Something’s Brewing BIER When hegemony just won’t do !

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Something’s Brewing BIER When hegemony just won’t do! Edith Abeyta & Judith Thi

description

Something’s Brewing BIER When hegemony just won’t do !. Edith Abeyta & Judith Thissen. point of departure Watts Towers built 1921-1954 by Simon Rodia. building the "Hollywood Sci Fi Garbage Heap" house. a post-apocalyptic domicile of found materials, industrial products and garbage. - PowerPoint PPT Presentation

Transcript of Something’s Brewing BIER When hegemony just won’t do !

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Something’s Brewing BIERWhen hegemony just won’t do!

Edith Abeyta & Judith Thissen

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point of departureWatts Towers

built 1921-1954 by Simon Rodia

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building the "Hollywood Sci Fi Garbage Heap" house

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a post-apocalyptic domicile of found

materials, industrial products and garbage

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Simon Rodia

Edith Abeyta

art examing capitalism's inability to scratch the itch comprised of re-constructed post-consumer cast-offs found on the streets of Los Angeles

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Edith Abeyta, Los Angeles

25.11.2006Something’s Brewing BIERBrown bag prototype

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open call for labels

Requirements: design to be formatted into the shape according to the pattern.  The "label" is a slipcover, machine sewn, fitting over the top of a standard 12oz/30 cl. beer bottle.

Medium: open

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Oleg Buryam & Peter Kirusha, Moscow

The Pregnant Manphrase from famous futurist poet David Burluk

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Joncquil de Vries, Den Haag

Brain BunnyBeer

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Beth Elliott, USA

string theory

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Hague Williams, USA

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Alex Jacobs, Rotterdam

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Merry-Beth Noble, USA

I created a label that looks like fashion design for a beer bottle, by using fabric and vinyl with sparkles and lace. The objective is to give the Something’s Brewing bottle personality, femininity and allow the design to directly compete for attention with the multi-national brewer. If they happen to be in the same room as each other, …the viewer will have to decide who is the best dressed.

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Marissa De La Mora, USA

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Amy Caterina, USA

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BIER

Irish Red Ale

Oktoberfest

India Pale Ale

created by

Bob Tower

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18.4.2007 equipment arrives

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27.4.2007 first day of brewing

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fermentor room

preparation for bottling

Irish Red Ale transferred from fermentor to sanitized kettle

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bottling

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statistics

3x3 batches of 35 liter

250 liters of beer

750 bottles

6 events sponsored

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9.6.2007 Imagine IC Amsterdam

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22-23.6.2007Oerol Festival, Terschelling

sponsoring De Kift

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26.6.2007Open atelier Utrecht University

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The flipside of the coin

Art & the ideology of the market

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1. Complete autonomy:  In no way should our project be altered,influenced or affected because a corporate brewer or any other brewer is going to sponsor CO-OPs. We don't want to be asked or feel pressure to pander or not have a critique because they are providing funds and/or free beer.

2. Equal billing as a beer sponsor.  Our BIER "logo" on all printed material, acknowledgement that Something's Brewing BIER is also a sponsor of CO-OPs.

1.2.2007

sponsor statement

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3. We don't want neither money nor bottles from the sponsor.  We would appreciate additional funding for our project (to cover international travel expenses) but only via NWO and as long as the above conditionsstill apply.

4. The Something's Brewing team will exclusively serve it's own handcrafted beer. If the sponsor provides free beer for CO-OPS events, it can be served by the institution that is hosting the event.

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Merry-Beth Noble says: June 12th, 2007 at 6:03 pm

Edith’s and Judith’s experiences are a warning to us all about the power of the image. Images are in charge, they rule the land, even if they are false. This reminds me that it is important to question the image, even if it’s presented as truth. Often we praise the documentation and photos of the “project,” when there is little or no substance behind the work. We should continually question the integrity of what we are looking at.

Likewise, as artists, we must be aware that our images and creative products are frequently hijacked by unsavory people and companies who use this work as a meal ticket, as prestige or as validation to receive money. The mis-use of our creative product ranges from the labeling of warehouses as “artist lofts” or “arts districts” in real estate, to securing government grant money with proposals for mysterious non-existent events. This falsification at the artist’s expense seems to becoming more and more common. Someone is making money in all this madness, and it usually isn’t the artist.

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