¶m-«p-t]m-bn-s¡m-In-

cn-¡p-¶Xv. CXnÂ\n¶v tamN\w thW-sa-¦n \mw Ing-

t¡m«v (`m-c-X-̄ n-te-bv¡v) Xncn-tb-In-bn-cn-¡p-¶p.'' F¶v

]d-bp-I-bp-Im-bn. GXmWv Cu ap¶q-dp-hÀjw? ssh¿-

h-km-bn-I-hn-¹-hm-\-́ -c-ap-Å -]m-Ým-Xy-\m-Snsâ `uXn-I-]

p-tcm-K-XnbpsS Ncn-{X-amWv B Ime-L-«-̄ n\v ]d-bm-

\p-Å-Xv. k¼Âk-ar-²n-bpsS sImSp-ap-Sn-bn \n¡p¶

Ata-cn-¡-bpsS hnI-k-\]mX sXäm-bn-cp-¶p-sh¶v F´p-

sImIv hne-bn-cp-̄ -s -̧Sp-¶p. ImcWw hfsc hyà-am-Wv.

hnI-k-\-̄ n-\mbn AhÀ sXc-sª-Sp¯ ]mX Nqj-W-

¯n-tâ-Xm-bn-cp-¶p, D]-t`m-Km-k-àn-bp-tS-b-Xm-bn-cp-¶p,

{]Ir-Xn-hn-cp-²-am-bn-cp-¶p, am\-h-ap-J-an-Ãm-̄ -Xm-bn-cp-¶p.

B hgn-bn-eqsS DÅ apt¶äw temIs¯ sImIp-sN-

s¶-̄ n-̈ n-cn¡p-¶Xv `bm-\-I-amb AhØmhnti-j-̄ n-

em-Wv. ]cn-k-c-a-en-\o-I-c-W-̄ n-tâbpw, BtKm-f-Xm-]-\-

¯n-tâbpw, A]-cn-lm-cy-§-fmb tcmK-hym-]-\-̄ ntâbpw

]pXp-]p-̄ ³ {]iv\§fnÂs]«pgep-I-bmWv B[p-\n-

I-a-\p-jy³. CXnÂ\ns¶ms¡ tamN\w thW-sa-¦nÂ

`mc-Xo-b-X-bn-tebv¡v Xncn-ªmte aXn-bmIq F¶v

\njv]-£-Nn-́ -I-·mÀ Xncn-̈ -dnbpI-bm-Wv. ChnsS

{it²-b-amb asämcp hiw IqSn-bp-Iv. Ignª aq¶p

\qäm-Imbn ]mÝm-XyÀ A\p-hÀ¯n-̈ p-t]mcp¶ hnI-

k-\-\-b-̄ n-tâbpw {]tbm-K-X-{ -́̄ n-tâbpw sshIeyw

aqew C¶s¯ `bm-\-I-amb AhØ kwPm-X-am-bn.

F¶m AXn-\p-ap¼v F´m-bn-cp¶p kml-Ncyw?

B Ime-L-«-̄ n temI-km-¼-̄ n-I-cw-Ks¯ \nb-{´n-

¨n-cp-¶Xv `mc-X-am-bn-cp¶p F¶Xv kÀÆcpw AwKo-I-cn-

¡p¶ hkvXp-X-bm-Wv. ]s£ C¶-t -̄Xp-t]mse Hcp

]X-\m-h-Ø-bn-tebv¡v a\p-jy-Po-hn-Xs¯ `mc-Xo-b-hn-

I-k-\-\bw sImIp-sN-s¶-̄ n-̈ n-Ã. \½psS DÂ]-¶-

§Ä Gähpw IqSp-X temI-hn-]-Wn-bn hnä-gn-¡-s -̧

Sp¶p-Im-bn-cp¶p F¶p]d-ªm AXnsâ AÀ°w

Ahbv¡v KpW-\n-e-hmcw Gsd Bbn-cp¶p F¶m-Wv.

KpW-\n-e-h-mcw kmt¦-Xn-I-im-kv{X-̄ n-I-hnsâ ^e-

ambn DImhp¶Xm-Wv. AXm-Is« BÀ°n-I -̀ -{Z-X-bp-sS

krjvSn-bm-Wv. C§s\ GXp hi-̄ p-IqSn \nco-£n-̈ mepw

`mcXw A¡m-e¯v temI-̄ nsâ A{Kn-a-Øm-\-̄ m-bn-

cp-¶p. ]s£ F´p-sIm-ImWv C¶s¯ Zpcn-X-]qÀ®-

amb kml-Ncyw A¶v krjvSn-¡-s -̧Sm-Xn-cp-¶-Xv. a\p-

jy-hw-i-̄ nsâ \ne-\n¸n-t\bpw AXn-Po-h-\-t¯bpw

tNmZyw sN¿p¶ Xc-̄ n-ep-Å {]mXn-Iq-ey-§-fnte¡v

XÅn-bn-Sp-¶-Xn\v ]Icw `mcXw temI-̄ n\p \ÂIn-bXv

F´m-bn-cp¶p? \mw hnI-k-\-̄ nsâ apJy-e-£y-am-¡n-

bXv hyàn-bpsS BXy-́ n-I-amb D¶-a-\-am-Wv. AXp

tIhew `uXn-Im-̀ n-hr-²n am{X-a-Ã, AXn-\-̧ pdw am\-knI

_u²nI B²ym-ßnI hfÀ¨bv¡v DX-Ip¶Xmbn-cn-

¡Ww F¶v `mc-Xo-b-ZÀi\w \njvIÀjn-̈ p. B hfÀ -̈

bm-Is« sXc-sª-Sp-¡-s¸« Ipd-̈ p-t]-cpsS Ip -̄I-bm-

hp-¶-Xn-s\bpw ̀ mcXw FXnÀ¯p. A`n-hr²n kÀÆÀ¡pw

DIm-I-Ww. Ah-km-\s¯ hcn-bpsS Gähpw ]n¶nÂ

\n¡p¶ Bfpw ka{KhnImk¯nsâ KpW-a-dn-b-Ww.

""kÀtÆ]n kpJn\x k´p'' F¶ \½psS {]mÀ°\

B al-Zve-£y-̄ nsâ {]Jym-]-\-am-Wv.

alÀjn Ac-hn-µ³ BÀ°nI ]ptcm-K-Xn-bpsS

e£ys¯ \nÀÆ-Nn-̈ n-cn-¡p-¶Xv t\m¡pI:""AXnsâ

(km-¼-̄ nI cwK-̄ nsâ) e£yw aÕ-cm-[n-jvTn-Xtam

kl-I-c-Wm-ß-Itam Bb DÂ]m-Z-\-̄ nsâ _rl-

Zvb{´w krjvSn-¡pI F¶-Xm-bn-cn-¡-cp-Xv. {]XypX kz{]-

Ir-Xn-¡-\p-k-cn¨v {]hÀ¯n-¡p-¶-Xn\pw Hgn-hp-k-abw

B -́c-hn-Im-k-̄ n\p bXv\n-¡p-¶-Xn\pw a\p-jyÀ¡v þ

Ipd-̈ p-t]À¡Ã kÀÆÀ¡pw þ km[y-am-b-Xnsâ ]c-am-h[n

B\µw \ÂIpI F¶-Xm-I-Ww. AtXm-sSm¸w efn-X

hpw k¼-¶hpw kpµ-c-hp-amb PohnXw kI-eÀ¡p-ambn

\ÂIp-Ibpw thWw.''ka-{Khpw k¼qÀ®hpw kpØn-

c-hp-amb Cu hnI-k-\-e-£y-amWv `mcXobamÀK-̄ nsâ

apJy-k-hn-ti-j-X.

C¯cw e£ys¯ \nÝ-bn-¡m³ km[n-̈ Xv a\p-

jy-Po-hnXs¯bpw kaq-l-s¯bpw {]Ir-Xn-tbbpw

{]]-©-t¯bpw k¼qÀ®krjvSn-sbbpw kw_-Ôn¨

ZÀi-\-̄ nsâ imkv{Xo-bXsImIm-Wv. AJ-Þ-amb

t_m[-k-̄ -bpsS D]-cn-L-S-\-bmWv (Super Structure) ImWmb krjvSn-Pm-e-§-sfm-s¡bpw F¶v `mcXw Xncn-

-̈dn-ª-t¸mÄ ]mÝm-Xy-̀ u-Xn-I-hm-Z-ZÀi-\-§-sfm-s¡bpw

hniz-kn-̈ Xv PU-]-ZmÀ°-amWv BXy-́ n-I-sa-¶m-Wv.

PU-̄ n kw -̀hn-¡p¶ ]cn-Wm-a-̂ -e-amWv a\Êpw

t_m[hpw ssNX-\y-hp-sams¡ F¶-XmWv Ahn-Sps¯

ImgvN-̧ m-Sv. Htc-sbmcp ssNX-\y-h-̄ mb t_m[-amWv

{]]-©-̄ nsâ B[m-c-sa¶ `mcXob ZÀi-\-amWv icn-

sb¶v B[p-\nI imkv{Xhpw AwKo-I-cn-̈ p-I-gn-ªp.

Pohn-Xs¯ tImÀ¯n-W-¡p¶ AZr-iy-heIsf¡pdn-̈ pw,

]c-kv]-c-_-Ôn-X-amb GI DuÀÖ-a-Þ-e-s -̄¡p-dn-̈ p-

sam-s¡-bpÅ imkv{X-\n-co-£-W-§Ä kqNn-̧ n-¡p-¶Xv

AXm-Wv.

{]Ir-Xnbpw a\p-jy\pw X½n-epÅ ]c-kv]-c-_-Ôs¯

Xncn-̈ -dn-ªp-I-gn-ªm ]ns¶ hnI-k-\-b-Xv\-§Ä

{]Ir-Xn-hn-cp-²-am-I-bn-Ã. ChnsS \ne-\n-¶Xpw hfÀ¶-

Xp-amb hnI-k\w {]Ir-Xnsb Hä-s -̧Sp¯n NqjWw

sN¿p-¶-Xm-bn-cp-¶n-Ã. {]Ir-Xn-sbbpw Poh-Pm-e-§-

sfbpw FÃmw Hcp-an-̧ n¨p sImIp-t]m-Ip¶ {]hr-̄ ntb

]ptcm-K-a-\m-ß-I-amhq. AXp-sImIv {]Ir-Xnsb tZml\w

(]-ip-hnsâ ]m Ip«n¡p IpSn-¡m-\p-ÅXv Ah-ti-jn-̧ n¨

tijw Bh-iy-̄ n\p thIn-bp-ÅXp am{Xw Id-s¶-Sp-

¡p¶ coXn) sN¿p-¶-Xn-emWv `mc-Xo-b-ZmÀi-\n-IÀ hniz-

kn-̈ -Xv, ]mÝm-Xysct¸mse NqjWw sN¿p-¶-Xn-e-Ã.

Page 24: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201224

Viewsho£Ww

{]]-©hpw Rm\pw Hs¶¶ Nn -́bn Dd-̈ p-\n-¶-Xp-aqew

`mc-Xob³ lnwkm-hmZn Bbn-Ã. A§s\ Nqj-Wm-[n-

jvTn-Xtam lnwkm-ß-Itam AÃm¯ XnI¨pw `mhm-ß-

I-amb Nmen-eqsS `mcXw apt¶-dn. ]cn-Øn-Xn¡v Hcp

t]mdepw DIm-Im-Xn-cn-¡m³ \mw At§-bäw ]cn-{i-an-̈ p.

hnI-k-\-̄ nsâ amÀ¤-̄ n Ahiyw DIm-bn-t¸m-Ip¶

£X-§sf ]cn-l-cn-¡m\pw ]qÀÆm-[nI tim -̀tbmsS

]cn-Øn-Xnsb ]p\x-Øm-]n-¡m\pw ChnsS hyh-Ø-I-fp--m-

bn-cp-¶p.tÌm¡vtlman h¨v 1972 \S¶ ]mcn-Øn-XnI

{]hÀ -̄I-cpsS D -̈tIm-Sn-bn {]kw-Kn-¡sh Cµn-cm-

KmÔn Cu hkvXpX Dds¡ {]Jym-]n-̈ p-sImIv t{imXm-

¡sf FÃmw A¼-c-̧ n-̈ p-I-f-ªp. thZ-Imew apXte

`mc-Xo-bÀ ]mcn-Øn-Xn-Im-h-t_m[w thIp-thm-f-ap-Im-

bn-cp¶ P\-X-bm-sW¶v tkmZml-cWw AhÀ AhnsS

]dª Imcy-§Ä bYmÀ° ]cn-Øn-Xn-kvt\-ln-I-fpsS

{i²sb Ct§m«p Xncn-¡p-hm³ klm-b-I-am-bn.

hnI-k-\-̄ n\pw AXnsâ KXn-thKw hÀ²n-̧ n-¡p¶

imkv{X-km-t¦-XnI taJ-ebv¡pw sam -̄̄ n a\p-

jy-apJw DIm-bn-cn-¡-W-sa-¶-XmWv `mc-Xob ZÀi-\w.

jqam-¡sd t]mse-bpÅ [\-X-Xz-im-kv{X-Ú·mÀ `mc-

X-̄ nsâ al-Xz-ambn NqIn-¡m-Wn-¡p-¶Xpw AXp-X-s¶-

bm-Wv.

Dev]m-Z-\-cw-K¯v _lp-P-\-]-¦m-fn¯w Dd-̧ p-h-cp-̄ m³

km[n¨p F¶Xpw `mc-Xob kao-]-\-̄ nsâ khn-ti-jX

Bbn-cp-¶p. hntI-{µo-Ir-X-amb Dev]m-Z-\-hy-hØ Hmtcm

hoSn-s\bpw \nÀ½m-W-tI-{µ-§-fm¡n amän. HcmÄ¡v

\njv{]-bmkw FSp-̄ p-sIm-Ip- t]m-Ip-hm³ Ign-bp¶

Ccp-¼pÂ]m-Z-\-km-a{Kn ChnsS DIm-bn-cp¶p F¶Xv

AXnsâ sXfn-hm-Wv. Ac-hn-µsâ `mj-bnse kz{]-Ir-Xn-

¡-\p-kr-X-amb \nÀ½m-W-̄ nepw AtXm-sSm¸w Btßm-

¶-Xn-¡m-bpÅ A´ÀZrjvSn hfÀ¯p-¶-Xnepw `mc-Xo-bÀ

B\µw IIp.

sXmgn-en-Ãmbva s]cp-¡p-¶-Xn-eà sXmgn km[yX

A\p-Zn\w hÀ²n-̧ n-¡p-¶-Xn-em-bn-cp¶p \½psS Du¶Â.

Irjn-¡p-Im-bn-cp¶ Øm\w D¶-X-am-bn-cp-¶p. a®n-

sâbpw Npäp-]m-Sn-sâbpw kzm`m-hn-I-amb DÀÆ-c-Xsb

t]mjn-̧ n-¡p¶ X\Xpkmt¦-Xn-I-hn-Zybpw ssPh-h-f-{]-

tbm-Khpw Chn-Sps¯ Irjnsb em -̀I-c-am-¡n. Irjnbpw

ImÀjn-tImÂ]-¶-§sf tI{µo-I-cn-̈ p-sIm-IpÅ hyh-

km-b-§fpw ChnsS hfÀ¶p. CsX-Ãmw-sImIv {Kma-§Ä

\·-I-fm kar-²-ambn \ne-sIm-Ip. {Kma-§-fp-t]-£n¨v

\K-c-§-fn-te¡v tNt¡-dp¶ B[p-\nI{]h-WX A¶p-

Im-bn-cp-¶nsöp kmcw.

C§s\ t\m¡p-t¼mÄ ]cn-]qÀ®-ambpw [À½m-[n-

jvTn-X-amb Hcp km¼-̄ nIhyh-Ø-bm-bn-cp¶p ChnsS

\ne-\n-¶n-cp-¶-sX¶v a\-Ên-em-¡mw. AXv {]Ir-Xnsb

t]mjn-̧ n-¡p-¶-Xm-bn-cp-¶p, sXmgn hÀ²n-̧ n-¡p-¶-Xm-

bn-cp¶p, Ipd-̈ p-am{Xw {]Ir-Xn-hn-̀ -h-§sf D]-tbm-Kn-¡p-

¶-Xm-bn-cp-¶p, DuÀtÖm-]-t`mKw ]cn-an-X-am-bn-cp-¶p,

X\Xp kmt¦-Xn-I-hn-Zysb B[m-c-am¡n DÅ-Xm-bn-cp-¶p,

FÃm-än\pw D]cn, am\-hn-I-X-bpsS apJ-ap-Å-Xm-bn-cp¶p

`mc-X-̄ nsâ hnI-k-\-\-bhpw {]tbm-K-X-{ -́hpw.

C¶s¯ kml-N-cy-̄ n\v A\p-tbm-Py-amw-h®w

\½psS ]c-¼cm-K-Xhpw Xt±-io-b-hp-amb kmt¦-Xn-I-

im-kv{X-̄ n\v Bh-iy-amb ]cn-jvI-cWw hcp-t -̄I-

XpIv. AtXm-sSm¸w B[p-\nI imkv{Xob t\«-§sf

Chn-Sps¯ Ah-Øbv¡v tNcpw-hn[w Nn«-s -̧Sp-t¯I-

Xp-ap-Iv. \nc-́ -c-amb \ho-I-c-Whpw \·-Isf DÄs¡m-

Åepw `mc-Xob ImgvN-̧ m-Snsâ {]tXy-I-X-bm-Wv. ""Bt\m

`{Zmx {IXthm b´p hnizXx'' F¶-XmWv Cu cwKs¯

\½psS BZÀi-hm-Iyw.

Fs´Ãmw ]pXnb ]co-£-W-§Ä \S-̄ n-bmepw [À½-

s¯bpw a\p-jy-s\bpw ad-¡-cp-sX¶ Hä-¡m-cy-̄ nte

\ap¡v \njvIÀj-bp-Åq. AXn-s\-¡p-dn-̈ pÅ ]Þnäv

Ph-lÀem s\lvdp-hnsâ \nco-£Ww hfsc {it²-

b-am-Wv. C¯cw hnj-b-§-tfm-SpÅ s\{lq-hn-b³ kao-

]\w kp{]-kn-²-am-I-bm-emWv Cu {]kvXmhw IqSp-XÂ

{]m[m-\y-aÀln-¡p-¶-Xv. GXmIv Ah-km-\-Im-e-̄ v, 1964

sabv 25\v {ioa³ \mcm-b-Wsâ ]pkvX-I-̄ n\v Fgp-Xnb

Bap-J-̄ n \ns¶-Sp-̄ -XmWv Cu `mKw.

""B[p-\nI kmt¦-XnI{]{In-b-Isf {]tbm-P-\-s -̧Sp-

¯p-Ibpw ImÀjnI hymh-km-bn-I-ta-J-e-I-fnse Dev]

m-Z\w hÀ²n-̧ n-¡pIbpw sNt¿IXv `mc-Xs¯ kw_-

Ôn-̈ n-S-t¯mfw hfsc {]m[m-\y-apÅ Imcy-am-Wv. ]s£

A§s\ sN¿p-t¼mÄ Gähpw A\n-hm-cy-am-bn-«pÅ

Dt±-iy-ambn ImtW-IXv hyàn-bpsS aqeyhpw AXn

sâ A´À[m-c-bmbn hÀ¯n-¡p¶ [À½hpw BsW¶

hkvXpX hnkva-cn-̈ p-Iq-Sm.''

Cu XXzs¯ ap³\nÀ¯n-bpÅ ]ptcm-K-Xntb kpØn-

c-am-hp-I-bp-Åq.

hnI-k-\s¯ kw_-Ôn¨ `mc-Xob ]cn-t{]-£ys¯

C§s\ kam-l-cn-¡mw.

1. Hmtcm ]uc\pw {]mY-anI Pohn-Xm-h-iy-§Ä e`y-am-I-

Ww.

2. Gähpw [mÀ½n-I-amb coXn-bn `uXn-I-k-¼¯v

BÀÖn-¡p-I. AXm-Is« kam-P-cq-]n-bmb Cuiz-cs\

tkhn-¡p-¶-Xn-\pÅ D]m[n F¶ \ne-bn Bh-Ww.

AXn \n¶v Gähpw Ipd-̈ p am{Xta \½psS Bh-iy-

§Ä¡v D]-tbm-Kn-¡m-hq. tkh\w \S-̄ p-hm³ thI

ØnXn-bn \n§sf \ne-\nÀ¯p-hm³ F{X-bmtWm

thIXv A{X am{Xta FSp-¡m-hq. AXn IqSp-XÂ

Ah-Im-i-s -̧Sp-Itbm D]-tbm-Kn-¡p-Itbm sN¿p-¶Xv

kaq-l-hn-cp-²-ambn sN¿p¶ tamj-W-am-Wv.

3. A§s\ t\m¡p-t¼mÄ \mw kaq-l-̄ n {SÌn-IÄ

am{X-am-Wv. icn-bmb {SÌn-IÄ¡p am{Xta t\cmw-h®w

kaq-ls¯ tkhn-¡m³ Bhq.

4. AtXm-sSm¸w hyàn-]-c-amb [\mÀÖ-\-̄ n\v

]cn[n thWw. asäm-cp-hsâ sXmgn-ens\ kzmÀ°-em-̀ -

¯n\mbn NqjWw sN¿p-¶-Xn\v BÀ¡pw A[n-Imcw

DIm-bn-cn-¡-cp-Xv.

5. e£-¡-W-¡n-\m-fp-IÄ ]«n-Wn-In-S-¡p-t¼mÄ

Page 25: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 25

Viewsho£Ww

Aan-Xhpw Ad-̧ p-f-hm-¡p-¶Xpw \njv{]-tbm-P-\-I-c-hp-

amb sNe-hp-IÄ alm-]m-]-am-Wv. FÃm-Xcw D]-t`m-K-§-

fp-sSbpw tase bpàn-k-l-amb \nb-{´Ww DIm-bn-

cn-¡-Ww. sslµh kwkvIr-Xn-bp-ambn "D]t`mK-hmZw'

s]mcp-̄ -s -̧Sp-¶n-Ã.

6. ]c-am-h[n Dev]m-Z-\w, kam-\-amb hnX-cWw CXm-

bn-cn-¡Ww \½psS e£y-hmIyw; tZiob kzbw-]-cym-]v

XX ASn-b-́ -c-e-£y-hpw.

7. sXmgn CÃm-bva-bpw, sXmgn A]-cym-]vX-Xbpw

bp²-Im-em-Sn-Øm-\-̄ n ]cn-l-cn-¡-Ww.

8. hyh-km-b-h¡-cWw A\n-hm-cy-am-Wv, ]t£ AXv

AÔ-amb ]mÝm-Xym-\p-I-cWw Bh-cp-Xv. {]Ir-Xnsb

tZml\w sN¿mt\ ]mSpÅq, sImÃ-cp-Xv. ]mcn-Øn-Xn-I-

L-S-I-§Ä, {]Ir-Xn-bpsS k´p-en-Xm-hØ, `mhn-X-e-ap-

d-bpsS Bh-iy-§Ä F¶n-hbv¡p t\sc I®-S-bv¡m³

]mSn-Ã. hnZym-̀ ym-kw, ]mcn-Øn-Xn-I-im-kv{Xw, [\-X-Xz-im-

kv{Xw, kZm-Nmcw F¶n-h-sb-¡p-dn¨v ka-{Khpw kwtbm-

Pn-X-hp-amb Nn´bmWv thI-Xv.

9. IqSp-XÂ Dut¶-IXv sXmgnÂ-A-[n-jvTnX hyh-km-

b-§-fn-em-Wv. AÃmsX aqe-[-\m-[n-jvTnX kwcw-̀ -§-fn-

e-Ã.

10. ssIs¯m-gn sN¿p-¶-hsc klm-bn-¡pw-a-«nÂ

thWw B[p-\nI imkv{X-km-t¦-XnI hnZ-Kv²À Xt±-

iob Dev]m-Z-\-X-{ -́§-fn amäw hcp-t -̄I-Xv. AsXm-

cn-¡epw sXmgn-en-Ãmbva hÀ²n-̧ n-¡p-I-tbm, e`y-amb

Xm{´nI hyh-Øm-ss\-]p-Wnsb D]-tbm-K-iq-\y-am-¡p-

Itbm sN¿-cp-Xv. \ne-hn-epÅ Dev]m-Z-t\m-]m-[n-Isf

]cn-]qÀ®-ambpw aqe-[-t\-X-c-am-¡m³ km[n-¡-Ww.

Dev]m- Z-\-tI-{µ-§-fm¡n hoSp-Isf amän ]cn-an-X-amb

DuÀtÖm-]-t`m-K-t¯msS Dev]m-Z\{]{In-bsb hntI-

{µo-I-cn-¡p-hm³ Ign-bpw-hn-[-̄ n X\-Xmb Xt±-iob

kmt¦-XnI imkv{Xw hnI-kn-̧ n-s -̈Sp-¡m³ km[n-¡-Ww.

11. sXmgn hnI-k-\-t¯m-sSm¸w ss\]p-Wy- hÀ²-\-hn-

\mbpw hyhØ sN¿-Ww.

12. Hmtcm hyh-km-b-̄ n-sebpw sXmgn Hcp aqe-[-\

-cq]w Xs¶-bm-Wv. Hmtcm sXmgn-em-fn-bp-sSbpw {ia-i-

ànsb Hml-cn-I-fmbn IW-¡m-¡p-Ibpw Ahsc hyh-

km-b-Øm-]-\-̄ nsâ Hmlcn DS-a-I-fmbn DbÀ¯p-Ibpw

thWw.

13. D]-t`màrXmXv]-cy-amWv tZiob XmXv]-cy-t¯mSv

Gähpw ASp-̄ p-\n¡p¶ km¼-̄ nI kqN-Iw. FÃm

hymh-km-bn-I-amb BZm-\-{]-Zm-\-§-fnepw ]¦m-fn-bm-Ip¶

kaq-l-amWv aq¶m-a-t -̄Xv. "kwbpà hne-t]-iÂ' F¶

hÀ -̄am-\-Ime ]mÝm-Xy-k-¦ev]w Cu ImgvN-̧ m-Sn-t\mSp

tbmPn-¡p-¶X-Ã. AXns\ "tZiob {]Xn_-²X', AXm-

bXv sXmgn-ep-S-a-IÄ¡pw sXmgn-em-fn-IÄ¡pw cmjv{S-

t¯m-Sp-Im-bn-cn-t¡I {]Xn-_-²X Ft¶m atäm DÅ

]pXnb kwÚ-bn«v hnfn-¡-Ww.

14. sXmgn-ensâ AXn-cn-à-aqeyw cmjv{S-̄ n-\p-Å-Xm-

Wv.

15. hymh-km-bnI DS-a-Ø-Xsb kw_-Ôn¨v Hcp-X-c-

¯nte ]mSpÅq F¶ ImÀ¡iyw Bh-iy-an-Ã. kzIm-cy-

kw-cw-̀ w, s]mXp-ta-J-e, kl-I-cW Øm]-\-§Ä, ap³kn-

¸Â DS-a-Ø-X, kzbw-sXm-gnÂ, Iq«p-Sa-ØX (kÀ¡mcpw

kzIm-cy-hpw), P\m-[n-]-Xym-[n-jvTnXw apX-emb ]e

coXn-Ifpw DIv. Hmtcm-¶nsâ khn-ti-j-hy-àn-Xzhpw

tZiob km¼¯nI Bh-iyhpw IW-¡n-se-Sp¯v DS-a-ØX

\nÀ®-bn-¡mw.

16. [À½-̄ nsâ ASn-Øm\XXz-§sf ssIhn-Sm-sX-

bpÅ GXp Xc-̄ n-epÅ kmaq-ly-þ-km-¼-̄ nI hyh-

Øbpw cq]-s -̧Sp-̄ m³ \ap-¡-h-Im-i-ap-Iv.

17. F¶m kaq-l-̄ nsâ D]-cn-L-S-\-bn hcp-̄ p¶

amä-§Ä Hmtcm hyàn-bp-sSbpw a\-Êns\ th-Ipw-h®w

]mI-s -̧Sp-̄ p-¶n-sÃ-¦n \njv{]-tbm-P-\-I-c-§-fm-Wv.

\ÃtXm XobtXm Bbn hyh-ØnXn {]hÀ¯n-¡p-¶Xv

AXn\p ]n¶n-epÅ a\p-jys\ B{i-bn-̈ m-Wv.

18. hyànbpw kaq-lhpw X½n-epÅ _Ôs¯ kw_-

Ôn¨ \½psS ho£Ww kwLÀjm-ß-I-a-Ã. FÃm hyàn-I-

fnepw \ne-\n¡p-¶Xv GI-amb t_m[-k-̄ -bm-sW¶

Xncn-̈ -dn-hnsâ B[m-c-̄ n-epÅ kma-RvP-kyhpw kl-

I-c-W-hp-am-Wv B _mÔhs¯ \ne-\nÀ¯p-¶-sX¶v

\mw Icp-Xp-¶p. kwbp-àhpw ka-{K-hp-amb kmaqly

hyàn-Xz-̄ nse ktN-X-\hpw A`n-¶-hp-amb AwK-amWv

hyàn.

19. k¼qÀ® cmjv{S-hp-ambn XmZmßyw {]m]n-¡m³

klm-bn-¡p¶ "kwkvImc'§fmWv GsXmcp kmaq-ly-þ-

km-¼-̄ nI {Ia-̄ n-sâbpw bYmÀ° B -́c-L-S-\.

Cu {]tXy-I-X-I-tfm-Sp-Iq-Snb Hcp hnI-k-\-co-Xnbpw k{¼-

Zm-bhpw LS-\m-X-{´hpw DIm-¡n-sb-Sp-t¡IXv `mc-X-

¯nsâ am{X-aà k¼qÀ® hniz-̄ nsâbpw \ne-\nÂ]n\pw

A\n-hm-cy-am-Wv. `mc-Xo-b-amb amÀ¤-̄ n \ap¡v iàn-s -̧

Sp-hm³ Ign-bp-¶-Xn-t\m-sSm¸w aäp-Å-hÀ¡v hgn-Im-t«I

D -̄c-hm-Zn-Xzhpw \½n \n£n-]vX-am-Wv. AXp \mw Gsä-

Sp-t¡-In-bn-cn-¡p-¶p. tSmb³_n-bpsS Xm¡oXv Cu kµÀ -̀

¯n AÀ°-h-̄ m-Wv.

""Gähpw DZm-̄ hpw AXp-sIm-Ip-Xs¶ \n§-fpsS `mc-

Xob ss]Xr-I-̄ nÂ\n¶v kzmwio-I-cn-t¡I Hky-̄ p-

ambn (Legacy) `mc-XobZÀi-\-̄ n-\-\p-kr-Xamw h®w

Pohn-¡p-¶-Xn ̀ mcXw ]cm-P-b-s -̧«m AXv k¼qÀ®-

am-\-h-cm-in-tbmSpw sN¿p¶ Hcp ]mX-I-am-bn-cn-¡pw.''

AXp-sImIv `mc-X-̄ n\v Hcp al-̄ mb B²ym-ßnI

D -̄c-hm-Zn-Xz-amWv \nÀÆ-ln-¡m-\p-Å-Xv.

Page 26: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201226

Cancer as a killer disease has been making a “name” ever since a clinical entity entitled cancer has been recognized to exist. It is now established that various forms of cancer, along with heart disease and traffic accidents account for the overwhelming number of deaths in modern day world. The rela-tive break-up ratios might vary from one country to the other, but the fact remains that cancer is and can be deadly in the real sense of the word! All the same, thanks to advances in medical research and therapy, there have been appreciable improvement in survival rate of cancer victims and many cases, if detected early are thought to be perfectly amenable to therapy.

What is cancer? In simple terms, cancer may be defined as an unwanted, undesirable, uncontrolled proliferation of cells in the body. Depending on the site of the disturbance and the nature of cells in-volved, cancer is classified accordingly. Theories abound as to what causes a particular cell line to go off the beaten track and reins and provoke the hav-oc. Some have tended to stamp cancer as a disease of modern day living, egged on by incessant stresses and strains. Some others have attributed the change in life-styles, shift to unhealthy food habits and en-vironmental pollution as factors contributing to the disease. And there are others who are more fatalists, ascribing the cancer phenomenon as a manifestation of cellular senescence or aging. Millions of dollars have been pumped into medical research all around the world, in an attempt to unravel the mystery or mechanism of cancer genesis. But, results so far have been less forthcoming and less conclusive than expected of the efforts. All the same, thanks to these researches, considerable progress has been made, of late in successful treatment of certain forms of cancer, which till recently were considered as sure death-warrants!

Treatment by drugs, radiation and surgery have

been and remain the main weapons of treatment against this dreaded affliction. The mental dispo-sition of the patient in question, in contributing to the outcome of the therapy has been mainly hypo-thetical, almost bordering on the realm of unknown! But certain research reports emanating from west-ern laboratories seem to indicate that chances of a cancer victim recovering from the illness or sinking further may well be determined or modulated by his or her mental attitude to the disease. A desper-ate helpless disposition might in fact aggravate the malady while a will to fight on and recover may fa-cilitate the healing process.

Researchers at Colorado University, USA sub-jected 2 groups of rats to electric shock treatment, in an attempt to induce cancerous growth in them. The experiment was so designed that one group of animals could avoid the shock by pressing an “es-cape mechanism” while the other group was left to endure the shock treatment without any form of

Cancer and Mind

Professor Nandakumar MoorkathChairman, Obstetrics & Gynecology Department,

Faculty of Medicine, University of Kuwait

BtcmKrw

Health

Page 27: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 27

avoidance outlet. Scientists noted that those who were left desperate but to bear the trauma of the shock were significantly more prone to accelerated cancer growth and reduced recovery than those who could avoid the shock by resorting to the “escape mechanism”. Validity of these animal experiments may be thought to be substantiated by innumerable reports of patients having weathered the “storm” successfully, by their sheer will power and willing-ness to fight. In short, medicines themselves may not produce the desired effect unless the patient too puts his mind to it!

the brain can either accelerate or worsen recovery from cancerous tissue growth.

Certain small sized molecules named opioids or enkephalins are known to be released from the brain in times of stress. It has also been shown, though not conclusively, that these substances are capable of depressing immune function or downgrade body’s ability to counter attacks from disease or disorders such as cancer, etc. It is plausible that the depressed or “feeling-lost” patients are hurting themselves, in-advertently, by releasing more of such substances within and thus accelerate their own downfall. How-ever, the above mentioned endogenous opioids have widespread non-specific actions on the various body systems and hence use of their agonists (mimicking agents) or antagonists (agents canceling the effects) in treatment of cancer or other diseases can only be envisaged with more in-depth research in animals and subsequent clinical trials in humans.

Additional clinically and scientifically oriented well-controlled studies might help in cleared elu-cidation of the supplementary role mind plays in determining the course and recovery (or non-re-covery!) from a potentially fatal malady. Given the enormous complexities and potentialities of the hu-man mind and the practical difficulties involved in carrying out well matched, adequately controlled clinical trials that yield interpretable data, nature of role of the mind in modulating the course of an ill-ness might remain endlessly debatable. But the hu-man and studies mentioned above cannot be wished away as pure fiction and supplement the centuries-old notion in Ayurvedic treatise “Charaka Samhita” that the most deadly poison is that generated from the mind! One may argue that this is probably the case not only in the case of cancer, but many other serious or banal afflictions as well. The human mind remains as enigmatic and insurmountable as ever as Himalayas and nowhere than in medical research is it least explored or exploited.

BtcmKrw

Health

Further indication of the effectiveness of mental prowess in accelerating recovery from cancer have come from tests conducted on cancer patients them-selves. A group of cancer patients were screened and monitored over long periods, for level natural killer (NK) cells in their blood. NK cells belong to a class of white blood cells named lymphocytes which specialize in destroying tumor or cancer cells. The researchers found, to their total surprise, that those who became desperate and felt helpless with pros-pect of impending doom tended to accelerate their own downfall, as evidenced by a decline in the level of NK cells, while those with the will to fight on surmount the disease showed a marked increase in “destroyer” cell levels. It is also known that in ani-mals, stimulation or destruction of certain parts of

Page 28: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201228

Our food was considered to be our medicine. Food is fuel for the digestive fire and therefore must be pure, well combined and in correct quantity. When thinking about Vishu, Onam or any other Hindu festi-vals, first thing that comes to my mind is food…..our own Sadya-The traditional vegetarian feast!!!!!

As you all are aware sadya is a multi-course veg-etarian meal involving many vegetarian dishes along with rice and payasams. Side dishes could range from 15 to 24 or more. Most of the items are easy to cook and include seasonal vegetables and green leaves which offer an array of health benefits.

The assembled sadhya itself is a visual treat - a beautiful painting with its perfect balance of colour and texture. The very sight itself is so appetizing that it sends your salivary glands into overdrive! Sadya is often made in Hindu families during special oc-casions like Onam, Vishu, marriage, birthdays, and

tice to include vegetables such as carrots, pineapples, beans in the dishes. Onion and garlic are not typi-cally used in the sadya as these are considered to be rajassic foods. While eating sadya people used to sit on the floor with crossed legs as this position is said to enhance the energies of the abdomen by bringing them up from the legs.

Eating with your hands is beneficial in that you can judge the temperature of your food before putting it in your mouth and it is believed that the energy in your fingertips has positive effects on your food!!!!!

Usually served as lunch, sadya consists of par boiled pink rice, side dishes, savouries, pickles and desserts spread out on a plantain leaf or Banana leaf, which could be also called as the Organic plate.

There is a very distinct and clear order of placing dishes on the banana leaf. While serving dishes, the banana leaf is placed in such a way that its narrow edge is faced towards the left hand side of the eater.

Gastronomy of “Sadya”dr. Sindhu Sudheesh

MathruDharshan

amXr ZÀi\w SaltPepper

other occasions. There are variations in the menu according to the place and the religion. Some com-munities include non-vegetarian dishes in the sadya. Although custom was to use traditional and seasonal vegetables, now a days it has become common prac-

Page 29: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 29

The dishes are served from left to right in the fol-lowing order.

1. Dishes Served on The top Left Corner of the Leaf

Kaya upperi ,Sarkaravaratty ,Pappadam, Pazham and Salt –(Salt is served as a part of tradition so that It allows the eaters to adjust the saltiness of the dishes .)

2. Dishes Served from Middle Left to Right

All 'thotu curries' or side dishes are served from middle left to right side of the dish. These dishes are served on the order of their importance: PuliInji, Manga Curry, Naranga Curry, Kichadi ,Pachadi , Kootukari ,Thoran ,Olan Erisseri and Aviyal.

3. Main dishes are served on the Center of the Leaf

Rice or Choru – Usually it will be brown rice- our own matta rice. Rice is eaten in three courses. Following dishes are served as an accompaniment: Parippu Curry –The rice is eaten with parippu cur-ry along with ghee and pappadam during the first course. During second course rice is eaten with sambar. In the third course rice is consumed with Kalan or pulisseri. During all these courses rice is served in small amounts.

After finishing the third course comes the sweet delicacies like prathaman or payasams, depending upon how many payasams you have, it is served one by one starting with the Vermicelli Payasam. After having the payasam again rice is served and consumed along with rasam followed by buttermilk or modified version “sambharam”.Both rasam and sambharam are served for its digestive properties as both are rich with salt and other spices which regulates the digestion .This is the unique feature of our sadhyas. You don’t end with dessert which can leave you slightly drowsy after a meal. Care is taken to awaken your senses and make you leave the table, not just well fed, but refreshed too. It is a very scientific approach.

In olden days meal is always followed by vet-tilamurukkan, chewing of betel leaf with lime and

MathruDharshan

SaltPepper

amXr ZÀi\w

arecanut. This aids in digestion of the heavy meal and also cleanses the palate.

Inspite of its mind boggling variety,it is a deli-cately balanced diet with the right mix of all pos-sibleindredietns and tastes. Sadya is given great importance in Kerala which is served and devoured with great pride by everyone irrespective of their taste buds.

Page 30: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201230

NewshmÀ¯IÄ

VISHU SEVA DINAM & BALAKALOTSAVAM-2012

SEVADARSHAN FARWANIYA UNITSevadarshan Farwaniya unit celebrated Vishu Seva Dinam and Balakalotsavam on 30th March 2012

at Bharatiya Vidya Bhavan Auditorium, Abbasiya. Balakalotsavam was inaugurated by Shri Manoj, Bala-darshan Coordinator Kuwait. It was a variety programme with various competitions among the children between the age group of 3 and 13 years. Evening Vishu Seva Dinam programme was inaugurated by Mr Ajayan, General Secretary of Sevadarshan, Kuwait. Mr Sudhir delivered the Welcome Speech and the pro-gramme was presided over by Mr Krishnan, President of Seva Darshan Kuwait . Dr Srikumar, Scientific Consultant, Kuwait Foundation, was the Chief Guest of the Programme. Dr Srikumar delivered an inspir-ing speech to the audience on the importance of Seva (Selfless service). After prize distribution by distin-guished guests from various organizations, the Programme Coordinator Mr Balan Nair expressed vote of thanks.

Page 31: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 31

NewshmÀ¯IÄ

VISHU SEVA DINAM & BALAKALOTSAVAM-2012 SEVADARSHAN FARWANIYA UNIT

Page 32: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201232

Whenever evil prevails and the entire universe is terrified by wicked forces and when there is no way out for the common people, Sri Vishnu comes to the rescue. He incarnates himself into an ap-propriate form for the upliftment of the good and virtuous, destruction of evil and re-establishment the natural law (dharma).

Thousands of thousand years back, the demon king Ravana was challenging righteous. He was wealthy, powerful and the mightiest king at his time. He was very learned and accomplished person too. But he was evil and wicked. He used all his powers and knowledge for himself and his supporters. Naturally, he became a danger for all and Sri Vishnu had to incarnate himself to elimi-nate Ravana.

Sri Vishnu incarnated Himself as Rama; the oldest son of the King Dashrath, The King of Ay-odhya. Dashrath had four sons - Rama, Laksh-mana, Bharatha and Shatrughna. All four broth-ers were learned and brave. Especially, Rama was dearest to all. Rama was married to Sita. To fulfill the desire of his mother Kaikeyi, Rama with his brother, Lakshmana and wife Sita, went to the for-est for 14 years. During that period, the demon king Ravana abducted Sita and took her to his kingdom Lanka. Rama with the help of another king Sugreev fought with wicked Ravana and his army, defeated them and rescued Sita. Thus, Sri Vishnu, in form of Sri Rama, eliminated the de-mon Ravana and established the Dharma (natural law) again.

RamaNavamiRama was born on the 9th day of the Hindu

month Chaitra (March-April) in Ayodhya which is situated on the banks of the holy river - Sarayu. Navami means 9th day. Since Rama was born on

this day, it is called as Rama Navami. Hindus celebrate Rama Navami as a festival. It is dedi-cated to the memory of Shri Rama. Celebrations begin with a prayer to the Sun, early in the morn-ing, chanting Vedic mantras dedicated to Sri Vish-nu and offering flowers and fruits to Bhagawan. A special prayer is performed at noon as Rama was born at mid-day (noon). Hindus keep a fast throughout the day, breaking it only at midnight. Public gatherings called satsang are organized and excerpts from the Ramayana, a book on Rama de-scribing his powers, achievements, virtues and glory, are recited.

Hindus participate in a Rama Navami proces-sion with a great zeal and passion. The main attrac-tion of the procession is a nicely decorated chariot in which four persons are dressed up as Rama, his

Sri Rama NavamiBala Lokam

_metemIw

Page 33: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 33

Bala Lokam_metemIw

brother Lakshmana, his wife Sita and his disciple Hanuman. This chariot is accompanied by several other persons dressed up as Rama's soldiers. In Ayodhya, Rama's birth-place, almost all temples carry such processions. Rama leela (the play de-picting the life events of Rama) are also organized at places.

The RamayanaThe Ramayana is one of the two Hindu itihasas

(historical narratives loosely termed as epics) at-tributed to the great sage Valrniki. It consists of 24,000 verses categorized in seven parts (kandas) describing the life of Sri Rama. The name "Ra-mayana" is a compound of two words "rama" and "ayana (coming)". In short, The Ramayana means - Rama's coming i.e. his story of life. The Rama-yana is not just an ordinary story, but contains the teachings of ancient Hindu sages. It was first writ-ten in Samskrit, but later poets narrated it in vari-ous Bharatiya (Indian) languages. It is popular not only in Bharat (India), but the entire Bharatiya

(Indian) sub-continent including south-east coun-tries, particularly Indonesia, Thailand, Cambodia, Malasiya, Philippines and Vietnam.

Is it worth reading Ramayana today?

Today’s world is a world of Science and Tech-nology. Men have landed on the moon and now approaching Mars. Life styles and attitudes have changed completely. Is it really worth reading Ra-mayana today which was written thousands and thousands of years back? Are teachings from Ra-mayana really relevant in these days? These are often repeated questions. Answer is YES! Sci-ence may alter the life style of human being; it may bring the materialistic prosperity but what will remain permanent and worthy are "Nature's Laws", "Moral Values". Human nature, emotions, moral values, and problems will remain same to-day and in future. And the Ramayana and its hero Sri Rama teach the moral values. Sri Rama estab-lished the highest standards for the values and his personal and social conduct followed those val-ues. One can look up the Sri Rama's character to identify the solution to any problem in the world. It is worth reading or listening to the Ramayana even now to foster good values/character and to be a good person

Page 34: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 201234

Bala Lokam_metemIw

Once upon a time, on the banks of a big river, there lived a monkey, ontop of an ap-ple tree. The apples grew all year round and they tasted yummy. The monkey grew up on those apples and lived happily. One day while it was jumping from one branch to the other, it saw acrocodile looking very sad and tired. It jumped to a lower branch and enquired of the reason for the crocodile being so sad.

The crocodile told the monkey that he had not eaten for three days and it was fast becoming very weak.

The monkey immediately plucked a few ap-ples from the tree and threw it to the crocodile. The crocodile gulped them eagerly, thanked the monkey ad with a new vigour whisked his tail and swam away. The crocodile started meeting the monkey regularly and they be-came good friends.

One day, the crocodile took a couple of ap-ples to his wife. She ate the delicious apples and her mouth watered at the thought of the apples. She thought if the apples tasted so good, how much better would the monkey taste, after eating the yummy apples regu-larly. She started insisting that the crocodile bring his friend, so that they could make a meal of him.

The crocodile became very sad. On the one hand, he loved his wife very dearly and on the other, he cared very much for his friend.

Monkey and the Crocodiles The love for his wife won finally, and one day

he invited his friend to his house for afeast. When the monkey pointed out that he could not swim, the crocodile offered to carry him on his backThus the two friends set off to the crocodile's house. On the way thecrocodile became very sad and started shedding tears. The monkey seeing this, asked the reason for the sudden grief. The crocodile told him of his wife's wicked plan. The clever monkey thought of a way out.

He consoled the crocodile and told him that he always kept his heart hiddenin a hole in the tree, for safe-keeping. He offered to take his heart from the hiding place & give it to him. The crocodile turned round and reached the shores. The monkey jumped off the croco-dile's back & quickly scamperedup the tree. The crocodile kept waiting for the monkey to return. After sometime he called out for his friend. But, he got no reply in return and nor did he get the delicious apples from that day onwards.

Story moral: Intelligence wins over might.

Page 35: Sopanam E Magazine Vol 2 Issue 1

Sopanam - April 2012 35

Bala Lokam_metemIw

Megha MuraliAbbasiya Baladarshan Adithya

Abbasiya BaladarshanAnusha

Abbasiya Baladarshan

Ashwindev MadhuAbbasiya Baladarshan

Darshana MadhuAbbasiya Baladarshan